1 00:00:07,667 --> 00:00:09,042 [♪♪] 2 00:01:21,166 --> 00:01:22,749 [GEORGE] A LOT OF PEOPLE SEEM TO HAVE 3 00:01:22,750 --> 00:01:25,999 SOME KIND OF INTERNAL TO-DO LIST. 4 00:01:26,000 --> 00:01:29,624 THEY HAVE THIS COMPELLING NEED TO GET THINGS DONE, 5 00:01:29,625 --> 00:01:31,000 BUT IT'S HARD. 6 00:01:33,167 --> 00:01:34,457 WHEN YOU FINISH ONE THING, 7 00:01:34,458 --> 00:01:36,208 IT USUALLY MEANS IT'S TIME TO MOVE ON 8 00:01:36,209 --> 00:01:39,082 TO THE NEXT ITEM ON THE LIST. 9 00:01:39,083 --> 00:01:41,999 THE LIST NEVER QUITE GETS DONE. 10 00:01:42,000 --> 00:01:45,916 WE'RE FOREVER IN A STATE OF "UNFINISHEDNESS." 11 00:01:45,917 --> 00:01:47,207 AND THEN YOU'LL DO THE SAME THING 12 00:01:47,208 --> 00:01:48,999 FOR THE SECTION ON FILERS, 13 00:01:49,000 --> 00:01:50,833 CLERKS, EXECUTIVE ASSISTANTS, 14 00:01:50,834 --> 00:01:52,999 AND WHEN THE NEW POLICY MANUALS 15 00:01:53,000 --> 00:01:54,374 ARE ALL COLLATED, 16 00:01:54,375 --> 00:01:57,165 THEN I'LL SHOW YOU HOW TO USE THE BIND-O-MATIC. 17 00:01:57,166 --> 00:01:59,082 MM-HMM, WE NOW SAVE MUCHO DINERO 18 00:01:59,083 --> 00:02:00,250 BINDING THEM IN-HOUSE. 19 00:02:01,208 --> 00:02:02,500 DO YOU HAVE STICKY FINGERS? 20 00:02:03,667 --> 00:02:05,124 I'M PRETTY SURE I DON'T. 21 00:02:05,125 --> 00:02:06,916 WELL, YOU SHOULD. 22 00:02:06,917 --> 00:02:08,707 THEY'RE YOUR BEST FRIEND FOR A JOB LIKE THIS. 23 00:02:08,708 --> 00:02:11,124 LUCKY FOR YOU, I HAVE ANOTHER PAIR. 24 00:02:11,125 --> 00:02:12,249 LUCKY FOR ME. 25 00:02:12,250 --> 00:02:13,958 MM-HMM, MM-HMM. 26 00:02:13,959 --> 00:02:15,791 NO, SILLY. 27 00:02:15,792 --> 00:02:17,542 ♪ WHERE IS THUMBKIN? ♪ 28 00:02:21,834 --> 00:02:24,249 OH, I ENVY YOU. 29 00:02:24,250 --> 00:02:27,749 COLLATING IS SO ZEN, SO MEDITATIVE. 30 00:02:27,750 --> 00:02:30,541 I SUPPOSE IT'S THE RHYTHMIC NATURE OF REPETITION 31 00:02:30,542 --> 00:02:33,875 THAT FREES THE MIND TO THINK DEEP THOUGHTS. IT'S LIKE SWEEPING. 32 00:02:34,000 --> 00:02:35,457 WHOOSH. 33 00:02:35,458 --> 00:02:36,999 DO YOU KNOW WHERE I'M COMING FROM? 34 00:02:37,000 --> 00:02:38,165 JUPITER? 35 00:02:38,166 --> 00:02:39,541 I DO. 36 00:02:39,542 --> 00:02:41,624 YOU'LL BE AMAZED TO DISCOVER HOW MUCH 37 00:02:41,625 --> 00:02:43,834 YOUR BUSY-BEE HANDS HAVE ACCOMPLISHED. 38 00:02:44,375 --> 00:02:45,750 BEES DON'T HAVE HANDS. 39 00:02:47,084 --> 00:02:48,207 NO, THEY DON'T, DO THEY? 40 00:02:48,208 --> 00:02:50,374 BUT YOU KNOW WHO DOES? 41 00:02:50,375 --> 00:02:51,791 YOU DO. 42 00:02:51,792 --> 00:02:54,082 AND YOU KNOW WHAT THEY SAY ABOUT IDLE HANDS. 43 00:02:54,083 --> 00:02:56,542 THEY'LL STRANGLE THE PERSON WHO ASKED THEM TO COLLATE? 44 00:02:58,167 --> 00:03:01,667 WELL, I'LL LEAVE YOU TO IT, MISS BUSY BEE. 45 00:03:03,125 --> 00:03:06,040 WITH DAYS OF COLLATING AHEAD OF ME, 46 00:03:06,041 --> 00:03:07,999 DELORES' ZEN THEORY 47 00:03:08,000 --> 00:03:10,457 JUST MIGHT BE THE WAY TO GET THROUGH IT. 48 00:03:10,458 --> 00:03:12,875 WAX ON, WAX OFF. 49 00:03:13,583 --> 00:03:14,625 OW! 50 00:03:16,500 --> 00:03:18,166 FUCK ME. 51 00:03:18,167 --> 00:03:20,333 GOOD THING REAPERS HEAL QUICKLY. 52 00:03:21,834 --> 00:03:24,249 I KNEW THERE WAS SOMETHING ELSE. MORE LUCK. 53 00:03:24,250 --> 00:03:27,083 BECAUSE YOU NOW EXCEED 25 HOURS PER WEEK, 54 00:03:27,084 --> 00:03:30,707 YOU'VE QUALIFIED FOR OUR FABULOUS HEALTH AND PENSION BENEFITS! 55 00:03:30,708 --> 00:03:32,541 DOES PUT A LITTLE NICK IN THE TAKE-HOME. 56 00:03:32,542 --> 00:03:35,083 FICA, FEDERAL, 57 00:03:35,084 --> 00:03:36,749 STATE, MEDICARE, 58 00:03:36,750 --> 00:03:39,208 VISION, DENTAL, MENTAL, 59 00:03:39,209 --> 00:03:40,750 AND INDIAN CASINO TAX. 60 00:03:42,959 --> 00:03:45,084 WHO KNOWS WHAT THAT'S ABOUT? 61 00:03:48,084 --> 00:03:51,457 MOST PEOPLE DON'T EVEN QUALIFY FOR HEALTH BENEFITS. 62 00:03:51,458 --> 00:03:53,083 SOMEHOW, HAVING NO MONEY 63 00:03:53,084 --> 00:03:55,040 DIDN'T SOUND LIKE A HEALTH BENEFIT. 64 00:03:55,041 --> 00:03:56,416 LUCKY ME. 65 00:03:56,417 --> 00:03:58,999 A JOHNNY VEGAS OMELETTE, RARE. 66 00:03:59,000 --> 00:04:01,916 JANE'S ADDICTION, HOME FRIES, BURNED. 67 00:04:01,917 --> 00:04:04,666 GOOSEBERRY FLAPJACKS, SIDE OF SAUSAGE, 68 00:04:04,667 --> 00:04:05,834 AND... TOAST. 69 00:04:06,875 --> 00:04:08,541 YOU WORKING ON EMPTY TODAY? 70 00:04:08,542 --> 00:04:09,666 SHAME. 71 00:04:09,667 --> 00:04:11,582 THEY'VE REALLY PERFECTED THE JOHNNY VEGAS. 72 00:04:11,583 --> 00:04:12,834 I HAVE NO MONEY. 73 00:04:14,125 --> 00:04:15,416 DOES ANYONE CARE? 74 00:04:15,417 --> 00:04:18,000 I DO, DARLING. LOOK, HAVE A SAUSAGE PATTY. 75 00:04:19,208 --> 00:04:21,041 GOOD MORNING. 76 00:04:21,042 --> 00:04:22,042 ONE FOR YOU. 77 00:04:22,792 --> 00:04:24,167 ONE FOR YOU. 78 00:04:24,667 --> 00:04:26,416 ONE FOR EACH OF YOU. 79 00:04:26,417 --> 00:04:29,165 CHOCK-FULL OF HELIUM AND LOVE. 80 00:04:29,166 --> 00:04:30,582 WHAT'S THE OCCASION? 81 00:04:30,583 --> 00:04:32,582 I'M GUESSING SHE HAD SEX WITH A CARNY. 82 00:04:32,583 --> 00:04:34,207 WHY DO I NEED TO HAVE AN OCCASION 83 00:04:34,208 --> 00:04:36,290 TO SPREAD THE LOVE? 84 00:04:36,291 --> 00:04:38,040 BECAUSE YOU'RE AN ORNERY BITCH 85 00:04:38,041 --> 00:04:40,124 AND YOU EAT PUPPY DOGS FOR BREAKFAST. 86 00:04:40,125 --> 00:04:41,458 OH, STOP. 87 00:04:42,166 --> 00:04:44,374 I'M JUST IN A GOOD MOOD. 88 00:04:44,375 --> 00:04:46,332 HOW IS EVERYBODY THIS FINE MORNING? 89 00:04:46,333 --> 00:04:50,082 SHE'S GOT THE GRIN OF A LADY ON VICODIN. 90 00:04:50,083 --> 00:04:52,603 I'VE GOT AN ABE LINCOLN IN MY POCKET IF YOU'VE GOT SOME TO SPARE. 91 00:04:52,750 --> 00:04:55,749 THIS IS NOT ABOUT DRUGS OR SEX. 92 00:04:55,750 --> 00:04:57,417 I JUST FEEL GIVING. 93 00:04:58,333 --> 00:04:59,999 IS IT TOO EARLY FOR SOUVLAKI? 94 00:05:00,000 --> 00:05:02,165 HOW'D YOU LIKE TO BUY A DEAD GIRL BREAKFAST? 95 00:05:02,166 --> 00:05:04,166 SURE THING. ANYTHING YOU WANT. 96 00:05:05,041 --> 00:05:06,333 NO POST-IT FOR ME? 97 00:05:07,375 --> 00:05:08,999 YOU HAVE THE NEXT TWO DAYS OFF. 98 00:05:09,000 --> 00:05:10,290 WHY DOES SHE GET TWO DAYS OFF? 99 00:05:10,291 --> 00:05:11,749 WHY DOES SHE GET TWO DAYS OFF? 100 00:05:11,750 --> 00:05:12,917 I'M OKAY, RUBE. 101 00:05:13,750 --> 00:05:15,792 DAISY'LL TAKE OVER FOR YOU. 102 00:05:16,208 --> 00:05:18,417 TAKE OVER FOR HER? 103 00:05:19,750 --> 00:05:21,833 NO. AND NO MEANS NO! 104 00:05:21,834 --> 00:05:23,166 POWERFUL, ISN'T IT? 105 00:05:23,167 --> 00:05:25,290 I LEARNED IT DOING A P.S.A. ABOUT DATE RAPE. 106 00:05:25,291 --> 00:05:27,624 I'M YOUR BOSS, AND YOU'LL DO AS I SAY. 107 00:05:27,625 --> 00:05:28,917 EQUALLY POWERFUL, ISN'T IT? 108 00:05:29,667 --> 00:05:30,916 LOOK... 109 00:05:30,917 --> 00:05:32,749 IT'S NOTHING SHORT OF OBSCENE TO THINK 110 00:05:32,750 --> 00:05:35,040 THAT I, DAISY ADAIR, AM GOING TO DO DOUBLE TIME 111 00:05:35,041 --> 00:05:37,958 FOR A WOMAN WHO WEARS THAT... 112 00:05:37,959 --> 00:05:41,458 DREADFUL LITTLE HAT AND ORTHOPEDIC SHOES. 113 00:05:46,042 --> 00:05:49,374 A TRIP TO THE POINT GREY CLUB DOES SOFTEN THE BLOW. 114 00:05:49,375 --> 00:05:50,458 ROX? 115 00:05:52,708 --> 00:05:53,917 I'LL TALK TO YOU LATER? 116 00:05:59,125 --> 00:06:01,166 DO I STILL GET BREAKFAST? 117 00:06:06,250 --> 00:06:07,541 CAN I HELP YOU? 118 00:06:07,542 --> 00:06:09,875 YES, I BELIEVE MY PARTY MAY ALREADY BE SEATED. 119 00:06:12,792 --> 00:06:14,192 AND WHICH PARTY WOULD THAT BE, MISS? 120 00:06:14,216 --> 00:06:16,082 HOURIHAN. UH, MR. OR MRS.? 121 00:06:16,083 --> 00:06:17,791 WHICHEVER ONE IS HERE. 122 00:06:17,792 --> 00:06:19,249 YES, MR. HOURIHAN 123 00:06:19,250 --> 00:06:21,999 DINES AT THE BOSTON CLUB ON TUESDAYS, 124 00:06:22,000 --> 00:06:24,084 BUT HIS MOTHER, 125 00:06:24,667 --> 00:06:26,083 SHE'S JUST OVER THERE. 126 00:06:26,084 --> 00:06:27,333 MANY THANKS. 127 00:06:29,125 --> 00:06:30,583 WE'LL HAVE THAT DESSERT NOW, I THINK. 128 00:06:35,166 --> 00:06:37,124 I'M SO SORRY TO INTERRUPT. 129 00:06:37,125 --> 00:06:38,958 THAT SCARF IS JUST BEAUTIFUL. 130 00:06:38,959 --> 00:06:40,799 WHERE'D YOU GET IT, IF YOU DON'T MIND ME ASKING? 131 00:06:41,042 --> 00:06:42,124 IT WAS A GIFT. 132 00:06:42,125 --> 00:06:46,083 MY HUSBAND BOUGHT IT FOR ME IN SAN FRANCISCO. 133 00:06:46,084 --> 00:06:47,208 IT'S SO FLATTERING. 134 00:06:47,209 --> 00:06:48,791 AS ARE YOU. 135 00:06:48,792 --> 00:06:51,166 WHAT'S YOUR NAME, DEAR? DAISY ADAIR. 136 00:06:51,167 --> 00:06:52,416 DO WE KNOW ANY ADAIRS? 137 00:06:52,417 --> 00:06:55,249 SHAWN ADAIR, BUT I DON'T THINK YOU'RE RELATED TO HIM. 138 00:06:55,250 --> 00:06:58,707 YOU'RE MUCH TOO FRESH AND LOVELY, AND HE'S A LITTLE OILY. 139 00:06:58,708 --> 00:07:00,124 LEBANESE, I THINK. 140 00:07:00,125 --> 00:07:02,249 ANYWAY, WHERE WERE YOU RAISED, DAISY? 141 00:07:02,250 --> 00:07:04,082 OH, I'M ONE OF THE GREENWICH ADAIRS. 142 00:07:04,083 --> 00:07:05,916 GREENWICH, CONNECTICUT? 143 00:07:05,917 --> 00:07:07,209 IS THERE ANY OTHER? 144 00:07:09,084 --> 00:07:11,249 I'M JOYCE, AND THIS IS SYLVIA. 145 00:07:11,250 --> 00:07:12,416 HELLO. JANE, 146 00:07:12,417 --> 00:07:14,124 AND MARY KATE. 147 00:07:14,125 --> 00:07:15,166 SO NICE TO MEET YOU ALL. 148 00:07:16,959 --> 00:07:18,416 [GASPING] 149 00:07:18,417 --> 00:07:21,208 OH, BANANAS FOSTER, 150 00:07:21,209 --> 00:07:23,208 MY FAVORITE. OH. 151 00:07:23,209 --> 00:07:24,791 JOYCE IS TURNING 30... 152 00:07:24,792 --> 00:07:27,124 FOR THE 31st YEAR IN A ROW. 153 00:07:27,125 --> 00:07:29,041 ARE YOU MARRIED, DAISY? I HAVE A SON. 154 00:07:29,042 --> 00:07:30,166 I'M SINGLE, 155 00:07:30,167 --> 00:07:33,166 BUT I'M NOT REALLY IN THE MARKET. 156 00:07:33,167 --> 00:07:34,249 ARE YOU A LESBIAN? 157 00:07:34,250 --> 00:07:36,083 SYLVIA HAS A DAUGHTER. 158 00:07:39,083 --> 00:07:40,083 OOH! 159 00:07:40,084 --> 00:07:41,332 OH, HOW EXCITING. 160 00:07:41,333 --> 00:07:44,208 THIS DESSERT IS SO EVIL. 161 00:07:44,209 --> 00:07:46,457 8,000 CALORIES A BITE. 162 00:07:46,458 --> 00:07:48,378 OH, PLEASE, IT'S NOT LIKE IT'S GOING TO KILL YOU. 163 00:07:49,959 --> 00:07:51,959 I BELIEVE YOUR FRIEND IS CHOKING ON A SUGAR COOKIE. 164 00:07:51,983 --> 00:07:53,999 OH! OH, MY GOSH. 165 00:07:54,000 --> 00:07:55,499 SOMEBODY... 166 00:07:55,500 --> 00:07:57,124 SOMEBODY HELP HER, PLEASE. 167 00:07:57,125 --> 00:07:58,125 YES. 168 00:08:00,208 --> 00:08:01,833 OH! 169 00:08:01,834 --> 00:08:03,959 OH! OH! OH. 170 00:08:06,000 --> 00:08:07,208 OH, SHIT. 171 00:08:07,209 --> 00:08:08,959 MARY KATE'S ON FIRE. 172 00:08:11,125 --> 00:08:12,125 OH! 173 00:08:12,126 --> 00:08:15,083 OH, MY COFFEE WAS IRISH. 174 00:08:18,167 --> 00:08:20,582 I WAS SUPPOSED TO PICK UP THAT LUNCH CHECK. 175 00:08:20,583 --> 00:08:22,383 OH, DON'T WORRY. THE RESTAURANT WAS KIND ENOUGH 176 00:08:22,407 --> 00:08:23,874 TO PICK UP THE TAB. 177 00:08:23,875 --> 00:08:25,165 NOW, I DON'T WANT TO HURRY YOU, 178 00:08:25,166 --> 00:08:27,332 BUT THERE'S A LIMOUSINE OUTSIDE WAITING FOR YOU, 179 00:08:27,333 --> 00:08:28,833 AND I DO HAVE QUITE THE TO-DO LIST. 180 00:08:28,834 --> 00:08:30,041 A LIMOUSINE TO TAKE ME WHERE? 181 00:08:30,042 --> 00:08:31,166 TO YOUR DESTINATION. 182 00:08:31,167 --> 00:08:32,666 WHICH IS WHERE? 183 00:08:32,667 --> 00:08:34,041 I'M NOT PRIVY TO THAT INFORMATION. 184 00:08:34,042 --> 00:08:35,874 WELL, YOU'RE JUST USELESS. 185 00:08:35,875 --> 00:08:38,208 TELL YOUR DRIVER TO GO ON WITHOUT ME. I'M NOT READY... 186 00:08:38,209 --> 00:08:40,124 AND TAKE CARE, DAISY. 187 00:08:40,125 --> 00:08:41,416 WHERE DO YOU THINK YOU'RE GOING? 188 00:08:41,417 --> 00:08:42,624 TO MY SON'S OFFICE. 189 00:08:42,625 --> 00:08:44,416 I HAVE BUSINESS TO ATTEND TO, 190 00:08:44,417 --> 00:08:47,541 AND I'M GUESSING THAT YOUR LIMO WON'T TAKE ME THERE. 191 00:08:47,542 --> 00:08:50,082 NOW, YOU BE A DEAR, AND JUST TIP THE BUSBOY OVER THERE. 192 00:08:50,083 --> 00:08:52,792 YOU KNOW, THE ONE WHO TRIED TO PUT ME OUT. 193 00:08:57,708 --> 00:09:01,416 IT WAS TIME TO SEEK OUT PERSONAL CAREER ADVICE. 194 00:09:01,417 --> 00:09:04,707 ALTHOUGH COLLATING WAS ANOTHER DREAM REALIZED, 195 00:09:04,708 --> 00:09:07,125 I WAS ADVISED TO "NEVER SETTLE." 196 00:09:15,375 --> 00:09:17,374 IT SEEMED MY CHOICES WERE LIMITED 197 00:09:17,375 --> 00:09:21,791 TO COAL-MINING OR HAND-WASHING J.IO'S UNDIES. 198 00:09:21,792 --> 00:09:26,166 SO I'M THINKING, HOW BAD COULD WEST VIRGINIA BE? 199 00:09:26,167 --> 00:09:28,374 GEORGIA? OH, GEORGIA? 200 00:09:28,375 --> 00:09:30,041 OH, PLEASE GOD, NO. 201 00:09:31,667 --> 00:09:33,167 OH, GEORGIA? 202 00:09:34,208 --> 00:09:36,125 HONEY, COME OUT, COME OUT, WHEREVER YOU ARE. 203 00:09:38,166 --> 00:09:39,666 GEORGIA? 204 00:09:39,667 --> 00:09:40,916 IT'S TIMES LIKE THESE 205 00:09:40,917 --> 00:09:44,208 I WISH REAPERS HAD SOME KIND OF SUPER POWER. 206 00:09:44,209 --> 00:09:45,666 YOU KNOW, LIKE I COULD FLY, 207 00:09:45,667 --> 00:09:47,166 OR DISAPPEAR, OR... 208 00:09:47,167 --> 00:09:48,916 OH, GEORGIA? 209 00:09:48,917 --> 00:09:50,999 PARALYZE SOMEONE'S VOCAL CHORDS. 210 00:09:51,000 --> 00:09:52,541 FUCKING DAISY. 211 00:09:52,542 --> 00:09:55,833 I'M LOOKING FOR A GIRL. SHE'S ABOUT YAY BIG, BROWN EYES, PRETTY... 212 00:09:55,834 --> 00:09:57,666 ANGRY... PRETTY ANGRY. 213 00:09:57,667 --> 00:09:58,874 OH, THAT'S HER. 214 00:09:58,875 --> 00:10:00,375 SO NICE VISITING WITH YOU. 215 00:10:05,750 --> 00:10:08,749 QUIET. WHY ARE YOU HERE? YOU CAN'T BE HERE. 216 00:10:08,750 --> 00:10:10,290 I DON'T WANT YOU HERE. 217 00:10:10,291 --> 00:10:11,916 GEORGIA, MARY KATE. 218 00:10:11,917 --> 00:10:13,249 MARY KATE, GEORGIA. 219 00:10:13,250 --> 00:10:14,416 HI. 220 00:10:14,417 --> 00:10:16,916 LOOK AT THIS HORRIBLE PLACE. 221 00:10:16,917 --> 00:10:18,290 IS THIS SOME KIND OF SWEAT SHOP? 222 00:10:18,291 --> 00:10:19,457 WOULD YOU BE A TURTLE-DOVE 223 00:10:19,458 --> 00:10:20,916 AND EXPLORE OVER THERE 224 00:10:20,917 --> 00:10:23,999 WHILE I HAVE A LITTLE TETE-A-TETE WITH MY FRIEND? 225 00:10:24,000 --> 00:10:25,541 YOU DO THAT. 226 00:10:25,542 --> 00:10:27,124 WHAT DO YOU WANT? 227 00:10:27,125 --> 00:10:29,083 I COME BEARING GIFTS. I'M BUSY. 228 00:10:29,084 --> 00:10:30,874 SHE'S RICH, WHICH MAKES HER SON RICH, 229 00:10:30,875 --> 00:10:32,833 WHICH COULD MAKE US RICH, 230 00:10:32,834 --> 00:10:34,082 BUT I NEED YOUR HELP. 231 00:10:34,083 --> 00:10:36,457 WHY WOULD I WANT TO HELP YOU, ANYWAY? 232 00:10:36,458 --> 00:10:38,166 WELL, THERE'S THE KINDNESS OF YOUR HEART, 233 00:10:38,167 --> 00:10:41,624 AND AT THE RISK OF REPEATING MYSELF, LOTS OF MONEY. 234 00:10:41,625 --> 00:10:42,917 HOW MUCH MONEY? 235 00:10:43,375 --> 00:10:44,999 OODLES. 236 00:10:45,000 --> 00:10:48,874 DO YOU KNOW HOW MANY ZEROS THERE ARE IN OODLES? 237 00:10:48,875 --> 00:10:51,958 ARE YOU GETTING THIS? DO I NEED TO DRAW YOU A TREASURE MAP? 238 00:10:51,959 --> 00:10:53,916 A GIRL'S GOT NEEDS, YOU KNOW. 239 00:10:53,917 --> 00:10:55,165 EVEN A DEAD GIRL. 240 00:10:55,166 --> 00:10:56,874 ESPECIALLY A DEAD GIRL. 241 00:10:56,875 --> 00:10:58,541 WHAT DO I HAVE TO DO? 242 00:10:58,542 --> 00:11:00,707 WELL, FIRST, YOU'LL NEED TO TAKE A FEW DAYS OFF WORK. 243 00:11:00,708 --> 00:11:02,124 TODAY? 244 00:11:02,125 --> 00:11:03,041 NO, NO, DON'T BE SILLY. 245 00:11:03,042 --> 00:11:05,499 UM, HOW'S A WEEK NEXT TUESDAY? 246 00:11:05,500 --> 00:11:06,833 ARE YOU FREE? 247 00:11:06,834 --> 00:11:08,041 YES, OF COURSE TODAY. 248 00:11:08,042 --> 00:11:09,722 DON'T YOU SEE MY FACE? I'M PLAYING URGENCY. 249 00:11:13,125 --> 00:11:15,457 I'M GOING TO HAVE TO PASS. 250 00:11:15,458 --> 00:11:19,166 I DON'T THINK REAPERS ARE SUPPOSED TO USE GHOSTS TO GET MONEY. 251 00:11:21,167 --> 00:11:23,165 I SHOULD STAY HERE AND COLLATE. 252 00:11:23,166 --> 00:11:25,041 COLLATE? 253 00:11:25,042 --> 00:11:27,041 DAMN IT, GEORGIA, SHOW SOME AMBITION. 254 00:11:27,042 --> 00:11:29,042 THAT'S WHAT SEPARATES US FROM THE ANIMALS, YOU KNOW. 255 00:11:29,066 --> 00:11:31,165 IT'S NOT THE OPPOSABLE THUMB, IT'S AMBITION. 256 00:11:31,166 --> 00:11:34,000 ANIMALS DON'T LIKE MONEY. WE DO. 257 00:11:42,959 --> 00:11:44,707 MISS? MISS? 258 00:11:44,708 --> 00:11:46,499 HOLD ON, I'M COMING. 259 00:11:46,500 --> 00:11:48,124 OH, FOR THE LOVE OF MIKE. 260 00:11:48,125 --> 00:11:49,792 JIMINY CRICKET. 261 00:11:51,417 --> 00:11:53,541 WHY CAN'T YOU EVER GIVE ME A BREAK? 262 00:11:53,542 --> 00:11:55,833 YOU'RE TAKING IT PERSONALLY, SIR. 263 00:11:55,834 --> 00:11:56,999 IT'S NOT PERSONAL. 264 00:11:57,000 --> 00:11:58,720 HOW ABOUT YOU PERSONALLY TEAR UP THAT THING? 265 00:11:58,744 --> 00:11:59,916 I WROTE IT ALREADY. 266 00:11:59,917 --> 00:12:01,666 IT'S DONE. WHAT'S DONE IS DONE. 267 00:12:01,667 --> 00:12:02,749 I WAS JUST GOING TO MOVE IT. 268 00:12:02,750 --> 00:12:04,166 YOU WERE NOT GOING TO MOVE IT. 269 00:12:04,167 --> 00:12:05,125 I KNOW THIS VEHICLE. 270 00:12:05,126 --> 00:12:07,166 I SEE THIS VEHICLE EVERY DAY. 271 00:12:07,167 --> 00:12:09,327 YOU WERE JUST HOPING YOU WEREN'T GETTING A TICKET TODAY, 272 00:12:09,351 --> 00:12:10,351 BUT YOU ARE... 273 00:12:10,750 --> 00:12:12,332 GETTING A TICKET. 274 00:12:12,333 --> 00:12:14,166 WELL, MAYBE TODAY'S DIFFERENT. 275 00:12:14,167 --> 00:12:15,792 MAYBE TODAY YOU TEAR UP THAT TICKET? 276 00:12:22,125 --> 00:12:23,875 MAYBE TODAY IS DIFFERENT. 277 00:12:27,208 --> 00:12:28,791 HAVE A NICE DAY. 278 00:12:28,792 --> 00:12:29,999 THANK YOU SO MUCH. 279 00:12:30,000 --> 00:12:31,207 I AM SURE THERE IS GOING TO BE 280 00:12:31,208 --> 00:12:34,290 SOME KARMIC REWARD FOR YOU DOWN THE LINE. 281 00:12:34,291 --> 00:12:36,208 I DOUBT IT, 282 00:12:36,209 --> 00:12:37,875 AND YOU'RE WELCOME. 283 00:12:53,375 --> 00:12:55,124 [CLEARING THROAT] 284 00:12:55,125 --> 00:12:57,290 OH. HELLO. 285 00:12:57,291 --> 00:12:59,582 GUESS I WENT ON A LITTLE MIND VACATION. 286 00:12:59,583 --> 00:13:01,083 SOMEONE HAVE A BABY? 287 00:13:01,084 --> 00:13:02,332 I DON'T KNOW. MAYBE. 288 00:13:02,333 --> 00:13:04,666 BOOTIES ARE THE ONLY THINGS I KNOW HOW TO KNIT. 289 00:13:04,667 --> 00:13:05,792 OH, MY. 290 00:13:07,291 --> 00:13:09,042 HAVE YOU BEEN CRYING? 291 00:13:16,917 --> 00:13:18,041 MY AUNT RUTH DIED. 292 00:13:18,708 --> 00:13:20,582 OH, MILLIE. 293 00:13:20,583 --> 00:13:23,999 I'M GOING TO HAVE TO TAKE SOME TIME OFF 294 00:13:24,000 --> 00:13:25,291 FOR THE FUNERAL. 295 00:13:26,250 --> 00:13:28,165 FIVE DAYS OUGHT TO DO IT. 296 00:13:28,166 --> 00:13:31,083 ONE SMALL PERK OF TWO MIND-NUMBING DAYS 297 00:13:31,084 --> 00:13:33,040 COLLATING THE POLICY MANUAL 298 00:13:33,041 --> 00:13:36,166 WAS KNOWING THE POLICY ON BEREAVEMENT. 299 00:13:36,167 --> 00:13:38,874 YOU'RE ENTITLED TO FIVE BEREAVEMENT DAYS 300 00:13:38,875 --> 00:13:41,750 IF IT'S A PARENT, GRANDPARENT, OR SIBLING. 301 00:13:42,583 --> 00:13:44,125 YOU SAID IT WAS YOUR AUNT? 302 00:13:45,375 --> 00:13:47,749 WELL, SHE PRACTICALLY RAISED ME. 303 00:13:47,750 --> 00:13:49,166 I LOVED HER LIKE A SISTER... 304 00:13:49,167 --> 00:13:52,374 OR A MOTHER OR A GRANDMOTHER. 305 00:13:52,375 --> 00:13:55,041 EVEN SO, THE DEATH OF AN AUNT OR AN UNCLE 306 00:13:55,042 --> 00:13:58,290 ONLY ENTITLES YOU TO THREE BEREAVEMENT DAYS. 307 00:13:58,291 --> 00:14:01,124 I CAN'T BELIEVE I FUCKED THAT UP. 308 00:14:01,125 --> 00:14:06,083 BUT THE FUNERAL'S OUT OF TOWN, AND WITH TRAVEL AND ALL, 309 00:14:06,084 --> 00:14:07,999 IT HARDLY SEEMS LIKE I'LL BE ABLE TO SPEND 310 00:14:08,000 --> 00:14:11,667 ANY QUALITY MOURNING TIME WITH MY FAMILY. 311 00:14:17,792 --> 00:14:22,375 HOW ABOUT WE SAY THAT IT WAS YOUR GRANDMOTHER WHO DIED? 312 00:14:25,000 --> 00:14:28,166 DELORES, CAN WE DO THAT? 313 00:14:28,167 --> 00:14:30,458 I DON'T WANT TO ABUSE THE RULES HERE. 314 00:14:33,333 --> 00:14:34,999 DON'T LOOK NOW, 315 00:14:35,000 --> 00:14:36,708 BUT YOUR GRANDMOTHER JUST BOUGHT IT. 316 00:14:37,083 --> 00:14:38,208 THANK YOU. 317 00:14:42,750 --> 00:14:44,416 AND SO IT WAS. 318 00:14:44,417 --> 00:14:47,207 I NOT ONLY HAD TO MOURN THE LOSS OF MY AUNT RUTH, 319 00:14:47,208 --> 00:14:50,791 BUT MY PRECIOUS COLLATING JOB, TOO. 320 00:14:50,792 --> 00:14:53,834 IT WAS ALMOST TOO MUCH FOR ONE PERSON TO BEAR. 321 00:15:01,125 --> 00:15:03,290 MARY KATE, MASON. MASON, MARY KATE. 322 00:15:03,291 --> 00:15:05,083 HELLO, PLEASE COME IN. 323 00:15:08,834 --> 00:15:14,207 SO HOW IS THE WHOLE DEAD THING WORKING OUT FOR YOU? 324 00:15:14,208 --> 00:15:16,958 THE AFTERLIFE WAS BILLED AS HAVING A FEW MORE AMENITIES 325 00:15:16,959 --> 00:15:19,249 THAN I'VE SEEN THUS FAR. 326 00:15:19,250 --> 00:15:21,707 I WAS THINKING SOMETHING SORT OF RIVE GAUCHE, 327 00:15:21,708 --> 00:15:24,124 A LITTLE LESS... WORKING CLASS. 328 00:15:24,125 --> 00:15:28,416 I BELIEVE THE PERKS KICK IN AFTER YOU WALK INTO THE LIGHTS. 329 00:15:28,417 --> 00:15:30,082 THERE'S NO NEED TO RUSH THINGS, IS THERE? 330 00:15:30,083 --> 00:15:32,082 YOU'LL BE OVER THERE SOON ENOUGH. 331 00:15:32,083 --> 00:15:33,291 IS THIS A SLUM? 332 00:15:33,875 --> 00:15:35,124 SUBURBS. 333 00:15:35,125 --> 00:15:36,749 OH, WELL, SAME THING. 334 00:15:36,750 --> 00:15:38,499 NOW GET ME MY SON. 335 00:15:38,500 --> 00:15:40,083 I'VE EXPLAINED THIS TO YOU. 336 00:15:40,084 --> 00:15:43,249 YOU CAN'T JUST WALTZ UP TO THE LIVING AND START CHATTING. 337 00:15:43,250 --> 00:15:45,874 OH, I'LL CALL HIM MYSELF. 338 00:15:45,875 --> 00:15:47,374 THEY CANNOT SEE OR HEAR YOU. 339 00:15:47,375 --> 00:15:48,874 THERE'S A PROPER WAY FOR THE DEAD 340 00:15:48,875 --> 00:15:50,166 TO COMMUNICATE WITH THE LIVING. 341 00:15:50,167 --> 00:15:51,833 I'VE DONE THIS MANY, MANY TIMES. 342 00:15:51,834 --> 00:15:53,208 YOU HAVE TO TRUST ME. 343 00:15:53,209 --> 00:15:54,209 OH... 344 00:15:58,208 --> 00:16:00,249 I'M GOING TO NEED YOU TO MOVE OUT FOR A FEW DAYS. 345 00:16:00,250 --> 00:16:01,916 YOU EXPECT ME TO MOVE OUT OF MY OWN HOUSE? 346 00:16:01,917 --> 00:16:03,208 YEAH, RIGHT AWAY. 347 00:16:03,209 --> 00:16:04,609 I DON'T KNOW HOW LONG I'LL HAVE HER. 348 00:16:04,633 --> 00:16:06,165 HOW AM I TO BE COMPENSATED? 349 00:16:06,166 --> 00:16:07,667 HOW WOULD YOU LIKE TO BE COMPENSATED? 350 00:16:09,209 --> 00:16:11,750 50% OF THE TAKINGS, AND 100% OF YOUR CLOTHES OFF. 351 00:16:13,458 --> 00:16:15,207 10% AND A HANDSHAKE. 352 00:16:15,208 --> 00:16:16,999 25% AND A QUICK GROPE. 353 00:16:17,000 --> 00:16:18,000 STAY STRONG, SOLDIER. 354 00:16:19,792 --> 00:16:22,999 15% AND I'LL LET YOU SEE THEM FOR FIVE SECONDS. 355 00:16:23,000 --> 00:16:24,125 DONE. 356 00:16:30,125 --> 00:16:32,125 FIVE, FOUR, THREE, TWO, ONE. 357 00:16:38,250 --> 00:16:40,000 THAT WAS SO WORTH IT. 358 00:16:44,000 --> 00:16:45,999 WHAT DID YOU THINK OF HER OBIT? 359 00:16:46,000 --> 00:16:47,666 THE PHOTO WAS PRETTY. 360 00:16:47,667 --> 00:16:49,040 WHAT WAS SHE, 12? 361 00:16:49,041 --> 00:16:50,166 OH... 362 00:16:51,208 --> 00:16:53,165 IT WAS MOTHER'S DEBUTANTE PHOTO. 363 00:16:53,166 --> 00:16:54,625 SHE WAS 19, 364 00:16:55,333 --> 00:16:57,166 AND SHE WAS BEAUTIFUL. 365 00:16:58,166 --> 00:17:00,124 I THINK SHE'S PRETTIER TODAY. 366 00:17:00,125 --> 00:17:01,749 LOOK AT HER EYELASHES, 367 00:17:01,750 --> 00:17:03,874 HER SKIN. 368 00:17:03,875 --> 00:17:06,666 I LOVE THAT SHADE OF RED ON HER LIPS. 369 00:17:06,667 --> 00:17:10,208 OH, I'D LIKE THAT GUY TO DO MY MAKEUP. 370 00:17:10,209 --> 00:17:11,289 A LOT OF PEOPLE IN THIS ROOM 371 00:17:11,313 --> 00:17:14,063 WOULD LIKE THAT GUY TO DO YOUR MAKEUP. 372 00:17:17,000 --> 00:17:18,124 HMM. 373 00:17:18,125 --> 00:17:20,833 I EXPECTED A BIGGER CROWD... 374 00:17:20,834 --> 00:17:22,833 A BETTER CROWD. 375 00:17:22,834 --> 00:17:25,917 OH, FOR GOD'S SAKE, THERE'S MY DRYCLEANER. 376 00:17:35,084 --> 00:17:36,416 SO HERE'S THE DEAL. 377 00:17:36,417 --> 00:17:38,124 YOU ARE A DAVENPORT. 378 00:17:38,125 --> 00:17:40,124 YOUR MOTHER'S FIRST COUSIN, A LINDSEY, 379 00:17:40,125 --> 00:17:41,457 WAS MARRIED TO A BUCKINGHAM, 380 00:17:41,458 --> 00:17:45,125 WHO WAS NEPHEW TO THE DEARLY DEPARTED MARY KATE HOURIHAN. 381 00:17:45,667 --> 00:17:47,416 WHICH MAKES ME... 382 00:17:47,417 --> 00:17:48,791 VERY SAD. 383 00:17:48,792 --> 00:17:50,152 NOW GO, WHILE THE GRIEVING IS GOOD. 384 00:17:50,176 --> 00:17:52,999 WELL, WHICH ONE IS HER SON? 385 00:17:53,000 --> 00:17:54,209 MATTHEW HOURIHAN. 386 00:17:56,417 --> 00:17:57,625 HONEY. 387 00:18:01,458 --> 00:18:03,209 WAIT. COME HERE. 388 00:18:03,750 --> 00:18:05,166 OW. 389 00:18:05,167 --> 00:18:06,833 OKAY, NOW, THAT HURT. 390 00:18:06,834 --> 00:18:09,291 OKAY, GREAT. NOW YOU LOOK HURT. GO. 391 00:18:15,458 --> 00:18:16,916 MATTHEW... 392 00:18:16,917 --> 00:18:18,416 I'M SO SORRY. 393 00:18:18,417 --> 00:18:20,249 I CAN'T BELIEVE THIS. 394 00:18:20,250 --> 00:18:21,834 SHE WAS SO... 395 00:18:22,583 --> 00:18:23,834 UNIQUE. 396 00:18:24,458 --> 00:18:25,916 HI. 397 00:18:25,917 --> 00:18:27,624 I'M MILLIE. 398 00:18:27,625 --> 00:18:29,791 DAVENPORT. I'M A... 399 00:18:29,792 --> 00:18:30,958 DAVENPORT. 400 00:18:30,959 --> 00:18:33,999 SO THAT MAKE US, UM, SECOND COUSINS? 401 00:18:34,000 --> 00:18:35,834 I BELIEVE IT DOES. 402 00:18:38,291 --> 00:18:39,959 POOR MARY KATE. 403 00:18:40,291 --> 00:18:42,083 SHE'LL BE MISSED. 404 00:18:42,084 --> 00:18:44,833 I'M SORRY, I'M VERY UPSET 405 00:18:44,834 --> 00:18:46,666 AND IT'S JUST BEEN A SEA OF FACES, AND... 406 00:18:46,667 --> 00:18:49,666 THERE IS SOMETHING I HAVE TO TELL YOU, MATTHEW. 407 00:18:49,667 --> 00:18:51,165 YES? I WROTE IT DOWN, 408 00:18:51,166 --> 00:18:53,874 BECAUSE SHE INSISTED I WRITE IT DOWN. 409 00:18:53,875 --> 00:18:58,749 THE ENGLANDERS TRUST DOCUMENTS HELD BY HERZFELD AND ASSOCIATES 410 00:18:58,750 --> 00:19:01,374 ARE NOT THE MOST RECENT. 411 00:19:01,375 --> 00:19:03,290 LOOK IN THE BOTTOM DRAWER 412 00:19:03,291 --> 00:19:06,083 IN HER CURIO CABINET UPSTAIRS. 413 00:19:06,917 --> 00:19:08,166 WHO TOLD YOU THAT? 414 00:19:09,084 --> 00:19:11,124 UH, MARY KATE. 415 00:19:11,125 --> 00:19:14,000 YOU KNOW, YOUR... MOTHER. 416 00:19:14,250 --> 00:19:15,666 WHEN? 417 00:19:15,667 --> 00:19:17,332 LAST NIGHT? 418 00:19:17,333 --> 00:19:19,750 I'M... I'M SORRY, BUT WHAT? 419 00:19:21,084 --> 00:19:22,999 UM, I WAS... 420 00:19:23,000 --> 00:19:26,208 AT A SEANCE LAST NIGHT, 421 00:19:26,209 --> 00:19:28,582 AND I WAS... 422 00:19:28,583 --> 00:19:30,040 HAVING A CONVERSATION WITH MY MOTHER, 423 00:19:30,041 --> 00:19:31,791 WHICH WASN'T GOING WELL, AS USUAL, 424 00:19:31,792 --> 00:19:33,250 AND YOUR MOTHER 425 00:19:34,042 --> 00:19:35,624 UNEXPECTEDLY JOINED IN 426 00:19:35,625 --> 00:19:38,208 AND ASKED ME TO TELL YOU THAT, 427 00:19:38,209 --> 00:19:39,449 AND DON'T ASK ME TO REPEAT THAT, 428 00:19:39,473 --> 00:19:41,890 BECAUSE IT'S ALL GREEK TO ME. 429 00:19:42,875 --> 00:19:44,000 UM... 430 00:19:45,375 --> 00:19:46,708 GOD BLESS YOU... 431 00:19:47,959 --> 00:19:50,000 AND TAKE CARE. 432 00:19:51,208 --> 00:19:52,416 YEAH. NO... 433 00:19:52,417 --> 00:19:53,708 HOLD ON. 434 00:19:57,000 --> 00:20:01,000 OH, WHAT A PRETTY WOMAN I WAS. 435 00:20:02,708 --> 00:20:04,000 VERY NICE. 436 00:20:05,417 --> 00:20:07,624 OUR BELOVED MARY KATE, 437 00:20:07,625 --> 00:20:10,500 WE ASK YOU TO COMMUNE WITH US 438 00:20:11,792 --> 00:20:13,291 AND SIT WITH US. 439 00:20:15,000 --> 00:20:16,208 [SHRIEKING] 440 00:20:17,000 --> 00:20:18,625 WHAT WAS THAT? 441 00:20:21,208 --> 00:20:22,916 WHAT ARE YOU DOING? 442 00:20:22,917 --> 00:20:25,958 I'M MAKING AUTHENTIC SCARY NOISES WITH THIS. 443 00:20:25,959 --> 00:20:28,749 THIS ISN'T A SEVENTH-GRADE SLEEP-OVER PARTY. 444 00:20:28,750 --> 00:20:30,166 OH, GOOD. LOOK. 445 00:20:33,166 --> 00:20:35,124 GO PLUG THAT IN. GO ON. GO. GO. 446 00:20:35,125 --> 00:20:37,165 OH, WHAT'S NEXT, WE CUT HOLES IN SHEETS 447 00:20:37,166 --> 00:20:39,207 AND WALK AROUND THE ROOM MOANING? 448 00:20:39,208 --> 00:20:40,999 JUST GO PLUG IT IN. 449 00:20:41,000 --> 00:20:42,707 I SUMMON YOU, 450 00:20:42,708 --> 00:20:45,458 THE SPIRIT OF MARY KATE HOURIHAN. 451 00:20:46,375 --> 00:20:47,792 FLY TO US. 452 00:20:48,542 --> 00:20:49,625 FLY! 453 00:20:51,875 --> 00:20:54,165 I BELIEVE SOMEONE HAS JOINED US. 454 00:20:54,166 --> 00:20:56,042 IS IT MY MOTHER? I DON'T KNOW. 455 00:20:57,750 --> 00:21:00,208 I FEEL A VERY POWERFUL PRESENCE, 456 00:21:01,000 --> 00:21:02,333 BUT WE MUST BE SURE. 457 00:21:03,000 --> 00:21:05,834 MARY KATE, IF YOU'RE WITH US, 458 00:21:06,708 --> 00:21:08,041 PLEASE GIVE US A SIGN. 459 00:21:17,250 --> 00:21:18,874 OH, PLEASE. 460 00:21:18,875 --> 00:21:20,083 ENOUGH WITH THE THEATRICS. 461 00:21:21,084 --> 00:21:22,290 MARY KATE IS VERY ANXIOUS 462 00:21:22,291 --> 00:21:23,959 TO TALK TO YOU, MATTHEW. 463 00:21:25,125 --> 00:21:27,083 WELL, HOW DO I KNOW FOR SURE SHE'S REALLY HERE? 464 00:21:27,084 --> 00:21:29,999 BECAUSE YOU'RE CLUTCHING MY MONOGRAMMED HANDKERCHIEF, 465 00:21:30,000 --> 00:21:32,416 WHICH YOU OBVIOUSLY STOLE FROM MY BEDSIDE DRAWER, 466 00:21:32,417 --> 00:21:34,874 HOLDING IT LIKE A TWO-YEAR-OLD WITH HIS BLANKIE. 467 00:21:34,875 --> 00:21:36,834 THAT HANDKERCHIEF IS FROM HER NIGHTSTAND. 468 00:21:37,583 --> 00:21:39,083 IT TOUCHES HER HEART 469 00:21:39,084 --> 00:21:40,291 THAT YOU'RE HOLDING IT. 470 00:21:42,417 --> 00:21:43,542 OH... 471 00:21:47,083 --> 00:21:49,708 OH, I MISS YOU SO MUCH! 472 00:21:51,000 --> 00:21:53,332 OH, THE LITTLE DIPSHIT. 473 00:21:53,333 --> 00:21:55,290 WET HIS BED TILL HE WAS SEVEN. 474 00:21:55,291 --> 00:21:58,084 SHE SAYS SHE MISSES YOU VERY MUCH, TOO. 475 00:22:05,125 --> 00:22:07,541 WHERE WERE YOU THIS AFTERNOON? 476 00:22:07,542 --> 00:22:09,749 HANDING OUT PARKING TICKETS. 477 00:22:09,750 --> 00:22:11,916 THAT'S WHAT I DO, YOU KNOW. 478 00:22:11,917 --> 00:22:14,000 I DIDN'T SEE YOU ON THE STREET. 479 00:22:16,333 --> 00:22:18,083 YOUR SUPERVISOR SAID YOU KNOCKED OFF EARLY, 480 00:22:18,084 --> 00:22:19,457 THAT YOU CALLED IN SICK. 481 00:22:19,458 --> 00:22:22,166 WELL, PLAYING A LITTLE HOOKY TODAY. 482 00:22:23,250 --> 00:22:24,875 JUST CHILLING, YOU KNOW. 483 00:22:25,333 --> 00:22:27,791 DID SOME SHOPPING. 484 00:22:27,792 --> 00:22:30,208 I HAVE A "TO-DO" LIST, TOO, YOU KNOW. 485 00:22:31,542 --> 00:22:34,208 SHOULD HAVE GOTTEN THE FRENCH TIPS. 486 00:22:34,209 --> 00:22:35,409 WHAT DO YOU THINK YOU'RE DOING? 487 00:22:36,667 --> 00:22:39,124 I'M DOING MY NAILS, 488 00:22:39,125 --> 00:22:40,645 THEN I'M GOING TO DRIVE OUT TO WALMART. 489 00:22:40,669 --> 00:22:44,207 THEY'RE HAVING A SALE ON BUNDT CAKE PANS. 490 00:22:44,208 --> 00:22:46,542 I DO LOVE A DELICIOUS BUNDT CAKE. 491 00:22:47,542 --> 00:22:50,042 I'LL MAKE YOU ONE, IF YOU'D LIKE. 492 00:22:55,750 --> 00:22:57,250 FYI, SWEETHEART, 493 00:22:59,209 --> 00:23:02,375 A THOUSAND HOUSEWIVES HAVE TRIED THIS SCHTICK AND FAILED. 494 00:23:04,000 --> 00:23:05,750 WHAT SCHTICK IS THAT? 495 00:23:07,166 --> 00:23:10,124 SMILING, KEEPING BUSY. 496 00:23:10,125 --> 00:23:12,417 TRYING TO BULLSHIT THEIR WAY OUT OF AN EXISTENTIAL CRISIS. 497 00:23:14,209 --> 00:23:16,124 I'M NOT HAVING A CRISIS, RUBE. 498 00:23:16,125 --> 00:23:17,457 HMM. 499 00:23:17,458 --> 00:23:18,792 YOU'RE MOURNING. 500 00:23:19,542 --> 00:23:21,040 IT'S ALL OVER YOU. 501 00:23:21,041 --> 00:23:22,749 WHAT DO YOU WANT ME TO DO, GO TO CHURCH? 502 00:23:22,750 --> 00:23:24,249 WEAR ALL BLACK? 503 00:23:24,250 --> 00:23:26,124 SAY A FUCKING ROSARY? 504 00:23:26,125 --> 00:23:28,290 ACKNOWLEDGE YOUR GRIEF. 505 00:23:28,291 --> 00:23:31,457 EVERYBODY GRIEVES IN A DIFFERENT WAY, RUBE. 506 00:23:31,458 --> 00:23:33,290 I AIN'T GOT TO TELL YOU THAT. 507 00:23:33,291 --> 00:23:35,166 WELL, YOURS REEKS OF AVOIDANCE. 508 00:23:35,167 --> 00:23:37,999 I CAN'T CHANGE ANYTHING ABOUT THE PAST. 509 00:23:38,000 --> 00:23:40,080 I DON'T KNOW WHY WE HAVE TO KEEP GOING OVER IT AGAIN. 510 00:23:42,125 --> 00:23:44,165 WELL, I'LL BE WAITING FOR YOU WHENEVER YOU'RE READY. 511 00:23:45,166 --> 00:23:47,167 FUCKED UP MY MANICURE. 512 00:23:51,083 --> 00:23:53,208 I'M SORRY. 513 00:23:53,209 --> 00:23:55,667 I'LL STILL MAKE YOU THAT BUNDT CAKE. 514 00:23:56,834 --> 00:23:58,041 LEMON OKAY? 515 00:23:59,667 --> 00:24:01,167 I'LL BE HOME TONIGHT. 516 00:24:10,792 --> 00:24:12,125 [WEEPING] 517 00:24:13,167 --> 00:24:15,999 JUST LOOK AT THE LITTLE MILKSOP. 518 00:24:16,000 --> 00:24:18,624 HE'S JUST TOO WEAK TO STAND UP TO THE BOARD. 519 00:24:18,625 --> 00:24:22,124 HE'LL NEVER BE ABLE TO RUN THE COMPANY WITHOUT ME. 520 00:24:22,125 --> 00:24:24,749 SHE SAYS SHE WANTS YOU TO TAKE OVER 521 00:24:24,750 --> 00:24:26,000 THE BOARD OF DIRECTORS. 522 00:24:28,167 --> 00:24:30,999 WE COULD GET IN BIG TROUBLE FOR THIS. 523 00:24:31,000 --> 00:24:32,416 WE COULD GET TRANSFERRED 524 00:24:32,417 --> 00:24:34,375 TO A REALLY AWFUL PLACE, YOU KNOW. 525 00:24:36,083 --> 00:24:38,124 I'M SERIOUS, MASON. 526 00:24:38,125 --> 00:24:41,374 THIS THING SEEMS REALLY STUPID. 527 00:24:41,375 --> 00:24:43,082 WE COULD GET SCREWED BIG TIME. 528 00:24:43,083 --> 00:24:46,208 YEAH, BUT WE CAN ALSO GET VERY RICH, BIG TIME. 529 00:24:47,875 --> 00:24:49,958 OKAY. COOL. 530 00:24:49,959 --> 00:24:51,239 NOW, MAKE SURE HE GETS THIS PART. 531 00:24:51,263 --> 00:24:52,833 WILLIAM GARRATT IS HIS ENEMY. 532 00:24:52,834 --> 00:24:54,040 AT THE NEXT BOARD MEETING, 533 00:24:54,041 --> 00:24:56,457 WILLIAM GARRATT WILL CALL FOR A VOTE ON A BUY-BACK 534 00:24:56,458 --> 00:24:58,166 OF ALL OUTSTANDING SHARES. 535 00:24:58,167 --> 00:24:59,667 GO ON, TELL HIM. 536 00:25:00,917 --> 00:25:02,624 AT THE NEXT BOARD MEETING, 537 00:25:02,625 --> 00:25:04,083 THIS FELLOW... GARRATT... 538 00:25:08,417 --> 00:25:09,500 WHAT IS IT? WHAT HAPPENED? 539 00:25:10,500 --> 00:25:11,999 I... 540 00:25:12,000 --> 00:25:14,874 I CAN'T CONTINUE. IT'S TOO DANGEROUS. 541 00:25:14,875 --> 00:25:17,207 WHAT'S TOO DANGEROUS? AM I IN DANGER? 542 00:25:17,208 --> 00:25:19,165 NO, ME. 543 00:25:19,166 --> 00:25:21,583 IF I CHANNEL THE DEAD FOR TOO LONG, I MIGHT DIE MYSELF. 544 00:25:23,208 --> 00:25:25,207 SOME SPIRITS ARE ESPECIALLY DRAINING. 545 00:25:25,208 --> 00:25:27,875 I AM NOT FINISHED! TELL HIM ABOUT GARRATT. 546 00:25:31,167 --> 00:25:32,583 I'M SORRY, MATTHEW. 547 00:25:33,084 --> 00:25:34,374 SHE'S GONE. 548 00:25:34,375 --> 00:25:36,916 OH, YOU ARE FUCKING WITH THE WRONG GHOST, MY LITTLE FRIEND. 549 00:25:36,917 --> 00:25:39,124 GET HER BACK. I NEED TO CONTINUE. 550 00:25:39,125 --> 00:25:41,959 LOOK, HERE'S THE $2,000 YOU ASKED FOR. 551 00:25:42,291 --> 00:25:44,040 WE ARE SO RICH. 552 00:25:44,041 --> 00:25:46,208 SHE'S GOING TO TAKE HIS MONEY. 553 00:25:46,209 --> 00:25:47,541 I CAN'T TAKE YOUR MONEY. 554 00:25:47,542 --> 00:25:49,166 SHE'S FUCKING IT UP! 555 00:25:49,167 --> 00:25:51,124 IS THAT... MOTHER? 556 00:25:51,125 --> 00:25:53,457 NO. THIS HOUSE IS FULL OF SPIRITS. 557 00:25:53,458 --> 00:25:56,166 IT'S AN OCCUPATIONAL HAZARD. 558 00:25:56,167 --> 00:25:58,040 I CAN'T TAKE YOUR MONEY. 559 00:25:58,041 --> 00:25:59,374 LOOK... 560 00:25:59,375 --> 00:26:01,582 I'LL PAY YOU...$10,000. 561 00:26:01,583 --> 00:26:02,708 RICH. 562 00:26:03,458 --> 00:26:04,958 I DON'T THINK YOU REALIZE 563 00:26:04,959 --> 00:26:06,583 THE HEALTH RISK THIS COULD POSE FOR ME. 564 00:26:07,291 --> 00:26:08,583 $20,000. 565 00:26:09,458 --> 00:26:11,791 PERHAPS YOU HAVE SOME IDEA. 566 00:26:11,792 --> 00:26:13,958 COME BACK TOMORROW NIGHT. 567 00:26:13,959 --> 00:26:16,582 I'LL BRING MARY KATE, IF IT'S THE LAST THING I DO. 568 00:26:16,583 --> 00:26:17,625 THANK YOU. 569 00:26:18,750 --> 00:26:20,167 THANK YOU. 570 00:26:22,208 --> 00:26:24,457 YOU REALLY DON'T THINK I'M GOING TO STAND IDLY BY 571 00:26:24,458 --> 00:26:27,124 WHILE YOU SWINDLE MY SON OUT OF $20,000, DO YOU? 572 00:26:27,125 --> 00:26:28,958 SEND FOR MY LIGHTS. 573 00:26:28,959 --> 00:26:31,041 YOU CAN LEAVE ANY TIME YOU LIKE, MARY KATE, 574 00:26:31,042 --> 00:26:32,374 BUT LEAVE NOW, 575 00:26:32,375 --> 00:26:34,666 AND THE BATTLE FOR YOUR FAMILY'S BUSINESS MAY NOT GO WELL. 576 00:26:34,667 --> 00:26:37,707 THIS WILLIAM GARRATT FELLOW SOUNDS LIKE A BAD HAT, 577 00:26:37,708 --> 00:26:38,916 AND CALL ME CRAZY, 578 00:26:38,917 --> 00:26:40,082 BUT ISN'T SAVING THE COMPANY 579 00:26:40,083 --> 00:26:43,582 FOR YOUR SON WORTH A MEASLY 20 GRAND? 580 00:26:43,583 --> 00:26:44,999 YOU'RE RICHER THAN GOD. 581 00:26:45,000 --> 00:26:47,750 I'M GUESSING. I MEAN, I HAVE NO INSIDE INFORMATION. 582 00:26:51,083 --> 00:26:53,208 WHAT'S WITH THE PARLOR TRICKS, ASSHOLE? 583 00:26:53,209 --> 00:26:55,000 YOU JUST GAVE UP TWO GRAND. 584 00:26:57,083 --> 00:26:58,374 DON'T LOOK AT ME. HE'S THE ONE 585 00:26:58,375 --> 00:27:01,749 WHO CAME UP WITH THE LAME GHOST SHIT. 586 00:27:01,750 --> 00:27:05,040 MASON, I'M GOING TO MAKE THIS PERFECTLY SIMPLE 587 00:27:05,041 --> 00:27:07,208 SO YOU'RE ABLE TO UNDERSTAND. 588 00:27:11,583 --> 00:27:14,084 WE HAVE THE GHOST. 589 00:27:15,125 --> 00:27:17,083 YOU ONLY NEED PARLOR TRICKS 590 00:27:17,084 --> 00:27:19,374 WHEN YOU CAN'T TALK TO THE DEAD, 591 00:27:19,375 --> 00:27:21,625 YOU DUMB FUCKING LIMEY. 592 00:27:23,583 --> 00:27:26,874 DID YOU SEE HIS FACE WHEN THAT LAMP FELL? 593 00:27:26,875 --> 00:27:28,625 THAT SEALED THE DEAL. 594 00:27:29,625 --> 00:27:31,542 DON'T YOU FUCK THIS UP. 595 00:27:32,500 --> 00:27:34,500 DON'T YOU FUCK THIS UP! 596 00:27:36,750 --> 00:27:38,959 WITH OUR SEANCE BUSINESS UNFINISHED, 597 00:27:40,167 --> 00:27:42,834 I WAS STUCK WITH THE TASK OF BABYSITTING. 598 00:27:47,917 --> 00:27:49,416 I SAILED MY WHOLE LIFE. 599 00:27:49,417 --> 00:27:52,666 HAD MY FIRST BOAT WHEN I WAS EIGHT. 600 00:27:52,667 --> 00:27:55,958 OH, I JUST LOVED BEING OUT THERE. 601 00:27:55,959 --> 00:27:58,457 I WISH I'D BEEN BURIED AT SEA. 602 00:27:58,458 --> 00:28:00,332 COULDN'T YOU HAVE PUT THAT IN YOUR WILL? 603 00:28:00,333 --> 00:28:02,666 ASKED SOMEONE TO DO IT FOR YOU? 604 00:28:02,667 --> 00:28:04,542 COULD'VE. SHOULD'VE. DIDN'T. 605 00:28:06,375 --> 00:28:07,999 WE KEPT A BOAT AT SAINT BART'S. 606 00:28:08,000 --> 00:28:10,207 DO YOU KNOW SAINT BART'S? 607 00:28:10,208 --> 00:28:12,332 I SUPPOSE THAT'S AN ISLAND. 608 00:28:12,333 --> 00:28:14,165 IT IS. IT IS. 609 00:28:14,166 --> 00:28:17,457 IT'S A LITTLE JEWEL IN THE FRENCH WEST INDIES, 610 00:28:17,458 --> 00:28:19,332 AND WHEN THE PLANES WOULD COME IN, 611 00:28:19,333 --> 00:28:20,853 YOU'D USE THIS TINY, TINY LITTLE RUNWAY 612 00:28:20,877 --> 00:28:22,166 THAT ENDED RIGHT AT THE WATER. 613 00:28:22,167 --> 00:28:23,582 OH, TERRIFYING. 614 00:28:23,583 --> 00:28:24,791 EVERY TIME WE FLEW IN, 615 00:28:24,792 --> 00:28:26,392 I THOUGHT "WELL, WE'RE ALL GOING TO DIE," 616 00:28:27,250 --> 00:28:29,082 BUT WE NEVER DID. 617 00:28:29,083 --> 00:28:31,165 BUT OF COURSE SHE DID DIE. 618 00:28:31,166 --> 00:28:35,208 MARY KATE WOULD NEVER TAKE ANOTHER VACATION TO SAINT BART'S, 619 00:28:35,209 --> 00:28:38,041 AND I'D NEVER SEE IT AT ALL. 620 00:28:38,042 --> 00:28:39,958 DO THEY SPEAK FRENCH THERE? 621 00:28:39,959 --> 00:28:41,332 MAIS OUI. 622 00:28:41,333 --> 00:28:43,332 ON PARLAIT FRANCAIS LA-BAS, 623 00:28:43,333 --> 00:28:45,083 EXCEPT FOR THE STUPID AMERICANS 624 00:28:45,084 --> 00:28:46,875 WHO COULDN'T BE BOTHERED. YEAH. 625 00:28:48,041 --> 00:28:49,500 DO YOU KNOW HOW TO SAIL? 626 00:28:50,458 --> 00:28:51,749 NO. 627 00:28:51,750 --> 00:28:53,749 WELL, YOU SHOULD LEARN. 628 00:28:53,750 --> 00:28:56,000 YOU'D LOOK GOOD ON A SAILBOAT. 629 00:28:59,708 --> 00:29:01,082 TWO GUYS WALK INTO A BAR. 630 00:29:01,083 --> 00:29:02,207 WHAT TYPE OF BAR? 631 00:29:02,208 --> 00:29:03,290 DOESN'T MATTER. 632 00:29:03,291 --> 00:29:04,749 TWO GUYS WALK INTO A BAR... 633 00:29:04,750 --> 00:29:05,874 OF COURSE IT MATTERS. 634 00:29:05,875 --> 00:29:08,000 LEE STRASBERG PREACHED SPECIFICS. 635 00:29:10,333 --> 00:29:11,541 SO THE BARTENDER SAYS... 636 00:29:11,542 --> 00:29:14,083 I'D LIKE TO KNOW WHAT KIND OF BAR, TOO. 637 00:29:16,208 --> 00:29:18,040 YOU REALIZE THE BAR'S UNIMPORTANT, RIGHT? 638 00:29:18,041 --> 00:29:19,681 THE BAR IS JUST WHERE THE JOKE TAKES PLACE. 639 00:29:21,417 --> 00:29:24,833 WHAT'S IMPORTANT IS THE ESCALATION 640 00:29:24,834 --> 00:29:27,375 BUILDING UP TO A SURPRISING REVELATION, 641 00:29:29,167 --> 00:29:31,542 RESULTING IN SOME KIND OF A HILARITY... 642 00:29:33,625 --> 00:29:35,416 WHICH YOU'RE DEPRIVING YOURSELVES OF 643 00:29:35,417 --> 00:29:37,834 BY THESE MINDLESS INTERRUPTIONS. 644 00:29:40,333 --> 00:29:41,833 FINE. 645 00:29:41,834 --> 00:29:43,000 BE FUNNY. 646 00:29:43,708 --> 00:29:45,125 THANK YOU. 647 00:29:46,834 --> 00:29:48,833 TWO GUYS WALK INTO A BAR... 648 00:29:48,834 --> 00:29:50,208 YOU'RE SO SHORT-SIGHTED. 649 00:29:50,209 --> 00:29:52,208 SHORT-SIGHTED ABOUT WHAT? NOTHING. 650 00:29:52,209 --> 00:29:53,489 JUST SOME GIRL I'M INTERESTED IN. 651 00:29:53,513 --> 00:29:55,222 COME ON. TWO GUYS WALK INTO A BAR AND... 652 00:29:55,625 --> 00:29:56,750 WHAT? 653 00:29:58,209 --> 00:29:59,750 THEY GET A DRINK. 654 00:30:01,125 --> 00:30:02,458 THE END. 655 00:30:03,417 --> 00:30:04,708 FOR YOU. 656 00:30:05,125 --> 00:30:07,124 AND YOU. 657 00:30:07,125 --> 00:30:08,959 WHERE'S YOUR ROOMMATE? 658 00:30:10,542 --> 00:30:12,999 SHE'S FALLEN IN LOVE WITH A DIPLOMAT 659 00:30:13,000 --> 00:30:15,875 AND IS GETTING FITTED FOR A WEDDING DRESS AS WE SPEAK. 660 00:30:21,583 --> 00:30:23,383 I DON'T KNOW. I'M HER ROOMMATE, NOT HER MOTHER. 661 00:30:26,458 --> 00:30:27,667 I'LL GIVE IT TO HER. 662 00:30:30,375 --> 00:30:31,735 HOW ARE YOU GOING TO GIVE IT TO HER 663 00:30:31,759 --> 00:30:33,260 IF YOU HAVE NO IDEA WHERE SHE IS? 664 00:30:34,417 --> 00:30:36,249 MASON DOES, 665 00:30:36,250 --> 00:30:38,208 SO I'LL GIVE IT TO MASON. 666 00:30:40,834 --> 00:30:42,124 I DO KNOW WHERE SHE IS, 667 00:30:42,125 --> 00:30:44,000 AND I WILL GIVE IT TO HER RIGHT NOW. 668 00:30:45,042 --> 00:30:46,042 I'LL COME WITH. 669 00:30:51,208 --> 00:30:55,457 IN GRIEF THERAPY, THE BIG BUZZWORD IS "CLOSURE," 670 00:30:55,458 --> 00:30:59,541 YOU KNOW, MOVING ON WITH LIFE AFTER A LOVED ONE DIES. 671 00:30:59,542 --> 00:31:02,666 SUPPOSEDLY THERE'S A SUPER-EFFICIENT WAY TO GRIEVE, 672 00:31:02,667 --> 00:31:04,999 AND IF YOU CAN NAIL THAT DOWN FAST, 673 00:31:05,000 --> 00:31:08,582 YOU CAN BLOW THROUGH ALL 12 OR SO STEPS OF MOURNING 674 00:31:08,583 --> 00:31:09,917 IN LESS THAN A YEAR, 675 00:31:11,083 --> 00:31:14,166 BUT WHEN YOU'RE MOURNING YOURSELF, 676 00:31:14,167 --> 00:31:16,041 CLOSURE IS A LITTLE TRICKY. 677 00:31:19,083 --> 00:31:21,582 THAT'S A NICE BUNDT CAKE. 678 00:31:21,583 --> 00:31:24,040 I LEARNED WHEN I WAS A KID. 679 00:31:24,041 --> 00:31:26,999 ASK ANY DEAD PERSON AND THEY'LL TELL YOU, 680 00:31:27,000 --> 00:31:30,666 THE ONE DEATH YOU NEVER GET OVER IS YOUR OWN. 681 00:31:30,667 --> 00:31:33,084 I THOUGHT THIS WOULD BE THE YEAR I WOULD LET GO. 682 00:31:34,041 --> 00:31:36,166 WHAT'S IT BEEN, 20 YEARS? 683 00:31:38,125 --> 00:31:39,166 21. 684 00:31:42,208 --> 00:31:44,082 MAYBE THIS IS YOUR YEAR. 685 00:31:44,083 --> 00:31:46,917 WHY, RUBE? WHY THIS YEAR? 686 00:31:48,166 --> 00:31:50,333 BECAUSE LIFE IS TOO SHORT... 687 00:31:51,500 --> 00:31:53,333 AND DEATH IS TOO LONG. 688 00:31:55,209 --> 00:31:56,583 AND 21'S A LUCKY NUMBER, ISN'T IT? 689 00:31:58,375 --> 00:32:01,125 COME ON, THROW SOMETHING IN THERE. 690 00:32:10,084 --> 00:32:11,625 JENNIFER BEALS... 691 00:32:13,208 --> 00:32:15,249 SHE WORE THEM WELL. 692 00:32:15,250 --> 00:32:17,582 WHO KNOWS WHERE SHE'D BE WITHOUT YOU? 693 00:32:17,583 --> 00:32:19,499 BEING UNDEAD GIVES YOU A LOT OF TIME 694 00:32:19,500 --> 00:32:20,625 TO THINK ABOUT YOUR LIFE... 695 00:32:22,417 --> 00:32:23,833 AND ITS END. 696 00:32:23,834 --> 00:32:26,457 REVISITING THE HOUR OF YOUR PASSING, 697 00:32:26,458 --> 00:32:28,084 ITS DETAILS... 698 00:32:29,208 --> 00:32:31,333 THE INJUSTICE OF IT ALL. 699 00:32:37,167 --> 00:32:38,999 ONE THING EVERYONE AGREES ON, 700 00:32:39,000 --> 00:32:41,124 GOING OUT BEFORE YOU'RE OLD AND CREAKY 701 00:32:41,125 --> 00:32:44,208 IS PRETTY MUCH WORST-CASE SCENARIO, 702 00:32:44,209 --> 00:32:46,041 BUT WHEN YOU'RE YOUNG AND TALENTED, 703 00:32:48,125 --> 00:32:49,834 FULL OF LIFE... 704 00:32:53,166 --> 00:32:56,291 AND JUST STUMBLED ONTO A MILLION-DOLLAR IDEA... 705 00:33:03,084 --> 00:33:05,750 GETTING AN EARLY CHECK-OUT TRULY STINKS. 706 00:33:12,167 --> 00:33:13,407 GIRL, WHAT ARE THOSE FOOL THINGS 707 00:33:13,431 --> 00:33:15,541 YOU GOT ON YOUR LEGS? 708 00:33:15,542 --> 00:33:17,417 I CUT THE TOES OUT OF MY SOCKS. 709 00:33:18,125 --> 00:33:19,708 CHECK IT OUT. 710 00:33:21,125 --> 00:33:24,165 WOW, THOSE THINGS LOOK COOL. 711 00:33:24,166 --> 00:33:25,583 DO YOU SELL THEM? 712 00:33:37,708 --> 00:33:40,833 YOU STILL TRYING TO REINVENT THE SOCK, HUH? 713 00:33:40,834 --> 00:33:44,332 AND I'M GETTING PAID LIKE A HIGH-CLASS HOOKER TO DO IT, TOO. 714 00:33:44,333 --> 00:33:46,083 I MADE 300 BUCKS THIS WEEK. 715 00:33:47,542 --> 00:33:48,708 THAT'S NICE. 716 00:33:54,125 --> 00:33:57,165 YOU THINK YOU KNOW THE KILLERS THAT LURK IN YOUR HOUSE... 717 00:33:57,166 --> 00:33:59,208 THE SLICK PORCELAIN OF THE BATHTUB, 718 00:34:00,583 --> 00:34:03,124 THE DRANO UNDER THE SINK. 719 00:34:03,125 --> 00:34:05,833 THE THING IS, THE DEATH WEAPON 720 00:34:05,834 --> 00:34:07,708 IS NEVER WHAT YOU THINK IT'S GOING TO BE. 721 00:34:34,041 --> 00:34:37,083 IT'S AT LEAST A SAFE BET YOU DIDN'T INVENT IT. 722 00:34:42,625 --> 00:34:44,209 ALL FOR A FUCKING LEG WARMER. 723 00:34:52,084 --> 00:34:53,125 COME ON. 724 00:34:55,917 --> 00:34:59,457 FOR MOST OF US, WE DANCE TOWARDS DEATH UNWITTINGLY. 725 00:34:59,458 --> 00:35:02,499 ONE STEP HERE, ANOTHER TWIRL THERE, 726 00:35:02,500 --> 00:35:06,166 WE GET EVER CLOSER TO A FINALE WE DON'T WANT TO SEE, 727 00:35:08,000 --> 00:35:11,332 AND EVEN THOUGH WE ALL GET A FINAL CURTAIN, 728 00:35:11,333 --> 00:35:13,374 WE DON'T ALL GET CLOSURE. 729 00:35:13,375 --> 00:35:16,124 SOME OF US HANG AROUND REHASHING THE SHOW, 730 00:35:16,125 --> 00:35:19,417 WISHING WE COULD GO BACK AND GET THE LAST NUMBER RIGHT. 731 00:35:21,417 --> 00:35:23,541 TELL HIM HE CAN BLACKMAIL GARRATT 732 00:35:23,542 --> 00:35:24,791 AND GAIN CONTROL OF THE BOARD. 733 00:35:24,792 --> 00:35:27,041 GARRATT IS SLEEPING WITH HIS HOUSEKEEPER. 734 00:35:27,042 --> 00:35:28,457 YOU CAN BLACKMAIL GARRATT. 735 00:35:28,458 --> 00:35:32,124 SHE TOLD ME TO TELL YOU HE'S SLEEPING WITH THE HOUSEKEEPER. 736 00:35:32,125 --> 00:35:33,416 I'M SLEEPING WITH MY HOUSEKEEPER. 737 00:35:33,417 --> 00:35:35,083 YOU MEAN GARRATT'S SLEEPING WITH HER, TOO? 738 00:35:35,084 --> 00:35:37,916 NOT MARIA. GARRATT'S SLEEPING WITH HIS OWN HOUSEKEEPER. 739 00:35:37,917 --> 00:35:39,237 GARRATT'S NOT SLEEPING WITH MARIA. 740 00:35:39,238 --> 00:35:40,362 WHO IS GARRATT SLEEPING WITH? 741 00:35:40,363 --> 00:35:41,499 LETTICIA. LETTICIA. 742 00:35:41,500 --> 00:35:43,100 AND WHAT ARE YOU SLEEPING WITH MARIA FOR? 743 00:35:43,101 --> 00:35:44,309 SHE DOESN'T EVEN SPEAK ENGLISH, 744 00:35:44,310 --> 00:35:46,582 AND SHE'S NOT A GOOD CLEANER. 745 00:35:46,583 --> 00:35:47,874 YOUR MOTHER JUST WANTS YOU 746 00:35:47,875 --> 00:35:49,916 TO LEAD A GOOD, CLEAN LIFE. 747 00:35:49,917 --> 00:35:51,332 WOULD YOU STOP PARAPHRASING ME? 748 00:35:51,333 --> 00:35:53,749 IT'S INFURIATING. YOU'RE FIRED. 749 00:35:53,750 --> 00:35:55,250 IT'S TIME FOR YOUR MOTHER TO MOVE ON. 750 00:35:56,291 --> 00:35:58,999 IS THERE ANYTHING ELSE YOU'D LIKE TO ASK HER? 751 00:35:59,000 --> 00:36:00,125 I THINK I'M DONE. 752 00:36:00,875 --> 00:36:03,165 NO "THANK YOU"? 753 00:36:03,166 --> 00:36:06,582 WE THANK YOU, SPIRIT OF MARY KATE, 754 00:36:06,583 --> 00:36:09,000 AND WE INVITE YOU TO GO. 755 00:36:10,083 --> 00:36:11,666 GO. 756 00:36:11,667 --> 00:36:13,374 FLY, SPIRIT. 757 00:36:13,375 --> 00:36:14,458 FLY! 758 00:36:16,209 --> 00:36:17,708 HERE'S THE MONEY THAT I PROMISED YOU. 759 00:36:23,458 --> 00:36:24,833 MASON... 760 00:36:24,834 --> 00:36:26,791 DAISY ADAIR, YOU'RE UNDER ARREST. 761 00:36:26,792 --> 00:36:28,124 WHAT? 762 00:36:28,125 --> 00:36:29,165 WHAT? 763 00:36:29,166 --> 00:36:30,666 SHIT. 764 00:36:30,667 --> 00:36:32,958 YOU'RE BEING CHARGED WITH GRAND LARCENY AND EXTORTION. 765 00:36:32,959 --> 00:36:34,041 AND PARAPHRASING. 766 00:36:34,042 --> 00:36:35,499 OH, THIS IS ABSURD! 767 00:36:35,500 --> 00:36:36,791 WHERE ARE YOU GOING? 768 00:36:36,792 --> 00:36:38,072 I'M GETTING THE FUCK OUT OF HERE. 769 00:36:38,096 --> 00:36:40,096 I SUGGEST YOU DO THE SAME. 770 00:36:41,959 --> 00:36:43,707 YOU FRAUD. 771 00:36:43,708 --> 00:36:46,208 GARRATT PUT YOU UP TO THIS, DIDN'T HE? 772 00:36:47,208 --> 00:36:48,791 WELL, YOU TELL THAT SON OF A BITCH 773 00:36:48,792 --> 00:36:51,250 THAT MATTHEW HOURIHAN IS NO PUSHOVER. 774 00:36:52,250 --> 00:36:55,000 HE CAN GO... FUCK A DUCK 775 00:36:56,209 --> 00:36:57,609 IF HE THINKS HE'S GOING TO TAKE OVER 776 00:36:57,633 --> 00:36:59,666 THE COMPANY MY PARENTS BUILT FROM NOTHING. 777 00:36:59,667 --> 00:37:02,165 OH, MY LITTLE MATTHEW FINALLY GREW SOME STONES. 778 00:37:02,166 --> 00:37:03,374 CUFF HER. 779 00:37:03,375 --> 00:37:04,959 LET'S GET YOU OUT OF HERE. 780 00:37:05,875 --> 00:37:07,999 DAISY, TELL HIM I LOVE HIM 781 00:37:08,000 --> 00:37:10,624 AND THAT I'M SORRY WE DIDN'T LET HIM PLAY HOCKEY AS A KID. 782 00:37:10,625 --> 00:37:12,749 HE WAS A BEAUTIFUL SKATER. 783 00:37:12,750 --> 00:37:14,749 HE WON'T BELIEVE ME, MARY KATE. 784 00:37:14,750 --> 00:37:16,082 WHO ARE YOU TALKING TO? 785 00:37:16,083 --> 00:37:17,666 WOULD YOU GIVE IT UP ALREADY? 786 00:37:17,667 --> 00:37:19,541 TELL HIM, DAISY. 787 00:37:19,542 --> 00:37:21,000 YOU OWE ME. 788 00:37:22,667 --> 00:37:24,084 YOUR MOTHER SAYS SHE LOVES YOU 789 00:37:25,041 --> 00:37:26,875 AND SHE'S SORRY ABOUT THE HOCKEY, 790 00:37:28,000 --> 00:37:30,291 AND SHE THOUGHT YOU WERE A BEAUTIFUL SKATER. 791 00:37:30,959 --> 00:37:32,333 HOW DID YOU... 792 00:37:32,875 --> 00:37:34,084 SHE LOVED ME? 793 00:37:36,167 --> 00:37:38,042 LET'S GO, MR. HOURIHAN. 794 00:37:44,458 --> 00:37:47,000 THANKS FOR YOUR HELP. MUCH APPRECIATED. 795 00:37:49,542 --> 00:37:51,374 CONSIDER YOURSELF LUCKY. 796 00:37:51,375 --> 00:37:52,855 MOST PEOPLE GET TAKEN TO THE CLEANERS. 797 00:37:54,750 --> 00:37:57,458 GO! GO! THEY'RE AFTER THE MONEY! GO! 798 00:38:01,917 --> 00:38:03,041 [ENGINE TURNING OVER] 799 00:38:13,667 --> 00:38:15,749 THAT STUNG. 44? 800 00:38:15,750 --> 00:38:17,166 NAH. 38. 801 00:38:17,167 --> 00:38:20,874 MAKES A LOT OF NOISE, BUT IT'S A QUICKER HEAL. 802 00:38:20,875 --> 00:38:22,124 THANKS, THAT'S CONSIDERATE. 803 00:38:22,125 --> 00:38:25,374 AH, YOU'RE THE ONE WHO SHOULD BE GETTING THE THANKS, PETE. 804 00:38:25,375 --> 00:38:27,499 THANKS FOR TAKING THE TIME. 805 00:38:27,500 --> 00:38:28,666 I ALWAYS APPRECIATE REAPERS 806 00:38:28,667 --> 00:38:29,999 WHO DON'T MIND PITCHING IN. 807 00:38:30,000 --> 00:38:31,541 THANKS, BOYS. 808 00:38:31,542 --> 00:38:33,457 COME ON, RUBE, WE'RE PLAGUE DIVISION. 809 00:38:33,458 --> 00:38:35,457 ALL WE GOT IS TIME. 810 00:38:35,458 --> 00:38:38,124 WHAT I WOULDN'T GIVE FOR SOME LOCUSTS RIGHT ABOUT NOW. 811 00:38:38,125 --> 00:38:39,959 I HEAR YOU, BUDDY. 812 00:38:43,875 --> 00:38:46,000 I BELIEVE THAT'S MY RIDE. 813 00:38:48,000 --> 00:38:50,791 AM I GOING TO SAINT BART'S? 814 00:38:50,792 --> 00:38:53,042 WITH A SHORT STOP-OVER AT CUSTOMS. 815 00:38:55,000 --> 00:38:56,000 MERCI. 816 00:38:57,333 --> 00:38:58,708 DE RIEN. 817 00:39:30,708 --> 00:39:32,207 YOU'RE AN ASSHOLE. 818 00:39:32,208 --> 00:39:34,499 YOU'RE A SORE LOSER. 819 00:39:34,500 --> 00:39:36,666 I SHOULD'VE KNOWN YOU ORCHESTRATED THIS WHOLE THING. 820 00:39:36,667 --> 00:39:38,667 AND I SHOULD'VE KNOWN YOU'D PULL THE SAME STUFF HERE 821 00:39:38,691 --> 00:39:40,707 AS YOU DID IN NEW YORK. 822 00:39:40,708 --> 00:39:43,208 WHERE'S MY MONEY? 823 00:39:43,209 --> 00:39:44,689 I'VE GOT ZERO TOLERANCE FOR YOUR CONS. 824 00:39:46,542 --> 00:39:50,667 YOU WILL NOT PREY ON THE SURVIVORS OF THE SOULS YOU TAKE. 825 00:39:51,458 --> 00:39:54,290 YOU WILL RESPECT THAT BOUNDARY 826 00:39:54,291 --> 00:39:57,417 AND YOU WILL TREAT IT WITH THE GRACE THAT IT DESERVES, 827 00:39:59,042 --> 00:40:00,922 OR YOU WILL TASTE A WRATH YOU'VE ONLY READ ABOUT 828 00:40:00,946 --> 00:40:02,106 IN YOUR PRECIOUS LITTLE PLAYS. 829 00:40:03,291 --> 00:40:04,875 ARE WE CLEAR? 830 00:40:05,291 --> 00:40:06,583 CRYSTAL. 831 00:40:09,209 --> 00:40:11,084 THEN YOU'RE FREE TO GO. 832 00:40:12,583 --> 00:40:13,875 THE KEY? 833 00:40:16,000 --> 00:40:17,500 OH, DON'T WORRY. 834 00:40:18,708 --> 00:40:20,667 I'LL LEAVE IT RIGHT HERE FOR YOU. 835 00:40:22,250 --> 00:40:23,874 HOW THE FUCK AM I GOING TO GET THAT? 836 00:40:23,875 --> 00:40:25,666 AH, YOU'LL FIGURE IT OUT. 837 00:40:25,667 --> 00:40:27,209 YOU'RE THE AMAZING DAISY. 838 00:40:30,333 --> 00:40:31,834 FUCK ME. 839 00:40:33,667 --> 00:40:35,999 I HAD ESCAPED THE WRATH OF RUBE, 840 00:40:36,000 --> 00:40:38,499 BUT I DID HAVE TO PAY A PRICE. 841 00:40:38,500 --> 00:40:41,291 ENTERTAINING MARY KATE TURNED OUT TO HAVE ITS COSTS. 842 00:40:41,834 --> 00:40:43,250 THERE YOU ARE. 843 00:40:49,000 --> 00:40:51,333 I'VE KNITTED YOU A LITTLE GIFT. 844 00:40:52,959 --> 00:40:54,541 THANKS. 845 00:40:54,542 --> 00:40:55,999 A BABY HAT? 846 00:40:56,000 --> 00:40:58,040 NO, SILLY. 847 00:40:58,041 --> 00:41:00,000 IT'S A PENCIL SHARPENER COZY, 848 00:41:01,125 --> 00:41:02,416 AND... 849 00:41:02,417 --> 00:41:05,209 THAT'S THE CHINESE SYMBOL FOR PROSPERITY. 850 00:41:06,167 --> 00:41:07,999 THAT'S SO SWEET, DELORES. 851 00:41:08,000 --> 00:41:11,875 I COULD REALLY USE ONE OF THOSE. 852 00:41:13,792 --> 00:41:15,082 HOW WAS THE FUNERAL? 853 00:41:15,083 --> 00:41:17,208 OH, GOOD... 854 00:41:18,042 --> 00:41:20,541 AND SAD. 855 00:41:20,542 --> 00:41:23,290 IT FEELS GOOD TO BE HOME. 856 00:41:23,291 --> 00:41:25,958 IT'S GOOD TO HAVE YOU HOME. 857 00:41:25,959 --> 00:41:28,165 OH, NEED YOU TO GET BACK ON THAT COLLATING JOB. 858 00:41:28,166 --> 00:41:29,792 WORK ALL NIGHT IF YOU HAVE TO. 859 00:41:34,708 --> 00:41:39,290 SO WE CONTINUE TO MUDDLE THROUGH OUR UNFINISHED BUSINESS, 860 00:41:39,291 --> 00:41:44,041 TRY TO FIND WAYS TO CHECK THINGS OFF OUR TO-DO LISTS, 861 00:41:44,042 --> 00:41:48,541 BUT IN THAT STRANGE QUEST TO GET THROUGH ALL OUR LISTS, 862 00:41:48,542 --> 00:41:53,165 WE TRY TO RESIST THE URGE TO FOCUS JUST ON THE PAST... 863 00:41:53,166 --> 00:41:56,291 NOBODY BOTHERS TO RESPECT THE METER ANY MORE. 864 00:41:57,750 --> 00:42:00,084 TO SAY, "I'LL NEVER DO THIS," 865 00:42:01,667 --> 00:42:04,040 OR, "I'LL NEVER DO THAT." 866 00:42:04,041 --> 00:42:06,374 [FUNKY MUSIC PLAYING] 867 00:42:06,375 --> 00:42:08,750 "I'LL NEVER GO TO SAINT BART'S. 868 00:42:09,917 --> 00:42:11,499 I'LL NEVER..." 869 00:42:11,500 --> 00:42:12,667 [♪♪] 870 00:42:37,209 --> 00:42:41,624 BUT SOMETIMES WE FIND CLOSURE BY GIVING DEATH THE FINGER, 871 00:42:41,625 --> 00:42:44,667 BY FINDING THE LITTLE WAYS TO SAY, "I WILL." 872 00:42:45,208 --> 00:42:46,375 I CAN."