1 00:00:05,875 --> 00:00:08,083 [JOY] I TOOK THE AFTERNOON OFF AND WENT SHOPPING. 2 00:00:08,084 --> 00:00:10,332 WENT TO THREE DIFFERENT HOME DEPOTS TO BUY TOILET SEATS 3 00:00:10,333 --> 00:00:11,582 FOR REGGIE'S SCHOOL. 4 00:00:11,583 --> 00:00:12,750 JESUS CHRIST. 5 00:00:13,375 --> 00:00:15,166 DO I HAVE TO GO TO THERAPY? 6 00:00:15,167 --> 00:00:16,291 NOT IF YOU DON'T WANT TO. 7 00:00:17,083 --> 00:00:19,083 HERE. TAKE MY PICTURE. 8 00:00:19,084 --> 00:00:20,374 TAKE MY PICTURE. WHY? 9 00:00:20,375 --> 00:00:21,417 HAPPY THOUGHTS. 10 00:00:23,083 --> 00:00:24,875 MY BEAUTIFUL YOUNG FRIEND. 11 00:00:25,875 --> 00:00:28,166 I LOVE YOU, SWEETIE. 12 00:00:28,167 --> 00:00:30,666 WHAT... WHAT ARE YOU DOING? TIME TO SHAKE THINGS UP A BIT. 13 00:00:30,667 --> 00:00:32,041 PIGGYBACK RIDE. 14 00:00:32,042 --> 00:00:34,916 NO. RUBE SAID WE CAN'T GO WHERE THEY'RE GOING. 15 00:00:34,917 --> 00:00:36,999 OPEN DOOR'S AN INVITATION. 16 00:00:37,000 --> 00:00:38,583 GOT TO JUMP WHILE THE DOOR'S OPEN! 17 00:00:48,000 --> 00:00:51,041 [GEORGE] AND JUST LIKE THAT, SHE WAS GONE. 18 00:00:51,042 --> 00:00:53,958 [GEORGE] I DON'T UNDERSTAND. WHERE DID SHE GO? 19 00:00:53,959 --> 00:00:55,457 SHE'S COMING BACK, RIGHT? 20 00:00:55,458 --> 00:00:58,165 I DON'T KNOW. WHY DO I KEEP LOSING 21 00:00:58,166 --> 00:01:01,542 ALL THE THINGS AND PEOPLE THAT I CARE ABOUT? 22 00:01:02,875 --> 00:01:04,208 THAT'S WHAT LIFE IS, PEANUT. 23 00:01:05,708 --> 00:01:07,333 [♪♪] 24 00:02:09,041 --> 00:02:10,707 [GEORGE] SINCE THE DAWN OF MAN, 25 00:02:10,708 --> 00:02:12,666 WE'VE YEARNED TO EMULATE A BIRD'S ABILITY 26 00:02:12,667 --> 00:02:15,041 TO BREAK FREE FROM ITS EARTHLY BONDS. 27 00:02:15,042 --> 00:02:18,958 YOU KNOW, "FLY LIKE AN EAGLE," WHATEVER? 28 00:02:18,959 --> 00:02:21,791 BUT WHILE YOU MAY SOAR TO GREAT METAPHORICAL HEIGHTS, 29 00:02:21,792 --> 00:02:23,791 NONE OF US REALLY HAS WINGS, 30 00:02:23,792 --> 00:02:26,624 AND GRAVITY NEVER REALLY LETS UP. 31 00:02:26,625 --> 00:02:29,207 ALL THINGS EVENTUALLY COME BACK TO EARTH. 32 00:02:29,208 --> 00:02:32,250 THERE SEEMS TO BE A GRAVITY FOR RELATIONSHIPS, TOO. 33 00:02:34,041 --> 00:02:36,207 NO MATTER HOW HIGH THEY FLY, 34 00:02:36,208 --> 00:02:38,457 THEY ALWAYS SEEM TO FIND THEIR WAY, 35 00:02:38,458 --> 00:02:41,000 WELL... THEY FIND THEIR WAY BACK HOME. 36 00:02:43,625 --> 00:02:45,042 [CAT MEOWS] 37 00:02:52,875 --> 00:02:54,083 GOOD AFTERNOON. 38 00:02:54,084 --> 00:02:55,999 AFTERNOON. 39 00:02:56,000 --> 00:02:57,874 HAVE I DONE SOMETHING WRONG? 40 00:02:57,875 --> 00:02:59,715 I CAN'T TELL FOR SURE. SHE'S NOT TALKING TO ME. 41 00:03:00,500 --> 00:03:02,125 ARE YOU NOT TALKING TO HIM? 42 00:03:05,084 --> 00:03:06,500 [MASON] OH, BLOODY HELL. 43 00:03:13,333 --> 00:03:15,208 DIET COKE, CHIPPED ICE, 44 00:03:15,209 --> 00:03:16,582 BUT NOT TOO MUCH. 45 00:03:16,583 --> 00:03:18,083 I THINK THIS IS ABOUT BETTY. 46 00:03:18,084 --> 00:03:19,582 I THINK GEORGE HAS HER OWN PERSONAL 47 00:03:19,583 --> 00:03:21,165 WARREN COMMISSION IN HER HEAD 48 00:03:21,166 --> 00:03:23,834 AND SOMEHOW HAS IMPLICATED ME IN BETTY'S DISAPPEARANCE. 49 00:03:24,750 --> 00:03:26,416 AM I RIGHT OR AM I RIGHT? 50 00:03:26,417 --> 00:03:28,208 CAN YOU PASS ME THE KETCHUP? 51 00:03:29,375 --> 00:03:30,749 HOW ARE YOU DOING? 52 00:03:30,750 --> 00:03:32,916 I DON'T THINK SO. 53 00:03:32,917 --> 00:03:34,757 [RUBE] THAT'S ALL YOU WANT FROM ME? THE KETCHUP? 54 00:03:34,781 --> 00:03:36,749 BECAUSE THE KETCHUP I CAN HANDLE, 55 00:03:36,750 --> 00:03:39,209 BUT THE GUILT TRIP ABOUT BETTY, THAT, I CANNOT. 56 00:03:40,625 --> 00:03:42,167 I DON'T KNOW WHERE BETTY IS. 57 00:03:43,667 --> 00:03:45,083 UM... HELLO? 58 00:03:45,084 --> 00:03:46,999 I'M MASON. 59 00:03:47,000 --> 00:03:48,000 I DON'T THINK SO. 60 00:03:49,250 --> 00:03:50,457 WHAT DOES THAT MEAN? 61 00:03:50,458 --> 00:03:51,874 IT MEANS SHE HATES YOU. 62 00:03:51,875 --> 00:03:54,040 [RUBE] YOU LOST YOUR FRIEND, PEANUT, AND I'M SORRY. 63 00:03:54,041 --> 00:03:55,791 REAPERS COME AND GO. THAT'S LIFE. 64 00:03:55,792 --> 00:03:58,208 [GEORGE] I MISSED BETTY LIKE CRAZY. 65 00:03:58,209 --> 00:03:59,707 I HAD 1001 QUESTIONS, 66 00:03:59,708 --> 00:04:01,874 AND I DIDN'T KNOW WHERE TO BEGIN. 67 00:04:01,875 --> 00:04:03,791 WHERE WAS SHE? WAS SHE OKAY? 68 00:04:03,792 --> 00:04:05,374 WAS SHE COMING BACK? 69 00:04:05,375 --> 00:04:07,624 WHAT DID RUBE KNOW? 70 00:04:07,625 --> 00:04:11,082 SOMEBODY HAD TO CONFRONT RUBE AND ASK THESE QUESTIONS, 71 00:04:11,083 --> 00:04:14,083 AND, HOPEFULLY, THAT PERSON WILL BE ALONG SOON. 72 00:04:14,084 --> 00:04:15,290 THIS ISN'T CHIPPED ICE. 73 00:04:15,291 --> 00:04:18,040 WE DON'T HAVE CHIPPED ICE. ALL WE'VE GOT'S CUBES. 74 00:04:18,041 --> 00:04:20,124 WELL, IF YOU HAVE CUBES 75 00:04:20,125 --> 00:04:22,707 AND AN ICE PICK, THEN YOU HAVE CHIPPED. 76 00:04:22,708 --> 00:04:24,625 DO YOU, CASEY, HAVE AN ICE PICK? 77 00:04:25,291 --> 00:04:27,041 OH, YEAH. NICE ONE. 78 00:04:27,042 --> 00:04:29,333 WELL, THEN I THINK WE NEED TO START OVER. 79 00:04:30,000 --> 00:04:32,124 UM, YOU SEE THAT DIET COKE? 80 00:04:32,125 --> 00:04:34,582 THAT'S ON ME. I'M MASON. 81 00:04:34,583 --> 00:04:36,124 YOU'RE A FUCKING MORON. 82 00:04:36,125 --> 00:04:37,625 IS YOUR NAME RUBE? 83 00:04:39,000 --> 00:04:42,666 IT IS. WELL, I'M DAISY. DAISY ADAIR. 84 00:04:42,667 --> 00:04:44,582 WELL YOU'RE TWO DAYS EARLY, DAISY ADAIR. 85 00:04:44,583 --> 00:04:46,291 WELL, AREN'T YOU LUCKY? 86 00:04:49,125 --> 00:04:50,291 THIS IS MASON, 87 00:04:50,792 --> 00:04:51,834 AS WE KNOW, 88 00:04:52,291 --> 00:04:53,833 AND THIS IS GEORGE. 89 00:04:53,834 --> 00:04:56,165 DAISY'S ONE OF US. DAISY'S A REAPER. 90 00:04:56,166 --> 00:04:58,458 GEORGE? IS THAT YOUR GIVEN NAME? 91 00:04:59,583 --> 00:05:00,749 GEORGIA. 92 00:05:00,750 --> 00:05:03,166 THAT'S MUCH PRETTIER. I THINK I'LL CALL YOU GEORGIA. 93 00:05:03,167 --> 00:05:04,791 [GEORGE] I HATED HER INSTANTLY... 94 00:05:04,792 --> 00:05:06,209 WITH ALL MY GUTS. 95 00:05:07,042 --> 00:05:08,250 WHAT IS SHE DOING HERE? 96 00:05:09,209 --> 00:05:10,749 SHE WAS TRANSFERRED. FROM? 97 00:05:10,750 --> 00:05:12,582 NEW YORK. SOHO. 98 00:05:12,583 --> 00:05:14,165 WHY WERE YOU TRANSFERRED? 99 00:05:14,166 --> 00:05:16,125 WELL, THAT'S KIND OF PERSONAL. 100 00:05:17,291 --> 00:05:19,165 ONE DIET COKE. 101 00:05:19,166 --> 00:05:22,332 CHIPPED ICE. THANK YOU SO MUCH, CASEY. 102 00:05:22,333 --> 00:05:24,582 SO, DAISY, NOW, SERIOUSLY, 103 00:05:24,583 --> 00:05:26,165 THAT DIET COKE IS ON ME. 104 00:05:26,166 --> 00:05:27,792 [GIGGLES] 105 00:05:31,291 --> 00:05:33,417 EXCUSE ME, MISS? I NEED A REFILL. 106 00:05:35,041 --> 00:05:37,458 [GEORGE] I HATED HER A LITTLE LESS. 107 00:05:39,458 --> 00:05:40,959 [DOOR OPENS] 108 00:05:43,750 --> 00:05:45,834 OH. I'LL COME BACK. 109 00:05:46,834 --> 00:05:47,958 YOU JUST CAME IN. 110 00:05:47,959 --> 00:05:50,249 FORGET ABOUT IT. I'LL GO DOWNSTAIRS. 111 00:05:50,250 --> 00:05:51,375 DO YOU WANT TO TAKE A BATH? 112 00:05:52,750 --> 00:05:54,249 THERE'S PLENTY OF ROOM IN HERE. 113 00:05:54,250 --> 00:05:55,666 UM... 114 00:05:55,667 --> 00:05:57,291 I'M GRADING PAPERS. I JUST HAD TO PEE. 115 00:05:58,208 --> 00:05:59,834 I'LL GIVE YOU YOUR PRIVACY. 116 00:06:00,500 --> 00:06:02,458 YOU NEVER USED TO BE PEE-SHY. 117 00:06:04,125 --> 00:06:06,332 YOU CAN'T TALK TO ME. 118 00:06:06,333 --> 00:06:08,417 YOU BARELY MAKE EYE CONTACT WITH ME. 119 00:06:10,291 --> 00:06:12,000 WHERE ARE YOU, CLANCY? 120 00:06:13,041 --> 00:06:15,165 I'M IN THE MIDDLE OF GRADING PAPERS, JOY. 121 00:06:15,166 --> 00:06:16,417 THAT'S WHERE I AM. 122 00:06:17,375 --> 00:06:18,874 GOOD LUCK WITH THAT, THEN. 123 00:06:18,875 --> 00:06:20,315 I HAVE GOT 20 PAPERS TO READ TONIGHT, 124 00:06:20,339 --> 00:06:21,582 AND THEY ALL SUCK... 125 00:06:21,583 --> 00:06:23,208 REGGIE'S PRINCIPAL CALLED. 126 00:06:27,500 --> 00:06:29,208 WHAT? 127 00:06:29,209 --> 00:06:30,958 IS SHE STEALING MORE TOILET SEATS? 128 00:06:30,959 --> 00:06:33,374 JUST A ROUTINE CALL, HE SAID, 129 00:06:33,375 --> 00:06:36,791 WHENEVER A STUDENT HAS THREE ABSENCES IN A ROW. 130 00:06:36,792 --> 00:06:39,290 WANTED TO KNOW IF REGGIE WAS FEELING BETTER. 131 00:06:39,291 --> 00:06:40,667 REGGIE HASN'T BEEN SICK. 132 00:06:41,959 --> 00:06:43,290 NO. 133 00:06:43,291 --> 00:06:46,874 NOT FEVER, RUNNY NOSE, STUFFY HEAD 134 00:06:46,875 --> 00:06:48,457 CAN'T-GET-OUT-OF-BED SICK. 135 00:06:48,458 --> 00:06:49,792 WHERE THE HELL'S SHE GOING? 136 00:06:51,209 --> 00:06:52,499 TO THERAPY. 137 00:06:52,500 --> 00:06:54,500 WELL, DON'T YOU THINK THAT WE OUGHT TO TALK TO HER? 138 00:06:54,524 --> 00:06:57,332 SEE WHERE SHE'S GOING BEFORE WE START... WE? 139 00:06:57,333 --> 00:07:00,082 AS IN YOU, WHO'S NEVER HERE, 140 00:07:00,083 --> 00:07:02,291 AND ME, WHOSE LAP ALL THIS CRAP GETS DUMPED ON? 141 00:07:06,166 --> 00:07:07,290 IN. 142 00:07:07,291 --> 00:07:09,375 YOU DUMP SOMETHING IN YOUR LAP. 143 00:07:10,208 --> 00:07:12,084 YOU GOING TO PEE OR WHAT? 144 00:07:19,084 --> 00:07:20,924 [GEORGE] THIS WAS THE FIRST TIME I LIVED ALONE, 145 00:07:20,948 --> 00:07:22,124 AND I LIKED IT. 146 00:07:22,125 --> 00:07:24,166 AT FIRST, IT WAS A LITTLE TOO QUIET, 147 00:07:24,167 --> 00:07:26,417 BUT THEN THE QUIET BECAME MY FRIEND. 148 00:07:27,167 --> 00:07:28,375 [KNOCKING] 149 00:07:33,875 --> 00:07:36,499 GEORGIA? IT'S DAISY. DAISY ADAIR. 150 00:07:36,500 --> 00:07:38,040 FUCK ME. 151 00:07:38,041 --> 00:07:40,959 I HEARD THAT. OPEN THE DOOR, GEORGIA. 152 00:07:45,000 --> 00:07:47,082 EVENING, ROOMIE. 153 00:07:47,083 --> 00:07:48,666 WHAT DO YOU MEAN, "ROOMIE"? 154 00:07:48,667 --> 00:07:50,147 WELL, I'M HERE A COUPLE OF DAYS EARLY, 155 00:07:50,148 --> 00:07:51,730 SO RUBE SAID I SHOULD BUNK WITH YOU 156 00:07:51,731 --> 00:07:54,040 UNTIL I FIND SOMETHING MORE... 157 00:07:54,041 --> 00:07:55,707 SUITABLE. HERE. 158 00:07:55,708 --> 00:07:57,542 IT'S A HOUSEWARMING- SLASH-THANK YOU GIFT. 159 00:07:58,166 --> 00:08:00,457 WOOD CHIPS? NO, SILLY GOOSE. 160 00:08:00,458 --> 00:08:02,250 IT'S POTPOURRI. IT'S ENGLISH GARDEN. 161 00:08:04,750 --> 00:08:07,416 THOUGH IT DOESN'T QUITE LOOK LIKE YOU'RE READY FOR HOME ACCENTS. 162 00:08:07,417 --> 00:08:09,040 HAVEN'T HAD TIME TO DECORATE? 163 00:08:09,041 --> 00:08:12,083 IT'S SORT OF LOW ON MY LIST OF PRIORITIES. 164 00:08:20,250 --> 00:08:22,458 ARE YOU COLLECTING BODIES AS WELL AS SOULS? 165 00:08:24,917 --> 00:08:26,040 [DAISY] OH, RAOUL. 166 00:08:26,041 --> 00:08:28,040 POOR STUPID THING. 167 00:08:28,041 --> 00:08:30,332 RAOUL? HOMELESS GENTLEMAN. 168 00:08:30,333 --> 00:08:33,499 DRUNK AS A SAILOR BUT CURIOUSLY STRONG UPPER BODY. 169 00:08:33,500 --> 00:08:37,124 YOU KNOW, DAISY, THIS IS A PRETTY SMALL APARTMENT. 170 00:08:37,125 --> 00:08:38,290 UH-HUH, IT REALLY IS. 171 00:08:38,291 --> 00:08:40,499 HERE IS THE FIVER WE DISCUSSED... 172 00:08:40,500 --> 00:08:42,499 AND ONE COCKTAIL. 173 00:08:42,500 --> 00:08:43,583 READY? 174 00:08:47,000 --> 00:08:48,916 WHOA! SORRY. 175 00:08:48,917 --> 00:08:51,457 OKAY, I'VE REALLY TREASURED THE TIME WE SPENT TOGETHER, 176 00:08:51,458 --> 00:08:53,374 BUT YOU AND YOUR SMELLY SELF 177 00:08:53,375 --> 00:08:55,000 REALLY MUST BE GOING... 178 00:08:57,959 --> 00:08:59,917 MASON, BE A DOLL AND FETCH ME THAT HANDBAG. 179 00:09:00,792 --> 00:09:02,291 ANYTHING FOR YOU, GORGEOUS. 180 00:09:03,375 --> 00:09:05,083 [GEORGE] WAS THIS WHOLE BUNKING THING 181 00:09:05,084 --> 00:09:06,249 REALLY RUBE'S IDEA? 182 00:09:06,250 --> 00:09:09,499 BECAUSE I DON'T SEE HIM DOING THAT TO ME. 183 00:09:09,500 --> 00:09:11,959 GEORGIA, IF I MAY BE SO INQUISITIVE, HOW DID YOU DIE? 184 00:09:12,458 --> 00:09:13,791 WHY DO YOU ASK? 185 00:09:13,792 --> 00:09:16,374 WELL, YOU SEEM A LITTLE IRRITATED. 186 00:09:16,375 --> 00:09:19,542 I GOT HIT BY A TOILET SEAT THAT FELL FROM THE SOVIET SPACE STATION. 187 00:09:21,959 --> 00:09:25,541 OH, MY GOD. YOU'RE TOILET SEAT GIRL? NO WONDER YOU'RE SO ANNOYED. 188 00:09:25,542 --> 00:09:27,750 WELL, THEN, I GUESS WE'RE BOTH FAMOUS. 189 00:09:28,625 --> 00:09:30,124 WELL, DAISY, HOW DID YOU DIE? 190 00:09:30,125 --> 00:09:32,958 I DIED DURING THE MAKING OF GONE WITH THE WIND. 191 00:09:32,959 --> 00:09:34,124 I AM AN ACTRESS. 192 00:09:34,125 --> 00:09:35,416 [MASON] NO WAY. 193 00:09:35,417 --> 00:09:38,457 YES, SIREE, AND THINGS HAD BEEN GOING VERY WELL FOR ME. 194 00:09:38,458 --> 00:09:39,874 THE STAR OF THE MOVIE AND I, 195 00:09:39,875 --> 00:09:42,124 WELL, WE HAD BECOME QUITE THE ITEM. 196 00:09:42,125 --> 00:09:44,541 HANG ON, YOU AND CLARK GABLE? 197 00:09:44,542 --> 00:09:45,958 YEAH. UH-HUH. I WAS YOUNG, 198 00:09:45,959 --> 00:09:47,599 AND I REALLY DIDN'T KNOW WHAT I WAS DOING. 199 00:09:47,623 --> 00:09:48,666 SOUNDS LIKE YOU DID. 200 00:09:48,667 --> 00:09:50,082 NO, GEORGIA, I DIDN'T. 201 00:09:50,083 --> 00:09:51,874 I WAS UNDER THE CRAFT SERVICES TABLE, 202 00:09:51,875 --> 00:09:54,165 AND I WAS BLOWING THIS TALL, HANDSOME MAN, 203 00:09:54,166 --> 00:09:56,749 AND THEN SOMEONE LEANED OVER AND WHISPERED IN MY EAR, 204 00:09:56,750 --> 00:09:59,042 "NO, THAT'S CLARK GABLE." 205 00:09:59,834 --> 00:10:01,791 SO WHO WERE YOU BLOWING? 206 00:10:01,792 --> 00:10:04,166 I DON'T KNOW. IT'S SUCH A HUGE CAST. 207 00:10:04,167 --> 00:10:06,041 SOMEONE FROM THE CONFEDERACY, I THINK, 208 00:10:06,042 --> 00:10:09,000 BUT ENOUGH ABOUT ME. LET'S TALK ABOUT WHERE I'M PUTTING MY STUFF. 209 00:10:12,125 --> 00:10:13,542 WHAT'S HAPPENING AT SCHOOL TODAY? 210 00:10:14,750 --> 00:10:16,250 I DON'T KNOW. WEDNESDAY. 211 00:10:18,042 --> 00:10:21,083 WHAT IS WEDNESDAY, HMM? ART OR MUSIC? 212 00:10:22,125 --> 00:10:23,582 GYM. 213 00:10:23,583 --> 00:10:26,917 WELL, DON'T YOU THINK YOU SHOULD WEAR YOUR TENNIS SHOES? 214 00:10:28,375 --> 00:10:29,666 THEY'RE TOO TIGHT. 215 00:10:29,667 --> 00:10:30,834 THEY FIT YOU JUST FINE. 216 00:10:32,542 --> 00:10:33,874 SO... 217 00:10:33,875 --> 00:10:35,083 ART WAS YESTERDAY? 218 00:10:35,084 --> 00:10:36,166 MM-HMM. 219 00:10:36,167 --> 00:10:38,000 OH, HOW FUN. DID YOU BRING IT HOME? 220 00:10:40,166 --> 00:10:41,624 NO. 221 00:10:41,625 --> 00:10:42,749 I DIDN'T... 222 00:10:42,750 --> 00:10:44,249 IT WASN'T DRY YET. 223 00:10:44,250 --> 00:10:46,707 OH, OKAY. 224 00:10:46,708 --> 00:10:48,082 I'D REALLY LOVE TO SEE IT. 225 00:10:48,083 --> 00:10:51,582 I THINK MR. SCHIFFER WANTS TO PUT THEM UP IN THE CLASSROOM. 226 00:10:51,583 --> 00:10:53,375 OKAY, REGGIE, I NEED TO ASK YOU SOMETHING. 227 00:11:01,458 --> 00:11:02,834 WHAT DO YOU WANT FOR BREAKFAST? 228 00:11:10,125 --> 00:11:11,500 I HAVE TO BRUSH MY TEETH. 229 00:11:12,625 --> 00:11:14,291 OCUPADO. 230 00:11:17,084 --> 00:11:18,833 DO YOU WORK FOR A LIVING? 231 00:11:18,834 --> 00:11:21,917 BECAUSE I DO, AND I HAVE TO BE THERE ON TIME. 232 00:11:23,125 --> 00:11:24,917 THAT SOUNDS DREADFUL. 233 00:11:26,083 --> 00:11:28,249 YOU KNOW, DAISY, I HAVE A JOB. 234 00:11:28,250 --> 00:11:31,167 I MEAN, WHAT DO YOU DO? 235 00:11:33,042 --> 00:11:35,207 TODAY, I'M GOING TO BUY THE NEW YORK TIMES 236 00:11:35,208 --> 00:11:37,207 SINCE YOU OBVIOUSLY DON'T HAVE IT DELIVERED, 237 00:11:37,208 --> 00:11:39,416 THEN I'M GOING TO SIT AT THAT LITTLE SHOP ON THE CORNER 238 00:11:39,417 --> 00:11:40,749 AND HAVE A GREEN TEA AND A MUFFIN, 239 00:11:40,750 --> 00:11:42,707 AND THEN I'M GOING TO LOOK FOR A SWEATER SET. 240 00:11:42,708 --> 00:11:44,416 THIS AFTERNOON, IF I'M SO OBLIGATED, 241 00:11:44,417 --> 00:11:47,082 I'M GOING TO COLLECT SOMEONE'S SOUL BEFORE THEY DIE, 242 00:11:47,083 --> 00:11:49,416 AND IF I LOOK REALLY PRETTY WHILE I'M DOING IT, 243 00:11:49,417 --> 00:11:52,166 WELL, THEN GOOD FOR ME. THAT'S WHAT I DO, GEORGIA. 244 00:11:54,417 --> 00:11:55,959 [TOILET FLUSHES] 245 00:11:58,750 --> 00:12:01,707 YOU SURE YOU DON'T WANT A RIDE TO SCHOOL? NO. 246 00:12:01,708 --> 00:12:03,249 I HAVE TIME. 247 00:12:03,250 --> 00:12:05,040 I LIKE TO WALK. OKAY. 248 00:12:05,041 --> 00:12:06,959 WELL, HAVE A GREAT DAY. 249 00:13:17,542 --> 00:13:19,792 JESUS FUCKING CHRIST. 250 00:13:32,041 --> 00:13:35,207 I THINK I CAN HANDLE THIS MYSELF. 251 00:13:35,208 --> 00:13:36,624 WHEN I SAW YOU KICKING IT, I FIGURED 252 00:13:36,625 --> 00:13:39,207 YOU MIGHT NEED SOME HELP. 253 00:13:39,208 --> 00:13:42,000 WE HAVE TO CALL OUT SERVICE ON THIS MACHINE, MICHAEL. 254 00:13:44,000 --> 00:13:46,124 WHAT HAPPENED TO YOU? 255 00:13:46,125 --> 00:13:47,791 I SLEPT FUNNY. 256 00:13:47,792 --> 00:13:49,707 YOU NEED A BODY PILLOW. 257 00:13:49,708 --> 00:13:51,124 I BOUGHT MINE WHEN I THOUGHT I WAS PREGNANT, 258 00:13:51,125 --> 00:13:52,874 AND JUST KEPT IT AFTER I PASSED THE CYST. 259 00:13:52,875 --> 00:13:54,040 I SLEEP LIKE A BABY. 260 00:13:54,041 --> 00:13:56,083 AH-HAH. THERE'S THE BANDIT. 261 00:13:57,167 --> 00:13:58,833 WELL, I GUESS WE'LL KEEP YOU. 262 00:13:58,834 --> 00:14:00,624 YEAH, WELL, I'LL WD-40 THE FEEDER, 263 00:14:00,625 --> 00:14:02,225 BUT SHE'LL HOLD TOGETHER FOR ANOTHER DAY. 264 00:14:02,226 --> 00:14:03,891 DOES INFORMATION SERVICES KNOW THEY HAVE 265 00:14:03,892 --> 00:14:05,833 SUCH A RENAISSANCE MAN ON THEIR HANDS? 266 00:14:05,834 --> 00:14:07,208 WELL, YOU KNOW WHAT THEY SAY. 267 00:14:07,209 --> 00:14:08,208 "THE GEEK SHALL INHERIT THE EARTH." 268 00:14:08,209 --> 00:14:09,875 [LAUGHS] 269 00:14:11,875 --> 00:14:14,999 I'M SURE YOU'VE HEARD JIMMY'S BEING TRANSFERRED. 270 00:14:15,000 --> 00:14:16,624 WHAT? THE DECISION WAS MADE 271 00:14:16,625 --> 00:14:17,999 WITHOUT EVEN CONSULTING ME. 272 00:14:18,000 --> 00:14:20,332 REALLY CHAPS MY HIDE. 273 00:14:20,333 --> 00:14:23,624 IS JIMMY THE GUY WITH THE LUNCH BOX 274 00:14:23,625 --> 00:14:25,666 FROM DATA PROCESSING? 275 00:14:25,667 --> 00:14:29,541 THAT'S JIM. I'M TALKING ABOUT JIMMY IN SUPPLY DISTRIBUTION. 276 00:14:29,542 --> 00:14:32,290 LANKY, ONE SIDEBURN LONGER THAN THE OTHER. 277 00:14:32,291 --> 00:14:33,731 HE'S GOT A SPASTIC COLON OR SOMETHING. 278 00:14:33,755 --> 00:14:35,541 THIS IS A NIGHTMARE. DON'T PANIC. 279 00:14:35,542 --> 00:14:38,416 WE CAN, AND WILL, SURVIVE THIS. 280 00:14:38,417 --> 00:14:42,083 OH, JIMMY'S THE GUY WHO ORDERS THE HIGHLIGHTERS, RIGHT? 281 00:14:42,084 --> 00:14:43,125 AND BOWLS A 210. 282 00:14:44,625 --> 00:14:47,166 [GEORGE] IF 15 TO 30 HOURS A WEEK OF TEDIOUS, 283 00:14:47,167 --> 00:14:49,332 REPETITIVE TASKS WASN'T ENOUGH, 284 00:14:49,333 --> 00:14:51,834 THE "HAPPY TIME COBRAS" WERE ALWAYS AN OPTION. 285 00:14:54,583 --> 00:14:56,708 YOU'RE HOT TONIGHT, JIMMY. 286 00:14:57,166 --> 00:14:58,583 WHOO-HOO! 287 00:15:04,583 --> 00:15:07,207 YOU DON'T BOWL, DO YOU, MILLIE? 288 00:15:07,208 --> 00:15:09,416 NO. UH-UH. 289 00:15:09,417 --> 00:15:11,999 YOU KNOW, MILLIE, WHEN I HAD MY COCAINE PROBLEM, 290 00:15:12,000 --> 00:15:14,749 BOWLING HELPED IN WAYS YOU CANNOT IMAGINE. 291 00:15:14,750 --> 00:15:17,833 MAYBE RUSS COULD PLAY. NO, RUSS IS A SHOWBOAT. 292 00:15:17,834 --> 00:15:19,290 HIS HANDICAP IS SINGLE DIGITS. 293 00:15:19,291 --> 00:15:21,916 YES, AND HE'S A P-R-I-C-K, MICHAEL. 294 00:15:21,917 --> 00:15:23,667 IT'S A QUALITY OF LIFE ISSUE. 295 00:15:24,708 --> 00:15:26,209 YOU NEVER BOWLED? 296 00:15:27,041 --> 00:15:29,374 YOU KNOW, WHEN I WAS A KID. 297 00:15:29,375 --> 00:15:31,208 MARTY SAID HE'S PRETTY GOOD. 298 00:15:31,209 --> 00:15:32,958 IT'S JUST A MATTER OF WHEELCHAIR ACCESS. 299 00:15:32,959 --> 00:15:36,082 NO. MY GUT'S TELLING ME MILLIE MAY BE OUR ANSWER. 300 00:15:36,083 --> 00:15:37,499 WHAT? WHAT? 301 00:15:37,500 --> 00:15:40,041 WE'LL MAKE IT WORK. A TEAM ISN'T THE SUM OF ITS PARTS. 302 00:15:40,042 --> 00:15:42,040 IT'S A KARMA THING. 303 00:15:42,041 --> 00:15:44,749 REMEMBER SAYEED AND HOW HE SCREWED US OVER. 304 00:15:44,750 --> 00:15:47,332 PUNJAB MOTHERFUCKER. 305 00:15:47,333 --> 00:15:49,500 I'VE MADE MY DECISION. LET THE OTHERS KNOW. 306 00:15:50,209 --> 00:15:51,999 UH, DELORES... 307 00:15:52,000 --> 00:15:55,499 DELORES, I'M NOT JOINING THE BOWLING TEAM. 308 00:15:55,500 --> 00:15:58,084 IT'S NOT ABOUT YOU, SWEETIE. 309 00:15:59,166 --> 00:16:00,582 THEN WHY AM I FEELING 310 00:16:00,583 --> 00:16:03,916 LIKE IT'S GOING TO BE ME WHO'S RENTING THE SHOES? 311 00:16:03,917 --> 00:16:06,791 IT'S ABOUT YOUR SUBSTANCE-ABUSE PROBLEM. 312 00:16:06,792 --> 00:16:11,040 [GEORGE] AH, THE REHAB LIE. BACK TO BITE ME IN THE ASS AGAIN. 313 00:16:11,041 --> 00:16:13,791 THINK OF BOWLING AS TWO AND A HALF HOURS A WEEK 314 00:16:13,792 --> 00:16:16,124 WHERE YOU WON'T HAVE TO THINK ABOUT SUCKING BLOW 315 00:16:16,125 --> 00:16:19,708 THROUGH A BENDY-STRAW OFF A FAST-FOOD RESTROOM SINK. 316 00:16:28,750 --> 00:16:30,167 WHAT'S WITH YOU? 317 00:16:31,049 --> 00:16:32,249 HEY, CAN I ASK YOU A QUESTION? 318 00:16:32,250 --> 00:16:34,209 IS THERE A NEW COOK IN THE KITCHEN? 319 00:16:34,250 --> 00:16:35,667 NO. 320 00:16:36,500 --> 00:16:37,834 [RUBE] OVEREASY WAS... 321 00:16:38,708 --> 00:16:40,457 IT WAS UNEASY TODAY. 322 00:16:40,458 --> 00:16:42,083 YOU WANT MORE EGGS? 323 00:16:42,084 --> 00:16:43,041 NO, I WAS LOOKING 324 00:16:43,042 --> 00:16:45,124 AT CURING THE DISEASE, NOT THE SYMPTOM. 325 00:16:45,125 --> 00:16:46,125 JUST FORGET IT. 326 00:16:48,542 --> 00:16:50,208 SO HOW ARE YOU TWO LOVE BIRDS DOING? 327 00:16:50,209 --> 00:16:52,416 IT WAS JUST BRILLIANT TO THROW US IN THE SAME POT, RUBY. 328 00:16:52,417 --> 00:16:53,999 GEORGIA HERE, 329 00:16:54,000 --> 00:16:55,833 SHE'S SWEETER THAN A HARVEST PEACH. 330 00:16:55,834 --> 00:16:58,707 UH-HUH. WHAT HAPPENED TO YOUR NECK? 331 00:16:58,708 --> 00:17:02,707 WELL, I DIDN'T HAVE A PILLOW LAST NIGHT. 332 00:17:02,708 --> 00:17:05,041 YEAH, WE'LL WORK IT ALL OUT, WON'T WE, SWEETIE? 333 00:17:06,542 --> 00:17:08,749 WHO'S COMPLAINING ABOUT THE EGGS? 334 00:17:08,750 --> 00:17:10,917 OH, NO COMPLAINTS. JUST OBSERVATIONS. 335 00:17:12,125 --> 00:17:13,500 SUCH AS? 336 00:17:15,208 --> 00:17:17,290 THE EGGS ARE NOT GOOD. 337 00:17:17,291 --> 00:17:18,541 IT'S NORMALLY A MOOT POINT 338 00:17:18,542 --> 00:17:21,666 AT THE A LA CARTE PRICE OF $2.95. 339 00:17:21,667 --> 00:17:23,267 I LOVE EGGS. I LOVE THEM FRIED, SCRAMBLED, 340 00:17:23,291 --> 00:17:24,959 SOFT-BOILED, FLORENTINE, 341 00:17:25,417 --> 00:17:27,208 BUT THESE I DIDN'T LOVE. 342 00:17:27,209 --> 00:17:29,333 SO, WHO DO WE BLAME? THE HEN OR THE COOK? 343 00:17:33,125 --> 00:17:34,209 LET'S BLAME THE HEN. 344 00:17:38,750 --> 00:17:40,125 HE'S A NICE GUY. 345 00:17:40,667 --> 00:17:41,999 SO, PEANUT, 346 00:17:42,000 --> 00:17:44,666 WHY DON'T YOU TAG ALONG WITH OUR LEADING LADY FOR A SOUL GRAB TODAY? 347 00:17:44,667 --> 00:17:48,332 I REALLY DON'T THINK I NEED A CHAPERON ANYMORE. 348 00:17:48,333 --> 00:17:50,084 I KNOW. SHE DOES. 349 00:17:54,000 --> 00:17:55,541 WHEN YOU SAY OBSESSED WITH TOILETRIES, 350 00:17:55,542 --> 00:17:56,666 DO YOU MEAN COSMETICS, 351 00:17:56,667 --> 00:17:58,207 DEODORANTS, PERSONAL HYGIENE ITEMS? 352 00:17:58,208 --> 00:18:01,874 NO. SHE'S OBSESSED WITH A TOILET TREE. 353 00:18:01,875 --> 00:18:04,250 A TREE, FULL OF TOILET SEATS. 354 00:18:05,208 --> 00:18:07,041 OKAY. GOOD. 355 00:18:09,125 --> 00:18:11,500 GEORGE WAS KILLED BY A TOILET SEAT. 356 00:18:15,834 --> 00:18:17,125 DO YOU MISS YOUR SISTER, REGGIE? 357 00:18:18,291 --> 00:18:19,999 I WAS TOLD THERE WOULD BE COOKIES. 358 00:18:20,000 --> 00:18:22,082 REGGIE. MARY WOLPERT WENT TO A SHRINK 359 00:18:22,083 --> 00:18:24,403 AND SHE SAID THAT THERE WERE FIG NEWTONS AND HOT CHOCOLATE. 360 00:18:25,166 --> 00:18:27,791 I'M SORRY, REGGIE. WE DON'T DO THAT HERE. 361 00:18:27,792 --> 00:18:30,999 WHAT DO I HAVE TO DO, SET MY HOUSE ON FIRE FOR A SNACK? 362 00:18:31,000 --> 00:18:34,083 MRS. LASS, IN WHAT WAYS DOES YOUR FAMILY HONOR GEORGE'S MEMORY? 363 00:18:35,084 --> 00:18:36,333 WE HAD A FUNERAL, OF COURSE. 364 00:18:37,000 --> 00:18:38,416 WHEN... 365 00:18:38,417 --> 00:18:39,582 WHEN THE HEADSTONE IS READY, 366 00:18:39,583 --> 00:18:42,792 I GUESS WE'LL, YOU KNOW, PUT IT ON HER GRAVE. 367 00:18:44,209 --> 00:18:46,208 REGGIE, THOSE AREN'T YOURS. PUT THAT DOWN. 368 00:18:46,209 --> 00:18:48,917 IT'S OKAY. DO YOU LIKE TO PLAY WITH YOUR SISTER'S THINGS? 369 00:18:51,167 --> 00:18:53,458 DID YOUR SISTER NOT LET YOU TOUCH HER STUFF? 370 00:18:55,500 --> 00:18:57,124 SHE PACKED THEM ALL UP. 371 00:18:57,125 --> 00:18:58,875 JUST CLOTHES. 372 00:19:00,041 --> 00:19:02,082 BOOKS, YOU KNOW. I MEAN, JUST ODDS AND ENDS. 373 00:19:02,083 --> 00:19:04,416 YEAH, AND THE REST YOU SOLD AT A YARD SALE. 374 00:19:04,417 --> 00:19:07,457 WHAT, AM I SUPPOSED TO SAVE EVERY SCRAP LIKE IT'S SOMETHING SACRED? 375 00:19:07,458 --> 00:19:10,208 WHAT ABOUT PHOTOS? YOU MUST HAVE PHOTOS OF GEORGE IN THE HOUSE. 376 00:19:13,084 --> 00:19:14,999 SIMPLE OBJECTS THAT SERVE AS REMINDERS 377 00:19:15,000 --> 00:19:17,916 HELP US TO REMEMBER STORIES AND INVITE QUESTIONS. 378 00:19:17,917 --> 00:19:19,582 REGGIE'S BEEN STEALING TOILET SEATS 379 00:19:19,583 --> 00:19:21,207 AND BRINGING HOME DEAD ANIMALS. 380 00:19:21,208 --> 00:19:24,332 DO YOU THINK SLAPPING UP A FEW PHOTOS IS GOING TO STOP THAT? 381 00:19:24,333 --> 00:19:25,874 I THINK IT WOULD BE MORE PRODUCTIVE 382 00:19:25,875 --> 00:19:28,195 IF I TALKED TO REGGIE ALONE FOR THE REST OF TODAY'S SESSION. 383 00:19:32,291 --> 00:19:33,750 FINE. 384 00:19:56,084 --> 00:19:58,125 ARE YOU HERE TO SEE DR. PLOTKIN? 385 00:19:59,000 --> 00:20:00,125 YOU MEAN DR. HANSON? 386 00:20:00,500 --> 00:20:02,332 RIGHT. HANSON. 387 00:20:02,333 --> 00:20:04,125 PLOTKIN'S MY PODIATRIST. 388 00:20:05,041 --> 00:20:08,083 I DON'T KNOW WHY I WAS THINKING ABOUT PLOTKIN. 389 00:20:08,084 --> 00:20:09,404 MUST HAVE BEEN STARING AT MY FOOT. 390 00:20:10,750 --> 00:20:12,333 ARE YOU HERE TO SEE DR. HANSON? 391 00:20:13,125 --> 00:20:14,958 I'VE GOT THE NEXT APPOINTMENT. 392 00:20:14,959 --> 00:20:16,458 SHE'S A CHILD PSYCHOLOGIST. 393 00:20:18,125 --> 00:20:19,667 INNER CHILD. 394 00:20:20,792 --> 00:20:21,959 [DOOR OPENS] 395 00:20:27,250 --> 00:20:28,583 EXCUSE ME. 396 00:20:32,917 --> 00:20:34,082 DO YOU HAVE THE CORRECT TIME? 397 00:20:34,083 --> 00:20:35,500 OH, YES. IT'S FIVE AFTER 2:00. 398 00:20:39,000 --> 00:20:40,125 THANK YOU. 399 00:20:48,875 --> 00:20:50,332 IF YOU DON'T MIND ME PRYING, 400 00:20:50,333 --> 00:20:52,125 WHY'S YOUR CHILD SEEING A PSYCHOLOGIST? 401 00:20:54,417 --> 00:20:57,834 HER SISTER'S SUDDEN DEATH HAS TRAUMATIZED HER. 402 00:21:00,417 --> 00:21:02,083 SHE'S BEEN UNABLE TO... 403 00:21:03,084 --> 00:21:05,457 TOO STUBBORN TO MOVE ON. 404 00:21:05,458 --> 00:21:08,125 I JUST DON'T GET OUR CULTURE'S OBSESSION WITH MOVING ON. 405 00:21:09,500 --> 00:21:12,209 I MEAN, WHAT ARE WE AFRAID OF? BEING SAD? 406 00:21:12,458 --> 00:21:14,374 REMEMBERING? 407 00:21:14,375 --> 00:21:16,750 YOU FAMILIAR WITH THE TALKING DRUM PEOPLE OF NIGERIA? 408 00:21:17,959 --> 00:21:19,167 NO. 409 00:21:19,667 --> 00:21:21,083 THEY DO THIS DANCE... 410 00:21:22,875 --> 00:21:24,333 AND, MAN, IT IS... 411 00:21:25,167 --> 00:21:26,375 IT IS SOMETHING... 412 00:21:27,542 --> 00:21:29,999 WHERE THEY INVITE THEIR ANCESTORS 413 00:21:30,000 --> 00:21:32,499 INTO THEIR BODIES, 414 00:21:32,500 --> 00:21:35,542 AND THEY DANCE AS IS IF THEY WERE THEM. 415 00:21:36,875 --> 00:21:40,124 YOU'VE GOT YOUNG GIRLS DANCING LIKE OLD MEN, 416 00:21:40,125 --> 00:21:42,625 YOU'VE GOT BOYS DANCING LIKE GRANDMOTHERS. 417 00:21:44,333 --> 00:21:48,042 BELIEVE ME, IT IS... IT IS ANYTHING BUT SAD. 418 00:21:58,583 --> 00:22:01,624 I'M SUPPOSED TO BE MEETING SOMEONE HERE RIGHT ABOUT NOW. 419 00:22:01,625 --> 00:22:03,625 YOU WOULDN'T HAPPEN TO KNOW A PERSON BY THE NAME... 420 00:22:04,000 --> 00:22:05,209 EXCUSE ME. 421 00:22:05,792 --> 00:22:07,249 MR. WATER PERSON? 422 00:22:07,250 --> 00:22:09,916 IS THERE ANY WAY ONE CAN GET THAT FRESH, PURE WATER DELIVERED TO ONE'S HOME? 423 00:22:09,917 --> 00:22:11,290 JUST CALL TRIPLE-FIVE-THIRSTY. 424 00:22:11,291 --> 00:22:13,411 I'LL NEVER REMEMBER THAT. YOU GOT A CARD OR SOMETHING? 425 00:22:13,435 --> 00:22:14,499 YEAH, SURE. 426 00:22:14,500 --> 00:22:15,999 THANK YOU. 427 00:22:16,000 --> 00:22:17,791 YOU'RE A LIFESAVER. 428 00:22:17,792 --> 00:22:19,124 NORMAN. WHAT'S YOUR LAST NAME? 429 00:22:19,125 --> 00:22:21,041 WHEN I CALL, I WANT TO MAKE SURE YOU GET THE COMMISSION. 430 00:22:21,042 --> 00:22:22,999 UH, PLOTKIN, BUT WE DON'T WORK ON COMMISSION. 431 00:22:23,000 --> 00:22:24,125 I GUESS IT DOESN'T MATTER. 432 00:22:32,583 --> 00:22:34,457 GOOD LUCK WITH YOUR DAUGHTER. 433 00:22:34,458 --> 00:22:35,958 DANCE WITH HER SOMETIME. 434 00:22:35,959 --> 00:22:37,417 CONJURE UP THE OLD SPIRITS. 435 00:23:01,209 --> 00:23:03,000 [GULPING] 436 00:23:24,042 --> 00:23:25,375 WHO'S YOUR MOMMA? 437 00:23:35,458 --> 00:23:37,542 OKAY, GEORGE, THIS IS IT. READY TO BOWL? 438 00:23:38,875 --> 00:23:41,041 OKAY, LET'S GO GET YOU SOME SHOES. 439 00:23:41,042 --> 00:23:44,333 SIZE SEVEN AND A HALF AND A KID'S ONE. 440 00:23:46,959 --> 00:23:48,707 THESE SMELL FUNNY. 441 00:23:48,708 --> 00:23:50,332 THAT'S BOWLING, SWEETHEART. 442 00:23:50,333 --> 00:23:52,332 AND IT'S ALL HOT INSIDE. 443 00:23:52,333 --> 00:23:54,708 YEAH, THE KID WHO WORE THOSE LAST WAS REALLY FAT. 444 00:23:58,125 --> 00:23:59,375 I'LL TAKE THEM. 445 00:24:01,417 --> 00:24:03,000 HI, MILLIE! 446 00:24:03,917 --> 00:24:05,749 YOU KNOW EVERYBODY, RIGHT? 447 00:24:05,750 --> 00:24:06,958 HEY. 448 00:24:06,959 --> 00:24:08,707 HI, MILLIE. HI, MILLIE. HEY. 449 00:24:08,708 --> 00:24:10,458 WHERE'S YOUR BALL, DEAR? 450 00:24:11,375 --> 00:24:13,417 OH. I DIDN'T BRING IT. 451 00:24:16,084 --> 00:24:18,166 OKAY, WELL, 452 00:24:19,333 --> 00:24:21,582 HOW ABOUT WE GO PICK YOU OUT ONE? 453 00:24:21,583 --> 00:24:23,917 KAREN, WHY DON'T YOU WORK ON YOUR CROSS-ALLEY THROW? 454 00:24:26,500 --> 00:24:28,332 HOW DO YOU MISPLACE A BALL? 455 00:24:28,333 --> 00:24:30,083 SHE DOESN'T HAVE HER OWN BALL? 456 00:24:30,084 --> 00:24:31,792 FUCK. WE'RE GOING TO GET OUR ASSES KICKED. 457 00:24:36,583 --> 00:24:38,874 IT'S NOT GOING TO PICK YOU. 458 00:24:38,875 --> 00:24:41,000 WHY DON'T YOU GET A FEEL FOR ONE? 459 00:24:44,667 --> 00:24:46,666 I HAVE A BLACK EBONITE OMEGA L.M., 460 00:24:46,667 --> 00:24:48,125 WITH AN ACRYLIUM COVER STOCK. 461 00:24:49,042 --> 00:24:50,167 I LIKE GREEN. 462 00:25:03,125 --> 00:25:04,290 WHO'S UP? 463 00:25:04,291 --> 00:25:06,457 DELORES, WE KNOW YOU MEAN WELL. 464 00:25:06,458 --> 00:25:07,749 YOU'VE NEVER STEERED US WRONG. 465 00:25:07,750 --> 00:25:09,125 BUT SHE'S GOING TO RUIN EVERYTHING. 466 00:25:10,208 --> 00:25:12,208 IS THIS SOME KIND OF COUP? 467 00:25:12,209 --> 00:25:13,374 LAST TIME I CHECKED, YOUR PINS 468 00:25:13,375 --> 00:25:14,999 ARE ONE POINT EACH, LIKE EVERYONE ELSE'S. 469 00:25:15,000 --> 00:25:16,667 WE DON'T WANT HER TO PLAY. 470 00:25:18,042 --> 00:25:19,916 EXCUSE ME? 471 00:25:19,917 --> 00:25:22,833 [GEORGE] I WAS FINDING THAT THE MOST IMPORTANT RULE OF MY LIFE 472 00:25:22,834 --> 00:25:25,332 WAS EQUALLY VALUABLE IN DEATH. 473 00:25:25,333 --> 00:25:27,207 QUIT BEFORE YOU'RE FIRED. 474 00:25:27,208 --> 00:25:28,833 I COULD JUST KEEP SCORE. 475 00:25:28,834 --> 00:25:31,208 [BOTH] NO... NO... NO... NO... 476 00:25:31,209 --> 00:25:33,542 REALLY? I BET YOU CAN STILL GET YOUR SHOE MONEY BACK. 477 00:25:44,750 --> 00:25:46,750 [GEORGE] PEACE AT LAST. 478 00:25:48,083 --> 00:25:51,042 MAYBE DAISY WAS OUT BLOWING THE RICH AND FAMOUS. 479 00:25:51,917 --> 00:25:54,082 WELL, YOU WORKED LATE. 480 00:25:54,083 --> 00:25:56,124 I WAS GOING TO, UH... 481 00:25:56,125 --> 00:25:57,541 GOING TO? 482 00:25:57,542 --> 00:26:01,624 I CAN'T SLEEP ON THAT CHAIR AGAIN, DAISY. 483 00:26:01,625 --> 00:26:05,208 I KNOW. I FELT ABSOLUTELY AWFUL ABOUT THAT, AND... 484 00:26:05,708 --> 00:26:07,791 AND? AND... 485 00:26:07,792 --> 00:26:10,124 SOMEONE WENT ON A TEAR AT THE MALL TODAY, 486 00:26:10,125 --> 00:26:12,834 AND GUESS WHO PURCHASED YOU YOUR VERY OWN PILLOW? 487 00:26:16,042 --> 00:26:18,332 REMEMBER WHEN WE FIRST TALKED? 488 00:26:18,333 --> 00:26:22,416 WE SAID WE WERE GOING TO SHARE THE BED. 489 00:26:22,417 --> 00:26:24,416 I THOUGHT WE WERE GOING TO SWITCH OFF. 490 00:26:24,417 --> 00:26:26,624 SWITCH OFF? THE BED. 491 00:26:26,625 --> 00:26:28,208 YOU SAID WE WERE GOING TO SWITCH. 492 00:26:29,250 --> 00:26:31,999 GOOD GOD. 493 00:26:32,000 --> 00:26:35,666 IT'S AS IF YOUR TONGUE IS JUST FLAPPING LOOSE IN YOUR MOUTH. 494 00:26:35,667 --> 00:26:37,374 DIDN'T ANYONE EVER TEACH YOU DICTION? 495 00:26:37,375 --> 00:26:38,707 UM... 496 00:26:38,708 --> 00:26:40,000 SWITCH. 497 00:26:41,208 --> 00:26:44,000 THE WITCHES SWITCH SWATCHES. SAY IT. 498 00:26:45,208 --> 00:26:46,290 I... 499 00:26:46,291 --> 00:26:47,833 THE WITCHES SWITCH SWATCHES. 500 00:26:47,834 --> 00:26:48,999 THE WITCHES SWITCH SWATCHES. 501 00:26:49,000 --> 00:26:50,916 SAY IT THREE TIMES FAST. 502 00:26:50,917 --> 00:26:53,874 THE WITCHES SWITCH SWATCHES. 503 00:26:53,875 --> 00:26:56,083 ALMOST WHISTLE THAT "SW" BLEND. 504 00:26:56,084 --> 00:26:57,791 THE WITCHES SWITCH SWATCHES. 505 00:26:57,792 --> 00:26:59,749 THE WITCHES SWITCH SWATCHES. 506 00:26:59,750 --> 00:27:02,290 AGAIN. FASTER. THE WITCHES SWITCH SWATCHES. 507 00:27:02,291 --> 00:27:04,208 THE WITCHES SWITCH SWATCHES. 508 00:27:04,209 --> 00:27:05,833 THE WITCHES SWITCH SWATCHES. THE WITCHES SWITCH SWATCHES. 509 00:27:05,834 --> 00:27:07,083 THERE. THAT'S THE WAY. 510 00:27:07,084 --> 00:27:09,457 OH, GEORGE, YOU'RE SUCH A QUICK STUDY. GOOD FOR YOU. 511 00:27:09,458 --> 00:27:11,658 WE'LL WORK ON IT AGAIN TOMORROW, ALL RIGHT? NIGHTY-NIGHT. 512 00:27:16,500 --> 00:27:18,291 OKAY, GOOD NIGHT. 513 00:27:19,875 --> 00:27:21,208 [GEORGE] MAYBE SOMEDAY, 514 00:27:21,209 --> 00:27:22,374 WHEN COMPUTERS GET BIG ENOUGH 515 00:27:22,375 --> 00:27:24,374 AND CAN KEEP TRACK OF THE UNIVERSE, 516 00:27:24,375 --> 00:27:26,583 WE'LL SEE THAT EVERYTHING BALANCES OUT. 517 00:27:36,041 --> 00:27:38,666 FOR EVERY DEATH, THERE'S A BIRTH. 518 00:27:38,667 --> 00:27:41,750 FOR EVERY TEAR SPILLED, THERE'S A SMILE. 519 00:27:44,417 --> 00:27:46,537 [MAN] YOU'RE GOING TO HAVE TO STOP JOINING TEAMS, RUSS. 520 00:27:46,561 --> 00:27:47,624 YOU'RE RUNNING OUT OF ROOM. 521 00:27:47,625 --> 00:27:49,916 I'M TEMPING AT THREE DIFFERENT PLACES 522 00:27:49,917 --> 00:27:52,333 AND EACH ONE'S GOT A BOWLING TEAM. 523 00:27:54,291 --> 00:27:56,000 YOU MAKE UP YOUR MIND YET? 524 00:27:57,125 --> 00:27:58,833 NO, NOT YET. 525 00:27:58,834 --> 00:27:59,999 WHAT'S POPULAR? 526 00:28:00,000 --> 00:28:02,083 ANYTHING PATRIOTIC. 527 00:28:02,084 --> 00:28:03,708 UNCLE SAM, STATUE OF LIBERTY. 528 00:28:05,500 --> 00:28:07,457 ONE LADY WANTED THE WORLD TRADE CENTERS. 529 00:28:07,458 --> 00:28:10,124 A TOWER ON EACH CHEEK. GO FIGURE. 530 00:28:10,125 --> 00:28:12,124 WHAT'S THAT BLOKE GETTING? 531 00:28:12,125 --> 00:28:14,166 COBRA. YEAH? 532 00:28:14,167 --> 00:28:15,249 MIND IF I COME AND LOOK? 533 00:28:15,250 --> 00:28:17,000 [RUSS] BE MY GUEST. 534 00:28:22,375 --> 00:28:24,333 OH, YEAH, YEAH. 535 00:28:25,084 --> 00:28:26,084 VERY NICE WORK. 536 00:28:28,125 --> 00:28:30,208 WELL, LISTEN, I CAN'T REALLY DECIDE WHAT I WANT, 537 00:28:30,209 --> 00:28:31,750 SO I'LL COME BACK. 538 00:28:33,000 --> 00:28:34,458 OKAY. 539 00:28:42,083 --> 00:28:44,290 DON'T DO IT, WILLIE. IT'S A VERY PRETTY FLOWER. 540 00:28:44,291 --> 00:28:45,416 HE GAVE ME AN IRIS. 541 00:28:45,417 --> 00:28:46,499 IT DOESN'T MATTER TO ME, WILLIE. 542 00:28:46,500 --> 00:28:47,958 WELL, IT MATTERS TO ME, ALL RIGHT? 543 00:28:47,959 --> 00:28:49,124 BECAUSE I'M THE ONE WITH A TATTOO OF AN IRIS ON MY ASS. 544 00:28:49,125 --> 00:28:51,582 I DON'T CARE, WILLIE. PLEASE. I'LL CHANGE MY NAME TO IRIS. 545 00:28:51,583 --> 00:28:53,124 IF YOU CHANGE YOUR NAME TO IRIS, 546 00:28:53,125 --> 00:28:56,082 WE WOULDN'T BE WILLIE AND LILY THEN, WOULD WE, HUH? 547 00:28:56,083 --> 00:28:57,332 NO, I ASKED FOR A LILY, 548 00:28:57,333 --> 00:28:59,834 AND THIS SHIT-FOR-BRAINS GIVES ME A FUCKING IRIS. 549 00:29:01,167 --> 00:29:03,792 TATTOO THIS, ASSHOLE! [GUNFIRE] 550 00:29:17,375 --> 00:29:19,916 ONE DAY YOU'RE HERE, THE NEXT YOU'RE NOT? 551 00:29:19,917 --> 00:29:21,083 SHIT. 552 00:29:21,084 --> 00:29:22,833 DELORES, YOU SCARED ME. 553 00:29:22,834 --> 00:29:24,457 YOU ALL RIGHT, MILLIE? 554 00:29:24,458 --> 00:29:28,041 YEAH, I JUST DIDN'T KNOW ANYONE WAS HERE. 555 00:29:28,042 --> 00:29:30,500 IT'S 10:00 P.M. WHAT ARE YOU DOING HERE? 556 00:29:32,083 --> 00:29:35,375 WELL, I CAN'T REALLY GO HOME. 557 00:29:36,083 --> 00:29:39,666 I WAS JUST DOING SOME... 558 00:29:39,667 --> 00:29:41,125 FILING. 559 00:29:41,708 --> 00:29:43,374 I UNDERSTAND. 560 00:29:43,375 --> 00:29:46,332 I'VE BEEN "FILING" TOO. 561 00:29:46,333 --> 00:29:48,417 IT'S HARD TO KNOW WHERE TO PUT THIS. 562 00:29:51,209 --> 00:29:52,458 YEAH. 563 00:29:53,917 --> 00:29:56,374 I NEVER EVEN GOT TO SEE HIM BOWL. 564 00:29:56,375 --> 00:29:59,749 I HEARD HE BOWLED A PERFECT GAME ONCE. 565 00:29:59,750 --> 00:30:01,042 DID HE? 566 00:30:01,333 --> 00:30:03,416 DAMN. 567 00:30:03,417 --> 00:30:06,708 WELL, HE'S BOWLING FOR ANOTHER TEAM NOW. 568 00:30:10,625 --> 00:30:13,416 YES, HE IS. 569 00:30:13,417 --> 00:30:17,416 YOU KNOW, I THINK HIS CUBICLE IS A LITTLE BIGGER THAN MINE. 570 00:30:17,417 --> 00:30:19,708 OH, THAT'S BECAUSE IT'S FILLED WITH LOVE. 571 00:30:21,000 --> 00:30:23,209 YOU WANT TO STEAL SOMETHING, DON'T YOU? 572 00:30:24,166 --> 00:30:25,249 WHAT? 573 00:30:25,250 --> 00:30:26,917 DO YOU WANT HIS MUG? 574 00:30:28,500 --> 00:30:30,000 THAT'S CREEPY. 575 00:30:30,542 --> 00:30:32,165 WHY? 576 00:30:32,166 --> 00:30:35,666 EVERYBODY NEEDS TO STEAL A BIT OF SOMEONE THEY LOVE. 577 00:30:35,667 --> 00:30:37,457 I HARDLY KNEW HIM. 578 00:30:37,458 --> 00:30:39,040 YOU SHARED THE SAME OFFICE, 579 00:30:39,041 --> 00:30:41,208 DRANK FROM THE SAME WATER COOLER, 580 00:30:41,209 --> 00:30:43,040 STOOD UNDER THE SAME FLUORESCENT LIGHTS. 581 00:30:43,041 --> 00:30:44,500 YOU KNEW HIM. 582 00:30:45,792 --> 00:30:46,792 TAKE SOMETHING. 583 00:30:47,500 --> 00:30:48,666 I HAVE A MUG. 584 00:30:48,667 --> 00:30:50,624 WELL, IT CAN BE ANYTHING. 585 00:30:50,625 --> 00:30:53,791 WHAT REMINDS YOU OF RUSS? 586 00:30:53,792 --> 00:30:56,958 JUST A PIECE OF THAT SOMEBODY IN REMEMBRANCE, 587 00:30:56,959 --> 00:30:58,208 A TANGIBLE CONNECTION 588 00:30:59,125 --> 00:31:02,208 TO WHO THAT PERSON WAS TO YOU. 589 00:31:02,209 --> 00:31:05,249 I TOOK THAT LITTLE QUARTZ DUCK HE HAD. 590 00:31:05,250 --> 00:31:07,917 IT JUST SCREAMED "RUSS" TO ME. 591 00:31:23,083 --> 00:31:25,333 GODDAMN. SHE'S SELLING MY SHIT. 592 00:31:32,125 --> 00:31:33,291 OKAY. 593 00:31:44,000 --> 00:31:45,207 I'LL TAKE THIS. 594 00:31:45,208 --> 00:31:47,499 HIS MONITOR SQUEEGEE. 595 00:31:47,500 --> 00:31:50,041 YEAH, RUSS'S MONITOR SQUEEGEE. 596 00:31:50,792 --> 00:31:52,750 GOD, THAT IS SO RUSS. 597 00:31:56,000 --> 00:31:57,208 YEAH. 598 00:32:44,583 --> 00:32:47,499 DAISY'S LIKE AN OIL SPILL THAT JUST KEEPS CREEPING 599 00:32:47,500 --> 00:32:50,332 FURTHER AND FURTHER INTO MY LIFE. 600 00:32:50,333 --> 00:32:51,749 OKAY. 601 00:32:51,750 --> 00:32:53,916 I HAVEN'T REALLY SLEPT IN TWO DAYS. 602 00:32:53,917 --> 00:32:55,082 IT'S YOUR APARTMENT, RIGHT? 603 00:32:55,083 --> 00:32:56,667 TELL HER THAT. 604 00:33:02,000 --> 00:33:04,332 YOU TELL HER. SHE DOESN'T LISTEN TO ME. 605 00:33:04,333 --> 00:33:06,041 WELL, THEN YOU'RE NOT SPEAKING LOUD ENOUGH. 606 00:33:06,042 --> 00:33:07,958 YOU DIDN'T GET ME A PLACE WHEN I FIRST ARRIVED. 607 00:33:07,959 --> 00:33:10,040 WHY DID YOU TELL HER SHE COULD STAY WITH ME? 608 00:33:10,041 --> 00:33:11,833 I THOUGHT YOU GUYS WOULD HIT IT OFF. 609 00:33:11,834 --> 00:33:12,875 I'D LIKE TO HIT HER. 610 00:33:14,250 --> 00:33:16,374 CAN'T YOU JUST TALK TO HER? 611 00:33:16,375 --> 00:33:18,000 ALL RIGHT, FINE. REALLY? 612 00:33:24,083 --> 00:33:25,083 NO. 613 00:33:25,084 --> 00:33:26,916 IT'S NOT MY BATTLE. 614 00:33:26,917 --> 00:33:28,757 I'M CERTAINLY NOT GOING TO GET BETWEEN TWO WOMEN 615 00:33:28,781 --> 00:33:30,207 FIGHTING OVER SOME CRAPPY APARTMENT. 616 00:33:30,208 --> 00:33:32,166 MY CRAPPY APARTMENT. 617 00:33:32,167 --> 00:33:34,374 MINE. WHO DOES SHE THINK SHE IS? 618 00:33:34,375 --> 00:33:37,290 SHE THINKS SHE'S SOMEONE, AND SHE SENSES THAT YOU DON'T. 619 00:33:37,291 --> 00:33:38,707 THAT I DON'T THINK SHE'S SOMEONE? 620 00:33:38,708 --> 00:33:40,374 THAT YOU DON'T THINK YOU'RE SOMEONE. 621 00:33:40,375 --> 00:33:41,707 WHAT? 622 00:33:41,708 --> 00:33:43,428 YOU WANT TO BE A BOWLING PIN YOUR WHOLE LIFE, 623 00:33:43,452 --> 00:33:45,707 JUST STANDING THERE, PERFECTLY CONTENT TO BE KNOCKED DOWN 624 00:33:45,708 --> 00:33:47,166 TIME AND TIME AGAIN, 625 00:33:47,167 --> 00:33:49,249 OR WOULD YOU RATHER BE THE BALL? 626 00:33:49,250 --> 00:33:51,166 I'VE GOT TO TELL YOU, 627 00:33:51,167 --> 00:33:53,500 BEING A BALL FEELS A HELL OF A LOT BETTER. 628 00:33:57,500 --> 00:33:59,000 YES. 629 00:34:00,291 --> 00:34:01,875 DAISY'S A BALL, YOU'RE A PIN. 630 00:34:02,083 --> 00:34:04,041 AM NOT. 631 00:34:04,042 --> 00:34:05,207 WHATEVER YOU SAY, PEANUT. 632 00:34:05,208 --> 00:34:06,917 YOU'RE NOT A PIN. 633 00:34:09,625 --> 00:34:12,291 COME ON, PLAY ANOTHER. YOU CAN GET BACK AT ME. 634 00:34:20,125 --> 00:34:21,542 PIN THERAPY. 635 00:34:25,375 --> 00:34:27,084 NICE WAY TO WORK OUT A LITTLE AGGRESSION. 636 00:34:58,708 --> 00:35:00,582 I WANT THESE. 637 00:35:00,583 --> 00:35:02,124 THEY'RE NOT GOING TO FIT. 638 00:35:02,125 --> 00:35:03,375 YES, THEY WILL. 639 00:35:04,208 --> 00:35:06,499 SEE? THEY'RE TOO TIGHT. 640 00:35:06,500 --> 00:35:07,792 I DON'T CARE. 641 00:35:19,792 --> 00:35:23,833 THE COTONIO MEMORIAL BOWLING TOURNAMENT? 642 00:35:23,834 --> 00:35:26,291 WE PLACED SECOND IN THE MOTHER-DAUGHTER COMPETITION. 643 00:35:27,500 --> 00:35:28,750 YOU AND GEORGE? 644 00:35:34,208 --> 00:35:36,499 SHE BLEW THAT LAST FRAME. 645 00:35:36,500 --> 00:35:38,082 I NEVER SAW GEORGE BOWL. 646 00:35:38,083 --> 00:35:39,999 SHE WAS A GREAT ATHLETE. 647 00:35:40,000 --> 00:35:43,167 YOUR SISTER DIDN'T LIKE TEAM SPORTS. 648 00:36:01,500 --> 00:36:04,042 I AM NOT A FUCKING PIN. 649 00:36:06,750 --> 00:36:07,834 WELL, WHAT DO YOU KNOW? 650 00:36:09,000 --> 00:36:11,124 DAISY? 651 00:36:11,125 --> 00:36:14,082 LISTEN, I HAVE SOME THINGS I WANT TO SAY TO YOU. 652 00:36:14,083 --> 00:36:18,040 YOU CAN'T JUST MOVE YOUR SHIT INTO MY APARTMENT 653 00:36:18,041 --> 00:36:20,209 AND KICK ME OUT OF MY OWN BED. 654 00:36:24,041 --> 00:36:25,999 [WEEPS] 655 00:36:26,000 --> 00:36:27,834 I NEVER EVER GET A BREAK. 656 00:36:30,166 --> 00:36:31,834 MY MOTHER ABANDONED ME. 657 00:36:33,250 --> 00:36:35,207 MY FATHER... 658 00:36:35,208 --> 00:36:36,792 WAS NEVER A FATHER. 659 00:36:38,166 --> 00:36:41,165 NEVER REALLY HAD A REAL HOME 660 00:36:41,166 --> 00:36:43,708 OR EVEN A PLACE THAT I FELT LIKE I BELONGED. 661 00:36:44,792 --> 00:36:46,458 WHY CAN'T I BELONG? 662 00:36:47,542 --> 00:36:49,500 WHY CAN'T YOU ACCEPT ME? 663 00:36:53,834 --> 00:36:55,667 I JUST WANT YOU TO... 664 00:36:58,125 --> 00:36:59,209 HOLD ME. 665 00:37:02,375 --> 00:37:05,083 THIS LIFE HAS BEEN A COLLECTION 666 00:37:06,458 --> 00:37:08,041 OF DISAPPOINTMENTS AND... 667 00:37:09,083 --> 00:37:10,542 HEARTACHE. 668 00:37:15,250 --> 00:37:17,042 END SCENE. 669 00:37:18,458 --> 00:37:21,666 "A COLLECTION OF PROBLEMS, DISILLUSIONMENT," 670 00:37:21,667 --> 00:37:23,041 "AND UNHAPPINESS." 671 00:37:23,042 --> 00:37:25,374 WHY DO I ALWAYS MUTILATE THAT LINE? 672 00:37:25,375 --> 00:37:27,207 WILL YOU BE A DOLL 673 00:37:27,208 --> 00:37:28,916 AND HELP ME RUN MY LINES? 674 00:37:28,917 --> 00:37:30,357 AND PLEASE DON'T BE AFRAID TO STOP ME 675 00:37:30,381 --> 00:37:32,374 IF I'M EVEN OFF BY ONE SYLLABLE. 676 00:37:32,375 --> 00:37:33,499 OKAY? 677 00:37:33,500 --> 00:37:35,041 COME ON, IT'S MAGIC TIME. 678 00:37:36,125 --> 00:37:39,625 OKAY, AND ACTION. 679 00:37:45,042 --> 00:37:47,417 WHY CAN I NEVER GET A BREAK? 680 00:37:52,125 --> 00:37:55,250 REGGIE, ARE YOU STILL UP? IT'S TIME FOR BED. 681 00:37:56,959 --> 00:37:58,625 JESUS CHRIST. 682 00:38:01,708 --> 00:38:03,207 REGGIE, 683 00:38:03,208 --> 00:38:05,874 WE TALKED ABOUT UNPACKING A FEW OF GEORGE'S THINGS. 684 00:38:05,875 --> 00:38:08,208 WE DIDN'T TALK ABOUT TURNING YOUR BEDROOM 685 00:38:08,209 --> 00:38:10,083 INTO A HOLY SHRINE. 686 00:38:10,084 --> 00:38:11,499 IT'S NOT. 687 00:38:11,500 --> 00:38:13,083 THIS IS NOT A SHRINE? 688 00:38:14,792 --> 00:38:16,042 NO. 689 00:38:17,834 --> 00:38:19,333 IT'S MY ROOM. 690 00:38:27,167 --> 00:38:28,167 MOM? 691 00:38:29,208 --> 00:38:30,500 YES, REGGIE? 692 00:38:32,542 --> 00:38:33,708 GET OUT. 693 00:39:00,375 --> 00:39:02,291 [CHEERING] 694 00:39:10,000 --> 00:39:11,707 THEY'RE AHEAD BY NINE PINS. 695 00:39:11,708 --> 00:39:14,083 NINE TO TIE. 10 TO WIN. 696 00:39:14,084 --> 00:39:17,583 YOU DO THE BEST YOU CAN. THAT'S ALL THAT MATTERS. 697 00:39:25,166 --> 00:39:28,208 [GEORGE] THIS IS EXACTLY WHY I NEVER JOINED A TEAM. 698 00:39:28,209 --> 00:39:31,166 BULLSHIT CAMARADERIE LEADS TO BULLSHIT PRESSURE. 699 00:39:35,042 --> 00:39:36,916 [DELORES] COME ON, MILLIE. 700 00:39:36,917 --> 00:39:39,958 A STRIKE AND WE BEAT THESE MOTHERFUCKERS. 701 00:39:39,959 --> 00:39:41,082 [MICHAEL] OH, CRAP. 702 00:39:41,083 --> 00:39:43,374 DID I TIVO IRON CHEF? 703 00:39:43,375 --> 00:39:45,290 [KAREN] SHOULD WE GO TO CHILI'S AFTER THE GAME? 704 00:39:45,291 --> 00:39:47,082 I COULD SUCK BACK SOME RIBS. 705 00:39:47,083 --> 00:39:50,207 [THUNDER KITTENS GUY] MISS. MISS. MISS. 706 00:39:50,208 --> 00:39:52,125 SHE'S KIND OF HOT. 707 00:39:53,209 --> 00:39:54,833 [GEORGE] AND BULLSHIT PRESSURE 708 00:39:54,834 --> 00:39:58,207 BUILDS TO A MOMENT OF PARALYZING FEAR. 709 00:39:58,208 --> 00:40:00,541 IT'S BIZARRE WHAT GOES THROUGH YOUR HEAD, 710 00:40:00,542 --> 00:40:03,499 STANDING FROZEN IN A MOMENT OF SHEER PANIC, 711 00:40:03,500 --> 00:40:05,249 AND MY THOUGHT WAS... 712 00:40:05,250 --> 00:40:07,083 WHY DID I DIE? 713 00:40:07,084 --> 00:40:09,041 OR MORE TO THE POINT, WHY DIDN'T I LIVE? 714 00:40:11,041 --> 00:40:13,208 WHY DIDN'T I MOVE? 715 00:40:13,209 --> 00:40:16,166 WHY DID I JUST STAND THERE LIKE A BOWLING PIN? 716 00:40:25,250 --> 00:40:30,165 WHAT MADE ME SO DEAD-SET AGAINST HAVING AN EXPERIENCE? 717 00:40:30,166 --> 00:40:33,084 WHY DIDN'T I TALK TO THE PEOPLE WHO LIKED ME? 718 00:40:41,375 --> 00:40:44,209 WHY DIDN'T I EVER TALK TO MY LITTLE SISTER? 719 00:40:47,500 --> 00:40:50,375 WHY DIDN'T I LIVE WHEN I COULD HAVE? 720 00:40:54,333 --> 00:40:55,917 AW... SHIT. 721 00:41:37,333 --> 00:41:38,707 YOU DID IT! 722 00:41:38,708 --> 00:41:40,000 I GUESS I DID. 723 00:41:46,375 --> 00:41:49,290 [GEORGE] I FELT SOMETHING I HAD NEVER FELT BEFORE... 724 00:41:49,291 --> 00:41:50,874 A HAND ON MY ASS. 725 00:41:50,875 --> 00:41:53,958 WHO THE HELL WAS CUPPING MY ASS? 726 00:41:53,959 --> 00:41:56,125 PROBABLY THAT PERV FROM I.S. 727 00:41:58,125 --> 00:42:01,083 OH, GOD, I HOPE IT WAS THAT PERV FROM I.S. 728 00:42:02,917 --> 00:42:05,124 I ALSO FELT SOMETHING ELSE... 729 00:42:05,125 --> 00:42:07,582 THAT IN SOME STRANGE, UNDEAD WAY, 730 00:42:07,583 --> 00:42:09,125 I WAS ALIVE. 731 00:42:09,542 --> 00:42:11,209 I WAS FLYING.