1 00:00:06,167 --> 00:00:09,541 [GEORGE] EVERYBODY DIES . THAT'S JUST THE WAY IT IS. 2 00:00:09,542 --> 00:00:14,749 I'M TOLD I'M NOT SUPPOSED TO ARGUE OR QUESTION OR EVEN TRY TO UNDERSTAND. 3 00:00:14,750 --> 00:00:16,499 I'M TOLD A LOT THESE DAYS, 4 00:00:16,500 --> 00:00:21,165 EVER SINCE MY LIFE WAS SNUFFED OUT BY A TOILET SEAT FROM AN OLD SPACE STATION 5 00:00:21,166 --> 00:00:24,958 AND I JOINED THE RANKS OF THE UNDEAD AND BECAME A GRIM REAPER. 6 00:00:24,959 --> 00:00:28,207 THIS IS RUBE. HE'S MY BOSS. HE'S UNDEAD, TOO. 7 00:00:28,208 --> 00:00:31,582 HE'S THE ONE WHO GETS THE LIST, WHO'S TO DIE, WHEN AND WHERE, 8 00:00:31,583 --> 00:00:34,624 WHICH HE PASSES ON TO THE REST OF US GRIM REAPERS. 9 00:00:34,625 --> 00:00:36,185 THIS IS WHAT WE LOOK LIKE TO THE LIVING. 10 00:00:37,167 --> 00:00:38,457 [GEORGE] HOLY SHIT! 11 00:00:38,458 --> 00:00:40,916 MY NAME IS GEORGE LASS. 12 00:00:40,917 --> 00:00:44,083 THIS WAS MY HOME, AND THIS WAS MY FAMILY: 13 00:00:44,084 --> 00:00:47,958 DAD, MY SISTER, REGGIE, AND MOM. 14 00:00:47,959 --> 00:00:50,457 THEY'RE HAVING TROUBLE COPING. SO AM I. 15 00:00:50,458 --> 00:00:51,916 WELL, I WANT MY LIFE BACK! 16 00:00:51,917 --> 00:00:54,833 ETD? ESTIMATED TIME OF DEATH. 17 00:00:54,834 --> 00:00:57,041 THE FIRST ONE'S NEVER EASY. 18 00:00:57,042 --> 00:00:58,749 [GEORGE] SHE'S JUST A LITTLE GIRL. 19 00:00:58,750 --> 00:01:00,791 SHE CAN'T DIE. IT'S CRUEL. 20 00:01:00,792 --> 00:01:02,207 [RUBE] YOU JUST CAN'T CHANGE FATE. 21 00:01:02,208 --> 00:01:05,008 NOW, YOU'D BETTER MARCH ON OVER THERE AND YOU TAKE HER SOUL RIGHT QUICK. 22 00:01:07,167 --> 00:01:09,207 WAIT! [RUBE] YOU CAN'T GO WHERE SHE'S GOING. 23 00:01:09,208 --> 00:01:11,208 [GEORGE] WHAT IS IT? IT'S NOT FOR US TO KNOW. 24 00:02:16,291 --> 00:02:21,208 MY NAME IS GEORGE LASS, AND I'VE BEEN DEAD FOR SEVEN DAYS. 25 00:02:21,209 --> 00:02:23,166 OKAY, THAT'S A LITTLE DRAMATIC. 26 00:02:23,167 --> 00:02:27,749 I'M ACTUALLY UNDEAD, A MODERN-DAY GRIM REAPER. 27 00:02:27,750 --> 00:02:30,207 I CAN TAKE THE SOULS OF PEOPLE ABOUT TO DIE... 28 00:02:30,208 --> 00:02:31,875 FUCKING NIGHTMARE. 29 00:02:36,333 --> 00:02:39,165 BUT I CAN'T OPEN MY FRONT DOOR. 30 00:02:39,166 --> 00:02:41,165 IT WOULD PROBABLY HELP TO HAVE A KEY, 31 00:02:41,166 --> 00:02:44,457 BUT WHEN YOU'RE SQUATTING IN SOME DEAD GUY'S APARTMENT, 32 00:02:44,458 --> 00:02:47,250 YOU CAN'T EXPECT A MINT ON YOUR PILLOW. 33 00:02:49,667 --> 00:02:55,209 EVEN WITH THIS SEEMINGLY DIVINE POWER THAT I HAD, I DON'T GET PAID A CENT, 34 00:02:56,166 --> 00:02:59,667 I CAN'T DISAPPEAR OR FLY OR WALK THROUGH WALLS... 35 00:03:00,333 --> 00:03:01,874 WHAT A SHITHOLE. 36 00:03:01,875 --> 00:03:05,792 AND I HAD TO LIVE IN THIS GUY'S APARTMENT THAT WAS REALLY MESSY. 37 00:03:06,917 --> 00:03:07,959 KIND OF LIKE HIS DEATH. 38 00:03:17,542 --> 00:03:22,624 EVERY NIGHT I LAID IN BED AND WENT OVER THE FACTS AGAIN AND AGAIN. 39 00:03:22,625 --> 00:03:24,583 I THINK I LIVED A PRETTY NORMAL LIFE. 40 00:03:25,500 --> 00:03:27,624 [JOY] GET UP! MOM. 41 00:03:27,625 --> 00:03:30,416 YOU WILL GET OUT OF BED AND YOU WILL GO TO WORK. 42 00:03:30,417 --> 00:03:33,499 YOU WILL COLLECT A PAYCHECK AND YOU WILL MOVE OUT OF THIS HOUSE. 43 00:03:33,500 --> 00:03:34,875 [GEORGE] AND THEN I WAS KILLED. 44 00:03:35,583 --> 00:03:37,167 OH, SHIT. 45 00:03:40,291 --> 00:03:45,542 I BECAME A REAPER, LIFTING THE SOULS I WAS TOLD TO TAKE. 46 00:03:46,708 --> 00:03:48,040 IT'S FUCKING WEIRD. 47 00:03:48,041 --> 00:03:51,124 IT'S NOT OUR JOB TO DROP THE PIANOS OR THE TOILET SEATS. 48 00:03:51,125 --> 00:03:52,500 [GEORGE] WHOSE JOB IS IT? 49 00:03:54,458 --> 00:03:55,792 GRAVELINGS. 50 00:03:58,000 --> 00:03:59,208 SLEEP. 51 00:04:05,875 --> 00:04:08,084 [GEORGE] MAYBE NEXT WEEK I'LL GET USED TO IT. 52 00:04:10,875 --> 00:04:13,084 MAYBE NEXT WEEK IT'LL MAKE MORE SENSE. 53 00:04:17,042 --> 00:04:18,958 MAYBE NEXT WEEK I WON'T COME HOME 54 00:04:18,959 --> 00:04:21,417 AND SLEEP IN THE BACK SEAT OF MY PARENTS' CAR. 55 00:04:24,500 --> 00:04:26,375 MY NAME IS GEORGE LASS. 56 00:04:27,458 --> 00:04:29,750 I DIED WHEN I WAS 18 YEARS OLD. 57 00:04:31,625 --> 00:04:33,542 I TAKE SOULS FOR A LIVING. 58 00:04:37,084 --> 00:04:40,042 AND THESE ARE THE DAYS OF MY AFTERLIFE. 59 00:04:53,375 --> 00:04:56,000 OH, GOOD CHRIST. WHO ARE YOU? 60 00:04:56,959 --> 00:04:58,667 I LIVE HERE. 61 00:05:01,834 --> 00:05:03,500 WERE YOU BRENDAN'S GIRLFRIEND? 62 00:05:04,875 --> 00:05:05,959 YES. 63 00:05:12,208 --> 00:05:16,582 [GEORGE] FRIENDS AND FAMILY USUALLY WANT A PIECE OF YOU AFTER YOU DIE. 64 00:05:16,583 --> 00:05:19,167 AFTER ALL, WHO YOU ARE IS WHAT YOU LEFT BEHIND. 65 00:05:23,041 --> 00:05:25,167 [GEORGE] ACTUALLY, THAT'S MINE. 66 00:05:26,917 --> 00:05:28,084 OH. 67 00:05:28,458 --> 00:05:31,250 THAT AND THE TV. 68 00:05:34,167 --> 00:05:36,083 WE GAVE HIM THAT TV. 69 00:05:39,000 --> 00:05:40,875 DID YOU EVEN KNOW BRENDAN? 70 00:05:43,209 --> 00:05:44,417 LITTLE BIT. 71 00:05:46,250 --> 00:05:48,916 BUT NOT REALLY, THOUGH. 72 00:05:48,917 --> 00:05:51,041 I MOVED IN THE DAY WE MET. 73 00:05:52,583 --> 00:05:55,000 WAS THIS BEFORE OR AFTER HE DIED? 74 00:05:58,542 --> 00:05:59,792 SAME DAY. 75 00:06:02,625 --> 00:06:04,125 PLEASE DON'T TAKE THE TV. 76 00:06:08,708 --> 00:06:11,750 [GEORGE] BUT FOR ME, IT WASN'T WHAT I LEFT BEHIND. 77 00:06:14,166 --> 00:06:15,916 IT WAS WHO. 78 00:06:15,917 --> 00:06:17,917 HELLO, CLAIRE. HI. 79 00:06:20,375 --> 00:06:21,917 WHAT IS IT, CLAIRE? 80 00:06:22,792 --> 00:06:25,040 WELL, THIS IS DIFFICULT FOR ME. 81 00:06:25,041 --> 00:06:27,667 I MEAN, IT'S DIFFICULT FOR ME TO BE TELLING YOU THIS. 82 00:06:29,542 --> 00:06:31,874 IT'S ABOUT YOUR DAUGHTER, REGGIE. 83 00:06:31,875 --> 00:06:35,040 WHAT ABOUT HER? WELL, I JUST THINK 84 00:06:35,041 --> 00:06:39,834 THAT WHAT YOU'RE DOING COULD BE CONSIDERED A FORM OF ABUSE. 85 00:06:41,959 --> 00:06:45,625 [JOY] WHY DID YOU TELL CLAIRE THAT I DON'T LET YOU GO TO THE BATHROOM? 86 00:06:47,250 --> 00:06:50,375 DID YOU TELL ANYONE ELSE THAT I DON'T LET YOU GO TO THE BATHROOM? 87 00:06:52,542 --> 00:06:55,375 WHO? THE GIBSONS AND THE MCMINNS. 88 00:06:57,125 --> 00:06:59,249 AND THE LEES. 89 00:06:59,250 --> 00:07:02,166 JESUS CHRIST, REGGIE! I COULD BE ARRESTED FOR THIS. 90 00:07:02,167 --> 00:07:04,207 IS THAT WHAT YOU WANT? DO YOU WANT ME TO GO TO JAIL? 91 00:07:04,231 --> 00:07:06,022 WHY? WHY WOULD YOU TELL THEM THAT? 92 00:07:06,875 --> 00:07:08,875 SO THEY'D LET ME USE THEIR BATHROOM. 93 00:07:09,708 --> 00:07:11,500 WHAT IS WRONG WITH OUR BATHROOM? 94 00:07:12,625 --> 00:07:14,042 NOTHING. 95 00:07:15,000 --> 00:07:17,417 REGGIE, YOU ARE FREAKING ME OUT. 96 00:07:25,250 --> 00:07:28,999 [GEORGE] REAPERS DON'T GET A FREE RIDE. ROXY WORKS FOR THE CITY. 97 00:07:29,000 --> 00:07:30,480 COME ON. THERE'S, LIKE, A MINUTE LEFT. 98 00:07:30,504 --> 00:07:32,962 WRITE THE TICKET. LET'S GO. LET ME DO MY JOB, MAN. 99 00:07:35,041 --> 00:07:38,624 WHERE DO ALL THE COINS GO, ANYWAY? DOESN'T SEEM BIG ENOUGH. 100 00:07:38,625 --> 00:07:41,624 THERE'S THIS NETWORK OF PRESSURIZED VACUUM TUBES 101 00:07:41,625 --> 00:07:43,083 UNDERNEATH THE SIDEWALK. 102 00:07:43,084 --> 00:07:46,916 THE METERS DROP OFF THEIR RESERVOIR EVERY THREE OR FOUR HOURS. 103 00:07:46,917 --> 00:07:50,124 IT'S SUCKED THROUGH THE TUBES AND DUMPED BACK INTO THE BASEMENT 104 00:07:50,125 --> 00:07:51,083 OF THE 7TH STREET PARKING OFFICE. 105 00:07:51,084 --> 00:07:52,208 MY GOD, REALLY? 106 00:07:53,500 --> 00:07:55,624 YOU GOT SHIT FOR BRAINS, MAN. 107 00:07:55,625 --> 00:07:59,749 I GOT THE KEYS, AND THESE BAD BOYS HOLD MORE THAN YOU'D THINK. 108 00:07:59,750 --> 00:08:02,390 ROXY, COME ON. COUPLE OF SECONDS. JUST CALL IT. GIVE HIM THE TICKET. 109 00:08:02,414 --> 00:08:04,873 WHOA, WHOA, WAIT, WAIT! WAIT, I'M COMING. 110 00:08:06,084 --> 00:08:07,124 [ROXY] NOT FAST ENOUGH. 111 00:08:07,125 --> 00:08:09,166 NO, IT'S OKAY, I'M HERE. IT'S DONE, SIR. 112 00:08:09,167 --> 00:08:11,124 WHOA. I GOT CHANGE. LOOK. IT'S DONE, SIR. 113 00:08:11,125 --> 00:08:13,332 COME ON, BUT I'M HERE. I MEAN, I'M RIGHT HERE. 114 00:08:13,333 --> 00:08:16,666 IT'S DONE. LOOK, LADY, YOU SAW ME COMING OVER HERE. 115 00:08:16,667 --> 00:08:18,187 YOU KNEW I WAS GONNA PUT THE CHANGE IN. 116 00:08:18,211 --> 00:08:19,753 YOU NEED TO STEP OFF, SIR. 117 00:08:23,250 --> 00:08:24,375 FUCKING ROBOT. 118 00:08:25,750 --> 00:08:26,916 YOU DON'T KNOW ME. 119 00:08:26,917 --> 00:08:29,208 "OH, LOOK AT ME, I'M SO POWERFUL." 120 00:08:29,209 --> 00:08:31,666 "I CAN WRITE A TICKET ON THE FANCY LITTLE SPORTS CAR." 121 00:08:31,667 --> 00:08:33,387 YEAH, YEAH, JUST SO YOU CAN GO HOME AT NIGHT 122 00:08:33,411 --> 00:08:34,958 AND EAT YOUR FUCKING TV DINNER 123 00:08:34,959 --> 00:08:37,249 AND FEEL BETTER ABOUT YOUR LONELY, LOUSY LIFE. 124 00:08:37,250 --> 00:08:38,999 YOU KNOW WHAT YOUR PROBLEM IS? 125 00:08:39,000 --> 00:08:42,124 YOU WAKE UP EVERY MORNING WONDERING WHAT THE WORLD'S GONNA DO FOR YOU, 126 00:08:42,125 --> 00:08:44,082 WONDERING WHO'S GONNA BEND OVER BACKWARDS, 127 00:08:44,083 --> 00:08:45,958 KISS YOUR ASS AND MAKE YOU HAPPY, 128 00:08:45,959 --> 00:08:49,125 WHEN YOU SHOULD JUST THANK GOD FOR ANOTHER DAY AND LEAVE IT THE FUCK AT THAT. 129 00:08:51,375 --> 00:08:53,124 TAKE THIS TICKET BACK. NO. 130 00:08:53,125 --> 00:08:54,165 TAKE IT BACK. NO. 131 00:08:54,166 --> 00:08:55,625 HEY, MY FRIEND. HEY, COME ON. 132 00:08:56,959 --> 00:08:59,208 I AM NOT YOUR FRIEND, MY FRIEND. HEY, HEY, COOL IT. 133 00:08:59,209 --> 00:09:01,707 SIR, I'M GONNA SAY THIS AS POLITELY AS POSSIBLE. 134 00:09:01,708 --> 00:09:03,084 I WILL FUCK YOU UP. 135 00:09:07,125 --> 00:09:09,208 ARE YOU KIDDING ME? YOU DON'T KNOW ME. 136 00:09:13,208 --> 00:09:14,374 I'M GONNA REPORT YOU. 137 00:09:14,375 --> 00:09:16,250 AND YOU REALLY DON'T KNOW MY BOSS. 138 00:09:17,000 --> 00:09:18,291 HAVE A NICE DAY. 139 00:09:22,000 --> 00:09:24,165 WHAT'S WITH THE PIECE? 140 00:09:24,166 --> 00:09:27,708 THESE THINGS CAN JUST DRAG ON AND ON. 141 00:09:28,750 --> 00:09:30,000 [MASON] OKAY. 142 00:09:46,417 --> 00:09:50,916 [GEORGE] PEOPLE SAY THE LORD WORKS IN MYSTERIOUS WAYS, 143 00:09:50,917 --> 00:09:54,083 AS IF THAT MAKES ALL THE SHITTY THINGS IN LIFE ANY SWEETER. 144 00:09:56,291 --> 00:09:58,667 DEATH IS EQUALLY MYSTERIOUS, 145 00:10:00,000 --> 00:10:02,959 BUT THERE'S NO SUGARCOATING THAT TURD. 146 00:10:13,792 --> 00:10:17,291 BE IT DIVINE INTERVENTION OR NATURAL SELECTION, 147 00:10:20,000 --> 00:10:22,167 EVERYONE'S GOT AN APPOINTMENT. 148 00:10:24,000 --> 00:10:27,333 YOU MAY NOT KNOW THE TIME AND YOU MAY NOT KNOW THE PLACE, 149 00:10:29,375 --> 00:10:31,542 BUT WE DO. 150 00:10:35,792 --> 00:10:38,833 HE WAS SLUMPED OVER THE DINING ROOM TABLE WITH THE VACUUM CLEANER. 151 00:10:38,834 --> 00:10:40,154 I THINK HE WAS HAVING SEX WITH IT. 152 00:10:41,209 --> 00:10:43,125 UPRIGHT? SLUMPED OVER. 153 00:10:43,583 --> 00:10:44,916 THE VACUUM CLEANER. 154 00:10:44,917 --> 00:10:47,958 OH, NO. THE OTHER KIND, THE KIND WITH THE HOSE. 155 00:10:47,959 --> 00:10:51,166 OH, I NEED A VACUUM CLEANER. BUT I WANT AN UPRIGHT. 156 00:10:51,167 --> 00:10:53,791 OUR FRIENDS DOWN AT COUNTY GENERAL ARE LOOKING FOR A FEW VOLUNTEERS 157 00:10:53,792 --> 00:10:55,125 TO HELP WITH APPOINTMENT OVERFLOW. 158 00:10:56,417 --> 00:10:57,625 ANY TAKERS? 159 00:11:01,000 --> 00:11:03,165 WHAT DO YOU GET? WHAT DO YOU MEAN, "WHAT DO YOU GET?" 160 00:11:03,166 --> 00:11:05,125 WELL, WHY SHOULD I DO IT? 161 00:11:06,125 --> 00:11:07,805 HOW ABOUT A GOOD DEED FOR GOOD DEED'S SAKE? 162 00:11:07,829 --> 00:11:09,083 YEAH, HOW ABOUT THAT? 163 00:11:09,084 --> 00:11:11,625 NO, SERIOUSLY, THOUGH, DO YOU GET ANYTHING? 164 00:11:12,625 --> 00:11:14,791 YOU GET A COUPON, PEANUT, FROM ME. 165 00:11:14,792 --> 00:11:17,082 THAT COUPON IS REDEEMABLE FOR ONE FAVOR. 166 00:11:17,083 --> 00:11:18,749 RIGHT NOW YOU DON'T HAVE ANY COUPONS, 167 00:11:18,750 --> 00:11:20,350 AND THAT MEANS YOU DON'T HAVE ANY FAVORS. 168 00:11:20,374 --> 00:11:21,750 DO YOU SEE HOW THAT WORKS? 169 00:11:22,333 --> 00:11:24,125 COUPONS DON'T PAY MY RENT. 170 00:11:25,125 --> 00:11:27,582 I COUNTIED ONCE. EVERYBODY WAS SAD. 171 00:11:27,583 --> 00:11:30,249 THIS ONE LADY WAS SO UPSET, SHE HAD A SNOT BUBBLE. 172 00:11:30,250 --> 00:11:32,125 SHE GOT SO MAD WHEN I TOLD HER. 173 00:11:33,166 --> 00:11:34,417 I THINK I'D LIKE TO PASS. 174 00:11:36,125 --> 00:11:37,708 ALL I CAN DO IS ASK. 175 00:11:42,917 --> 00:11:45,082 I DIDN'T GET A POST-IT. YOU'RE RIDING SHOTGUN. 176 00:11:45,083 --> 00:11:46,582 BEG PARDON? 177 00:11:46,583 --> 00:11:48,958 ST. GEORGE HERE THINKS IT'S HER CALL WHETHER PEOPLE LIVE OR DIE, 178 00:11:48,959 --> 00:11:50,719 AND UNTIL SHE STRAIGHTENS UP AND FLIES RIGHT, 179 00:11:50,743 --> 00:11:53,118 SHE'S GONNA HAVE A CHAPERON. TODAY YOU'RE IT. LET'S GO. 180 00:12:01,959 --> 00:12:04,207 [GEORGE] WHY COULDN'T WE HAVE TAKEN A CAB? 181 00:12:04,208 --> 00:12:07,083 [BETTY] DO YOU HAVE MONEY FOR A TAXI? 'CAUSE I DON'T. 182 00:12:07,084 --> 00:12:09,249 [GEORGE] AREN'T THERE ANY COMMUTER BUSES? 183 00:12:09,250 --> 00:12:11,000 I DON'T SEE ANY. 184 00:12:20,209 --> 00:12:22,166 HI, THERE. HI. 185 00:12:22,167 --> 00:12:23,916 [GEORGE] HI. HI. 186 00:12:23,917 --> 00:12:26,666 THANK YOU SO MUCH FOR STOPPING. 187 00:12:26,667 --> 00:12:29,666 YOU LADIES ARE GONNA CATCH YOUR DEATH OF COLD. HOP ON IN. 188 00:12:29,667 --> 00:12:33,040 I DON'T MEAN TO PISS ALL OVER THIS, BUT... 189 00:12:33,041 --> 00:12:36,040 WE ARE ON THE FLIRTING EDGE OF NOWHERE WITH 10 MILES TO GO, 190 00:12:36,041 --> 00:12:37,749 AND I AM WEARING MY BLAHNIKS. 191 00:12:37,750 --> 00:12:41,082 DO YOU KNOW HOW MANY PEOPLE HAD TO DIE FOR ME TO GET THESE? 192 00:12:41,083 --> 00:12:44,332 NO. FIVE. FIVE PEOPLE HAD TO. 193 00:12:44,333 --> 00:12:47,207 AND THAT WOULD MAKE THEM SPECIAL EVEN IF THEY WEREN'T BLAHNIKS. 194 00:12:47,208 --> 00:12:50,874 NOW, I AM REALLY TRYING TO RESPECT YOU, TOILET SEAT. I AM. 195 00:12:50,875 --> 00:12:52,083 BUT IT'S HARD SOMETIMES. 196 00:12:53,125 --> 00:12:54,833 BUT I KNOW WE'LL WORK IT OUT. 197 00:12:54,834 --> 00:12:57,707 WE BOTH JUST HAVE TO BE A LITTLE MORE TOLERANT. 198 00:12:57,708 --> 00:13:00,750 BUT IN THE MEANTIME, I THINK YOU SHOULD GET IN THE GODDAMN CAR. 199 00:14:02,792 --> 00:14:07,917 [GEORGE] THERE WAS A GENTLE SWEETNESS TO BETTY, AN EASE IN WHICH SHE GOT THE JOB DONE. 200 00:14:19,084 --> 00:14:22,125 SAY, ARE YOU ONE OF THEM GARSON BOYS? 201 00:14:22,542 --> 00:14:24,082 I AM. 202 00:14:24,083 --> 00:14:26,666 I KNOW YOUR DADDY. YOU KNOW DADDY? 203 00:14:26,667 --> 00:14:29,582 I SURE DO. HOW IS YOUR MAMA? 204 00:14:29,583 --> 00:14:33,290 WELL, SHE'S JUST FINE. SO NICE OF YOU TO ASK AFTER HER LIKE THAT. 205 00:14:33,291 --> 00:14:36,207 YOUR BEAUTIFUL MOTHER USED TO MAKE THE MOST DARLING QUILTS 206 00:14:36,208 --> 00:14:37,374 I EVER LAID EYES ON. 207 00:14:37,375 --> 00:14:39,249 MAMA MADE QUILTS? 208 00:14:39,250 --> 00:14:41,249 AND SHE NAMED THEM, TOO. 209 00:14:41,250 --> 00:14:44,040 [BETTY] ONE OF THEM WAS NAMED "AUTUMN LEAVES IN MOONLIGHT," 210 00:14:44,041 --> 00:14:46,084 AND ONE OF THEM WAS CALLED "SERENDIPITY." 211 00:14:48,125 --> 00:14:49,834 WELL, I CAN'T BELIEVE MY EARS. 212 00:14:51,792 --> 00:14:54,290 CAN I TAKE YOUR PICTURE? WELL, HELL, YEAH. 213 00:14:54,291 --> 00:14:58,416 [GEORGE] BETTY LIKED BEING A REAPER. IT WAS PAINLESS FOR HER. 214 00:14:58,417 --> 00:14:59,541 HAPPY THOUGHTS. 215 00:14:59,542 --> 00:15:01,166 AND I HATED HER FOR THAT. 216 00:15:01,167 --> 00:15:02,167 HAPPY THOUGHTS. 217 00:15:05,708 --> 00:15:07,209 [EXCLAIMS] 218 00:15:09,333 --> 00:15:11,084 BUT I COULDN'T GET PAST THE KILLING PART. 219 00:15:12,750 --> 00:15:15,750 IT DIDN'T MATTER IF I COULD PUT A SMILE ON A DEAD MAN'S LIPS. 220 00:15:18,041 --> 00:15:21,083 I STILL FELT LIKE AN ACCOMPLICE TO MURDER. 221 00:15:32,417 --> 00:15:34,042 [GEORGE] MAYBE WE SHOULD GET OUT HERE. 222 00:15:47,750 --> 00:15:51,707 YOU SURE YOU LADIES DON'T WANT ME TO HOLD OUT UNTIL YOU GET YOUR NEXT RIDE? 223 00:15:51,708 --> 00:15:53,749 YOU ARE THE SWEETEST. 224 00:15:53,750 --> 00:15:57,792 I WONDER IF SHE WANTED TO SAVE HIM, IF SHE WANTED TO BE BAD. 225 00:15:59,209 --> 00:16:02,082 WHAT WOULD YOU BE DOING RIGHT NOW IF YOU HADN'T PICKED US UP? 226 00:16:02,083 --> 00:16:05,541 WELL, I GUESS I'D BE DRIVING. 227 00:16:05,542 --> 00:16:09,542 THEN I THINK THAT'S WHAT YOU SHOULD DO. YOU HAVE A WONDERFUL EVENING. 228 00:16:19,750 --> 00:16:21,291 WHAT A NICE MAN. 229 00:16:32,041 --> 00:16:38,082 [GEORGE] THERE WAS NO SIGNPOST FOR ME, AT LEAST NOT ONE THAT I WANTED TO FOLLOW. 230 00:16:38,083 --> 00:16:43,041 I WAS RUDDERLESS. I DIDN'T BELONG. 231 00:16:43,042 --> 00:16:47,457 WAS I THE ONLY BAD PERSON? DIDN'T ANYBODY ELSE WANNA BE BAD? 232 00:16:47,458 --> 00:16:49,458 THERE'S A RIDICULOUS AMOUNT OF GUM UNDER THIS TABLE. 233 00:16:50,291 --> 00:16:53,208 DON'T TOUCH IT. WASH YOUR HANDS. 234 00:16:53,209 --> 00:16:54,332 IT'S GUM. 235 00:16:54,333 --> 00:16:56,749 AND IT'S BEEN IN SOMEBODY'S MOUTH WITH GERMS AND SHIT. 236 00:16:56,750 --> 00:16:58,749 [MASON] GERMS ARE EVERYWHERE. 237 00:16:58,750 --> 00:17:00,999 IT'S THE VIRUSES YOU NEED TO WATCH OUT ABOUT. 238 00:17:01,000 --> 00:17:03,249 I THINK THERE ARE PROBABLY VIRUSES ON THERE, TOO. 239 00:17:03,250 --> 00:17:09,040 NO. VIRUSES NEED A BIOLOGICALLY ACTIVE ENVIRONMENT TO SURVIVE. 240 00:17:09,041 --> 00:17:13,375 SYNTHETIC RUBBERS AND ARTIFICIAL FLAVORINGS ARE NOT BIOLOGICALLY ACTIVE. 241 00:17:17,625 --> 00:17:19,166 THAT IS SICK. 242 00:17:19,167 --> 00:17:21,290 ISN'T SALIVA BIOLOGICALLY ACTIVE? 243 00:17:21,291 --> 00:17:23,833 [WAITRESS] UBER-WAFFLE. [ROXY] THANK YOU. 244 00:17:23,834 --> 00:17:25,708 AND DAS MEXI-FEST. 245 00:17:26,875 --> 00:17:29,457 YOU ORDERED MEXICAN FOOD IN A GERMAN WAFFLE HOUSE? 246 00:17:29,458 --> 00:17:33,874 WELL, IT WAS ON THE MENU. IT HAS ALL THE FLAVORS OF THE WORLD. 247 00:17:33,875 --> 00:17:37,666 I USED TO THINK THAT "SOUL FOOD" MEANT IT CAME FROM KOREA. 248 00:17:37,667 --> 00:17:41,750 YOU KNOW, 'CAUSE SEOUL IS A CITY IN KOREA. 249 00:17:46,209 --> 00:17:48,541 EXCUSE ME. DO YOU HAVE ANY CRACKERS? 250 00:17:48,542 --> 00:17:50,125 YOU MEAN BESIDES YOU? 251 00:17:51,209 --> 00:17:53,667 THEY COME WITH THE SOUP. YOU WANT SOUP? 252 00:17:56,083 --> 00:17:57,375 NO, THANK YOU. 253 00:17:58,917 --> 00:18:00,542 GET A JOB IF YOU'RE HUNGRY. 254 00:18:01,917 --> 00:18:03,500 [MASON] DO YOU LIKE FRIES? YEAH. 255 00:18:13,583 --> 00:18:14,792 THANK YOU. 256 00:18:17,708 --> 00:18:22,499 OH, NO, NO, NO. I DON'T DO BEANS. I GOT CONSISTENCY PROBLEMS. 257 00:18:22,500 --> 00:18:25,916 LIMA BEANS, BLACK BEANS, PINTO BEANS. I DON'T DO NONE OF THAT SHIT. 258 00:18:25,917 --> 00:18:27,999 I FEEL THE SAME ABOUT CUSTARDY FOODS. 259 00:18:28,000 --> 00:18:30,499 CUSTARDY AND LUMPY IS PARTICULARLY NASTY. 260 00:18:30,500 --> 00:18:31,833 [MASON] TAPIOCA'S LIKE HELL TO ME. 261 00:18:31,834 --> 00:18:35,042 MMM, I CAN HAVE YOGURT, BUT IT HAS TO HAVE CEREAL IN IT. 262 00:18:38,042 --> 00:18:42,541 [GEORGE] I WAS UNDEAD AND KICKING, BUT AT A LOSS ON HOW TO LIVE, 263 00:18:42,542 --> 00:18:45,875 AND FRANKLY, CARVING MY OWN PATH SEEMED LIKE WAY TOO MUCH WORK. 264 00:19:02,209 --> 00:19:03,708 HOW DO YOU KNOW IT WAS HER? 265 00:19:18,083 --> 00:19:19,750 [DOG BARKING] 266 00:19:34,333 --> 00:19:36,791 WELL, I HAD AN INTERESTING DAY TODAY. 267 00:19:36,792 --> 00:19:38,999 OH? [JOY] MMM. 268 00:19:39,000 --> 00:19:40,600 TOOK THE AFTERNOON OFF AND WENT SHOPPING. 269 00:19:40,624 --> 00:19:43,082 [CLANCY] GOOD FOR YOU. 270 00:19:43,083 --> 00:19:47,249 WENT TO THREE DIFFERENT HOME DEPOTS TO BUY TOILET SEATS FOR REGGIE'S SCHOOL. 271 00:19:47,250 --> 00:19:48,708 YOU'LL NEVER GUESS WHY. 272 00:19:50,917 --> 00:19:53,124 I ONLY TOOK ONE. 273 00:19:53,125 --> 00:19:55,207 JASON MURRAY AND STEVEN SCHULTZ TOOK ALL THE REST. 274 00:19:55,208 --> 00:19:57,749 I CALLED JASON MURRAY AND STEVEN SCHULTZ, 275 00:19:57,750 --> 00:20:00,208 AND THEY SAID YOU'RE AN F-ING LIAR. 276 00:20:00,209 --> 00:20:02,833 [JOY] AND DON'T EVER LET ME CATCH YOU USING THAT WORD. 277 00:20:02,834 --> 00:20:05,074 [JOY] YEAH, SHE EVEN GOT THE ONE IN THE TEACHERS' LOUNGE. 278 00:20:05,098 --> 00:20:06,624 NO, I DIDN'T. I DIDN'T. 279 00:20:06,625 --> 00:20:09,041 REGGIE! GO TO YOUR ROOM. 280 00:20:14,375 --> 00:20:17,457 I GOT A COUPLE REFERRALS FOR A CHILD PSYCHOLOGIST. 281 00:20:17,458 --> 00:20:19,874 I'LL BE INTERVIEWING PEOPLE ON MONDAY. 282 00:20:19,875 --> 00:20:22,115 SHE DOESN'T NEED THERAPY. YEAH, WELL, SHE NEEDS SOMETHING. 283 00:20:26,167 --> 00:20:28,166 [RUBE] LIFE IS LIKE AN ASSEMBLY LINE. 284 00:20:28,167 --> 00:20:32,124 FIRST YOU HAVE THE GREAT IDEA, MASTER PLAN, 285 00:20:32,125 --> 00:20:36,583 YOU MAKE A PROTOTYPE, AND YOU START MASS-PRODUCING. 286 00:20:38,167 --> 00:20:39,834 BILLIONS AND BILLIONS. 287 00:20:40,708 --> 00:20:44,958 THEY DON'T LAST FOREVER. NOTHING DOES. 288 00:20:44,959 --> 00:20:48,749 AND IT'S YOUR JOB TO TAKE THEM OFF THE SHELF. 289 00:20:48,750 --> 00:20:51,124 YOU'RE HELPING TO RESTOCK LIFE, PEANUT. 290 00:20:51,125 --> 00:20:54,000 [GEORGE] THIS PILL WASN'T GOING DOWN ANY EASIER. 291 00:20:57,875 --> 00:21:00,290 TWO FAMILY PACKS OF MINI-WAFFLES. 292 00:21:00,291 --> 00:21:03,874 BUT I DO KNOW, IF THIS WERE SUPPOSED TO LAST, IT WOULD, 293 00:21:03,875 --> 00:21:07,166 SO DON'T LET THAT BE A BAD THING ANY MORE THAN IT ALREADY IS. 294 00:21:07,167 --> 00:21:08,499 THAT'S SOME SAGE ADVICE, 295 00:21:08,500 --> 00:21:11,124 BUT DON'T YOU THINK IT'S PRETTY STUPID TO PUT ME IN THIS POSITION? 296 00:21:11,125 --> 00:21:14,374 I MEAN, I COULD HAVE A NERVOUS BREAKDOWN. 297 00:21:14,375 --> 00:21:16,535 AND JUST SO YOU KNOW, I'M VERY PRONE TO ANXIETY ATTACKS. 298 00:21:17,208 --> 00:21:18,667 BIG DEAL. 299 00:21:19,875 --> 00:21:23,666 I DON'T THINK I'M SUPPOSED TO BE DOING THIS. 300 00:21:23,667 --> 00:21:25,833 WELL, IF SOMEBODY ELSE WERE SUPPOSED TO BE DOING THIS, 301 00:21:25,834 --> 00:21:27,594 I'D BE SITTING HERE TALKING TO SOMEBODY ELSE. 302 00:21:27,618 --> 00:21:30,874 BUT I DON'T KNOW ANYTHING ABOUT ANYTHING. 303 00:21:30,875 --> 00:21:34,582 YOU THINK I DO? MOST OF THE TIME, I'M TALKING OUT OF MY ASS. 304 00:21:34,583 --> 00:21:36,165 I DON'T KNOW SHIT. 305 00:21:36,166 --> 00:21:38,166 WHEN I'M SUPPOSED TO KNOW SOMETHING, I'LL KNOW IT. 306 00:21:38,167 --> 00:21:40,416 WHEN YOU'RE SUPPOSED TO KNOW SOMETHING, YOU'LL KNOW IT. 307 00:21:40,417 --> 00:21:43,500 I LOST MY TRAIN OF THOUGHT. WHAT WAS I SAYING? YES. 308 00:21:44,291 --> 00:21:45,834 BE PATIENT, FOR CHRIST'S SAKE. 309 00:21:46,708 --> 00:21:47,958 YOU'RE LEARNING, 310 00:21:47,959 --> 00:21:50,291 AND JUST SMELL SOME FUCKING ROSES ALREADY. 311 00:21:52,208 --> 00:21:55,999 YOU KNOW, I'LL NEVER UNDERSTAND THE INSTINCT TO MINIATURIZE FOOD. 312 00:21:56,000 --> 00:21:58,125 BITE-SIZE. THAT'S NOT BITE-SIZE. 313 00:21:59,166 --> 00:22:01,749 I CAN'T PUT THIS INTO MY MOUTH. 314 00:22:01,750 --> 00:22:04,541 YOU GOT A LITTLE DOGGIE BOX? YOU GOT IT. 315 00:22:04,542 --> 00:22:06,382 NOW MY FINGERS ARE STICKY. CAN I HAVE A NAPKIN? 316 00:22:06,383 --> 00:22:08,090 YOU ATE THREE OF THEM. I DIDN'T EAT THREE OF THEM. 317 00:22:08,091 --> 00:22:09,541 YOU ATE THREE OF THEM. THANK YOU. 318 00:22:09,542 --> 00:22:11,142 YOU WANNA GET MY WALLET OUT OF MY POCKET? 319 00:22:11,625 --> 00:22:13,750 PLEASE? BACK POCKET. RIGHT. 320 00:22:17,333 --> 00:22:18,917 THANK YOU VERY MUCH. 321 00:22:20,208 --> 00:22:22,688 OKAY, YOU DO THE HONORS. OH, AND PICK THIS UP FOR ME, WOULD YOU? 322 00:22:24,750 --> 00:22:26,000 I'M GONNA GET SOME AIR. 323 00:22:31,917 --> 00:22:33,208 [TICKING] 324 00:22:37,166 --> 00:22:38,541 CAN I HELP YOU? 325 00:22:38,542 --> 00:22:41,707 SAY, AREN'T YOU ONE OF THEM ROTH BOYS? 326 00:22:41,708 --> 00:22:43,249 YEP. 327 00:22:43,250 --> 00:22:47,040 [GEORGE] AS I STOOD THERE STARING AT THE SOON-TO-BE DEAD MAN, 328 00:22:47,041 --> 00:22:50,165 I BEGAN TO THINK OF HIM LIKE A BOX OF WAFFLES, 329 00:22:50,166 --> 00:22:53,040 AND HIS EXPIRATION DATE HAD COME UP. 330 00:22:53,041 --> 00:22:55,374 CAN I GET MY BILL? SURE. 331 00:22:55,375 --> 00:22:58,791 I WONDER HOW MR. WAFFLE'S GONNA BITE IT. 332 00:22:58,792 --> 00:23:01,250 AND THEN THERE WERE THE MONKEYS IN THE WORKS. 333 00:23:05,000 --> 00:23:07,000 [GRAVELINGS CHITTERING] 334 00:23:10,875 --> 00:23:12,375 MONKEY SEE, 335 00:23:18,083 --> 00:23:19,750 MONKEY DO. 336 00:23:49,792 --> 00:23:50,959 [MONTY EXCLAIMS] 337 00:23:52,333 --> 00:23:53,708 [MONTY SCREAMS] 338 00:24:00,000 --> 00:24:01,625 [WOMAN] SOMEBODY, CALL AN AMBULANCE. 339 00:24:02,500 --> 00:24:03,958 [EXCLAIMS] 340 00:24:03,959 --> 00:24:05,208 [GROANS] 341 00:24:07,458 --> 00:24:08,583 HOLD STILL. 342 00:24:09,000 --> 00:24:10,207 [GEORGE SCREAMS] 343 00:24:10,208 --> 00:24:12,207 YOU OKAY? FUCKER! 344 00:24:12,208 --> 00:24:13,625 HEY. 345 00:24:15,834 --> 00:24:17,249 HOW YOU DOING, DEAD GUY? 346 00:24:17,250 --> 00:24:20,791 [GEORGE] REAPERS HEAL WAY TOO FAST. 347 00:24:20,792 --> 00:24:25,457 I WANTED TO BE DAMAGED BEYOND REPAIR, INCAPACITATED. 348 00:24:25,458 --> 00:24:28,167 IF I COULDN'T DO IT, THEY COULDN'T MAKE ME DO IT, 349 00:24:29,167 --> 00:24:31,208 COULD THEY? 350 00:24:31,209 --> 00:24:33,874 I MEAN, MAYBE IF DEATH COULD TAKE A HOLIDAY... 351 00:24:33,875 --> 00:24:35,291 [COUGHS] 352 00:24:40,083 --> 00:24:43,625 THAT'S NOT RIGHT. THAT'S NOT RIGHT. 353 00:24:45,917 --> 00:24:48,000 MAYBE I CAN QUIT. 354 00:24:52,667 --> 00:24:54,999 [MASON] DO YOU GUYS SMELL URINAL CAKE? 355 00:24:55,000 --> 00:24:58,124 [BETTY] I SMELL STRAWBERRIES. DOES IT SMELL LIKE STRAWBERRIES? 356 00:24:58,125 --> 00:25:00,332 WELL, STRAWBERRIES AND URINE. 357 00:25:00,333 --> 00:25:02,124 WHAT HAPPENED TO THE SIGN? 358 00:25:02,125 --> 00:25:03,999 FELL DOWN AND KILLED SOMEBODY. 359 00:25:04,000 --> 00:25:05,541 NO SHIT. WHO? 360 00:25:05,542 --> 00:25:07,833 MONTY. WHO? 361 00:25:07,834 --> 00:25:10,999 NICE FELLOW WITH THE MINIATURE FOOD. HE STOOD BEHIND THE COUNTER. 362 00:25:11,000 --> 00:25:14,084 OH. I DIDN'T KNOW HIM. MUST HAVE BEEN NEW. 363 00:25:15,041 --> 00:25:17,916 IS THERE A REASON I'M STILL WAITING HERE? 364 00:25:17,917 --> 00:25:20,834 OH. $7 AND TWO BITS EACH. THAT INCLUDES TIP. 365 00:25:33,209 --> 00:25:35,333 THAT'S FOR YOU. HOLD ON, BUDDY. HERE YOU GO. 366 00:25:45,000 --> 00:25:50,749 [GEORGE] I WAS A DESERTER, AND THERE WASN'T MUCH HE COULD DO ABOUT IT. 367 00:25:50,750 --> 00:25:54,165 I DIDN'T SIGN ANYTHING, DIDN'T AGREE TO ANYTHING, 368 00:25:54,166 --> 00:25:57,000 AND I SURE AS SHIT DIDN'T SHAKE ANYONE'S HAND. 369 00:25:59,750 --> 00:26:03,208 [RUBE] COME ON, GEORGE, OPEN THE FUCKING DOOR. 370 00:26:03,209 --> 00:26:04,834 [GEORGE] I TOOK NO RESPONSIBILITY. 371 00:26:08,041 --> 00:26:11,041 BUT THAT DIDN'T STOP HIM FROM TRYING TO FORCE IT ON ME. 372 00:26:14,041 --> 00:26:17,708 I CONVINCED MYSELF IF I DIDN'T TOUCH IT, I WASN'T OBLIGATED. 373 00:26:19,750 --> 00:26:23,250 IF I WASN'T OBLIGATED, I HAD NO RESPONSIBILITY. 374 00:26:35,750 --> 00:26:38,458 BUT WHAT HAPPENS IF SOMEBODY HAS AN APPOINTMENT WITH DEATH 375 00:26:41,042 --> 00:26:42,875 AND DEATH DOESN'T SHOW UP? 376 00:26:44,209 --> 00:26:45,291 [ROARING] 377 00:27:01,167 --> 00:27:02,834 IS THERE A REPRIEVE? 378 00:27:04,834 --> 00:27:07,542 DOES THAT SOMEBODY'S NAME GO BACK IN THE HAT? 379 00:27:29,959 --> 00:27:32,000 OR DOES DEATH GET PENALIZED? 380 00:27:41,083 --> 00:27:43,917 MAYBE SOMEONE WAS TRYING TO SEND ME A MESSAGE. 381 00:27:46,542 --> 00:27:48,165 [KNOCKING ON DOOR] 382 00:27:48,166 --> 00:27:52,500 [JOY] REGGIE? REGGIE, OPEN THE DOOR. 383 00:27:53,291 --> 00:27:56,209 GO AWAY. I HAVE DIARRHEA. 384 00:28:04,291 --> 00:28:06,000 HOW'S YOUR TUMMY? 385 00:28:07,333 --> 00:28:09,125 YOU WANT SOME MORE PEPTO-BISMOL? 386 00:28:11,375 --> 00:28:12,500 OKAY. 387 00:28:13,333 --> 00:28:14,750 DO I HAVE TO GO TO THERAPY? 388 00:28:21,792 --> 00:28:23,000 NOT IF YOU DON'T WANT TO. 389 00:28:34,458 --> 00:28:36,084 WAY TO ENABLE. 390 00:28:52,500 --> 00:28:57,417 YOU KNOW, YOU CAN TALK TO US ABOUT STUFF 391 00:28:59,166 --> 00:29:00,542 IF YOU WANT TO. 392 00:29:05,667 --> 00:29:07,000 ALL RIGHT, WELL, 393 00:29:09,667 --> 00:29:11,125 GOOD NIGHT. 394 00:29:12,000 --> 00:29:13,166 NIGHT. 395 00:29:14,417 --> 00:29:16,667 DON'T THINK I'VE FORGOTTEN ABOUT THE TOILET SEATS. 396 00:29:22,166 --> 00:29:25,500 [GEORGE] IT WAS LIKE AN ALTERNATE UNIVERSE WHERE I DIDN'T EXIST. 397 00:29:27,542 --> 00:29:30,708 THERE WERE NO GOATEES OR GOLD LAME SASHES, 398 00:29:32,041 --> 00:29:34,625 JUST A HOLE WHERE I USED TO BE, 399 00:29:36,084 --> 00:29:38,667 AND EVERYONE WAS MAKING SURE TO STEP AROUND IT. 400 00:29:55,167 --> 00:29:56,458 I GOTTA PAY RENT? 401 00:29:57,500 --> 00:29:58,500 FUCK. 402 00:30:01,500 --> 00:30:05,290 CONSCIOUSNESS DEPENDS ON HOW MUCH BLOOD YOU'VE GOT IN YOUR BRAIN. 403 00:30:05,291 --> 00:30:07,124 DOES IT? YES. 404 00:30:07,125 --> 00:30:09,666 THE MORE BLOOD-FLOW THROUGH YOUR BRAIN, THE BETTER IT WORKS. 405 00:30:09,667 --> 00:30:11,040 IT'S ALL ABOUT STIMULATION. 406 00:30:11,041 --> 00:30:14,999 HOW DOES PUTTING A HOLE IN YOUR SKULL GET MORE BLOOD TO YOUR BRAIN? 407 00:30:15,000 --> 00:30:17,499 I MEAN, I WOULD THINK IT WOULD HAVE THE OPPOSITE EFFECT. 408 00:30:17,500 --> 00:30:20,207 YEAH, I ASKED THE SAME QUESTION. 409 00:30:20,208 --> 00:30:24,040 THEY GAVE ME AN ANSWER. I'M FAIRLY CERTAIN IT MADE SENSE. 410 00:30:24,041 --> 00:30:26,707 NO, I JUST CAN'T BE BOTHERED TO REMEMBER WHAT IT WAS. 411 00:30:26,708 --> 00:30:30,916 OKAY. WELL, WHAT DOES THIS HAVE TO DO WITH GETTING A DAY JOB? 412 00:30:30,917 --> 00:30:35,833 STIMULATION. MONOTONY IS THE MIND-KILLER. 413 00:30:35,834 --> 00:30:39,208 YOU'RE NOT GONNA GET THAT BLOOD PUMPING BY SITTING BEHIND A DESK. 414 00:30:39,209 --> 00:30:41,125 STIMULATION DON'T PAY MY RENT. 415 00:30:42,375 --> 00:30:44,167 THEN LEARN TO LIVE OFF THE WILD. 416 00:30:47,084 --> 00:30:49,834 [GEORGE] IT ALL SOUNDED VERY GLAMOROUS, 417 00:30:52,542 --> 00:30:55,125 BUT I HAD TO CONSIDER THE SOURCE. 418 00:30:57,084 --> 00:31:01,417 AFTER ALL, HE DRILLED A HOLE IN HIS HEAD CHASING A PERMANENT HIGH. 419 00:31:09,125 --> 00:31:11,834 TOO BAD IT GOT AWAY FROM HIM. 420 00:31:14,208 --> 00:31:17,916 HOW MUCH YOU NEED? $650. 421 00:31:17,917 --> 00:31:19,637 THAT'S A LOT OF MONEY TO PAY FOR A SHITHOLE. 422 00:31:19,661 --> 00:31:21,619 YEAH, HUH? HAVE YOU SPOKEN TO RUBE? 423 00:31:22,417 --> 00:31:24,958 NO. IS HE MAD AT ME? 424 00:31:24,959 --> 00:31:28,000 WELL, YOU MISSED AN APPOINTMENT. I CAN'T IMAGINE HE'S TICKLED. 425 00:31:29,792 --> 00:31:32,959 ALL RIGHT, ALL RIGHT. YOU CAN HAVE THIS ONE IF YOU CARRY IT. 426 00:31:34,667 --> 00:31:36,542 MY ARMS ARE ALREADY ASLEEP. 427 00:31:37,250 --> 00:31:40,208 CAN'T I JUST TAKE ONE OF THESE? 428 00:31:40,209 --> 00:31:41,849 ALL RIGHT, YOU CAN TAKE THE LIGHTER ONE... 429 00:31:42,750 --> 00:31:44,000 [GASPS] 430 00:31:48,000 --> 00:31:49,041 [MASON] THAT FUCKING HURT. 431 00:31:53,208 --> 00:31:55,417 [ROXY] RUBE WANTS TO SEE YOU AT THE MORGUE. 432 00:32:05,375 --> 00:32:06,417 HI. 433 00:32:09,083 --> 00:32:11,084 WE'RE LOOKING FOR J.P. DAVIS. 434 00:32:11,917 --> 00:32:13,917 YOU'RE ALL RELATIONS? 435 00:32:15,042 --> 00:32:16,083 YEAH. 436 00:32:17,708 --> 00:32:19,208 [GEORGE] AS FATE WOULD HAVE IT, 437 00:32:19,209 --> 00:32:23,624 J.P. DAVIS WAS GONNA DIE WITH OR WITHOUT ME. 438 00:32:23,625 --> 00:32:27,333 THERE WAS NO FORFEIT, AND HIS NAME DIDN'T GO BACK IN THE HAT. 439 00:32:28,250 --> 00:32:29,667 MAY WE HAVE A MOMENT, PLEASE? 440 00:32:30,417 --> 00:32:31,625 OH, OF COURSE. 441 00:32:39,750 --> 00:32:42,875 WELL, YOU REALLY FUCKED THE DOG, PEANUT. 442 00:32:44,375 --> 00:32:47,166 WHAT? "WHAT?" 443 00:32:47,167 --> 00:32:50,042 YOU HAD AN APPOINTMENT. I DIDN'T MAKE AN APPOINTMENT. 444 00:32:50,458 --> 00:32:51,666 BEAT HER. 445 00:32:51,667 --> 00:32:53,507 [RUBE] DOESN'T MATTER WHO MADE THE APPOINTMENT. 446 00:32:54,166 --> 00:32:55,458 YOU HAD AN APPOINTMENT. 447 00:32:57,125 --> 00:33:01,290 CORRECT ME IF I'M WRONG, BUT MISSION ACCOMPLISHED. 448 00:33:01,291 --> 00:33:03,959 YOU'RE WRONG. THAT WAS ME CORRECTING YOU. 449 00:33:05,209 --> 00:33:07,166 I'M CONFUSED. 450 00:33:07,167 --> 00:33:09,875 HE'S STILL IN THERE, YOU SILLY BITCH. 451 00:33:12,417 --> 00:33:14,166 [DAVIS] GOD! OH, GOD! 452 00:33:15,750 --> 00:33:19,125 OH, GOD! OH, GOD, NO! 453 00:33:20,000 --> 00:33:21,500 NO, PLEASE. 454 00:33:23,750 --> 00:33:25,250 OH, GOD, NO! 455 00:33:25,792 --> 00:33:27,125 HOLY SHIT. 456 00:33:28,333 --> 00:33:29,624 IS HE IN PAIN? 457 00:33:29,625 --> 00:33:33,499 PHYSICALLY, NO. HE'S DEAD. 458 00:33:33,500 --> 00:33:38,374 BUT EMOTIONALLY, I IMAGINE THIS SORT OF THING'S PRETTY TRAUMATIC. 459 00:33:38,375 --> 00:33:41,416 HOLY SHIT. WHY DIDN'T SOMEBODY DO SOMETHING? 460 00:33:41,417 --> 00:33:42,817 IT'S NOT SOMEBODY'S JOB. IT'S YOURS. 461 00:33:44,208 --> 00:33:49,207 OH, THAT'S... THAT'S STUPID. THIS ISN'T MY FAULT. 462 00:33:49,208 --> 00:33:53,042 WELL, IT'S NOT MY FAULT. IT'S NOT ROXY'S FAULT. 463 00:33:54,042 --> 00:33:55,792 THAT'S SUCH BULLSHIT. 464 00:33:56,500 --> 00:33:58,124 THIS IS LIFE AND DEATH. 465 00:33:58,125 --> 00:34:00,166 OH, SHE'S FINALLY FIGURING THAT OUT. 466 00:34:00,167 --> 00:34:01,207 FUCK YOU. 467 00:34:01,208 --> 00:34:03,290 LIFE AND DEATH CAN BE REAL SIMPLE. 468 00:34:03,291 --> 00:34:04,750 YOU JUST HAVE TO DO WHAT I TELL YOU. 469 00:34:05,834 --> 00:34:08,084 COP A FEEL BEFORE THIS GUY UNSPOOLS. 470 00:34:24,959 --> 00:34:27,000 OH, GOD! OH, GOD! 471 00:34:35,000 --> 00:34:37,875 OH, GOD. OH, GOD. 472 00:34:40,583 --> 00:34:42,792 THANK YOU. THANK YOU. 473 00:34:44,625 --> 00:34:47,374 CAUSE AND EFFECT, PEANUT. 474 00:34:47,375 --> 00:34:49,208 BUTTERFLY WINGS, RIPPLES IN THE POND. 475 00:34:51,250 --> 00:34:53,000 HOWEVER YOU WANNA PUT IT. 476 00:34:54,458 --> 00:34:58,250 WHAT YOU DO NOW MATTERS. WHAT YOU DON'T DO MATTERS. 477 00:35:01,000 --> 00:35:02,708 NOW SAY YOU'RE SORRY. 478 00:35:07,750 --> 00:35:10,875 I'M SORRY. IT WASN'T MY FAULT. 479 00:35:17,500 --> 00:35:21,416 THIS LOVELY LADY IS GONNA SHOW YOU SOME VERY PRETTY LIGHTS. 480 00:35:21,417 --> 00:35:23,207 YOU CAN GO ON AHEAD WITH HER. 481 00:35:23,208 --> 00:35:26,125 WHAT KIND OF LIGHTS? HE SAID PRETTY, DIDN'T HE? 482 00:35:30,792 --> 00:35:33,125 I CAN'T DO THIS. SURE YOU CAN. 483 00:35:34,834 --> 00:35:37,000 YOU HAVE TO. I DON'T HAVE TO DO SHIT. 484 00:35:39,542 --> 00:35:42,750 YOU LIKE SPAGHETTI, GEORGE? I LIKE SPAGHETTI. 485 00:35:44,083 --> 00:35:46,457 I LIKE BOARD GAMES. 486 00:35:46,458 --> 00:35:49,667 I LIKE GRABBING A TRIFECTA WITH THAT LONG SHOT ON TOP, 487 00:35:51,042 --> 00:35:54,666 THAT OZONE SMELL YOU GET FROM AIR PURIFIERS. 488 00:35:54,667 --> 00:35:58,000 AND I LIKE KNOWING THE SPACE BETWEEN MY EARS IS IMMEASURABLE. 489 00:35:59,625 --> 00:36:01,708 MAHLER'S FIRST, BERNSTEIN CONDUCTING. 490 00:36:03,291 --> 00:36:05,707 YOU GOTTA THINK ABOUT ALL THE THINGS YOU LIKE 491 00:36:05,708 --> 00:36:07,875 AND DECIDE WHETHER THEY'RE WORTH STICKING AROUND FOR. 492 00:36:09,042 --> 00:36:11,208 AND IF THEY ARE, YOU'LL FIND A WAY TO DO THIS. 493 00:36:13,375 --> 00:36:15,625 WHAT IF I DON'T? THEN YOU GO AWAY. 494 00:36:17,291 --> 00:36:19,083 AND YOU DON'T GET TO LIKE ANYTHING ANYMORE. 495 00:36:28,083 --> 00:36:29,291 [KNOCKING ON DOOR] 496 00:36:33,167 --> 00:36:34,542 HELLO, CLAIRE. HI. 497 00:36:36,000 --> 00:36:39,209 UM, I HAD ANOTHER VISIT FROM YOUR DAUGHTER TODAY, 498 00:36:40,625 --> 00:36:42,250 AND, WELL, 499 00:36:43,166 --> 00:36:45,166 SHE TOOK SOMETHING. 500 00:36:45,167 --> 00:36:48,917 REGGIE! GET YOUR ASS DOWN HERE RIGHT NOW! 501 00:36:50,458 --> 00:36:51,583 THANKS, CLAIRE. 502 00:36:53,417 --> 00:36:55,257 WE'LL GET IT BACK TO YOU AS SOON AS WE FIND IT. 503 00:36:55,281 --> 00:36:56,999 OKAY. 504 00:36:57,000 --> 00:36:59,208 ANY CHANCE YOU MIGHT KNOW WHEN THAT WOULD BE? 505 00:37:00,209 --> 00:37:01,750 NO. OKAY. 506 00:37:04,208 --> 00:37:07,290 [GEORGE] I STOOD THERE THINKING ABOUT ALL THE THINGS I LIKED 507 00:37:07,291 --> 00:37:09,916 AND ALL THE THINGS I DIDN'T LIKE, 508 00:37:09,917 --> 00:37:14,125 AND I REALIZED YOU CAN LIKE SOMETHING AND NOT LIKE IT AT THE SAME TIME. 509 00:37:15,708 --> 00:37:17,833 NOT LIKE LOVING UNCONDITIONALLY. 510 00:37:17,834 --> 00:37:19,458 THAT'S AN ACT OF DESPERATION. 511 00:37:21,083 --> 00:37:22,625 THIS WAS DIFFERENT. 512 00:37:28,083 --> 00:37:32,124 LIKE RESPECTING SOMEBODY FOR BEING A MESS 513 00:37:32,125 --> 00:37:33,458 BECAUSE YOU'RE A MESS, TOO. 514 00:37:55,542 --> 00:37:58,374 IT WAS REASSURING TO FINALLY FIND SOMEONE ELSE 515 00:37:58,375 --> 00:37:59,917 WHO WANTED TO BE BAD, 516 00:38:01,500 --> 00:38:06,083 AND IT WAS HORRIFYING TO KNOW IT WASN'T JUST WHAT I DO NOW THAT MATTERS. 517 00:38:08,458 --> 00:38:10,084 JESUS CHRIST. 518 00:38:13,667 --> 00:38:15,166 IT WAS WHAT I DID THEN. 519 00:38:18,333 --> 00:38:20,166 I WASN'T DONE LIKING THINGS. 520 00:38:22,125 --> 00:38:24,333 I WASN'T DONE NOT LIKING THINGS. 521 00:38:28,333 --> 00:38:29,792 I WASN'T DONE. 522 00:38:30,500 --> 00:38:32,084 [WOMAN] MILDRED HAGEN? 523 00:38:34,750 --> 00:38:37,874 HI. I'M DELORES HERBIG, AS IN... 524 00:38:37,875 --> 00:38:39,208 "HER BIG BROWN EYES." 525 00:38:40,000 --> 00:38:43,083 WHY, YOU MUST KNOW A HERBIG OR TWO. 526 00:38:43,084 --> 00:38:47,333 YEAH, I KNOW BARBARA. BARBARA HERBIG? 527 00:38:48,917 --> 00:38:50,625 I THINK SHE MADE QUILTS OR SOMETHING. 528 00:38:51,542 --> 00:38:52,833 HMM. 529 00:38:52,834 --> 00:38:54,000 HOW QUEER. 530 00:38:55,917 --> 00:38:57,125 WHY DON'T YOU COME WITH ME? 531 00:38:59,209 --> 00:39:02,166 [GEORGE] SO I FORGED AHEAD. I FOUND A WAY. 532 00:39:04,291 --> 00:39:06,166 CAN I CALL YOU MILLIE? 533 00:39:07,834 --> 00:39:09,458 YEAH, OKAY. 534 00:39:11,417 --> 00:39:13,750 [GEORGE] AND I'M TRYING TO LET THAT BE A GOOD THING, 535 00:39:15,125 --> 00:39:17,500 AS DEVIANT AS THAT MIGHT SOUND. 536 00:39:26,000 --> 00:39:31,916 AFTER ALL, IT'S HARD TO PISS AND MOAN ABOUT NOT HAVING A PURPOSE IN LIFE 537 00:39:31,917 --> 00:39:34,041 WHEN DEATH HANDED IT TO ME ON A PLATTER.