1 00:01:10,792 --> 00:01:13,332 [GEORGE] HOW WE CHOOSE TO PHYSICALLY MOVE THROUGH LIFE 2 00:01:13,333 --> 00:01:16,042 IS MAYBE AS IMPORTANT AS WHERE WE GO. 3 00:01:16,959 --> 00:01:18,124 WHOEVER FIRST SAID, 4 00:01:18,125 --> 00:01:20,165 "IT'S THE JOURNEY, NOT THE DESTINATION," 5 00:01:20,166 --> 00:01:22,541 NEVER TOOK THE BUS. 6 00:01:22,542 --> 00:01:24,290 ONE MEANING OF THE WORD "COMMUTE" 7 00:01:24,291 --> 00:01:27,124 IS TO SHORTEN A PRISON SENTENCE. 8 00:01:27,125 --> 00:01:30,082 COMMUTING IS A PRISON SENTENCE. 9 00:01:30,083 --> 00:01:33,332 YOUR FREEDOMS ARE BEING SYSTEMATICALLY STRIPPED AWAY. 10 00:01:33,333 --> 00:01:35,207 YOUR FREEDOM OF SPACE. 11 00:01:35,208 --> 00:01:37,541 FREEDOM OF INFORMATION. 12 00:01:37,542 --> 00:01:40,874 FREEDOM OF SMELL. 13 00:01:40,875 --> 00:01:43,750 IT'D BE ENOUGH TO KILL ME IF I WEREN'T ALREADY DEAD. 14 00:02:01,041 --> 00:02:03,582 "WHERE THE HEART IS, IN HONDURAS." FOUR. 15 00:02:03,583 --> 00:02:04,708 CASA. 16 00:02:06,125 --> 00:02:07,791 NICE WORK, PEANUT. 17 00:02:07,792 --> 00:02:10,499 GEORGIA, ARE YOU WEARING A FRAGRANCE THIS MORNING? 18 00:02:10,500 --> 00:02:13,499 IT'S ORANGE JUICE. I HATE THE BUS. 19 00:02:13,500 --> 00:02:15,999 PUBLIC TRANSPORTATION IS THE GREAT EQUALIZER. 20 00:02:16,000 --> 00:02:17,959 I DON'T WANT TO BE EQUAL. FUCK EQUAL. 21 00:02:18,417 --> 00:02:19,916 STEAL A CAR. 22 00:02:19,917 --> 00:02:21,208 WHAT ABOUT A BICYCLE? 23 00:02:21,209 --> 00:02:23,457 I ONCE HAD DOROTHY'S ORIGINAL BIKE 24 00:02:23,458 --> 00:02:24,458 FROM THE WIZARD OF OZ. 25 00:02:25,625 --> 00:02:27,541 I KNEW SOMEONE FROM THE PROPS DEPARTMENT. 26 00:02:27,542 --> 00:02:29,662 DON'T YOU MEAN YOU BLEW SOMEONE IN THE PROP DEPARTMENT? 27 00:02:29,686 --> 00:02:31,999 KNEW, BLEW, TOMATO, TOMAHTO. 28 00:02:32,000 --> 00:02:33,374 ONCE BABY JUDY DIED, 29 00:02:33,375 --> 00:02:34,874 I DIDN'T WANT TO RIDE IT ANYMORE, 30 00:02:34,875 --> 00:02:36,333 SO I SOLD IT AT AN AUCTION. 31 00:02:37,208 --> 00:02:39,124 SPEAKING OF DEATH... 32 00:02:39,125 --> 00:02:40,125 LET'S GET TO WORK. 33 00:02:41,375 --> 00:02:42,624 C. BOND. GWEN ISLE. 34 00:02:42,625 --> 00:02:43,905 THAT'S, LIKE, A THREE-HOUR DRIVE. 35 00:02:44,250 --> 00:02:45,333 PLUS A FERRY. 36 00:02:46,000 --> 00:02:47,165 WHAT... 37 00:02:47,166 --> 00:02:49,457 HANG ON, TWO SOULS? WHERE THE FUCK IS ROXY? 38 00:02:49,458 --> 00:02:52,000 SHE'S NEEDED ELSEWHERE. JUST WORRY ABOUT YOURSELF, HUH? 39 00:02:54,125 --> 00:02:56,416 THREE-HOUR DRIVE AND A FUCKING FERRY, MY ASS. 40 00:02:56,417 --> 00:02:58,177 IF YOU'D LOOK, YOU'D SEE YOU GOT TWO POST-ITS. 41 00:02:58,201 --> 00:02:59,416 THERE'S ONE ADDRESS. 42 00:02:59,417 --> 00:03:01,666 OH. WELL, WHAT DOES THAT MEAN? 43 00:03:01,667 --> 00:03:04,041 MURDER-SUICIDE? DOUBLE MURDER? WHAT? 44 00:03:04,042 --> 00:03:06,208 THEY'RE THREE HOURS APART. THAT'S ALL I GOT. 45 00:03:06,209 --> 00:03:07,332 GWEN ISLE IS BEAUTIFUL. 46 00:03:07,333 --> 00:03:08,933 I'M GLAD YOU THINK SO. WHY DON'T WE SWAP? 47 00:03:08,957 --> 00:03:10,999 NO TRADING. NO TRADING. 48 00:03:11,000 --> 00:03:12,167 ALL RIGHT, THAT'S IT. 49 00:03:13,000 --> 00:03:14,666 WHAT ABOUT MINE? WHAT ABOUT HER? 50 00:03:14,667 --> 00:03:16,208 I DON'T HAVE A POST-IT FOR YOU. 51 00:03:16,209 --> 00:03:18,329 YOU'RE WAY TOO CONCERNED WITH OTHER PEOPLE'S SCHEDULES. 52 00:03:18,330 --> 00:03:20,770 WHY DON'T YOU JUST TAKE YOUR TWO SOULS AND SHUT YOUR CAKE HOLE? 53 00:03:20,794 --> 00:03:21,707 A BIKE'S A GOOD IDEA. 54 00:03:21,708 --> 00:03:24,749 I HAD A BIKE ONCE, AND IT WAS RED AND COOL. 55 00:03:24,750 --> 00:03:26,999 MOM, I CAN DO THIS. HANDS OFF. 56 00:03:27,000 --> 00:03:28,332 OKAY. 57 00:03:28,333 --> 00:03:30,542 I'M DOING IT... I'M DOING IT! 58 00:03:31,417 --> 00:03:34,083 AND I'M NEVER COMING BACK! 59 00:03:34,084 --> 00:03:35,917 NOW IT BELONGS TO MY LITTLE SISTER. 60 00:03:38,083 --> 00:03:41,290 COULD YOU PICK UP SOME TATER TOTS TONIGHT FOR DINNER? 61 00:03:41,291 --> 00:03:44,999 WILL WE BE SEEING YOU TONIGHT FOR DINNER? 62 00:03:45,000 --> 00:03:46,791 I'LL LET YOU KNOW AS SOON AS I KNOW. 63 00:03:46,792 --> 00:03:47,874 [J.D. BARKS] 64 00:03:47,875 --> 00:03:49,542 J.D... WANT SOME TOAST? 65 00:03:50,458 --> 00:03:52,499 HE DOESN'T WANT ANY TOAST, REGGIE. 66 00:03:52,500 --> 00:03:54,125 HE WANTS BACON. 67 00:03:55,667 --> 00:03:57,791 I DON'T KNOW HOW GREAT AN IDEA IT IS 68 00:03:57,792 --> 00:03:59,791 TO FEED THE DOG AT THE TABLE. 69 00:03:59,792 --> 00:04:03,208 HE NEEDS HIS OWN SNACKS, DON'T YOU, BUDDY? 70 00:04:03,209 --> 00:04:04,791 HEY, BUDDY, HERE YOU GO. 71 00:04:04,792 --> 00:04:07,624 HEY, HOW WOULD YOU LIKE A DOGGIE DOOR, HUH? 'CAUSE I BOUGHT YOU ONE. 72 00:04:07,625 --> 00:04:09,585 WOULD YOU LIKE TO COME IN AND GO OUT AS YOU PLEASE? 73 00:04:09,609 --> 00:04:11,999 I'M GOING TO PUT IT IN FOR YOU TONIGHT, SMOOCHIE. 74 00:04:12,000 --> 00:04:14,290 SMOOCHIE? DAD, DON'T BE SUCH A TOOL. 75 00:04:14,291 --> 00:04:16,000 REGGIE. REGGIE... 76 00:04:26,083 --> 00:04:28,791 IT'S MORE THAN I MAKE IN TWO MONTHS. 77 00:04:28,792 --> 00:04:31,040 WELL, PART-TIME, ENTRY LEVEL, BOTTOM RUNG. 78 00:04:31,041 --> 00:04:32,541 WHAT ARE YOU GOING TO DO? 79 00:04:32,542 --> 00:04:35,542 IF I WERE SOMEONE ELSE, INTRODUCE MYSELF. 80 00:04:37,500 --> 00:04:39,417 YOU BEEN CHECKING THE JOB POSTINGS? 81 00:04:40,042 --> 00:04:41,499 NO. OH. 82 00:04:41,500 --> 00:04:44,500 I GUESS YOU'RE HEADING TOWARDS FULL-TIME HAPPY TIME. 83 00:04:45,000 --> 00:04:46,375 [SCOFFS] NO. 84 00:04:47,041 --> 00:04:48,291 OH. 85 00:04:54,167 --> 00:04:56,416 WELL, I WAS GOING TO SAY, 86 00:04:56,417 --> 00:04:59,040 I SAW A NEW POSTING FOR A GREAT GIG. 87 00:04:59,041 --> 00:05:00,457 PAYS REALLY WELL. 88 00:05:00,458 --> 00:05:02,208 GET YOU THAT BIKE IN A FEW WEEKS. 89 00:05:02,209 --> 00:05:03,959 WHY WOULDN'T YOU TAKE THE JOB? 90 00:05:04,792 --> 00:05:06,875 I JUST GOT HERE, SO... 91 00:05:07,542 --> 00:05:08,707 THEY'RE LOOKING FOR SOMEONE 92 00:05:08,708 --> 00:05:11,040 WITH SLIGHTLY MORE SENIORITY. 93 00:05:11,041 --> 00:05:13,500 SOMEONE SLIGHTLY CUTER, I GUESS. 94 00:05:20,458 --> 00:05:23,166 WAIT A MINUTE. UM... 95 00:05:23,167 --> 00:05:26,125 CAN YOU SHOW ME THE WEB PAGE WITH THE POSTING? 96 00:05:27,250 --> 00:05:29,209 SURE. I'M JOSH. 97 00:05:34,084 --> 00:05:36,332 I'M NOT CERTAIN I'M UNDERSTANDING YOU, MILLIE. 98 00:05:36,333 --> 00:05:38,082 YOU'VE ALREADY CONTACTED THE EMPLOYER? 99 00:05:38,083 --> 00:05:41,165 I DIDN'T. UM, JOSH CALLED THEM. 100 00:05:41,166 --> 00:05:44,417 WHO IS JOSH? NEVER MIND. WHAT DID THE EMPLOYER SAY? 101 00:05:45,792 --> 00:05:46,834 YES. 102 00:05:47,500 --> 00:05:48,708 YES, WHAT? 103 00:05:50,000 --> 00:05:52,917 HE SAID YES. I'M HIRED. 104 00:05:54,708 --> 00:05:56,165 I DIDN'T DO ANYTHING. 105 00:05:56,166 --> 00:05:57,582 JOSH DID EVERYTHING. 106 00:05:57,583 --> 00:06:01,290 DOES JOSH KNOW YOU'RE A VALUED EMPLOYEE OF HAPPY TIME? 107 00:06:01,291 --> 00:06:04,541 THAT'S VERY NICE OF YOU, DELORES, BUT... 108 00:06:04,542 --> 00:06:08,375 I THOUGHT I'D JUST LOOK FOR SOMETHING A LITTLE MORE... 109 00:06:09,542 --> 00:06:10,999 LIVING WAGE-ISH. 110 00:06:11,000 --> 00:06:12,374 LIKE, I WANT TO BUY A BIKE. 111 00:06:12,375 --> 00:06:14,124 WELL, I WANT TO RIDE IN THE KENTUCKY DERBY, 112 00:06:14,125 --> 00:06:15,885 BUT YOU DON'T SEE ME IN RACING SILKS, DO YOU? 113 00:06:17,250 --> 00:06:19,125 WELL, WHEN DO THEY WANT YOU TO BEGIN? 114 00:06:20,750 --> 00:06:22,375 TOMORROW. TOMORROW? 115 00:06:24,875 --> 00:06:26,083 INTERESTING. 116 00:06:27,042 --> 00:06:28,917 WELL, G-F-Y. 117 00:06:30,084 --> 00:06:31,624 GOOD FOR YOU. 118 00:06:31,625 --> 00:06:34,917 LOOKS LIKE I'VE GOT A GOING-AWAY PARTY TO ORGANIZE. 119 00:06:35,875 --> 00:06:37,000 EXCUSE ME. 120 00:06:38,458 --> 00:06:41,166 G-F-M. GOOD FOR ME. 121 00:06:42,083 --> 00:06:43,624 HERE'S THE DEAL. 122 00:06:43,625 --> 00:06:45,833 HE MAY BE THE ONE WHO BOUGHT THIS DOOR, 123 00:06:45,834 --> 00:06:47,234 BUT I'M THE ONE WHO'S PUTTING IT IN. 124 00:06:49,000 --> 00:06:50,499 I'M BETTING YOU'RE A SMART ENOUGH DOG 125 00:06:50,500 --> 00:06:52,165 TO FIGURE THAT OUT, J.D. 126 00:06:52,166 --> 00:06:53,875 AM I RIGHT? [BARKS] 127 00:06:55,375 --> 00:06:56,917 DON'T SAY I NEVER GAVE YOU ANYTHING. 128 00:06:59,041 --> 00:07:01,000 HEY, IT WORKS. 129 00:07:01,959 --> 00:07:03,582 [BARKING RECEDING] 130 00:07:03,583 --> 00:07:04,625 J.D.? 131 00:07:06,125 --> 00:07:07,125 J.D.? 132 00:07:07,792 --> 00:07:09,042 J.D.! 133 00:07:12,125 --> 00:07:13,917 [SIGHS] 134 00:07:15,083 --> 00:07:16,458 FUCK ME. 135 00:07:24,209 --> 00:07:25,667 [DAISY]: HELLO? 136 00:07:27,042 --> 00:07:28,624 C. FREEDMAN? 137 00:07:28,625 --> 00:07:29,667 IT'S CHRIS. 138 00:07:30,458 --> 00:07:31,999 WELL, GOOD MORNING, CHRIS. 139 00:07:32,000 --> 00:07:33,084 HOW DID YOU GET IN HERE? 140 00:07:34,583 --> 00:07:36,083 TOOK THE STAIRS, SILLY. 141 00:07:36,084 --> 00:07:37,290 AND YOU ARE? 142 00:07:37,291 --> 00:07:40,083 WELL, I'M DAISY. DAISY ADAIR. 143 00:07:43,000 --> 00:07:44,749 I'M A PATRON OF THE ARTS. 144 00:07:44,750 --> 00:07:46,791 OH. THAT'S TOO BAD. 145 00:07:46,792 --> 00:07:49,542 NOW, HOW ON EARTH COULD MEETING ME BE BAD? 146 00:07:50,875 --> 00:07:53,874 BECAUSE PEOPLE WHO CALL THEMSELVES PATRONS 147 00:07:53,875 --> 00:07:55,499 GENERALLY ONLY WANT TO TALK 148 00:07:55,500 --> 00:07:57,165 ABOUT HOW MUCH A PAINTING IS WORTH, 149 00:07:57,166 --> 00:08:00,124 RATHER THAN WHAT THEY SEE, WHAT THEY FEEL. 150 00:08:00,125 --> 00:08:01,916 WOULDN'T ONE CONSIDER BOTH? 151 00:08:01,917 --> 00:08:03,667 ART AND VALUE? 152 00:08:04,542 --> 00:08:06,124 SOUNDS REASONABLE ENOUGH. 153 00:08:06,125 --> 00:08:08,083 NOTHING ABOUT PAINTING IS REASONABLE. 154 00:08:08,084 --> 00:08:09,084 AH. 155 00:08:15,167 --> 00:08:16,167 HOW MUCH? 156 00:08:16,583 --> 00:08:17,999 "HOW MUCH?" 157 00:08:18,000 --> 00:08:20,791 AS IN, HOW MUCH DID I WANT TO PAINT THAT? 158 00:08:20,792 --> 00:08:23,541 HOW MUCH PAIN WAS I IN WHEN I WAS DOING IT? 159 00:08:23,542 --> 00:08:25,582 HOW MUCH JOY WHEN I WAS DONE? 160 00:08:25,583 --> 00:08:27,041 IS THAT WHAT YOU MEAN? 161 00:08:27,042 --> 00:08:29,708 YEAH. HOW MUCH? 162 00:08:30,458 --> 00:08:32,124 IT'S NOT FOR SALE. 163 00:08:32,125 --> 00:08:34,707 WELL, DOESN'T YOUR GALLERY SET A PRICE? 164 00:08:34,708 --> 00:08:36,833 I DON'T HAVE A GALLERY. 165 00:08:36,834 --> 00:08:37,999 THAT'S RIDICULOUS. 166 00:08:38,000 --> 00:08:40,207 YOUR WORK IS... 167 00:08:40,208 --> 00:08:42,457 IT'S PRETTY GOOD. I MEAN, IT COULD SELL. 168 00:08:42,458 --> 00:08:44,166 THAT'S NOT WHY I DO IT. [CLEARS THROAT] 169 00:08:45,250 --> 00:08:48,374 BESIDES, THE GRUESOME TRUTH IS NOTHING REALLY SELLS 170 00:08:48,375 --> 00:08:51,166 UNTIL AFTER THE ARTIST... KICKS IT. 171 00:08:51,625 --> 00:08:52,958 HUH. 172 00:08:52,959 --> 00:08:54,582 I DON'T MEAN TO BE RUDE, 173 00:08:54,583 --> 00:08:56,291 BUT I NEED TO GET BACK TO WORK. 174 00:08:57,417 --> 00:08:59,749 I'M SORRY. I CAN'T SELL YOU ANYTHING. 175 00:08:59,750 --> 00:09:03,000 THESE THINGS HAVE A WAY OF SORTING THEMSELVES OUT. 176 00:09:35,000 --> 00:09:36,792 [GAGGING] 177 00:09:38,209 --> 00:09:40,208 [THUMP] [SIGHS] 178 00:09:40,209 --> 00:09:41,750 I LIKE THAT PAINTING. 179 00:09:43,750 --> 00:09:46,208 SUDDENLY, THIS WAS IT, MOVING DAY, 180 00:09:47,125 --> 00:09:49,084 AND EVERYONE SEEMED TO KNOW. 181 00:09:52,417 --> 00:09:53,792 CAKE REQUEST? 182 00:09:55,084 --> 00:09:57,207 YES, THAT THERE BE NO CAKE. 183 00:09:57,208 --> 00:09:59,207 IF YOU CAN MAKE A GIANT SANDWICH, 184 00:09:59,208 --> 00:10:01,833 WHY CAN'T YOU MAKE A GIANT QUESADILLA? 185 00:10:01,834 --> 00:10:04,582 AND GIVE ME SOME PRICES ON RENTING A BURRO. 186 00:10:04,583 --> 00:10:07,083 STEPHANIE, COULD YOU PASS OUT THE PARTY MEMO? 187 00:10:07,084 --> 00:10:09,124 WELL, TALK TO HERNANDO AND GET BACK TO ME, PRONTO. 188 00:10:09,125 --> 00:10:11,208 TELL HIM IT'S DELORES FROM HAPPY TIME, 189 00:10:11,209 --> 00:10:14,041 AND I WILL EAT HIS BALLS FOR BREAKFAST IF HE DISAPPOINTS ME. 190 00:10:14,042 --> 00:10:16,124 OH, PHIL, PICK UP THE CAKE AT 4:00 191 00:10:16,125 --> 00:10:18,166 AND I'LL REIMBURSE YOU FROM PETTY CASH. 192 00:10:18,167 --> 00:10:19,874 MARGE, HERE'S THE KEY TO THE STOREROOM. 193 00:10:19,875 --> 00:10:22,208 PINATA ON THE THIRD SHELF. 194 00:10:24,166 --> 00:10:25,999 I DON'T WANT A PARTY. 195 00:10:26,000 --> 00:10:27,249 BUT MILLIE, YOU'RE GOING AWAY. 196 00:10:27,250 --> 00:10:28,874 THAT MERITS A GOING-AWAY PARTY. 197 00:10:28,875 --> 00:10:32,041 IT'S JUST REALLY UNNECESSARY. 198 00:10:32,042 --> 00:10:33,958 YOU'RE A MEMBER OF THE HAPPY TIME FAMILY. 199 00:10:33,959 --> 00:10:35,165 HAPPY TIME HAS BEEN YOUR HOME. 200 00:10:35,166 --> 00:10:36,541 [CHUCKLES] 201 00:10:36,542 --> 00:10:38,916 I DON'T KNOW THAT I'D ACTUALLY CALL IT HOME... 202 00:10:38,917 --> 00:10:40,375 OBVIOUSLY, YOU DON'T. 203 00:10:41,125 --> 00:10:43,083 [CHUCKLES] NOT ANYMORE... 204 00:10:44,542 --> 00:10:46,125 AND WE'LL ALL MISS YOU. 205 00:10:52,875 --> 00:10:56,541 I HADN'T BEEN ABLE TO CALL HAPPY TIME "HOME," 206 00:10:56,542 --> 00:10:59,250 BUT OTHER PEOPLE DIDN'T SEEM TO HAVE THAT PROBLEM. 207 00:11:00,708 --> 00:11:02,457 I GUESS MAKING WORK LIKE HOME 208 00:11:02,458 --> 00:11:05,500 MADE WORK FEEL A LITTLE LESS LIKE WORK. 209 00:11:07,375 --> 00:11:08,417 HI. 210 00:11:10,959 --> 00:11:11,959 HEY. 211 00:11:14,333 --> 00:11:15,542 [CLATTER] 212 00:11:18,375 --> 00:11:19,834 THIS IS FOR YOUR STUFF. 213 00:11:25,875 --> 00:11:26,875 THANKS. 214 00:11:28,000 --> 00:11:30,125 WE'RE REALLY GOING TO MISS YOU AROUND HERE. 215 00:11:31,166 --> 00:11:32,708 THANKS. 216 00:11:34,458 --> 00:11:35,667 I'M STEPHANIE. 217 00:11:37,166 --> 00:11:38,291 MILLIE. 218 00:11:43,375 --> 00:11:45,458 I'M NOT IMAGINING THIS. 219 00:11:49,209 --> 00:11:50,332 WE'VE BEEN HERE ALREADY. 220 00:11:50,333 --> 00:11:52,749 I'M AWARE OF THAT. 221 00:11:52,750 --> 00:11:54,457 WE SHOULD CIRCLE AROUND ONE MORE TIME 222 00:11:54,458 --> 00:11:56,874 IN CASE HE DECIDES TO COME HOME ON HIS OWN. 223 00:11:56,875 --> 00:11:58,707 HOW'D HE GET OUT? 224 00:11:58,708 --> 00:12:00,958 THE HOLE IN THE FENCE IN THE BACKYARD. 225 00:12:00,959 --> 00:12:03,166 SO FUCKING STUPID. 226 00:12:03,167 --> 00:12:05,084 MOM... MOM! WHAT? 227 00:12:07,583 --> 00:12:09,125 IT'S NOT YOUR FAULT. 228 00:12:11,542 --> 00:12:12,917 J.D.! 229 00:12:17,125 --> 00:12:18,208 HI. 230 00:12:19,417 --> 00:12:21,041 I'M LOOKING FOR A C. BOND. 231 00:12:21,042 --> 00:12:22,791 I'M CAREY BOND. 232 00:12:22,792 --> 00:12:24,124 I WAS WONDERING 233 00:12:24,125 --> 00:12:26,285 IF THIS HOUSEHOLD WOULD LIKE TO PARTICIPATE IN A SURVEY. 234 00:12:26,708 --> 00:12:27,999 LET ME CHECK. 235 00:12:28,000 --> 00:12:30,290 HENRY? HONEY? 236 00:12:30,291 --> 00:12:33,958 WOULD THIS HOUSEHOLD LIKE TO PARTICIPATE IN A SURVEY TODAY? 237 00:12:33,959 --> 00:12:35,374 IS HE CUTE? 238 00:12:35,375 --> 00:12:37,208 WELL, IT'S NOT BAD. 239 00:12:37,209 --> 00:12:38,125 [HENRY]: IS HE CLEAN? 240 00:12:38,126 --> 00:12:40,166 IT'S ENGLISH. 241 00:12:40,167 --> 00:12:42,084 [HENRY]: OH, WELL, ASK HIM IF HE WANTS A COSMO. 242 00:12:42,875 --> 00:12:44,500 GOD SAVE THE QUEEN. 243 00:12:45,166 --> 00:12:46,458 NOT TODAY, SIR. 244 00:12:49,000 --> 00:12:51,040 OKAY, HERE IT COMES. 245 00:12:51,041 --> 00:12:53,249 EVERYONE SNEAKS AWAY TO RECEPTION 246 00:12:53,250 --> 00:12:55,124 AND YOU PRETEND YOU DON'T NOTICE, 247 00:12:55,125 --> 00:12:58,000 AND THEN THEY CALL YOU WITH A CHEESY EXCUSE. 248 00:13:00,042 --> 00:13:04,457 MILLIE, CAN YOU COME TO RECEPTION TO SIGN FOR A PACKAGE, PLEASE? 249 00:13:04,458 --> 00:13:07,125 IT'S EXACTLY HOW THEY DID IT FOR INDIRA'S BIRTHDAY. 250 00:13:08,209 --> 00:13:09,792 [ALL]: SURPRISE! 251 00:13:14,750 --> 00:13:16,624 ♪ FOR SHE'S A JOLLY GOOD FELLOW ♪ 252 00:13:16,625 --> 00:13:18,541 ♪ FOR SHE'S A JOLLY GOOD FELLOW ♪ 253 00:13:18,542 --> 00:13:20,416 ♪ FOR SHE'S A JOLLY GOOD FELLOW ♪ 254 00:13:20,417 --> 00:13:24,290 THE SONG WILL END... EVENTUALLY. 255 00:13:24,291 --> 00:13:25,541 JUST KEEP SMILING. 256 00:13:25,542 --> 00:13:26,834 ♪ WHICH NOBODY CAN DENY ♪ 257 00:13:28,000 --> 00:13:29,041 BLOW. 258 00:13:34,000 --> 00:13:36,041 I THINK I'M GOING TO MISS YOU THE MOST. 259 00:13:36,042 --> 00:13:37,402 [PHIL]: HAS ANYBODY SEEN THE BURRO? 260 00:13:38,458 --> 00:13:40,209 EXCUSE ME? EXCUSE ME? 261 00:13:41,875 --> 00:13:43,416 WHAT THE HELL IS GOING ON HERE? 262 00:13:43,417 --> 00:13:44,999 YOU'RE DONE HERE, HANDSOME. 263 00:13:45,000 --> 00:13:46,792 NOW, SKEDADDLE. GO. SHOO. 264 00:13:51,875 --> 00:13:53,249 [CELLPHONE RINGS] 265 00:13:53,250 --> 00:13:54,917 I HAVE A STRAGGLER. 266 00:13:59,625 --> 00:14:01,124 WHAT DO YOU TWO 267 00:14:01,125 --> 00:14:03,582 DESCRIBE YOUR TELEVISION VIEWING HABITS AS? 268 00:14:03,583 --> 00:14:04,749 OH, I'LL TAKE THAT ONE. 269 00:14:04,750 --> 00:14:06,083 MOSTLY, WE'RE IN THE BEDROOM. 270 00:14:06,084 --> 00:14:07,207 SOMETIMES WE'RE ON THE SOFA. 271 00:14:07,208 --> 00:14:09,332 YOU KNOW WHAT? YOU WOULD NOT BELIEVE THE FIGHT WE HAD 272 00:14:09,333 --> 00:14:11,666 TO CONVINCE THIS ONE TO PUT A TV IN THE BEDROOM. 273 00:14:11,667 --> 00:14:13,791 HE IS TALKING ABOUT WHAT WE WATCH. 274 00:14:13,792 --> 00:14:15,290 JESUS, HENRY, IT'S EMBARRASSING. 275 00:14:15,291 --> 00:14:16,333 OH. SORRY. 276 00:14:17,708 --> 00:14:20,165 WHAT DO YOU TWO WATCH, THEN? 277 00:14:20,166 --> 00:14:21,999 TRADING SPACES, SPORTS CENTER... 278 00:14:22,000 --> 00:14:23,958 PETER JENNINGS. PETER JENNINGS. 279 00:14:23,959 --> 00:14:27,041 I THINK HE MIGHT BE OUT OF YOUR LEAGUE, AND NOT ON YOUR TEAM. 280 00:14:27,042 --> 00:14:28,666 IN MY TIME, 281 00:14:28,667 --> 00:14:29,959 I BET I COULD HAVE CONVINCED HIM. 282 00:14:30,792 --> 00:14:32,499 WHAT DO YOU THINK, CAREY? 283 00:14:32,500 --> 00:14:34,332 I THINK FEWER ONIONS IN THERE, 284 00:14:34,333 --> 00:14:36,583 OR YOU'RE GOING TO SCREW IT UP. 285 00:14:40,209 --> 00:14:41,458 WHICH ONE OF YOU IS THE WOMAN? 286 00:14:42,125 --> 00:14:43,999 WHAT? OH, JESUS. 287 00:14:44,000 --> 00:14:45,708 WE'RE LIFE-LONG COMPANIONS. 288 00:14:46,291 --> 00:14:48,124 WE'RE TWO GAY MEN. 289 00:14:48,125 --> 00:14:49,565 ONE OF US FOR JUST A LITTLE BIT LONGER 290 00:14:49,589 --> 00:14:52,166 THAN THE OTHER. I SCREWED ONE WOMAN WHEN I WAS 19, 291 00:14:52,167 --> 00:14:55,124 AND I HAVEN'T HEARD THE END OF IT FOR 30 YEARS. 292 00:14:55,125 --> 00:14:58,125 HOW DID YOU LIKE THAT, THEN? FUCKING A WOMAN? 293 00:14:59,041 --> 00:15:03,290 ABOUT AS MUCH AS SHE LIKED FUCKING ME, I SUPPOSE. 294 00:15:03,291 --> 00:15:05,084 GOOD ANSWER. 295 00:15:05,875 --> 00:15:07,667 MMM. NICE. 296 00:15:08,792 --> 00:15:11,416 SO... IS THIS SURVEY OVER? 297 00:15:11,417 --> 00:15:13,167 ARE WE FINISHED? 298 00:15:14,792 --> 00:15:15,834 YEAH, JUST ABOUT. 299 00:15:17,250 --> 00:15:18,792 NO, NO, NO, NO. 300 00:15:25,083 --> 00:15:27,040 [SIGHS] WHAT'S THE PROBLEM? 301 00:15:27,041 --> 00:15:29,791 HE'S OVER THERE. I SEE HIM, DAISY. WHAT'S THE PROBLEM? 302 00:15:29,792 --> 00:15:32,167 I THINK HE'S GOT A CRUSH ON ME. 303 00:15:37,042 --> 00:15:40,124 C. FREEDMAN, I TAKE IT. IT'S CHRIS. 304 00:15:40,125 --> 00:15:42,999 LISTEN, I UNDERSTAND THAT SHE'S AN APPEALING GIRL. 305 00:15:43,000 --> 00:15:44,874 NOT MY TYPE... NONETHELESS, 306 00:15:44,875 --> 00:15:46,999 YOU, MY FRIEND, ARE SUPPOSED TO MOVE ON. 307 00:15:47,000 --> 00:15:49,125 SHE TOOK MY PAINTING. 308 00:15:51,041 --> 00:15:52,542 IT'S GOOD. 309 00:15:54,125 --> 00:15:56,417 IS THAT THE HOUSE YOU GREW UP IN? 310 00:15:58,500 --> 00:16:00,500 KIND OF A SELF-PORTRAIT, HUH? 311 00:16:03,291 --> 00:16:06,499 I DON'T WANT HER TO HAVE IT. 312 00:16:06,500 --> 00:16:10,291 CHRIS, NOW FORGIVE MY BLUNTNESS, 313 00:16:13,125 --> 00:16:15,485 BUT YOU'RE NOT GOING TO NEED THE PAINTING WHERE YOU'RE GOING. 314 00:16:15,509 --> 00:16:17,833 IT NEEDS TO HANG IN A PLACE WITH THE RIGHT LIGHT. 315 00:16:17,834 --> 00:16:19,874 SHE'S JUST GOING TO SELL IT. 316 00:16:19,875 --> 00:16:22,332 I CAN'T COMPEL HER. I CAN ONLY SUGGEST. 317 00:16:22,333 --> 00:16:24,290 WELL, I'M NOT MOVING ON. 318 00:16:24,291 --> 00:16:25,541 I'M NOT GOING ANYWHERE. 319 00:16:25,542 --> 00:16:27,667 NOT UNTIL SHE GIVES IT BACK. 320 00:16:33,792 --> 00:16:35,166 [SIGHS] 321 00:16:35,167 --> 00:16:37,208 I TOLD YOU, RUBE, I CAN'T BE RESPONSIBLE 322 00:16:37,209 --> 00:16:39,457 FOR EVERY SOUL WHO WANTS A PIECE OF ME. 323 00:16:39,458 --> 00:16:40,978 WHAT THE HELL DO YOU THINK YOU'RE DOING? 324 00:16:41,002 --> 00:16:42,044 YOU THINK IT'S A GAME? 325 00:16:42,542 --> 00:16:44,040 THAT EVERY LIFE YOU STROLL THROUGH 326 00:16:44,041 --> 00:16:45,958 IS A GRAB BAG FOR YOURSELF? 327 00:16:45,959 --> 00:16:46,999 NO. I HARDLY THINK... 328 00:16:47,000 --> 00:16:49,666 YOU HARDLY THINK, DAISY, AND THAT'S THE PROBLEM. 329 00:16:49,667 --> 00:16:50,708 WE HAVE WORK TO DO. 330 00:16:51,875 --> 00:16:54,165 YOU, YOU'RE AN ACQUISITIVE ONE, 331 00:16:54,166 --> 00:16:58,000 AND WHEN YOUR ACQUISITIVENESS INTERFERES WITH MY SCHEDULE, 332 00:16:58,625 --> 00:17:00,416 I START TO COME UNDONE. 333 00:17:00,417 --> 00:17:03,249 IT'S NOT MY FAULT HE HAS FEELINGS FOR ME. 334 00:17:03,250 --> 00:17:05,330 PRINCESS, HE'S GOT FEELINGS, BUT THEY'RE NOT FOR YOU. 335 00:17:06,750 --> 00:17:09,249 THAT'S ENOUGH OF THIS SHIT. 336 00:17:09,250 --> 00:17:10,916 RUBE, WHAT ARE YOU GOING TO DO ABOUT HIM? 337 00:17:10,917 --> 00:17:13,541 YOUR STRAGGLER. YOUR PROBLEM. 338 00:17:13,542 --> 00:17:16,084 [SCOFFS] YUCK. 339 00:17:24,875 --> 00:17:26,000 J.D.! 340 00:17:32,417 --> 00:17:34,083 WHAT ARE YOU DOING, REG? 341 00:17:34,084 --> 00:17:35,374 DRAWING. 342 00:17:35,375 --> 00:17:36,458 IS THAT A PICTURE OF J.D.? 343 00:17:37,500 --> 00:17:38,833 YES. 344 00:17:38,834 --> 00:17:41,083 WELL, THAT LOOKS GREAT. 345 00:17:41,084 --> 00:17:43,625 LET'S PUT IT UP ON THE WALL RIGHT NOW. 346 00:17:44,291 --> 00:17:45,750 IT'S NOT DONE. 347 00:17:57,417 --> 00:17:59,041 THAT WAS DELICIOUS. THANK YOU. 348 00:17:59,042 --> 00:18:01,124 WHAT DO YOU CALL THAT? BEEF STEW. 349 00:18:01,125 --> 00:18:02,125 DO YOU MIND IF I... 350 00:18:02,126 --> 00:18:03,582 EXCEPT THERE'S NO BEEF IN IT. 351 00:18:03,583 --> 00:18:05,457 BECAUSE OF HENRY'S CHOLESTEROL. 352 00:18:05,458 --> 00:18:06,458 245. 353 00:18:07,209 --> 00:18:08,833 IT'S BORDERLINE HIGH. 354 00:18:08,834 --> 00:18:10,916 IT'S A HEART ATTACK WAITING TO HAPPEN. 355 00:18:10,917 --> 00:18:12,000 PROBABLY NOT. 356 00:18:16,084 --> 00:18:18,041 WHY IS IT THAT QUEERS... 357 00:18:20,667 --> 00:18:23,040 YOU, UH, HOMOSEXUAL PEOPLE 358 00:18:23,041 --> 00:18:24,999 HAVE ALWAYS GOT NICE THINGS? 359 00:18:25,000 --> 00:18:29,666 I, UH... I BELIEVE IT'S CALLED TASTE. 360 00:18:29,667 --> 00:18:32,749 HENRY AND I LIKE TO TRAVEL. TO THE ORIENT, MOSTLY. 361 00:18:32,750 --> 00:18:35,041 WE'VE FALLEN IN LOVE WITH JAPAN. 362 00:18:35,042 --> 00:18:37,541 IT'S JUST THE ONLY THING I WISHED WE HAD HERE. 363 00:18:37,542 --> 00:18:39,707 A BEAUTIFUL JAPANESE GARDEN. 364 00:18:39,708 --> 00:18:41,208 WE LIKE TO VISIT GARDENS, 365 00:18:41,209 --> 00:18:44,040 AND DON'T SAY ANYTHING STUPID ABOUT GAY MEN GARDENING. 366 00:18:44,041 --> 00:18:45,499 A JAPANESE GARDEN WOULD BE NICE, 367 00:18:45,500 --> 00:18:48,417 BUT THIS IS OUR HOME. WE HAVE WHAT WE HAVE. 368 00:18:49,959 --> 00:18:52,000 YOU TWO HAVE A BEAUTIFUL HOME TOGETHER. 369 00:18:53,708 --> 00:18:55,125 YES, WE DO. 370 00:18:57,291 --> 00:18:58,791 THANK YOU FOR MY MEAL. 371 00:18:58,792 --> 00:19:00,040 [CAREY]: YOU'RE WELCOME. 372 00:19:00,041 --> 00:19:02,124 I HAVE TO BRUSH MY TEETH. 373 00:19:02,125 --> 00:19:04,833 THE MAN HAS A CHOLESTEROL LEVEL OF 245 374 00:19:04,834 --> 00:19:06,634 AND HE EATS CHOCOLATE CROISSANTS FOR BREAKFAST, 375 00:19:06,658 --> 00:19:10,124 AND THE ONLY THING HE GIVES A SHIT ABOUT IS TARTAR BUILD-UP. 376 00:19:10,125 --> 00:19:11,875 AND THAT IS NOT VERY NICE. 377 00:19:16,084 --> 00:19:18,333 HENRY CAN BE A LITTLE SENSITIVE SOMETIMES. 378 00:19:19,250 --> 00:19:20,291 YEAH, WE ALL CAN. 379 00:19:41,750 --> 00:19:42,959 [GROANING] 380 00:19:46,375 --> 00:19:48,792 CAREY? HONEY, PUT THE TEA ON. 381 00:19:58,042 --> 00:19:59,375 [REGGIE]: J.D.! 382 00:20:00,125 --> 00:20:01,917 THIS IS A LOST CAUSE. 383 00:20:03,125 --> 00:20:05,165 WELL, MAYBE WE SHOULD SPLIT UP. 384 00:20:05,166 --> 00:20:08,000 OH, THAT'S GREAT. THAT'S GREAT. 385 00:20:09,959 --> 00:20:13,375 YOU GO, BUT YOU'D BETTER FIND YOURSELF ONE HELL OF A LAWYER. 386 00:20:15,542 --> 00:20:17,917 SPLIT UP TO FIND THE DOG. 387 00:20:20,125 --> 00:20:21,708 OH. 388 00:20:25,250 --> 00:20:27,125 THAT'S A GOOD IDEA. 389 00:20:28,667 --> 00:20:30,792 [MARIACHI MUSIC PLAYING] 390 00:20:47,166 --> 00:20:49,166 UH, NO. THANK YOU. 391 00:20:49,167 --> 00:20:50,290 IT'S NO BIG DEAL. 392 00:20:50,291 --> 00:20:52,290 IT'S JUST A LITTLE TAB YOU PUT ON YOUR TONGUE. 393 00:20:52,291 --> 00:20:56,209 YOU KNOW, I FEEL MY CURRENT REALITY IS ALTERED ENOUGH. 394 00:20:57,875 --> 00:20:58,917 I DID ONE. 395 00:20:59,458 --> 00:21:00,959 G-F-Y. 396 00:21:05,083 --> 00:21:06,683 LET'S LOOK OUT FOR EACH OTHER TODAY, OKAY? 397 00:21:07,542 --> 00:21:08,708 OKAY. 398 00:21:12,375 --> 00:21:15,582 I WAS STARTING TO GET THE FEELING FROM DELORES 399 00:21:15,583 --> 00:21:17,332 THAT, EMOTIONALLY, AT LEAST, 400 00:21:17,333 --> 00:21:20,167 THERE WERE EASIER WAYS FOR ME TO GET A NEW BIKE. 401 00:21:35,834 --> 00:21:37,374 SWEETIE, I KNOW YOU DON'T LIKE IT, 402 00:21:37,375 --> 00:21:38,695 BUT HERE'S WHAT'S GOING TO HAPPEN. 403 00:21:38,696 --> 00:21:40,776 I'M GOING TO HANG ON TO THE PAINTING FOR A FEW MONTHS, 404 00:21:40,800 --> 00:21:43,207 FIND A BUYER, THEN I'M GOING TO COLLECT A BUNDLE. 405 00:21:43,208 --> 00:21:44,624 THAT'S EXACTLY WHAT I'M SAYING. 406 00:21:44,625 --> 00:21:46,249 YOU DON'T CARE ABOUT ART. 407 00:21:46,250 --> 00:21:48,083 YOU'RE A DAY TRADER SELLING SHORT. 408 00:21:48,084 --> 00:21:51,083 DO YOU EVEN KNOW WHAT IT MEANS TO CARE ABOUT ART? 409 00:21:51,084 --> 00:21:53,000 PARDON ME. I AM AN ACTRESS. 410 00:21:56,208 --> 00:21:58,625 GO! GO! GO! GO GO! GO! GO! 411 00:22:18,000 --> 00:22:19,959 THAT'S NOT RIGHT. 412 00:22:27,208 --> 00:22:29,083 HE JUST SLIPPED ON THE FLOOR? 413 00:22:30,167 --> 00:22:31,542 YEAH. 414 00:22:32,542 --> 00:22:34,124 YOU CAN, UH... 415 00:22:34,125 --> 00:22:36,208 YOU CAN SEE WHERE HE SKIDDED THERE. 416 00:22:37,375 --> 00:22:39,207 THIS IS JUST AS DANGEROUS AS A BATHROOM, 417 00:22:39,208 --> 00:22:42,124 AND A LOT OF PEOPLE DIE IN THE KITCHEN. 418 00:22:42,125 --> 00:22:43,166 DIE? 419 00:22:45,875 --> 00:22:47,041 ARE YOU SURE HE'S DEAD? 420 00:22:47,042 --> 00:22:48,000 HOW DO YOU KNOW HE'S DEAD? 421 00:22:48,001 --> 00:22:49,582 CAN YOU FEEL A PULSE, SIR? 422 00:22:49,583 --> 00:22:50,708 UH... 423 00:22:53,834 --> 00:22:55,041 THEN HE'S DEAD, YEAH? 424 00:22:56,500 --> 00:22:57,916 WHAT DO I DO? 425 00:22:57,917 --> 00:22:59,041 YOU CAN CALL THE POLICE. 426 00:22:59,042 --> 00:23:00,000 YOU CAN CALL THE FIRE BRIGADE. 427 00:23:00,001 --> 00:23:02,249 YOU COULD PHONE THE HOSPITAL 428 00:23:02,250 --> 00:23:04,332 IF YOU DON'T BELIEVE ME HE'S DEAD. 429 00:23:04,333 --> 00:23:07,791 I MEAN, WHAT DO I DO? 430 00:23:07,792 --> 00:23:09,999 I MEAN, WHAT AM I SUPPOSED TO DO? 431 00:23:10,000 --> 00:23:13,417 TELL HIM NOT TO DO ANYTHING. 432 00:23:16,834 --> 00:23:18,875 I KNOW WHAT THIS MAN IS GOING TO DO. 433 00:23:20,125 --> 00:23:23,124 YOU HAVE HIM CALL OUR FRIEND, LINDA. 434 00:23:23,125 --> 00:23:25,166 THIS MAN CANNOT BE LEFT ALONE. 435 00:23:29,000 --> 00:23:30,250 THANK YOU, MASON. 436 00:23:31,000 --> 00:23:32,042 YOU CAN GO NOW. 437 00:23:32,792 --> 00:23:35,082 ACTUALLY, I CAN'T LEAVE. 438 00:23:35,083 --> 00:23:36,500 NOT JUST YET. 439 00:23:37,250 --> 00:23:38,291 WHO ARE YOU? 440 00:23:40,125 --> 00:23:42,875 BECAUSE YOU'RE NOT HERE ABOUT ANY SURVEY, ARE YOU? 441 00:23:43,750 --> 00:23:45,084 NO... 442 00:23:47,667 --> 00:23:49,958 AND I'M NOT HERE TO HURT YOU, 443 00:23:49,959 --> 00:23:54,041 AND I DIDN'T HURT YOUR FRIEND. I PROMISE, HE SLIPPED. 444 00:23:54,042 --> 00:23:55,000 IT WAS AN ACCIDENT. 445 00:23:55,001 --> 00:23:57,374 THERE'S NO REASON TO BE AFRAID OF ME. 446 00:23:57,375 --> 00:23:58,500 I WILL NOT HARM YOU. 447 00:23:59,041 --> 00:24:00,332 WHO THE FUCK ARE YOU? 448 00:24:00,333 --> 00:24:01,417 [KETTLE WHISTLES] 449 00:24:16,250 --> 00:24:19,041 YOU MUST'VE BEEN REALLY IMPORTANT HERE. 450 00:24:19,042 --> 00:24:20,124 UH, NO. 451 00:24:20,125 --> 00:24:22,207 COME ON. I MEAN, LOOK AT ALL THIS. 452 00:24:22,208 --> 00:24:24,082 THIS IS THE WORK OF DELORES. 453 00:24:24,083 --> 00:24:25,916 WELL, SHE MUST REALLY CARE FOR YOU 454 00:24:25,917 --> 00:24:27,124 TO SEND YOU OFF LIKE THIS. 455 00:24:27,125 --> 00:24:30,083 PLEASE. DELORES CARES ABOUT HAPPY TIME. 456 00:24:31,834 --> 00:24:33,375 HAVE YOU SEEN THE BURRO? 457 00:24:34,959 --> 00:24:36,124 I THINK HE'S... 458 00:24:36,125 --> 00:24:38,333 I WAS TALKING TO JOSH. 459 00:24:39,667 --> 00:24:40,875 I HAVEN'T SEEN THE BURRO. 460 00:24:41,959 --> 00:24:43,084 THANKS. 461 00:24:44,208 --> 00:24:45,417 SHE HATES ME. 462 00:24:47,042 --> 00:24:48,708 ACTUALLY, I THINK IT'S JUST THE OPPOSITE. 463 00:24:49,375 --> 00:24:52,332 HEY, WHERE IS THE BURRO? 464 00:24:52,333 --> 00:24:55,624 I WAS IN BANANA REPUBLIC, REARRANGING MEN'S JEANS... 465 00:24:55,625 --> 00:24:58,290 SOME FUCKWIT ORGANIZED THEM ACCORDING TO INSEAM... 466 00:24:58,291 --> 00:25:01,208 AND THIS GENTLEMAN WALKS UP AND ASKS ME FOR HELP. 467 00:25:01,209 --> 00:25:02,582 HE THOUGHT I WORKED THERE. 468 00:25:02,583 --> 00:25:06,041 ANYWAY, HIS NAME'S TITO AND HE'S A SAILOR. 469 00:25:06,042 --> 00:25:07,624 HE SERVED IN THE GULF... 470 00:25:07,625 --> 00:25:08,833 OF MEXICO. 471 00:25:08,834 --> 00:25:11,041 COAST GUARD OFF BILOXI. 472 00:25:11,042 --> 00:25:13,332 AREN'T YOU WORRIED HE HAS A GAL IN EVERY PORT? 473 00:25:13,333 --> 00:25:16,249 OR THAT HE'S ONE OF THE JACKSON FIVE? 474 00:25:16,250 --> 00:25:18,208 I DON'T GET WHAT YOU MEAN, MILLIE. 475 00:25:18,209 --> 00:25:21,125 DELORES, I WAS WONDERING IF YOU AND I... 476 00:25:21,917 --> 00:25:25,290 I MEAN, YOU SEEM A LITTLE UPSET. 477 00:25:25,291 --> 00:25:27,834 I THINK STEPHANIE IS MISSING. 478 00:25:28,667 --> 00:25:30,667 WHO'S LOOKING OUT FOR STEPHANIE? 479 00:25:33,291 --> 00:25:35,166 OH, COME ON. SOMEONE AGREED 480 00:25:35,167 --> 00:25:36,959 TO LOOK OUT FOR STEPHANIE TONIGHT. 481 00:25:37,542 --> 00:25:39,417 THAT WOULD BE ME. 482 00:25:43,708 --> 00:25:45,417 HEY, BUDDY. J.D.! 483 00:25:52,417 --> 00:25:53,542 J.D.? 484 00:25:57,042 --> 00:25:58,583 J.D... 485 00:25:59,583 --> 00:26:01,000 GODDAMN DOG. 486 00:26:04,000 --> 00:26:05,458 J.D.! 487 00:26:06,667 --> 00:26:08,457 IT TURNS OUT THAT CERTAIN REMARKS, 488 00:26:08,458 --> 00:26:09,999 LIKE, "LET'S LOOK OUT FOR EACH OTHER," 489 00:26:10,000 --> 00:26:12,165 WHICH SEEMED CASUAL AND MEANINGLESS, 490 00:26:12,166 --> 00:26:15,250 HAD A SPECIAL SIGNIFICANCE HERE AT HAPPY TIME. 491 00:26:17,167 --> 00:26:19,208 I CAN'T FIND IT... I CAN'T FIND IT... 492 00:26:19,209 --> 00:26:20,750 STEPHANIE? 493 00:26:22,042 --> 00:26:23,500 I CAN'T... I CAN'T FIND IT. 494 00:26:24,417 --> 00:26:25,792 YOU CAN'T FIND WHAT? 495 00:26:26,792 --> 00:26:29,084 BLUE. RED'S TAKEN IT OVER. 496 00:26:29,875 --> 00:26:31,457 RED GOT BLUE? 497 00:26:31,458 --> 00:26:33,624 RED'S BEEN ATTACKING ALL THE COLORS. 498 00:26:33,625 --> 00:26:34,625 WE'VE GOT TO STOP IT. 499 00:26:35,792 --> 00:26:37,416 WE DO? YELLOW IS NEXT. 500 00:26:37,417 --> 00:26:39,291 IT DOESN'T STAND A CHANCE. 501 00:26:40,542 --> 00:26:41,792 POOR YELLOW. 502 00:26:42,583 --> 00:26:44,040 WHY DON'T WE GO FOR A WALK? 503 00:26:44,041 --> 00:26:45,458 NO. 504 00:26:46,042 --> 00:26:47,167 NO WALKING. 505 00:26:49,333 --> 00:26:51,125 I'M GOING TO CALL THE COLOR POLICE. 506 00:26:53,625 --> 00:26:54,749 HELLO? 507 00:26:54,750 --> 00:26:57,083 I'D LIKE TO REPORT A COLOR CRIME IN PROGRESS. 508 00:27:00,542 --> 00:27:01,542 I'M ON HOLD. 509 00:27:08,166 --> 00:27:09,958 DID YOU CHECK THE ALLEY BEHIND OCTAVIA? 510 00:27:09,959 --> 00:27:11,375 NO. I DIDN'T. 511 00:27:12,917 --> 00:27:14,042 I'LL GO CHECK OVER THERE. 512 00:27:14,792 --> 00:27:16,084 YOU DO THAT. 513 00:27:24,000 --> 00:27:26,042 YOU CANNOT LET HIM DO THIS. 514 00:27:26,834 --> 00:27:27,999 IT'S NOT MY JOB. 515 00:27:28,000 --> 00:27:31,166 YOU CANNOT LET HIM GO THROUGH WITH THIS. 516 00:27:32,875 --> 00:27:36,125 TRUTH IS, CAREY, WHAT I CANNOT DO IS STOP HIM. 517 00:27:37,291 --> 00:27:39,082 OH, MY GOD. 518 00:27:39,083 --> 00:27:42,083 I TOLD HIM THAT WAS ALWAYS MY FAVORITE SUIT OF HIS. 519 00:27:43,583 --> 00:27:46,082 YOU HAVE TO STOP HIM. NO. 520 00:27:46,083 --> 00:27:47,375 PLEASE STOP HIM. 521 00:27:49,125 --> 00:27:50,667 HENRY... WHAT? 522 00:27:52,792 --> 00:27:54,112 THE WHOLE BUSINESS WITH THE KNIFE. 523 00:27:54,136 --> 00:27:56,124 YOU MIGHT WANT TO RETHINK THAT. 524 00:27:56,125 --> 00:27:58,125 WHY WOULD I RETHINK THIS? 525 00:27:59,167 --> 00:28:00,500 30 YEARS WITH THAT BEAUTIFUL MAN, 526 00:28:01,792 --> 00:28:03,041 AND I AM NOT 527 00:28:03,042 --> 00:28:04,642 GETTING INTO THAT BED TONIGHT WITHOUT HIM, 528 00:28:04,666 --> 00:28:08,374 AND I AM NOT WAKING UP TOMORROW MORNING WITHOUT HIM. 529 00:28:08,375 --> 00:28:11,125 I WON'T. I CAN'T. 530 00:28:13,000 --> 00:28:15,999 WE WERE GOING TO GO TO KYOTO IN THE FALL. 531 00:28:16,000 --> 00:28:18,457 THEY HAVE BEAUTIFUL GARDENS THERE, 532 00:28:18,458 --> 00:28:20,500 AND I WON'T GO WITHOUT CAREY. 533 00:28:22,875 --> 00:28:25,542 TELL HIM TO TAKE THE PILLS IN MY MEDICINE CABINET. 534 00:28:27,917 --> 00:28:29,708 THE ONES ON THE RIGHT. 535 00:28:33,875 --> 00:28:35,083 HENRY? 536 00:28:38,375 --> 00:28:42,125 HAVE YOU THOUGHT ABOUT TAKING PILLS INSTEAD? 537 00:28:43,458 --> 00:28:48,250 BECAUSE IT'S A LOT LESS... MESSY, 538 00:28:49,125 --> 00:28:50,708 AND A BIT MORE... 539 00:28:52,083 --> 00:28:53,583 PEACEFUL... 540 00:28:55,000 --> 00:28:57,874 AND THAT'S A REALLY LOVELY SUIT YOU'RE WEARING. 541 00:28:57,875 --> 00:28:59,959 IT IS CAREY'S FAVORITE. YEAH. 542 00:29:02,000 --> 00:29:03,083 PILLS? 543 00:29:04,291 --> 00:29:06,791 THE ONES ON THE RIGHT. 544 00:29:06,792 --> 00:29:09,042 THE ONES ON THE RIGHT-HAND SIDE. 545 00:29:26,959 --> 00:29:28,708 [FOOTSTEPS RECEDING] 546 00:29:37,834 --> 00:29:39,000 THANK YOU. 547 00:29:40,667 --> 00:29:42,083 ENJOY THE WATCH. 548 00:29:45,042 --> 00:29:46,124 I... 549 00:29:46,125 --> 00:29:47,917 NO, NO, NO. 550 00:29:48,500 --> 00:29:50,125 WE WANT YOU TO HAVE IT. 551 00:29:51,792 --> 00:29:55,416 NOW, CAN WE GET ME OFF THE FLOOR? 552 00:29:55,417 --> 00:29:57,000 DO YOU MIND? 553 00:30:00,875 --> 00:30:02,500 [APPLAUSE] 554 00:30:27,458 --> 00:30:28,791 I THOUGHT YOU AND GEORGE 555 00:30:28,792 --> 00:30:30,000 COULD USE A BIT MORE SPACE. 556 00:30:31,875 --> 00:30:33,166 NICE WATCH. THANK YOU. 557 00:30:33,792 --> 00:30:34,792 IT WAS A GIFT. 558 00:30:35,333 --> 00:30:36,375 ARE YOU GAY? 559 00:30:37,083 --> 00:30:38,291 NO. NO! 560 00:30:46,458 --> 00:30:47,542 IT'S VERY SWEET. 561 00:30:49,625 --> 00:30:53,874 MILLIE, WHEN ONE OF THE HAPPY TIME FAMILY MEMBERS 562 00:30:53,875 --> 00:30:56,000 DECIDES TO UP AND LEAVE... 563 00:30:56,458 --> 00:30:59,166 WELL, WE ALL PITCH IN. 564 00:31:03,625 --> 00:31:05,708 OH, YOU SHOULDN'T HAVE. 565 00:31:23,250 --> 00:31:25,959 IT'S A BICYCLE BELL. JOSH SEEMED TO THINK IT WAS APPROPRIATE. 566 00:31:27,084 --> 00:31:30,165 SPEECH! SPEECH! SPEECH! SPEECH! 567 00:31:30,166 --> 00:31:33,082 NO, NO, BUT THANK YOU. 568 00:31:33,083 --> 00:31:34,083 WELL, THEN I'LL MAKE ONE. 569 00:31:36,500 --> 00:31:38,917 MILLIE HAS BEEN WITH US LONG ENOUGH TO MAKE HER MARK... 570 00:31:40,542 --> 00:31:44,333 AND THOUGH HAPPY TIME WILL NO LONGER BE HER OFFICE HOME... 571 00:31:47,125 --> 00:31:49,124 WE'LL THINK OF HER FONDLY, AND WISH HER... 572 00:31:49,125 --> 00:31:50,959 [CHOKES UP] 573 00:32:12,375 --> 00:32:14,416 SO THIS IS YOUR NEW HOUSE? 574 00:32:14,417 --> 00:32:17,582 YES, AND I'VE HAD A VERY LONG DAY, 575 00:32:17,583 --> 00:32:20,916 AND I REALLY NEED TO GET MY BEAUTY SLEEP. 576 00:32:20,917 --> 00:32:22,125 WHAT ARE YOU DOING WITH THAT? 577 00:32:25,125 --> 00:32:28,165 YOU HAVE NO IDEA HOW TO HANG A PAINTING, DO YOU? 578 00:32:28,166 --> 00:32:31,166 YOU DON'T KNOW WHERE THE LIGHT IS. 579 00:32:31,167 --> 00:32:34,167 DAISY, DO YOU KNOW HOW LONG I WORKED ON THAT PAINTING? 580 00:32:37,125 --> 00:32:39,749 TWO YEARS. THE DAY I FINISHED IT, I SAT DOWN AND CRIED, 581 00:32:39,750 --> 00:32:42,166 BECAUSE I REALIZED THAT I'D FINALLY MADE SOMETHING 582 00:32:42,167 --> 00:32:43,916 OUTSIDE OF MYSELF. 583 00:32:43,917 --> 00:32:45,797 YOU WOULDN'T KNOW ANYTHING ABOUT THAT, WOULD YOU? 584 00:32:46,417 --> 00:32:50,040 THIS IS THE ROOM. THIS IS THE BEST ROOM. 585 00:32:50,041 --> 00:32:53,874 THAT WINDOW FACES SOUTH. IT CATCHES THE LIGHT. 586 00:32:53,875 --> 00:32:55,499 IF YOU DON'T MIND MY SAYING, 587 00:32:55,500 --> 00:32:57,958 YOU COULD USE MORE LIGHT. 588 00:32:57,959 --> 00:32:58,999 WELL, THAT'S JUST CRAZY. 589 00:32:59,000 --> 00:33:01,208 LOOK AT ME. I'M AS LIGHT AS A FEATHER. 590 00:33:01,209 --> 00:33:02,999 LIGHT AS A FEATHER. 591 00:33:03,000 --> 00:33:05,084 NO. THERE'S MORE... 592 00:33:06,834 --> 00:33:09,792 BUT YOU HAVE TO TRY HARDER. 593 00:33:28,375 --> 00:33:30,458 WAIT. WHERE ARE YOU GOING? 594 00:33:32,417 --> 00:33:34,125 I THOUGHT YOU DIDN'T WANT ME TO HAVE IT. 595 00:33:37,125 --> 00:33:38,542 I JUST FIGURED IT OUT. 596 00:33:41,333 --> 00:33:43,041 I PAINTED IT FOR YOU. 597 00:34:08,042 --> 00:34:09,999 I WAS EXHAUSTED, 598 00:34:10,000 --> 00:34:13,166 BUT FOR SOME REASON, I COULDN'T GO STRAIGHT HOME. 599 00:34:13,167 --> 00:34:15,833 MAYBE I COULDN'T HANDLE DAISY. 600 00:34:15,834 --> 00:34:18,083 MAYBE IT WAS BECAUSE THE WAFFLE HAUS 601 00:34:18,084 --> 00:34:19,834 FELT MORE LIKE HOME THAN ANY OTHER. 602 00:34:21,209 --> 00:34:23,124 COFFEE, HON? 603 00:34:23,125 --> 00:34:24,165 WHAT TIME IS IT? 604 00:34:24,166 --> 00:34:25,541 6:45. 605 00:34:25,542 --> 00:34:26,916 MORNING? 606 00:34:26,917 --> 00:34:28,041 YEAH, MORNING. 607 00:34:29,417 --> 00:34:30,750 I'VE GOT TO GO. 608 00:34:34,792 --> 00:34:37,166 IT WAS THE FIRST DAY OF THE REST OF MY LIFE... 609 00:34:37,167 --> 00:34:38,083 [COUGHING] 610 00:34:38,084 --> 00:34:39,625 SORT OF. 611 00:34:40,291 --> 00:34:42,165 I GUESS I WAS MOVING ON. 612 00:34:42,166 --> 00:34:43,749 ANOTHER STEP. 613 00:34:43,750 --> 00:34:45,417 A NEW EXPERIENCE. 614 00:35:00,167 --> 00:35:01,333 HI. 615 00:35:02,542 --> 00:35:05,083 I'M MILLIE. THE NEW HIRE. 616 00:35:10,166 --> 00:35:11,458 OH. 617 00:35:25,375 --> 00:35:26,792 [BEEPS] 618 00:35:28,083 --> 00:35:30,958 I'D BE HAPPY TO READ THEM. UM... 619 00:35:30,959 --> 00:35:33,833 MAYBE WE COULD TALK ABOUT WHAT MY JOB ENTAILS? 620 00:35:33,834 --> 00:35:35,125 [TYPING] 621 00:35:40,291 --> 00:35:41,374 [BEEPS] 622 00:35:41,375 --> 00:35:44,082 SO THIS WAS MY NEW HOME. 623 00:35:44,083 --> 00:35:48,624 WELL... NICE AND QUIET. NO ONE TO BUG ME... 624 00:35:48,625 --> 00:35:52,084 AND I CAN SEE HE SHARES MY OPINION OF "OFFICE STUFF." 625 00:35:57,125 --> 00:35:58,291 [BEEPS] 626 00:36:03,834 --> 00:36:05,083 [BEEPS] 627 00:36:07,042 --> 00:36:08,332 I-E. 628 00:36:08,333 --> 00:36:09,792 [SIGHS] 629 00:36:14,042 --> 00:36:15,166 [BEEPS] 630 00:36:15,167 --> 00:36:17,165 SO THIS WAS MY NEW EXPERIENCE. 631 00:36:17,166 --> 00:36:18,582 I CAN'T HELP THINKING 632 00:36:18,583 --> 00:36:20,791 THAT THERE'S A QUALITY OF LIFE ISSUE HERE, 633 00:36:20,792 --> 00:36:22,112 OR MAYBE AN ABSENCE OF LIFE ISSUE. 634 00:36:22,136 --> 00:36:23,207 [BEEPS] 635 00:36:23,208 --> 00:36:25,332 EITHER WAY, THIS DOESN'T FEEL LIKE, 636 00:36:25,333 --> 00:36:27,792 I DON'T KNOW... HOME. 637 00:36:29,042 --> 00:36:30,166 JESUS. 638 00:36:31,125 --> 00:36:32,542 [TYPING] 639 00:36:35,209 --> 00:36:36,500 [BEEPS] 640 00:36:54,167 --> 00:36:55,959 LUNCH BREAK FROM THE DAY JOB, PEANUT? 641 00:36:58,542 --> 00:37:00,250 THERE'S NO JOB. 642 00:37:02,792 --> 00:37:06,083 NO JOB, NO MONEY, NO BIKE. 643 00:37:07,250 --> 00:37:08,624 TRY SOMETHING NEW, 644 00:37:08,625 --> 00:37:10,833 GET FUCKED. RINSE, REPEAT. 645 00:37:10,834 --> 00:37:13,041 I LOVE FLEA MARKETS. 646 00:37:13,042 --> 00:37:17,124 I ONCE FOUND A VINTAGE FENDER. IT WAS FOUR BUCKS. 647 00:37:17,125 --> 00:37:19,124 THE GUY HAD NO IDEA WHAT HE WAS SITTING ON. 648 00:37:19,125 --> 00:37:21,791 YOU KNOW THE BEST THING ABOUT FLEA MARKETS? 649 00:37:21,792 --> 00:37:23,666 YOU'VE GOT TO GET UP EARLY. 650 00:37:23,667 --> 00:37:26,249 YOU SLEEP LATE, NOTHING THERE BUT JUNK. 651 00:37:26,250 --> 00:37:27,916 WHY ARE YOU TELLING ME THIS? 652 00:37:27,917 --> 00:37:29,084 I LOVE TO GET UP EARLY. 653 00:37:32,750 --> 00:37:33,917 WHAT'S THAT OVER THERE? 654 00:37:43,750 --> 00:37:45,041 IT'S BEAUTIFUL. 655 00:37:45,875 --> 00:37:47,083 IT'S YOURS. 656 00:37:48,000 --> 00:37:49,291 HERE. 657 00:37:50,375 --> 00:37:54,457 OH, NO. NO. I KNOW I JUST TOOK A BREAK, 658 00:37:54,458 --> 00:37:57,041 BUT I'M REALLY NOT IN THE MOOD TO TAKE A SOUL. 659 00:37:57,042 --> 00:37:58,624 GEORGE... 660 00:37:58,625 --> 00:38:01,332 IT'S NOT AN ASSIGNMENT. IT'S YOUR NEW ADDRESS. 661 00:38:01,333 --> 00:38:03,582 DAISY ASKED ME TO GIVE IT TO YOU. 662 00:38:03,583 --> 00:38:05,082 HAVE A GREAT DAY. 663 00:38:05,083 --> 00:38:06,583 OH. 664 00:38:35,083 --> 00:38:36,582 [DOOR CLOSES] 665 00:38:36,583 --> 00:38:37,583 WELL, GOOD MORNING. 666 00:38:38,667 --> 00:38:40,042 HI. 667 00:38:40,792 --> 00:38:42,125 THIS IS MASON'S PLACE. 668 00:38:42,708 --> 00:38:44,457 HE TRADED WITH US. 669 00:38:44,458 --> 00:38:46,582 WHY? I DON'T KNOW. 670 00:38:46,583 --> 00:38:48,207 HE JUST SEEMED ALL SWEET. 671 00:38:48,208 --> 00:38:50,541 IS HE ON DRUGS? YEAH, NORMALLY, I WOULD SAY YES, 672 00:38:50,542 --> 00:38:53,791 BUT HE JUST SAID IF WE'RE LIVING TOGETHER, 673 00:38:53,792 --> 00:38:54,999 IT WOULD BE NICE FOR US 674 00:38:55,000 --> 00:38:56,666 TO HAVE A NICER PLACE. 675 00:38:56,667 --> 00:38:58,457 WHAT'S WRONG WITH YOU? 676 00:38:58,458 --> 00:38:59,959 YOU SEEM... 677 00:39:00,250 --> 00:39:01,999 SWEET. 678 00:39:02,000 --> 00:39:03,582 YOUR ROOM'S UPSTAIRS. 679 00:39:03,583 --> 00:39:05,124 PROBABLY A COAL CELLAR. 680 00:39:05,125 --> 00:39:06,041 WHERE'S YOUR ROOM? 681 00:39:06,042 --> 00:39:08,041 IT'S IN THE BACK. 682 00:39:08,042 --> 00:39:10,582 IT HAS A NICE WINDOW, BUT YOURS IS BIGGER. 683 00:39:10,583 --> 00:39:13,791 I THOUGHT YOU MIGHT LIKE IT, BUT YOU CAN CHOOSE. 684 00:39:13,792 --> 00:39:15,457 GOD, SHE'S A GOOD ACTRESS. 685 00:39:15,458 --> 00:39:16,959 I'LL TAKE THE BIG ONE. 686 00:39:18,125 --> 00:39:19,291 THEN WE'RE SET. 687 00:39:21,041 --> 00:39:22,707 UH, WHERE'S MY... 688 00:39:22,708 --> 00:39:25,374 DON'T WORRY. YOUR FROG'S HERE. YOUR FROG'S HOME... 689 00:39:25,375 --> 00:39:27,125 AND SO ARE YOU, HONEY. 690 00:39:41,875 --> 00:39:45,624 TRAVELING ALONE HOLDS A CERTAIN MAGIC, 691 00:39:45,625 --> 00:39:48,145 A FEELING YOU DON'T GET WHEN YOU'RE FORCED TO RIDE WITH THE HERD. 692 00:39:48,169 --> 00:39:49,252 [DOG BARKS] 693 00:39:49,792 --> 00:39:50,792 J.D.! 694 00:39:55,083 --> 00:39:56,083 J.D.! 695 00:39:56,084 --> 00:39:58,041 WHAT ARE YOU DOING HERE? 696 00:39:58,042 --> 00:39:59,208 THEN AGAIN, 697 00:39:59,209 --> 00:40:01,833 MAYBE THE HERD HAS SOMETHING TO OFFER, 698 00:40:01,834 --> 00:40:04,124 SOMETHING I HADN'T QUITE FIGURED OUT YET. 699 00:40:04,125 --> 00:40:07,457 ALL RIGHT, NAME THE FIVE GREAT LAKES. 700 00:40:07,458 --> 00:40:10,999 OKAY? MICHIGAN, ONTARIO... 701 00:40:11,000 --> 00:40:12,916 RIGHT? SUPERIOR... 702 00:40:12,917 --> 00:40:14,166 WELL, YOUR DAD'S GOOD AT THIS. 703 00:40:14,167 --> 00:40:15,166 HONEY, WHAT ARE THE OTHER ONES? 704 00:40:15,167 --> 00:40:18,208 I REALLY HAVE TO GET TO SCHOOL. I'M LATE. MICHIGAN. 705 00:40:18,209 --> 00:40:19,333 SHE SAID THAT ONE ALREADY. 706 00:40:36,917 --> 00:40:37,917 MOM, J.D.! 707 00:40:39,000 --> 00:40:40,457 HI... 708 00:40:40,458 --> 00:40:41,999 WOW. 709 00:40:42,000 --> 00:40:45,082 HEY, BUDDY. I WAS SO WORRIED, BUDDY. 710 00:40:45,083 --> 00:40:47,040 IT WAS STUPID TO PUT IN THAT DOGGIE DOOR 711 00:40:47,041 --> 00:40:48,666 BEFORE I FIXED THE FENCE, HUH? 712 00:40:48,667 --> 00:40:50,332 SO STUPID. DAD... 713 00:40:50,333 --> 00:40:51,875 WHAT? 714 00:40:53,041 --> 00:40:54,708 NEVER MIND. 715 00:41:01,667 --> 00:41:03,999 TOMORROW MORNING, I'LL GO TO HAPPY TIME, 716 00:41:04,000 --> 00:41:05,416 TAIL BETWEEN MY LEGS, 717 00:41:05,417 --> 00:41:07,208 AND ASK DELORES FOR MY OLD JOB. 718 00:41:09,209 --> 00:41:11,625 MAYBE DOGS ALWAYS DO COME BACK HOME. 719 00:41:16,542 --> 00:41:19,874 MAYBE, WITHOUT EVEN KNOWING EXACTLY WHAT HOME LOOKS LIKE, 720 00:41:19,875 --> 00:41:22,207 OR WHERE HOME MIGHT BE, 721 00:41:22,208 --> 00:41:24,042 THERE'S A MYSTERIOUS DRAW. 722 00:41:26,042 --> 00:41:29,499 MAYBE THE POINT OF CONTINUING TO MOVE THROUGH LIFE, 723 00:41:29,500 --> 00:41:32,291 AND DEATH, IS TO FIND IT.