﻿1
00:01:12,917 --> 00:01:15,417
[GEORGE]: DID YOU EVER
HAVE ONE OF THOSE DAYS?

2
00:01:17,125 --> 00:01:19,040
NOT ONE OF THOSE DAYS.

3
00:01:19,041 --> 00:01:20,083
THE OTHER KIND.

4
00:01:22,750 --> 00:01:26,874
THE KIND OF DAY WHERE THERE
WAS SOMETHING IN THE AIR,

5
00:01:26,875 --> 00:01:29,041
SOMETHING THAT HAD BEEN
ON ITS WAY FOR A WHILE.

6
00:01:31,458 --> 00:01:34,541
SOMETHING GOOD,

7
00:01:34,542 --> 00:01:38,707
AND MAYBE BECAUSE I THINK ABOUT
MYSELF, LIKE, ALL THE TIME,

8
00:01:38,708 --> 00:01:42,458
I WAS SURE THAT SOMETHING
ON ITS WAY WAS ABOUT ME.

9
00:01:51,917 --> 00:01:52,917
IT'S MINE.

10
00:02:08,375 --> 00:02:09,750
YOU'RE UP EARLY.

11
00:02:10,500 --> 00:02:12,749
DID YOU SLEEP OKAY?

12
00:02:12,750 --> 00:02:14,332
J.D. WOKE ME UP A
COUPLE OF TIMES,

13
00:02:14,333 --> 00:02:16,209
BUT I WENT RIGHT BACK TO SLEEP.

14
00:02:17,583 --> 00:02:19,041
IS THIS WHAT YOU'RE
WEARING TODAY?

15
00:02:22,125 --> 00:02:23,875
CAN J.D. COME TO THE CEMETERY?

16
00:02:24,083 --> 00:02:25,541
NO.

17
00:02:25,542 --> 00:02:26,625
WHY?

18
00:02:27,000 --> 00:02:28,375
BECAUSE HE'S A DOG.

19
00:02:34,583 --> 00:02:36,375
FUCK HER. YOU'RE COMING.

20
00:02:37,667 --> 00:02:39,416
THAT'S WHAT SHE DID.

21
00:02:39,417 --> 00:02:41,207
WELL, THAT'S WHAT
SHE SAID SHE DID.

22
00:02:41,208 --> 00:02:44,082
YOU HAVE NO RESPECT FOR
AUTHORITY, YOU KNOW THAT?

23
00:02:44,083 --> 00:02:46,999
THE DISCIPLINE OF A
FUCKING PISSANT.

24
00:02:47,000 --> 00:02:49,999
OH, WELL, GOOD
MORNING TO YOU, TOO.

25
00:02:50,000 --> 00:02:51,250
YOU'D MAKE A GOOD COP.

26
00:02:52,083 --> 00:02:53,707
WE WERE JUST DISCUSSING YOU.

27
00:02:53,708 --> 00:02:55,040
WERE YOU NOW?

28
00:02:55,041 --> 00:02:57,083
WHAT WAS THE TOPIC
OF DISCUSSION?

29
00:02:57,084 --> 00:02:59,041
MY WIT, MY CHARM?

30
00:02:59,042 --> 00:03:00,707
MY POUTY LIPS?

31
00:03:00,708 --> 00:03:03,124
DAISY TOLD ME THAT AFTER YOU
QUIT YOUR JOB AT HAPPY TIME,

32
00:03:03,125 --> 00:03:04,685
YOU QUIT YOUR NEW JOB
THE VERY NEXT DAY.

33
00:03:04,709 --> 00:03:07,041
THE VERY NEXT MORNING.

34
00:03:07,042 --> 00:03:08,207
YOUR LIPS ARE KIND OF POUTY.

35
00:03:08,208 --> 00:03:09,541
CAN I GET SOME TABASCO?

36
00:03:09,542 --> 00:03:11,416
AND HOW LONG DID YOU
LAST AT THE NEW GIG?

37
00:03:11,417 --> 00:03:13,166
LESS THAN FIVE MINUTES.

38
00:03:13,167 --> 00:03:16,208
OKAY, GOT THAT ONE BEAT. IT WAS
NORTH LONDON, A PIZZA PIE PARLOR...

39
00:03:16,209 --> 00:03:18,042
NOT INTERESTED.

40
00:03:18,667 --> 00:03:20,208
IT'S GEORGIA'S DAY.

41
00:03:20,209 --> 00:03:22,208
WHAT DOES THAT
MEAN, IT'S MY DAY?

42
00:03:22,209 --> 00:03:24,625
UH, THIS IS NOT TABASCO.

43
00:03:25,750 --> 00:03:27,209
MORNING, KIFFANY.

44
00:03:27,920 --> 00:03:29,040
HOW ABOUT A LITTLE BREAKFAST?

45
00:03:29,041 --> 00:03:30,874
NEED A LITTLE CASH?

46
00:03:30,875 --> 00:03:32,209
YOU DON'T HAVE A JOB.

47
00:03:32,959 --> 00:03:34,207
MEANS YOU DON'T HAVE ANY MONEY.

48
00:03:34,208 --> 00:03:37,666
AND NO PROSPECTS.
JUST DEAD AND STUPID.

49
00:03:37,667 --> 00:03:42,083
I DON'T NEED YOUR MONEY, RUBE.
I FOUND 20 BUCKS TODAY.

50
00:03:42,084 --> 00:03:45,041
SAVE IT, GEORGIA. BREAKFAST
IS ON ME THIS MORNING.

51
00:03:45,042 --> 00:03:46,416
SWEET.

52
00:03:46,417 --> 00:03:49,583
GEORGIA'S BREAKFAST. RUBE SAID
IT'S HER DAY. HERS IS ON ME.

53
00:03:50,375 --> 00:03:52,499
THANK YOU, DAISY.

54
00:03:52,500 --> 00:03:54,874
I'LL HAVE "BREAKFAST
AT TIFFANY'S"

55
00:03:54,875 --> 00:03:56,207
WITH A LARGE O.J.,

56
00:03:56,208 --> 00:04:00,000
AND CAN YOU MAKE THE BACON
EXTRA, EXTRA CRISPY?

57
00:04:01,000 --> 00:04:02,249
YOU DON'T EAT BACON.

58
00:04:02,250 --> 00:04:04,707
I KNOW, BUT RUBE DOES,

59
00:04:04,708 --> 00:04:06,374
AND THAT'S THE WAY HE LIKES IT.

60
00:04:06,375 --> 00:04:07,916
SO WHAT ARE YOU,
RUBE'S BUTT BOY?

61
00:04:07,917 --> 00:04:09,250
WHY, DID YOU RESIGN?

62
00:04:11,000 --> 00:04:14,417
AND INSTEAD OF HOT TEA,
KIFFANY, I'LL HAVE COFFEE.

63
00:04:15,083 --> 00:04:17,499
NO, MAKE THAT A GREEN TEA.

64
00:04:17,500 --> 00:04:19,416
I THINK IT'S SUPPOSED
TO BE GOOD FOR YOU.

65
00:04:19,417 --> 00:04:21,416
HOW ABOUT A HOT CUP
OF SHUT-THE-FUCK-UP?

66
00:04:21,417 --> 00:04:23,416
I'M NOT SURE YOU GOT
THE MEMO, ROXY,

67
00:04:23,417 --> 00:04:25,290
BUT IT IS MY DAY.

68
00:04:25,291 --> 00:04:26,375
NOTHING FOR ME?

69
00:04:27,000 --> 00:04:28,666
NOT TODAY.

70
00:04:28,667 --> 00:04:30,417
THAT'S RIGHT, NOT TODAY.

71
00:04:31,542 --> 00:04:33,124
WHY?

72
00:04:33,125 --> 00:04:35,765
EVERY SO OFTEN, ONE JUST GETS ONE
OF THOSE DAYS, AND TODAY IT'S YOU.

73
00:04:35,789 --> 00:04:38,833
[GEORGE]: I WANTED SOMETHING
GOOD TO COME MY WAY...

74
00:04:38,834 --> 00:04:43,041
MORE THAN A FREE BREAKFAST,
MORE THAN 20 BUCKS,

75
00:04:43,042 --> 00:04:44,375
JUST MORE.

76
00:05:00,208 --> 00:05:02,874
I MEAN, I'M A GOOD-LOOKING
GUY, AM I NOT?

77
00:05:02,875 --> 00:05:04,791
YOU'RE FINE... FOR A WHITE BOY.

78
00:05:04,792 --> 00:05:07,999
FUCK FINE. I THINK I RADIATE
A CERTAIN RAFFISH APPEAL.

79
00:05:08,000 --> 00:05:09,291
DO I NOT? DO I?

80
00:05:13,667 --> 00:05:14,834
REAPER.

81
00:05:16,000 --> 00:05:17,207
TOO OLD.

82
00:05:17,208 --> 00:05:19,165
JESUS, ROXY, YOU THINK
EVERYBODY'S A REAPER.

83
00:05:19,166 --> 00:05:22,040
WELL, MAYBE THE WOMEN I'M
ATTRACTED TO ARE MORE DISCERNING.

84
00:05:22,041 --> 00:05:25,041
THAT COULD BE TRUE, BUT, YOU KNOW,
AS FAR AS DRAWING POWER GOES,

85
00:05:25,042 --> 00:05:26,749
I THINK I'VE GOT IT IN
SPADES, HAVE I NOT?

86
00:05:26,750 --> 00:05:28,083
HAVE I? HAVE I?

87
00:05:28,084 --> 00:05:30,499
WAIT A SECOND. HOW LONG HAS
IT BEEN SINCE YOU'VE HAD SEX?

88
00:05:30,500 --> 00:05:32,041
WITH A WOMAN. WITH A WOMAN.

89
00:05:32,042 --> 00:05:33,332
WHO WAS ALIVE.

90
00:05:33,333 --> 00:05:36,124
I'VE NOT HAD SEX
WITH A DEAD WOMAN...

91
00:05:36,125 --> 00:05:37,416
TECHNICALLY.

92
00:05:37,417 --> 00:05:38,791
FLORES?

93
00:05:38,792 --> 00:05:41,083
FLORES.

94
00:05:41,084 --> 00:05:42,208
FLORES PARA LOS MUERTOS.

95
00:05:42,209 --> 00:05:43,125
OH, NO, THANK YOU.

96
00:05:43,126 --> 00:05:45,124
FLOWERS FOR THE DEAD.
NO, THANK YOU.

97
00:05:45,125 --> 00:05:47,374
REAPER. SERIOUS REAPER.

98
00:05:47,375 --> 00:05:48,874
HOW LONG HAS IT BEEN, MASON?

99
00:05:48,875 --> 00:05:50,166
IT'S BEEN A WHILE.

100
00:05:50,167 --> 00:05:51,958
HOW LONG EXACTLY?

101
00:05:51,959 --> 00:05:53,083
A FEW MONTHS.

102
00:05:53,084 --> 00:05:55,124
HOW MANY MONTHS? 15, ALL RIGHT?

103
00:05:55,125 --> 00:05:56,416
MY STARS. THAT'S PATHETIC.

104
00:05:56,417 --> 00:05:58,749
JESUS. PAY FOR IT.

105
00:05:58,750 --> 00:06:00,082
BANG A HOOKER.

106
00:06:00,083 --> 00:06:01,541
LOOK, I DON'T KNOW WHAT TO DO.

107
00:06:01,542 --> 00:06:03,916
I CAN'T THINK STRAIGHT.
I'M LOSING MY MIND.

108
00:06:03,917 --> 00:06:06,375
DAISY, YOU HAVE TO
FIND ME A WOMAN.

109
00:06:07,042 --> 00:06:08,207
BE YOUR PIMP?

110
00:06:08,208 --> 00:06:09,833
PIMP ME. PLEASE, PIMP ME.

111
00:06:09,834 --> 00:06:11,166
DON'T YOU HAVE A SOUL TO REAP?

112
00:06:11,167 --> 00:06:12,916
YEAH, RIGHT HERE.

113
00:06:12,917 --> 00:06:15,959
RIGHT NEXT TO ZULU RECORDS. THERE'S
HOT GIRLS IN HERE ALL THE TIME.

114
00:06:17,166 --> 00:06:18,792
FUCK OFF, MAN.

115
00:06:20,583 --> 00:06:22,499
HAPPY HUNTING.

116
00:06:22,500 --> 00:06:25,124
WELL, MY POST-IT'S
NOT UNTIL LATER.

117
00:06:25,125 --> 00:06:26,645
LET'S SEE WHAT KIND
OF GAME YOU'VE GOT.

118
00:06:36,834 --> 00:06:39,500
OKAY, GOOD MORNING.

119
00:06:41,042 --> 00:06:42,290
SO WELCOME TO HOT YOGA.

120
00:06:42,291 --> 00:06:43,333
SIT.

121
00:06:45,084 --> 00:06:47,125
ANYONE HERE FOR THE FIRST TIME?

122
00:06:49,750 --> 00:06:50,999
HEY.

123
00:06:51,000 --> 00:06:52,082
YOU LOST?

124
00:06:52,083 --> 00:06:53,125
NO, I, UH...

125
00:06:55,250 --> 00:06:56,874
HAD AN APPOINTMENT IN THE AREA

126
00:06:56,875 --> 00:06:59,541
AND JUST WANTED TO
SEE WHAT WAS HERE.

127
00:06:59,542 --> 00:07:01,042
WHAT'S YOUR NAME?

128
00:07:02,000 --> 00:07:03,833
UH, RUBE.

129
00:07:03,834 --> 00:07:05,167
WHAT'S YOURS?

130
00:07:05,708 --> 00:07:07,000
I'M ARUN.

131
00:07:07,708 --> 00:07:09,125
ARUN LEVERT?

132
00:07:10,000 --> 00:07:12,749
THIS IS MY STUDIO.

133
00:07:12,750 --> 00:07:15,500
WHY DON'T YOU JOIN US FOR CLASS?
YOU'RE HERE.

134
00:07:16,792 --> 00:07:18,208
I DON'T REALLY DO YOGA.

135
00:07:18,209 --> 00:07:19,833
DOESN'T REALLY MATTER.

136
00:07:19,834 --> 00:07:21,625
YOU'RE HERE.

137
00:07:22,458 --> 00:07:23,542
BE HERE.

138
00:07:24,417 --> 00:07:25,791
I CAN DO THAT.

139
00:07:25,792 --> 00:07:26,959
GOOD.

140
00:07:28,125 --> 00:07:29,245
TAKE OFF YOUR CLOTHES, RUBE.

141
00:07:29,269 --> 00:07:31,518
THERE ARE EXTRA SHORTS
IN THE CUBBY, OKAY?

142
00:07:32,250 --> 00:07:34,124
THAT'S FOR YOU.

143
00:07:34,125 --> 00:07:35,125
OKAY, LET'S BEGIN.

144
00:07:39,500 --> 00:07:41,500
[GEORGE]: EVEN THOUGH I WAS
CONVINCED THAT THIS JOB

145
00:07:41,524 --> 00:07:44,691
WAS REALLY GETTING IN THE WAY
OF THE BUSINESS OF LIVING...

146
00:07:50,375 --> 00:07:51,458
GO.

147
00:07:53,125 --> 00:07:57,416
THERE WAS NO GETTING AROUND
THE COST OF THAT BUSINESS.

148
00:07:57,417 --> 00:07:59,041
I REALLY NEEDED MONEY.

149
00:08:03,166 --> 00:08:06,124
NO WAY DELORES COULD
TELL ME NO TODAY.

150
00:08:06,125 --> 00:08:08,209
[LAUGHTER]

151
00:08:09,000 --> 00:08:10,583
IT WAS MY DAY.

152
00:08:11,875 --> 00:08:13,624
WHAT DO YOU MEAN, "NO?"

153
00:08:13,625 --> 00:08:14,707
MILLIE...

154
00:08:14,708 --> 00:08:18,290
DELORES, YOU AND I
WERE, LIKE, FRIENDS.

155
00:08:18,291 --> 00:08:22,124
AND THEN YOU QUIT AND TOOK A
JOB FROM ONE OF OUR POSTINGS,

156
00:08:22,125 --> 00:08:24,166
AND THEN QUIT AFTER,
HMM, AN HOUR.

157
00:08:25,000 --> 00:08:26,499
FIVE MINUTES.

158
00:08:26,500 --> 00:08:29,583
MILLIE, LET ME TELL YOU A STORY.

159
00:08:30,708 --> 00:08:31,791
OKAY.

160
00:08:31,792 --> 00:08:34,333
DO YOU KNOW WHO WALLY PIPP WAS?

161
00:08:35,625 --> 00:08:36,999
IS THAT A REAL PERSON?

162
00:08:37,000 --> 00:08:40,208
WALLY PIPP WAS ONCE THE FIRST
BASEMAN FOR THE NEW YORK YANKEES,

163
00:08:40,209 --> 00:08:45,082
AND ONE SUMMER DAY, WALLY
PIPP DID NOT FEEL WELL,

164
00:08:45,083 --> 00:08:48,083
AND ASKED HIS COACH IF HE
COULD SIT OUT FOR A GAME.

165
00:08:48,084 --> 00:08:49,290
I DON'T REALLY LIKE BASEBALL...

166
00:08:49,291 --> 00:08:51,625
DO YOU KNOW WHO REPLACED
HIM THAT AFTERNOON?

167
00:08:53,917 --> 00:08:56,707
YOU EVER HEARD OF LOU GEHRIG?

168
00:08:56,708 --> 00:09:00,249
I KNOW HE HAS A REALLY BAD
DISEASE NAMED AFTER HIM.

169
00:09:00,250 --> 00:09:03,082
LOU GEHRIG PLAYED OVER
2,000 STRAIGHT GAMES

170
00:09:03,083 --> 00:09:04,207
FOR THE YANKEES.

171
00:09:04,208 --> 00:09:06,375
HE WAS KNOWN AS
"THE IRON HORSE."

172
00:09:07,417 --> 00:09:09,999
I DON'T NEED A WALLY
PIPP, MILLIE,

173
00:09:10,000 --> 00:09:11,708
AND I DON'T NEED YOU.

174
00:09:15,625 --> 00:09:17,167
YOU'RE JOKING, RIGHT?

175
00:09:20,167 --> 00:09:22,666
SO WHO'S MY REPLACEMENT?

176
00:09:22,667 --> 00:09:24,125
WHO'S LOU GEHRIG?

177
00:09:24,458 --> 00:09:25,500
MITCHELL.

178
00:09:30,042 --> 00:09:31,792
MITCHELL IS "THE IRON HORSE"?

179
00:09:32,500 --> 00:09:33,500
MM-HMM.

180
00:09:34,209 --> 00:09:35,958
PLEASE, DELORES.

181
00:09:35,959 --> 00:09:37,707
JUST GIVE ME A SECOND CHANCE.

182
00:09:37,708 --> 00:09:39,542
IT'S MS. HERBIG NOW.

183
00:09:42,000 --> 00:09:43,999
I NEED MY JOB BACK.

184
00:09:44,000 --> 00:09:45,208
WE'RE DONE HERE.

185
00:09:46,208 --> 00:09:47,417
LINE TWO.

186
00:09:49,166 --> 00:09:51,000
WE'RE DONE, WALLY.

187
00:09:52,167 --> 00:09:55,000
UN-FUCKING-REAL.

188
00:09:58,083 --> 00:10:00,708
HELLO, DELORES HERBIG.
HOW MAY I HELP YOU?

189
00:10:04,291 --> 00:10:05,583
WAIT!

190
00:10:08,375 --> 00:10:11,083
HOW'S IT GOING, PRETTY LADY?
OH, FUCK OFF.

191
00:10:11,084 --> 00:10:12,416
PRESS THAT DOWN BUTTON!

192
00:10:12,417 --> 00:10:15,124
YOU KNOW THAT DOESN'T MAKE
IT COME ANY FAS... FUCK OFF!

193
00:10:15,125 --> 00:10:16,290
DELORES?

194
00:10:16,291 --> 00:10:18,999
MURRAY'S IN SHOCK.

195
00:10:19,000 --> 00:10:21,083
MY NEIGHBOR SAID HE CAME IN

196
00:10:21,084 --> 00:10:23,207
AND PISSED ALL OVER HER FLOOR,
AND THEN JUST COLLAPSED.

197
00:10:23,208 --> 00:10:26,208
I HAVE TO GET HIM TO A HOSPITAL.

198
00:10:26,209 --> 00:10:28,329
IF HE'S PISSING ALL OVER YOUR
NEIGHBOR'S KITCHEN FLOOR,

199
00:10:28,330 --> 00:10:29,850
I THINK YOUR HUSBAND
NEEDS MORE THAN...

200
00:10:29,874 --> 00:10:31,082
MURRAY'S HER CAT, YOU ASSWIPE.

201
00:10:31,083 --> 00:10:33,457
DELORES, YOU'RE IN NO CONDITION TO DRIVE.
LET ME DRIVE.

202
00:10:33,458 --> 00:10:35,208
I... I...

203
00:10:35,209 --> 00:10:38,166
WHO ARE YOU CALLING
AN ASSWIPE, ASSWIPE?

204
00:10:38,167 --> 00:10:40,247
DON'T TOUCH ME! I'LL TOUCH
YOU IF I WANT TO TOUCH YOU.

205
00:10:40,271 --> 00:10:41,604
[TASER BUZZES]

206
00:10:44,000 --> 00:10:45,000
COME ON.

207
00:10:47,834 --> 00:10:49,500
MAYBE YOU SHOULD DRIVE.

208
00:10:55,417 --> 00:10:57,999
NOW, LET'S GO INTO EAGLE.

209
00:10:58,000 --> 00:11:03,207
RAISE YOUR HANDS ABOVE YOUR
HEAD, AND SWING THEM AROUND.

210
00:11:03,208 --> 00:11:06,125
WRAP THEM TOGETHER,
RIGHT ELBOW OVER LEFT.

211
00:11:06,708 --> 00:11:07,708
TWIST.

212
00:11:09,125 --> 00:11:12,165
TWIST. TWIST.

213
00:11:12,166 --> 00:11:13,375
EXCELLENT JOB, RUBE.

214
00:11:22,625 --> 00:11:24,959
MY MOTHER IS REALLY PISSED OFF.

215
00:11:26,166 --> 00:11:27,457
SO LET HER BE PISSED OFF.

216
00:11:27,458 --> 00:11:30,541
IT WAS HER GRANDDAUGHTER, JOY.

217
00:11:30,542 --> 00:11:34,208
YOU KNOW WHAT, CLANCY?
I DON'T LIKE HER.

218
00:11:35,125 --> 00:11:37,290
SHE DOESN'T LIKE ME.

219
00:11:37,291 --> 00:11:38,874
IF IT WERE ANY OTHER
DAY OF THE YEAR,

220
00:11:38,875 --> 00:11:40,235
I STILL WOULDN'T
WANT TO SEE HER...

221
00:11:40,236 --> 00:11:41,402
I'M SORRY I BROUGHT IT UP.

222
00:11:41,403 --> 00:11:43,541
AND I SURE AS HELL DON'T
WANT TO SEE HER TODAY.

223
00:11:43,542 --> 00:11:45,332
I AM SORRY I BROUGHT IT UP.

224
00:11:45,333 --> 00:11:46,625
[CELLPHONE RINGS]

225
00:11:48,959 --> 00:11:51,625
YOU ANSWER THAT PHONE, AND I WILL
ABSOLUTELY SHOVE IT UP YOUR ASS.

226
00:11:52,625 --> 00:11:53,750
[PHONE BEEPS OFF]

227
00:11:58,375 --> 00:11:59,500
HI.

228
00:12:00,583 --> 00:12:03,874
UH, SO WHAT HAPPENS TODAY?

229
00:12:03,875 --> 00:12:04,917
WHAT DO YOU MEAN, SWEETIE?

230
00:12:05,542 --> 00:12:06,625
WELL, WHAT HAPPENS?

231
00:12:07,000 --> 00:12:09,124
WELL, NOTHING MUCH.

232
00:12:09,125 --> 00:12:10,583
THE REVEREND WILL SAY A PRAYER.

233
00:12:12,000 --> 00:12:13,583
AND I'M GOING TO
SAY SOMETHING...

234
00:12:14,375 --> 00:12:15,458
REALLY?

235
00:12:17,959 --> 00:12:20,167
AND YOU CAN SAY SOMETHING
IF YOU WANT TO.

236
00:12:20,708 --> 00:12:21,792
OKAY.

237
00:12:24,125 --> 00:12:26,166
SO WHAT ARE YOU GOING TO SAY?

238
00:12:28,166 --> 00:12:29,458
I'M GOING TO SAY...

239
00:12:33,625 --> 00:12:35,167
I CAN'T DEAL WITH YOU TODAY.

240
00:12:48,167 --> 00:12:50,167
I HAVE AN EMERGENCY.

241
00:12:51,417 --> 00:12:52,667
SIGN IN, PLEASE.

242
00:12:53,542 --> 00:12:56,707
MURRAY USUALLY SEES DR. WILSON.

243
00:12:56,708 --> 00:12:59,165
DR. WILSON'S NOT IN.
DR. LEVY IS HERE.

244
00:12:59,166 --> 00:13:01,208
I DON'T KNOW HIM. CAN
HE SEE US RIGHT AWAY?

245
00:13:02,125 --> 00:13:03,834
HOLD ON. I'M NEW.

246
00:13:06,166 --> 00:13:07,582
IT'S MARCIE.

247
00:13:07,583 --> 00:13:09,959
THERE'S A LADY HERE WHO WANTS
TO SEE YOU RIGHT AWAY.

248
00:13:10,166 --> 00:13:11,333
MARCIE.

249
00:13:13,417 --> 00:13:15,166
MARCIE. I'M NEW.

250
00:13:15,167 --> 00:13:16,374
MARCIE!

251
00:13:16,375 --> 00:13:18,166
THIS IS A CAT EMERGENCY.

252
00:13:19,250 --> 00:13:20,999
I'LL BE RIGHT BACK.

253
00:13:21,000 --> 00:13:23,874
COME ON. IT PROBABLY
WON'T BE LONG.

254
00:13:23,875 --> 00:13:24,917
MEOW, MEOW.

255
00:13:26,125 --> 00:13:28,209
MEOW, MEOW, MISTER.

256
00:13:29,000 --> 00:13:30,083
EXCUSE ME.

257
00:13:30,708 --> 00:13:32,582
CERTAINLY.

258
00:13:32,583 --> 00:13:34,583
HOW'S MURRAY DOING?
NOT VERY GOOD.

259
00:13:37,333 --> 00:13:38,773
WHAT DID YOU SAY
YOUR CAT'S NAME WAS?

260
00:13:47,125 --> 00:13:49,457
DON'T TELL HIM, DELORES. MURRAY,

261
00:13:49,458 --> 00:13:51,625
YOU HANG IN THERE,
YOU BEAUTIFUL BOY.

262
00:13:52,250 --> 00:13:54,624
YOU BEAT THE JACUZZI.

263
00:13:54,625 --> 00:13:56,249
YOU BEAT THE ICE CREAM TRUCK.

264
00:13:56,250 --> 00:13:58,208
YOU'VE GOT SEVEN LIVES LEFT.

265
00:13:58,209 --> 00:13:59,208
YOU CAN BEAT THIS.

266
00:13:59,209 --> 00:14:01,041
WHAT'RE YOU READING? MILLIE,

267
00:14:01,042 --> 00:14:04,874
I APPRECIATE THE RIDE, BUT I THINK
MURRAY AND I WILL BE FINE NOW.

268
00:14:04,875 --> 00:14:07,416
UM, OKAY.

269
00:14:07,417 --> 00:14:08,777
HEY, YOU WAITING
FOR A PET IN HERE?

270
00:14:09,208 --> 00:14:10,541
UH-HUH.

271
00:14:10,542 --> 00:14:12,182
ON THE OTHER HAND, IF
YOU LEAVE RIGHT NOW,

272
00:14:12,206 --> 00:14:13,582
I DON'T KNOW HOW I'LL GET HOME,

273
00:14:13,583 --> 00:14:16,000
AND I DON'T WANT TO LEAVE
MURRAY HERE OVERNIGHT.

274
00:14:17,500 --> 00:14:19,000
I CAN STAY.

275
00:14:22,084 --> 00:14:23,084
SO WHAT'S YOUR PET'S NAME?

276
00:14:24,333 --> 00:14:25,833
IS IT A DOG?

277
00:14:25,834 --> 00:14:27,084
SNAKE? FERRET?

278
00:14:27,917 --> 00:14:29,208
WHAT'S YOUR PROBLEM?

279
00:14:29,209 --> 00:14:31,208
WHERE'S YOUR PET CARRIER?
WHY AREN'T YOU SAD?

280
00:14:31,209 --> 00:14:32,791
WELL, MAYBE I AM,

281
00:14:32,792 --> 00:14:36,041
OR MAYBE MY MOM IS BONING THE
DUDE FROM ANIMAL CONTROL.

282
00:14:36,042 --> 00:14:38,000
YOU'RE FULL OF SHIT,
YOU LITTLE PUNK.

283
00:14:38,583 --> 00:14:40,959
MILLIE, HE'S A CHILD.

284
00:14:43,000 --> 00:14:44,999
I'M GOING TO THE
BATHROOM, DELORES.

285
00:14:45,000 --> 00:14:46,124
DON'T LET HIM TOUCH MURRAY.

286
00:14:46,125 --> 00:14:47,166
WHY?

287
00:14:48,166 --> 00:14:49,208
JUST DON'T.

288
00:14:52,417 --> 00:14:53,999
[GEORGE]: MAYBE I WAS WRONG.

289
00:14:54,000 --> 00:14:56,999
MAYBE LIFE WAS
FLIPPING ME OFF AGAIN.

290
00:14:57,000 --> 00:14:59,250
MAYBE THIS WASN'T MY DAY AT ALL.

291
00:15:09,291 --> 00:15:10,375
OKAY.

292
00:15:15,166 --> 00:15:16,833
ARUN...

293
00:15:16,834 --> 00:15:19,124
COULD YOU DEMONSTRATE
THE PLOUGH POSE FOR ME?

294
00:15:19,125 --> 00:15:21,083
I FEEL LIKE MY FORM
ISN'T VERY GOOD.

295
00:15:21,084 --> 00:15:22,083
IT'S GOOD.

296
00:15:22,084 --> 00:15:23,416
HAPPY TO, SANDY.

297
00:15:23,417 --> 00:15:24,917
THANKS FOR THE CLASS.

298
00:15:32,667 --> 00:15:34,749
YOU WANT YOUR CALVES PARALLEL,

299
00:15:34,750 --> 00:15:36,167
LIKE TRAIN TRACKS.

300
00:15:39,166 --> 00:15:40,166
WHEN I WAS TRAINING,

301
00:15:40,167 --> 00:15:42,082
MY YOGA TEACHER USED
TO GET ON MY ASS

302
00:15:42,083 --> 00:15:43,290
AND STAND THERE,

303
00:15:43,291 --> 00:15:44,917
LIKE HE WAS SURFING A WAVE.

304
00:15:49,250 --> 00:15:50,542
[BONE CRACKS]

305
00:15:52,125 --> 00:15:53,667
THAT'S BEAUTIFUL.

306
00:15:54,083 --> 00:15:55,458
THANKS.

307
00:15:58,458 --> 00:15:59,917
WHAT JUST HAPPENED?

308
00:16:09,042 --> 00:16:10,042
YOU'RE DEAD.

309
00:16:11,542 --> 00:16:13,083
YOU'RE KIDDING ME.

310
00:16:13,084 --> 00:16:14,125
NO.

311
00:16:17,167 --> 00:16:18,541
I HAVE AN OLD NECK INJURY.

312
00:16:18,542 --> 00:16:20,207
I'M NOT SUPPOSED TO
DO THE PLOUGH POSE,

313
00:16:20,208 --> 00:16:21,999
BUT SANDY IS SO HOT.

314
00:16:22,000 --> 00:16:23,000
YOU BROKE YOUR NECK.

315
00:16:24,000 --> 00:16:25,125
WOW.

316
00:16:26,041 --> 00:16:28,249
WHERE ARE MY PANTS?

317
00:16:28,250 --> 00:16:30,999
SO I'M DEAD, AND
NOBODY GIVES A SHIT.

318
00:16:31,000 --> 00:16:33,041
THEY DON'T KNOW YET.

319
00:16:33,042 --> 00:16:35,125
I THOUGHT I PUT THEM
IN THE SECOND CUBBY...

320
00:16:38,042 --> 00:16:39,082
NO ONE SEES ME? JUST YOU?

321
00:16:39,083 --> 00:16:40,667
YEAH. THESE AREN'T MINE.

322
00:16:46,208 --> 00:16:47,917
THANKS FOR CLASS, ARUN.

323
00:16:49,959 --> 00:16:51,583
WOULD YOU LIKE TO
GO GET SOME TEA?

324
00:16:52,917 --> 00:16:54,125
ARUN?

325
00:16:54,250 --> 00:16:56,958
ARUN?

326
00:16:56,959 --> 00:16:58,542
SHE WANTS TO SLEEP WITH ME.

327
00:16:59,500 --> 00:17:00,959
YEAH, THAT'S GOT TO HURT.

328
00:17:09,083 --> 00:17:10,374
HEY!

329
00:17:10,375 --> 00:17:11,708
SHITHEAD!

330
00:17:16,834 --> 00:17:19,207
HOOTIE AND THE BLOWFISH?

331
00:17:19,208 --> 00:17:21,333
TAKE IT AND GET THE
FUCK OUT OF HERE.

332
00:17:23,959 --> 00:17:25,124
ALL RIGHT.

333
00:17:25,125 --> 00:17:28,208
THIS PLACE IS ALL ABOUT THE
INITIAL SALVO, THE OPENING LINE.

334
00:17:28,209 --> 00:17:32,582
IT HAS TO BE CLEVER, BUT AT THE
SAME TIME SUGGEST AN INNER BEAUTY.

335
00:17:32,583 --> 00:17:34,041
DO YOU THINK YOU CAN DO THAT?

336
00:17:34,042 --> 00:17:35,541
YES.

337
00:17:35,542 --> 00:17:37,209
WHAT'S A LINE THAT'S
WORKED ON YOU?

338
00:17:39,917 --> 00:17:41,290
"I'M GARY COOPER."

339
00:17:41,291 --> 00:17:43,249
THAT'S NOT GOING TO
WORK FOR ME, DAISY.

340
00:17:43,250 --> 00:17:46,290
YEAH. JUST BE YOURSELF...

341
00:17:46,291 --> 00:17:48,166
OKAY.

342
00:17:48,167 --> 00:17:51,666
ONLY, SMARTER, RICHER, MORE
SUCCESSFUL, CLEAN-SHAVEN,

343
00:17:51,667 --> 00:17:53,167
AND, I'M GUESSING,
A BIGGER COCK.

344
00:17:54,250 --> 00:17:55,417
RIGHT.

345
00:17:56,959 --> 00:18:00,124
YOU'RE ENGLISH. USE
THAT TO YOUR ADVANTAGE.

346
00:18:00,125 --> 00:18:01,749
BE JAMES BOND.

347
00:18:01,750 --> 00:18:03,291
GIVE THEM THE WITTY
SEXUAL INNUENDO.

348
00:18:04,792 --> 00:18:06,125
OKAY.

349
00:18:10,792 --> 00:18:12,167
HI.

350
00:18:15,834 --> 00:18:17,314
DO YOU BELIEVE IN
LOVE AT FIRST SIGHT,

351
00:18:17,338 --> 00:18:19,339
OR SHOULD I WALK BY AGAIN?

352
00:18:21,042 --> 00:18:22,874
DO EITHER OF YOU WORK FOR UPS?

353
00:18:22,875 --> 00:18:25,542
BECAUSE I COULDN'T HELP BUT NOTICE
YOU CHECKING OUT MY PACKAGE.

354
00:18:27,125 --> 00:18:29,667
NICE LEGS. WHAT
TIME DO THEY OPEN?

355
00:18:31,834 --> 00:18:33,374
HI, THERE. HI, THERE.

356
00:18:33,375 --> 00:18:35,083
HI, THERE. HI... H...

357
00:18:35,959 --> 00:18:37,750
HI, THERE.

358
00:18:45,250 --> 00:18:46,917
I'M NOT JAMES BOND.

359
00:18:49,333 --> 00:18:50,582
WHAT WAS THAT FOR?

360
00:18:50,583 --> 00:18:52,791
IT JUST LOOKED LIKE SO MUCH FUN.

361
00:18:52,792 --> 00:18:55,124
WAS IT? YEAH.

362
00:18:55,125 --> 00:18:57,667
I'VE GOT TO RUN. JUST
TRY BEING YOURSELF.

363
00:19:11,375 --> 00:19:13,042
WHAT ARE YOU LOOKING
FOR, SWEETIE?

364
00:19:13,583 --> 00:19:15,000
I DON'T KNOW.

365
00:19:16,125 --> 00:19:17,333
OKAY.

366
00:19:19,500 --> 00:19:21,083
I WANT TO BRING
SOMETHING TO HER GRAVE.

367
00:19:22,042 --> 00:19:23,084
LIKE WHAT?

368
00:19:24,417 --> 00:19:25,500
I SAID I DON'T KNOW.

369
00:19:27,542 --> 00:19:28,792
DO YOU WANT HELP?

370
00:19:29,583 --> 00:19:30,917
NO.

371
00:19:38,417 --> 00:19:41,041
SOMETHING OF HERS OR
SOMETHING OF YOURS?

372
00:19:41,042 --> 00:19:42,084
MOM...

373
00:19:45,125 --> 00:19:46,125
GO AWAY.

374
00:19:58,834 --> 00:20:00,124
MURRAY HERBIG?

375
00:20:00,125 --> 00:20:01,416
WE USUALLY SEE DR. WILSON.

376
00:20:01,417 --> 00:20:03,124
WELL, DR. WILSON'S AT THE ZOO.

377
00:20:03,125 --> 00:20:05,041
HAD TO DELIVER A BABY ORANGUTAN.

378
00:20:05,042 --> 00:20:06,457
BREECH BIRTH.

379
00:20:06,458 --> 00:20:08,707
HIGH DEGREE OF DIFFICULTY.

380
00:20:08,708 --> 00:20:10,332
MURRAY HASN'T BEEN EATING.

381
00:20:10,333 --> 00:20:11,416
OH.

382
00:20:11,417 --> 00:20:13,083
LET'S HAVE A LISTEN.

383
00:20:13,084 --> 00:20:14,084
OKAY.

384
00:20:15,000 --> 00:20:16,707
HMM.

385
00:20:16,708 --> 00:20:18,749
HEART RATE IS DEPRESSED.

386
00:20:18,750 --> 00:20:20,041
KIDNEYS ARE A BIT BIG.

387
00:20:20,042 --> 00:20:22,124
IS THERE ANY VOMITING?
UNUSUAL URINATION?

388
00:20:22,125 --> 00:20:23,666
COUGHING UP HAIRBALLS? YES.

389
00:20:23,667 --> 00:20:25,083
HOW ABOUT THE CAT?

390
00:20:25,084 --> 00:20:26,791
WHAT?

391
00:20:26,792 --> 00:20:29,625
IT'S A STANDARD VET JOKE.
I'M OLD SCHOOL.

392
00:20:30,792 --> 00:20:33,332
THAT'S NOT FUNNY. LOOK AT HER.

393
00:20:33,333 --> 00:20:34,583
THAT'S PANIC.

394
00:20:36,125 --> 00:20:38,207
OH, SORRY.

395
00:20:38,208 --> 00:20:39,791
MY GUESS IS THAT HE'S SUFFERING

396
00:20:39,792 --> 00:20:41,166
SOME KIND OF RENAL FAILURE...

397
00:20:41,167 --> 00:20:42,125
OH, MY LORD.

398
00:20:42,126 --> 00:20:43,966
AND SOMETHING OR SOMEONE
REALLY FRIGHTENED HIM.

399
00:20:43,990 --> 00:20:46,614
WELL, HE'S NOT VERY FOND OF
BEING IN THE CAT CARRIER.

400
00:20:49,209 --> 00:20:50,874
MS. HERBIG,

401
00:20:50,875 --> 00:20:52,082
HAVE YOU EVER HEARD SOMEONE SAY

402
00:20:52,083 --> 00:20:55,124
THAT MANKIND IS THE ONLY SPECIES
WHO POSSESSES THE KNOWLEDGE

403
00:20:55,125 --> 00:20:56,374
THAT HE'S GOING TO DIE?

404
00:20:56,375 --> 00:20:57,457
WHY?

405
00:20:57,458 --> 00:21:01,165
MURRAY'S VERY OLD,
AND HE'S SICK.

406
00:21:01,166 --> 00:21:02,833
YOU THINK CATS KNOW, TOO?

407
00:21:02,834 --> 00:21:05,207
MM-HMM, BUT I'LL TRY
AND TREAT HIM, OKAY?

408
00:21:05,208 --> 00:21:06,488
I'M GOING TO DO
EVERYTHING I CAN.

409
00:21:07,167 --> 00:21:08,667
OKAY.

410
00:21:18,000 --> 00:21:19,166
IT'S OKAY.

411
00:21:20,084 --> 00:21:22,124
TAKE DEEP BREATHS.

412
00:21:22,125 --> 00:21:24,791
[GEORGE]: SEEMED AS
IF THIS DAY, MY DAY,

413
00:21:24,792 --> 00:21:26,916
WAS A BIT OF A MIXED BAG.

414
00:21:26,917 --> 00:21:29,208
I SHOULDN'T HAVE BEEN SURPRISED.

415
00:21:29,209 --> 00:21:32,000
IT'S NOT LIKE I WAS A
PARTICULARLY LUCKY GIRL.

416
00:21:35,458 --> 00:21:37,874
15 YEARS OF YOGA,
AND THIS IS IT?

417
00:21:37,875 --> 00:21:39,082
UNDER A SHEET?

418
00:21:39,083 --> 00:21:40,999
I'M TOE-UP IN MY STUDIO?

419
00:21:41,000 --> 00:21:42,083
SORRY.

420
00:21:44,458 --> 00:21:46,378
THE GOOD-LOOKING ONE HERE
REALLY CARED ABOUT YOU.

421
00:21:47,250 --> 00:21:49,874
DOESN'T HELP MY DEAD ASS NOW.

422
00:21:49,875 --> 00:21:51,000
SO WHAT'S NEXT?

423
00:21:52,792 --> 00:21:55,124
YOU'RE OFF TO YOUR
FINAL DESTINATION.

424
00:21:55,125 --> 00:21:57,500
WHERE'S THAT? NO IDEA.

425
00:21:58,875 --> 00:22:00,375
YOU HAVE SOME IDEA.

426
00:22:02,042 --> 00:22:04,124
MAN, YOU KNOW A LOT OF SHIT,

427
00:22:04,125 --> 00:22:06,125
AND YOU LIKE TO PLAY IT A
LITTLE CLOSE TO THE VEST.

428
00:22:06,149 --> 00:22:08,108
I WOULD HATE TO PLAY
POKER WITH YOU.

429
00:22:08,708 --> 00:22:10,166
DON'T NOD, MOTHERFUCKER.

430
00:22:10,167 --> 00:22:11,125
I'M DEAD.

431
00:22:11,126 --> 00:22:12,708
SHOW ME SOME CARDS.

432
00:22:14,750 --> 00:22:17,290
LET ME ASK YOU SOMETHING.

433
00:22:17,291 --> 00:22:19,875
YOGA'S SUPPOSED TO BE CONNECTED
WITH THE DIVINE, RIGHT?

434
00:22:21,125 --> 00:22:24,499
IN YOGA, THE DRAMA
OF THE UNIVERSE

435
00:22:24,500 --> 00:22:27,667
GETS ACTED OUT IN
OUR PHYSICAL BODY.

436
00:22:28,625 --> 00:22:31,624
PURE ENERGY MARRIES
PURE CONSCIOUSNESS.

437
00:22:31,625 --> 00:22:33,792
TRUST ME, IT'S THE
ONLY WAY TO FLY.

438
00:22:35,750 --> 00:22:38,166
BECAUSE OF THE OPPORTUNITY
FOR SPIRITUAL GROWTH?

439
00:22:38,167 --> 00:22:39,874
YEAH, THERE WAS THAT, TOO.

440
00:22:39,875 --> 00:22:42,624
I LED THIS SERENE,
BEAUTIFUL LIFE,

441
00:22:42,625 --> 00:22:44,457
AND I AM NOT EMBARRASSED
TO TELL YOU,

442
00:22:44,458 --> 00:22:46,834
THE WOMEN ARE PHENOMENAL.

443
00:22:49,083 --> 00:22:51,625
THAT ONE THERE, SHE'S GOT
A LITTLE CRUSH ON YOU.

444
00:22:53,333 --> 00:22:55,958
I TRY TO LIVE ON THE PERIPHERY.

445
00:22:55,959 --> 00:22:58,125
I TRY NOT TO GET INVOLVED
WITH THE LIVING.

446
00:23:01,500 --> 00:23:03,124
OKAY, MAN.

447
00:23:03,125 --> 00:23:05,082
YOU STAY ON THE PERIPHERY.

448
00:23:05,083 --> 00:23:07,041
IT SOUNDS LIKE FUN.

449
00:23:13,333 --> 00:23:15,209
HE WAS SO PURE.

450
00:23:16,875 --> 00:23:19,457
I REALLY WANTED
HIM INSIDE OF ME.

451
00:23:19,458 --> 00:23:20,778
I CAN'T TAKE THIS.
I'VE GOT TO GO.

452
00:23:23,125 --> 00:23:25,374
HEY, BOY.

453
00:23:25,375 --> 00:23:27,792
HEY, I WAS WONDERING
IF YOU COULD TELL...

454
00:23:30,333 --> 00:23:31,375
YOU MOTHERFU...

455
00:23:36,166 --> 00:23:38,291
YOU DROPPED THIS. YEAH.

456
00:23:39,458 --> 00:23:41,541
WHAT'S "E.T.D."?

457
00:23:41,542 --> 00:23:44,167
ESTIMATED TIME OF DEATH.

458
00:23:46,167 --> 00:23:47,167
WHAT IS THIS?

459
00:23:48,083 --> 00:23:49,708
WHOSE ESTIMATED TIME OF DEATH?

460
00:23:54,583 --> 00:23:56,416
WHO ARE YOU?

461
00:23:56,417 --> 00:23:59,667
I'M MASON. CAN I HAVE THIS BACK?
PLEASE...

462
00:24:03,042 --> 00:24:05,042
WHAT ARE YOU, SOME
KIND OF GRIM REAPER?

463
00:24:07,125 --> 00:24:08,374
YES.

464
00:24:08,375 --> 00:24:10,416
OH! SAY IT.

465
00:24:10,417 --> 00:24:12,083
SAY WHAT?

466
00:24:12,084 --> 00:24:13,999
TELL ME WHAT YOU ARE.

467
00:24:14,000 --> 00:24:16,041
COME ON! TELL ME WHAT YOU ARE!

468
00:24:16,042 --> 00:24:17,499
I'M A... I'M A...

469
00:24:17,500 --> 00:24:19,040
I'M A...

470
00:24:19,041 --> 00:24:22,040
I'M A REAPER.

471
00:24:22,041 --> 00:24:24,582
SAY IT AGAIN. COME
ON, SAY IT AGAIN!

472
00:24:24,583 --> 00:24:27,124
I'M A... I'M A REAPER.

473
00:24:27,125 --> 00:24:29,791
I'M A REAPER!

474
00:24:29,792 --> 00:24:31,917
I'M A REAPER!

475
00:24:49,875 --> 00:24:51,041
YOGA WAS VERY GOOD FOR ME.

476
00:24:51,042 --> 00:24:52,999
THE WAY IT MADE MY BODY FEEL,

477
00:24:53,000 --> 00:24:55,666
MY MIND WAS AT PEACE,

478
00:24:55,667 --> 00:24:57,542
AND I LOVED SOME
WONDERFUL WOMEN.

479
00:24:58,375 --> 00:25:01,041
HOUSEWIVES, SHOP GIRLS,

480
00:25:01,042 --> 00:25:03,374
LAWYERS, SOCIAL WORKERS,

481
00:25:03,375 --> 00:25:06,332
BLACK, WHITE, ASIAN. I WAS
LIKE A KID AT A PARADE.

482
00:25:06,333 --> 00:25:08,375
YEAH, I'VE SEEN THAT PARADE.

483
00:25:11,667 --> 00:25:14,082
YOU'RE NOT ONE OF THOSE
MONK CATS, ARE YOU?

484
00:25:14,083 --> 00:25:15,332
NO.

485
00:25:15,333 --> 00:25:18,666
VOW OF CELIBACY,
SILENCE, POVERTY...

486
00:25:18,667 --> 00:25:21,082
I MEAN, THAT'S SOME WRONGHEADED
SHIT, DON'T YOU THINK?

487
00:25:21,083 --> 00:25:23,583
I THINK IT WOULD HAVE
BEEN WRONG FOR YOU.

488
00:25:24,667 --> 00:25:27,208
TOUCHING, STRETCHING,
LAUGHING, TALKING.

489
00:25:27,209 --> 00:25:29,999
THAT'S ALL I DID MY WHOLE LIFE.

490
00:25:30,000 --> 00:25:32,124
YOU SHOULD'VE TALKED TO THAT
PRETTY WOMAN IN MY CLASS.

491
00:25:32,125 --> 00:25:33,125
SHE LIKED YOU.

492
00:25:36,084 --> 00:25:37,084
YOU THINK TOO MUCH.

493
00:25:37,875 --> 00:25:40,166
I DON'T THINK ENOUGH.

494
00:25:40,167 --> 00:25:44,457
YOU'RE A WISE MAN, AND THE
WISE MAN KNOWS HOW TO LIVE.

495
00:25:44,458 --> 00:25:47,125
THE WISE MAN KNOWS HOW
MUCH HE DOESN'T KNOW.

496
00:25:54,167 --> 00:25:56,249
I'M JUST SAYING,

497
00:25:56,250 --> 00:25:59,083
I'VE SEEN A LIFETIME
OF LOVE AND AFFECTION.

498
00:25:59,959 --> 00:26:01,125
THEN YOU WERE A LUCKY MAN.

499
00:26:01,458 --> 00:26:02,959
TRY THIS ONE.

500
00:26:15,291 --> 00:26:16,958
VERY NICE.

501
00:26:16,959 --> 00:26:18,291
DON'T FORGET TO BREATHE.

502
00:26:24,375 --> 00:26:25,750
NAMASTE.

503
00:26:26,834 --> 00:26:28,125
NAMASTE.

504
00:26:36,250 --> 00:26:37,500
I HOPE WE MEET AGAIN.

505
00:26:38,209 --> 00:26:39,583
I HOPE SO, TOO.

506
00:27:28,875 --> 00:27:31,249
YOU KNOW HOW YOU TAKE
SOMETHING FOR GRANTED?

507
00:27:31,250 --> 00:27:32,833
THAT'S HOW I WAS WITH MURRAY.

508
00:27:32,834 --> 00:27:35,166
HE WAS JUST IN THE BACKGROUND.

509
00:27:36,167 --> 00:27:38,208
NO, THAT'S NOT TRUE.

510
00:27:40,000 --> 00:27:42,125
IT'S LIKE THAT JONI
MITCHELL SONG.

511
00:27:54,375 --> 00:27:57,082
I THINK YOU NEED TO
CONCENTRATE ON...

512
00:27:57,083 --> 00:27:59,208
[GEORGE]: ON WHAT? WHAT?

513
00:27:59,209 --> 00:28:01,457
WHAT COULD I POSSIBLY SAY?

514
00:28:01,458 --> 00:28:04,166
ON THE FACT THAT...

515
00:28:04,167 --> 00:28:08,083
COULD I TELL DELORES, "I DIED EARLIER
THIS YEAR, AND I'M STILL WAITING

516
00:28:08,084 --> 00:28:10,000
FOR EVEN THE TINIEST
BIT OF PERSPECTIVE"?

517
00:28:11,542 --> 00:28:14,249
THAT THE UNIVERSE...

518
00:28:14,250 --> 00:28:16,332
WILL TAKE CARE OF THINGS.

519
00:28:16,333 --> 00:28:17,417
HUH.

520
00:28:19,542 --> 00:28:20,917
DO YOU REALLY BELIEVE THAT?

521
00:28:23,875 --> 00:28:25,166
YES, I DO.

522
00:28:25,167 --> 00:28:26,625
I DON'T KNOW.

523
00:28:30,708 --> 00:28:35,209
I THINK YOU NEED TO TRUST THAT
EVERYTHING IS GOING TO BE OKAY,

524
00:28:36,417 --> 00:28:39,041
THAT THE UNIVERSE IS GOING
TO TAKE CARE OF YOU...

525
00:28:39,042 --> 00:28:40,208
OF MURRAY.

526
00:28:43,375 --> 00:28:45,208
AS I HELD DELORES'S HAND,

527
00:28:45,209 --> 00:28:50,791
I REALIZED BY SAYING WORDS I WASN'T EVEN
SURE I BELIEVED, THAT COMFORT WAS ENOUGH.

528
00:28:50,792 --> 00:28:55,290
MAYBE IT WAS ENOUGH TO TELL DELORES
THINGS WERE GOING TO BE OKAY,

529
00:28:55,291 --> 00:28:58,374
BECAUSE EVEN IF THEY
WEREN'T, THEY WOULD BE...

530
00:28:58,375 --> 00:29:00,125
SOMEDAY.

531
00:29:02,375 --> 00:29:03,542
MR. ZETZMAN?

532
00:29:07,042 --> 00:29:09,667
THE DOCTOR SAID HE COULDN'T FIND
ANYTHING WRONG WITH YOUR RABBIT.

533
00:29:10,875 --> 00:29:12,999
BUT EDDIE'S BEEN
ACTING SO LISTLESS.

534
00:29:13,000 --> 00:29:14,417
IS HE SURE?

535
00:29:15,291 --> 00:29:16,708
YOU GOT TO GO?

536
00:29:17,959 --> 00:29:19,499
YEAH, MY MOM'S PICKING ME UP.

537
00:29:19,500 --> 00:29:21,125
YEAH, MY MOM, TOO.

538
00:29:25,625 --> 00:29:27,000
YOUR CAT'S GOING TO BE OKAY.

539
00:29:27,500 --> 00:29:28,625
HE IS?

540
00:29:33,667 --> 00:29:34,874
WHAT'S HIS NAME?

541
00:29:34,875 --> 00:29:35,999
EDDIE.

542
00:29:36,000 --> 00:29:37,333
EDDIE RABBIT.

543
00:29:39,167 --> 00:29:40,208
CAN I PET HIM?

544
00:29:40,875 --> 00:29:42,791
SURE.

545
00:29:42,792 --> 00:29:45,500
EDDIE LIKES KIDS.
HE'S A SWEETHEART.

546
00:29:47,792 --> 00:29:48,834
COOL.

547
00:29:54,084 --> 00:29:55,125
MS. HERBIG?

548
00:29:56,000 --> 00:29:58,332
DR. LEVY SAYS YOUR CAT'S
FEELING MUCH BETTER.

549
00:29:58,333 --> 00:30:00,999
YOU CAN SEE HIM IF YOU WANT.

550
00:30:01,000 --> 00:30:03,125
OH, GOD. WHAT A DAY.

551
00:30:03,708 --> 00:30:04,917
MY DAY.

552
00:30:08,917 --> 00:30:11,958
DO YOU WANT ME TO WAIT HERE?
BECAUSE I CAN.

553
00:30:11,959 --> 00:30:14,666
NO, NO. I'M FINE.

554
00:30:14,667 --> 00:30:16,542
I MEAN, I CAN STAY IF YOU WANT.

555
00:30:18,708 --> 00:30:19,959
OKAY.

556
00:30:21,125 --> 00:30:22,583
OH, MILLIE...

557
00:30:24,792 --> 00:30:27,417
I'LL SEE YOU MONDAY MORNING
AT HAPPY TIME, OKAY?

558
00:30:36,542 --> 00:30:38,042
HEY.

559
00:30:39,084 --> 00:30:40,209
HEY!

560
00:30:40,875 --> 00:30:42,000
WHAT?

561
00:30:43,542 --> 00:30:45,291
SO, UH... WHAT'S YOUR NAME?

562
00:30:46,041 --> 00:30:48,250
CHARLIE, AND YOUR
NAME'S NOT MILLIE.

563
00:30:49,083 --> 00:30:50,874
NO. IT'S NOT MILLIE.

564
00:30:50,875 --> 00:30:54,208
SO HOW DID YOU DIE, NOT MILLIE?

565
00:30:54,209 --> 00:30:57,083
I GOT HIT BY A TOILET SEAT THAT
FELL FROM A SPACE STATION.

566
00:30:58,125 --> 00:31:00,250
TOILET SEAT GIRL. COOL.

567
00:31:01,250 --> 00:31:03,332
SO WHAT HAPPENED TO YOU?

568
00:31:03,333 --> 00:31:06,041
GOT HIT BY A CAR.
SOME DRUNK GIRL.

569
00:31:07,041 --> 00:31:08,166
SO WHERE DO YOU LIVE?

570
00:31:09,042 --> 00:31:10,250
HERE. THERE.

571
00:31:12,250 --> 00:31:13,500
I'VE GOT TO GO.

572
00:31:14,875 --> 00:31:16,209
WAIT.

573
00:31:18,667 --> 00:31:19,667
WHAT'S THAT FOR?

574
00:31:21,166 --> 00:31:24,082
I DON'T KNOW. I'M
JUST HAVING A DAY.

575
00:31:24,083 --> 00:31:25,291
JUST TAKE IT.

576
00:31:29,792 --> 00:31:31,125
AWESOME.

577
00:31:39,375 --> 00:31:40,792
SO WHAT'S YOUR REAL NAME?

578
00:31:41,250 --> 00:31:42,458
GEORGE.

579
00:31:43,625 --> 00:31:45,458
SEE YOU AROUND, GEORGE.

580
00:32:07,708 --> 00:32:09,083
WHERE ARE YOU TODAY?

581
00:32:16,083 --> 00:32:19,000
NO. NO.

582
00:32:20,417 --> 00:32:21,791
NO.

583
00:32:21,792 --> 00:32:23,166
SHE SEEMS OKAY.

584
00:32:24,625 --> 00:32:27,084
I DON'T KNOW. I DON'T
KNOW ANYTHING.

585
00:32:28,542 --> 00:32:30,042
LISTEN, I'LL CALL YOU LATER.

586
00:32:52,375 --> 00:32:54,374
[GEORGE]: THE DAY I
DROPPED OUT OF COLLEGE,

587
00:32:54,375 --> 00:32:57,208
I REMEMBER LYING ON MY BED.

588
00:32:57,209 --> 00:33:00,707
MY MOTHER CAME INTO MY ROOM,
AND SHE HAD BEEN CRYING.

589
00:33:00,708 --> 00:33:04,958
SHE STARED AT ME FOR A LONG
TIME, AND THEN SHE SAID,

590
00:33:04,959 --> 00:33:10,124
"YOU ONLY HAVE ONE SHOT AT LIFE, GEORGIA.
THIS IS NO DRESS REHEARSAL,"

591
00:33:10,125 --> 00:33:12,874
AND I SAID, "YOU KNOW WHAT, MOM?

592
00:33:12,875 --> 00:33:15,541
MAYBE I DON'T EVEN WANT
TO BE IN THE PLAY."

593
00:33:15,542 --> 00:33:18,082
A MONTH LATER, I WAS KILLED.

594
00:33:18,083 --> 00:33:21,167
I WONDER SOMETIMES IF
SOMEONE WAS LISTENING.

595
00:33:26,583 --> 00:33:29,749
AND I COMMIT HER SOUL TO THEE.

596
00:33:29,750 --> 00:33:31,083
AMEN.

597
00:33:32,209 --> 00:33:33,209
AMEN.

598
00:33:37,959 --> 00:33:39,125
THANK YOU VERY MUCH.

599
00:33:41,042 --> 00:33:42,167
DO YOU WANT TO GO FIRST?

600
00:33:43,209 --> 00:33:44,583
SHOULDN'T WE WAIT FOR DAD?

601
00:33:45,542 --> 00:33:47,125
DO YOU WANT ME TO WAIT?

602
00:33:48,458 --> 00:33:50,125
NOT REALLY.

603
00:33:56,000 --> 00:33:57,208
GEORGIA...

604
00:33:58,209 --> 00:33:59,792
I'M SORRY I WASN'T SWEETER.

605
00:34:02,166 --> 00:34:05,208
I'M SORRY THAT I EVER
CRITICIZED YOUR APPEARANCE,

606
00:34:06,667 --> 00:34:08,458
BECAUSE YOU WERE A
BEAUTIFUL GIRL.

607
00:34:10,375 --> 00:34:12,855
WHAT ABOUT THAT TIME YOU FORGOT
TO PICK HER UP FROM THE AIRPORT?

608
00:34:12,879 --> 00:34:14,670
THAT WAS YOUR FATHER'S FAULT.

609
00:34:15,209 --> 00:34:16,209
IF YOU SAY SO.

610
00:34:17,708 --> 00:34:20,959
REGGIE, CAN I PLEASE... JUST
DO THIS HOW I WANT TO DO IT?

611
00:34:25,125 --> 00:34:26,750
I'M SORRY...

612
00:34:30,458 --> 00:34:34,000
I'M SORRY THAT I DIDN'T SHOW YOU AS
MUCH AFFECTION AS I FELT FOR YOU,

613
00:34:36,333 --> 00:34:38,458
BECAUSE I DID LOVE YOU,

614
00:34:40,375 --> 00:34:42,125
AND I MISS YOU.

615
00:34:45,542 --> 00:34:46,707
NICE, MOM.

616
00:34:46,708 --> 00:34:48,041
THANKS, HONEY.

617
00:34:50,167 --> 00:34:51,583
DO YOU WANT TO SAY SOMETHING?

618
00:34:53,000 --> 00:34:56,667
WELL, YEAH, BUT CAN
YOU, LIKE, GO AWAY?

619
00:34:57,750 --> 00:34:59,333
SERIOUSLY?

620
00:35:05,583 --> 00:35:06,667
MOM...

621
00:35:10,750 --> 00:35:11,875
THANK YOU.

622
00:35:16,125 --> 00:35:17,874
I MISS YOU, TOO.

623
00:35:17,875 --> 00:35:19,417
PROBABLY MORE THAN MOM DOES.

624
00:35:22,625 --> 00:35:24,667
THIS IS US FISHING AT
THE LAKE LAST SUMMER...

625
00:35:27,042 --> 00:35:29,458
AND IF SOMEBODY SWIPES
IT, I HAVE THE NEGATIVE.

626
00:35:37,125 --> 00:35:38,792
WE COULD COME BACK.

627
00:35:42,041 --> 00:35:43,208
OKAY.

628
00:35:47,917 --> 00:35:48,917
MAYBE TOMORROW.

629
00:35:56,417 --> 00:35:59,166
IT'S ME WITH MY LITTLE SISTER.

630
00:35:59,167 --> 00:36:01,000
HER HANDWRITING'S
EXACTLY LIKE MINE.

631
00:36:02,583 --> 00:36:04,208
CAN I SWIPE THIS?
IT'S YOUR GRAVE.

632
00:36:06,084 --> 00:36:08,541
THANK YOU, DAISY.

633
00:36:08,542 --> 00:36:10,917
I KEEP FORGETTING HOW YOUNG YOU
WERE WHEN YOU WERE KILLED.

634
00:36:13,166 --> 00:36:17,042
IS THIS A NICE HEADSTONE?
I MEAN, IS IT PRETTY?

635
00:36:18,375 --> 00:36:20,208
IT'S A GOOD ONE. TOP DRAWER.

636
00:36:24,167 --> 00:36:25,209
WHERE'S MASON?

637
00:36:27,250 --> 00:36:28,792
THERE HE IS.

638
00:36:32,083 --> 00:36:33,375
HEY, MASON.

639
00:36:35,041 --> 00:36:37,124
I TOOK THAT GUY'S
SOUL LAST YEAR.

640
00:36:37,125 --> 00:36:39,416
RIGHT COCKSUCKER. GLAD HE'S DEAD.
THERE YOU GO.

641
00:36:39,417 --> 00:36:41,458
UH, YOU CAN PUT THEM THERE.

642
00:36:44,375 --> 00:36:46,582
RUBE, THANK YOU.

643
00:36:46,583 --> 00:36:50,833
EVERYONE. CHAMPAGNE'S COLD.
CAN WE DRINK IT NOW?

644
00:36:50,834 --> 00:36:52,499
MAY I? CRYSTAL FLUTES.

645
00:36:52,500 --> 00:36:54,124
TRY NOT TO SNAP THEM IN HALF.

646
00:36:54,125 --> 00:36:55,541
THEY BELONGED TO
MY AUNT LILLIAN.

647
00:36:55,542 --> 00:36:58,083
IT IS A GOOD DAY TO BE A REAPER.

648
00:37:09,209 --> 00:37:11,582
OKAY, HERE'S TO GEORGE,

649
00:37:11,583 --> 00:37:12,625
DEAD LIKE US.

650
00:37:14,834 --> 00:37:15,834
CHEERS.

651
00:37:16,375 --> 00:37:18,041
TO GEORGIA. TO ME.

652
00:37:22,750 --> 00:37:25,791
MM. HEY, THAT IS REALLY GOOD.

653
00:37:25,792 --> 00:37:27,165
I HAVE A CONFESSION TO MAKE.

654
00:37:27,166 --> 00:37:29,082
GRAVESIDE, NO LESS.

655
00:37:29,083 --> 00:37:31,124
I'VE NEVER HAD CHAMPAGNE BEFORE.

656
00:37:31,125 --> 00:37:34,124
WOW. I'VE HAD TOO MUCH.

657
00:37:34,125 --> 00:37:35,500
SO WHAT DOES IT
TASTE LIKE TO YOU?

658
00:37:37,875 --> 00:37:39,417
LIKE I WISH I NEVER DIED.

659
00:37:44,208 --> 00:37:46,083
IT'S PRETTY WHERE
I AM, ISN'T IT?

660
00:37:48,083 --> 00:37:49,374
VERY PRETTY.

661
00:37:49,375 --> 00:37:52,874
THEY USUALLY PUT CEMETERIES
ON THE EDGE OF TOWN.

662
00:37:52,875 --> 00:37:54,000
OUT OF THE WAY.

663
00:37:55,000 --> 00:37:57,165
NEXT TO RAILROAD
TRACKS, HIGHWAYS.

664
00:37:57,166 --> 00:37:59,040
I LIKE THEM IN THE
MIDDLE OF TOWN.

665
00:37:59,041 --> 00:38:00,917
EVERYBODY CAN SEE US.

666
00:38:02,417 --> 00:38:04,209
I LOVE CEMETERIES.

667
00:38:05,042 --> 00:38:07,125
THE QUIET, THE STORIES
ON HEADSTONES.

668
00:38:08,042 --> 00:38:10,416
[ROXY]: I HATE THEM. WHY?

669
00:38:10,417 --> 00:38:12,583
BECAUSE THEY LIVE HERE.
THEY, WHO?

670
00:38:13,417 --> 00:38:15,042
GRAVELINGS, FOOL.

671
00:38:18,333 --> 00:38:19,625
GET OUT OF THERE!

672
00:38:25,209 --> 00:38:26,329
LITTLE MORE BUBBLY, EVERYONE?

673
00:38:29,000 --> 00:38:30,083
GEORGIA,

674
00:38:31,125 --> 00:38:34,083
I'M SORRY FOR YOUR LOSS,

675
00:38:34,084 --> 00:38:36,499
THE THINGS IN LIFE YOU WON'T DO,

676
00:38:36,500 --> 00:38:40,165
THE PEOPLE YOU WON'T KNOW
AND WHO WON'T KNOW YOU,

677
00:38:40,166 --> 00:38:42,583
BUT THERE'S THIS, THIS LIFE.

678
00:38:44,291 --> 00:38:45,458
YOU ARE LOVED.

679
00:38:50,875 --> 00:38:52,041
DRINK UP. CHEERS.

680
00:38:55,083 --> 00:38:57,083
THIS IS NO DRESS REHEARSAL.

681
00:38:57,084 --> 00:38:58,582
WHAT'S THAT?

682
00:38:58,583 --> 00:39:00,582
[GEORGE]: SOME DRUNKEN
WRITER ONCE SAID

683
00:39:00,583 --> 00:39:03,582
THAT "THERE ARE NO GREAT
SECOND ACTS IN LIFE."

684
00:39:03,583 --> 00:39:06,582
I'M NOT SO SURE HE KNEW
WHAT HE WAS TALKING ABOUT,

685
00:39:06,583 --> 00:39:09,749
OR MAYBE HE JUST NEVER KNEW ME.

686
00:39:09,750 --> 00:39:11,150
SO DO WE LET GEORGE
KILL THE BOTTLE?

687
00:39:11,174 --> 00:39:12,174
I THINK WE SHOULD.

688
00:39:19,667 --> 00:39:21,042
SO...

689
00:39:21,708 --> 00:39:23,250
ANY POST-ITS TONIGHT?

690
00:39:25,167 --> 00:39:26,207
THAT NIGHT,

691
00:39:26,208 --> 00:39:28,666
A MAN WAS KILLED
BY A SPEEDING CAR,

692
00:39:28,667 --> 00:39:31,208
AND I WAS THERE
TO TAKE HIS SOUL.

693
00:39:31,209 --> 00:39:34,791
THE STREET ON WHICH HE DIED TURNED
INTO A FLOWING RIVER OF LIGHTS,

694
00:39:34,792 --> 00:39:37,791
AND HE HESITATED AT ITS BANKS.

695
00:39:37,792 --> 00:39:39,582
I TOLD HIM TO TAKE A DEEP BREATH

696
00:39:39,583 --> 00:39:42,582
AS IF IT'S THE LAST
ONE YOU'LL EVER TAKE,

697
00:39:42,583 --> 00:39:47,041
BECAUSE SOMETIMES IN LIFE,
OR IN DEATH, I GUESS,

698
00:39:47,042 --> 00:39:48,792
YOU JUST NEVER KNOW.

