1 00:00:07,875 --> 00:00:09,958 IT'S DAISY, DAISY ADAIR. 2 00:00:09,959 --> 00:00:11,666 DAISY'S ONE OF US. DAISY'S A REAPER. 3 00:00:11,667 --> 00:00:12,827 [GEORGE]: WHAT ARE YOU DOING? 4 00:00:12,851 --> 00:00:13,999 [DAISY]: GETTING US A RIDE. 5 00:00:14,000 --> 00:00:15,374 IF YOU NEED A PLACE TO CRASH, YOU KNOW YOU... 6 00:00:15,375 --> 00:00:16,874 NOT IN THAT LIFE, NOT IN THIS ONE, 7 00:00:16,875 --> 00:00:17,999 NOT EVER. BUT THANKS. 8 00:00:18,000 --> 00:00:19,124 [MASON]: OKAY. 9 00:00:19,125 --> 00:00:20,083 I'M HERE A COUPLE OF DAYS EARLY, 10 00:00:20,084 --> 00:00:21,958 SO RUBE SAID I SHOULD BUNK WITH YOU. 11 00:00:21,959 --> 00:00:23,082 YOU DIDN'T GET ME A PLACE 12 00:00:23,083 --> 00:00:24,165 WHEN I FIRST ARRIVED. 13 00:00:24,166 --> 00:00:25,999 WHY DID YOU TELL HER SHE COULD STAY WITH ME? 14 00:00:26,000 --> 00:00:27,499 I THOUGHT YOU GUYS WOULD HIT IT OFF. 15 00:00:27,500 --> 00:00:29,207 I'D LIKE TO HIT HER. 16 00:00:29,208 --> 00:00:31,124 REGGIE'S PRINCIPAL CALLED. 17 00:00:31,125 --> 00:00:33,249 SHE'S BEEN CUTTING SCHOOL. SEEMS THAT WAY. 18 00:00:33,250 --> 00:00:34,834 [CLANCY]: WHERE THE HELL IS SHE GOING? 19 00:00:36,041 --> 00:00:38,290 KEEPING A DEAD ANIMAL IN YOUR TOY BOX 20 00:00:38,291 --> 00:00:40,624 IS SOMETHING A CRAZY PERSON WOULD DO. 21 00:00:40,625 --> 00:00:42,124 I'M NOT CRAZY. 22 00:00:42,125 --> 00:00:43,445 IN WHAT WAY DOES YOUR FAMILY HONOR 23 00:00:43,469 --> 00:00:44,624 GEORGIA'S MEMORY? 24 00:00:44,625 --> 00:00:45,999 REGGIE'S BEEN STEALING TOILET SEATS 25 00:00:46,000 --> 00:00:48,041 AND BRINGING HOME DEAD ANIMALS. 26 00:00:48,042 --> 00:00:50,499 DO YOU THINK SLAPPING UP A FEW PHOTOS IS GOING TO STOP THAT? 27 00:00:50,500 --> 00:00:52,416 WHO COMPLAINED ABOUT THE EGGS? 28 00:00:52,417 --> 00:00:54,083 EGGS WERE NOT GOOD. 29 00:00:54,084 --> 00:00:56,166 SO WHO DO WE BLAME? THE HEN OR THE COOK? 30 00:00:57,500 --> 00:00:58,750 LET'S BLAME THE HEN. 31 00:01:02,417 --> 00:01:03,458 NICE GUY. 32 00:01:05,750 --> 00:01:08,250 [♪♪] 33 00:02:07,125 --> 00:02:09,791 [GEORGE]: "STOP AND SMELL THE ROSES." 34 00:02:09,792 --> 00:02:11,916 WHEN SOMEONE IS FLYING THROUGH THEIR LIFE, 35 00:02:11,917 --> 00:02:13,517 THAT'S WHAT YOU'RE SUPPOSED TO TELL THEM. 36 00:02:13,541 --> 00:02:15,541 SLOW DOWN. TAKE STOCK. 37 00:02:15,542 --> 00:02:17,124 APPRECIATE WHAT YOU HAVE. 38 00:02:17,125 --> 00:02:19,332 USE ALL YOUR SENSES. 39 00:02:19,333 --> 00:02:20,916 [BEE BUZZING] 40 00:02:20,917 --> 00:02:23,374 "STOP AND SMELL THE ROSES." 41 00:02:23,375 --> 00:02:26,874 IT'S ADVICE YOU TELL SOMEONE WHEN THEY'RE 30, I GUESS... 42 00:02:26,875 --> 00:02:29,375 NOT SOMETHING YOU'D EVER TELL AN 18-YEAR-OLD GIRL. 43 00:02:31,125 --> 00:02:32,458 I WISH SOMEONE HAD TOLD ME... 44 00:02:33,667 --> 00:02:35,042 BEFORE I DIED AND ALL. 45 00:02:39,625 --> 00:02:41,583 [SIGHS] I WOULDN'T HAVE LISTENED ANYWAY. 46 00:02:44,291 --> 00:02:45,834 [SIZZLING] 47 00:02:54,542 --> 00:02:56,083 MORNING. GOOD MORNING. 48 00:02:56,084 --> 00:02:57,166 GEORGIA. 49 00:02:57,167 --> 00:02:59,999 I DON'T MEAN TO PICK ON YOU SO EARLY IN THE DAY, 50 00:03:00,000 --> 00:03:01,624 BUT MAY I ASK YOU SOMETHING PERSONAL? 51 00:03:01,625 --> 00:03:04,084 UM, CAN I JUST GET SOME COFFEE FIRST? 52 00:03:05,042 --> 00:03:06,624 HAVE YOU BEEN USING MY EYE CREAM? 53 00:03:06,625 --> 00:03:10,166 NO, DAISY. I HAVE NOT TOUCHED YOUR STUPID EYE CREAM. 54 00:03:10,167 --> 00:03:12,124 BECAUSE I HAVE NOTICED 55 00:03:12,125 --> 00:03:14,707 EROSION OVER THE PAST FEW DAYS. 56 00:03:14,708 --> 00:03:15,999 DAISY, WHY DO YOU EVEN CARE? 57 00:03:16,000 --> 00:03:18,207 YOU STOLE IT FROM SOME DEAD WOMAN'S PURSE. 58 00:03:18,208 --> 00:03:20,499 IT'S VERY EXPENSIVE STUFF, GEORGIA. 59 00:03:20,500 --> 00:03:22,958 IT CONTAINS AN ANTIOXIDANT COMPLEX. 60 00:03:22,959 --> 00:03:24,479 WHY DON'T YOU EVER SAY ANYTHING TO HER? 61 00:03:24,503 --> 00:03:25,753 HOW COOL CAN THAT BE, 62 00:03:26,000 --> 00:03:27,833 STEALING FROM DEAD PEOPLE? 63 00:03:27,834 --> 00:03:29,207 I DON'T HAVE A PARTICULAR MORAL OBJECTION 64 00:03:29,208 --> 00:03:30,999 TO THE PRACTICE OF TAKING THE POSSESSIONS 65 00:03:31,000 --> 00:03:32,480 OF SOMEONE WHO CAN NO LONGER USE THEM. 66 00:03:32,504 --> 00:03:34,040 THEN I'M GOING TO START STEALING STUFF. 67 00:03:34,041 --> 00:03:35,416 [RUBE]: WELL, THAT'S A BAD IDEA. 68 00:03:35,417 --> 00:03:37,249 BUT YOU SAID... 69 00:03:37,250 --> 00:03:38,850 I SAID I DO NOT HAVE A PARTICULAR PROBLEM 70 00:03:38,874 --> 00:03:39,916 WITH THIS KIND OF THEFT. 71 00:03:41,750 --> 00:03:43,207 WHAT ARE YOU HAVING, DARLIN'? 72 00:03:43,208 --> 00:03:45,082 JUST COFFEE, PLEASE. 73 00:03:45,083 --> 00:03:46,416 WHAT FRESH HELL IS THIS? 74 00:03:46,417 --> 00:03:48,177 [CASEY]: CORNED BEEF HASH AND EGGS OVER EASY. 75 00:03:48,201 --> 00:03:49,707 [RUBE]: CORNED BEEF HASH? 76 00:03:49,708 --> 00:03:50,999 I SPEAK NOT ONLY FOR MYSELF, 77 00:03:51,000 --> 00:03:52,499 BUT FOR AFICIONADOS OF THE DISH. 78 00:03:52,500 --> 00:03:53,624 IT'S TO BE FRIED, 79 00:03:53,625 --> 00:03:55,666 WITH A CRISP EXTERIOR. 80 00:03:55,667 --> 00:03:57,227 WELL, THIS, MY DEAR CASEY, IS NOT CRISP. 81 00:03:57,251 --> 00:04:00,999 IT'S... I DON'T KNOW WHAT THIS IS. I'M FLUMMOXED. 82 00:04:01,000 --> 00:04:02,416 IT DOESN'T LOOK GOOD. 83 00:04:02,417 --> 00:04:04,833 I DO NOT SAY THIS LIGHTLY 84 00:04:04,834 --> 00:04:06,208 IN THIS HALLOWED PLACE, 85 00:04:07,333 --> 00:04:09,749 BUT THIS IS FUCKING INEDIBLE. 86 00:04:09,750 --> 00:04:11,416 IT COULD GIVE ME TRICHINOSIS. 87 00:04:11,417 --> 00:04:13,083 DON'T DO THIS TO ME. 88 00:04:14,250 --> 00:04:15,458 [SIZZLING] 89 00:04:19,417 --> 00:04:20,791 PLEASE BRING HIM THAT PLATE 90 00:04:20,792 --> 00:04:22,999 AND TELL HIM HOW I WANT MY HASH. 91 00:04:23,000 --> 00:04:24,875 IT'S MY PREROGATIVE, AND THIS IS MY WISH. 92 00:04:27,125 --> 00:04:29,332 LET'S NOT TARRY. I'M A HUNGRY MAN. 93 00:04:29,333 --> 00:04:31,040 JUST DUMP SOME KETCHUP ON IT. 94 00:04:31,041 --> 00:04:32,416 DO WHAT THE LITTLE GIRL SAYS. 95 00:04:32,417 --> 00:04:34,208 PUT KETCHUP ON IT. 96 00:04:34,209 --> 00:04:36,124 THE MAN IS ALREADY IN A FOUL MOOD. 97 00:04:36,125 --> 00:04:37,083 YOU'LL PISS HIM OFF, 98 00:04:37,084 --> 00:04:39,083 AND HE'S GOING TO TAKE IT OUT ON ME. 99 00:04:39,084 --> 00:04:40,844 AND THEN HE MIGHT TAKE A CRAP INTO YOUR HASH. 100 00:04:42,250 --> 00:04:43,624 YOU TIP GOOD, 101 00:04:43,625 --> 00:04:45,749 BUT YOU'RE PUSHING MY BUTTONS. 102 00:04:45,750 --> 00:04:47,124 TELLING ME NOT TO TARRY... 103 00:04:47,125 --> 00:04:48,542 YOU CAN KISS MY ASS. 104 00:04:49,959 --> 00:04:51,291 ALL RIGHT. 105 00:04:52,250 --> 00:04:54,249 THERE'S WORK TO BE DONE. 106 00:04:54,250 --> 00:04:56,582 WAIT. THIS PERSON DIES IN 45 MINUTES. 107 00:04:56,583 --> 00:04:58,125 I DON'T EVEN HAVE TIME FOR COFFEE. 108 00:04:58,959 --> 00:05:00,083 I'M COMING WITH. 109 00:05:00,084 --> 00:05:02,167 I DON'T THINK IT'S A GOOD IDEA TO EAT HERE TODAY. 110 00:05:07,000 --> 00:05:08,375 [STEAM WHISTLING] 111 00:05:16,542 --> 00:05:18,125 I THINK SHE'S ONE OF THEM. 112 00:05:26,500 --> 00:05:30,083 OH, GOD, SHE'S OLD. IT'S SO SAD. 113 00:05:30,084 --> 00:05:31,791 WOULD YOU RATHER SHE WERE YOUR AGE? 114 00:05:31,792 --> 00:05:35,833 I JUST... I DON'T KNOW. THEY LOOK SO SWEET. 115 00:05:35,834 --> 00:05:37,750 THEN DO SOMETHING SWEET FOR HER BEFORE SHE DIES. 116 00:05:47,042 --> 00:05:49,958 EXCUSE ME, IS ONE OF YOU LADIES MRS. TODD? 117 00:05:49,959 --> 00:05:51,332 OH, I'M MRS. TODD. 118 00:05:51,333 --> 00:05:53,666 QUINN, MAYBE YOU WON SOMETHING. 119 00:05:53,667 --> 00:05:56,042 MRS. TODD, THAT GENTLEMAN OVER THERE 120 00:05:56,834 --> 00:05:59,082 ON THE RIGHT WANTED ME TO TELL YOU 121 00:05:59,083 --> 00:06:01,999 THAT YOU LOOK VERY... AND THIS IS A QUOTE... 122 00:06:02,000 --> 00:06:03,000 "BEAUTIFUL" TODAY. 123 00:06:03,001 --> 00:06:04,207 [LAUGHING] 124 00:06:04,208 --> 00:06:05,290 OH... 125 00:06:05,291 --> 00:06:07,167 QUINN'S GOT AN ADMIRER. 126 00:06:08,500 --> 00:06:10,332 NICELY HANDLED, GEORGIA. 127 00:06:10,333 --> 00:06:12,666 YOU'RE GROWING UP TO BE A REALLY FINE GRIM REAPER. 128 00:06:12,667 --> 00:06:14,457 [OLD WOMAN]: HIS NAME IS HENRY LAMBERT. 129 00:06:14,458 --> 00:06:16,375 HE MADE A LOT OF MONEY IN REAL ESTATE. 130 00:06:17,333 --> 00:06:18,500 OH... 131 00:06:20,041 --> 00:06:21,582 I'D FUCK HIM. 132 00:06:21,583 --> 00:06:23,209 [LAUGHTER] 133 00:06:24,041 --> 00:06:26,166 SO HOW WAS YOUR CORNED BEEF HASH? 134 00:06:26,167 --> 00:06:27,958 EXCELLENT. PREPARED TO YOUR LIKING? 135 00:06:27,959 --> 00:06:31,249 WITHOUT QUESTION... THE SECOND TIME AROUND. 136 00:06:31,250 --> 00:06:33,130 YOU KNOW, I DON'T MAKE A LOT OF MONEY HERE, PAL. 137 00:06:33,154 --> 00:06:34,487 I'M AWARE OF THAT. 138 00:06:35,125 --> 00:06:36,165 YOU ALL RIGHT TODAY? 139 00:06:36,166 --> 00:06:37,526 YOU DON'T SEEM QUITE LIKE YOURSELF. 140 00:06:37,527 --> 00:06:39,487 YOU MEAN MY FOOD DOESN'T SEEM QUITE LIKE ME TODAY. 141 00:06:39,511 --> 00:06:41,166 SAY WHAT'S ON YOUR MIND. 142 00:06:41,167 --> 00:06:42,542 YOU WERE NOT AT YOUR BEST. 143 00:06:43,333 --> 00:06:44,917 YOUR FOOD WAS NOT GOOD TODAY. 144 00:06:47,959 --> 00:06:49,125 WHAT'S YOUR NAME, MY FRIEND? 145 00:06:52,250 --> 00:06:53,624 MY NAME IS ANGUS COOK. 146 00:06:53,625 --> 00:06:55,833 ANGUS COOK. YOU'RE A COOK, AND YOUR NAME IS ANGUS COOK? 147 00:06:55,834 --> 00:06:56,994 IS THERE A FUCKING ECHO HERE? 148 00:06:56,995 --> 00:06:58,368 WHERE ARE YOUR PEOPLE FROM, ANGUS? 149 00:06:58,369 --> 00:07:00,000 SCOTLAND? YEAH. 150 00:07:00,458 --> 00:07:01,791 EDINBURGH? 151 00:07:01,792 --> 00:07:03,290 YEAH, BOTH PARENTS. 152 00:07:03,291 --> 00:07:04,750 [SCOTTISH ACCENT] LOVELY CITY. 153 00:07:05,792 --> 00:07:07,290 ANGUS COOK, YOU LOOK LIKE A MAN 154 00:07:07,291 --> 00:07:08,874 WITH THE WEIGHT OF SOME TERRIBLE PROBLEM 155 00:07:08,875 --> 00:07:10,499 ON YOUR MIND. 156 00:07:10,500 --> 00:07:12,333 I WISH YOU COULD UNBURDEN YOURSELF. 157 00:07:13,625 --> 00:07:15,707 I'M SENSING SOME KIND OF 158 00:07:15,708 --> 00:07:17,583 A FINANCIAL DIFFICULTY. 159 00:07:20,417 --> 00:07:21,834 YEAH. 160 00:07:22,959 --> 00:07:24,791 I LOST EVERYTHING I OWN, EVERYTHING. 161 00:07:24,792 --> 00:07:26,124 GODDAMN PYRAMID SCHEME. 162 00:07:26,125 --> 00:07:28,124 VITAMINS? HAIR PRODUCTS. 163 00:07:28,125 --> 00:07:30,000 SORRY YOU HAD TO GO THROUGH THAT. 164 00:07:31,000 --> 00:07:32,374 PUT ME DOWN FOR A CASE. 165 00:07:32,375 --> 00:07:33,582 TRY TO CLEAR YOUR HEAD 166 00:07:33,583 --> 00:07:35,208 WHEN YOU COOK THE HASH TOMORROW. 167 00:07:38,125 --> 00:07:39,208 BYE-BYE. 168 00:07:44,750 --> 00:07:45,999 HOW OLD DO YOU THINK SHE IS? 169 00:07:46,000 --> 00:07:47,290 I'M THINKING 70. 170 00:07:47,291 --> 00:07:49,457 I DON'T KNOW. I'M NOT GOOD AT THAT. 171 00:07:49,458 --> 00:07:51,018 IT'S NOT A QUESTION OF BEING GOOD AT IT. 172 00:07:51,042 --> 00:07:51,916 IT'S JUST A GAME. 173 00:07:51,917 --> 00:07:53,457 YOU GUESS SOMEONE'S AGE. 174 00:07:53,458 --> 00:07:55,874 HOW OLD ARE YOU, LIKE, 35? 175 00:07:55,875 --> 00:07:58,124 YEAH, YOU'RE NOT GOOD AT IT. 176 00:07:58,125 --> 00:08:00,083 I CAN'T TELL WHETHER SHE'S HAD WORK DONE 177 00:08:00,084 --> 00:08:03,083 OR WHETHER SHE'S JUST MOISTURIZED EARLY AND OFTEN. 178 00:08:04,000 --> 00:08:05,707 YEAH, THAT'S A TOUGHIE. 179 00:08:05,708 --> 00:08:07,166 WHAT KIND OF MOISTURIZER DO YOU USE? 180 00:08:07,167 --> 00:08:08,416 I DON'T. 181 00:08:08,417 --> 00:08:10,792 GEORGIA. SWEETHEART. 182 00:08:12,042 --> 00:08:13,166 JUST BECAUSE YOU'RE DEAD 183 00:08:13,167 --> 00:08:14,834 DOESN'T MEAN YOU HAVE TO GIVE UP. 184 00:08:17,333 --> 00:08:19,792 YOUR T-ZONE IS SO DRY. 185 00:08:20,250 --> 00:08:21,707 MY WHAT? 186 00:08:21,708 --> 00:08:23,667 YOUR T-ZONE, SILLY. 187 00:08:26,167 --> 00:08:27,999 I HAVE TO GO DO THIS. 188 00:08:28,000 --> 00:08:29,084 OKAY. 189 00:08:29,625 --> 00:08:30,749 BE SWEET ABOUT IT. 190 00:08:30,750 --> 00:08:32,875 YOU MAY BE THE LAST FACE SHE SEES. 191 00:08:36,959 --> 00:08:39,124 WHAT A BEAUTIFUL DOG. 192 00:08:39,125 --> 00:08:40,416 THANK YOU. 193 00:08:40,417 --> 00:08:41,582 SAY THANK YOU, J.D. 194 00:08:41,583 --> 00:08:44,208 YEAH, WHAT A SWEETIE. 195 00:08:44,209 --> 00:08:45,250 HE LIKES YOU. 196 00:08:46,250 --> 00:08:48,332 HE ALWAYS LIKES LITTLE GIRLS. 197 00:08:48,333 --> 00:08:49,874 WHAT KIND OF DOG IS HE? 198 00:08:49,875 --> 00:08:51,457 GOLDEN RETRIEVER. 199 00:08:51,458 --> 00:08:54,416 THEY'RE EXTRAORDINARY COMPANIONS. 200 00:08:54,417 --> 00:08:56,457 I KNOW I MAY SOUND LIKE ONE OF THOSE CRAZIES, 201 00:08:56,458 --> 00:08:59,125 BUT I DON'T KNOW WHAT I'D DO WITHOUT J.D. 202 00:08:59,625 --> 00:09:01,084 I REALLY LOVE HIM. 203 00:09:02,417 --> 00:09:05,166 AND I'M SURE HE REALLY LOVES YOU, TOO. 204 00:09:15,834 --> 00:09:17,124 [BARKING] 205 00:09:17,125 --> 00:09:18,125 J.D.! 206 00:09:19,625 --> 00:09:22,208 J.D., COME! J.D., COME. 207 00:09:22,209 --> 00:09:23,209 [TIRES SQUEALING] 208 00:09:24,250 --> 00:09:25,417 J.D.! 209 00:09:27,708 --> 00:09:29,458 [SCREAMING] [BRAKES SCREECHING] 210 00:09:33,875 --> 00:09:35,166 [SIREN WAILING] 211 00:09:36,167 --> 00:09:37,750 [INDISTINCT RADIO CHATTER] 212 00:09:44,042 --> 00:09:46,207 [GEORGE]: THIS ONE SHOULDN'T HAVE BEEN SO HARD FOR ME. 213 00:09:46,208 --> 00:09:47,833 I MEAN, SHE WAS OLD. 214 00:09:47,834 --> 00:09:52,082 SHE WASN'T LIKE ME... SHE HAD LIVED HER LIFE... 215 00:09:52,083 --> 00:09:56,916 BUT SOMEHOW, I FELT GUILTY, AND I WASN'T SURE WHY. 216 00:09:56,917 --> 00:09:58,375 MAYBE IT WAS THE STUPID DOG. 217 00:09:59,208 --> 00:10:00,874 IT WAS DEFINITELY THE DOG. 218 00:10:00,875 --> 00:10:02,040 [QUINN]: WHAT ABOUT J.D.? 219 00:10:02,041 --> 00:10:03,999 WHO'S GOING TO TAKE CARE OF J.D.? 220 00:10:04,000 --> 00:10:05,499 UM... 221 00:10:05,500 --> 00:10:06,583 I DON'T KNOW. 222 00:10:08,708 --> 00:10:11,749 I'M NOT GOOD AT THE PET THING. 223 00:10:11,750 --> 00:10:13,167 HE LIKES LITTLE GIRLS. 224 00:10:14,208 --> 00:10:17,041 [WHINING] WELL, DON'T YOU HAVE ANY KIDS 225 00:10:17,042 --> 00:10:19,624 OR GRANDCHILDREN OR SOMETHING? 226 00:10:19,625 --> 00:10:21,417 THEY'RE THOUSANDS OF MILES AWAY. 227 00:10:24,834 --> 00:10:26,249 DOES HE BARK? 228 00:10:26,250 --> 00:10:29,041 [LAUGHING] HE'S A DOG. 229 00:10:29,042 --> 00:10:31,082 [GEORGE]: I SHOULD HAVE RESPONDED THE SAME WAY I DID 230 00:10:31,106 --> 00:10:32,249 EVERY TIME SOMEONE TRIED 231 00:10:32,250 --> 00:10:34,332 TO HAND ME SOME STUPID RESPONSIBILITY 232 00:10:34,333 --> 00:10:36,207 WHEN I WAS ALIVE. 233 00:10:36,208 --> 00:10:39,207 I SHOULD'VE SAID, "THANKS, BUT I'D PREFER NOT TO," 234 00:10:39,208 --> 00:10:41,417 POLITE, FIRM, HARD TO ARGUE WITH. 235 00:10:46,209 --> 00:10:47,500 I'LL TAKE HIM... 236 00:10:49,042 --> 00:10:50,042 [BARKING] 237 00:10:56,959 --> 00:10:59,291 AND THEN IT WAS JUST THE TWO OF US. 238 00:11:01,959 --> 00:11:03,874 I WANTED TO TELL J.D. 239 00:11:03,875 --> 00:11:06,124 THAT HE'D BE BETTER OFF WITHOUT ME, 240 00:11:06,125 --> 00:11:10,249 AND EVEN THOUGH THAT SOUNDED LIKE SOME SAPPY BREAK-UP LINE, 241 00:11:10,250 --> 00:11:12,040 IT REALLY WAS THE TRUTH. 242 00:11:12,041 --> 00:11:13,499 THE FACT IS, 243 00:11:13,500 --> 00:11:17,083 I HAD A RATHER SORDID PAST WHEN IT CAME TO ANIMALS. 244 00:11:17,084 --> 00:11:18,290 THAT PROBABLY SOUNDS 245 00:11:18,291 --> 00:11:20,958 LIKE I USED TO MOLEST THEM OR LIGHT THEM ON FIRE, 246 00:11:20,959 --> 00:11:22,791 BUT IT WAS NOTHING LIKE THAT. 247 00:11:22,792 --> 00:11:25,833 I ACTUALLY LOVED EVERY PET I EVER HAD. 248 00:11:25,834 --> 00:11:29,166 FIRST, THERE WAS MY MOUSE, SPEEDY GONZALES. 249 00:11:29,167 --> 00:11:30,666 I FED HIM A JALAPENO 250 00:11:30,667 --> 00:11:33,625 BECAUSE IT SEEMED ONLY NATURAL THAT HE WOULD LIKE THEM. 251 00:11:38,000 --> 00:11:39,000 MOM! 252 00:11:39,001 --> 00:11:40,958 HE DIDN'T. 253 00:11:40,959 --> 00:11:43,332 AFTER SPEEDY GONZALES PASSED AWAY, 254 00:11:43,333 --> 00:11:45,208 I WAS ON THE REBOUND, HARD. 255 00:11:45,209 --> 00:11:46,499 THERE WAS A VOID, 256 00:11:46,500 --> 00:11:47,582 AND I TOLD MY MOM 257 00:11:47,583 --> 00:11:49,374 THAT ONLY A NEW PUPPY COULD FILL IT. 258 00:11:49,375 --> 00:11:51,125 HAPPY EASTER, SWEETHEART. 259 00:11:53,834 --> 00:11:54,999 [CHIRPING] 260 00:11:55,000 --> 00:11:56,582 THIS ISN'T A DOG. 261 00:11:56,583 --> 00:11:58,999 A DOG IS A LOT OF RESPONSIBILITY, HONEY. 262 00:11:59,000 --> 00:12:01,499 YOU DON'T THINK I CAN TAKE CARE OF A DOG? 263 00:12:01,500 --> 00:12:02,791 NOT TRUE. 264 00:12:02,792 --> 00:12:04,999 JUST... THIS LITTLE EASTER CHICK NEEDS A MOM, 265 00:12:05,000 --> 00:12:07,333 AND I THINK YOU'RE THE BEST GIRL FOR THE JOB. 266 00:12:10,500 --> 00:12:12,625 [GEORGE]: I NAMED MY CHICK TWEETY. 267 00:12:13,625 --> 00:12:14,791 PROBLEM WAS, 268 00:12:14,792 --> 00:12:18,499 OUR CAT, SYLVESTER, ATE TWEETY... 269 00:12:18,500 --> 00:12:19,625 [YOWLING] 270 00:12:20,125 --> 00:12:21,625 [CHOKING] 271 00:12:23,084 --> 00:12:25,332 AND PROMPTLY CHOKED TO DEATH. 272 00:12:25,333 --> 00:12:26,624 IT WAS A GRISLY SCENE, 273 00:12:26,625 --> 00:12:28,332 POSSIBLY A MURDER-SUICIDE PACT. 274 00:12:28,333 --> 00:12:30,999 I DON'T KNOW WHAT THE FUCK HAPPENED. 275 00:12:31,000 --> 00:12:32,999 I NEVER REALLY MADE PEACE WITH IT. 276 00:12:33,000 --> 00:12:34,999 IT WENT ON AND ON LIKE THAT. 277 00:12:35,000 --> 00:12:38,125 THE MORE I LOVED MY PETS, THE QUICKER I KILLED THEM... 278 00:12:39,375 --> 00:12:42,040 WHICH IS WHY IT WASN'T FOR PURELY SELFISH REASONS 279 00:12:42,041 --> 00:12:44,208 THAT I WANTED TO LOSE J.D. 280 00:12:44,209 --> 00:12:46,124 HIS DEMISE WOULD BE SURE AND SWIFT, 281 00:12:46,125 --> 00:12:49,499 AND I KNEW SOMEHOW I'D BE THE CAUSE OF IT, 282 00:12:49,500 --> 00:12:52,374 AND FRANKLY, I HAD ENOUGH GUILT AND REGRET 283 00:12:52,375 --> 00:12:54,916 WITHOUT ADDING THE DEATH OF THIS BEAUTIFUL DOG 284 00:12:54,917 --> 00:12:56,208 TO THE MIX. 285 00:12:56,209 --> 00:12:58,583 COME ON, J.D., LET'S GO HOME. 286 00:13:19,291 --> 00:13:22,208 WHAT THE FUCK IS WRONG WITH YOU? 287 00:13:22,209 --> 00:13:23,209 [THUDDING] 288 00:13:33,792 --> 00:13:35,040 DAISY, 289 00:13:35,041 --> 00:13:36,624 I'VE BEEN, UM, THINKING 290 00:13:36,625 --> 00:13:38,207 ABOUT EARNING SOME EXTRA CASH 291 00:13:38,208 --> 00:13:40,290 BY DOING ALL THIS ACTING STUFF. 292 00:13:40,291 --> 00:13:41,999 REALLY? YEAH. 293 00:13:42,000 --> 00:13:43,000 MY GOD... IN FACT, 294 00:13:43,001 --> 00:13:45,124 YOU COULD GIVE ME A FEW POINTERS. 295 00:13:45,125 --> 00:13:47,457 YOU KNOW, LIKE, YOU COULD COME OVER TO MY HOUSE, 296 00:13:47,458 --> 00:13:49,207 WE COULD READ SOME SCENES TOGETHER AT NIGHT, 297 00:13:49,208 --> 00:13:50,624 YOU KNOW, THAT KIND OF STUFF. 298 00:13:50,625 --> 00:13:52,541 YEAH, I DON'T SEE THAT HAPPENING. 299 00:13:52,542 --> 00:13:54,332 DAISY, DAISY, THIS IS NOT SOME CHEAP MOVE 300 00:13:54,333 --> 00:13:55,666 I'M TRYING TO MAKE HERE. 301 00:13:55,667 --> 00:13:57,416 IN FACT, I HAD MY FIRST AUDITION YESTERDAY. 302 00:13:57,417 --> 00:13:58,707 OOH, WHAT WAS IT FOR? 303 00:13:58,708 --> 00:14:00,958 IT WAS FOR SOME BEER ADVERTISEMENT. 304 00:14:00,959 --> 00:14:02,916 THE NOTICE SAID 305 00:14:02,917 --> 00:14:04,874 YOUNG, LATE 20s, 306 00:14:04,875 --> 00:14:06,959 HIP, GOOD-LOOKING, SO COME ON...[CHUCKLES] 307 00:14:07,875 --> 00:14:08,875 HOW'D THAT GO? 308 00:14:09,500 --> 00:14:10,959 I DIDN'T GET IT. 309 00:14:11,792 --> 00:14:12,999 WELL, DON'T BE DISCOURAGED. 310 00:14:13,000 --> 00:14:14,582 I'M SURE IT WAS ALL ABOUT THE ACCENT. 311 00:14:14,583 --> 00:14:16,143 [MASON]: NO, NO, IT WAS LIKE A PRINT AD, 312 00:14:16,144 --> 00:14:17,309 SO YOU DIDN'T HAVE TO SPEAK. 313 00:14:17,310 --> 00:14:19,083 OH. THEN THE ACCENT'S NOT A PROBLEM. 314 00:14:19,084 --> 00:14:20,041 WHAT A GORGEOUS DOG. 315 00:14:20,041 --> 00:14:21,041 ISN'T SHE? 316 00:14:22,209 --> 00:14:23,457 IS HE A GOLDEN? 317 00:14:23,458 --> 00:14:25,083 YES, SHE IS. 318 00:14:25,084 --> 00:14:26,644 [MASON]: WHAT'S ITS NAME? [GEORGE]: J.D. 319 00:14:27,834 --> 00:14:29,208 J.D.'S A MALE. 320 00:14:29,209 --> 00:14:30,666 YES, SHE IS. 321 00:14:30,667 --> 00:14:33,082 WHY ARE YOU CALLING HIM A SHE IF HE'S A HE? 322 00:14:33,083 --> 00:14:35,082 BECAUSE DOGS ARE REFERRED TO 323 00:14:35,083 --> 00:14:36,749 IN THE FEMININE. 324 00:14:36,750 --> 00:14:38,630 YOU MEAN THE WAY SOME GUY WOULD TALK ABOUT A CAR? 325 00:14:38,654 --> 00:14:39,582 EXACTLY. 326 00:14:39,583 --> 00:14:41,375 AS IN "SHE'S GOT EIGHT UNDER THE HOOD?" 327 00:14:42,125 --> 00:14:43,165 SURE. 328 00:14:43,166 --> 00:14:45,457 ACTUALLY, YOU REFER TO DOGS BY THEIR SEX, 329 00:14:45,458 --> 00:14:46,792 AS IN "HERE, BOY," "DOWN, GIRL." 330 00:14:51,208 --> 00:14:52,333 IT'S NOT HER DOG. 331 00:14:54,625 --> 00:14:56,749 YEAH, I PICKED UP ON THAT. 332 00:14:56,750 --> 00:14:58,040 WHO DOES J.D. BELONG TO? 333 00:14:58,041 --> 00:15:00,749 YOU MEAN WHO DID SHE BELONG TO? 334 00:15:00,750 --> 00:15:02,291 PLEASE DON'T TELL ME THIS WAS HER DOG. 335 00:15:05,667 --> 00:15:09,458 OKAY, FOLKS, HOW MANY TIMES CAN I FUCKING SAY THIS? 336 00:15:10,625 --> 00:15:12,585 DO NOT GET EMOTIONALLY INVOLVED WITH THESE PEOPLE. 337 00:15:12,609 --> 00:15:14,166 YOU DO NOT OWE THEM ANYTHING. 338 00:15:14,167 --> 00:15:16,040 JUST DO YOUR JOB. 339 00:15:16,041 --> 00:15:17,521 HEY, GET THE DOG OUT OF MY RESTAURANT. 340 00:15:18,834 --> 00:15:20,000 IT'S OUT. I'M SORRY. 341 00:15:21,250 --> 00:15:23,417 YOU PEOPLE ARE KILLING ME. JUST DO THE JOB. 342 00:15:26,125 --> 00:15:27,245 [MASON]: WHAT IS HIS PROBLEM? 343 00:15:31,875 --> 00:15:32,917 WOW. 344 00:15:33,417 --> 00:15:34,625 [BELL DINGS] 345 00:15:47,291 --> 00:15:48,417 [BELL DINGS] 346 00:15:49,500 --> 00:15:51,041 [SIGHS] PAY THE CHECK. 347 00:15:59,625 --> 00:16:01,207 HEY. 348 00:16:01,208 --> 00:16:02,874 SO WHAT DOES "J.D." STAND FOR? 349 00:16:02,875 --> 00:16:05,166 I DON'T KNOW. I DIDN'T NAME HIM. 350 00:16:05,167 --> 00:16:06,542 MAYBE HIS OWNER WAS A BOOZER. 351 00:16:07,708 --> 00:16:11,041 MAYBE J.D. STANDS FOR JACK DANIELS. 352 00:16:11,042 --> 00:16:12,762 YOU TOOK THE WOMAN'S SOUL. WHAT DID YOU SEE? 353 00:16:14,042 --> 00:16:16,750 I DON'T THINK SHE NAMED HIM JACK DANIELS. 354 00:16:17,291 --> 00:16:18,374 WELL, HE'S YOUR DOG NOW. 355 00:16:18,375 --> 00:16:20,249 MAYBE YOU SHOULD TRY TO FIGURE IT OUT. 356 00:16:20,250 --> 00:16:21,792 I'M GOING TO TAKE A WALK. 357 00:16:22,458 --> 00:16:24,209 I'LL SEE YOU LATER, PEANUT. 358 00:16:25,750 --> 00:16:27,749 [GEORGE]: HE SAID JUST DO THE JOB, 359 00:16:27,750 --> 00:16:29,040 LIKE WE WERE HIT MEN. 360 00:16:29,041 --> 00:16:31,249 HE SAID DON'T GET EMOTIONALLY INVOLVED. 361 00:16:31,250 --> 00:16:34,124 CLEAN YOUR GUN, GO HOME, WAIT FOR THE PHONE TO RING... 362 00:16:34,125 --> 00:16:36,165 I GUESS THAT'S WHAT THOSE GUYS DID, 363 00:16:36,166 --> 00:16:38,707 BUT WHAT WE DID FOR A LIVING... 364 00:16:38,708 --> 00:16:40,207 WHAT WE DID FOR THE LIVING... 365 00:16:40,208 --> 00:16:42,874 WAS NOT AS EASY. 366 00:16:42,875 --> 00:16:43,999 DEATH HAPPENED. 367 00:16:44,000 --> 00:16:45,999 IT HAPPENED A LOT, 368 00:16:46,000 --> 00:16:48,374 AND IT HAPPENED RANDOMLY. 369 00:16:48,375 --> 00:16:49,749 CHANCES WERE YOU WERE GOING TO 370 00:16:49,750 --> 00:16:51,124 KNOW SOMEONE PERSONALLY 371 00:16:51,125 --> 00:16:52,708 WHO WAS ABOUT TO DIE. 372 00:16:55,041 --> 00:16:56,249 THE SHEER NUMBERS 373 00:16:56,250 --> 00:16:58,707 ACTUALLY KIND OF CALMED ME DOWN ABOUT J.D. 374 00:16:58,708 --> 00:17:00,624 I DECIDED THAT EVEN THOUGH THIS DOG 375 00:17:00,625 --> 00:17:02,124 WOULD DIE SOMEDAY, 376 00:17:02,125 --> 00:17:05,124 NOTHING WOULD HURT HIM WHILE HE WAS WITH ME. 377 00:17:05,125 --> 00:17:07,208 I MEAN, I WASN'T THE ONLY KID 378 00:17:07,209 --> 00:17:09,208 WHO HAD ACCIDENTALLY OFFED A PET. 379 00:17:10,000 --> 00:17:11,249 MY LITTLE SISTER 380 00:17:11,250 --> 00:17:13,291 WAS JUST AS STAR-CROSSED AS I WAS. 381 00:17:13,834 --> 00:17:15,332 REGGIE 382 00:17:15,333 --> 00:17:18,208 HAD ALREADY BLOWN THROUGH AN AQUARIUM FULL OF FISH 383 00:17:18,209 --> 00:17:20,499 AND NOW HAD MOVED ON TO MAMMALS. 384 00:17:20,500 --> 00:17:23,124 WHEREVER SILVERBERG IS NOW, 385 00:17:23,125 --> 00:17:24,667 I'M SURE HE FORGIVES YOU. 386 00:17:26,084 --> 00:17:29,541 I MEAN, HE WAS NOTHING IF NOT REASONABLE. 387 00:17:29,542 --> 00:17:31,959 HEY. WHAT'S FOR DINNER? 388 00:17:34,000 --> 00:17:35,041 OH. 389 00:17:36,042 --> 00:17:38,041 DID WE LOSE SOMEBODY? 390 00:17:38,042 --> 00:17:41,207 ACTUALLY, YES, WE HAD A LITTLE ACCIDENT HERE. 391 00:17:41,208 --> 00:17:43,833 REGGIE THOUGHT SHE WOULD TEACH THE GERBIL TO SWIM. 392 00:17:43,834 --> 00:17:46,125 OH, WHY WOULD YOU TEACH A GERBIL TO SWIM? 393 00:17:46,667 --> 00:17:47,791 BECAUSE MOM SAID 394 00:17:47,792 --> 00:17:49,791 THAT EVERYBODY NEEDS TO KNOW HOW TO SWIM. 395 00:17:49,792 --> 00:17:51,499 WELL, YES, SWEETIE, I DID SAY THAT, 396 00:17:51,500 --> 00:17:52,666 BUT THROWING HIM IN THE TOILET 397 00:17:52,667 --> 00:17:55,042 IS A RATHER TOUGH-LOVE APPROACH, DON'T YOU THINK? 398 00:17:59,291 --> 00:18:00,291 [SIGHS] 399 00:18:01,250 --> 00:18:02,999 I DIDN'T EVEN KNOW SHE HAD A GERBIL. 400 00:18:03,000 --> 00:18:05,374 [SCOFFS] THERE'S A SHOCKER. 401 00:18:05,375 --> 00:18:07,209 [GEORGE]: AND SO IT BEGAN FOR REGGIE. 402 00:18:08,000 --> 00:18:09,040 THINGS SHE CARED ABOUT 403 00:18:09,041 --> 00:18:12,167 SUDDENLY BEGAN TO DISAPPEAR FROM HER LIFE. 404 00:18:15,375 --> 00:18:16,958 HOW WAS EVERYTHING? 405 00:18:16,959 --> 00:18:18,457 IT WAS JUST FINE. 406 00:18:18,458 --> 00:18:20,917 HE'S IN A BETTER MOOD THIS AFTERNOON. 407 00:18:27,083 --> 00:18:29,083 I ENJOYED YOUR EGGS VERY MUCH. 408 00:18:29,084 --> 00:18:30,000 THANK YOU. 409 00:18:30,001 --> 00:18:31,333 YOU'RE WELCOME. 410 00:18:39,291 --> 00:18:40,708 [SIZZLING] 411 00:18:44,750 --> 00:18:45,874 [CLICKING] 412 00:18:45,875 --> 00:18:47,084 [ANGUS]: OH, SHIT. 413 00:18:52,208 --> 00:18:53,500 [GAS HISSING] 414 00:18:56,125 --> 00:18:57,250 [BELL DINGS] 415 00:19:06,250 --> 00:19:07,291 [HICCUPS] 416 00:19:29,167 --> 00:19:30,959 [CHOKING] 417 00:19:31,708 --> 00:19:32,708 [THUDS] 418 00:19:34,959 --> 00:19:36,041 OH, HI. [GASPS] 419 00:19:36,042 --> 00:19:37,124 WHAT ARE YOU DOING? 420 00:19:37,125 --> 00:19:38,416 I'M GOING INTO MY APARTMENT. 421 00:19:38,417 --> 00:19:40,208 OH, NO, I MEAN, WHAT'S THE DOG DOING? 422 00:19:40,209 --> 00:19:41,833 THE DOG'S GOING IN THE APARTMENT, TOO. 423 00:19:41,834 --> 00:19:42,916 GEORGIA, 424 00:19:42,917 --> 00:19:45,958 THIS IS A VERY SMALL SPACE YOU AND I SHARE. 425 00:19:45,959 --> 00:19:47,639 [GEORGE]: SHARE? I CAN'T BELIEVE THIS WOMAN 426 00:19:47,663 --> 00:19:49,038 EVEN KNEW THE FUCKING WORD. 427 00:19:50,500 --> 00:19:53,999 WELL, I KNOW THIS ISN'T SOMETHING YOU CARE ABOUT, 428 00:19:54,000 --> 00:19:56,208 BUT I OWN SOME VERY 429 00:19:56,209 --> 00:19:57,542 BEAUTIFUL CLOTHES. 430 00:19:58,000 --> 00:19:59,125 WHAT'S YOUR POINT? 431 00:20:00,084 --> 00:20:01,457 HE LOOKS LIKE A SHEDDER. 432 00:20:01,458 --> 00:20:04,041 [SCOFFS] THAT'S ABSOLUTELY SOMETHING I CAN LIVE WITH. 433 00:20:04,042 --> 00:20:07,083 OKAY, TRUTH IS, GEORGIA, I'M WILDLY ALLERGIC TO DOGS. 434 00:20:07,084 --> 00:20:09,208 WILDLY ALLERGIC? 435 00:20:09,209 --> 00:20:10,999 SEEMS LIKE YOU MIGHT HAVE STARTED WITH THAT. 436 00:20:11,000 --> 00:20:13,125 I DON'T REALLY LIKE TALKING ABOUT MY FLAW. 437 00:20:13,792 --> 00:20:15,042 THANKS FOR UNDERSTANDING. 438 00:20:17,750 --> 00:20:20,125 OH... YES. I'LL SEE YOU LATER. 439 00:20:22,291 --> 00:20:24,042 IF SHE'S ALLERGIC, WHY DID SHE JUST PET YOU? 440 00:20:33,167 --> 00:20:34,999 [GEORGE]: J.D. AND I WANDERED THROUGH THE PARK 441 00:20:35,000 --> 00:20:37,165 FOR THE BETTER PART OF AN AFTERNOON, 442 00:20:37,166 --> 00:20:39,208 THE KIND OF WANDERING THAT TAKES PLACE 443 00:20:39,209 --> 00:20:42,124 WHEN YOU DIDN'T REALLY HAVE TO BE ANYWHERE, 444 00:20:42,125 --> 00:20:43,707 BUT I THINK, IN OUR HEARTS, 445 00:20:43,708 --> 00:20:46,917 BOTH J.D. AND I KNEW WE WERE JUST KILLING TIME, 446 00:20:47,792 --> 00:20:49,542 AND WE NEEDED A HOME. 447 00:21:05,167 --> 00:21:07,290 AND IF A HOME WAS SUPPOSED TO BE A PLACE 448 00:21:07,291 --> 00:21:09,165 WHERE YOU FEEL COMFORTABLE... 449 00:21:09,166 --> 00:21:11,040 THIS WAS NOT IT. 450 00:21:11,041 --> 00:21:12,249 [PASSES WIND] 451 00:21:12,250 --> 00:21:14,625 AH, YEAH. WHOA. [WHINING] 452 00:21:19,667 --> 00:21:21,208 [GIGGLING] 453 00:21:21,209 --> 00:21:22,209 [SNORING] 454 00:21:29,166 --> 00:21:30,833 MILLIE? 455 00:21:30,834 --> 00:21:32,708 MILLIE! I'M WORKING. 456 00:21:33,625 --> 00:21:34,750 OH... 457 00:21:36,125 --> 00:21:39,124 THIS IS SO NOT COOL. 458 00:21:39,125 --> 00:21:41,625 NEITHER IS CATCHING Zs ON THE J-O-B. 459 00:21:44,125 --> 00:21:46,125 IS THERE SOMETHING I NEED TO KNOW, MILLIE? 460 00:21:46,834 --> 00:21:48,040 NO. I'M GOOD. 461 00:21:48,041 --> 00:21:50,416 I'M JUST A LITTLE TIRED. 462 00:21:50,417 --> 00:21:52,207 A TIRED WORKER IS A POOR WORKER. 463 00:21:52,208 --> 00:21:54,916 A POOR WORKER IS OFTEN AN OUT-OF-WORK WORKER. 464 00:21:54,917 --> 00:21:56,249 WHAT'S GOING ON, MILLIE? 465 00:21:56,250 --> 00:21:57,958 I HAVE THIS DOG NOW. 466 00:21:57,959 --> 00:21:59,624 MY ROOMMATE SAYS SHE'S ALLERGIC. 467 00:21:59,625 --> 00:22:01,207 I'M STAYING WITH THIS GUY I KNOW, 468 00:22:01,208 --> 00:22:02,792 BUT HE'S KIND OF... 469 00:22:03,125 --> 00:22:04,208 SKEEVY? 470 00:22:05,166 --> 00:22:06,374 ENGLISH. 471 00:22:06,375 --> 00:22:07,375 EW. 472 00:22:09,125 --> 00:22:10,416 WHAT KIND OF DOGGIE? 473 00:22:10,417 --> 00:22:12,208 GOLDEN RETRIEVER. 474 00:22:12,209 --> 00:22:14,499 LOVELY COMPANIONS. 475 00:22:14,500 --> 00:22:16,582 WHY DON'T THE TWO OF YOU STAY WITH ME FOR A WHILE, 476 00:22:16,583 --> 00:22:18,208 WHILE YOU FIGURE THINGS OUT? 477 00:22:18,209 --> 00:22:21,207 OH, THAT'S VERY GENEROUS OF YOU, DELORES, 478 00:22:21,208 --> 00:22:22,958 BUT I'LL BE FINE. 479 00:22:22,959 --> 00:22:24,249 REALLY, I'LL TAKE CARE OF THINGS. 480 00:22:24,250 --> 00:22:25,708 I'M SURE YOU WILL. 481 00:22:27,667 --> 00:22:29,333 YOU HAVE A POST-IT ON YOUR FOREHEAD. 482 00:22:36,917 --> 00:22:38,583 SO HE CHOKED TO DEATH? 483 00:22:39,834 --> 00:22:41,208 I'VE NEVER HAD A CHOKER. 484 00:22:41,209 --> 00:22:42,500 I CAN'T IMAGINE IT'S VERY PRETTY. 485 00:22:43,625 --> 00:22:45,165 IT ISN'T. 486 00:22:45,166 --> 00:22:47,791 I COULDN'T EVEN LOOK THIS TIME. I TOOK OFF. 487 00:22:47,792 --> 00:22:49,041 I FEEL TERRIBLE. 488 00:22:49,042 --> 00:22:50,624 JUST TERRIBLE, 489 00:22:50,625 --> 00:22:52,457 LIKE I WAS SHOT THROUGH THE HEART. 490 00:22:52,458 --> 00:22:54,917 I WAS IN HERE. I DIDN'T EVEN SEE HIM GO DOWN. 491 00:22:55,500 --> 00:22:57,124 YEAH. 492 00:22:57,125 --> 00:22:58,165 POOR GUY. 493 00:22:58,166 --> 00:22:59,958 CHOKED ON A HAM SANDWICH. 494 00:22:59,959 --> 00:23:01,082 JUST LIKE MAMA CASS. 495 00:23:01,083 --> 00:23:03,332 JUST LIKE MAMA CASS. 496 00:23:03,333 --> 00:23:05,499 I SURE WISH I'D HEARD HIM CHOKING OR SPUTTERING 497 00:23:05,500 --> 00:23:07,416 OR COUGHING OR SOMETHING. 498 00:23:07,417 --> 00:23:08,457 WHY? YOU KNOW THE HEIMLICH? 499 00:23:09,084 --> 00:23:10,791 NO, UH-UH. 500 00:23:10,792 --> 00:23:13,666 I GOT ROBERTO IN THERE COOKIN'. 501 00:23:13,667 --> 00:23:15,165 BOY CAN'T EVEN FRY AN EGG. 502 00:23:15,166 --> 00:23:16,290 THE BUSBOY? 503 00:23:16,291 --> 00:23:18,499 WELL, WHAT ELSE AM I SUPPOSED TO DO? 504 00:23:18,500 --> 00:23:20,875 IT'S NOT LIKE ANGUS GAVE ME TWO WEEKS' NOTICE. 505 00:23:22,417 --> 00:23:24,000 YOU KNOW, CASEY, I KNOW HOW TO COOK. 506 00:23:24,792 --> 00:23:26,166 I KNOW HOW TO COOK VERY WELL. 507 00:23:26,167 --> 00:23:27,541 IN A DINER? 508 00:23:27,542 --> 00:23:29,499 "BURN ONE ON THE HOOF, HOLD THE BREATH." 509 00:23:29,500 --> 00:23:30,958 I'M A GIFTED MAN. 510 00:23:30,959 --> 00:23:33,399 YOU KNOW, I'M JUST SAYING. WHILE YOU'RE LOOKING FOR SOMEBODY... 511 00:23:34,083 --> 00:23:37,707 WELL, ANYBODY'S BETTER THAN WHAT I GOT. 512 00:23:37,708 --> 00:23:39,042 I CAN'T SPEAK SPANISH. 513 00:23:40,000 --> 00:23:41,124 GO. 514 00:23:41,125 --> 00:23:43,167 VAMOOSE. YES. 515 00:23:44,000 --> 00:23:45,375 [SIZZLING] 516 00:23:48,083 --> 00:23:49,249 HOLA, ROBERTO. 517 00:23:49,250 --> 00:23:50,417 [SPEAKING SPANISH] 518 00:23:52,834 --> 00:23:54,082 IT'S ALL YOURS. 519 00:23:54,083 --> 00:23:55,958 I DON'T NEED THIS BULLSHIT. 520 00:23:55,959 --> 00:23:58,332 AND I'M A FUCKING CITIZEN, DUDE. 521 00:23:58,333 --> 00:23:59,750 SPEAK ENGLISH. 522 00:24:02,167 --> 00:24:04,332 GOT THE SAND, GOT THE SEA DUST, GOT THE MUD... 523 00:24:04,333 --> 00:24:05,666 JUST CALL IT COFFEE. 524 00:24:05,667 --> 00:24:07,582 DON'T CALL IT MUD, JAVA OR JOE. 525 00:24:07,583 --> 00:24:09,083 IT'LL ONLY CONFUSE PEOPLE. 526 00:24:09,084 --> 00:24:10,284 YOU'RE NOT SUPPOSED TO BE HERE. 527 00:24:11,000 --> 00:24:12,125 NEITHER ARE YOU. 528 00:24:15,375 --> 00:24:18,290 [GEORGE]: WORK WAS UNBEARABLE THAT DAY, 529 00:24:18,291 --> 00:24:20,124 NOT JUST BECAUSE IT WAS WORK, 530 00:24:20,125 --> 00:24:22,249 BUT BECAUSE I DIDN'T KNOW WHAT WAS GOING ON 531 00:24:22,250 --> 00:24:23,875 WITH J.D. AND MASON. 532 00:24:26,000 --> 00:24:27,124 THANKS. 533 00:24:27,125 --> 00:24:30,124 MASON SAID HE WOULD WALK HIM AND TAKE GOOD CARE OF HIM, 534 00:24:30,125 --> 00:24:32,916 BUT I WASN'T REALLY SURE WHAT THAT MEANT. 535 00:24:32,917 --> 00:24:36,208 I WONDERED WHAT HE WAS DOING WITH MY DOG. 536 00:24:36,209 --> 00:24:40,041 THEN THE GUY DOG SAYS TO THE GIRL DOG, 537 00:24:40,042 --> 00:24:42,582 "I DON'T KNOW WHAT THE HELL YOU ROLLED IN TONIGHT, 538 00:24:42,583 --> 00:24:44,083 BUT IT SURE SMELLS LOVELY." 539 00:24:44,084 --> 00:24:45,250 [ALL LAUGHING] 540 00:24:45,959 --> 00:24:47,000 WHOO! 541 00:24:48,625 --> 00:24:51,249 OKAY, SO MAYBE IT DIDN'T MAKE ANY SENSE, 542 00:24:51,250 --> 00:24:53,041 BUT I REALLY DIDN'T LIKE THE IDEA 543 00:24:53,042 --> 00:24:54,749 OF MASON USING MY DOG 544 00:24:54,750 --> 00:24:57,582 FOR SOME EVIL SCHEME TO BAG WOMEN. 545 00:24:57,583 --> 00:25:00,040 THAT'S RIGHT, MY DOG. 546 00:25:00,041 --> 00:25:02,749 I KNEW SOMETHING HAD TO BE DONE, 547 00:25:02,750 --> 00:25:04,542 SOMETHING DRASTIC. 548 00:25:05,583 --> 00:25:07,165 AH, GOOD TIMING. 549 00:25:07,166 --> 00:25:09,874 I WAS ABOUT TO SCARF THE LAST HOT POCKET. 550 00:25:09,875 --> 00:25:12,375 DON'T LET ME DO IT NO MATTER HOW MUCH I BEG. 551 00:25:13,167 --> 00:25:14,291 COME ON IN. 552 00:25:15,375 --> 00:25:17,374 THANKS FOR LETTING US STAY HERE. 553 00:25:17,375 --> 00:25:20,332 WELL, YOU'RE NOT THE FIRST STRAYS 554 00:25:20,333 --> 00:25:22,416 TO FIND SHELTER AT CHEZ DELORES. 555 00:25:22,417 --> 00:25:25,207 GOD KNOWS I'VE TAKEN IN MY FAIR SHARE 556 00:25:25,208 --> 00:25:26,499 OF DRIFTERS. 557 00:25:26,500 --> 00:25:27,833 SHAME ABOUT THE HOMELESS... 558 00:25:27,834 --> 00:25:30,040 THEY ARE DESPERATE, PASSIONATE LOVERS, 559 00:25:30,041 --> 00:25:31,834 BUT THEY WILL ROB YOU BLIND. 560 00:25:32,834 --> 00:25:34,082 I'M NOT GOING TO ROB YOU. 561 00:25:34,083 --> 00:25:37,500 I JUST DON'T EXACTLY KNOW WHERE HOME IS THESE DAYS. 562 00:25:38,208 --> 00:25:40,000 STAY AS LONG AS YOU LIKE. 563 00:25:40,959 --> 00:25:42,082 YOU KNOW WHAT THEY SAY. 564 00:25:42,083 --> 00:25:43,500 "HOME IS WHERE THE HERBIG." 565 00:25:44,917 --> 00:25:46,166 WOULD YOU LIKE A TOUR? 566 00:25:46,167 --> 00:25:47,207 SURE. 567 00:25:47,208 --> 00:25:49,541 WELL, IT'S ACTUALLY MORE OF A TWIRL. 568 00:25:49,542 --> 00:25:50,625 THIS IS IT. 569 00:25:51,792 --> 00:25:53,209 [GEORGE]: IT'S NICE. 570 00:25:53,875 --> 00:25:55,208 CLEAN. 571 00:25:55,209 --> 00:25:57,708 I LIKE TO LOOK AT EVERY INCH AS AN OPPORTUNITY. 572 00:25:59,500 --> 00:26:01,165 HEY, DELORES, WHERE'S YOUR CAT? 573 00:26:01,166 --> 00:26:02,374 MURRAY? 574 00:26:02,375 --> 00:26:04,416 HOW SWEET TO REMEMBER. 575 00:26:04,417 --> 00:26:05,749 MURRAY'S AWAY. 576 00:26:05,750 --> 00:26:07,750 DIALYSIS, THREE DAYS A WEEK. 577 00:26:09,291 --> 00:26:11,084 I'M SORRY. MM... 578 00:26:12,125 --> 00:26:14,124 THIS IS MY SNOOZE BIN. 579 00:26:14,125 --> 00:26:15,624 YOU'RE WELCOME TO BUNK WITH ME 580 00:26:15,625 --> 00:26:17,332 IF YOU DON'T MIND MY NIGHT SWEATS. 581 00:26:17,333 --> 00:26:20,582 KIDDING. THOSE ENDED WEEKS AGO. 582 00:26:20,583 --> 00:26:23,041 OVER HERE IS WHERE I PUZZLE. 583 00:26:23,042 --> 00:26:24,999 I GOT A REAL HEAD-SCRATCHER ON MY HANDS 584 00:26:25,000 --> 00:26:27,208 WITH THIS ONE. TONIGHT, WE MAKE A BIG PUSH. 585 00:26:27,917 --> 00:26:29,209 AND OVER HERE... 586 00:26:31,250 --> 00:26:33,124 THIS IS CENTRAL OPS. 587 00:26:33,125 --> 00:26:35,124 THIS IS WHERE I MAKE ALL MY TO-DO LISTS, 588 00:26:35,125 --> 00:26:37,916 BUT THE DOING HAPPENS IN THE ENTIRE APARTMENT. 589 00:26:37,917 --> 00:26:40,499 ARE YOU A DOER IN THE HOME, MILLIE? 590 00:26:40,500 --> 00:26:43,124 UM, MORE OF A T.V. WATCHER. 591 00:26:43,125 --> 00:26:46,457 WELL, YOU CAME TO THE WRONG PLACE, LAZYBONES. 592 00:26:46,458 --> 00:26:48,083 YOU TAKE A COUPLE OF SECONDS 593 00:26:48,084 --> 00:26:49,541 TO GET YOUR BEARINGS, 594 00:26:49,542 --> 00:26:51,083 AND THEN YOU AND I 595 00:26:51,084 --> 00:26:53,333 ARE GOING TO BE BUSY LITTLE BEAVERS. 596 00:26:56,000 --> 00:26:57,375 [SIZZLING] 597 00:26:59,417 --> 00:27:00,583 [EXHALES] 598 00:27:02,834 --> 00:27:04,084 DAMMIT. 599 00:27:17,083 --> 00:27:19,624 [ANGUS]: YOUR PCs ARE BUBBLING. MY WHAT? 600 00:27:19,625 --> 00:27:21,667 YOUR PANCAKES. I'LL GET 'EM. 601 00:27:26,250 --> 00:27:28,330 YOU'VE GOT TO FLIP THEM OVER BEFORE THE BUBBLES BURST 602 00:27:28,354 --> 00:27:29,749 OR THEY LOSE THEIR ELASTICITY. 603 00:27:29,750 --> 00:27:31,916 PUT A LITTLE WRIST IN IT. YOU WANT TO FLIP THEM, NOT FLOP THEM. 604 00:27:31,917 --> 00:27:33,077 I'M FLIPPING. YOU'RE FLOPPING. 605 00:27:33,078 --> 00:27:34,285 I'M FLIPPING. WHAT'S THE FUCKING DIFFERENCE? 606 00:27:34,286 --> 00:27:35,916 IF YOU DON'T KNOW THE DIFFERENCE, 607 00:27:35,917 --> 00:27:37,557 WE'RE KNEE-DEEP IN WATER WITHOUT A PADDLE. 608 00:27:37,581 --> 00:27:38,747 OKAY, PLATE THEM. 609 00:27:44,125 --> 00:27:46,499 YO, TIME, TIME. DUDE, YOU'RE BREAKING MY HEART. 610 00:27:46,500 --> 00:27:47,874 BANANA BONANZA'S GOT A THREE STACK. 611 00:27:47,875 --> 00:27:49,041 YOU'VE GOT TO AXLE-GREASE 'EM. 612 00:27:49,834 --> 00:27:51,040 PARDON? BUTTER! 613 00:27:51,041 --> 00:27:52,361 ALL RIGHT, MAN, YOU'RE KILLING ME. 614 00:27:52,385 --> 00:27:53,874 BUTTER, MY FRIEND. THAT'S ELEMENTAL. 615 00:27:53,875 --> 00:27:55,166 I'VE BEEN EATING BANANA BONANZAS 616 00:27:55,167 --> 00:27:56,125 20 YEARS. I KNOW WHAT I'M DOING. 617 00:27:56,126 --> 00:27:57,833 YOU KNOW HOW TO EAT THEM. THAT'S ALL YOU KNOW. 618 00:27:57,834 --> 00:27:59,499 DRENCH 'EM, DON'T DROWN 'EM. SHOW A LITTLE FINESSE. 619 00:27:59,500 --> 00:28:00,833 IT'S FUCKING BUTTER ON PANCAKES! 620 00:28:00,834 --> 00:28:02,082 IF THAT'S THE ATTITUDE, 621 00:28:02,083 --> 00:28:03,541 WE MIGHT AS WELL ASK FOR THE CHECK. 622 00:28:03,542 --> 00:28:04,916 IT STIFLES THE LEARNING 623 00:28:04,917 --> 00:28:07,198 IF YOU'RE GOING TO CRITICIZE AND TEACH IN THE SAME BREATH. 624 00:28:07,500 --> 00:28:08,749 OKAY, NOW, THIS IS MICHELANGELO. 625 00:28:08,750 --> 00:28:10,958 PLEASE, NO FINGER PAINTING. 626 00:28:10,959 --> 00:28:12,249 YOU KNOW, I'M GIVING YOU WISDOM. 627 00:28:12,250 --> 00:28:13,874 I'M GIVING YOU "ANCIENT CHINESE SECRET." 628 00:28:13,875 --> 00:28:15,082 I'M GIVING YOU RECIPES 629 00:28:15,083 --> 00:28:17,123 THAT HAVE BEEN PASSED DOWN GENERATION TO GENERATION, 630 00:28:17,147 --> 00:28:20,083 RECIPES THAT ORIGINATED ON THE MOORS OF SCOTLAND. 631 00:28:20,084 --> 00:28:22,124 BANANA BONANZAS ORIGINATED ON THE MOORS OF SCOTLAND? 632 00:28:22,834 --> 00:28:24,041 EGGS! 633 00:28:24,042 --> 00:28:25,542 SHIT. [BELL DINGS] 634 00:28:26,667 --> 00:28:28,083 RUN ZIPPLE. 635 00:28:28,084 --> 00:28:30,457 WHAT'S THAT? THE SPOON WITH THE HOLES. 636 00:28:30,458 --> 00:28:32,978 IT'S CALLED "THE LINE" BECAUSE IT'S LIKE BEING ON THE FRONT LINES 637 00:28:33,002 --> 00:28:35,666 AND YOU'RE THE GENERAL. EVERY SOFT-POACHED EGG THAT TURNS HARD 638 00:28:35,667 --> 00:28:37,375 IS LIKE A SOLDIER WHO DIED IN YOUR ARMS. 639 00:28:38,875 --> 00:28:40,166 BANG, ANOTHER MAN DOWN. 640 00:28:43,417 --> 00:28:44,917 BANG, ANOTHER MAN DOWN. 641 00:28:47,084 --> 00:28:48,084 REST IN PEACE. 642 00:28:50,167 --> 00:28:53,207 I LIKE LEAVING FOLDED LAUNDRY OUT FOR A MOMENT 643 00:28:53,208 --> 00:28:54,707 BEFORE I DRAWER IT. 644 00:28:54,708 --> 00:28:56,083 LET IT BREATHE. 645 00:28:56,084 --> 00:28:58,499 HEY, DON'T QUIT ON ME NOW. 646 00:28:58,500 --> 00:29:00,124 THE NIGHT IS YOUNG 647 00:29:00,125 --> 00:29:02,124 AND THERE'S MUCH TO BE DONE, 648 00:29:02,125 --> 00:29:04,833 AND THAT'S WHAT IT'S ALL ABOUT, 649 00:29:04,834 --> 00:29:07,624 GETTING THINGS DONE. 650 00:29:07,625 --> 00:29:12,041 HEY, HOW ABOUT WE LAY SOME NEW CONTACT PAPER 651 00:29:12,042 --> 00:29:13,667 ON THE CABINET SHELVES? COME ON. 652 00:29:18,125 --> 00:29:19,125 I COULDN'T DECIDE 653 00:29:19,126 --> 00:29:21,124 BETWEEN FERNS AND FLOWERS AND COUNTRY ROSE, 654 00:29:21,125 --> 00:29:23,000 SO I BOUGHT A ROLL OF EACH. WHAT DO YOU LIKE? 655 00:29:23,834 --> 00:29:25,125 [CUCKOO] OH. 656 00:29:30,959 --> 00:29:32,083 HUH. 657 00:29:32,084 --> 00:29:34,124 DID YOU PUT DETERGENT IN THE DISHWASHER? 658 00:29:34,125 --> 00:29:35,457 NO. I THOUGHT YOU DID. 659 00:29:35,458 --> 00:29:36,999 OH, SILLY US. 660 00:29:37,000 --> 00:29:38,916 WELL, WE'LL JUST HAVE TO LOCATE THOSE DISHES 661 00:29:38,917 --> 00:29:40,457 AND WASH THEM AGAIN. 662 00:29:40,458 --> 00:29:41,999 THE COMPUTER TOLD YOU THAT? 663 00:29:42,000 --> 00:29:45,125 NO. STINKY5000 TOLD ME THAT. 664 00:29:45,959 --> 00:29:47,207 LOOKS LIKE HE'S ALSO VOTING 665 00:29:47,208 --> 00:29:49,083 FOR FERNS AND FLOWERS. 666 00:29:51,917 --> 00:29:53,666 WHO'S VOTING? 667 00:29:53,667 --> 00:29:56,916 OH, MY GOSH. [GASPS] DIDN'T I TELL YOU? 668 00:29:56,917 --> 00:29:58,874 I HAVE MY OWN WEBSITE, 669 00:29:58,875 --> 00:30:01,208 "GETTING THINGS DONE WITH DELORES." 670 00:30:02,542 --> 00:30:04,082 [GEORGE]: NO FUCKING WAY. 671 00:30:04,083 --> 00:30:05,999 WE LIVE IN A SOCIETY THAT JUST SPEEDS ALONG. 672 00:30:06,000 --> 00:30:07,999 AND WITH MOST PEOPLE SO BUSY, 673 00:30:08,000 --> 00:30:10,624 CHARACTER-BUILDING, ORDINARY, EVERYDAY CHORES 674 00:30:10,625 --> 00:30:12,166 JUST FALL BY THE WAYSIDE. 675 00:30:12,167 --> 00:30:15,207 THAT'S WHY PEOPLE LIKE WATCHING ME GETTING THINGS DONE. 676 00:30:15,208 --> 00:30:18,166 THERE'S A CAMERA THERE, 677 00:30:18,167 --> 00:30:20,916 AND THERE, AND THERE, AND THERE, 678 00:30:20,917 --> 00:30:22,624 BUT NOT IN THE BATHROOM. 679 00:30:22,625 --> 00:30:24,082 FOLKS LOOKING AT ME IN THE POTTY 680 00:30:24,083 --> 00:30:25,582 WOULD BE JUST PLAIN WRONG. 681 00:30:25,583 --> 00:30:27,623 [GEORGE]: AS OPPOSED TO WATCHING HER EVERYWHERE ELSE, 682 00:30:27,647 --> 00:30:29,624 WHICH IS JUST PLAIN INSANE. 683 00:30:29,625 --> 00:30:33,624 I WAS THINKING ABOUT CALLING IT "HERBIG WEBSITE", 684 00:30:33,625 --> 00:30:35,582 BUT I WAS WORRIED I'D ATTRACT PEOPLE 685 00:30:35,583 --> 00:30:38,667 WITH A FETISH FOR, YOU KNOW, BIG THINGS. 686 00:30:40,291 --> 00:30:41,916 [KEYBOARD CLACKING] 687 00:30:41,917 --> 00:30:44,624 SO PEOPLE ACTUALLY PAY TO WATCH YOU? 688 00:30:44,625 --> 00:30:47,083 I DO GET TWO CENTS EVERY TIME SOMEONE CLICKS ON, 689 00:30:47,084 --> 00:30:48,924 BUT THAT'LL GO STRAIGHT TO MY FAVORITE CHARITY, 690 00:30:48,948 --> 00:30:51,249 THE AMERICAN AMPUTEE ASSOCIATION. 691 00:30:51,250 --> 00:30:54,749 [GEORGE]: OH, CHRIST, MY BOSS HAS A WOODEN LEG. 692 00:30:54,750 --> 00:30:58,208 MY GOOD FRIEND REBECCA RANDALL CLIMBED EVEREST. 693 00:30:58,209 --> 00:30:59,791 THE GOOD NEWS IS SHE MADE THE SUMMIT. 694 00:30:59,792 --> 00:31:02,165 THE BAD NEWS IS SHE LOST ALL 10 LITTLE INDIANS. 695 00:31:02,166 --> 00:31:03,582 SHE KEEPS TIPPING OVER. 696 00:31:03,583 --> 00:31:05,291 NO BALANCE, POOR DEAR. 697 00:31:08,084 --> 00:31:09,124 [CUCKOO] 698 00:31:09,125 --> 00:31:11,417 OH! HUNGRY GIRL WANTS TO KNOW THE DOG'S NAME. 699 00:31:12,500 --> 00:31:14,208 UM... J.D. 700 00:31:14,209 --> 00:31:16,208 MM-HMM, AND WHAT DOES THE J.D. STAND FOR? 701 00:31:17,708 --> 00:31:19,040 I DON'T KNOW. 702 00:31:19,041 --> 00:31:20,165 [BEEPING] 703 00:31:20,166 --> 00:31:21,582 WELL, ENOUGH CHATTING. 704 00:31:21,583 --> 00:31:23,250 WE'VE GOT TO GET THINGS DONE. 705 00:31:25,125 --> 00:31:26,125 OH... 706 00:31:30,959 --> 00:31:31,959 [CUCKOO] 707 00:31:44,667 --> 00:31:46,041 SO HE DIDN'T CROSS OVER. 708 00:31:48,166 --> 00:31:49,874 WHAT A PAIN IN THE ASS. 709 00:31:49,875 --> 00:31:51,000 WHAT DO YOU THINK HAPPENED? 710 00:31:52,500 --> 00:31:54,167 I HAVE NO CLUE. 711 00:31:58,000 --> 00:31:59,542 YOU LIKE BASEBALL? 712 00:32:00,291 --> 00:32:01,999 NOT REALLY. 713 00:32:02,000 --> 00:32:04,084 I DID ONCE BLOW BABE RUTH. 714 00:32:04,708 --> 00:32:05,792 WHO DIDN'T? 715 00:32:06,625 --> 00:32:07,874 SO THIS GUY'S UP AT BAT, 716 00:32:07,875 --> 00:32:08,999 THE PITCHER PITCHES THE BALL, 717 00:32:09,000 --> 00:32:10,124 BATTER DOESN'T SWING. 718 00:32:10,125 --> 00:32:12,083 THE UMPIRE DOESN'T SAY ANYTHING. 719 00:32:12,084 --> 00:32:14,084 THE BATTER TURNS AROUND AND SAYS, "SO WHAT WAS IT?" 720 00:32:14,108 --> 00:32:15,040 BALL OR STRIKE?" 721 00:32:15,041 --> 00:32:16,165 UMPIRE SAYS, 722 00:32:16,166 --> 00:32:18,749 "IT AIN'T NOTHING TILL I CALL IT." 723 00:32:18,750 --> 00:32:20,791 THIS FUCKING GUY HERE... THIS FUCKING GUY 724 00:32:20,792 --> 00:32:23,165 HAS BEEN CALLED OUT ON STRIKES. [BELL DINGS] 725 00:32:23,166 --> 00:32:25,582 [DAISY]: AND WON'T GET OUT OF THE BATTER'S BOX. 726 00:32:25,583 --> 00:32:27,374 WON'T GET OUT OF THE BATTER'S BOX. 727 00:32:27,375 --> 00:32:28,707 IT'S A CHEESEBURGER. 728 00:32:28,708 --> 00:32:30,000 TRY NOT TO FUCK IT UP. 729 00:32:31,417 --> 00:32:32,875 SEE THE WAY HE TALKS TO ME? 730 00:32:34,209 --> 00:32:35,209 YEAH. 731 00:32:38,125 --> 00:32:40,499 [GEORGE]: THE THOUGHT THAT PEOPLE WERE WATCHING ME SLEEP 732 00:32:40,500 --> 00:32:42,249 KEPT ME AWAKE. 733 00:32:42,250 --> 00:32:43,707 I COULDN'T HELP WONDERING 734 00:32:43,708 --> 00:32:46,041 WHO ACTUALLY LIKED TO WATCH DELORES 735 00:32:46,042 --> 00:32:48,041 GETTING THINGS DONE, 736 00:32:48,042 --> 00:32:50,208 AND WHAT WERE THOSE PEOPLE GETTING DONE 737 00:32:50,209 --> 00:32:51,582 WHILE THEY WERE WATCHING HER? 738 00:32:51,583 --> 00:32:53,542 OH, BABY, DRY THOSE DISHES. 739 00:32:54,166 --> 00:32:55,541 UH-HUH... 740 00:32:55,542 --> 00:32:56,791 YOU DRY THEM... 741 00:32:56,792 --> 00:32:58,125 MAKE 'EM SQUEAKY CLEAN... 742 00:32:59,125 --> 00:33:00,166 OH, YEAH... 743 00:33:01,083 --> 00:33:04,125 USE THE HAND TOWEL... OH, YEAH. 744 00:33:05,209 --> 00:33:07,083 I NEEDED TO FIND A PLACE TO SLEEP. 745 00:33:18,750 --> 00:33:19,958 [GRUNTS] 746 00:33:19,959 --> 00:33:21,084 WHAT? 747 00:33:22,209 --> 00:33:23,791 DON'T SAY A WORD. 748 00:33:23,792 --> 00:33:26,874 IT'S MY LIFE, MY APARTMENT, MY DOG. 749 00:33:26,875 --> 00:33:28,958 YOU'RE THE GUEST, YOU'RE THE FREELOADER, 750 00:33:28,959 --> 00:33:30,208 AND IF YOU DON'T LIKE IT, 751 00:33:30,209 --> 00:33:32,290 YOU CAN KISS MY DEAD ASS GOODBYE. 752 00:33:32,291 --> 00:33:33,500 ARE WE CLEAR? 753 00:33:35,166 --> 00:33:36,375 AND YOU. 754 00:33:37,000 --> 00:33:38,875 A DOG IN A HOT TUB? 755 00:33:39,417 --> 00:33:41,209 THAT'S JUST SICK. 756 00:33:50,125 --> 00:33:51,666 DOG IN A HOT TUB? 757 00:33:51,667 --> 00:33:52,959 NO CLUE. 758 00:33:58,084 --> 00:33:59,541 NOT BAD. 759 00:33:59,542 --> 00:34:01,083 NOT BAD? COME ON, THAT IS SPOT ON. 760 00:34:01,084 --> 00:34:02,417 THAT IS MICHELANGELO. 761 00:34:03,375 --> 00:34:05,332 FLOAT 'EM AND BOAT 'EM. 762 00:34:05,333 --> 00:34:07,133 THIS GUY WANTS THE CHEESE MELTED ON THE BREAD, 763 00:34:07,157 --> 00:34:08,999 NOT ON THE PATTY, AND HE WANTS KRAUT ON IT. 764 00:34:09,000 --> 00:34:12,124 FINE. THAT'LL BE A MINUTE. NO, NO. THAT'S HOW IT STARTS. 765 00:34:12,125 --> 00:34:14,249 YOU GIVE IN ON ONE PIECE OF CHEESE, NEXT THING YOU KNOW 766 00:34:14,250 --> 00:34:17,290 YOU'RE MAKING A RIB EYE, WELL-DONE, SMOTHERED IN KETCHUP. 767 00:34:17,291 --> 00:34:18,707 YOU'RE BEING MELODRAMATIC. 768 00:34:18,708 --> 00:34:20,541 I'M NOT BEING MELODRAMATIC. 769 00:34:20,542 --> 00:34:21,958 I'M NOT TALKING TO YOU. 770 00:34:21,959 --> 00:34:23,290 I'M JUST MAKING IT, I'M NOT PAYING FOR IT. 771 00:34:23,291 --> 00:34:24,651 [ANGUS]: OH, YOU PAY FOR IT IN WAYS 772 00:34:24,675 --> 00:34:25,791 YOU CAN'T EVEN IMAGINE. 773 00:34:25,792 --> 00:34:27,232 SENDING BACK A DISH IS A HOSTILE ACT. 774 00:34:27,256 --> 00:34:28,582 IT'S A SHOT ACROSS THE BOUGH. 775 00:34:28,583 --> 00:34:30,124 YOU'RE THE GENERAL. 776 00:34:30,125 --> 00:34:32,205 ARE YOU GOING TO TAKE ORDERS FROM A FUCKING CUSTOMER? 777 00:34:43,167 --> 00:34:45,124 YEAH. HEY, HOW ARE YOU DOING? 778 00:34:45,125 --> 00:34:46,541 YOU ORDERED A PATTY MELT? 779 00:34:46,542 --> 00:34:47,624 YEAH. IS THERE A PROBLEM? 780 00:34:47,625 --> 00:34:49,541 WELL, THAT'S MORE OF A MISCONCEPTION. 781 00:34:49,542 --> 00:34:51,502 I'M CONCERNED YOU DON'T KNOW WHAT A PATTY MELT IS. 782 00:34:52,166 --> 00:34:53,916 PATTY MELT NOT ONLY IMPLIES WHAT IT IS, 783 00:34:53,917 --> 00:34:56,124 BUT ALSO HOW IT'S PREPARED. 784 00:34:56,125 --> 00:34:58,499 THE CHEESE IS MELTED ON THE PATTY. 785 00:34:58,500 --> 00:35:00,220 YEAH, I LIKE THE CHEESE MELTED ON THE BREAD. 786 00:35:00,244 --> 00:35:01,374 THAT WOULD BE A BREAD MELT, 787 00:35:01,375 --> 00:35:03,082 OR AS IT'S COMMONLY KNOWN, A GRILLED CHEESE. 788 00:35:03,083 --> 00:35:04,332 HOW'S ABOUT I MAKE YOU A NICE GRILLED CHEESE? 789 00:35:04,333 --> 00:35:05,493 I DON'T WANT A GRILLED CHEESE. 790 00:35:05,517 --> 00:35:07,166 I WANT A PATTY MELT WITH KRAUT 791 00:35:07,167 --> 00:35:08,567 WITH THE CHEESE MELTED ON THE BREAD. 792 00:35:10,750 --> 00:35:12,083 I'M SORRY. I CAN'T DO THAT. 793 00:35:14,667 --> 00:35:16,067 WHAT DO YOU MEAN, YOU CAN'T DO THAT? 794 00:35:17,083 --> 00:35:19,416 YOU GIVE IN ON ONE LITTLE THING, 795 00:35:19,417 --> 00:35:21,124 AND YOU COMPROMISE, YOU COMPROMISE, 796 00:35:21,125 --> 00:35:23,082 YOU COMPROMISE 797 00:35:23,083 --> 00:35:25,166 UNTIL YOU'RE THE SHELL OF A MAN, BEATEN DOWN, 798 00:35:26,000 --> 00:35:27,209 AND YOU STAND FOR NOTHING. 799 00:35:28,209 --> 00:35:29,583 I WANT TO TALK TO THE MANAGER. 800 00:35:32,125 --> 00:35:34,542 A DISH IS A COLLECTION OF FLAVORS, 801 00:35:35,542 --> 00:35:37,332 CONSISTENCIES. 802 00:35:37,333 --> 00:35:38,791 YOU START SWAPPING INGREDIENTS 803 00:35:38,792 --> 00:35:40,272 IN THAT CAREFULLY THOUGHT-OUT MELANGE, 804 00:35:40,296 --> 00:35:42,916 IT'S LIKE FUCKING WITH A JENGA TOWER OF TASTES. 805 00:35:42,917 --> 00:35:44,999 I'M CONCERNED YOU DON'T KNOW WHAT YOU'RE ASKING FOR. 806 00:35:45,000 --> 00:35:46,332 I KNOW WHAT I'M ASKING FOR. 807 00:35:46,333 --> 00:35:47,416 WELL, KRAUT ON DER PATTY MELT 808 00:35:47,417 --> 00:35:49,083 IS AKIN TO KNOCKING THE TOWER DOWN 809 00:35:49,084 --> 00:35:50,290 WITH A WRECKING BALL. 810 00:35:50,291 --> 00:35:51,771 THEN WHY IS IT CALLED "DER PATTY MELT" 811 00:35:51,795 --> 00:35:53,124 IF THERE AIN'T NO KRAUT ON IT? 812 00:35:53,125 --> 00:35:55,166 "DER" IS GERMAN FOR "THE." 813 00:35:57,583 --> 00:35:59,000 THE WAFFLE HAUS... 814 00:35:59,834 --> 00:36:01,250 THE PATTY MELT. 815 00:36:02,708 --> 00:36:04,374 WELL, I WANT DER FUCKING PATTY MELT 816 00:36:04,375 --> 00:36:05,833 WITH DER FUCKING CHEESE 817 00:36:05,834 --> 00:36:08,124 MELTED ON DER FUCKING BREAD WITH DER FUCKING KRAUT ON IT. 818 00:36:08,125 --> 00:36:09,375 YOU GOT IT? 819 00:36:14,000 --> 00:36:15,165 NO, YOU GOT IT, 820 00:36:15,166 --> 00:36:17,041 ON DER HAUS. 821 00:36:26,667 --> 00:36:28,917 HE FUCKED WITH THE WRONG COOK TODAY, HUH, ANGUS? 822 00:36:30,209 --> 00:36:31,209 ANGUS? 823 00:36:34,125 --> 00:36:36,375 WHO ARE YOU TALKING TO BACK HERE? 824 00:36:37,917 --> 00:36:38,959 ME? 825 00:36:40,084 --> 00:36:41,207 NO ONE. 826 00:36:41,208 --> 00:36:43,165 WELL, I GOT A NEW GUY COMING IN TODAY. 827 00:36:43,166 --> 00:36:45,041 HE WORKED DOWN AT IHOP FOR YEARS, 828 00:36:45,042 --> 00:36:46,042 SO HE'S REALLY GOOD. 829 00:36:47,042 --> 00:36:48,084 THAT'S GREAT. 830 00:36:48,959 --> 00:36:50,249 SO THIS'LL BE YOUR LAST SHIFT, 831 00:36:50,250 --> 00:36:52,583 AND I WANT TO THANK YOU FOR HELPING OUT. 832 00:36:53,708 --> 00:36:55,624 YOU'RE WELCOME. 833 00:36:55,625 --> 00:36:58,959 YOU KNOW, I COULD HELP YOU SHOW THE NEW GUY THE ROPES. 834 00:37:00,834 --> 00:37:02,499 I MEAN, THE OVEN'S TEMPERAMENTAL. 835 00:37:02,500 --> 00:37:05,958 IT'S ALWAYS 25 DEGREES HOTTER THAN IT READS, 836 00:37:05,959 --> 00:37:08,159 AND WHEN HE DOES HIS BELGIAN WAFFLES, YOU KNOW THE TRICK? 837 00:37:08,792 --> 00:37:10,165 VANILLA. 838 00:37:10,166 --> 00:37:12,083 A PINCH OF NUTMEG IN THE HOT CHOCOLATE 839 00:37:12,084 --> 00:37:14,083 MAKES IT TASTE LIKE CHRISTMAS ALL YEAR ROUND. 840 00:37:14,084 --> 00:37:15,999 BOY, YOU DIDN'T JUST EAT HERE. 841 00:37:16,000 --> 00:37:18,041 YOU REALLY WATCHED ANGUS COOK. 842 00:37:19,042 --> 00:37:20,167 YEAH. 843 00:37:20,792 --> 00:37:22,125 THE MAN HAD A GIFT. 844 00:37:39,875 --> 00:37:41,165 MILLIE... 845 00:37:41,166 --> 00:37:42,958 MAY I HAVE A MOMENT? 846 00:37:42,959 --> 00:37:44,084 SURE. 847 00:37:47,167 --> 00:37:48,708 THIS IS DIFFICULT TO SAY. 848 00:37:49,208 --> 00:37:50,833 ESPECIALLY NOW... 849 00:37:50,834 --> 00:37:53,749 I ALWAYS FIND IT HARD TO MAINTAIN AUTHORITY 850 00:37:53,750 --> 00:37:55,959 AFTER I'VE SHARED A BED WITH SOMEONE. 851 00:37:56,250 --> 00:37:57,375 SURE. 852 00:37:59,042 --> 00:38:00,541 I JUST PRINTED THE POSTINGS 853 00:38:00,542 --> 00:38:02,999 FROM THE "GETTING THINGS DONE WITH DELORES" WEBSITE, 854 00:38:03,000 --> 00:38:04,000 AND I'M SORRY TO SAY 855 00:38:04,001 --> 00:38:06,416 THE RESPONSE TO YOUR VISIT... 856 00:38:06,417 --> 00:38:08,457 WAS NOT WHAT I HOPED. 857 00:38:08,458 --> 00:38:09,916 LISTEN, DELORES... 858 00:38:09,917 --> 00:38:12,749 PUREATTITUDE47 DESCRIBED YOU 859 00:38:12,750 --> 00:38:15,750 AS "LETHARGIC" AND "UNINSPIRING," 860 00:38:16,959 --> 00:38:19,958 AND TRUTHMACHINE8 SAID HE WENT TO BED 861 00:38:19,959 --> 00:38:22,083 FEELING LIKE NOTHING HAD BEEN ACCOMPLISHED. 862 00:38:22,084 --> 00:38:25,124 MILLIE, THIS JUST WON'T DO. 863 00:38:25,125 --> 00:38:27,791 LISTEN, DELORES, DON'T WORRY ABOUT KICKING ME OUT... 864 00:38:27,792 --> 00:38:29,083 I JUST THINK 865 00:38:29,084 --> 00:38:31,499 THERE MIGHT BE A BETTER ENVIRONMENT FOR YOU 866 00:38:31,500 --> 00:38:34,290 SOMEPLACE ELSE, SOMEPLACE A LITTLE SLOWER, 867 00:38:34,291 --> 00:38:37,166 WHERE YOU CAN GET THINGS DONE AT YOUR OWN PACE. 868 00:38:39,500 --> 00:38:42,000 I'M SORRY THINGS DIDN'T WORK OUT. 869 00:38:42,834 --> 00:38:44,457 WELL... 870 00:38:44,458 --> 00:38:45,999 MAYBE THIS IS JUST THE SPARK YOU NEED 871 00:38:46,000 --> 00:38:47,833 TO LIGHT A FIRE UNDER THAT ASS 872 00:38:47,834 --> 00:38:49,165 YOU SO LIKE TO SIT ON. 873 00:38:49,166 --> 00:38:50,290 [MICROWAVE DINGS] 874 00:38:50,291 --> 00:38:51,999 NOW, IF YOU'LL EXCUSE ME, 875 00:38:52,000 --> 00:38:53,833 THERE'S A HOT POCKET IN THE MICROWAVE 876 00:38:53,834 --> 00:38:55,875 CALLING MY NAME. DON'T TRY TO STOP ME. 877 00:39:02,125 --> 00:39:04,290 [GEORGE]: SO J.D. AND I WANDERED THROUGH THE PARK 878 00:39:04,291 --> 00:39:05,582 ONE LAST TIME 879 00:39:05,583 --> 00:39:07,707 BEFORE I TOOK HIM HOME. 880 00:39:07,708 --> 00:39:10,999 I THINK SOME PEOPLE WANDER BECAUSE THAT'S WHO THEY ARE. 881 00:39:11,000 --> 00:39:14,707 WANDERING IS WHAT GIVES THEM OXYGEN. 882 00:39:14,708 --> 00:39:17,166 IT'S THE WANDERING THAT ALLOWS THEM TO LIVE. 883 00:39:18,750 --> 00:39:20,070 [INHALES] I WAS BEGINNING TO THINK 884 00:39:20,094 --> 00:39:22,416 THAT THAT'S THE KIND OF PERSON I WAS, 885 00:39:22,417 --> 00:39:23,624 THE KIND OF PERSON 886 00:39:23,625 --> 00:39:26,084 FOR WHOM ONE JOB, ONE LOVE, 887 00:39:26,708 --> 00:39:28,290 EVEN ONE LIFE, 888 00:39:28,291 --> 00:39:30,333 WASN'T GOING TO BE ENOUGH TO HOLD ME, 889 00:39:31,875 --> 00:39:33,499 AND THEN THERE ARE THOSE WHO WANDER 890 00:39:33,500 --> 00:39:35,542 BECAUSE THEY DON'T HAVE A PLACE TO GO, 891 00:39:36,041 --> 00:39:37,625 TO CALL HOME. 892 00:39:38,959 --> 00:39:40,291 SO I TOOK J.D. HOME. 893 00:39:53,542 --> 00:39:54,834 COME ON. 894 00:39:55,875 --> 00:39:57,000 STAY. 895 00:39:57,417 --> 00:39:59,041 YOU BE GOOD. 896 00:39:59,042 --> 00:40:00,583 YOU BE GOOD, J.D. 897 00:40:04,708 --> 00:40:05,833 [DOORBELL RINGING] 898 00:40:05,834 --> 00:40:07,542 STAY. YOU STAY. 899 00:40:08,000 --> 00:40:09,125 STAY. 900 00:40:16,125 --> 00:40:17,625 AND WHO ARE YOU? 901 00:40:20,875 --> 00:40:21,959 J.D. 902 00:40:22,959 --> 00:40:24,708 ARE YOU LOST, J.D.? 903 00:40:34,750 --> 00:40:36,959 ALL RIGHT, YOU CAN COME IN. 904 00:40:37,875 --> 00:40:39,040 COME ON. 905 00:40:39,041 --> 00:40:41,001 [GEORGE]: MAYBE THAT'S WHAT HAPPENS TO SOME SOULS. 906 00:40:42,084 --> 00:40:43,333 MAYBE THEY GET LOST. 907 00:40:44,083 --> 00:40:45,541 MAYBE THEY HAVE TO WANDER 908 00:40:45,542 --> 00:40:49,041 BECAUSE THEY'RE NOT QUITE AT PEACE YET. 909 00:40:49,042 --> 00:40:51,457 MAYBE THERE'S SOME KIND OF UNFINISHED BUSINESS 910 00:40:51,458 --> 00:40:53,416 WITH THESE KINDS OF SOULS, 911 00:40:53,417 --> 00:40:55,291 LIKE THEY'RE HOLDING ON TO SOMETHING, 912 00:40:56,125 --> 00:40:58,165 HOLDING THEIR BREATH, 913 00:40:58,166 --> 00:40:59,999 AND WHEN THE BUSINESS IS DONE, 914 00:41:00,000 --> 00:41:02,084 THEY CAN FINALLY LET GO, 915 00:41:02,542 --> 00:41:03,792 EXHALE, 916 00:41:04,542 --> 00:41:05,959 AND SLEEP. 917 00:41:10,542 --> 00:41:11,875 THE DOG'S IN THE BED. 918 00:41:13,792 --> 00:41:16,124 WILL THE DOG BE SLEEPING IN THE BED? 919 00:41:16,125 --> 00:41:17,333 [REGGIE]: MAYBE. 920 00:41:18,125 --> 00:41:19,667 WILL YOU BE SLEEPING IN THE BED? 921 00:41:20,250 --> 00:41:21,375 MAYBE. 922 00:41:23,583 --> 00:41:25,417 SO WHAT DO YOU THINK J.D. STANDS FOR? 923 00:41:26,084 --> 00:41:27,166 JUST DOG. 924 00:41:29,208 --> 00:41:30,792 I KIND OF LIKE THAT. 925 00:41:32,083 --> 00:41:34,041 GET THE DOG OFF THE BED, REGGIE. 926 00:41:35,417 --> 00:41:36,417 [DOOR CLOSES] 927 00:41:42,084 --> 00:41:43,542 THAT WAS MY MOTHER. 928 00:41:45,458 --> 00:41:47,959 [BAGPIPES PLAYING]