1 00:00:05,792 --> 00:00:07,124 HERE. TAKE MY PICTURE. 2 00:00:07,125 --> 00:00:08,374 WHY? 3 00:00:08,375 --> 00:00:10,165 HAPPY THOUGHTS. 4 00:00:10,166 --> 00:00:12,124 FOR MY BEAUTIFUL YOUNG FRIEND. 5 00:00:12,125 --> 00:00:13,290 I LOVE YOU, SWEETIE. 6 00:00:13,291 --> 00:00:14,749 WHAT ARE YOU DOING? 7 00:00:14,750 --> 00:00:16,083 PIGGYBACK RIDE. 8 00:00:16,084 --> 00:00:18,332 NO, RUBE SAID WE CAN'T GO WHERE THEY'RE GOING. 9 00:00:18,333 --> 00:00:20,208 OPEN DOOR'S AN INVITATION. 10 00:00:20,209 --> 00:00:21,529 GOT TO JUMP WHILE THE DOOR'S OPEN. 11 00:00:27,458 --> 00:00:29,416 WHY DO I KEEP LOSING 12 00:00:29,417 --> 00:00:33,124 ALL THE THINGS AND PEOPLE THAT I CARE ABOUT? 13 00:00:33,125 --> 00:00:34,958 REAPERS COME AND GO. THAT'S LIFE. 14 00:00:34,959 --> 00:00:36,874 IT'S DAISY, DAISY ADAIR. 15 00:00:36,875 --> 00:00:38,457 DAISY'S ONE OF US. DAISY IS A REAPER. 16 00:00:38,458 --> 00:00:40,208 I THINK I'LL CALL YOU GEORGIA. 17 00:00:40,209 --> 00:00:41,625 [GEORGE]: I HATED HER INSTANTLY. 18 00:00:44,959 --> 00:00:46,999 I HATED HER A LITTLE LESS. 19 00:00:47,000 --> 00:00:49,999 I DIED DURING THE MAKING OF GONE WITH THE WIND. 20 00:00:50,000 --> 00:00:51,958 I AM AN ACTRESS. 21 00:00:51,959 --> 00:00:53,666 DO YOU MISS YOUR SISTER, REGGIE? 22 00:00:53,667 --> 00:00:55,290 I WAS TOLD THERE WOULD BE COOKIES. 23 00:00:55,291 --> 00:00:56,374 [CLANCY]: YOU KNOW, YOU ALWAYS PICK THE TIME 24 00:00:56,375 --> 00:00:58,374 WHEN I'M MOST STRESSED TO GET INTO THIS SHIT. 25 00:00:58,375 --> 00:01:00,374 REGGIE'S PRINCIPAL CALLED. 26 00:01:00,375 --> 00:01:01,749 SHE'S BEEN CUTTING SCHOOL. 27 00:01:01,750 --> 00:01:02,874 SEEMS THAT WAY. 28 00:01:02,875 --> 00:01:04,315 [CLANCY]: WHERE THE HELL'S SHE GOING? 29 00:01:09,750 --> 00:01:11,083 [ ♪♪] 30 00:02:12,583 --> 00:02:14,165 [GEORGE]: I REMEMBER ONCE LEARNING 31 00:02:14,166 --> 00:02:17,582 THAT THE AVERAGE HUMAN HEAD WEIGHS 20 POUNDS. 32 00:02:17,583 --> 00:02:21,249 I KNOW A LOT OF THAT IS SKULL AND FLESH AND HAIR, 33 00:02:21,250 --> 00:02:23,040 IF YOU'VE GOT HAIR, 34 00:02:23,041 --> 00:02:24,165 BUT THAT STILL LEAVES 35 00:02:24,166 --> 00:02:27,124 A COUPLE OF POUNDS OF PURE GRAY MATTER, 36 00:02:27,125 --> 00:02:30,165 AND THAT MEANS TONS OF TINY NEURONS FIRING AWAY, 37 00:02:30,166 --> 00:02:32,082 SENDING LITTLE MESSAGES TO EACH OTHER, 38 00:02:32,083 --> 00:02:34,667 LIKE, "I LOVE TO DO THE SALSA." 39 00:02:37,333 --> 00:02:40,916 OR TESTING OTHER NEURONS WITH QUESTIONS, 40 00:02:40,917 --> 00:02:45,749 LIKE "WHY AM I ONLY HAVING SEX WITH MYSELF?" 41 00:02:45,750 --> 00:02:49,624 AND WHILE WE WORK HARD MAKING OUR BRAINS WORK FOR US, 42 00:02:49,625 --> 00:02:52,542 A LITTLE WAR IS QUIETLY UNDERWAY. 43 00:02:55,042 --> 00:02:57,208 HALF OF THOSE BRAIN CELLS UP THERE 44 00:02:57,209 --> 00:02:59,374 ARE TELLING THE OTHER HALF TO CHILL. 45 00:02:59,375 --> 00:03:01,124 TOO MANY FIRINGS AT ONCE, 46 00:03:01,125 --> 00:03:04,332 AND WE'D BE HAVING SEIZURES DAY AND NIGHT. 47 00:03:04,333 --> 00:03:06,083 I WASN'T ABOUT TO TAKE THAT RISK. 48 00:03:10,000 --> 00:03:11,458 [DELORES]: AHEM. 49 00:03:13,917 --> 00:03:15,124 THIS IS FIONA. 50 00:03:15,125 --> 00:03:17,207 SHE'S GOING TO BE JOINING US PART-TIME, 51 00:03:17,208 --> 00:03:20,417 HELPING US GET A HANDLE ON THAT MESS IN DATA INPUT. 52 00:03:22,166 --> 00:03:23,707 WELCOME ABOARD, FIONA. 53 00:03:23,708 --> 00:03:24,791 THANKS. 54 00:03:24,792 --> 00:03:30,042 I WAS HOPING YOU COULD BE FIONA'S MENTOR, 55 00:03:30,625 --> 00:03:32,207 GET HER UP TO SPEED. 56 00:03:32,208 --> 00:03:33,291 MENTOR? 57 00:03:33,875 --> 00:03:35,124 MENTOR. 58 00:03:35,125 --> 00:03:37,166 [GEORGE]: MENTOR... A PROMOTION WITHOUT A PAY RAISE. 59 00:03:39,042 --> 00:03:40,874 BASICALLY, ALL YOU HAVE TO DO 60 00:03:40,875 --> 00:03:42,166 IS PEEL OFF THESE EDGES 61 00:03:42,167 --> 00:03:45,457 SO THAT THEY FIT NEATLY IN THE BOX, 62 00:03:45,458 --> 00:03:47,791 AND ONCE YOU FILL THE BOXES, 63 00:03:47,792 --> 00:03:50,791 THEY'RE TO BE FILED AWAY AND NEVER TO BE SEEN AGAIN, 64 00:03:50,792 --> 00:03:54,041 UNLESS PEOPLE START TO EAT PAPER. 65 00:03:54,042 --> 00:03:56,416 NO ONE'S EVER GOING TO LOOK AT THESE? 66 00:03:56,417 --> 00:03:59,874 THEY DON'T EVEN BOTHER TO LABEL THE BOXES. 67 00:03:59,875 --> 00:04:03,916 AT 12:30, YOU HAVE A 35-MINUTE LUNCH HOUR. 68 00:04:03,917 --> 00:04:05,125 DON'T EVEN ASK. 69 00:04:06,750 --> 00:04:07,950 DOES ANYONE EVER COME IN HERE? 70 00:04:07,974 --> 00:04:09,224 NOT A LOT. WHY? 71 00:04:10,208 --> 00:04:12,208 JUST FEELS LIKE A GOOD PLACE TO DO STUFF. 72 00:04:12,209 --> 00:04:13,041 OKAY. 73 00:04:13,042 --> 00:04:14,290 LIKE WHAT? 74 00:04:14,291 --> 00:04:16,042 STUFF I LIKE TO DO. 75 00:04:17,167 --> 00:04:18,167 DO YOU HAVE ANY TATTOOS? 76 00:04:18,375 --> 00:04:19,833 NO. 77 00:04:19,834 --> 00:04:20,958 DO YOU? 78 00:04:20,959 --> 00:04:22,500 OH, YEAH. YEAH. 79 00:04:23,417 --> 00:04:24,541 WHAT ARE THEY? 80 00:04:24,542 --> 00:04:25,917 FLOWERS, THEY'RE ALL FLOWERS. 81 00:04:27,959 --> 00:04:29,041 UH... 82 00:04:29,042 --> 00:04:30,999 FIONA, I REALLY DON'T NEED TO SEE THE FLOWERS 83 00:04:31,000 --> 00:04:32,624 JUST THIS SECOND. 84 00:04:32,625 --> 00:04:34,208 COOL. 85 00:04:36,291 --> 00:04:37,691 I'M GOING TO BE IN THIS STORAGE ROOM 86 00:04:37,715 --> 00:04:38,840 ALL THE FUCKING TIME. 87 00:04:39,917 --> 00:04:42,999 FIONA, I'VE BEEN AT HAPPY TIME FOR A LONG TIME, 88 00:04:43,000 --> 00:04:44,499 AND IF I'M GOING TO BE YOUR MENTOR, 89 00:04:44,500 --> 00:04:46,708 I'M JUST SAYING, YOU KNOW, 90 00:04:48,167 --> 00:04:50,416 YOU CAN REALLY... 91 00:04:50,417 --> 00:04:52,999 BENEFIT FROM MY EXPERIENCE. 92 00:04:53,000 --> 00:04:54,375 WHAT ARE YOU DOING? 93 00:04:55,167 --> 00:04:56,416 I'M STEALING PENS. 94 00:04:56,417 --> 00:04:59,124 WELL, THE REALLY GOOD ONES ARE UP THERE. 95 00:04:59,125 --> 00:05:00,625 COOL. 96 00:05:03,750 --> 00:05:06,040 [GEORGE]: SO WHEN YOU THINK ABOUT IT, 97 00:05:06,041 --> 00:05:09,916 HALF YOUR BRAIN IS UP THERE TELLING YOU NOT TO DO STUFF, 98 00:05:09,917 --> 00:05:11,999 AND FOR THE FIRST 18 YEARS OF MY LIFE, 99 00:05:12,000 --> 00:05:14,124 I LISTENED... 100 00:05:14,125 --> 00:05:17,707 AND THEN I DIED. 101 00:05:17,708 --> 00:05:20,208 TRUTH IS, WHEN YOU FINALLY DO EAT IT 102 00:05:20,209 --> 00:05:21,208 OR BITE IT, 103 00:05:21,209 --> 00:05:24,082 OR GET HIT BY A FLAMING TOILET SEAT, 104 00:05:24,083 --> 00:05:26,999 IT'S NOT THE BIG STUFF YOU REGRET, 105 00:05:27,000 --> 00:05:30,041 YOU KNOW, THE "LIVE YOUR DREAMS" CRAP. 106 00:05:30,042 --> 00:05:31,208 NEAR AS I CAN TELL, 107 00:05:31,209 --> 00:05:33,999 IT'S THE SMALL STUFF, 108 00:05:34,000 --> 00:05:37,041 LIKE NOT REACHING OUT TO THOSE WHO NEEDED YOU MOST. 109 00:05:43,583 --> 00:05:45,791 IMAGINE YOURSELF JOURNEYING THROUGH A WORLD 110 00:05:45,792 --> 00:05:48,416 THAT IS DERANGED, EMPTY, 111 00:05:48,417 --> 00:05:51,417 AND DEVOID OF ANCHORS TO REALITY. 112 00:05:52,208 --> 00:05:54,999 THAT IS THE DAILY STRUGGLE 113 00:05:55,000 --> 00:05:57,124 FOR THOSE SUFFERING SCHIZOPHRENIA. 114 00:05:57,125 --> 00:05:58,416 I'M RONNIE DOBBS. 115 00:05:58,417 --> 00:06:00,374 I'M A CAPRICORN. 116 00:06:00,375 --> 00:06:03,874 I REALLY LIKE LONG WALKS IN THE RAIN AND STUFF. 117 00:06:03,875 --> 00:06:05,000 [ LAUGHING ] 118 00:06:07,792 --> 00:06:09,499 THAT'S YOUR BOY. 119 00:06:09,500 --> 00:06:12,124 [RONNIE]: I'VE SEEN THEM, I'VE SPOTTED THEM, 120 00:06:12,125 --> 00:06:13,417 I MADE CONTACT... 121 00:06:17,000 --> 00:06:18,749 A STRUGGLE WHERE THEY CAN NO LONGER 122 00:06:18,750 --> 00:06:20,165 DISTINGUISH WHAT IS REAL 123 00:06:20,166 --> 00:06:22,208 FROM WHAT IS UNREAL. 124 00:06:22,209 --> 00:06:23,125 I MIGHT BE LATE. 125 00:06:23,126 --> 00:06:24,750 HE'S NOT QUITE RIGHT, IS HE? 126 00:06:29,917 --> 00:06:32,458 SEE, THAT'S FOR YOU. 127 00:06:33,500 --> 00:06:34,916 I GOT TO GO IN HERE. 128 00:06:34,917 --> 00:06:36,333 WELL, THIS ONE'S MINE, OVER THERE. 129 00:06:38,167 --> 00:06:39,167 OH, WELL. 130 00:06:45,208 --> 00:06:46,332 COME ON. 131 00:06:46,333 --> 00:06:47,499 OCCUPATIONAL HAZARD, NO? 132 00:06:47,500 --> 00:06:48,833 AS FAR AS I CAN TELL, 133 00:06:48,834 --> 00:06:49,916 THAT ONE'S GOING TO FALL ON THIS ONE, 134 00:06:49,917 --> 00:06:51,077 BLAH, BLAH, BLAH, BLAH, BLAH. 135 00:06:51,101 --> 00:06:52,101 [ CELLPHONE RINGING ] 136 00:06:52,208 --> 00:06:53,749 YEAH? 137 00:06:53,750 --> 00:06:54,958 YEAH. IT SUCKS. 138 00:06:54,959 --> 00:06:56,332 GEORGE, WAIT. 139 00:06:56,333 --> 00:06:57,499 I HAVE TO GO AFTER HIM. 140 00:06:57,500 --> 00:06:59,124 RUBE WANTS TO SEE YOU. 141 00:06:59,125 --> 00:07:00,500 TELL HIM I'M BUSY. 142 00:07:01,375 --> 00:07:02,542 HE SAID NOW. 143 00:07:06,000 --> 00:07:07,791 WHAT DO YOU MEAN, "CLERICAL ERROR?" 144 00:07:07,792 --> 00:07:09,192 [RUBE]: WHAT CAN I TELL YOU, PEANUT? 145 00:07:09,193 --> 00:07:10,317 THEY HAD THE DATE WRONG. 146 00:07:10,318 --> 00:07:13,082 SO THIS GUY, RONNIE DOBBS, IS NOT SUPPOSED TO DIE? 147 00:07:13,083 --> 00:07:14,332 NO, HE'S SUPPOSED TO DIE. 148 00:07:14,333 --> 00:07:15,624 JUST NOT TODAY. 149 00:07:15,625 --> 00:07:16,707 SEE ANYTHING YOU LIKE? 150 00:07:16,708 --> 00:07:17,916 NO. 151 00:07:17,917 --> 00:07:20,082 I'VE NEVER OWNED A USED CAR. 152 00:07:20,083 --> 00:07:21,958 I DON'T SEE MYSELF STARTING NOW. 153 00:07:21,959 --> 00:07:24,209 MY FIRST CAR WAS AN 1898 SYSTEME PANHARD. 154 00:07:25,166 --> 00:07:27,084 IT'S ACTUALLY A LITTLE MORE BUGGY THAN CAR, 155 00:07:28,167 --> 00:07:29,707 BUT IT HAD BEAUTIFUL LINES. 156 00:07:29,708 --> 00:07:31,428 IT WAS ACTUALLY A LITTLE JARRING ON MY NUTS. 157 00:07:32,250 --> 00:07:34,457 USED CARS ARE FOR... 158 00:07:34,458 --> 00:07:36,291 WELL, THEY'RE FOR OTHER KINDS OF PEOPLE. 159 00:07:45,375 --> 00:07:48,207 IS THERE A PROBLEM THERE, PRINCESS? 160 00:07:48,208 --> 00:07:50,250 THIS IS NOT SMALL-CURD COTTAGE CHEESE. 161 00:07:51,167 --> 00:07:52,541 IT'S LARGE-CURD. 162 00:07:52,542 --> 00:07:53,707 [MASON]: AND? 163 00:07:53,708 --> 00:07:55,499 AND IT'S JUST TOO MUCH CURD. 164 00:07:55,500 --> 00:07:56,582 I CAN'T EAT IT, 165 00:07:56,583 --> 00:07:57,625 AND I WON'T. 166 00:07:58,417 --> 00:07:59,749 WHAT IS WRONG WITH YOU? 167 00:07:59,750 --> 00:08:00,958 THERE'S NOTHING WRONG WITH ME. 168 00:08:00,959 --> 00:08:02,439 I LIKE THE THINGS THE WAY I LIKE THEM, 169 00:08:02,463 --> 00:08:05,463 AND I DESPISE BIG FAT GLOBULES OF COTTAGE CHEESE. 170 00:08:06,250 --> 00:08:07,333 DOES THAT MAKE ME STRANGE? 171 00:08:08,041 --> 00:08:09,124 A LITTLE BIT. 172 00:08:09,125 --> 00:08:10,925 [GEORGE]: THIS RONNIE GUY GIVES ME THE CREEPS. 173 00:08:12,084 --> 00:08:15,083 HE LOOKED AT ME AS IF HE KNEW WHAT I WAS UP TO. 174 00:08:15,084 --> 00:08:16,707 HE GAVE ME THIS WEIRD LOOK. 175 00:08:16,708 --> 00:08:18,999 THE GUY'S A SCHIZOPHRENIC. ALL HE HAS IS WEIRD. 176 00:08:19,000 --> 00:08:20,249 [DAISY]: YOU KNOW WHAT? 177 00:08:20,250 --> 00:08:22,249 I DON'T THINK I'VE EVER BEEN IN A USED CAR. 178 00:08:22,250 --> 00:08:24,290 [RUBE]: ONE FOR YOU, AND ONE FOR YOU. 179 00:08:24,291 --> 00:08:25,791 I DON'T THINK I'VE EVER USED 180 00:08:25,792 --> 00:08:26,874 ANYTHING USED. 181 00:08:26,875 --> 00:08:28,124 MIND IF I LOOK AT THIS? 182 00:08:28,125 --> 00:08:29,582 CONGRATULATIONS. 183 00:08:29,583 --> 00:08:31,082 I HAVE SLEPT WITH MARRIED MEN. 184 00:08:31,083 --> 00:08:32,416 OH, YEAH? HOW MANY? 185 00:08:32,417 --> 00:08:34,124 CAN I GO AND WATCH 186 00:08:34,125 --> 00:08:35,525 THE WINDOW WASHER FALL TO HIS DEATH? 187 00:08:35,549 --> 00:08:36,799 [RUBE]: SURE. OH, CAN I COME? 188 00:08:38,834 --> 00:08:42,041 [PSYCHIATRIST]: RONNIE, YOU CANNOT GO OFF YOUR MEDS AGAIN. 189 00:08:43,166 --> 00:08:44,166 I'M YOUR PSYCHIATRIST. 190 00:08:44,167 --> 00:08:46,333 I HAVE RESPONSIBILITIES HERE, OKAY? 191 00:08:48,166 --> 00:08:49,959 RONNIE, ARE YOU LISTENING TO ME? 192 00:08:51,667 --> 00:08:52,791 YEAH. 193 00:08:52,792 --> 00:08:54,416 I'LL TELL YOU WHAT. 194 00:08:54,417 --> 00:08:57,165 WHY DON'T YOU LET ME BE THE ONE VOICE IN YOUR HEAD 195 00:08:57,166 --> 00:09:00,165 THAT YOU ACTUALLY LISTEN TO, ALL RIGHT? 196 00:09:00,166 --> 00:09:03,666 AND SINCE YOU'VE PROVEN TO ME THAT YOU CAN'T BE TRUSTED, 197 00:09:03,667 --> 00:09:05,187 YOU'RE GOING TO BE TESTED TWICE A WEEK. 198 00:09:08,458 --> 00:09:09,875 IT'S JUST URINE TESTS. 199 00:09:10,625 --> 00:09:12,125 [ WINDOW WASHER SCREAMING ] 200 00:09:27,291 --> 00:09:30,084 IT'S WEIRD HOW THEY ALWAYS FALL BUTTER-SIDE DOWN. 201 00:09:35,000 --> 00:09:36,082 COME ON, MAN. 202 00:09:36,083 --> 00:09:38,749 THAT'S WHAT I GET FOR COMING TO WORK WASTED. 203 00:09:38,750 --> 00:09:40,207 DO YOU MEAN DRUNK? 204 00:09:40,208 --> 00:09:41,833 I GOT A SWEET BEER-BONG 205 00:09:41,834 --> 00:09:42,958 FOR MY BIRTHDAY, MAN. 206 00:09:42,959 --> 00:09:44,999 YEAH? 207 00:09:45,000 --> 00:09:47,457 NOW, THAT I'M DEAD, CAN I STILL GET HIGH? 208 00:09:47,458 --> 00:09:48,582 WELL, HAVE YOU GOT SOME? 209 00:09:48,583 --> 00:09:50,041 YEAH. YEAH, GREAT. 210 00:10:18,917 --> 00:10:20,250 HEY. HEY. 211 00:10:21,583 --> 00:10:23,499 SORRY FOR STICKING YOU WITH THAT JOB. 212 00:10:23,500 --> 00:10:25,124 IF YOU NEED ANY HELP... 213 00:10:25,125 --> 00:10:27,125 NO, THANKS. IT'S DONE. 214 00:10:28,000 --> 00:10:29,165 REALLY? 215 00:10:29,166 --> 00:10:31,290 YEAH. 216 00:10:31,291 --> 00:10:32,708 THANKS FOR ALL YOUR GUIDANCE. 217 00:10:34,166 --> 00:10:36,375 HERE... HAVE A PEN. 218 00:10:52,417 --> 00:10:53,749 [GEORGE]: THAT'S WHEN I REALIZED 219 00:10:53,750 --> 00:10:56,458 MY FAVORITE TRAINEE WAS LAYING DOWN ON THE JOB. 220 00:11:04,959 --> 00:11:07,624 I HAD BEEN A CARING AND COMPASSIONATE MENTOR, 221 00:11:07,625 --> 00:11:09,791 AND SHE THREW IT BACK IN MY FACE. 222 00:11:09,792 --> 00:11:12,082 UM, I CHECKED THE BOXES. 223 00:11:12,083 --> 00:11:15,041 YOU CAN'T JUST STUFF THE PAPER IN LIKE THAT. 224 00:11:15,042 --> 00:11:17,916 THE JOB WAS TO REMOVE THE PERFORATED EDGES. 225 00:11:17,917 --> 00:11:19,208 HOW CAN YOU BE MAD? 226 00:11:19,209 --> 00:11:21,082 BECAUSE YOU'RE NOT DOING YOUR JOB. 227 00:11:21,083 --> 00:11:22,375 BUT YOU SAID IT WAS ALL BULLSHIT. 228 00:11:24,000 --> 00:11:26,624 SO? SO I BELIEVED YOU. 229 00:11:26,625 --> 00:11:28,225 YOU SEEM LIKE YOU KNOW WHAT YOU'RE DOING. 230 00:11:28,249 --> 00:11:29,489 [GEORGE]: I WASN'T DISAPPOINTED. 231 00:11:30,083 --> 00:11:32,916 IN FACT, I WAS KIND OF PROUD OF MYSELF. 232 00:11:32,917 --> 00:11:37,332 I HAD CONVINCED HER, LIKE ME, NOT TO CARE. 233 00:11:37,333 --> 00:11:40,208 I, GEORGE LASS, COULD BE A ROLE MODEL. 234 00:11:42,125 --> 00:11:43,666 ARE YOU REPORTING ME? 235 00:11:43,667 --> 00:11:45,166 NO, FIONA. 236 00:11:45,167 --> 00:11:46,167 I DON'T THINK I WILL. 237 00:11:51,083 --> 00:11:52,874 AND WITH THAT EPIPHANY, 238 00:11:52,875 --> 00:11:54,791 LONG-IGNORED NEURONS WENT TO WORK 239 00:11:54,792 --> 00:11:57,125 IGNITING NEW CONNECTIONS... 240 00:12:00,333 --> 00:12:02,792 AND RECONNECTING OLD ONES... 241 00:12:06,583 --> 00:12:09,290 LIKE THE MEMORY, THAT, WHEN I WAS A KID, 242 00:12:09,291 --> 00:12:12,125 THE TOOTH FAIRY NEVER CAME TO MY HOUSE. 243 00:12:13,625 --> 00:12:16,082 SURE, I LOST PLENTY OF TEETH, 244 00:12:16,083 --> 00:12:18,040 AND, SURE, I STUCK THEM UNDER MY PILLOW, 245 00:12:18,041 --> 00:12:21,917 EXPECTING A COOL REWARD LIKE CASH OR CANDY... 246 00:12:23,667 --> 00:12:27,124 BUT MY MOM THOUGHT CASH AND CANDY WERE CRASS, 247 00:12:27,125 --> 00:12:29,249 SO TOOTH AFTER TOOTH WAS, INSTEAD, 248 00:12:29,250 --> 00:12:31,791 REWARDED WITH A THOUGHTFUL NOTE, 249 00:12:31,792 --> 00:12:33,666 MEANT TO INSPIRE. 250 00:12:33,667 --> 00:12:34,875 THIS SUCKS. 251 00:12:36,834 --> 00:12:37,999 AT THE TIME, 252 00:12:38,000 --> 00:12:40,041 I THOUGHT IT WAS A TOTAL RIPOFF. 253 00:12:50,625 --> 00:12:52,582 LIKE I SAID, 254 00:12:52,583 --> 00:12:55,000 IT'S THE LITTLE THINGS YOU REGRET. 255 00:12:55,917 --> 00:12:58,374 THE NEXT TIME I LOST A TOOTH, 256 00:12:58,375 --> 00:13:00,750 IT WAS STILL UNDER MY PILLOW IN THE MORNING, 257 00:13:03,208 --> 00:13:04,833 AND THEN MY YOUNG BRAIN 258 00:13:04,834 --> 00:13:06,208 STARTED PUTTING IT ALL TOGETHER. 259 00:13:07,291 --> 00:13:09,290 NO TOOTH FAIRY. 260 00:13:09,291 --> 00:13:11,084 NO EASTER BUNNY. 261 00:13:11,792 --> 00:13:14,208 NO SANTA. 262 00:13:14,209 --> 00:13:18,000 AND I KNOW MY SISTER REGGIE MUST HAVE FELT THE SAME. 263 00:13:42,000 --> 00:13:44,250 TIME TO EMBRACE THE GLORY AND BE FREE. 264 00:13:54,209 --> 00:13:55,250 HEY. 265 00:13:55,708 --> 00:13:57,290 HEY. 266 00:13:57,291 --> 00:13:59,749 I LOVE THE PARK. 267 00:13:59,750 --> 00:14:01,110 ESPECIALLY ALL THE BEAUTIFUL THINGS 268 00:14:01,134 --> 00:14:02,425 YOU FIND IN IT. 269 00:14:03,208 --> 00:14:05,083 IN CASE I HAVEN'T BEEN CLEAR, 270 00:14:05,084 --> 00:14:08,666 I'M UNDEAD, NOT DEAD-DEAD. 271 00:14:08,667 --> 00:14:12,042 ALL THOSE BIOLOGICAL URGES STILL APPLY. 272 00:14:12,750 --> 00:14:14,542 I THINK I'VE SEEN YOU AROUND. 273 00:14:15,583 --> 00:14:16,666 I'M RONNIE. 274 00:14:16,667 --> 00:14:18,874 I'M JUST SITTING HERE, 275 00:14:18,875 --> 00:14:20,624 YOU KNOW, AS IN, 276 00:14:20,625 --> 00:14:22,874 YOU KNOW, AS IN NOT TALKING TO ANYONE. 277 00:14:22,875 --> 00:14:25,156 I THOUGHT YOU WERE SITTING HERE BECAUSE I WAS SITTING HERE. 278 00:14:25,667 --> 00:14:27,374 OKAY, ANOTHER REGRET WAS, 279 00:14:27,375 --> 00:14:29,666 I NEVER LEARNED TO FLIRT. 280 00:14:29,667 --> 00:14:33,083 I GUESS IT HAD SOMETHING TO DO WITH THE FEAR OF REJECTION. 281 00:14:33,084 --> 00:14:34,999 FORTUNATELY, FEAR'S GRIP LOOSENS 282 00:14:35,000 --> 00:14:36,707 WHEN YOU'RE ALREADY DEAD. 283 00:14:36,708 --> 00:14:37,999 I'M SORRY. THAT WAS RUDE. 284 00:14:38,000 --> 00:14:39,250 I'M GEORGE. 285 00:14:40,417 --> 00:14:41,833 WHAT DO YOU DO, GEORGE? 286 00:14:41,834 --> 00:14:43,624 OFFICE WORK. YOU? 287 00:14:43,625 --> 00:14:45,208 I TALK TO PRETTY GIRLS NAMED GEORGE. 288 00:14:45,917 --> 00:14:47,209 OH. 289 00:14:47,708 --> 00:14:48,917 THAT WAS LAME. 290 00:14:50,250 --> 00:14:51,291 YEAH. 291 00:14:52,084 --> 00:14:53,166 I'M SORRY. 292 00:14:53,167 --> 00:14:54,625 I'M TRYING TO FLIRT WITH YOU. 293 00:14:55,542 --> 00:14:57,374 IT'S NOT REALLY MY THING. 294 00:14:57,375 --> 00:14:58,666 AND WITH THAT, 295 00:14:58,667 --> 00:15:00,457 WE WEIRDLY BONDED. 296 00:15:00,458 --> 00:15:02,082 THE ONLY THING STANDING IN THE WAY 297 00:15:02,083 --> 00:15:03,707 OF EVEN MORE BONDING 298 00:15:03,708 --> 00:15:06,499 WAS THAT I MAY HAVE BEEN HIS GRIM REAPER, 299 00:15:06,500 --> 00:15:09,707 THAT I WAS AS CLOSE AS HE'S EVER BEEN TO DEATH. 300 00:15:09,708 --> 00:15:10,833 DO YOU WANT SOME POPCORN? 301 00:15:10,834 --> 00:15:12,583 NO, THAT'S OKAY. 302 00:15:14,041 --> 00:15:15,582 YOU KNOW WHAT'S CRAZY? 303 00:15:15,583 --> 00:15:16,823 DID YOU KNOW THAT THE HUMAN BODY 304 00:15:16,847 --> 00:15:19,457 HAS OVER TWO POUNDS OF LIVING BACTERIA IN IT? 305 00:15:19,458 --> 00:15:22,582 NOT HUMAN CELLS, BUT FOREIGN CELLS, OKAY? 306 00:15:22,583 --> 00:15:25,083 LIKE, LIVING CREATURES 307 00:15:25,084 --> 00:15:26,833 THAT SET UP ENTIRE COMMUNITIES 308 00:15:26,834 --> 00:15:28,082 WITHIN OUR BODIES. 309 00:15:28,083 --> 00:15:32,667 WE HOUSE THEM, WE, UH, FEED THEM, CARRY THEM AROUND. 310 00:15:33,625 --> 00:15:35,542 IT'S A PRETTY SWEET DEAL FOR GERMS. 311 00:15:37,041 --> 00:15:39,125 I'M NOT A REALLY A POPCORN PERSON. 312 00:15:40,583 --> 00:15:42,250 I HAVE TO GO DO SOMETHING NOW. 313 00:15:45,125 --> 00:15:46,125 HE'S GOING TO DIE. 314 00:15:49,041 --> 00:15:50,667 THAT GUY OVER THERE... 315 00:15:52,125 --> 00:15:53,457 DEATH'S COMING FOR HIM. 316 00:15:53,458 --> 00:15:54,875 YOU KNOW IT, TOO, DON'T YOU? 317 00:15:59,084 --> 00:16:01,874 I ADMIT HE'D CAUGHT ME OFF-GUARD, 318 00:16:01,875 --> 00:16:03,542 SO I PLAYED DUMB. 319 00:16:05,500 --> 00:16:07,208 I... I... I DON'T KNOW... 320 00:16:07,209 --> 00:16:08,083 HUH? 321 00:16:08,084 --> 00:16:09,375 REAL, REAL DUMB. 322 00:16:18,375 --> 00:16:19,458 [MAN 1]: HEADS UP. 323 00:16:23,750 --> 00:16:25,042 [MAN 2]: I GOT IT. 324 00:16:55,042 --> 00:16:57,207 YOU GOT SLOPPY. 325 00:16:57,208 --> 00:16:59,416 HE'S SEEN YOU ON THE SCENE ONE TOO MANY TIMES. 326 00:16:59,417 --> 00:17:01,165 HE KNEW THE GUY WAS GOING TO DIE. 327 00:17:01,166 --> 00:17:02,486 YOU SAID THE GUY ON THE BIKE DIED. 328 00:17:02,510 --> 00:17:04,457 WELL, HE KNEW SOMEONE WAS GOING TO DIE. 329 00:17:04,458 --> 00:17:06,082 SO YOU TALKED TO HIM? 330 00:17:06,083 --> 00:17:07,125 HE TALKED TO ME. 331 00:17:07,750 --> 00:17:09,916 I TALKED BACK. 332 00:17:09,917 --> 00:17:11,000 A YOUNG FELLA? 333 00:17:12,000 --> 00:17:13,208 YOUNG ENOUGH. 334 00:17:13,209 --> 00:17:14,209 SLOPPY. 335 00:17:15,750 --> 00:17:17,541 WHAT THE HELL WAS I SUPPOSED TO DO? 336 00:17:17,542 --> 00:17:19,791 NOT BE SLOPPY. 337 00:17:19,792 --> 00:17:21,499 I KNOW THIS IS CLICHE 338 00:17:21,500 --> 00:17:22,958 TO HATE YOUR BOSS, 339 00:17:22,959 --> 00:17:25,332 BUT YOU'RE A REAL DICKWEED. 340 00:17:25,333 --> 00:17:27,124 WHAT YOU'RE FEELING RIGHT NOW, 341 00:17:27,125 --> 00:17:29,791 THE RAGE AND FRUSTRATION ALL KNOTTED TOGETHER, 342 00:17:29,792 --> 00:17:32,666 BINDING EVERYTHING FROM YOUR HEAD TO YOUR DIGESTIVE TRACT? 343 00:17:32,667 --> 00:17:34,165 THAT'S MY LIFE WITH YOU. 344 00:17:34,166 --> 00:17:36,082 THE GUY TALKED TO ME. 345 00:17:36,083 --> 00:17:38,082 WHAT WAS I SUPPOSED TO DO? 346 00:17:38,083 --> 00:17:39,165 STEER CLEAR OF PEOPLE. 347 00:17:39,166 --> 00:17:40,541 WE'RE UNDEAD, PEANUT. 348 00:17:40,542 --> 00:17:43,124 UNDEAD ARE MEANT TO EXIST ON THE FRINGE OF THE LIVING WORLD. 349 00:17:43,125 --> 00:17:45,041 WE'RE FACILITATORS, NOT PARTICIPANTS. 350 00:17:54,083 --> 00:17:55,625 THESE ARE AWFUL. 351 00:17:58,375 --> 00:17:59,833 [GEORGE]: WHAT I DIDN'T TELL RUBE 352 00:17:59,834 --> 00:18:01,582 WAS THAT I SHOULD BE GOOD AT THIS, 353 00:18:01,583 --> 00:18:04,750 BECAUSE I'D SPENT MY WHOLE LIFE ON THE FRINGE. 354 00:18:16,166 --> 00:18:19,291 I WAS DETERMINED NOT TO WASTE ANOTHER. 355 00:18:29,625 --> 00:18:31,417 SHE'S STRANGE, CLANCY. 356 00:18:32,583 --> 00:18:35,207 SHE'S A STRANGE 11-YEAR-OLD. 357 00:18:35,208 --> 00:18:37,083 SHE'S JUST GOING THROUGH A DIFFICULT TIME. 358 00:18:38,625 --> 00:18:41,082 SHE'S BEEN GOING THROUGH A DIFFICULT TIME 359 00:18:41,083 --> 00:18:42,833 FOR 11 YEARS. 360 00:18:42,834 --> 00:18:46,208 YES, WELL, I DON'T THINK THAT CHANGING SCHOOLS IS THE ANSWER. 361 00:18:46,209 --> 00:18:48,000 IN FACT, IT'LL ONLY EXACERBATE THINGS. 362 00:18:50,125 --> 00:18:51,958 I SPOKE TO HANK. 363 00:18:51,959 --> 00:18:55,083 HE SAID WE COULD BORROW AGAINST YOUR PENSION. 364 00:18:55,084 --> 00:18:57,290 WE MOVED TO THIS NEIGHBORHOOD BECAUSE THEY HAVE A GREAT PUBLIC SCHOOL, 365 00:18:57,291 --> 00:18:59,083 AND NOW YOU WANT TO SEND REGGIE TO PRIVATE. 366 00:18:59,084 --> 00:19:01,000 IT SEEMS INCREDIBLY STUPID. 367 00:19:02,166 --> 00:19:06,166 SO LET'S JUST PRETEND THAT WE HAVE A NORMAL CHILD. 368 00:19:06,167 --> 00:19:07,332 LET'S JUST PRETEND THAT 369 00:19:07,333 --> 00:19:10,457 GOING TO A HUGE PUBLIC SCHOOL WHERE SHE'S ALREADY ANONYMOUS 370 00:19:10,458 --> 00:19:12,332 IS GOING TO CATER TO HER NEEDS, HUH? 371 00:19:12,333 --> 00:19:13,708 SHE LOST HER SISTER. 372 00:19:15,125 --> 00:19:16,791 AND SHE'S LOST. 373 00:19:16,792 --> 00:19:19,499 SHE LIVES IN HER HEAD. 374 00:19:19,500 --> 00:19:20,860 GOD KNOWS WHAT'S GOING ON IN THERE. 375 00:19:20,884 --> 00:19:21,916 SHE'S INSCRUTABLE. 376 00:19:21,917 --> 00:19:23,083 [ SIGHS ] 377 00:19:23,625 --> 00:19:25,041 WHAT? 378 00:19:25,042 --> 00:19:26,541 NOTHING. 379 00:19:26,542 --> 00:19:28,125 I'M NOT DISAGREEING. 380 00:19:31,792 --> 00:19:34,249 YEAH, WELL, I'D RATHER YOU DISAGREE. 381 00:19:34,250 --> 00:19:36,500 AT LEAST FOR ONCE YOU'D BE COMMITTING TO SOMETHING. 382 00:19:40,000 --> 00:19:41,290 LET'S TALK TO HER, 383 00:19:41,291 --> 00:19:43,207 SEE HOW SHE FEELS ABOUT CHANGING SCHOOLS. 384 00:19:43,208 --> 00:19:45,500 IT MAY NOT BE WHAT SHE WANTS TO DO. 385 00:19:46,000 --> 00:19:47,791 SHE'S 11. 386 00:19:47,792 --> 00:19:49,833 HOW ABOUT WE MAKE THE DECISIONS, HMM? 387 00:19:49,834 --> 00:19:51,582 ACT LIKE THE PARENTS. 388 00:19:51,583 --> 00:19:53,000 HEY, HONEY. 389 00:19:55,625 --> 00:19:58,457 YOUR DAD AND I WERE JUST TALKING ABOUT YOU. 390 00:19:58,458 --> 00:20:01,041 ABOUT THE POSSIBILITY OF MAYBE, YOU KNOW, 391 00:20:01,042 --> 00:20:02,125 CHANGING SCHOOLS, 392 00:20:02,834 --> 00:20:04,707 MAYBE GOING TO 393 00:20:04,708 --> 00:20:06,834 ST. THERESA'S OVER ON HILLHURST? 394 00:20:08,375 --> 00:20:10,167 I WANT TO RIDE A HORSE. 395 00:20:15,250 --> 00:20:19,249 [GEORGE]: I WAS DOING MY BEST TO STAY ON THE FRINGE. 396 00:20:19,250 --> 00:20:21,834 LOOKED LIKE SOMEONE HAD FOLLOWED ME THERE. 397 00:20:23,959 --> 00:20:25,000 WHY ARE YOU STALKING ME? 398 00:20:25,625 --> 00:20:27,041 WHY ARE YOU STALKING ME? 399 00:20:27,042 --> 00:20:29,083 I'M NOT. 400 00:20:29,084 --> 00:20:31,792 WHAT WERE YOU DOING WITH THAT WINDOW WASHER THE OTHER DAY? 401 00:20:32,959 --> 00:20:35,624 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 402 00:20:35,625 --> 00:20:38,582 YEAH, WHAT I SAY TO YOU RIGHT NOW, 403 00:20:38,583 --> 00:20:40,999 THESE ARE PROBABLY THE LAST WORDS THAT I'LL EVER SPEAK. 404 00:20:41,000 --> 00:20:44,207 I WAS PRETTY CONFIDENT IT WASN'T A PICK-UP LINE. 405 00:20:44,208 --> 00:20:46,792 YOU SAW WHAT I SAW CLIMBING ON THAT BUILDING. 406 00:20:48,083 --> 00:20:49,625 IT'S DEATH. 407 00:20:50,458 --> 00:20:52,125 IT'S BEEN FOLLOWING ME AROUND. 408 00:20:54,208 --> 00:20:55,875 IT'S COME TO COLLECT ME. 409 00:20:56,458 --> 00:20:57,999 I KNEW BETTER. 410 00:20:58,000 --> 00:21:01,040 I DIDN'T HAVE HIS POST-IT ANYMORE, 411 00:21:01,041 --> 00:21:03,457 AND I SURE DIDN'T SEE ANY FAMILIAR FACES 412 00:21:03,458 --> 00:21:06,208 LURKING IN THE SHADOWS. 413 00:21:06,209 --> 00:21:08,583 IT JUST LIKES TO KEEP AN EYE ON US. 414 00:21:10,125 --> 00:21:13,083 IT WATCHES ME ALL THE TIME, AND I'M STILL HERE. 415 00:21:14,000 --> 00:21:16,582 ♪ YEAH, I WANT TO BREATHE ♪ 416 00:21:16,583 --> 00:21:18,374 ♪ AND I'M ON MY KNEES ♪ 417 00:21:18,375 --> 00:21:20,124 ♪ 'CAUSE I NEED SOME BREATHING ROOM ♪ 418 00:21:20,125 --> 00:21:21,583 I LOVE MUSIC. 419 00:21:24,750 --> 00:21:26,542 WELL, I LIKE LISTENING TO IT... 420 00:21:27,166 --> 00:21:28,791 WORLD POP, 421 00:21:28,792 --> 00:21:29,999 AND FRENCH CLUB SCENE. 422 00:21:30,000 --> 00:21:32,166 I COULD BURN YOU A REALLY GREAT CD, IF YOU WANT. 423 00:21:33,750 --> 00:21:35,375 WELL, UH, 424 00:21:37,542 --> 00:21:39,834 HOW ABOUT YOU? WHAT DO YOU LIKE LISTENING TO? 425 00:21:41,209 --> 00:21:44,041 EXCEPT FOR THE FACT THAT HE WAS MENTALLY ILL 426 00:21:44,042 --> 00:21:46,041 AND I WAS UNDEAD, 427 00:21:46,042 --> 00:21:48,291 IT WAS STARTING TO FEEL LIKE A DATE. 428 00:21:49,208 --> 00:21:50,667 I DON'T KNOW. 429 00:21:51,083 --> 00:21:52,083 LOTS OF STUFF. 430 00:21:56,417 --> 00:21:58,041 SO, DO YOU HAVE A BOYFRIEND? 431 00:21:58,042 --> 00:22:02,332 NOT REALLY... NO. 432 00:22:02,333 --> 00:22:03,500 THAT'S SO STRANGE. 433 00:22:04,834 --> 00:22:06,999 WHY IS IT STRANGE? 434 00:22:07,000 --> 00:22:08,583 I MEAN, IT'S JUST REALLY COOL. 435 00:22:13,759 --> 00:22:14,999 I MEAN, WHEN YOU THINK ABOUT IT, 436 00:22:15,000 --> 00:22:17,666 IT'S PRETTY AMAZING... 437 00:22:17,667 --> 00:22:20,249 THE TWO OF US FINDING EACH OTHER LIKE THIS. 438 00:22:20,250 --> 00:22:23,125 HOW MANY BILLIONS OF PEOPLE ARE THERE IN THE WORLD? 439 00:22:24,583 --> 00:22:26,750 AND ONLY THE TWO OF US CAN SEE DEATH. 440 00:22:29,583 --> 00:22:30,750 WE SHARE A GIFT. 441 00:22:32,750 --> 00:22:34,333 YOU'RE NOT SEEING DEATH. 442 00:22:36,083 --> 00:22:38,541 WELL, WHATEVER IT IS, 443 00:22:38,542 --> 00:22:41,165 IT'S A LOT EASIER KNOWING THAT YOU SEE IT, TOO. 444 00:22:41,166 --> 00:22:43,166 LISTEN, I HAVE A JOB. 445 00:22:43,167 --> 00:22:45,166 I CAN'T STAY UP ALL NIGHT, SO... 446 00:22:45,167 --> 00:22:46,542 I CAN'T SLEEP, SO... 447 00:22:47,583 --> 00:22:49,249 I HAVEN'T SLEPT IN DAYS. 448 00:22:49,250 --> 00:22:51,208 I'M KIND OF SELF-UNMEDICATING. 449 00:22:51,209 --> 00:22:52,707 YOU'RE ON MEDICATION? 450 00:22:52,708 --> 00:22:53,834 WAS. 451 00:22:54,667 --> 00:22:56,209 VOICES. 452 00:22:57,208 --> 00:22:59,457 SOMETIMES I SEE THINGS THAT AREN'T REALLY THERE. 453 00:22:59,458 --> 00:23:04,208 SO, UM, DO YOU HEAR A LOT OF VOICES? 454 00:23:04,209 --> 00:23:05,874 NO, JUST ONE. 455 00:23:05,875 --> 00:23:07,707 I CALL HIM THE SHEPHERD. 456 00:23:07,708 --> 00:23:10,040 DOES HE TELL YOU WHAT TO DO? 457 00:23:10,041 --> 00:23:11,583 WELL, HE DOESN'T CONTROL ME. 458 00:23:12,667 --> 00:23:13,833 HE SPENDS MOST OF HIS TIME 459 00:23:13,834 --> 00:23:15,792 YELLING AT ME AND MAKING ME FEEL STUPID. 460 00:23:16,834 --> 00:23:18,291 HMM. MAYBE IT'S MY MOTHER. 461 00:23:22,167 --> 00:23:25,041 IF I GAVE SPEED-RACER SOAP AND A TOOTHBRUSH, 462 00:23:25,042 --> 00:23:27,042 THIS PLACE WOULD SHINE BY MORNING. 463 00:23:28,125 --> 00:23:29,125 NOTHING TOO GNARLY, 464 00:23:29,126 --> 00:23:31,165 JUST SOMETHING TO HELP ME SLEEP. 465 00:23:31,166 --> 00:23:34,166 WHAT NO ONE TELLS YOU IS INSOMNIA GOES WITH THE GIG. 466 00:23:34,167 --> 00:23:36,332 IT'S BECAUSE WE'RE FORCED TO BREATHE IN ALL THAT DEATH, 467 00:23:36,333 --> 00:23:38,000 LIKE WORKING AROUND ASBESTOS. 468 00:23:38,875 --> 00:23:40,000 OH, THERE YOU GO. 469 00:23:40,625 --> 00:23:41,749 THANK YOU. 470 00:23:41,750 --> 00:23:42,958 ONE? 471 00:23:42,959 --> 00:23:44,374 IS ONE ENOUGH? 472 00:23:44,375 --> 00:23:45,707 NO. 473 00:23:45,708 --> 00:23:47,541 YOU'VE GOT THAT UNDEAD METABOLISM, REMEMBER? 474 00:23:47,542 --> 00:23:50,417 WELL, HOW MANY WOULD A NORMAL PERSON HAVE TO TAKE? 475 00:23:54,458 --> 00:23:56,167 HAVE YOU GOT A FELLOW IN THERE? 476 00:23:57,083 --> 00:23:58,165 IT SAYS ONE. 477 00:23:58,166 --> 00:23:59,541 YOUR PERVERSIONS ARE COMING INTO 478 00:23:59,542 --> 00:24:02,417 DISTURBING FOCUS, GEORGIE, AND JUST DON'T... 479 00:24:21,333 --> 00:24:23,999 [GEORGE]: THERE'S A THIN LINE BETWEEN "CRAZY" PEOPLE 480 00:24:24,000 --> 00:24:25,040 AND THE REST OF US. 481 00:24:25,041 --> 00:24:27,083 I MEAN, WE ALL HAVE VOICES IN OUR HEADS. 482 00:24:35,208 --> 00:24:36,874 OUR PARENTS ARE IN THERE, 483 00:24:36,875 --> 00:24:39,583 OUR DOUBTS, OUR FEARS, OUR DESIRES... 484 00:24:40,291 --> 00:24:42,124 AND JUST LIKE "CRAZY" PEOPLE, 485 00:24:42,125 --> 00:24:45,291 WE ALL STRUGGLE TO KNOW WHICH VOICE TO LISTEN TO. 486 00:24:47,000 --> 00:24:49,374 MAYBE ONE TRICK TO SORTING IT ALL OUT 487 00:24:49,375 --> 00:24:52,834 IS BEING CAREFUL WHICH VOICES YOU LET IN IN THE FIRST PLACE. 488 00:24:55,167 --> 00:24:56,999 WHAT ARE YOU DOING? 489 00:24:57,000 --> 00:24:59,207 OH, UM... 490 00:24:59,208 --> 00:25:01,208 I DIDN'T FEEL YOU UP OR ANYTHING, 491 00:25:01,209 --> 00:25:02,917 I WAS JUST LOOKING. 492 00:25:04,542 --> 00:25:05,666 I SLEPT GREAT. 493 00:25:05,667 --> 00:25:07,027 WHATEVER YOU GAVE ME, IT WAS GREAT, 494 00:25:08,667 --> 00:25:10,749 BUT I'M HUNGRY. ARE YOU HUNGRY? 495 00:25:10,750 --> 00:25:12,749 WE COULD GO GET SOME BREAKFAST SOMEWHERE. 496 00:25:12,750 --> 00:25:14,207 DO YOU LIKE WAFFLES? 497 00:25:14,208 --> 00:25:16,208 I'M KIND OF OVER WAFFLES. 498 00:25:16,209 --> 00:25:17,209 I'VE GOT TO GET TO WORK. 499 00:25:18,084 --> 00:25:19,207 CAN I TAG ALONG? 500 00:25:19,208 --> 00:25:21,417 UM... IT'S WORK. 501 00:25:31,583 --> 00:25:34,166 I WAS THINKING ABOUT LOOKING AT HOTEL ROOMS TODAY... 502 00:25:34,167 --> 00:25:35,367 GOING DOWN TO THE FOUR SEASONS. 503 00:25:35,391 --> 00:25:36,916 SOMETHING IN A SUITE WOULD BE NICE. 504 00:25:36,917 --> 00:25:38,707 I THINK THAT'S A GREAT IDEA, DAISY. 505 00:25:38,708 --> 00:25:40,040 I'M SURE YOU DO, GEORGIA. 506 00:25:40,041 --> 00:25:42,124 IF YOU NEED A PLACE TO CRASH, YOU KNOW YOU CAN... 507 00:25:42,125 --> 00:25:44,207 YEAH, NOT IN THAT LIFE, NOT IN THIS ONE, NOT EVER, 508 00:25:44,208 --> 00:25:45,667 BUT THANKS. OKAY. 509 00:25:49,000 --> 00:25:50,082 HI. 510 00:25:50,083 --> 00:25:52,874 UM, HOW DID I SAY I WANTED MY EGGS? 511 00:25:52,875 --> 00:25:54,707 YEAH, I THINK I SAID SOFT-POACHED. 512 00:25:54,708 --> 00:25:56,208 THESE ARE OBVIOUSLY HARD-POACHED. 513 00:25:56,209 --> 00:25:58,490 THEY'RE NOT RUNNY AT ALL, SO I CAN'T EAT THEM, AND I WON'T. 514 00:26:00,125 --> 00:26:01,417 I THINK THEY'LL COME BACK RUNNY. 515 00:26:02,041 --> 00:26:03,582 I THINK YOU'RE RIGHT. 516 00:26:03,583 --> 00:26:05,332 BECAUSE SHE'S GOING TO SNEEZE ON THEM. 517 00:26:05,333 --> 00:26:07,124 [RUBE]: OKAY, HERE WE GO, EVERYONE, 518 00:26:07,125 --> 00:26:10,082 BECAUSE I CANNOT GET ENOUGH OF YOUR SWEET, SWEET COMPANY, 519 00:26:10,083 --> 00:26:11,963 WE'RE GOING TO HAVE A LITTLE GROUP JOB TOMORROW. 520 00:26:12,166 --> 00:26:13,249 ST. MICHAEL'S? 521 00:26:13,250 --> 00:26:14,666 RUBE: YEAH, IT'S A WEDDING. 522 00:26:14,667 --> 00:26:17,499 DOES ANY ONE ELSE FIND THIS FUCKED UP? 523 00:26:17,500 --> 00:26:19,666 ARE YOU FAMILIAR WITH CHARLIE CHAPLIN, PEANUT? 524 00:26:19,667 --> 00:26:20,749 THE SILENT MOVIE GUY? 525 00:26:20,750 --> 00:26:22,999 I ONCE BLEW CHARLIE CHAPLIN. 526 00:26:23,000 --> 00:26:24,791 CHARLIE CHAPLIN DEFINED THAT THIN LINE 527 00:26:24,792 --> 00:26:26,874 BETWEEN COMEDY AND TRAGEDY. 528 00:26:26,875 --> 00:26:28,124 SAY YOU SEE SOME POOR SLOB 529 00:26:28,125 --> 00:26:30,005 GET HIT IN THE HEAD WITH A BUCKET OF WET CEMENT, 530 00:26:30,029 --> 00:26:30,958 FALL ON HIS ASS. 531 00:26:30,959 --> 00:26:32,124 FROM 20 FEET AWAY, THAT'S FUNNY AS HELL, 532 00:26:32,125 --> 00:26:33,249 BUT YOU GET TOO CLOSE, 533 00:26:33,250 --> 00:26:35,541 YOU GET CLOSE ENOUGH TO SEE THAT PAIN, 534 00:26:35,542 --> 00:26:38,209 AND... AND IT'S NO LONGER FUNNY. 535 00:26:39,166 --> 00:26:40,249 OKAY. 536 00:26:40,250 --> 00:26:41,999 SO IT'S LIKE THAT WITH JOBS LIKE THIS. 537 00:26:42,000 --> 00:26:46,041 YOU GOT TO LEARN TO STEP BACK, LIKE THE REST OF US HAVE, 538 00:26:46,042 --> 00:26:48,083 FAR ENOUGH TO SEE THE FUNNY IN EVERYTHING. 539 00:26:49,417 --> 00:26:50,541 WELL, I'LL NEED A NEW OUTFIT. 540 00:26:50,542 --> 00:26:51,749 YOU WANT TO COME SHOPPING? 541 00:26:51,750 --> 00:26:54,249 NOT REALLY. MASON: YOU NEED TO BLEND IN. 542 00:26:54,250 --> 00:26:55,875 I HAVE TO GET DRESSED UP FOR THIS? 543 00:26:56,250 --> 00:26:57,791 YEAH. 544 00:26:57,792 --> 00:26:59,124 WE GET TO SEE WHAT YOU LOOK LIKE 545 00:26:59,125 --> 00:27:00,417 ALL GUSSIED UP. 546 00:27:03,167 --> 00:27:04,792 DO YOU KNOW THIS GUY? 547 00:27:07,125 --> 00:27:08,874 NO. 548 00:27:08,875 --> 00:27:10,333 WELL, HE DEFINITELY KNOWS ONE OF US. 549 00:27:12,375 --> 00:27:15,042 HE'S CUTE, IN A CHECK-THE-OIL KIND OF WAY. 550 00:27:15,667 --> 00:27:16,708 EXCUSE ME. 551 00:27:24,083 --> 00:27:26,499 I THINK HE'S SNIFFED OUT YOUR BOY, GEORGIE. 552 00:27:26,500 --> 00:27:28,249 HER BOY? NICE. 553 00:27:28,250 --> 00:27:30,083 YEAH, GEORGIE GIRL HAS HAD HIM 554 00:27:30,084 --> 00:27:31,667 STASHED AWAY IN HER FLAT. 555 00:27:32,375 --> 00:27:33,667 GOOD FOR YOU. 556 00:27:35,083 --> 00:27:36,583 YOU WORK WITH GEORGE? 557 00:27:38,084 --> 00:27:39,375 SHE TOLD YOU THAT? 558 00:27:41,042 --> 00:27:42,750 SHE SAID SHE WAS GOING TO WORK. 559 00:27:46,041 --> 00:27:47,281 DOES IT LOOK LIKE WE'RE WORKING? 560 00:27:52,792 --> 00:27:54,041 NO. 561 00:27:54,042 --> 00:27:55,833 NO, WE JUST COME HERE TO TALK. 562 00:27:55,834 --> 00:27:57,791 WE'RE SORT OF A GROUP, 563 00:27:57,792 --> 00:27:58,999 AND I SORT OF LEAD IT. 564 00:27:59,000 --> 00:28:00,417 YOU'RE A DOCTOR? YEAH. 565 00:28:03,125 --> 00:28:04,333 THANK YOU. 566 00:28:13,042 --> 00:28:14,834 I DARE YOU NOT TO LOVE IT. 567 00:28:18,542 --> 00:28:19,958 SO, THAT'S, LIKE, 568 00:28:19,959 --> 00:28:21,375 A GROUP SESSION OVER THERE? 569 00:28:22,166 --> 00:28:23,750 YEAH, THAT'S MY GROUP. 570 00:28:26,750 --> 00:28:28,042 HOW'S THE BEARCLAW? 571 00:28:28,792 --> 00:28:30,167 IT'S GOOD. 572 00:28:31,209 --> 00:28:32,209 I'M RUBE. 573 00:28:33,167 --> 00:28:34,792 RONNIE. 574 00:28:36,417 --> 00:28:39,791 THIS IS A LITTLE AWKWARD FOR ME, RONNIE, 575 00:28:39,792 --> 00:28:41,207 AND I'M CHOOSING MY WORDS CAREFULLY, 576 00:28:41,208 --> 00:28:42,374 AS YOU CAN IMAGINE, 577 00:28:42,375 --> 00:28:45,083 BEING GEORGE'S DOCTOR AND ALL. 578 00:28:45,084 --> 00:28:47,208 EVEN THOUGH SHE'S LIVING ON HER OWN NOW, 579 00:28:47,209 --> 00:28:48,707 AWAY FROM THE FACILITY, 580 00:28:48,708 --> 00:28:50,124 I TRY TO KEEP CLOSE TABS ON HER. 581 00:28:50,125 --> 00:28:52,645 I TRY TO GET A FEEL FOR THE QUALITY OF PEOPLE SHE HANGS OUT WITH. 582 00:28:54,042 --> 00:28:56,242 I'M JUST SAYING, WHATEVER YOU'VE GOT PLANNED, BE CAREFUL. 583 00:28:57,583 --> 00:28:59,333 SHE'S HAD A TOUGH ROW IN LIFE, 584 00:29:00,959 --> 00:29:04,166 AND, FRANKLY, SHE CAN BE A DANGER TO HERSELF 585 00:29:04,167 --> 00:29:05,167 WHEN STRESSED... 586 00:29:06,250 --> 00:29:07,500 AND OTHERS. 587 00:29:08,875 --> 00:29:10,208 YOU FOLLOW? 588 00:29:10,209 --> 00:29:11,582 I THINK SO. GOOD. 589 00:29:11,583 --> 00:29:13,208 YOU SEEM LIKE A GOOD KID. 590 00:29:13,209 --> 00:29:14,649 I'D APPRECIATE IT IF YOU'D LEAVE NOW. 591 00:29:14,673 --> 00:29:16,381 YOU'RE MAKING MY GROUP A LITTLE ANXIOUS. 592 00:29:20,166 --> 00:29:21,250 OKAY. 593 00:29:25,875 --> 00:29:27,041 SO, THROW IN AND HEAD OUT. 594 00:29:27,042 --> 00:29:28,962 GEORGE AND I NEED TO TALK. I GOT TO MAKE A SISSY. 595 00:29:32,042 --> 00:29:33,458 [ HORSE WHINNEYS ] 596 00:29:46,834 --> 00:29:48,499 WELL, SHE'S STILL ON THE HORSE, 597 00:29:48,500 --> 00:29:49,700 SO I GUESS THAT'S A GOOD THING. 598 00:29:51,166 --> 00:29:52,458 I GUESS. 599 00:30:06,291 --> 00:30:08,541 I DIDN'T JUST PICK THE GUY UP. 600 00:30:08,542 --> 00:30:10,208 HE SAID HE COULD SEE GRAVELINGS. 601 00:30:10,209 --> 00:30:11,542 YOU CAN'T GET MAD AT ME FOR THAT. 602 00:30:12,084 --> 00:30:13,084 DO I LOOK MAD? 603 00:30:13,625 --> 00:30:15,125 A LITTLE. 604 00:30:16,417 --> 00:30:17,542 THANK YOU. 605 00:30:19,000 --> 00:30:21,041 DO YOU HAVE ANY IDEA WHAT WOULD HAPPEN IF THE LIVING 606 00:30:21,042 --> 00:30:22,833 CAUGHT WIND WE WERE HERE 607 00:30:22,834 --> 00:30:24,041 AMONG THEM, BREAKING BREAD? 608 00:30:25,166 --> 00:30:26,667 IT WOULD UPEND THE WORLD. 609 00:30:28,167 --> 00:30:31,208 BELIEVE ME, YOU DO NOT WANT TO BE RESPONSIBLE 610 00:30:31,209 --> 00:30:32,666 FOR THAT KIND OF BIBLICAL PANIC. 611 00:30:32,667 --> 00:30:34,833 I DIDN'T TELL HIM ANYTHING. 612 00:30:34,834 --> 00:30:36,457 YOU DIDN'T MENTION YOU WERE A REAPER? 613 00:30:36,458 --> 00:30:38,332 NO. YOU DIDN'T TALK ABOUT GRAVELINGS? 614 00:30:38,333 --> 00:30:41,124 I SAID THAT I COULD SEE THEM, TOO, 615 00:30:41,125 --> 00:30:42,207 THAT'S ALL. 616 00:30:42,208 --> 00:30:43,290 HE THINKS THEY'RE DEATH. 617 00:30:43,291 --> 00:30:45,083 AND HE TOLD YOU HE'S SCHIZOPHRENIC? 618 00:30:45,084 --> 00:30:46,582 HE SAID HE WAS ON MEDICATION 619 00:30:46,583 --> 00:30:47,834 FOR SEEING THINGS. 620 00:30:50,333 --> 00:30:53,124 WELL, MAYBE WHAT WE REALLY HAVE 621 00:30:53,125 --> 00:30:55,916 IS A MENTALLY UNSTABLE YOUNG MAN 622 00:30:55,917 --> 00:30:57,999 WHO THINKS YOU'RE THE CAT'S MEOW. 623 00:30:58,000 --> 00:31:01,208 SO THIS IS ALL SOME PLOT ON HIS PART 624 00:31:01,209 --> 00:31:02,166 TO GET IN MY PANTS. 625 00:31:02,167 --> 00:31:03,457 PEANUT, ALL MEN ARE LIARS 626 00:31:03,458 --> 00:31:04,875 WHERE PRETTY GIRLS ARE IMPLICATED. 627 00:31:06,125 --> 00:31:08,167 YOU CAN SEE THEIR NOSES GROWING. 628 00:31:09,000 --> 00:31:10,041 TRUST ME. 629 00:31:12,291 --> 00:31:13,959 SO YOU THINK I'M PRETTY. 630 00:31:15,291 --> 00:31:17,000 DO YOU LIKE CONVERTIBLES? 631 00:31:18,959 --> 00:31:20,041 YEAH, I GUESS. 632 00:31:21,167 --> 00:31:22,999 I ONCE GAVE ERROL FLYNN A HAND JOB 633 00:31:23,000 --> 00:31:24,458 IN A CONVERTIBLE. 634 00:31:25,917 --> 00:31:27,291 THAT'S A NICE STORY. 635 00:31:29,208 --> 00:31:30,959 SO TELL ME ABOUT THIS GUY. 636 00:31:32,458 --> 00:31:33,624 WHAT'S THERE TO TELL? 637 00:31:33,625 --> 00:31:35,958 HE'S CRAZY AND HE SEES GRAVELINGS. 638 00:31:35,959 --> 00:31:37,124 THAT'S A FIRST. 639 00:31:37,125 --> 00:31:39,166 RUBE SAYS IT'S NOT POSSIBLE. 640 00:31:39,167 --> 00:31:40,791 WELL, THAT'S RUBE. 641 00:31:40,792 --> 00:31:41,874 WHAT DO YOU MEAN? 642 00:31:41,875 --> 00:31:43,195 RUBE'S TOO SMART FOR HIS OWN GOOD. 643 00:31:43,196 --> 00:31:44,476 IF HE CAN'T WRAP HIS BRAIN AROUND 644 00:31:44,500 --> 00:31:45,833 SOMETHING WEIRD OR UNEXPLAINED, 645 00:31:45,834 --> 00:31:47,583 IT DOESN'T EXIST. IT'S SAD, REALLY. 646 00:31:48,417 --> 00:31:49,458 SO DO YOU LIKE HIM? 647 00:31:51,708 --> 00:31:53,209 DID I MENTION HE'S CRAZY? 648 00:31:55,125 --> 00:31:56,917 WHAT KIND OF CAR IS THAT? 649 00:31:58,500 --> 00:32:00,667 I AM A SUCKER FOR PLATINUM. 650 00:32:03,000 --> 00:32:04,000 [ TIRES SCREECHING ] 651 00:32:04,001 --> 00:32:05,041 WHAT ARE YOU DOING? 652 00:32:06,125 --> 00:32:07,417 GETTING US A RIDE. 653 00:32:12,375 --> 00:32:15,207 I LOVE YOUR CAR. 654 00:32:15,208 --> 00:32:17,291 THANKS. I LOVE YOUR BREASTS. 655 00:32:18,125 --> 00:32:19,249 DO YOU HAVE ROOM FOR TWO? 656 00:32:19,250 --> 00:32:20,457 WE'RE TRYING TO GET DOWNTOWN. 657 00:32:20,458 --> 00:32:21,874 UM... 658 00:32:21,875 --> 00:32:25,083 SURE, JUST CLEAR THIS OUT OF HERE. 659 00:32:38,041 --> 00:32:39,207 HEY, WHAT THE FUCK? 660 00:32:39,208 --> 00:32:40,333 HEY! HEY! 661 00:32:46,209 --> 00:32:48,249 I THOUGHT IT WAS REALLY SOMETHING THIS MORNING, 662 00:32:48,250 --> 00:32:49,792 SEEING YOU UP ON THAT HORSE. 663 00:32:51,708 --> 00:32:52,750 HERE. 664 00:32:55,792 --> 00:32:57,041 YOU KNOW, I USED TO RIDE 665 00:32:57,042 --> 00:32:58,374 WHEN I WAS YOUNG. 666 00:32:58,375 --> 00:33:00,416 THERE WAS A STABLE WITHIN WALKING DISTANCE 667 00:33:00,417 --> 00:33:02,125 OF GRANDMA PHYL'S HOUSE. 668 00:33:18,834 --> 00:33:20,166 I DON'T WANT THIS. 669 00:33:22,125 --> 00:33:23,999 EXCUSE ME? 670 00:33:24,000 --> 00:33:25,624 I DON'T LIKE RIDING HORSES. 671 00:33:25,625 --> 00:33:26,917 IT MAKES MY HIPS HURT. 672 00:33:27,500 --> 00:33:28,916 OH... 673 00:33:28,917 --> 00:33:30,125 I WANT THIS. 674 00:33:31,708 --> 00:33:33,084 A DRUM SET. 675 00:33:33,625 --> 00:33:34,917 YEAH. 676 00:33:38,042 --> 00:33:39,374 WELL, MY JOB IS NOT TO GIVE YOU 677 00:33:39,375 --> 00:33:41,042 YOUR EVERY DESIRE... 678 00:33:42,000 --> 00:33:44,667 ESPECIALLY WHEN YOU THROW IT BACK IN MY FACE. 679 00:33:47,000 --> 00:33:49,749 IN THE FUTURE, WHEN SOMEONE GIVES YOU A GIFT, 680 00:33:49,750 --> 00:33:51,833 YOU MIGHT WANT TO HAVE THE COMMON DECENCY 681 00:33:51,834 --> 00:33:53,457 TO SAY "THANK YOU," 682 00:33:53,458 --> 00:33:54,875 EVEN IF YOU HATE IT. 683 00:33:57,166 --> 00:33:58,417 THANK YOU. 684 00:33:59,667 --> 00:34:03,125 WHY DOES EVERYTHING ALWAYS HAVE TO BE SUCH A STRUGGLE? 685 00:34:05,208 --> 00:34:06,333 I DON'T KNOW. 686 00:34:08,375 --> 00:34:09,457 RIGHT. 687 00:34:09,458 --> 00:34:10,625 I DON'T. 688 00:34:16,084 --> 00:34:18,834 YOU KNOW, GRANDMA PHYL WAS VERY SUPPORTIVE OF MY LOVE OF HORSES. 689 00:34:21,750 --> 00:34:23,749 SHE BOUGHT ME LESSONS. 690 00:34:23,750 --> 00:34:26,250 EVEN BOUGHT ME A HANDMADE SADDLE FROM SPAIN. 691 00:34:27,375 --> 00:34:28,999 I USED TO RIDE EVERY DAY AFTER SCHOOL 692 00:34:29,000 --> 00:34:30,624 AND WEEKENDS. 693 00:34:30,625 --> 00:34:32,583 SHE WANTED ME TO BE GOOD ENOUGH TO COMPETE, 694 00:34:34,291 --> 00:34:36,290 WHICH I HATED. 695 00:34:36,291 --> 00:34:38,625 AT THE TIME, I THOUGHT SHE WAS GIVING ME WHAT I WANTED. 696 00:34:42,083 --> 00:34:44,374 I SUPPOSE YOU'LL BE ASKING FOR LESSONS. 697 00:34:44,375 --> 00:34:46,125 I FIGURED I'D JUST TEACH MYSELF. 698 00:34:49,167 --> 00:34:51,916 WELL, I'LL HAVE TO TALK TO YOUR FATHER. 699 00:34:51,917 --> 00:34:53,917 YOU KNOW HOW HE LIKES A QUIET HOUSE. 700 00:35:01,208 --> 00:35:04,708 [GEORGE]: I'M NOT A BIG FAN OF WEDDINGS, BUT A JOB IS A JOB. 701 00:35:06,042 --> 00:35:09,249 SO I SAT THERE, WATCHING THOSE 50 HAPPY PEOPLE 702 00:35:09,250 --> 00:35:11,290 GATHERED TO CELEBRATE A MARRIAGE, 703 00:35:11,291 --> 00:35:13,916 DRESSED IN THEIR SUNDAY BEST, 704 00:35:13,917 --> 00:35:16,707 ABOUT TO HEAR SOME PRIEST'S FLOWERY WORDS 705 00:35:16,708 --> 00:35:18,999 ABOUT THE JOINING TOGETHER OF TWO SOULS, 706 00:35:19,000 --> 00:35:22,874 UNITING AS ONE, BLAH, BLAH, BLAH, BLAH... 707 00:35:22,875 --> 00:35:25,624 UNTIL DEATH DO THEM PART, 708 00:35:25,625 --> 00:35:28,125 WHICH WOULD BE IN ABOUT 11 MINUTES. 709 00:35:29,458 --> 00:35:30,834 HEY. 710 00:35:33,417 --> 00:35:34,916 YOU'VE GOT TO GET OUT OF HERE. 711 00:35:34,917 --> 00:35:36,541 I NEED TO TALK TO YOU. 712 00:35:36,542 --> 00:35:37,583 NOT RIGHT NOW. 713 00:35:38,000 --> 00:35:39,625 PLEASE? 714 00:35:48,458 --> 00:35:50,042 HOW DID YOU FIND ME? 715 00:35:51,667 --> 00:35:52,999 I WAITED OUTSIDE YOUR BUILDING, 716 00:35:53,000 --> 00:35:55,958 AND THE REST WAS PRETTY EASY. 717 00:35:55,959 --> 00:35:57,707 DID I SEE YOUR DOCTOR IN THERE? 718 00:35:57,708 --> 00:35:59,083 DOC... DOCTOR? 719 00:35:59,583 --> 00:36:00,833 RUBE. 720 00:36:00,834 --> 00:36:02,165 OH, HE MIGHT BE. 721 00:36:02,166 --> 00:36:04,916 WE'VE RUN IN THE SAME CIRCLE. 722 00:36:04,917 --> 00:36:06,084 WHAT IS IT YOU HAVE TO SAY? 723 00:36:08,375 --> 00:36:09,458 I JUST WANTED TO KISS YOU. 724 00:36:10,041 --> 00:36:11,165 NO. 725 00:36:11,166 --> 00:36:12,750 NO WAY. I CAN'T. 726 00:36:15,000 --> 00:36:16,082 IT WAS MY FIRST 727 00:36:16,083 --> 00:36:18,208 POST-DEATH KISS. 728 00:36:18,209 --> 00:36:20,208 THAT ALONE MADE IT MEMORABLE. 729 00:36:22,625 --> 00:36:25,083 ACTUALLY, I CAME TO SAY GOODBYE. 730 00:36:25,084 --> 00:36:28,083 IT WAS ALSO MY FIRST POST-DEATH KISS-OFF. 731 00:36:28,084 --> 00:36:29,084 I'M ON THE RUN. 732 00:36:30,959 --> 00:36:32,332 OKAY... 733 00:36:32,333 --> 00:36:34,125 I'VE GOT FRIENDS IN BOISE. 734 00:36:35,125 --> 00:36:36,625 I CAN'T STAY IN THE CITY. 735 00:36:38,167 --> 00:36:40,458 I'LL BE TESTED. I'LL HAVE TO STAY ON MY MEDS, 736 00:36:41,208 --> 00:36:42,916 AND I WON'T DO THAT. 737 00:36:42,917 --> 00:36:44,083 MY EYES HAVE BEEN OPENED. 738 00:36:45,000 --> 00:36:46,375 I MEAN, LIKE YOU... 739 00:36:47,750 --> 00:36:48,917 I'VE SEEN DEATH. 740 00:36:50,000 --> 00:36:51,166 I CAN'T SHUT THAT OFF. 741 00:36:52,083 --> 00:36:53,500 I DON'T WANT TO. 742 00:37:09,250 --> 00:37:10,332 DID YOU, UH... 743 00:37:10,333 --> 00:37:13,208 I DON'T... I CAN'T REALLY SAY. 744 00:37:13,209 --> 00:37:14,500 HANG ON A SEC. 745 00:37:17,084 --> 00:37:19,124 EVERYBODY OUT! 746 00:37:19,125 --> 00:37:22,457 UH, EVERYBODY NEEDS TO GET OUT, OR YOU'RE ALL GOING TO DIE. 747 00:37:22,458 --> 00:37:24,708 YOU REALLY SHOULDN'T HAVE DONE THAT. 748 00:37:28,959 --> 00:37:30,039 [RONNIE]: WHOA, WHOA, WAIT. 749 00:37:31,583 --> 00:37:33,958 YOU'RE NOT WELCOME IN THIS CHURCH, EITHER OF YOU. 750 00:37:33,959 --> 00:37:35,667 PEANUT, YOU ARE REALLY TRYING MY PATIENCE. 751 00:37:36,750 --> 00:37:39,042 WELL, WE HAVE TO WARN THEM. DON'T. STOP. 752 00:37:41,041 --> 00:37:42,333 WHY WOULDN'T WE? 753 00:37:45,083 --> 00:37:46,374 YOU WANT THIS TO HAPPEN. 754 00:37:46,375 --> 00:37:48,999 TRUST ME, THIS HAS NOTHING TO DO WITH WHAT I WANT. 755 00:37:49,000 --> 00:37:50,666 BUT YOU'RE... YOU'RE DEATH. 756 00:37:50,667 --> 00:37:51,958 NO! 757 00:37:51,959 --> 00:37:53,250 THIS MAKES PERFECT SENSE. 758 00:37:54,750 --> 00:37:57,165 DEATH TAKING THE FORM OF A BEAUTIFUL GIRL, 759 00:37:57,166 --> 00:37:58,666 TRYING TO TRICK ME. 760 00:37:58,667 --> 00:38:00,416 DON'T THINK I WAS GETTING ALL MUSHY 761 00:38:00,417 --> 00:38:02,374 BECAUSE HE SAID I WAS BEAUTIFUL. 762 00:38:02,375 --> 00:38:04,083 I'M NOT ALL THAT. 763 00:38:04,084 --> 00:38:05,166 I'M JUST A COG. 764 00:38:05,167 --> 00:38:07,792 I SORT OF WORK FOR DEATH. 765 00:38:08,208 --> 00:38:09,417 RUBE? 766 00:38:10,291 --> 00:38:11,999 HE'S DEATH? NO... 767 00:38:12,000 --> 00:38:15,625 HE'S... MIDDLE MANAGEMENT. 768 00:38:17,166 --> 00:38:18,874 BUT HE KNOWS ABOUT YOU, 769 00:38:18,875 --> 00:38:21,374 WHICH MEANS UPPER MANAGEMENT KNOWS ABOUT YOU, 770 00:38:21,375 --> 00:38:22,916 AND IN THIS CASE, 771 00:38:22,917 --> 00:38:26,000 UPPER MANAGEMENT PROBABLY IS DEATH. 772 00:38:28,041 --> 00:38:29,165 OH. 773 00:38:29,166 --> 00:38:32,834 SO YOU MAY HAVE TO RUN FARTHER THAN IDAHO. 774 00:38:36,000 --> 00:38:38,250 YOU MAY NOW KISS THE BRIDE. 775 00:38:50,959 --> 00:38:54,624 [GEORGE]: I CAN'T EXACTLY TELL YOU WHY I NEEDED TO KISS HIM. 776 00:38:54,625 --> 00:38:57,542 I JUST KNEW I'D REGRET IT IF I HADN'T, 777 00:38:58,458 --> 00:38:59,958 AND THEN... 778 00:38:59,959 --> 00:39:01,375 I DID MY JOB. 779 00:39:07,333 --> 00:39:09,167 YOU SHOULD STAY AWAY FROM ME. 780 00:39:10,417 --> 00:39:12,125 [ ORGAN MUSIC PLAYING ] 781 00:39:39,333 --> 00:39:40,542 DID YOU DO IT? 782 00:39:41,750 --> 00:39:42,750 GOOD GIRL. 783 00:39:44,000 --> 00:39:45,542 YOU'RE NOT HER DOCTOR, ARE YOU? 784 00:39:46,291 --> 00:39:47,875 AND YOU'RE NOT HIS PATIENT. 785 00:39:49,167 --> 00:39:50,290 NO. 786 00:39:50,291 --> 00:39:51,625 I'M NOT A DOCTOR. 787 00:39:52,667 --> 00:39:53,792 SHE'S NOT MY PATIENT. 788 00:39:55,000 --> 00:39:57,457 I THOUGHT I SAW DEATH COMING FOR ME. 789 00:39:57,458 --> 00:39:58,875 I GUESS I WAS RIGHT, HUH? 790 00:40:01,917 --> 00:40:03,000 [ GROWLS ] 791 00:40:06,041 --> 00:40:07,250 [ SCREAMING ] 792 00:40:22,208 --> 00:40:23,290 THEY'RE NOT GOING TO BALI 793 00:40:23,291 --> 00:40:24,457 FOR THEIR HONEYMOON, ARE THEY? 794 00:40:24,458 --> 00:40:25,541 NO. 795 00:40:25,542 --> 00:40:27,062 THAT'S REALLY ONE OF THE SADDEST THINGS 796 00:40:27,086 --> 00:40:28,082 I'VE EVER HEARD. 797 00:40:28,083 --> 00:40:29,792 THEY DON'T SEEM TO MIND. 798 00:40:42,083 --> 00:40:43,582 YOU KNOW, 799 00:40:43,583 --> 00:40:45,000 I REALLY LIKED KISSING YOU. 800 00:40:51,750 --> 00:40:55,082 [GEORGE]: IN RONNIE'S HEAD, MAYBE HE THOUGHT HE COULD FLY, 801 00:40:55,083 --> 00:40:57,917 OR THAT I HAD SOME KIND OF SPECIAL GIFT. 802 00:40:59,625 --> 00:41:04,250 I GUESS HE WAS RIGHT. MAYBE I DO. 803 00:41:07,209 --> 00:41:08,624 WE ALL CREATE, IN OUR HEADS, 804 00:41:08,625 --> 00:41:11,750 WHO WE ARE AND WHO WE WANT OTHERS TO BE. 805 00:41:15,500 --> 00:41:17,833 AND HOW WE VIEW OURSELVES... 806 00:41:17,834 --> 00:41:21,000 HERO, VICTIM, LOVED, UNLOVED... 807 00:41:21,834 --> 00:41:25,000 CHANGES OVER TIME. 808 00:41:28,750 --> 00:41:30,958 THOSE LITTLE NEURONS SPARK ALONG, 809 00:41:30,959 --> 00:41:34,708 WORKING OVERTIME, CREATING WHAT WE BELIEVE... 810 00:41:39,291 --> 00:41:41,749 [ DRUMS PLAYING ] 811 00:41:41,750 --> 00:41:43,416 SO IN THAT WAY, 812 00:41:43,417 --> 00:41:46,125 THE MIND KIND OF WORKS LIKE MAGIC, 813 00:41:47,042 --> 00:41:49,542 MAKING WHAT WE DESIRE HAPPEN. 814 00:41:56,333 --> 00:41:57,457 AND IN THE END, 815 00:41:57,458 --> 00:41:59,791 MAYBE THE TRICK TO SORTING IT ALL OUT 816 00:41:59,792 --> 00:42:02,165 IS TRUSTING YOUR VOICE 817 00:42:02,166 --> 00:42:06,291 AND BEING TRUE TO YOURSELF, CHASING YOUR BLISS. 818 00:42:15,375 --> 00:42:19,332 YOU KNOW, ALL THE CLICHES-ON-PARADE CRAP, 819 00:42:19,333 --> 00:42:21,834 LIKE MARCHING TO THE BEAT OF YOUR OWN... 820 00:42:23,084 --> 00:42:24,583 WHATEVER.