1 00:00:07,250 --> 00:00:09,208 [♪♪] 2 00:01:10,000 --> 00:01:12,624 [GEORGE]: SOME ALLEGEDLY CLEVER WRITER ONCE WROTE 3 00:01:12,625 --> 00:01:15,000 THAT DEATH WAS "THE BIG SLEEP." 4 00:01:17,625 --> 00:01:19,708 BIG SLEEP, MY ASS. 5 00:01:21,542 --> 00:01:24,959 SERIOUSLY, WHAT A CROCK THAT GUY WAS PEDDLING. 6 00:01:26,458 --> 00:01:28,707 I WAS FINDING WHAT HAD HAPPENED TO ME 7 00:01:28,708 --> 00:01:31,374 HARDER AND HARDER TO HANDLE AT NIGHT. 8 00:01:31,375 --> 00:01:33,250 NIGHTTIME HAD BECOME THE ENEMY. 9 00:01:37,000 --> 00:01:39,833 MAYBE TAKING SOULS FOR A LIVING... 10 00:01:39,834 --> 00:01:42,082 TAKING SOULS FROM THE LIVING... 11 00:01:42,083 --> 00:01:45,083 WAS FINALLY TAKING ITS TOLL ON ME. 12 00:01:48,041 --> 00:01:49,792 FUCK IT. 13 00:01:52,125 --> 00:01:54,083 I GUESS WATCHING SOMEONE DIE 14 00:01:54,084 --> 00:01:56,000 HAD ITS WAY OF STAYING WITH YOU. 15 00:01:58,708 --> 00:02:00,999 DEATH WAS A FRAGRANCE THAT LINGERED 16 00:02:01,000 --> 00:02:04,082 LONG AFTER THAT PERSON HAD LEFT THE ROOM. 17 00:02:04,083 --> 00:02:07,417 [NARRATOR]: HERE WE SEE A ZEBRA GRAZING IN A MEADOW, 18 00:02:08,333 --> 00:02:10,166 AND OTHER FLORA IN THE REGION... 19 00:02:12,083 --> 00:02:14,416 I WOULD TRY TO DISTRACT MYSELF. 20 00:02:14,417 --> 00:02:16,916 I WOULD TRY TO THINK ABOUT SOMETHING OTHER THAN DEATH... 21 00:02:16,917 --> 00:02:17,917 ANYTHING. 22 00:02:20,167 --> 00:02:22,209 [NARRATOR]: THE LION LIVES OFF THE ZEBRA... 23 00:02:23,125 --> 00:02:24,499 [LION ROARING] 24 00:02:24,500 --> 00:02:26,260 AS PART OF THE CIRCLE OF LIFE, [WHIMPERING] 25 00:02:26,500 --> 00:02:28,208 THE WAY OF THE JUNGLE. 26 00:02:28,209 --> 00:02:31,166 [GEORGE]: THE DISTRACTIONS WERE, LIKE ME, SHORT-LIVED. 27 00:02:32,042 --> 00:02:33,958 SEE YOU LATER, DUDE. 28 00:02:33,959 --> 00:02:35,750 THERE WAS NO REAL ESCAPE. 29 00:02:37,750 --> 00:02:38,917 [DOOR CLOSES] [CROAKING] 30 00:02:46,625 --> 00:02:48,082 IT'S 1:00 IN THE FUCKING MORNING. 31 00:02:48,083 --> 00:02:50,417 WHAT IS SO FUCKING IMPORTANT, FOR FUCK'S SAKE? 32 00:02:51,458 --> 00:02:53,098 WHY DON'T YOU SEE IF YOU CAN USE THAT WORD 33 00:02:53,122 --> 00:02:54,166 ONE MORE TIME? 34 00:02:54,167 --> 00:02:55,416 [ROXY]: I WAS OUT LIKE A LIGHT 35 00:02:55,417 --> 00:02:56,749 WHEN YOU CALLED ME. 36 00:02:56,750 --> 00:02:58,666 NO, YOU WEREN'T. I HEARD YOUR MICROWAVE 37 00:02:58,667 --> 00:03:00,499 DING IN THE BACKGROUND. 38 00:03:00,500 --> 00:03:02,300 WHAT WERE YOU HEATING UP IN THERE, SWEETHEART? 39 00:03:03,041 --> 00:03:04,666 I LIKE POPCORN. 40 00:03:04,667 --> 00:03:05,958 I LIKE TO WATCH 41 00:03:05,959 --> 00:03:08,791 OLD BLACK AND WHITE MOVIES AND EAT POPCORN. 42 00:03:08,792 --> 00:03:10,791 [DAISY]: I WAS IN SOME OF THOSE MOVIES. 43 00:03:10,792 --> 00:03:12,041 LIKE WHICH ONES? 44 00:03:13,000 --> 00:03:14,125 OH... 45 00:03:15,000 --> 00:03:16,583 TOO MANY TO RECOUNT. 46 00:03:17,333 --> 00:03:18,458 A LOT OF BACKGROUND, 47 00:03:19,208 --> 00:03:21,000 LIKE SO MANY OF US. 48 00:03:22,458 --> 00:03:23,792 BUT, MEMORABLE. 49 00:03:25,125 --> 00:03:26,999 I WAS BEAUTIFUL. 50 00:03:27,000 --> 00:03:28,834 I'M SURE YOU WERE BRILLIANT. 51 00:03:30,875 --> 00:03:32,542 CAN I GET SOME COFFEE, PLEASE? 52 00:03:33,834 --> 00:03:35,208 KIFFANY, MAKE A FRESH POT. 53 00:03:35,209 --> 00:03:36,500 WE'RE HERE A WHILE. 54 00:03:40,167 --> 00:03:41,582 OH, PLEASE TELL ME 55 00:03:41,583 --> 00:03:44,083 THOSE ARE NOT WHAT I THINK THEY ARE. 56 00:03:44,084 --> 00:03:45,375 [RUBE]: IT IS. THEY ARE. 57 00:03:47,209 --> 00:03:49,333 TIME FOR YOUR SELF-EVALUATIONS. 58 00:03:49,875 --> 00:03:51,042 AGAIN? 59 00:03:51,792 --> 00:03:52,999 I DON'T BELIEVE THIS. 60 00:03:53,000 --> 00:03:54,624 UGH. 61 00:03:54,625 --> 00:03:55,833 PLEASE, PLEASE. 62 00:03:55,834 --> 00:03:58,833 IT'S 1:00 IN THE MORNING. I REALLY DO HAVE A LIFE. 63 00:03:58,834 --> 00:04:00,124 1:00'S ABOUT THE RIGHT TIME. 64 00:04:00,125 --> 00:04:02,124 YOU'RE NOT SO WELL-DEFENDED AT NIGHT. 65 00:04:02,125 --> 00:04:03,250 OKAY, LOOK. 66 00:04:03,917 --> 00:04:05,041 AS ALWAYS, 67 00:04:05,042 --> 00:04:07,083 MULTIPLE CHOICE, SHORT ANSWER IN THE TEST BOOKS. 68 00:04:07,084 --> 00:04:09,124 ESSAYS IN THE BLUE BOOKS. 69 00:04:09,125 --> 00:04:10,083 MASON, PLEASE WRITE LEGIBLY. 70 00:04:10,084 --> 00:04:11,833 THERE WERE COMPLAINTS LAST YEAR. 71 00:04:11,834 --> 00:04:12,958 WELL, THAT'S RIDICULOUS. 72 00:04:12,959 --> 00:04:15,207 I ALWAYS HAD REALLY HIGH MARKS FOR PENMANSHIP. 73 00:04:15,208 --> 00:04:16,707 SERIOUSLY. I SAW THE THING. 74 00:04:16,708 --> 00:04:17,833 YOU WRITE LIKE YOU SPEAK. 75 00:04:17,834 --> 00:04:19,290 I COULD BARELY UNDERSTAND A WORD. 76 00:04:19,291 --> 00:04:20,457 OH, YOU KNOW WHAT? 77 00:04:20,458 --> 00:04:21,541 IN ALL HONESTY, 78 00:04:21,542 --> 00:04:23,374 I WAS, LIKE, ON SOMETHING 79 00:04:23,375 --> 00:04:25,541 WHEN I FILLED OUT MY FORM LAST YEAR. 80 00:04:25,542 --> 00:04:27,041 ARE YOU ON SOMETHING TONIGHT? 81 00:04:27,042 --> 00:04:29,125 NO. OH, REALLY? 82 00:04:30,667 --> 00:04:32,249 A LITTLE BIT. 83 00:04:32,250 --> 00:04:34,416 [DAISY]: RUBE, I THINK THERE'S BEEN A MISTAKE. 84 00:04:34,417 --> 00:04:36,332 I COMPLETED ONE OF THESE IN NEW YORK 85 00:04:36,333 --> 00:04:38,083 JUST BEFORE I LEFT, 86 00:04:38,084 --> 00:04:40,624 SO I REALLY DON'T NEED TO BE HERE. 87 00:04:40,625 --> 00:04:41,749 DO YOU KNOW THE DIFFERENCE 88 00:04:41,750 --> 00:04:43,499 BETWEEN A NEW YORK-STYLE HOT DOG 89 00:04:43,500 --> 00:04:45,499 AND A CHICAGO-STYLE HOT DOG? I DON'T EAT HOT... 90 00:04:45,500 --> 00:04:47,124 THE NEW YORK COMES ON A PLAIN BUN, 91 00:04:47,125 --> 00:04:49,083 MUSTARD, KETCHUP, SAUERKRAUT, 92 00:04:49,084 --> 00:04:51,165 SORT OF A TOMATO-BASED ONION RELISH. 93 00:04:51,166 --> 00:04:52,792 IN CHICAGO, IT'S A... 94 00:04:53,625 --> 00:04:54,708 IT'S A GREAT FUCKING TOWN, 95 00:04:55,583 --> 00:04:57,416 IT COMES ON A POPPYSEED BUN. 96 00:04:57,417 --> 00:04:59,875 MUSTARD, EMERALD RELISH, 97 00:05:00,417 --> 00:05:01,916 TOMATOES, 98 00:05:01,917 --> 00:05:03,416 PICKLES, ONIONS, 99 00:05:03,417 --> 00:05:06,834 CELERY SALT, AND YOU'VE GOT CHILI PEPPERS. 100 00:05:08,917 --> 00:05:12,416 IT IS A VERY DIFFERENT EXPERIENCE. 101 00:05:12,417 --> 00:05:15,959 I WOULDN'T EAT EITHER OF THOSE. 102 00:05:16,458 --> 00:05:18,084 DEATH, DAISY... 103 00:05:19,417 --> 00:05:21,291 HAS A DIFFERENT QUALITY IN NEW YORK, 104 00:05:22,792 --> 00:05:24,624 AS IT DOES IN CHICAGO, 105 00:05:24,625 --> 00:05:26,332 NEW ORLEANS, 106 00:05:26,333 --> 00:05:28,084 DESTIN, FLORIDA, 107 00:05:28,458 --> 00:05:30,084 LUSK, WYOMING. 108 00:05:30,917 --> 00:05:31,999 EVERYWHERE, 109 00:05:32,000 --> 00:05:34,166 DEATH IS JUST A LITTLE DIFFERENT, 110 00:05:34,167 --> 00:05:35,791 THAN IT IS HERE. 111 00:05:35,792 --> 00:05:37,249 WHOEVER'S GOING TO READ THIS, 112 00:05:37,250 --> 00:05:38,332 WELL, THEY'RE GOING TO WANT TO KNOW 113 00:05:38,333 --> 00:05:39,958 IF YOU'RE RIGHT FOR DEATH IN THIS TOWN. 114 00:05:39,959 --> 00:05:41,958 IF YOU DO NOT, AS YOU SAY, WANT TO BE HERE, 115 00:05:41,959 --> 00:05:43,083 THEN I'M CERTAIN THEY'LL FIND 116 00:05:43,084 --> 00:05:44,125 SOME OTHER PLACE FOR YOU. 117 00:05:46,125 --> 00:05:47,624 OKAY, YOU HAVE AN HOUR 118 00:05:47,625 --> 00:05:49,125 FOR SECTION ONE, 119 00:05:50,208 --> 00:05:53,707 OR AS MUCH TIME AS YOU NEED. 120 00:05:53,708 --> 00:05:55,833 I'M GOING TO BE HERE. YOU GUYS ARE OVER HERE. LET'S GO. 121 00:05:55,834 --> 00:05:57,333 LET'S GO, LET'S GO. 122 00:05:58,291 --> 00:06:00,042 TAKE EVERYTHING WITH YOU. 123 00:06:01,834 --> 00:06:03,499 HERE, TAKE THIS. TELL YOU WHAT, 124 00:06:03,500 --> 00:06:06,166 THIS IS SOME FREEZE-DRIED BULLSHIT. 125 00:06:06,167 --> 00:06:07,625 THE CLOCK'S RUNNING, OKAY? 126 00:06:08,834 --> 00:06:10,874 WASTE OF MY TIME. 127 00:06:10,875 --> 00:06:12,792 I NEED MORE DRUGS. 128 00:06:21,959 --> 00:06:24,209 BET THEY'RE ALL ASLEEP. 129 00:06:29,375 --> 00:06:30,667 [CLANG] 130 00:06:34,708 --> 00:06:36,167 [BARKING] 131 00:06:38,917 --> 00:06:40,416 SO THE ESSAY QUESTIONS 132 00:06:40,417 --> 00:06:42,457 ARE THE SAME AS LAST YEAR, SO... 133 00:06:42,458 --> 00:06:43,667 SWEET. 134 00:06:45,166 --> 00:06:47,083 THIS ONE'S DIFFERENT. 135 00:06:47,084 --> 00:06:49,124 "IF YOUR LIFE WERE A COLOR, 136 00:06:49,125 --> 00:06:50,542 WHAT WOULD IT BE?" 137 00:06:51,625 --> 00:06:52,708 BLACK. 138 00:06:54,000 --> 00:06:55,208 BLACK. 139 00:06:56,250 --> 00:06:57,291 BLACK. 140 00:06:58,084 --> 00:06:59,959 NO... PINK. 141 00:07:02,125 --> 00:07:03,457 YOU FOLKS HAD BETTER SIMMER DOWN 142 00:07:03,458 --> 00:07:04,875 AND START THINKING. 143 00:07:05,417 --> 00:07:06,458 WRITING. 144 00:07:10,125 --> 00:07:11,249 SHIT. 145 00:07:11,250 --> 00:07:14,666 THERE ARE THREE ESSAY QUESTIONS. 146 00:07:14,667 --> 00:07:16,999 NO, TELL ME THERE ARE NOT THREE. PLEASE. 147 00:07:17,000 --> 00:07:19,000 AND THE SHORT ANSWERS 148 00:07:19,834 --> 00:07:21,167 ARE IN TWO PARTS. 149 00:07:21,917 --> 00:07:23,083 SHARPEN ANOTHER PENCIL 150 00:07:23,084 --> 00:07:24,917 AND I'M BREAKING ONE IN YOUR LITTLE PINK ASS. 151 00:07:29,041 --> 00:07:30,499 OKAY. 152 00:07:30,500 --> 00:07:32,084 TRIPLE ESPRESSO... 153 00:07:34,333 --> 00:07:36,999 PEANUT BUTTER PROTEIN SHAKE, 154 00:07:37,000 --> 00:07:39,125 AND TOMATO JUICE WITH LEMON AND GINSENG. 155 00:07:42,042 --> 00:07:44,041 WOW, YOU GUYS ARE UP, TOO, HUH? 156 00:07:46,333 --> 00:07:47,417 SHH. 157 00:07:50,458 --> 00:07:51,708 WHAT ARE YOU DOING? 158 00:07:52,166 --> 00:07:53,458 GEORGIA, GO AWAY. 159 00:07:55,417 --> 00:07:58,040 WHAT, DID YOU ALL GET TOGETHER TO VOTE ME OFF THE ISLAND? 160 00:07:58,041 --> 00:08:00,499 I'D GET THE FUCK OUT OF HERE WHILE I STILL CAN 161 00:08:00,500 --> 00:08:01,980 IF I WERE YOU. GIVE ME MY PENCIL BACK. 162 00:08:02,004 --> 00:08:03,332 THANKS. 163 00:08:03,333 --> 00:08:05,083 GET OFF. 164 00:08:05,084 --> 00:08:06,604 HOW MANY SOULS DID YOU TAKE LAST MONTH? 165 00:08:07,167 --> 00:08:08,625 A LOT. LIKE... 166 00:08:09,166 --> 00:08:10,250 OVER 40. 167 00:08:11,041 --> 00:08:12,874 WOW. 168 00:08:12,875 --> 00:08:14,791 YOU MUST BE EXHAUSTED. 169 00:08:14,792 --> 00:08:16,499 TO THE BONE, BABY. 170 00:08:16,500 --> 00:08:18,916 THE NEXT POST-IT THAT MAN GIVES ME, 171 00:08:18,917 --> 00:08:20,624 I'M SHOVING IT UP HIS BUTT. 172 00:08:20,625 --> 00:08:22,124 I DON'T MEAN NO DISRESPECT, 173 00:08:22,125 --> 00:08:24,167 BUT I AM T-I-R-E-D. 174 00:08:24,750 --> 00:08:26,791 THERE'S NO HOB-NOBBING. 175 00:08:26,792 --> 00:08:28,125 IT'S NOT A DEBUTANTE PARTY. 176 00:08:29,834 --> 00:08:31,249 SEPARATE BOOTHS. OKAY? 177 00:08:31,250 --> 00:08:32,291 LET'S GO. 178 00:08:32,834 --> 00:08:33,917 GEORGIA? 179 00:08:34,458 --> 00:08:35,542 COME HERE, PLEASE. 180 00:08:36,084 --> 00:08:37,167 GEORGIA. 181 00:08:41,500 --> 00:08:42,708 HAVE A SEAT. 182 00:08:43,542 --> 00:08:44,874 WHY ARE YOU HERE? 183 00:08:44,875 --> 00:08:45,958 I COULDN'T SLEEP. 184 00:08:45,959 --> 00:08:47,999 HOW COME EVERYONE'S TAKING A TEST AND I'M NOT? 185 00:08:48,000 --> 00:08:49,542 I THINK I'M GOING TO TAKE UP PAINTING. 186 00:08:50,375 --> 00:08:51,834 WHAT ARE THEY DOING? 187 00:08:52,500 --> 00:08:54,916 OH, SELF-EVALUATIONS. 188 00:08:54,917 --> 00:08:56,458 I'D DO WATERCOLOR TO START. 189 00:08:58,083 --> 00:08:59,708 MAYBE ACRYLIC. 190 00:09:00,708 --> 00:09:02,040 WHY ARE YOU HERE? 191 00:09:02,041 --> 00:09:03,666 I COULD NOT FALL ASLEEP. 192 00:09:03,667 --> 00:09:05,332 WHY AM I NOT DOING 193 00:09:05,333 --> 00:09:06,666 WHAT THEY'RE DOING? 194 00:09:06,667 --> 00:09:09,124 'CAUSE YOU'RE DOING WHAT YOU'RE DOING. 195 00:09:09,125 --> 00:09:11,445 WHEN IT'S TIME FOR YOU TO DO SOMETHING ELSE, YOU'LL DO THAT. 196 00:09:11,469 --> 00:09:12,677 I WANT TO LEARN HOW TO PAINT. 197 00:09:13,084 --> 00:09:14,707 I'M LOOKING FOR A MENTOR. 198 00:09:14,708 --> 00:09:16,124 AS YOU CAN IMAGINE, 199 00:09:16,125 --> 00:09:17,416 ALL THE GOOD ONES ARE DEAD. 200 00:09:17,417 --> 00:09:20,125 YOU DON'T THINK THAT I COULD DO A SELF-EVALUATION? 201 00:09:20,708 --> 00:09:22,833 I AM A VERY IMPRESSIVE 202 00:09:22,834 --> 00:09:24,791 YOUNG WORKER. ASK ANYONE AT HAPPY TIME. 203 00:09:24,792 --> 00:09:26,166 ASK DELORES. 204 00:09:26,167 --> 00:09:29,165 SHE REALLY LOVES ME. 205 00:09:29,166 --> 00:09:31,333 YOU'RE VERY WELL-LIKED HERE. 206 00:09:31,792 --> 00:09:32,916 I AM? 207 00:09:32,917 --> 00:09:34,374 ABSOLUTELY. 208 00:09:34,375 --> 00:09:36,165 HOW DO YOU FEEL ABOUT FILING? 209 00:09:36,166 --> 00:09:38,249 I LIKE THE WAY YOU SHOW INITIATIVE, MILLIE. 210 00:09:38,250 --> 00:09:40,207 I LIKE IT A LOT. 211 00:09:40,208 --> 00:09:41,791 I'D BETTER WATCH MY BACK. 212 00:09:41,792 --> 00:09:43,707 PRETTY SOON YOU'LL HAVE MY JOB. 213 00:09:43,708 --> 00:09:45,499 I ENVY YOU. 214 00:09:45,500 --> 00:09:47,749 COLLATING IS SO ZEN. 215 00:09:47,750 --> 00:09:49,792 ISN'T RESPONSIBILITY FUN? 216 00:09:51,000 --> 00:09:52,165 I WENT THROUGH A ROUGH PATCH 217 00:09:52,166 --> 00:09:53,666 WHEN I WAS YOUR AGE. 218 00:09:53,667 --> 00:09:55,166 IT WAS THE '80s, 219 00:09:55,167 --> 00:09:57,416 AND EVERYONE WAS DOING SO MUCH COCAINE. 220 00:09:57,417 --> 00:09:58,499 HI! 221 00:09:58,500 --> 00:10:00,541 HOW'S THE LITTLE ENGINE THAT COULD? 222 00:10:00,542 --> 00:10:04,041 MY HEART SWELLS WITH SUCH... 223 00:10:04,042 --> 00:10:05,083 PRIDE. 224 00:10:06,458 --> 00:10:08,291 THIS ISN'T HAPPY TIME, SWEETHEART, 225 00:10:09,333 --> 00:10:11,374 AND BESIDES, YOU DON'T DO ONE THIS TIME AROUND. 226 00:10:11,375 --> 00:10:12,874 [GEORGE]: WHY? 227 00:10:12,875 --> 00:10:14,999 BECAUSE YOU DON'T. WHY? 228 00:10:15,000 --> 00:10:16,165 YOU JUST DON'T. 229 00:10:16,166 --> 00:10:17,290 WHY? 230 00:10:17,291 --> 00:10:18,666 WHY? 231 00:10:18,667 --> 00:10:20,167 THAT'S A QUESTION. 232 00:10:22,667 --> 00:10:24,208 YOU WANT TO SPLIT A CARROT MUFFIN? 233 00:10:25,209 --> 00:10:26,833 NO? FINE. 234 00:10:26,834 --> 00:10:28,042 I'LL DO IT ALONE. 235 00:10:29,083 --> 00:10:30,166 TAKE MONET... 236 00:10:31,041 --> 00:10:32,500 IMPRESSIONIST. 237 00:10:34,167 --> 00:10:36,208 HERE'S HIS PAINTING OF ROUEN CATHEDRAL. 238 00:10:38,083 --> 00:10:39,375 IT'S STUNNING, 239 00:10:40,041 --> 00:10:41,999 BUT AT THE SAME TIME, 240 00:10:42,000 --> 00:10:44,999 IT... IT DOESN'T CONVEY THE ATMOSPHERIC REALITY 241 00:10:45,000 --> 00:10:46,041 OF THE CATHEDRAL. 242 00:10:47,125 --> 00:10:48,605 IT'S MORE LIKE A DREAM OF A CATHEDRAL. 243 00:10:51,167 --> 00:10:52,375 EYES ON YOUR OWN WORK. 244 00:10:55,333 --> 00:10:57,253 SO THEN I HAVE TO ASK, DO I WANT TO PAINT DREAMS? 245 00:10:58,041 --> 00:10:59,250 DO I, GEORGIA? 246 00:10:59,750 --> 00:11:01,124 I DON'T KNOW. 247 00:11:01,125 --> 00:11:02,249 I DON'T CARE. 248 00:11:02,250 --> 00:11:04,333 WHY... WHY CAN'T I TAKE THE TEST? 249 00:11:05,458 --> 00:11:07,791 CAN I GET SOME COFFEE, PLEASE? 250 00:11:07,792 --> 00:11:09,209 I COULD PAINT DREAMS. 251 00:11:10,000 --> 00:11:11,208 I COULD REALLY EAT A MUFFIN. 252 00:11:12,125 --> 00:11:13,667 [♪♪] 253 00:11:15,500 --> 00:11:16,833 UH, T-BONE STEAK AND EGGS. 254 00:11:16,834 --> 00:11:18,332 T-BONE, MEDIUM-RARE, EGGS, OVER EASY. 255 00:11:18,333 --> 00:11:20,083 I WANT TOAST INSTEAD OF HASHBROWNS, 256 00:11:20,084 --> 00:11:21,416 AND HOT SYRUP FOR THE PANCAKES, 257 00:11:21,417 --> 00:11:22,937 AND PLEASE, DO NOT SKIMP ON THE BUTTER. 258 00:11:22,938 --> 00:11:24,218 AND A SIDE ORDER OF CRISPY BACON, 259 00:11:24,242 --> 00:11:25,707 EXTRA, EXTRA CRISPY. 260 00:11:25,708 --> 00:11:26,958 YOU KNOW, I'LL NEVER UNDERSTAND 261 00:11:26,959 --> 00:11:29,208 THE INSTINCT TO MINIATURIZE FOOD. 262 00:11:29,209 --> 00:11:30,290 IT'S BITE-SIZE. 263 00:11:30,291 --> 00:11:31,834 THAT'S NOT BITE-SIZE. 264 00:11:32,667 --> 00:11:34,457 I CAN'T PUT THIS INTO MY MOUTH. 265 00:11:34,458 --> 00:11:36,298 NOW MY FINGERS ARE STICKY. CAN I HAVE A NAPKIN? 266 00:11:36,322 --> 00:11:37,457 YOU ATE THREE OF THEM. 267 00:11:37,458 --> 00:11:38,938 I DIDN'T EAT THREE OF THEM. THANK YOU. 268 00:11:38,939 --> 00:11:40,979 AN UNDEAD PERSON HAS CERTAIN RIGHTS AND PRIVILEGES. 269 00:11:40,980 --> 00:11:43,416 FOR INSTANCE, I HAVE A PHYSICAL BODY. 270 00:11:43,417 --> 00:11:45,374 I CAN ENJOY THE SWEET DELICIOUSNESS 271 00:11:45,375 --> 00:11:47,750 OF THIS TASTY KEY LIME PIE. 272 00:11:50,291 --> 00:11:51,531 ARE YOU GOING TO EAT YOUR BACON? 273 00:12:04,084 --> 00:12:05,374 COME ON, COME ON. 274 00:12:05,375 --> 00:12:06,582 I LOVE EGGS. 275 00:12:06,583 --> 00:12:07,707 I LOVE THEM FRIED, SCRAMBLED, 276 00:12:07,708 --> 00:12:09,290 SOFT-BOILED, FLORENTINED. 277 00:12:09,291 --> 00:12:11,083 THESE I DIDN'T LOVE. 278 00:12:11,084 --> 00:12:13,083 SO, WHO DO WE BLAME, THE HEN OR THE COOK? 279 00:12:15,667 --> 00:12:16,999 LET'S BLAME THE HEN. 280 00:12:17,000 --> 00:12:18,960 I'M CONCERNED YOU DON'T KNOW WHAT A PATTY MELT IS. 281 00:12:19,792 --> 00:12:21,392 A PATTY MELT NOT ONLY IMPLIES WHAT IT IS, 282 00:12:21,416 --> 00:12:23,499 BUT ALSO HOW IT'S PREPARED. 283 00:12:23,500 --> 00:12:25,958 THE CHEESE IS MELTED ON THE PATTY. 284 00:12:25,959 --> 00:12:27,439 I LIKE THE CHEESE MELTED ON THE BREAD. 285 00:12:27,463 --> 00:12:28,791 THAT'D BE A BREAD MELT, 286 00:12:28,792 --> 00:12:30,624 OR AS IT'S COMMONLY KNOWN, A GRILLED CHEESE. 287 00:12:30,625 --> 00:12:32,041 CORNED BEEF HASH. 288 00:12:32,042 --> 00:12:33,332 I SPEAK NOT ONLY FOR MYSELF, 289 00:12:33,333 --> 00:12:34,791 BUT FOR AFICIONADOS OF THE DISH. 290 00:12:34,792 --> 00:12:38,083 IT'S TO BE FRIED, WITH A CRISP EXTERIOR. 291 00:12:38,084 --> 00:12:40,624 I DO NOT SAY THIS PHRASE LIGHTLY 292 00:12:40,625 --> 00:12:42,125 IN THIS HALLOWED PLACE. 293 00:12:43,000 --> 00:12:45,165 THIS IS FUCKING INEDIBLE. 294 00:12:45,166 --> 00:12:47,625 A DISH IS A COLLECTION OF FLAVORS, 295 00:12:48,500 --> 00:12:50,332 CONSISTENCIES. 296 00:12:50,333 --> 00:12:51,541 YOU START SWAPPING INGREDIENTS 297 00:12:51,542 --> 00:12:53,208 IN THAT CAREFULLY THOUGHT-OUT MELANGE, 298 00:12:53,209 --> 00:12:55,049 IT'S LIKE FUCKING WITH THE JENGA TOWER OF TASTE. 299 00:12:56,708 --> 00:12:59,457 KIFF, CAN I GET A CARROT MUFFIN ON THE GRILL, 300 00:12:59,458 --> 00:13:00,542 EXTRA BUTTER? 301 00:13:02,625 --> 00:13:08,209 "WHAT ARE THE GIFTS YOU BRING TO YOUR ORGANIZATION?" 302 00:13:09,667 --> 00:13:11,582 HMM. 303 00:13:11,583 --> 00:13:12,916 DO YOU KNOW WHAT YOUR PROBLEM IS? 304 00:13:12,917 --> 00:13:14,124 YOU WAKE UP EVERY MORNING 305 00:13:14,125 --> 00:13:16,166 WONDERING WHAT THE WORLD'S GOING TO DO FOR YOU, 306 00:13:16,167 --> 00:13:17,999 WONDERING WHO'S GOING TO BEND OVER BACKWARDS, 307 00:13:18,000 --> 00:13:19,666 KISS YOUR ASS, AND MAKE YOU HAPPY, 308 00:13:19,667 --> 00:13:21,999 WHEN YOU SHOULD JUST THANK GOD FOR ANOTHER DAY 309 00:13:22,000 --> 00:13:23,200 AND LEAVE IT THE FUCK AT THAT. 310 00:13:23,224 --> 00:13:24,391 ALL RIGHT, YOU CAN TAKE THE... 311 00:13:26,417 --> 00:13:27,833 SIR, I'M GOING TO SAY THIS 312 00:13:27,834 --> 00:13:29,208 AS POLITELY AS POSSIBLE... 313 00:13:29,209 --> 00:13:30,209 I WILL FUCK YOU UP. 314 00:13:31,041 --> 00:13:33,082 DO I NEED TO BE CROSSING OVER 315 00:13:33,083 --> 00:13:34,500 OR PASSING ON OR SOMETHING? 316 00:13:35,208 --> 00:13:36,332 YOU AIN'T GOING NOWHERE 317 00:13:36,333 --> 00:13:37,708 UNTIL I FILL MY QUOTA. 318 00:13:44,125 --> 00:13:45,166 LET ME TELL YOU SOMETHING. 319 00:13:46,208 --> 00:13:48,082 I AM TRYING TO DO MY JOB. 320 00:13:48,083 --> 00:13:50,166 IF YOU KEEP FUCKING WITH ME, 321 00:13:50,167 --> 00:13:51,874 THERE ARE OTHER SKILLS I CAN EMPLOY 322 00:13:51,875 --> 00:13:55,082 THAT WILL GIVE YOUR LIFE A TURN FOR THE STRANGE AND THE PAINFUL. 323 00:13:55,083 --> 00:13:56,958 THESE LITTLE BRATS EGGED MY CAR, 324 00:13:56,959 --> 00:13:58,624 AND I WAS GOING TO BEAT THEIR ASS, 325 00:13:58,625 --> 00:13:59,999 BUT THEN THIS BITCH COMES UP TO ME, 326 00:14:00,000 --> 00:14:01,124 $25 TICKET. 327 00:14:01,125 --> 00:14:03,207 SO? PAY THE DAMN TICKET. 328 00:14:03,208 --> 00:14:04,500 IT'S BEEN A FUCKED-UP WEEK. 329 00:14:07,000 --> 00:14:08,500 NO-NONSENSE, 330 00:14:10,042 --> 00:14:11,875 COMFORTABLE WITH FIREARMS, 331 00:14:13,333 --> 00:14:15,124 AND I KNOW KUNG FU. 332 00:14:15,125 --> 00:14:17,166 "WHAT, IN YOUR PREVIOUS EXPERIENCE," 333 00:14:17,167 --> 00:14:18,607 WOULD HELP YOU TO CONVINCE THE LIVING 334 00:14:18,631 --> 00:14:20,257 "THAT YOU ARE ONE OF THEM?" 335 00:14:23,000 --> 00:14:25,209 I AM A SUCKER FOR PLATINUM. 336 00:14:28,041 --> 00:14:30,541 I ONCE HAD DOROTHY'S ORIGINAL BAG 337 00:14:30,542 --> 00:14:31,999 FROM THE WIZARD OF OZ. 338 00:14:32,000 --> 00:14:33,666 I KNEW SOMEONE FROM THE PROPS DEPARTMENT. 339 00:14:33,667 --> 00:14:34,907 DON'T YOU MEAN YOU BLEW SOMEBODY 340 00:14:34,931 --> 00:14:36,124 IN THE PROPS DEPARTMENT? 341 00:14:36,125 --> 00:14:37,874 KNEW, BLEW, TOMATO, TOMAHTO. 342 00:14:37,875 --> 00:14:39,416 I ONCE GAVE ERROL FLYNN 343 00:14:39,417 --> 00:14:41,042 A HANDJOB IN A CONVERTIBLE. 344 00:14:42,792 --> 00:14:44,791 THAT'S A NICE STORY. 345 00:14:44,792 --> 00:14:45,999 THE STAR OF THE MOVIE AND I, 346 00:14:46,000 --> 00:14:47,958 WELL, WE'D BECOME QUITE THE ITEM. 347 00:14:47,959 --> 00:14:49,875 YOU... YOU AND CLARK GABLE? 348 00:14:50,917 --> 00:14:52,332 I WAS UNDER THE CRAFT SERVICES TABLE 349 00:14:52,333 --> 00:14:54,791 AND I WAS BLOWING THIS TALL HANDSOME MAN, 350 00:14:54,792 --> 00:14:57,208 AND THEN SOMEONE LEANED OVER AND WHISPERED IN MY EAR, 351 00:14:57,209 --> 00:14:59,250 "NO, THAT'S CLARK GABLE." 352 00:15:00,042 --> 00:15:01,583 I DID ONCE BLOW BABE RUTH. 353 00:15:02,125 --> 00:15:03,125 WHO DIDN'T? 354 00:15:03,792 --> 00:15:05,582 SO WHO WERE YOU BLOWING? 355 00:15:05,583 --> 00:15:08,124 I DON'T KNOW. IT'S SUCH A HUGE CAST. 356 00:15:08,125 --> 00:15:10,082 SOMEONE FROM THE CONFEDERACY, I THINK. 357 00:15:10,083 --> 00:15:11,499 DID YOU EVER SLEEP WITH A DWARF? 358 00:15:11,500 --> 00:15:12,666 DID YOU BLOW A DWARF? 359 00:15:12,667 --> 00:15:14,165 DON'T BE STUPID. 360 00:15:14,166 --> 00:15:15,250 THEY'RE CARTOONS. 361 00:15:18,125 --> 00:15:21,041 I AM... 362 00:15:21,042 --> 00:15:23,667 AN ACTRESS. 363 00:15:25,042 --> 00:15:26,833 "WHAT KIND OF COPING SKILLS 364 00:15:26,834 --> 00:15:29,125 DO YOU POSSESS IN PRESSURE SITUATIONS?" 365 00:15:35,208 --> 00:15:36,291 MOVE. 366 00:15:41,167 --> 00:15:42,624 ALL RIGHT, PULL YOUR PANTS DOWN 367 00:15:42,625 --> 00:15:44,332 AROUND YOUR ANKLES AND BEND OVER. 368 00:15:44,333 --> 00:15:46,291 I'M GOING TO HAVE TO ASK YOU TO LEAN INTO ME. 369 00:15:47,000 --> 00:15:48,708 [GROWLS] [GRUNTS] 370 00:15:52,209 --> 00:15:53,209 ARE YOU HIGH? 371 00:15:55,000 --> 00:15:57,959 I'VE GOT ILLEGALS IN MY BOTTOM. 372 00:15:59,000 --> 00:16:00,999 WHY DO YOU DO THIS TO YOURSELF? 373 00:16:01,000 --> 00:16:02,000 I DON'T KNOW. 374 00:16:04,209 --> 00:16:06,290 DO YOU CONSIDER YOURSELF EXCEPTIONALLY REASONABLE 375 00:16:06,291 --> 00:16:07,958 OR EXCEPTIONALLY KIND? 376 00:16:07,959 --> 00:16:09,041 EXCEPTIONALLY KIND. 377 00:16:10,083 --> 00:16:11,708 WELL, I'M NOT PARTICULARLY REASONABLE. 378 00:16:22,166 --> 00:16:24,166 AH! AH! 379 00:16:24,167 --> 00:16:25,249 WHERE ARE YOU GOING? 380 00:16:25,250 --> 00:16:26,530 I'M GETTING THE FUCK OUT OF HERE. 381 00:16:26,554 --> 00:16:27,845 I SUGGEST YOU DO THE SAME. 382 00:16:35,167 --> 00:16:36,417 POISED UNDER PRESSURE. 383 00:16:39,083 --> 00:16:42,125 DAISY, ANOTHER WRITING INSTRUMENT, PLEASE. 384 00:16:45,166 --> 00:16:46,417 PENCIL. 385 00:16:58,083 --> 00:16:59,666 YOU SHOULD PAINT LIKE THESE GUYS, 386 00:16:59,667 --> 00:17:01,084 LIKE THE IMPRESSIONISTS. 387 00:17:02,542 --> 00:17:03,667 YOU'RE EATING MY MUFFIN. 388 00:17:05,000 --> 00:17:06,042 IS IT GOOD? 389 00:17:06,542 --> 00:17:08,291 MM. IT'S REALLY GOOD. 390 00:17:09,583 --> 00:17:11,040 AS REMARKABLE AS THEY ARE, 391 00:17:11,041 --> 00:17:12,874 I DON'T WANT TO PAINT THEM. 392 00:17:12,875 --> 00:17:13,959 [GEORGE]: WHY? 393 00:17:14,917 --> 00:17:16,125 TOO MUCH LIGHT? 394 00:17:21,458 --> 00:17:23,708 I'D RATHER DO SOMETHING A LITTLE DARKER. 395 00:17:25,041 --> 00:17:26,333 MAYBE A NIGHTSCAPE. 396 00:17:28,209 --> 00:17:29,209 HOLD ON. 397 00:17:34,125 --> 00:17:35,250 NOW, THERE WE HAVE SOMETHING. 398 00:17:37,750 --> 00:17:38,917 EDWARD HOPPER. 399 00:17:40,875 --> 00:17:42,125 LOOK AT YOU. 400 00:17:43,000 --> 00:17:45,000 I'M DEAD, I'M NOT STUPID. 401 00:17:54,042 --> 00:17:55,583 SHE REMINDS ME OF DAISY. 402 00:17:56,834 --> 00:17:58,208 [DOOR OPENS] 403 00:18:02,333 --> 00:18:04,208 DAISY'S NOT THIS CONTEMPLATIVE. 404 00:18:06,625 --> 00:18:08,042 YOU'RE WRONG. 405 00:18:08,708 --> 00:18:10,749 I LIVE WITH HER. 406 00:18:10,750 --> 00:18:12,166 I WATCH HER SOMETIMES 407 00:18:12,167 --> 00:18:14,083 WHEN SHE DOESN'T THINK ANYONE'S LOOKING. 408 00:18:16,000 --> 00:18:17,667 SHE'S SAD ABOUT SOMETHING. 409 00:18:24,041 --> 00:18:25,959 NIGHTHAWKS. [SIGHS] 410 00:18:27,875 --> 00:18:29,315 I WONDER WHAT THEY'RE THINKING ABOUT. 411 00:18:34,792 --> 00:18:36,792 WAIT... COME HERE. 412 00:18:40,209 --> 00:18:42,083 [GEORGE]: PROBABLY THEMSELVES. 413 00:18:42,084 --> 00:18:43,124 [RUBE]: I DON'T KNOW. 414 00:18:43,125 --> 00:18:44,500 MAYBE SOMEONE ELSE. 415 00:18:47,375 --> 00:18:48,708 SOMETHING ELSE. 416 00:18:53,209 --> 00:18:54,458 I'LL BE RIGHT BACK. 417 00:18:56,208 --> 00:18:58,040 "WHICH OF THE FOLLOWING BEST DESCRIBES 418 00:18:58,041 --> 00:18:59,375 THE IDEAL WORKPLACE?" 419 00:18:59,750 --> 00:19:00,874 WHAT? 420 00:19:00,875 --> 00:19:04,374 WAIT. "A," A NURSE IN AN EMERGENCY ROOM, 421 00:19:04,375 --> 00:19:05,916 "B," A LIFEGUARD AT THE BEACH, 422 00:19:05,917 --> 00:19:08,124 OR "C," A NIGHT WATCHMAN IN AN INDUSTRIAL PARK? 423 00:19:08,125 --> 00:19:09,250 IS THERE A PROBLEM? 424 00:19:09,708 --> 00:19:10,750 NO. 425 00:19:12,084 --> 00:19:13,958 NO, I WAS... I WAS JUST THANKING KIFFANY 426 00:19:13,959 --> 00:19:15,199 FOR THE BEVERAGE. THE LIFEGUARD. 427 00:19:16,458 --> 00:19:18,258 YOU SIT ON YOUR ASS ALL DAY AND JUST MAKE SURE 428 00:19:18,282 --> 00:19:19,624 EVERYTHING'S OKAY. 429 00:19:19,625 --> 00:19:21,084 THAT'D BE NICE. 430 00:19:22,042 --> 00:19:23,249 WHAT? 431 00:19:23,250 --> 00:19:24,625 WHA-WHAT? LIFEGUARD? 432 00:19:25,834 --> 00:19:28,833 KIFFANY, DARLING, I'VE GOT A LOT OF WORK TO DO HERE, 433 00:19:28,834 --> 00:19:31,582 AND IN ALL HONESTY, I CANNOT SIT HERE AND DISCUSS 434 00:19:31,583 --> 00:19:34,166 WHATEVER AX YOU'VE GOT TO GRIND WITH LIFEGUARDS, SO... 435 00:19:37,125 --> 00:19:38,457 ONE WARNING, MASON. 436 00:19:38,458 --> 00:19:39,875 CONSIDER YOURSELF WARNED. 437 00:19:41,083 --> 00:19:42,083 WHY, SHE'S PISS DRUNK. 438 00:19:42,084 --> 00:19:43,583 LOOK AT HER. SHE'S HAMMERED. 439 00:19:57,875 --> 00:20:00,083 LOOKS LIKE THEY'RE THINKING ABOUT SOMETHING THEY LOST. 440 00:20:02,167 --> 00:20:03,333 I DON'T KNOW. 441 00:20:04,834 --> 00:20:06,083 HOPPER'S THE GUY. 442 00:20:11,917 --> 00:20:14,000 WHY ARE THEY TAKING THIS TEST THING AT NIGHT? 443 00:20:16,125 --> 00:20:17,375 AND WHY ARE YOU HERE? 444 00:20:18,042 --> 00:20:19,541 WHY ARE YOU HERE? 445 00:20:19,542 --> 00:20:21,000 I CAN'T SLEEP. 446 00:20:23,458 --> 00:20:25,084 I HAVE A JOB THIS MORNING. 447 00:20:28,208 --> 00:20:30,125 [EXHALES] I HAVE TO GO. 448 00:20:31,166 --> 00:20:32,208 OH. 449 00:20:33,667 --> 00:20:35,124 WANT... 450 00:20:35,125 --> 00:20:36,999 COMPANY? NO. 451 00:20:37,000 --> 00:20:39,166 I DON'T MIND, REALLY. 452 00:20:39,167 --> 00:20:41,666 IT'S NOT LIKE I'M DOING ANYTHING. 453 00:20:41,667 --> 00:20:42,834 [WHISPERING] OI. 454 00:20:43,792 --> 00:20:45,375 WHAT DID YOU PUT FOR NUMBER 12? 455 00:20:47,166 --> 00:20:48,792 WHERE IS IT, THE JOB? 456 00:20:53,291 --> 00:20:55,166 AW, MOTHERFUCK. 457 00:20:56,000 --> 00:20:57,375 JESUS. FUCKING TEST. 458 00:21:07,208 --> 00:21:10,958 IT'S 3851 BEATRICE LANE? 459 00:21:10,959 --> 00:21:13,082 IT'S NOT YOUR POST-IT. THAT'S MY OLD HOUSE. 460 00:21:13,083 --> 00:21:14,791 THAT'S WHERE MY FAMILY IS. 461 00:21:14,792 --> 00:21:16,125 I'M AWARE. 462 00:21:17,125 --> 00:21:18,374 WHO IS IT? 463 00:21:18,375 --> 00:21:20,833 IT'S NOT YOUR POST-IT. 464 00:21:20,834 --> 00:21:22,833 THERE ARE RULES, GEORGIA. 465 00:21:22,834 --> 00:21:24,999 WHAT IS GOING TO HAPPEN 466 00:21:25,000 --> 00:21:26,040 IN MY DRIVEWAY? 467 00:21:26,041 --> 00:21:27,542 IT'S NOT YOUR DRIVEWAY ANYMORE. 468 00:21:28,291 --> 00:21:30,040 YOU KNOW WHAT I MEAN. 469 00:21:30,041 --> 00:21:32,124 I DO, 470 00:21:32,125 --> 00:21:33,959 AND IT'S NOT YOUR DRIVEWAY ANYWAY. 471 00:21:34,708 --> 00:21:36,208 WELL, THEN, I'M COMING WITH YOU. 472 00:21:36,209 --> 00:21:37,375 THAT'S NOT GOING TO HAPPEN. 473 00:21:38,291 --> 00:21:41,041 SOMEONE DIES AT MY HOUSE, 474 00:21:41,042 --> 00:21:42,242 AND YOU DON'T TELL ME ABOUT IT? 475 00:21:42,266 --> 00:21:44,058 WHAT THE FUCK IS WRONG WITH YOU? 476 00:21:47,333 --> 00:21:48,417 EVERYTHING ALL RIGHT? 477 00:21:50,500 --> 00:21:51,999 EVERYTHING'S FINE. 478 00:21:52,000 --> 00:21:54,208 A LITTLE SLIVER OF PECAN PIE FOR MY FRIEND HERE? 479 00:21:55,542 --> 00:21:57,000 WARM IT UP. THANKS. 480 00:21:59,000 --> 00:22:00,290 WHOEVER'S ON THIS POST-IT, 481 00:22:00,291 --> 00:22:01,749 YOU CAN'T DO ANYTHING ABOUT IT. 482 00:22:01,750 --> 00:22:03,875 NOW, YOU SIT YOUR ASS DOWN. 483 00:22:05,042 --> 00:22:06,125 NOW. 484 00:22:11,042 --> 00:22:12,208 EXCUSE ME. 485 00:22:15,291 --> 00:22:17,791 WHAT'S THE FIRST THOUGHT 486 00:22:17,792 --> 00:22:19,124 THAT ENTERS YOUR HEAD 487 00:22:19,125 --> 00:22:20,792 WHEN YOU FINISH A JOB? 488 00:22:21,542 --> 00:22:22,667 WHAT? 489 00:22:24,291 --> 00:22:29,124 WHAT IS THE FIRST THOUGHT THAT ENTERS YOUR HEAD 490 00:22:29,125 --> 00:22:32,042 WHEN YOU FINISH A JOB? 491 00:22:35,125 --> 00:22:36,209 I... 492 00:22:37,875 --> 00:22:39,083 I HOPE THEY'RE HAPPY. 493 00:22:42,084 --> 00:22:43,084 WOW. 494 00:22:44,250 --> 00:22:45,500 THAT'S LOVELY. 495 00:22:52,458 --> 00:22:56,416 THIS IS SO SUPREMELY FUCKED UP. 496 00:22:56,417 --> 00:22:58,167 IT'S LATE. YOU'RE TIRED. 497 00:22:59,125 --> 00:23:00,707 WHAT IS THIS? 498 00:23:00,708 --> 00:23:02,458 WHY ARE YOU DOING THIS TO ME? 499 00:23:04,042 --> 00:23:05,522 I DIDN'T DECIDE SOMEONE'S GOING TO DIE 500 00:23:05,546 --> 00:23:06,999 IN YOUR DRIVEWAY. 501 00:23:07,000 --> 00:23:08,667 IT'S NOT ALWAYS ABOUT YOU, GEORGIA. 502 00:23:09,834 --> 00:23:11,434 WHY DON'T YOU HAVE A LITTLE PIECE OF PIE? 503 00:23:12,000 --> 00:23:13,458 TAKE A LOOK AT THIS BOOK. 504 00:23:15,333 --> 00:23:17,083 TAKE A LOOK AT THE PAINTINGS. 505 00:23:19,917 --> 00:23:21,875 THE WORLD IS A VERY BIG PLACE, 506 00:23:23,083 --> 00:23:24,083 AND YOU, YOUNG LADY, 507 00:23:24,084 --> 00:23:26,000 ARE NOT THE CENTER OF IT. 508 00:23:27,417 --> 00:23:29,458 FUCK YOUR BOOK... 509 00:23:30,375 --> 00:23:32,834 AND FUCK YOUR WORLD. 510 00:23:36,041 --> 00:23:37,841 YOU HAVE A PROBLEM WITH THE RULES, YOUNG LADY, 511 00:23:37,865 --> 00:23:41,239 WHICH MEANS YOU HAVE A PROBLEM WITH ME. 512 00:23:42,166 --> 00:23:43,291 HMPH. 513 00:23:44,083 --> 00:23:45,583 BETTER YET... 514 00:23:46,625 --> 00:23:49,000 I HAVE GOT A PROBLEM WITH YOU. 515 00:23:51,291 --> 00:23:54,209 WELL, YOU REALLY FUCKED THE DOG, PEANUT. 516 00:23:55,041 --> 00:23:56,707 I DIDN'T MAKE AN APPOINTMENT. 517 00:23:56,708 --> 00:23:57,959 YOU HAD AN APPOINTMENT. 518 00:23:59,166 --> 00:24:00,834 CORRECT ME IF I'M WRONG, BUT... 519 00:24:01,625 --> 00:24:03,707 MISSION ACCOMPLISHED. 520 00:24:03,708 --> 00:24:06,208 YOU'RE WRONG. THAT WAS ME CORRECTING YOU. 521 00:24:06,209 --> 00:24:08,082 UM, I FORGOT TO TELL YOU. 522 00:24:08,083 --> 00:24:09,541 UH, MY LAST GUY 523 00:24:09,542 --> 00:24:10,791 DIDN'T SHOW UP. 524 00:24:10,792 --> 00:24:12,541 JUST THOUGHT YOU MIGHT WANT TO KNOW. 525 00:24:12,542 --> 00:24:14,082 WHAT'S THE SOUP TODAY? 526 00:24:14,083 --> 00:24:15,416 CREAM OF BULLSHIT. 527 00:24:15,417 --> 00:24:18,165 YOU PISS ME OFF, TOO. OH, I PISS YOU OFF? 528 00:24:18,166 --> 00:24:20,499 DO ME A FAVOR. PRETEND A COUPLE DAYS HAVE GONE BY 529 00:24:20,500 --> 00:24:22,124 AND YOU'VE RETHOUGHT THIS LITTLE LIE. 530 00:24:22,125 --> 00:24:23,083 YOU'RE SAD, REPENTANT, 531 00:24:23,084 --> 00:24:25,208 'CAUSE YOU HAD AN EPIPHANY. GROW THE FUCK UP. 532 00:24:25,209 --> 00:24:27,208 LIFE AND DEATH CAN BE REAL SIMPLE. 533 00:24:27,209 --> 00:24:28,609 YOU JUST HAVE TO DO WHAT I TELL YOU. 534 00:24:28,633 --> 00:24:31,124 STAY ON HIS GOOD SIDE. HE'S LIKE A VOLCANO, GEORGE. 535 00:24:31,125 --> 00:24:34,124 HE ERUPTS AND HE SPEWS LAVA, 536 00:24:34,125 --> 00:24:36,958 AND ALL THE LITTLE VILLAGERS, THEY RUN AROUND, 537 00:24:36,959 --> 00:24:38,458 AND THEY RUN AROUND FOR THEIR LIVES, 538 00:24:40,084 --> 00:24:41,749 BUT YOU KNOW, HE STOPS, 539 00:24:41,750 --> 00:24:44,374 AND YOU CAN GO BACK TO THE SAFETY OF YOUR OWN HOME. 540 00:24:44,375 --> 00:24:47,457 HOW LONG IS HE GOING TO STAY MAD? 541 00:24:47,458 --> 00:24:50,332 DO YOU NOT LIKE ME ANYMORE? WELL, NOT RIGHT THIS MINUTE. 542 00:24:50,333 --> 00:24:51,624 YOU'RE A CONSTIPATOR, PEANUT. 543 00:24:51,625 --> 00:24:53,425 YOU'VE DISTURBED MY SHIT, AND THAT'S ANNOYING. 544 00:24:53,449 --> 00:24:56,541 DO YOU REALLY CARE HOW IT'S GOING WITH ME? 545 00:24:56,542 --> 00:24:58,083 SURE. 546 00:24:58,084 --> 00:25:00,541 I'LL MAKE MY FACE LOOK LIKE THIS 547 00:25:00,542 --> 00:25:02,290 AND THE CONCERNED WORDS COME OUT. 548 00:25:02,291 --> 00:25:04,249 YOU'RE A REAL DICKWEED. 549 00:25:04,250 --> 00:25:06,040 WHAT YOU'RE FEELING RIGHT NOW, 550 00:25:06,041 --> 00:25:08,999 THE RAGE AND FRUSTRATION ALL KNOTTED TOGETHER, 551 00:25:09,000 --> 00:25:10,280 BINDING EVERYTHING FROM YOUR HEAD 552 00:25:10,304 --> 00:25:11,749 TO YOUR DIGESTIVE TRACT... 553 00:25:11,750 --> 00:25:13,042 THAT'S MY LIFE WITH YOU. 554 00:25:15,792 --> 00:25:17,999 YOU HAVE A PROBLEM WITH ME? 555 00:25:18,000 --> 00:25:20,457 [RUBE]: YES, MA'AM, I DO, 556 00:25:20,458 --> 00:25:22,917 AND ONE THING YOU SHOULD KNOW ABOUT ME BY NOW... 557 00:25:23,917 --> 00:25:26,249 I AM A PROBLEM SOLVER. 558 00:25:26,250 --> 00:25:28,125 HOW DO I PUT THIS DELICATELY? 559 00:25:29,000 --> 00:25:30,375 DOES THIS CONCERN YOU? 560 00:25:34,500 --> 00:25:36,084 TRY AND CHOOSE YOUR WORDS CAREFULLY. 561 00:25:39,041 --> 00:25:40,208 BLOW ME. 562 00:25:50,667 --> 00:25:53,041 [GEORGE]: I WASN'T SCARED OF RUBE. 563 00:25:53,042 --> 00:25:55,083 I WASN'T MUCH SCARED OF ANYTHING. 564 00:25:55,084 --> 00:25:56,499 I WAS A REAPER. 565 00:25:56,500 --> 00:25:58,916 I WAS NEAR DEATH ALL THE TIME. 566 00:25:58,917 --> 00:26:00,125 [SIGHS] 567 00:26:01,458 --> 00:26:04,625 BUT NOW, TONIGHT, THIS MORNING, 568 00:26:05,291 --> 00:26:06,917 IT WAS IN MY FRONT YARD. 569 00:26:14,084 --> 00:26:17,042 WHO WAS GOING TO DIE IN MY DRIVEWAY? 570 00:26:20,875 --> 00:26:22,458 ONE ARNOLD PALMER. 571 00:26:22,959 --> 00:26:24,041 THANK YOU. 572 00:26:26,417 --> 00:26:27,792 LIKE I SAID... 573 00:26:28,125 --> 00:26:29,375 THANK YOU. 574 00:26:30,417 --> 00:26:31,875 DO YOU NEED ANYTHING ELSE? 575 00:26:32,708 --> 00:26:34,082 OH, NO, I'M COOL 576 00:26:34,083 --> 00:26:37,791 WITH MY LEMONADE ICED-TEA MIXTURE HERE. 577 00:26:37,792 --> 00:26:39,834 I MEANT, DO YOU NEED HELP? 578 00:26:41,208 --> 00:26:43,125 WHAT DO YOU MEAN, DO I NEED HELP? 579 00:26:43,917 --> 00:26:46,083 OH, THE OTHERS, 580 00:26:46,084 --> 00:26:48,208 THE OTHER TWO, BOTH OF THEM SEEMED TO NEED HELP... 581 00:26:49,209 --> 00:26:50,417 WITH THE QUESTIONS. 582 00:26:52,875 --> 00:26:54,084 I KNOW THINGS. 583 00:26:55,500 --> 00:26:56,625 UH... 584 00:26:58,875 --> 00:27:00,750 NO, I'M COOL BY MYSELF. 585 00:27:02,000 --> 00:27:03,375 BUT THANK YOU. 586 00:27:20,250 --> 00:27:21,291 MASON. 587 00:27:23,583 --> 00:27:24,750 FUCKING CHEATER. 588 00:27:26,458 --> 00:27:27,959 [BLOWS] 589 00:27:33,125 --> 00:27:34,250 I'M LEAVING. 590 00:27:37,000 --> 00:27:38,041 I'LL BE BACK. 591 00:27:41,041 --> 00:27:42,290 JUST TRY TO BE HONEST. 592 00:27:42,291 --> 00:27:43,707 [ROXY]: OKAY. 593 00:27:43,708 --> 00:27:44,948 IT'S NOT FOR ME, YOU UNDERSTAND. 594 00:27:44,972 --> 00:27:46,263 I DON'T REALLY CARE. 595 00:27:48,000 --> 00:27:49,667 [♪♪] 596 00:28:15,500 --> 00:28:17,458 [GEORGE]: GO BACK TO BED, MOM. 597 00:28:19,875 --> 00:28:22,041 MOM, I CAN DO THIS. HANDS OFF! 598 00:28:23,375 --> 00:28:26,124 I'M DOING IT. I'M DOING IT! 599 00:28:26,125 --> 00:28:27,917 AND I'M NEVER COMING BACK! 600 00:28:41,041 --> 00:28:42,333 THIS SUCKS. 601 00:28:53,042 --> 00:28:55,041 GEORGIA, YOU ARE NOT SIX YEARS OLD. 602 00:28:55,667 --> 00:28:57,249 18 YEARS 603 00:28:57,250 --> 00:29:00,082 OF CODDLING IS ENOUGH FOR YOU, YOUNG LADY. 604 00:29:00,083 --> 00:29:02,243 IF YOU THINK YOU'RE GOING TO SPEND THE REST OF YOUR LIFE 605 00:29:02,267 --> 00:29:04,499 SUCKLING ON MY RETIREMENT FUND, 606 00:29:04,500 --> 00:29:07,040 YOU'VE GOT ANOTHER THING COMING. 607 00:29:07,041 --> 00:29:10,124 YOU WILL GET OUT OF BED AND YOU WILL GO TO WORK. 608 00:29:10,125 --> 00:29:11,833 YOU WILL COLLECT A PAYCHECK 609 00:29:11,834 --> 00:29:13,234 AND YOU WILL MOVE OUT OF THIS HOUSE. 610 00:29:14,166 --> 00:29:15,208 UNDERSTOOD? 611 00:29:24,000 --> 00:29:25,040 HOW DID YOUR DAUGHTER DIE? 612 00:29:27,959 --> 00:29:29,040 I DON'T THINK I WANT TO HAVE 613 00:29:29,041 --> 00:29:30,667 THIS CONVERSATION WITH YOU. 614 00:29:31,375 --> 00:29:34,000 WELL... WHAT WAS SHE LIKE? 615 00:29:35,333 --> 00:29:36,542 [CLATTERS] 616 00:29:37,125 --> 00:29:38,750 WHY DO YOU CARE? 617 00:29:41,084 --> 00:29:42,332 I JUST THINK IT'S COOL 618 00:29:42,333 --> 00:29:44,290 SHE HAD THE DOLL, IS ALL. 619 00:29:44,291 --> 00:29:46,041 I MEAN, FRANKENFRUITY IS THE SHIT. 620 00:29:50,291 --> 00:29:52,211 SHE DROVE ME CRAZY, IF YOU WANT TO KNOW THE TRUTH. 621 00:29:52,750 --> 00:29:53,875 WHAT? 622 00:29:55,084 --> 00:29:56,208 SHE WAS STUBBORN. 623 00:29:57,959 --> 00:29:59,792 I THINK THAT'S ONLY BECAUSE SHE WAS SMART, 624 00:30:01,125 --> 00:30:02,834 PROBABLY TOO SMART. 625 00:30:04,458 --> 00:30:08,124 SHE FIGURED A LOT OF THINGS OUT WAY BEFORE HER FRIENDS. 626 00:30:08,125 --> 00:30:09,458 THAT'S FOR SURE. 627 00:30:13,041 --> 00:30:15,084 WE NEVER REALLY GOT ALONG. 628 00:30:17,000 --> 00:30:19,125 I DON'T THINK I WAS A VERY GOOD MOTHER. 629 00:30:24,250 --> 00:30:26,042 [♪♪] 630 00:31:03,042 --> 00:31:05,124 I ACTUALLY THINK IT'S NICER 631 00:31:05,125 --> 00:31:06,250 FOR THE PEOPLE AT THE BEACH. 632 00:31:07,041 --> 00:31:08,166 WHAT? 633 00:31:08,875 --> 00:31:11,249 THAT LIFEGUARD THING. 634 00:31:11,250 --> 00:31:14,166 I THINK IT'S NICE TO BE AT THE BEACH WITH YOUR CHILDREN 635 00:31:15,209 --> 00:31:16,582 AND TO SEE YOU SITTING UP THERE 636 00:31:16,583 --> 00:31:18,167 IN YOUR RED TRUNKS. 637 00:31:19,000 --> 00:31:21,500 LIKE, "WHAT THE HELL", 638 00:31:22,583 --> 00:31:25,083 IF HE'S HERE, I'M GOING IN THAT WATER." 639 00:31:29,125 --> 00:31:30,125 YEAH. 640 00:31:31,917 --> 00:31:33,167 MORE COFFEE? 641 00:31:36,542 --> 00:31:38,208 [POURS COFFEE] 642 00:31:39,875 --> 00:31:41,875 [TV ANNOUNCER SPEAKING] 643 00:31:46,708 --> 00:31:48,000 [TV CLICKS OFF] 644 00:31:54,083 --> 00:31:56,000 BACK TO NORMAL. 645 00:31:58,291 --> 00:32:00,209 LET'S JUST PRETEND. 646 00:32:02,417 --> 00:32:04,417 EVERYTHING IS BACK TO NORMAL. 647 00:32:09,125 --> 00:32:12,000 SO LET'S JUST PRETEND THAT WE HAVE A NORMAL CHILD. 648 00:32:13,166 --> 00:32:15,625 [CHILDREN]: UGH! [BOY]: GROSS. 649 00:32:16,291 --> 00:32:18,040 AND SHE'S LOST. 650 00:32:18,041 --> 00:32:20,624 SHE LIVES IN HER HEAD. 651 00:32:20,625 --> 00:32:21,985 GOD KNOWS WHAT'S GOING ON IN THERE. 652 00:32:22,009 --> 00:32:23,416 SHE'S INSCRUTABLE. 653 00:32:23,417 --> 00:32:25,040 EVERY TIME I TALK TO YOU, 654 00:32:25,041 --> 00:32:27,041 I FEEL LIKE WE'RE THESE LITTLE RATS 655 00:32:27,042 --> 00:32:28,374 IN A CAGE, 656 00:32:28,375 --> 00:32:31,999 AND WE KEEP TOUCHING THAT GODDAMNED BAR 657 00:32:32,000 --> 00:32:33,582 AND WE KEEP GETTING SHOCKED. 658 00:32:33,583 --> 00:32:35,833 [JOY]: REGGIE, OPEN THE DOOR. 659 00:32:35,834 --> 00:32:38,833 GO AWAY. I HAVE DIARRHEA. 660 00:32:38,834 --> 00:32:40,125 HOW DO YOU KNOW IT WAS HER? 661 00:32:45,333 --> 00:32:47,041 DO YOU MISS YOUR DAUGHTER? 662 00:32:50,000 --> 00:32:51,791 WHEN, UM...[CHUCKLES] 663 00:32:51,792 --> 00:32:53,208 WHEN SHE WAS YOUNGER, 664 00:32:54,583 --> 00:32:56,167 WE'D BEEN VERY CLOSE. 665 00:32:57,834 --> 00:33:00,000 I THOUGHT IT WAS THIS BOND THAT COULD NEVER BE BROKEN. 666 00:33:01,542 --> 00:33:03,290 BUT IT WAS... 667 00:33:03,291 --> 00:33:05,000 ALMOST EFFORTLESSLY. 668 00:33:06,542 --> 00:33:08,302 I DIDN'T KNOW THAT WAS ALL THE TIME WE'D HAVE. 669 00:33:10,041 --> 00:33:11,833 DON'T YOU THINK THAT WE OUGHT TO TALK TO HER? 670 00:33:11,834 --> 00:33:14,749 SEE WHERE SHE'S GOING BEFORE WE START... [JOY]: WE? 671 00:33:14,750 --> 00:33:17,374 AS IN YOU, WHO'S NEVER HERE, 672 00:33:17,375 --> 00:33:20,082 AND ME, WHOSE LAP ALL THIS CRAP GETS DUMPED ON? 673 00:33:20,083 --> 00:33:21,917 THIS IS A LOST CAUSE. 674 00:33:23,250 --> 00:33:24,708 WELL, MAYBE WE SHOULD SPLIT UP. 675 00:33:25,291 --> 00:33:27,124 OH, THAT'S GREAT. 676 00:33:27,125 --> 00:33:28,750 [SOBBING] THAT'S GREAT. 677 00:33:30,000 --> 00:33:31,791 YOU GO, BUT YOU BETTER FIND YOURSELF 678 00:33:31,792 --> 00:33:33,083 ONE HELL OF A LAWYER. 679 00:33:35,667 --> 00:33:37,333 SPLIT UP TO FIND THE DOG. 680 00:33:40,333 --> 00:33:41,625 OH... 681 00:33:45,417 --> 00:33:46,625 THAT'S A GOOD IDEA. 682 00:33:49,708 --> 00:33:51,916 [GEORGE]: THE LAST TIME I SAT ON THIS PORCH 683 00:33:51,917 --> 00:33:53,959 I WAS AN 18-YEAR-OLD GIRL. 684 00:33:55,000 --> 00:33:57,209 IT WAS A PRETTY SUMMER MORNING. 685 00:33:57,959 --> 00:34:00,084 I WAS WEARING OVERALLS... 686 00:34:45,000 --> 00:34:46,583 [FOOTSTEPS APPROACHING] 687 00:34:51,000 --> 00:34:52,375 SOMETHING TO KEEP YOU WARM? 688 00:34:54,084 --> 00:34:55,084 THANKS. 689 00:34:59,125 --> 00:35:00,333 WHY ARE YOU HERE? 690 00:35:02,959 --> 00:35:04,999 TO FIND OUT IF SOMEONE IN MY FAMILY 691 00:35:05,000 --> 00:35:06,624 IS ON YOUR POST-IT. 692 00:35:06,625 --> 00:35:08,124 THAT'S WHY. 693 00:35:08,125 --> 00:35:09,166 ASSHOLE. 694 00:35:10,959 --> 00:35:12,479 AND IF YOU KNEW WHO WAS ON THIS POST-IT, 695 00:35:12,503 --> 00:35:13,836 COULD YOU STOP IT? 696 00:35:17,542 --> 00:35:18,750 MAYBE. 697 00:35:21,875 --> 00:35:23,834 NO ONE YOU KNOW IS GOING TO DIE TONIGHT. 698 00:35:27,708 --> 00:35:30,125 WHY ARE YOU DOING THIS TO ME? 699 00:35:32,500 --> 00:35:33,916 IF YOU KNEW WHO WAS ON THE POST-IT, 700 00:35:33,917 --> 00:35:35,083 COULD YOU STOP IT? 701 00:35:40,083 --> 00:35:41,500 NO. 702 00:35:42,625 --> 00:35:43,750 NO. 703 00:35:46,291 --> 00:35:47,708 YOU CAN'T. 704 00:35:51,792 --> 00:35:53,416 [SIGHS] 705 00:35:53,417 --> 00:35:55,042 I CAN'T SLEEP. 706 00:35:59,167 --> 00:36:00,750 WHY CAN'T I SLEEP? 707 00:36:05,166 --> 00:36:07,000 IF YOU STAND TOO CLOSE TO A PAINTING... 708 00:36:10,291 --> 00:36:12,000 ALL YOU SEE ARE PATCHES OF COLOR. 709 00:36:14,458 --> 00:36:15,791 IF YOU STAND TOO FAR BACK, 710 00:36:15,792 --> 00:36:17,125 YOU CAN'T SEE ANY OF THE DETAIL. 711 00:36:21,209 --> 00:36:23,917 RIGHT NOW, THIS IS YOUR PARTICULAR PERSPECTIVE. 712 00:36:27,500 --> 00:36:29,125 AND IF YOU ASK ME... 713 00:36:35,583 --> 00:36:37,834 I'M A LITTLE TOO CLOSE. 714 00:36:38,667 --> 00:36:39,750 YES. 715 00:36:45,041 --> 00:36:46,917 I DON'T KNOW WHY I'M HERE. 716 00:36:51,500 --> 00:36:53,332 I GUESS TO SEE IF EVERYONE'S OKAY. 717 00:36:53,333 --> 00:36:54,917 I DON'T KNOW. 718 00:36:56,667 --> 00:36:58,375 I REALLY DON'T KNOW. 719 00:36:59,000 --> 00:37:00,208 I'M JUST... 720 00:37:03,000 --> 00:37:04,667 I'M SO TIRED. 721 00:37:09,125 --> 00:37:10,750 ARE THEY OKAY? 722 00:37:16,083 --> 00:37:17,750 I DON'T KNOW. [SCOFFS] 723 00:37:18,625 --> 00:37:20,208 I REALLY CAN'T SEE. 724 00:37:22,209 --> 00:37:23,916 DRINK YOUR COFFEE, PEANUT, 725 00:37:23,917 --> 00:37:25,208 BEFORE IT GETS COLD. 726 00:37:41,375 --> 00:37:44,500 "WHY ARE YOU HERE?" 727 00:37:47,250 --> 00:37:49,166 WHY THE FUCK AM I HERE? 728 00:37:54,209 --> 00:37:55,834 "WHY ARE YOU HERE?" 729 00:38:15,250 --> 00:38:16,749 IT'S THE MILKMAN. 730 00:38:16,750 --> 00:38:18,999 YEAH. LOOKS THAT WAY. 731 00:38:19,000 --> 00:38:21,124 WHAT DID HE EVER DO TO ANYONE? 732 00:38:21,125 --> 00:38:22,541 I DON'T KNOW, 733 00:38:22,542 --> 00:38:24,458 BUT SOMEBODY SURE IS GOING TO FUCK THE MILKMAN. 734 00:38:29,209 --> 00:38:30,457 MORNING. 735 00:38:30,458 --> 00:38:32,165 MORNING. YOU'RE UP EARLY. 736 00:38:32,166 --> 00:38:35,042 NICE TIME OF DAY... NIGHT. 737 00:38:35,750 --> 00:38:37,457 I DON'T KNOW WHAT IT IS. 738 00:38:37,458 --> 00:38:39,874 QUIET TIME. YEAH. 739 00:38:39,875 --> 00:38:42,374 MAKES YOU FEEL A LITTLE APART FROM THINGS, YOU KNOW? 740 00:38:42,375 --> 00:38:44,250 LIKE YOU'RE IN THE WORLD, 741 00:38:44,917 --> 00:38:45,917 BUT NOT OF IT. 742 00:38:47,000 --> 00:38:48,374 YEAH... 743 00:38:48,375 --> 00:38:49,458 WELL SAID. 744 00:38:51,458 --> 00:38:53,166 YOU GOT A NICE ROUTE HERE, HUH? 745 00:38:53,167 --> 00:38:54,791 WELL, YEAH, SURE. IT'S A GREAT ROUTE. 746 00:38:54,792 --> 00:38:55,999 NICE FAMILIES, 747 00:38:56,000 --> 00:38:58,499 AND GETTING TO WATCH THE SUN RISE ALL BY YOURSELF, 748 00:38:58,500 --> 00:39:00,000 WELL, THAT'S ITS OWN REWARD. 749 00:39:00,917 --> 00:39:02,166 IT'S REAL PRETTY, 750 00:39:02,167 --> 00:39:04,874 EVEN WHEN IT'S STILL DARK OUT, 751 00:39:04,875 --> 00:39:06,333 YOU KNOW? YEAH. 752 00:39:07,834 --> 00:39:09,041 IT SURE IS. YEAH. 753 00:39:22,083 --> 00:39:23,250 SORRY ABOUT THAT. 754 00:39:24,167 --> 00:39:25,167 THAT'S OKAY. 755 00:39:25,834 --> 00:39:27,083 I'LL GET IT. 756 00:39:31,209 --> 00:39:32,624 WAIT... OH! 757 00:39:32,625 --> 00:39:33,792 [GROANING] 758 00:39:41,875 --> 00:39:43,084 HMPH. 759 00:39:45,042 --> 00:39:47,999 I THINK YOU'RE GOING TO LIKE THE NEW ROUTE. 760 00:39:48,000 --> 00:39:49,624 [GEORGE]: HE WASN'T ANYONE I KNEW 761 00:39:49,625 --> 00:39:51,125 AND IT WAS STILL HARD. 762 00:39:52,959 --> 00:39:54,208 EVERYBODY OKAY IN THERE? 763 00:39:59,125 --> 00:40:00,291 SEE YOU LATER. 764 00:40:05,042 --> 00:40:07,083 [RUBE]: SO, UH... 765 00:40:07,084 --> 00:40:08,541 YOU A TWO-PERCENT GUY, MR. KOLAS? 766 00:40:08,542 --> 00:40:09,833 [MILKMAN]: NO, NO. 767 00:40:09,834 --> 00:40:10,958 WHOLE MILK ALL THE WAY. 768 00:40:10,959 --> 00:40:12,499 TWO PERCENT'S FOR SISSIES. 769 00:40:12,500 --> 00:40:13,625 [RUBE]: YEAH. 770 00:40:14,667 --> 00:40:16,084 HOW'S YOUR CHOLESTEROL? 771 00:40:20,084 --> 00:40:22,291 HEY, RUBE! WAIT UP. 772 00:40:27,166 --> 00:40:28,750 [ALARM CLOCK RINGING] 773 00:40:41,583 --> 00:40:43,124 GOOD NIGHT, GUYS. 774 00:40:43,125 --> 00:40:45,124 [RUBE]: GOOD NIGHT. [GEORGE]: GOOD NIGHT, DAISY. 775 00:40:45,125 --> 00:40:47,417 THANKS FOR A WONDERFUL EVENING. 776 00:40:54,375 --> 00:40:56,875 I THINK I'M GOING TO START A PAINTING TOMORROW. 777 00:40:58,166 --> 00:40:59,750 IT IS TOMORROW. 778 00:41:02,166 --> 00:41:03,667 MAYBE TODAY. 779 00:41:06,417 --> 00:41:07,999 HEY, BUB, 780 00:41:08,000 --> 00:41:10,000 CAN YOU GET ME A CUP OF BLACK COFFEE 781 00:41:11,000 --> 00:41:13,167 AND SOME CINNAMON TOAST?