1 00:00:06,250 --> 00:00:08,125 [♪♪] 2 00:01:10,084 --> 00:01:11,499 [GEORGE]: ONCE UPON A TIME, 3 00:01:11,500 --> 00:01:13,290 THERE WAS TRAVELER ON HORSEBACK 4 00:01:13,291 --> 00:01:16,083 WHO FINDS HIMSELF FACING A SWAMP, 5 00:01:16,084 --> 00:01:17,958 AND HE DOESN'T KNOW WHETHER TO GO AROUND 6 00:01:17,959 --> 00:01:19,167 OR TRY TO WADE THROUGH. 7 00:01:21,208 --> 00:01:23,791 THE TRAVELER ASKS A LOCAL BOY, 8 00:01:23,792 --> 00:01:25,249 "TELL ME, LOCAL BOY, 9 00:01:25,250 --> 00:01:27,916 DOES THE SWAMP HAVE A HARD BOTTOM?" 10 00:01:27,917 --> 00:01:30,000 AND THE BOY TELLS HIM THAT IT DOES. 11 00:01:32,125 --> 00:01:33,332 SO THE TRAVELER 12 00:01:33,333 --> 00:01:35,041 GUIDES HIS HORSE INTO THE SWAMP, 13 00:01:35,042 --> 00:01:36,249 AND THEY BEGIN TO SINK 14 00:01:36,250 --> 00:01:38,166 DEEPER AND DEEPER INTO THE MUCK. 15 00:01:39,667 --> 00:01:41,499 HE SHOUTS TO THE BOY, 16 00:01:41,500 --> 00:01:43,140 "I THOUGHT YOU SAID IT HAS A HARD BOTTOM." 17 00:01:44,583 --> 00:01:47,707 AND THE BOY SAYS "IT DOES, MR. TRAVELER. 18 00:01:47,708 --> 00:01:49,040 YOU'RE JUST NOT THERE YET." 19 00:01:49,041 --> 00:01:50,207 TODAY? 20 00:01:50,208 --> 00:01:52,749 TODAY. THAT'S WHY I PROMOTED YOU. 21 00:01:52,750 --> 00:01:54,416 [GEORGE]: AND THE SINKING BEGINS. 22 00:01:54,417 --> 00:01:56,082 I NOTICED THAT YOU HAVEN'T SIGNED UP 23 00:01:56,083 --> 00:01:57,834 FOR THE ANNUAL HAPPY TIME RETREAT. 24 00:01:58,208 --> 00:01:59,374 RIGHT. 25 00:01:59,375 --> 00:02:00,624 THE SIGN-UP SHEET 26 00:02:00,625 --> 00:02:02,225 IS FIRMLY TAPED TO THE MICROWAVE, MILLIE. 27 00:02:02,249 --> 00:02:03,165 HAVE YOU NOT SEEN IT? 28 00:02:03,166 --> 00:02:06,583 I SAW THE SHEET, IT'S JUST THAT... 29 00:02:07,959 --> 00:02:10,166 OH, OH! OH! 30 00:02:10,167 --> 00:02:12,047 [GEORGE]: A NIGHT IN THE WOODS WITH THESE FREAKS 31 00:02:12,071 --> 00:02:13,541 SCARES ME MORE THAN BEING DEAD. 32 00:02:13,542 --> 00:02:16,083 WE ONLY RETREAT ONCE A YEAR. 33 00:02:16,084 --> 00:02:17,290 THAT'S WHAT MAKES IT ANNUAL. 34 00:02:17,291 --> 00:02:19,166 WHY RETREAT AT ALL? 35 00:02:19,167 --> 00:02:20,167 WHO'S ATTACKING US? 36 00:02:21,750 --> 00:02:23,416 ALWAYS THE CUTE JOKE. 37 00:02:23,417 --> 00:02:25,166 THAT'S YOUR DEFENSE MECHANISM. 38 00:02:25,167 --> 00:02:26,249 WHAT? SARCASM. 39 00:02:26,250 --> 00:02:29,083 THAT'S HOW YOU KEEP PEOPLE AT A SAFE DISTANCE. 40 00:02:29,084 --> 00:02:30,208 [GEORGE]: NO, I DON'T. 41 00:02:30,209 --> 00:02:32,290 YOU DO. YOU USE HUMOR. 42 00:02:32,291 --> 00:02:36,083 FOR OTHERS, IT'S AGGRESSIVE BODY PIERCINGS 43 00:02:36,084 --> 00:02:37,375 AND FACIAL TATTOOS... 44 00:02:39,125 --> 00:02:40,125 THANKS, SKEETER. 45 00:02:42,291 --> 00:02:44,040 I'M NOT TRYING TO DISTANCE ANYBODY. 46 00:02:44,041 --> 00:02:45,916 I MEAN, LOOK AT YOUR CUBICLE. 47 00:02:45,917 --> 00:02:47,084 IT'S AS BARE 48 00:02:47,625 --> 00:02:49,041 AS A POP STAR'S MIDRIFF. 49 00:02:49,042 --> 00:02:51,833 I ENJOY A CLUTTER-FREE WORK SPACE. 50 00:02:51,834 --> 00:02:55,041 NOT A SINGLE PHOTO OF A FRIEND OR FAMILY. 51 00:02:55,042 --> 00:02:56,624 OH, MAKES ME SAD. 52 00:02:56,625 --> 00:02:58,207 HEY, GUYS. JUICE BARN RUN. 53 00:02:58,208 --> 00:02:59,541 OH, TODD, COUNT ME IN. 54 00:02:59,542 --> 00:03:01,542 I CAN'T RISK ANOTHER LOW-BLOOD-SUGAR EPISODE TODAY. 55 00:03:02,166 --> 00:03:03,458 YOU IN, MILLIE? 56 00:03:04,708 --> 00:03:06,416 MILLIE, MILLIE, MILLIE. 57 00:03:06,417 --> 00:03:08,999 WOULD IT KILL YOU TO BE PART OF THE TEAM? 58 00:03:09,000 --> 00:03:11,999 IT'S JUST, I'VE GOT SO MUCH WORK TO DO, DELORES, 59 00:03:12,000 --> 00:03:13,499 AND IT'S A HALF-DAY FOR ME, SO... 60 00:03:13,500 --> 00:03:15,707 WELL, HALF-DAYS ARE ONE THING, BUT HALF-ASSED COMMITMENT 61 00:03:15,708 --> 00:03:16,833 TO YOUR CO-WORKERS 62 00:03:16,834 --> 00:03:17,875 IS QUITE ANOTHER. 63 00:03:19,041 --> 00:03:22,374 NOW, IF I DON'T GO GET THAT RASPBERRY RAZZMATAZZ, 64 00:03:22,375 --> 00:03:24,541 I CAN'T BE RESPONSIBLE FOR MY ACTIONS. 65 00:03:24,542 --> 00:03:25,666 REALLY. 66 00:03:25,667 --> 00:03:27,084 LEGALLY. 67 00:03:38,750 --> 00:03:40,165 [GEORGE]: HOW COULD I TELL DELORES 68 00:03:40,166 --> 00:03:41,749 THAT IT WAS HARD TO PLAY FOR HER TEAM 69 00:03:41,750 --> 00:03:44,667 WHEN I HAD ALREADY BEEN DRAFTED BY THE OTHER SIDE? 70 00:03:46,042 --> 00:03:47,124 AND WITH A NEW MEMBERSHIP, 71 00:03:47,125 --> 00:03:49,124 WE OFFER TWO PERSONAL TRAINING SESSIONS. 72 00:03:49,125 --> 00:03:50,999 CAN WE TAKE THEM WITH THIS ONE? 73 00:03:51,000 --> 00:03:53,833 WITH DIEGO? OF COURSE. 74 00:03:53,834 --> 00:03:55,416 I WONDER IF HE MAKES HOUSE CALLS. 75 00:03:55,417 --> 00:03:56,542 USE YOUR ESPANOL. 76 00:03:57,417 --> 00:04:01,166 NUESTROS NOMBRES SON CHLOE Y ZOE. 77 00:04:01,167 --> 00:04:03,541 MI CASA ES SU CASA, DIEGO. 78 00:04:03,542 --> 00:04:05,166 LADIES, I AM BRAZILIAN. 79 00:04:05,167 --> 00:04:06,041 I SPEAK PORTUGUESE. 80 00:04:06,042 --> 00:04:07,916 THAT DOESN'T MAKE ANY SENSE, BUT OKAY. 81 00:04:07,917 --> 00:04:08,959 PARDON ME. 82 00:04:09,667 --> 00:04:11,041 EXCUSE ME. 83 00:04:13,667 --> 00:04:15,791 SAY SOMETHING IN PORTUGUESE FOR ME. 84 00:04:15,792 --> 00:04:17,999 DID YOU GO TO THE GYM WHEN YOU WERE ALIVE? 85 00:04:18,000 --> 00:04:19,416 I DIED IN 1938. 86 00:04:19,417 --> 00:04:21,041 FOR EXERCISE, WE DRANK SLOE GIN 87 00:04:21,042 --> 00:04:22,165 AND SMOKED LUCKY STRIKES. 88 00:04:22,166 --> 00:04:24,082 HI. WOULD YOU LIKE TO TRY A REV-N UP BAR? 89 00:04:24,083 --> 00:04:26,003 IT'S FREE. 15 GRAMS OF PROTEIN AND LOADS OF FIBER. 90 00:04:28,042 --> 00:04:29,042 NO THANKS. 91 00:04:30,084 --> 00:04:31,624 HEY, WHAT DO YOU THINK OF THESE GUYS? 92 00:04:31,625 --> 00:04:33,250 FOR WHAT? MILLIE'S FAMILY. 93 00:04:35,083 --> 00:04:38,167 WELL, THEY'RE VERY ATTRACTIVE, AND THEY LOOK REPUBLICAN. 94 00:04:38,542 --> 00:04:39,833 YOU THINK? 95 00:04:39,834 --> 00:04:41,624 YEAH. ISN'T THAT WHAT YOU ARE? NO. 96 00:04:41,625 --> 00:04:44,166 I NEVER VOTED, BUT I'M NOT THAT. 97 00:04:44,167 --> 00:04:45,834 WHAT WERE YOU? I WAS AN ACTRESS. 98 00:04:47,000 --> 00:04:49,166 WELL, I LIKE THE WAY THEY LOOK. 99 00:04:49,167 --> 00:04:50,708 CONFIDENT, LIKE WINNERS. 100 00:04:55,542 --> 00:04:57,062 WHAT KIND OF RACQUETS ARE THEY HOLDING? 101 00:04:58,084 --> 00:04:59,333 [GRAVELING GROWLING] 102 00:05:01,042 --> 00:05:02,208 SQUASH. 103 00:05:02,209 --> 00:05:03,416 [CRASH] 104 00:05:03,417 --> 00:05:04,917 [PEOPLE CLAMORING] 105 00:05:10,208 --> 00:05:11,542 WHAT JUST HAPPENED? 106 00:05:12,125 --> 00:05:13,417 HE DROPPED THE BARBELL. 107 00:05:14,167 --> 00:05:15,916 OH, NICE GOING, ZOE. 108 00:05:15,917 --> 00:05:17,582 I SEE YOU JUST HAD TO ADD AN EXTRA PIN 109 00:05:17,583 --> 00:05:18,791 TO YOUR MAP, DIDN'T YOU? 110 00:05:18,792 --> 00:05:20,272 YOU JUST HAD TO HAVE ONE MORE COUNTRY. 111 00:05:20,296 --> 00:05:22,124 OH, REALLY? AND THAT'S NOT WHY YOU NAILED 112 00:05:22,125 --> 00:05:23,834 THAT MOHAMMED GUY LAST WEEK? 113 00:05:24,875 --> 00:05:27,165 CAN WE CHANGE INTO SOMETHING TAILORED? 114 00:05:27,166 --> 00:05:29,291 I'M AFRAID IT'S CASUAL DEATH DAY. 115 00:05:31,209 --> 00:05:32,449 WILL YOU TELL ME WHEN I DO THAT? 116 00:05:32,473 --> 00:05:35,040 USE HUMOR TO DISTANCE MYSELF? 117 00:05:35,041 --> 00:05:37,084 YOU'RE DOING IT, SO SAY SOMETHING NICE. 118 00:05:39,125 --> 00:05:40,959 I'M SORRY THAT YOU DIED. 119 00:05:42,750 --> 00:05:44,624 AT LEAST YOU HAVE EACH OTHER. 120 00:05:44,625 --> 00:05:46,084 AT LEAST YOU'RE TOGETHER. 121 00:05:49,083 --> 00:05:50,582 [MASON]: YOU KNOW, I DON'T GET IT. 122 00:05:50,583 --> 00:05:52,499 THEY'RE MILLIE'S PARENTS. 123 00:05:52,500 --> 00:05:55,290 THOSE PEOPLE ARE SUPPOSED TO BE RELATED TO YOU? 124 00:05:55,291 --> 00:05:57,749 ROUND ROBIN TENNIS BULLSHIT? 125 00:05:57,750 --> 00:06:00,959 THEY'RE RELATED TO MILLIE. HAPPY TIME MILLIE? 126 00:06:03,167 --> 00:06:04,290 THEY LOOK LIKE DRINKERS. 127 00:06:04,291 --> 00:06:05,791 THEY LOOK LIKE CATHOLICS. 128 00:06:05,792 --> 00:06:08,166 THEY LOOK LIKE THEY WOULDN'T LIKE ME. 129 00:06:08,167 --> 00:06:09,999 WHAT ARE YOU TRYING TO SAY ABOUT MY FAMILY? 130 00:06:10,000 --> 00:06:12,416 YOU KNOW WHAT I'M TRYING TO SAY. 131 00:06:12,417 --> 00:06:14,082 I DON'T THINK I CARE FOR THE IMPLICATION. 132 00:06:14,083 --> 00:06:15,958 I JUST DON'T UNDERSTAND WHY YOU WANT 133 00:06:15,959 --> 00:06:17,958 THAT FROSTY TENNIS BITCH TO BE YOUR MOM. 134 00:06:17,959 --> 00:06:19,166 THEY'RE NOT HER FAMILY. 135 00:06:19,167 --> 00:06:20,887 WHY ARE WE TALKING ABOUT THEM AS IF THEY ARE? 136 00:06:20,911 --> 00:06:22,499 IT'S NOT JUST ABOUT TENNIS. 137 00:06:22,500 --> 00:06:24,250 WELL, THEY DON'T EXIST, 138 00:06:25,417 --> 00:06:26,791 AND THAT'S A SQUASH RACQUET. 139 00:06:26,792 --> 00:06:27,958 DO YOU PLAY SQUASH? 140 00:06:27,959 --> 00:06:29,707 NO, BUT I THINK I'D BE GOOD AT. 141 00:06:29,708 --> 00:06:31,124 REALLY? NO. 142 00:06:31,125 --> 00:06:33,666 WOULD YOU LIKE TO ENLIGHTEN ME AS TO THE POINT OF THE PICTURE? 143 00:06:33,667 --> 00:06:35,916 EVERYBODY ELSE HAS PICTURES ON THEIR DESKS, 144 00:06:35,917 --> 00:06:36,999 AT HAPPY TIME. 145 00:06:37,000 --> 00:06:39,040 I DON'T. I JUST WANT DELORES OFF MY CASE. 146 00:06:39,041 --> 00:06:40,624 SHE SAYS I DON'T FIT IN. 147 00:06:40,625 --> 00:06:42,084 DELORES IS RIGHT. 148 00:06:43,084 --> 00:06:44,644 IT'S A LITTLE LATE IN THE GAME TO START. 149 00:06:44,668 --> 00:06:45,749 I DON'T WANT TO FIT IN. 150 00:06:45,750 --> 00:06:47,082 I'M JUST DON'T WANT TO STAND OUT. 151 00:06:47,083 --> 00:06:48,250 OKAY, I'LL BUY THAT. 152 00:06:49,000 --> 00:06:50,417 HERE YOU GO. 153 00:06:54,166 --> 00:06:55,166 I CAN'T BELIEVE 154 00:06:55,167 --> 00:06:57,916 YOU GUYS FELL FOR THIS WAFFLE HAUS CLUB CRAP. 155 00:06:57,917 --> 00:06:59,582 SIX MORE PUNCHES, I GET A FREE WAFFLE. 156 00:06:59,583 --> 00:07:01,332 I'VE ONLY GOT EIGHT MORE TO GO. 157 00:07:01,333 --> 00:07:03,000 SEVEN, AND I HATE WAFFLES. 158 00:07:04,000 --> 00:07:05,084 YOUR NEXT WAFFLE IS FREE. 159 00:07:06,041 --> 00:07:07,582 I'VE BEEN RAVENOUS LATELY. 160 00:07:07,583 --> 00:07:09,499 IT'S THE WHOLE "I'M DEAD METABOLISM THING"... 161 00:07:09,500 --> 00:07:10,916 I DON'T KNOW. 162 00:07:10,917 --> 00:07:12,332 YOU SURE YOU DON'T WANT A CARD? 163 00:07:12,333 --> 00:07:14,792 THANK YOU, KIFFANY, BUT IT'S REALLY NOT MY THING. 164 00:07:16,959 --> 00:07:18,874 [GEORGE]: WHATEVER EVERYONE ELSE WAS DOING, 165 00:07:18,875 --> 00:07:20,791 I ALWAYS WENT THE OTHER WAY. 166 00:07:20,792 --> 00:07:22,624 I WASN'T A JOINER. 167 00:07:22,625 --> 00:07:24,458 MAYBE THAT'S JUST THE WAY I WAS BROUGHT UP. 168 00:07:25,291 --> 00:07:26,749 [DOORBELL CHIMING] 169 00:07:26,750 --> 00:07:27,999 [CHRISTMAS CAROLERS SINGING] 170 00:07:28,000 --> 00:07:29,833 ♪ OH, HOW THEY POUND RAISING THE SOUND ♪ 171 00:07:29,834 --> 00:07:31,040 ♪ O'ER HILL AND DALE ♪ 172 00:07:31,041 --> 00:07:32,542 ♪ TELLING THEIR TALE ♪ 173 00:07:33,458 --> 00:07:35,708 [YOUNG GEORGE HUMMING] 174 00:07:37,125 --> 00:07:38,541 GEORGIA. GEORGIA, SHH. 175 00:07:38,542 --> 00:07:39,916 THEY'LL HEAR YOU. 176 00:07:39,917 --> 00:07:41,791 SWEETIE. SHH. 177 00:07:41,792 --> 00:07:43,958 WHY ARE WE PRETENDING NOT TO BE HERE? 178 00:07:43,959 --> 00:07:45,439 BECAUSE WE DON'T WANT THEM COMING BACK 179 00:07:45,463 --> 00:07:47,166 AND SINGING EVERY NIGHT. 180 00:07:47,167 --> 00:07:49,124 THEY'LL WANT US TO JOIN THEM. 181 00:07:49,125 --> 00:07:50,374 OKAY. 182 00:07:50,375 --> 00:07:51,666 GEORGIA, WHAT ARE YOU DOING? 183 00:07:51,667 --> 00:07:53,387 WHERE ARE YOU GOING? GEORGIA, GET BACK HERE! 184 00:07:53,411 --> 00:07:54,207 CLANCY! WAIT. 185 00:07:54,208 --> 00:07:55,416 GEORGE, GET BACK HERE, 186 00:07:55,417 --> 00:07:57,166 OR THERE'LL BE NO SANTA CLAUS FOR YOU. 187 00:07:57,167 --> 00:07:58,916 YOU DON'T SCARE ME. 188 00:07:58,917 --> 00:08:00,458 ♪ MERRY, MERRY CHRISTMAS ♪ 189 00:08:02,750 --> 00:08:05,041 ♪ FROM EVERYWHERE FILLING THE AIR ♪ 190 00:08:05,042 --> 00:08:06,166 ♪ OH, HOW THEY POUND... ♪ 191 00:08:06,167 --> 00:08:07,000 SHUT UP! 192 00:08:07,001 --> 00:08:08,666 ♪ RAISING THE SOUN... ♪ 193 00:08:08,667 --> 00:08:10,000 WE WANT A SILENT NIGHT! 194 00:08:10,917 --> 00:08:12,917 ♪ SILENT NIGHT ♪ 195 00:08:13,625 --> 00:08:15,208 NO, STOP IT! 196 00:08:15,209 --> 00:08:16,374 ♪ HOLY NIGHT ♪ 197 00:08:16,375 --> 00:08:17,583 AND NEVER COME BACK! 198 00:08:23,167 --> 00:08:24,582 COAST IS CLEAR. 199 00:08:24,583 --> 00:08:25,749 [CLANCY]: GOOD JOB, SWEETIE. 200 00:08:25,750 --> 00:08:26,834 THANKS. 201 00:08:29,208 --> 00:08:31,124 [GEORGE]: AND IT WASN'T JUST CAROLING. 202 00:08:31,125 --> 00:08:32,749 FACED WITH ANY KIND OF ACTIVITY, 203 00:08:32,750 --> 00:08:34,624 MY PARENTS WENT THE OTHER WAY. 204 00:08:34,625 --> 00:08:35,917 RAN THE OTHER WAY. 205 00:08:36,708 --> 00:08:38,791 WE WERE A GROUP OF LONERS. 206 00:08:38,792 --> 00:08:42,874 IF THERE WERE OPTIONS, CHANCES ARE WE'D OPT OUT. 207 00:08:42,875 --> 00:08:44,666 BUT BEING UNDEAD AND UNMOTIVATED 208 00:08:44,667 --> 00:08:47,041 AT THE WORKPLACE, I HAD A LOT OF TIME ON MY HANDS 209 00:08:47,042 --> 00:08:48,522 TO THINK ABOUT THE WHAT-IFS OF LIFE... 210 00:08:53,083 --> 00:08:55,707 LIKE, WHAT IF I HADN'T DROPPED OUT OF COLLEGE? 211 00:08:55,708 --> 00:08:57,624 WOULD I STILL HAVE DIED? 212 00:08:57,625 --> 00:08:59,582 WHAT IF I HAD HAD A DIFFERENT FAMILY, 213 00:08:59,583 --> 00:09:01,583 A FAMILY THAT DIDN'T ALWAYS OPT OUT? 214 00:09:07,417 --> 00:09:08,791 ♪ ...CHRISTMAS IS HERE ♪ 215 00:09:08,792 --> 00:09:11,249 ♪ MERRY, MERRY, MERRY MERRY CHRISTMAS ♪ 216 00:09:11,250 --> 00:09:13,499 ♪ MERRY, MERRY, MERRY, MERRY CHRISTMAS ♪ 217 00:09:13,500 --> 00:09:16,249 AND GOD BLESS US, EVERYONE. 218 00:09:16,250 --> 00:09:19,000 ♪ ...FROM EVERYWHERE FILLING THE AIR ♪ 219 00:09:22,166 --> 00:09:23,874 THINK FAST! 220 00:09:23,875 --> 00:09:26,040 I'M SORRY ABOUT THAT. I CAUGHT YOU OFF-GUARD. 221 00:09:26,041 --> 00:09:28,499 I'M GREGG, THE RETREAT FACILITATOR. 222 00:09:28,500 --> 00:09:30,124 I'M MILLIE, JUST MILLIE. 223 00:09:30,125 --> 00:09:32,208 OH, I'M AFRAID SHE'S NOT WITH US. 224 00:09:33,291 --> 00:09:34,666 I DON'T REALLY PLAY GAMES. 225 00:09:34,667 --> 00:09:36,582 I'M NOT VERY... GAMEY. 226 00:09:36,583 --> 00:09:39,666 YOU KNOW, EVERYONE HAS SOMETHING TO CONTRIBUTE TO THE TEAM. 227 00:09:39,667 --> 00:09:41,387 HEY, DON'T YOU WANT TO BE AT ONE WITH NATURE 228 00:09:41,411 --> 00:09:42,332 AND YOUR FELLOW WORKERS? 229 00:09:42,333 --> 00:09:43,999 NOPE. CAN'T. BEDWETTER. 230 00:09:44,000 --> 00:09:46,083 OOH, GEE. THAT'S TOO BAD. 231 00:09:47,042 --> 00:09:48,208 I'M KIDDING. 232 00:09:48,209 --> 00:09:49,209 BUT I'M REALLY NOT GOING. 233 00:09:50,000 --> 00:09:51,457 REALLY. 234 00:09:51,458 --> 00:09:54,166 YOU KNOW, I'M SURE THAT THIS ONE'LL FIT. 235 00:09:54,167 --> 00:09:55,916 I'M SURE IT'S YOUR SIZE. JUST... 236 00:09:55,917 --> 00:09:58,000 NOT REALLY A GROUP-HAT PERSON EITHER. 237 00:09:59,333 --> 00:10:01,999 WELL, YOU'RE NOT A LOT OF THINGS, ARE YOU? 238 00:10:02,000 --> 00:10:04,707 [GEORGE]: I'M NOT EVEN ALIVE, SO LET'S LOSE THE ATTITUDE. 239 00:10:04,708 --> 00:10:07,500 ALL RIGHT, WELL, YOU HAVE FUN HOLDING DOWN THE FORT. 240 00:10:11,500 --> 00:10:13,625 [GEORGE]: BUT I DIDN'T WANT TO HOLD DOWN THE FORT. 241 00:10:14,291 --> 00:10:16,249 THE FORT'S FOR LOSERS. 242 00:10:16,250 --> 00:10:18,125 THE FORT'S A PAIN IN THE ASS. 243 00:10:20,583 --> 00:10:22,166 REGGIE! 244 00:10:22,167 --> 00:10:23,249 DINNER! 245 00:10:23,250 --> 00:10:24,916 I'M COMING. 246 00:10:24,917 --> 00:10:26,165 DID YOU STRAIGHTEN YOUR ROOM? 247 00:10:26,166 --> 00:10:27,249 YES. 248 00:10:27,250 --> 00:10:28,958 DID YOU PUT EVERYTHING AWAY? 249 00:10:28,959 --> 00:10:30,208 YES! 250 00:10:30,209 --> 00:10:31,707 IS IT SPOTLESS? 251 00:10:31,708 --> 00:10:32,834 SPOTLESS. 252 00:10:40,125 --> 00:10:41,332 REGGIE. 253 00:10:41,333 --> 00:10:43,583 WHY ARE YOU UNFOLDING THAT NAPKIN? 254 00:10:45,084 --> 00:10:46,999 BECAUSE I'M EATING DINNER. 255 00:10:47,000 --> 00:10:48,958 THIS ISN'T FOR US. THIS IS FOR THE REALTOR 256 00:10:48,959 --> 00:10:51,165 AND THE COUPLE SHE'S BRINGING BY TOMORROW. 257 00:10:51,166 --> 00:10:52,332 YOU'RE MAKING THEM DINNER? 258 00:10:52,333 --> 00:10:54,791 I'M MAKING IT LOOK LIKE A DINNER PARTY. 259 00:10:54,792 --> 00:10:56,040 BUYERS WANT TO SEE A PLACE 260 00:10:56,041 --> 00:10:57,707 WHERE THEY MIGHT ENTERTAIN. 261 00:10:57,708 --> 00:10:58,834 WE NEVER ENTERTAIN. 262 00:10:59,708 --> 00:11:01,457 WELL, IT'S JUST FOR SHOW. 263 00:11:01,458 --> 00:11:02,999 IT'S LIKE A... 264 00:11:03,000 --> 00:11:04,708 IT'S LIKE A SERVING SUGGESTION. 265 00:11:06,750 --> 00:11:07,959 WHERE'S OUR DINNER? 266 00:11:09,250 --> 00:11:11,542 I GOT US BURGER ROUND-UP. 267 00:11:12,250 --> 00:11:14,084 YOU AND I GET TO DO A PICNIC. 268 00:11:20,375 --> 00:11:21,624 THIS IS BULLSHIT. 269 00:11:21,625 --> 00:11:23,625 PUTTING FOOD ON THE FLOOR DOESN'T MAKE IT A PICNIC. 270 00:11:23,649 --> 00:11:25,483 PLEASE DON'T SWEAR. 271 00:11:27,000 --> 00:11:28,917 THIS IS HOW HOMELESS PEOPLE EAT. 272 00:11:31,625 --> 00:11:34,666 WELL, I'M GOING TO ENJOY MY ROUND-UP WITH CHEESE 273 00:11:34,667 --> 00:11:36,000 WHETHER YOU JOIN ME OR NOT. 274 00:11:36,291 --> 00:11:37,583 NOT. 275 00:11:38,500 --> 00:11:40,207 I'M GOING TO MY ROOM. 276 00:11:40,208 --> 00:11:41,791 YOU'RE SLEEPING WITH ME TONIGHT. 277 00:11:41,792 --> 00:11:43,999 I ALREADY MADE YOUR BED AND I WANT IT TO STAY THAT WAY. 278 00:11:44,000 --> 00:11:45,875 IT'S MY ROOM, AND YOU SNORE. 279 00:11:47,708 --> 00:11:49,041 I MEAN IT, REGGIE! 280 00:11:49,042 --> 00:11:51,208 YOU'D BETTER NOT BE MESSING UP THAT BED. 281 00:11:51,209 --> 00:11:52,333 I MEAN IT! [DOOR SLAMS] 282 00:11:56,708 --> 00:11:58,707 WORK A DOUBLE TODAY? THAT'S ROUGH. 283 00:11:58,708 --> 00:12:00,582 I DON'T MIND. KEEPS ME OUT OF TROUBLE. 284 00:12:00,583 --> 00:12:02,207 YOU WANT A PIECE OF CHERRY PIE, SWEETIE? 285 00:12:02,208 --> 00:12:03,416 SURE. YOU EVER WAIT TABLES? 286 00:12:03,417 --> 00:12:05,217 HARDER THAN DIGGING A DITCH. YOU SHOULD TRY IT 287 00:12:05,218 --> 00:12:07,508 AND SEE WHAT A REAL JOB IS. IT IS A NOBLE VOCATION. 288 00:12:07,509 --> 00:12:09,416 MY DOGS ARE BARKING. 289 00:12:09,417 --> 00:12:12,249 I HAVE A REAL JOB, I HAVE TWO REAL JOBS. 290 00:12:12,250 --> 00:12:14,165 SO I THINK I'M GONNA GO ON 291 00:12:14,166 --> 00:12:16,209 THE HAPPY TIME RETREAT TOMORROW. 292 00:12:17,125 --> 00:12:18,249 PIE'S NICE. 293 00:12:18,250 --> 00:12:19,457 DID YOU HEAR ME? 294 00:12:19,458 --> 00:12:21,041 WHEN I WAS YOUR AGE, 295 00:12:21,042 --> 00:12:22,041 I USED TO TREAT THE CRUST 296 00:12:22,042 --> 00:12:24,207 LIKE IT WAS JUST THERE TO HOLD THE GOOD STUFF IN. 297 00:12:24,208 --> 00:12:26,582 I USED TO LEAVE THE WHOLE BACK END OF IT ON THE PLATE. 298 00:12:26,583 --> 00:12:31,083 BUT AS I GOT OLDER, I LEARNED TO APPRECIATE CRUST. 299 00:12:31,084 --> 00:12:33,040 STAYING ON THE OUTSIDE, LOOKING IN, 300 00:12:33,041 --> 00:12:35,959 IT'S NOT REALLY THE BEST WAY TO LAY LOW. 301 00:12:36,917 --> 00:12:38,332 THE MORE I STAY OUT OF THE GROUP, 302 00:12:38,333 --> 00:12:39,625 THE MORE THEY NOTICE ME. 303 00:12:40,208 --> 00:12:41,208 THAT'S BAD. 304 00:12:41,209 --> 00:12:42,449 YOU LEARN THAT THE CRUST AND PIE 305 00:12:42,473 --> 00:12:43,707 ARE TWO VERY DIFFERENT RECIPES. 306 00:12:43,708 --> 00:12:45,166 ULTIMATELY, THEY CO-MINGLE, 307 00:12:45,167 --> 00:12:49,082 BUT THEY ARE VERY SEPARATE ENTITIES. 308 00:12:49,083 --> 00:12:51,165 I'M SAYING I'M GOING TO GO. 309 00:12:51,166 --> 00:12:53,999 IT'S THE RIGHT THING TO DO, OKAY? 310 00:12:54,000 --> 00:12:55,541 OKAY, YOU'VE DECIDED. 311 00:12:55,542 --> 00:12:57,041 WHAT DO YOU NEED ME FOR? 312 00:12:57,042 --> 00:12:58,499 I NEED THE DAY OFF TOMORROW. 313 00:12:58,500 --> 00:13:00,740 CAN YOU COVER FOR ME? YOU KNOW, GEORGE, REAPING ISN'T LIKE 314 00:13:00,764 --> 00:13:02,041 SOME WAITRESS TRADING SHIFTS. 315 00:13:02,042 --> 00:13:03,833 THE NOBLE VOCATION. 316 00:13:03,834 --> 00:13:05,541 I DON'T NEED YOUR SMART MOUTH. 317 00:13:05,542 --> 00:13:06,749 THIS IS SERIOUS BUSINESS. 318 00:13:06,750 --> 00:13:08,000 SERIOUS BUSINESS. 319 00:13:09,708 --> 00:13:10,958 I NEED TO KNOW WHERE YOU ARE. 320 00:13:10,959 --> 00:13:12,208 YOU ARE LIKE AN E.R. DOCTOR, 321 00:13:12,209 --> 00:13:15,040 YOU UNDERSTAND THAT? YOU'RE ON CALL. YOU'RE ON CALL 24/7. 322 00:13:15,041 --> 00:13:17,208 365. I DON'T NEED YOUR SMART MOUTH. 323 00:13:17,209 --> 00:13:18,209 SORRY. 324 00:13:18,917 --> 00:13:20,207 I CHANGED MY MIND. 325 00:13:20,208 --> 00:13:21,833 WELL, I THINK THAT'S WISE. 326 00:13:21,834 --> 00:13:23,666 NOT ABOUT THE RETREAT, ABOUT THE PIE. 327 00:13:23,667 --> 00:13:25,333 SO, UM, I'LL SEE YOU WHEN I GET BACK. 328 00:13:29,041 --> 00:13:30,375 YOU WANT IT? YEAH, PLEASE. 329 00:13:31,417 --> 00:13:32,791 MORE COFFEE? 330 00:13:32,792 --> 00:13:33,917 PLEASE. 331 00:13:39,084 --> 00:13:40,084 WHAT ARE YOU DOING? 332 00:13:42,792 --> 00:13:44,332 IT'S JUST FOR THE AROMA. 333 00:13:44,333 --> 00:13:45,874 HONEY, THIS COUPLE IS READY TO PAY MORE 334 00:13:45,875 --> 00:13:48,457 THAN WE'VE EVEN ASKED, SO LET'S PUT ON A SHOW HERE. 335 00:13:48,458 --> 00:13:50,165 WHAT KIND OF SHOW? [DOORBELL CHIMES] 336 00:13:50,166 --> 00:13:52,166 A GOOD ONE. 337 00:13:52,167 --> 00:13:53,916 SO LET'S SMILE AND BE FRIENDLY 338 00:13:53,917 --> 00:13:55,166 AND MAKE THEM FEEL WELCOME. 339 00:13:55,167 --> 00:13:56,567 WHY DON'T YOU JUST MAKE THE COOKIES? 340 00:13:56,591 --> 00:13:58,050 REGGIE, GET THE DOOR. 341 00:14:15,667 --> 00:14:17,084 OH, HEY. 342 00:14:19,333 --> 00:14:21,208 LET ME ASK YOU SOMETHING, MILLIE. 343 00:14:21,209 --> 00:14:24,332 WOULD YOU SCREW A MUSTANG GRILL TO A '57 CHEVY? 344 00:14:24,333 --> 00:14:26,124 ME? NO. EXACTLY. 345 00:14:26,125 --> 00:14:27,707 YOU DON'T MESS WITH A CLASSIC. 346 00:14:27,708 --> 00:14:30,499 SO WHEN I SAY, "GET THE FIXINGS FOR S'MORES," 347 00:14:30,500 --> 00:14:34,208 YOU DON'T SHOW UP WITH ANY OLD CHOCOLATE BAR. 348 00:14:34,209 --> 00:14:37,166 THE S'MORE IS LIKE A DELICATE ECOSYSTEM... 349 00:14:37,167 --> 00:14:38,958 GRAHAM CRACKER, MARSHMALLOW, 350 00:14:38,959 --> 00:14:40,917 AND THE GREAT AMERICAN HERSHEY BAR. 351 00:14:41,959 --> 00:14:44,166 I'M SORRY. I'M NOT A CAMPER. 352 00:14:44,167 --> 00:14:47,916 HEY, I'M REALLY HAPPY YOU DECIDED TO JOIN US, MILLIE. 353 00:14:47,917 --> 00:14:49,625 YOU JUST NEED TO GET YOUR HEAD IN THE GAME. 354 00:14:51,166 --> 00:14:52,792 COME ON. 355 00:14:53,959 --> 00:14:55,290 [DOG BARKING] 356 00:14:55,291 --> 00:14:56,291 BACK IN THE TRUCK. 357 00:14:56,625 --> 00:14:57,875 GO ON. 358 00:14:58,417 --> 00:14:59,999 FUCKING MUTT. 359 00:15:00,000 --> 00:15:01,332 THE GREAT OUTDOORS. 360 00:15:01,333 --> 00:15:02,457 BRISK. 361 00:15:02,458 --> 00:15:03,874 MM. 362 00:15:03,875 --> 00:15:05,457 FEEL THAT? 363 00:15:05,458 --> 00:15:07,916 THAT'S THE I.Q. FALLING. 364 00:15:07,917 --> 00:15:09,249 GODDAMNED DOG WOULD JUST AS SOON 365 00:15:09,250 --> 00:15:10,500 FUCK A DUCK THAN HUNT ONE. 366 00:15:11,500 --> 00:15:12,999 I MEANT TO SAY, "GO, TEAM, 367 00:15:13,000 --> 00:15:14,457 HERSHEY BARS OR BUST." 368 00:15:14,458 --> 00:15:17,040 ALTHOUGH I DON'T CARE FOR THE CRUELTY TO ANIMALS. 369 00:15:17,041 --> 00:15:18,458 THEY'RE HUNTERS. 370 00:15:20,834 --> 00:15:22,000 HERSHEY BARS? 371 00:15:26,542 --> 00:15:28,124 AH. 372 00:15:28,125 --> 00:15:30,082 NICE 12-GAUGE. 373 00:15:30,083 --> 00:15:32,040 DADDY HAD ONE OF THOSE. EXCUSE ME. 374 00:15:32,041 --> 00:15:33,332 FULL CHOKE. 375 00:15:33,333 --> 00:15:35,374 IS IT DUCK-HUNTING SEASON ALREADY? 376 00:15:35,375 --> 00:15:38,167 YEAH, WHATEVER. HEY, WEIGHT-LOSS DRINKS, HUH? 377 00:15:46,208 --> 00:15:48,458 MOST HUNTERS ARE MORNING PEOPLE. 378 00:15:49,708 --> 00:15:50,999 THEY HAVE HERSHEY BARS. 379 00:15:51,000 --> 00:15:52,749 THAT'S WHAT I LIKE TO HEAR, MILLIE. 380 00:15:52,750 --> 00:15:54,125 LET'S LOAD 'EM UP. 381 00:15:56,000 --> 00:15:58,833 HI, LINDA. OH, GREAT BOOTS. 382 00:15:58,834 --> 00:15:59,999 THANK YOU. 383 00:16:00,000 --> 00:16:02,208 JOY, THESE ARE THE COPES, ANDY AND STEPHANIE. 384 00:16:02,209 --> 00:16:03,125 HI. HI. 385 00:16:03,126 --> 00:16:04,417 THIS IS REGGIE. 386 00:16:05,375 --> 00:16:06,583 HELLO. 387 00:16:07,208 --> 00:16:08,541 GREAT PLACE. 388 00:16:08,542 --> 00:16:09,833 ARE YOU BAKING? 389 00:16:09,834 --> 00:16:10,999 I AM. 390 00:16:11,000 --> 00:16:13,166 THE COPES ARE VERY INTERESTED 391 00:16:13,167 --> 00:16:14,125 IN THIS PROPERTY. 392 00:16:14,126 --> 00:16:16,542 AS YOU CAN SEE, THEY'RE IN NEED OF A LITTLE MORE SPACE. 393 00:16:18,291 --> 00:16:20,082 WELL, EVER SINCE SHE GOT, UH, 394 00:16:20,083 --> 00:16:22,041 OR SINCE WE GOT... YOU KNOW. 395 00:16:23,084 --> 00:16:24,791 I NEVER KNOW EXACTLY HOW TO SAY IT. 396 00:16:24,792 --> 00:16:26,582 SAY, "SINCE I IMPREGNATED HER." 397 00:16:26,583 --> 00:16:27,999 TAKE FULL RESPONSIBILITY. 398 00:16:28,000 --> 00:16:29,333 UNLESS, OF COURSE, IT'S NOT YOURS. 399 00:16:33,041 --> 00:16:34,541 JUST, UH, LOOK 400 00:16:34,542 --> 00:16:36,833 AT THE PERIOD TREASURES THAT THEY HAVE PRESERVED... 401 00:16:36,834 --> 00:16:40,125 ALL OF THE CROWN MOLDINGS, THE ORIGINAL HARDWARE. 402 00:16:40,708 --> 00:16:41,999 NICE. 403 00:16:42,000 --> 00:16:43,082 MODERN AMENITIES AS WELL. 404 00:16:43,083 --> 00:16:44,541 THESE ARE ALL DUAL-PANE WINDOWS. 405 00:16:44,542 --> 00:16:47,041 I INSISTED ON THOSE FOR SAFETY. 406 00:16:47,042 --> 00:16:48,242 I WAS PREGNANT WITH MY DAUGHTER 407 00:16:48,266 --> 00:16:49,391 WHEN WE BOUGHT THE HOUSE. 408 00:16:50,667 --> 00:16:52,124 AND I'M GUESSING THAT'S YOU. 409 00:16:52,125 --> 00:16:53,333 GUESS AGAIN. 410 00:16:54,083 --> 00:16:55,332 THAT WAS HER SISTER. 411 00:16:55,333 --> 00:16:56,541 GEORGE. 412 00:16:56,542 --> 00:16:57,874 GEORGE? 413 00:16:57,875 --> 00:16:58,875 GEORGIA. 414 00:16:59,625 --> 00:17:01,125 OH. PRETTY NAME. 415 00:17:01,500 --> 00:17:02,666 THIS REALLY IS 416 00:17:02,667 --> 00:17:04,999 THE PERFECT HOME FOR A GROWING FAMILY. 417 00:17:05,000 --> 00:17:07,457 REGGIE, WHY DON'T YOU SHOW THE COPES YOUR ROOM? 418 00:17:07,458 --> 00:17:10,208 DO I GET A COMMISSION? REGGIE! 419 00:17:10,209 --> 00:17:13,375 I'D LOVE IT IF YOU WOULD TAKE US TO SEE YOUR ROOM, REGGIE. 420 00:17:17,084 --> 00:17:18,208 OKAY... 421 00:17:21,750 --> 00:17:23,209 VERY INTERESTED. 422 00:17:28,250 --> 00:17:29,417 FOR YOU. 423 00:17:30,000 --> 00:17:31,209 YOU. 424 00:17:34,167 --> 00:17:35,958 ROUTE 9 AND GENTILLY BOULEVARD. 425 00:17:35,959 --> 00:17:37,208 SLIPPERY PETE'S. 426 00:17:37,209 --> 00:17:38,791 BIG BIKER HOTSPOT. 427 00:17:38,792 --> 00:17:40,332 YOU NEED AN ESCORT, LET ME KNOW. 428 00:17:40,333 --> 00:17:42,874 YOU'RE VERY SWEET, BUT I CAN HANDLE MYSELF. 429 00:17:42,875 --> 00:17:45,582 WELL, THEY'RE BIKERS, NOT VAMPIRES, DAISY. 430 00:17:45,583 --> 00:17:47,103 DON'T LET THE BLONDE LOCKS DECEIVE YOU. 431 00:17:47,127 --> 00:17:48,416 I'M A VERY POWERFUL WOMAN. 432 00:17:48,417 --> 00:17:49,833 WELL, GOOD FOR YOU. 433 00:17:49,834 --> 00:17:51,874 I'M GOING TO HAVE TO TAKE A LITTLE TIME OFF TODAY, 434 00:17:51,875 --> 00:17:53,083 AND BY LITTLE, 435 00:17:53,084 --> 00:17:54,041 I MEAN I WILL BE BACK TOMORROW, 436 00:17:54,042 --> 00:17:56,040 AND I TRUST YOU WILL BE FINE WITHOUT ME, 437 00:17:56,041 --> 00:17:58,041 AND BY THAT, I MEAN TRY NOT TO FUCK UP. 438 00:17:58,042 --> 00:17:59,958 BY FUCK UP, OF COURSE, I MEAN MASON. 439 00:17:59,959 --> 00:18:01,125 YOUR SERVANT. 440 00:18:02,750 --> 00:18:05,582 WELL, I HAVE ORDER TO RESTORE. 441 00:18:05,583 --> 00:18:07,124 YOUR SERVANT. 442 00:18:07,125 --> 00:18:10,666 FIRST TIME, CUTE. SECOND TIME, YOU HAVE TO BUY ME SOMETHING. 443 00:18:10,667 --> 00:18:13,083 WELL, WHY DO YOU ASSUME I'M GOING TO FUCK UP? 444 00:18:13,084 --> 00:18:14,458 BECAUSE YOU'RE A FUCK-UP! 445 00:18:42,625 --> 00:18:44,750 THIS, OF COURSE, IS THE PERFECT CHILDREN'S ROOM. 446 00:18:51,375 --> 00:18:53,249 PLENTY OF SPACE FOR MORE BEDS, 447 00:18:53,250 --> 00:18:55,541 IF MORE KIDS ARE IN GOD'S PLAN. 448 00:18:55,542 --> 00:18:57,000 I DON'T SEE HOW GOD'S INVOLVED. 449 00:18:58,041 --> 00:18:59,458 [LAUGHING] 450 00:19:00,333 --> 00:19:01,625 [CELLPHONE RINGS] 451 00:19:02,208 --> 00:19:03,583 I'LL BE RIGHT BACK. YES? 452 00:19:06,208 --> 00:19:08,875 THE ONLY MOLD IN THAT HOUSE IS BETWEEN HER EARS. 453 00:19:11,500 --> 00:19:13,042 GRIMM'S ANTHOLOGY. 454 00:19:15,125 --> 00:19:17,416 I USED TO BE A TEACHER, YOU KNOW? 455 00:19:17,417 --> 00:19:18,958 I WAS SUPPOSED TO PUT THAT AWAY. 456 00:19:18,959 --> 00:19:20,208 THAT'S OKAY. 457 00:19:20,209 --> 00:19:22,040 IT'S A DELIGHTFUL ROOM. 458 00:19:22,041 --> 00:19:23,667 WHERE'S YOUR SISTER'S BEDROOM? 459 00:19:25,125 --> 00:19:27,249 MY MOM TURNED IT INTO AN EXERCISE ROOM. 460 00:19:27,250 --> 00:19:28,416 OH. 461 00:19:28,417 --> 00:19:29,617 WHERE'S YOUR SISTER LIVING NOW? 462 00:19:30,583 --> 00:19:32,624 I DON'T KNOW, EXACTLY. 463 00:19:32,625 --> 00:19:34,207 IS SHE IN COLLEGE? 464 00:19:34,208 --> 00:19:35,417 SHE'S DEAD. 465 00:19:37,291 --> 00:19:38,541 OH... 466 00:19:38,542 --> 00:19:39,999 I'M SO SORRY. 467 00:19:40,000 --> 00:19:41,166 IT'S OKAY. 468 00:19:41,167 --> 00:19:43,083 SHE'S NOT, LIKE, COMPLETELY GONE. 469 00:19:43,084 --> 00:19:44,125 BECAUSE... 470 00:19:44,500 --> 00:19:45,542 SHE COMES BACK. 471 00:19:46,542 --> 00:19:47,625 SHE COMES BACK? 472 00:19:48,125 --> 00:19:49,125 A LOT. 473 00:19:49,126 --> 00:19:50,625 [WIND BLOWING] 474 00:19:51,167 --> 00:19:52,167 [GASPS] 475 00:19:56,208 --> 00:19:57,458 THAT WASN'T HER. 476 00:20:03,875 --> 00:20:05,082 [GREGG]: OKAY, EVERYBODY, 477 00:20:05,083 --> 00:20:07,583 IF YOU COULD BE AN ANIMAL, ANY ANIMAL, 478 00:20:08,542 --> 00:20:10,083 WHAT ANIMAL WOULD YOU CHOOSE TO BE? 479 00:20:11,208 --> 00:20:12,332 DELORES, 480 00:20:12,333 --> 00:20:13,582 WOULD YOU LIKE TO GO FIRST? 481 00:20:13,583 --> 00:20:14,916 OH, I'D LIKE TO GO LAST, 482 00:20:14,917 --> 00:20:16,083 IF YOU WOULDN'T MIND. 483 00:20:16,084 --> 00:20:17,484 OKAY, I THINK THAT'D BE APPROPRIATE. 484 00:20:17,508 --> 00:20:18,833 THANKS, GREGG. 485 00:20:18,834 --> 00:20:20,125 MILLIE, HOW ABOUT YOU? 486 00:20:22,125 --> 00:20:24,125 I THINK I'LL GO RIGHT BEFORE DELORES. 487 00:20:25,041 --> 00:20:27,374 DO YOU THINK THAT'S APPROPRIATE? 488 00:20:27,375 --> 00:20:28,582 [GEORGE]: WHO GIVES A SHIT? 489 00:20:28,583 --> 00:20:30,000 I REALLY DO, GREGG. 490 00:20:31,166 --> 00:20:32,667 CAN I START? 491 00:20:33,458 --> 00:20:34,624 SURE, TODD. 492 00:20:34,625 --> 00:20:35,834 YEAH, THAT'D BE GREAT. 493 00:20:36,875 --> 00:20:40,084 IF I WERE AN ANIMAL, I THINK I WOULD BE A CRAB. 494 00:20:40,750 --> 00:20:42,166 NOT AN ANIMAL. 495 00:20:42,167 --> 00:20:43,166 MILLIE. 496 00:20:43,167 --> 00:20:44,625 WELL, IT'S NOT. IT'S A CRUSTACEAN. 497 00:20:46,959 --> 00:20:48,040 WHAT? 498 00:20:48,041 --> 00:20:49,792 WELL, AT LEAST I'M LISTENING. 499 00:20:51,167 --> 00:20:52,916 I'M SORRY. A CRAB'S AN ANIMAL. 500 00:20:52,917 --> 00:20:55,207 IT'S A BIG, FURRY, WARM-BLOODED BEAST 501 00:20:55,208 --> 00:20:57,666 THAT SLEEPS IN COCKTAIL SAUCE. 502 00:20:57,667 --> 00:21:01,499 MILLIE, THIS IS AN EXERCISE ABOUT REVEALING YOURSELF 503 00:21:01,500 --> 00:21:03,083 TO YOUR CO-WORKERS. 504 00:21:03,084 --> 00:21:04,666 NOW, WE ALL FIND THINGS TO HIDE BEHIND 505 00:21:04,667 --> 00:21:05,874 AT THE OFFICE. 506 00:21:05,875 --> 00:21:09,416 YOU KNOW, OUR CUBICLES, OUR TELEPHONES, OUR DEADLINES... 507 00:21:09,417 --> 00:21:10,999 OUR SARCASM. 508 00:21:11,000 --> 00:21:12,165 WE ALL FIND WAYS 509 00:21:12,166 --> 00:21:13,624 NOT TO GET TO KNOW THE PEOPLE 510 00:21:13,625 --> 00:21:15,499 THAT WE RELY ON THE MOST. 511 00:21:15,500 --> 00:21:19,124 OUT HERE IN THE WILD, THERE'S NO PLACE TO HIDE, OKAY? 512 00:21:19,125 --> 00:21:20,332 SO I THINK THAT WE SHOULD ALL 513 00:21:20,333 --> 00:21:23,084 TRY TO GET TO KNOW TODD THE CRAB. 514 00:21:23,250 --> 00:21:24,999 WHOO-HOO! 515 00:21:25,000 --> 00:21:26,708 [GEORGE]: I BET TODD HAS CRABS. 516 00:21:27,667 --> 00:21:29,541 TODD, PLEASE. 517 00:21:29,542 --> 00:21:34,165 I ALWAYS FEEL... AS IF I'M MOVING SIDEWAYS. 518 00:21:34,166 --> 00:21:36,999 MOTHERFUCKING... I AM VICIOUSLY FUCKED. 519 00:21:37,000 --> 00:21:39,124 BASTARD HELL... 520 00:21:39,125 --> 00:21:40,083 I AM VICIOUSLY FUCKED. 521 00:21:40,084 --> 00:21:41,249 NO, NOT YOU, DARLING. 522 00:21:41,250 --> 00:21:43,082 UNLESS YOU'RE INTERESTED, IN WHICH CASE... 523 00:21:43,083 --> 00:21:44,791 NO? WELL, PISS OFF, THEN. 524 00:21:44,792 --> 00:21:46,040 FUCK OFF. OH, JESUS CHRIST. 525 00:21:46,041 --> 00:21:48,542 OH, BOLLOCKS. KIFFANY! KIFFANY. 526 00:21:49,542 --> 00:21:51,249 HEY, THERE. 527 00:21:51,250 --> 00:21:53,207 LISTEN, HAVE YOU FOUND A LITTLE POST-IT? 528 00:21:53,208 --> 00:21:55,249 YOU KNOW, THE LITTLE YELLOW ONES WITH WRITING ON? 529 00:21:55,250 --> 00:21:56,916 LIKE THE KIND YOU PEOPLE ALWAYS PLAY WITH? 530 00:21:56,917 --> 00:21:58,166 YES, YES, YES. EXACTLY. EXACTLY. 531 00:21:58,167 --> 00:22:00,041 NO. IS THIS ONE PARTICULARLY IMPORTANT? 532 00:22:00,042 --> 00:22:02,166 I DON'T BOLLOCKING WELL KNOW, DO I? 533 00:22:02,167 --> 00:22:04,166 JESUS CHRIST, I AM FUCKED. 534 00:22:04,167 --> 00:22:05,666 MOVE. 535 00:22:05,667 --> 00:22:08,457 SHIT. BOLLOCKS. FUCKING BOLLOCKS! 536 00:22:08,458 --> 00:22:10,624 OKAY, WELL, THAT'S IT. I'M FUCKING FUCKED, AREN'T I? 537 00:22:10,625 --> 00:22:12,207 I'M BOLLOCKING VICIOUSLY FUCKED. 538 00:22:12,208 --> 00:22:13,667 ROYALLY FUCKED, I AM. 539 00:22:14,834 --> 00:22:16,291 [MUSIC PLAYING] 540 00:22:19,458 --> 00:22:21,082 WELL, THAT IS MOST INTERESTING. 541 00:22:21,083 --> 00:22:22,541 I JUST ASSUMED ALL THOSE STORIES 542 00:22:22,542 --> 00:22:25,582 ABOUT DEGRADING INITIATION RITUALS WERE TRUE. 543 00:22:25,583 --> 00:22:27,703 NO ONE HAS TO KILL ANYONE TO GET INTO THE BALD EAGLES. 544 00:22:27,727 --> 00:22:29,916 WE FIGURE THE RIGHT MEMBERS COME AT THE RIGHT TIME. 545 00:22:29,917 --> 00:22:32,917 TREACH HERE BECAME ONE AFTER SOMEONE HAD READ A POEM HE WROTE IN A BIKER MAG. 546 00:22:33,125 --> 00:22:36,083 OPEN VERSE FOR THE OPEN ROAD. 547 00:22:36,084 --> 00:22:37,083 HEAR, HEAR. 548 00:22:37,084 --> 00:22:38,291 [ALL]: HEAR! 549 00:22:41,792 --> 00:22:44,083 I DO LOVE A REAL MAN OF LETTERS. 550 00:22:44,084 --> 00:22:45,874 SO WHY ARE YOU GUYS CALLED THE BALD EAGLES? 551 00:22:45,875 --> 00:22:47,917 WE DON'T WEAR HELMETS. FUCKS WITH OUR HAIR. 552 00:22:49,167 --> 00:22:50,624 I JUST THINK A MAN SHOULD CHOOSE 553 00:22:50,625 --> 00:22:52,332 HOW CLOSE TO DEATH HE WANTS TO LIVE. 554 00:22:52,333 --> 00:22:53,453 CLOSER THAN YOU THINK, TINY. 555 00:22:58,834 --> 00:23:00,916 DAISY, DAISY, I NEED YOUR HELP. 556 00:23:00,917 --> 00:23:02,000 NOW. 557 00:23:03,250 --> 00:23:04,874 YOU WANT TO TAKE YOUR... 558 00:23:04,875 --> 00:23:06,542 YOU WANT TO TAKE YOUR HANDS OFF THE LADY? 559 00:23:11,875 --> 00:23:13,124 I'M IN TROUBLE. 560 00:23:13,125 --> 00:23:15,124 THIS IS MASON. HE'S OKAY, FELLAS, 561 00:23:15,125 --> 00:23:16,565 JUST NOT VERY WELL BROUGHT UP IS ALL. 562 00:23:16,589 --> 00:23:17,582 NO, I'M NOT. 563 00:23:17,583 --> 00:23:19,343 THE ONLY THING WE HATE WORSE THAN BAD MANNERS 564 00:23:19,367 --> 00:23:21,208 IS THE GODDAMN FASCIST HELMET LAW. 565 00:23:21,209 --> 00:23:22,374 BARE HEADS TILL WE'RE DEAD. 566 00:23:22,375 --> 00:23:23,707 TILL WE'RE DEAD! 567 00:23:23,708 --> 00:23:24,958 BARE HEADS. 568 00:23:24,959 --> 00:23:26,679 YEAH! YEAH! YEAH, RIGHT, RIGHT, RIGHT, RIGHT. 569 00:23:26,703 --> 00:23:28,037 BETTER DEAD THAN NOT. 570 00:23:28,125 --> 00:23:29,875 WHAT? 571 00:23:33,875 --> 00:23:35,125 I LOST MY POST-IT. 572 00:23:36,083 --> 00:23:37,542 HAVE A NICE RIDE, FELLOWS. GOT TO GO. 573 00:23:41,209 --> 00:23:43,166 SUCH A LOYAL GROUP OF PEOPLE. 574 00:23:43,167 --> 00:23:44,375 BUT SO DANGEROUS. 575 00:23:47,667 --> 00:23:48,959 [PATRONS YELLING] 576 00:23:50,084 --> 00:23:51,333 TINY! 577 00:23:55,625 --> 00:23:58,208 THOSE MOTORCYCLES, THEY'RE DANGEROUS. 578 00:23:59,750 --> 00:24:01,707 WELL, A HELMET WOULDN'T HAVE HELPED. 579 00:24:01,708 --> 00:24:03,000 TINY MADE A BIG MESS. 580 00:24:08,084 --> 00:24:09,666 AND I MOVED HERE FROM ALBANY 581 00:24:09,667 --> 00:24:11,500 WHEN SHE BROKE OFF THE ENGAGEMENT. 582 00:24:12,583 --> 00:24:14,290 3,000 MILES DOWN THE ROAD, 583 00:24:14,291 --> 00:24:15,959 AND I STILL CAN'T GET HER OUT OF MY MIND. 584 00:24:16,500 --> 00:24:17,874 NO. 585 00:24:17,875 --> 00:24:19,999 WE WERE NEVER ENGAGED, FRANK. 586 00:24:20,000 --> 00:24:21,582 WE WERE TOTALLY ENGAGED. 587 00:24:21,583 --> 00:24:22,703 I GAVE YOU MY MOTHER'S RING. 588 00:24:22,959 --> 00:24:24,208 SO? 589 00:24:24,209 --> 00:24:25,666 OKAY, FRANK, FRANK, FRANK, FRANK! 590 00:24:25,667 --> 00:24:27,250 SALLY, PLEASE. 591 00:24:29,375 --> 00:24:30,708 RIGHT. RIGHT. 592 00:24:32,750 --> 00:24:35,416 ANYWAY, THAT'S WHY I FEEL LIKE A LEOPARD. 593 00:24:35,417 --> 00:24:38,041 BECAUSE YOU'RE STALKING HER? 594 00:24:38,042 --> 00:24:39,625 BECAUSE I CAN'T CHANGE MY SPOTS. 595 00:24:40,583 --> 00:24:43,041 OKAY, MILLIE, I THINK IT'S YOUR TURN. 596 00:24:43,625 --> 00:24:45,083 UH, NO, I... 597 00:24:45,084 --> 00:24:46,582 I JUST, I... 598 00:24:46,583 --> 00:24:48,125 I DON'T REALLY... 599 00:24:51,959 --> 00:24:53,625 I'M NOT AN ANIMAL. 600 00:25:00,667 --> 00:25:03,040 [GEORGE]: THIS WAS STARTING TO FEEL FAMILIAR... 601 00:25:03,041 --> 00:25:05,041 STAYING ON THE SIDELINES. 602 00:25:05,042 --> 00:25:06,999 CRITICIZING. CLINGING TO THE FRINGES 603 00:25:07,000 --> 00:25:09,749 INSTEAD OF JUMPING INTO THE FRAY. 604 00:25:09,750 --> 00:25:11,958 IT WAS LIKE WATCHING THE ESCALATOR RUN. 605 00:25:11,959 --> 00:25:13,916 WHEN WOULD I STEP ON? 606 00:25:13,917 --> 00:25:14,999 OKAY, DELORES, 607 00:25:15,000 --> 00:25:17,208 WELL, I GUESS THAT JUST LEAVES YOU. 608 00:25:17,209 --> 00:25:18,041 BRING US HOME. 609 00:25:18,042 --> 00:25:20,166 WELL, UM, I'VE ALWAYS THOUGHT... 610 00:25:20,167 --> 00:25:21,250 I'M A CAT. 611 00:25:23,959 --> 00:25:26,374 I MEAN, NOT LIKE A HOUSE CAT. 612 00:25:26,375 --> 00:25:27,917 NOT LIKE MURRAY, DELORES. 613 00:25:28,750 --> 00:25:30,041 I'M A STRAY... 614 00:25:32,333 --> 00:25:37,125 WANDERS THE STREETS, ALONE, KIND OF DISTANT AND MEAN. 615 00:25:41,250 --> 00:25:45,207 NOT A CAT YOU'D WANT TO PET OR BRING HOME TO YOUR KIDS. 616 00:25:45,208 --> 00:25:47,792 YOU JUST DON'T KNOW WHERE THOSE CLAWS ARE, YOU KNOW. 617 00:25:52,542 --> 00:25:54,125 AND I'M A BLACK CAT. 618 00:25:56,083 --> 00:26:00,625 AND I HAVE MANY, MANY LIVES. 619 00:26:05,208 --> 00:26:07,250 AND NOW YOU KNOW WHO I AM. 620 00:26:12,750 --> 00:26:14,792 YOU'D THINK HE'D HAVE A BETTER LOCK. 621 00:26:22,250 --> 00:26:23,834 [DAISY]: WOW. 622 00:26:24,583 --> 00:26:26,167 COLOR ME IMPRESSED. 623 00:26:29,750 --> 00:26:31,499 WELL, IF HE WRITES THE INFORMATION 624 00:26:31,500 --> 00:26:32,707 ON OUR POST-ITS, 625 00:26:32,708 --> 00:26:34,958 HE MUST COPY IT DOWN FROM SOMEWHERE, RIGHT? 626 00:26:34,959 --> 00:26:36,041 YEAH, BUT WHERE? 627 00:26:37,042 --> 00:26:38,624 I'LL CHECK THE LIQUOR CABINET, 628 00:26:38,625 --> 00:26:40,083 YOU CHECK EVERYWHERE ELSE. 629 00:26:40,084 --> 00:26:42,124 MASON, NO. THIS IS A COVERT OPERATION. 630 00:26:42,125 --> 00:26:43,707 WE NEED TO TREAD GENTLY 631 00:26:43,708 --> 00:26:45,208 AND COVER OUR TRACKS. 632 00:26:46,375 --> 00:26:47,833 [SNIFFING] 633 00:26:47,834 --> 00:26:49,041 MM... 634 00:26:49,042 --> 00:26:52,083 OLD FARTS LIKE RUBE ALWAYS HAVE THE BEST BOOZE. 635 00:26:52,084 --> 00:26:53,457 THEY'VE BEEN DRINKING LONG ENOUGH 636 00:26:53,458 --> 00:26:55,332 NOT TO MESS AROUND WITH THE CHEAP SHIT. 637 00:26:55,333 --> 00:26:57,167 HOW IS THAT HELPING? 638 00:26:59,000 --> 00:27:00,874 TAKES OFF THE EDGE. I'M ALL EDGES RIGHT NOW. 639 00:27:00,875 --> 00:27:02,166 ALL RIGHT? 640 00:27:02,167 --> 00:27:03,457 MASON, IF HE FINDS OUT WE WERE RUMMAGING AROUND HERE... 641 00:27:03,458 --> 00:27:04,500 PUT THAT DOWN. 642 00:27:05,125 --> 00:27:06,333 PUT IT DOWN. 643 00:27:07,250 --> 00:27:08,792 PUT THAT... DOWN. 644 00:27:12,542 --> 00:27:13,834 THIS WAS YOUR IDEA, DAISY. 645 00:27:22,417 --> 00:27:25,165 I ONCE HAD TO HIDE FOR HOURS IN ONE HALF THIS SIZE 646 00:27:25,166 --> 00:27:28,208 FROM THE SHREW OF A MRS. TYRONE POWERS, 647 00:27:28,209 --> 00:27:30,040 WHO WAS SUPPOSED TO BE IN PALM SPRINGS. 648 00:27:30,041 --> 00:27:33,874 I WAS FORCED TO URINATE IN A HIGHBALL GLASS. 649 00:27:33,875 --> 00:27:35,625 WHAT IS IT WITH YOU AND THE MARRIED ONES? 650 00:27:36,750 --> 00:27:37,999 FORBIDDEN FRUIT? 651 00:27:38,000 --> 00:27:39,360 THAT WAS THEN, AND I DON'T KNOW WHY 652 00:27:39,384 --> 00:27:40,824 YOU'RE TREATING THIS LIKE HAPPY HOUR. 653 00:27:44,291 --> 00:27:45,750 OH, SHIT. 654 00:27:46,375 --> 00:27:47,916 SO... 655 00:27:47,917 --> 00:27:49,000 SO MANY OF THEM. 656 00:27:49,750 --> 00:27:51,125 SO MUCH MORE OF IT. 657 00:27:54,083 --> 00:27:56,416 POUR ME A DRINK, WILL YOU? 658 00:27:56,417 --> 00:27:58,624 JUST ONE. AND ONLY TO WARM ME UP. 659 00:27:58,625 --> 00:28:01,249 YEAH, IT'LL LUBE OUR SYNAPSES UP A BIT, 660 00:28:01,250 --> 00:28:04,041 MAKE OUR MINDS A BIT MORE N... NIMBLE. 661 00:28:11,250 --> 00:28:12,749 WE'LL KEEP LOOKING FOR YOUR POST-IT. 662 00:28:12,750 --> 00:28:14,084 WE'LL... WE'LL KEEP LOOKING. YEAH. 663 00:28:38,291 --> 00:28:40,249 WHY ARE YOU SPYING ON ME? 664 00:28:40,250 --> 00:28:43,374 I'M NOT. I WASN'T SAYING ANYTHING. 665 00:28:43,375 --> 00:28:44,666 I DIDN'T SAY THAT YOU WERE. 666 00:28:44,667 --> 00:28:45,874 WELL, WHY ARE YOU HERE, THEN? 667 00:28:45,875 --> 00:28:47,541 WHY DID YOU SHOW UP ALL OF A SUDDEN? 668 00:28:47,542 --> 00:28:50,124 WELL, WHAT HAS BEEN YOUR EXPERIENCE 669 00:28:50,125 --> 00:28:52,084 AS TO WHY I SHOW UP ALL OF A SUDDEN? 670 00:28:52,583 --> 00:28:54,084 OH, NO. 671 00:28:56,125 --> 00:28:57,541 YOU KNOW, YOU DO HAVE 672 00:28:57,542 --> 00:28:59,792 ACTUAL RESPONSIBILITIES IN THIS WORLD. 673 00:29:01,167 --> 00:29:02,416 I KNOW YOU. 674 00:29:02,417 --> 00:29:04,165 YOU'RE MILLIE'S SPONSOR. 675 00:29:04,166 --> 00:29:05,291 SO DEVOTED. 676 00:29:07,291 --> 00:29:10,124 DELORES, RIGHT? RIGHT. AND YOU'RE RUBE. 677 00:29:10,125 --> 00:29:11,041 I AM. 678 00:29:11,042 --> 00:29:13,874 IS THAT A FIRST NAME OR LAST NAME? 679 00:29:13,875 --> 00:29:15,082 JUST RUBE. 680 00:29:15,083 --> 00:29:16,707 LIKE CHER. 681 00:29:16,708 --> 00:29:17,875 LIKE HOUDINI. 682 00:29:18,500 --> 00:29:20,208 LOVE HOUDINI. 683 00:29:20,209 --> 00:29:22,000 WOULDN'T IT HAVE BEEN FUN TO HAVE SEEN HIM? 684 00:29:22,834 --> 00:29:23,999 [GEORGE]: SEEN HIM? 685 00:29:24,000 --> 00:29:25,667 RUBE PROBABLY REAPED HIM. 686 00:29:27,084 --> 00:29:28,625 WHAT BRINGS YOU OUT HERE, RUBE? 687 00:29:29,291 --> 00:29:30,625 WELL, DELORES... 688 00:29:32,460 --> 00:29:34,340 AS MUCH AS I'D LIKE TO GET INTO THAT WITH YOU... 689 00:29:34,364 --> 00:29:35,999 UH-HUH? 690 00:29:36,000 --> 00:29:37,541 ONE OF THE "A" S OF A.A. STANDS FOR... 691 00:29:37,542 --> 00:29:41,207 YOU DON'T WANT A DRINK, DO YOU, MILLIE? 692 00:29:41,208 --> 00:29:43,125 ACTUALLY, I WAS REFERRING TO THE OTHER "A". 693 00:29:44,542 --> 00:29:46,084 OH, OF COURSE. 694 00:29:47,834 --> 00:29:49,082 DELORES, I THINK I NEED 695 00:29:49,083 --> 00:29:51,208 TO GO FOR A WALK AND GET SOME FRESH AIR. 696 00:29:51,209 --> 00:29:52,083 WELL, YOU'RE IN THE WOODS. 697 00:29:52,084 --> 00:29:53,284 YOU'RE SURROUNDED BY FRESH AIR. 698 00:29:54,083 --> 00:29:56,417 I JUST... WANT TO GO FOR A WALK. 699 00:29:57,125 --> 00:29:58,208 I NEED TO... 700 00:30:00,000 --> 00:30:03,166 COMMUNE WITH THE SPIRITS OF THE NORTHWEST. 701 00:30:04,084 --> 00:30:05,999 YOU ARE A CAT, AREN'T YOU? 702 00:30:06,000 --> 00:30:08,082 ALONE AND MYSTERIOUS. 703 00:30:08,083 --> 00:30:10,583 MAKE SURE YOU MAKE IT BACK FOR GHOST STORIES AND S'MORES. 704 00:30:11,041 --> 00:30:12,333 I'LL TRY. 705 00:30:14,834 --> 00:30:17,999 YOU DON'T HAPPEN TO KNOW ANY GHOST STORIES, DO YOU, RUBE? 706 00:30:18,000 --> 00:30:21,083 UH, I'VE HEARD A COUPLE IN MY DAY. OH, HOW FUN. 707 00:30:21,084 --> 00:30:23,484 [GEORGE]: AND JUST AS I WAS GETTING COMFORTABLE IN THE CIRCLE, 708 00:30:23,508 --> 00:30:25,958 DEATH PULLED ME AWAY. 709 00:30:25,959 --> 00:30:28,290 [SINGING ALONG WITH RECORD]: ♪ YOU PUT YOUR LEFT ARM IN ♪ 710 00:30:28,291 --> 00:30:32,041 ♪ YOU PUT YOUR LEFT ARM OUT YOU PUT YOUR LEFT ARM IN ♪ 711 00:30:32,042 --> 00:30:34,040 ♪ AND YOU SHAKE IT ALL ABOUT ♪ 712 00:30:34,041 --> 00:30:38,290 ♪ YOU DO THE HOKEY POKEY AND YOU TURN YOURSELF AROUND ♪ 713 00:30:38,291 --> 00:30:40,541 ♪ THAT'S WHAT IT'S ALL ABOUT ♪ 714 00:30:40,542 --> 00:30:41,749 WHOO! 715 00:30:41,750 --> 00:30:43,374 [RECORD CONTINUES PLAYING] 716 00:30:43,375 --> 00:30:45,249 ♪ YOU TAKE YOUR RIGHT ELBOW OUT ♪ 717 00:30:45,250 --> 00:30:47,040 ♪ YOU PUT YOUR RIGHT ELBOW IN ♪ 718 00:30:47,041 --> 00:30:49,791 ♪ AND YOU SHAKE IT ALL ABOUT... ♪ 719 00:30:49,792 --> 00:30:51,207 I FEEL LIKE A FLAPPER. 720 00:30:51,208 --> 00:30:53,124 YOU SHOULD HAVE SEEN ME DO THE CHARLESTON. 721 00:30:53,125 --> 00:30:54,750 YOU ARE LOVELY. 722 00:31:00,208 --> 00:31:02,208 OPERA... OPERA... 723 00:31:03,041 --> 00:31:04,041 JAZZ... 724 00:31:04,042 --> 00:31:06,542 BORING, BORING, SNORING. 725 00:31:07,167 --> 00:31:08,375 I AM DRUNK. 726 00:31:09,583 --> 00:31:11,541 I HATE BEING DRUNK. 727 00:31:11,542 --> 00:31:12,583 FUNNY, I DON'T MIND IT. 728 00:31:13,209 --> 00:31:14,250 EVER. 729 00:31:17,125 --> 00:31:18,166 MY GOODNESS. 730 00:31:19,333 --> 00:31:20,708 YOU THINK YOU KNOW A MAN... 731 00:31:21,083 --> 00:31:22,291 BARRY MANILOW. 732 00:31:25,041 --> 00:31:27,582 PLAY ME SOMETHING SWINGING. 733 00:31:27,583 --> 00:31:31,499 I WANT TO DANCE AND FORGET ALL THIS... THIS STUFF. 734 00:31:31,500 --> 00:31:32,792 OH, YEAH, BECAUSE YOU KNOW... 735 00:31:34,667 --> 00:31:37,042 SOMEBODY'S GOING TO DIE ALONE TODAY, AREN'T THEY? 736 00:31:40,209 --> 00:31:42,084 WHAT WAS ON YOUR POST-IT, MASON? 737 00:31:48,125 --> 00:31:51,124 NOW, CAN I SHOW YOU THE OUTSIDE STORAGE? 738 00:31:51,125 --> 00:31:52,624 I'D LOVE TO SEE THAT. HONEY? 739 00:31:52,625 --> 00:31:54,105 IN A SECOND, I JUST WANT TO GET A FEEL 740 00:31:54,106 --> 00:31:55,313 FOR THE HOUSE ONE MORE TIME. 741 00:31:55,314 --> 00:31:56,916 OKAY. 742 00:31:56,917 --> 00:31:58,667 [T.V. PLAYING] 743 00:32:15,000 --> 00:32:16,250 [SHUTS T.V. OFF] 744 00:32:18,125 --> 00:32:19,667 SO, REGGIE, WHAT WERE YOU WATCHING? 745 00:32:20,834 --> 00:32:22,209 NOTHING. 746 00:32:24,750 --> 00:32:27,084 WHAT'D YOU MEAN WHEN YOU SAID YOUR SISTER COMES BACK? 747 00:32:28,458 --> 00:32:30,083 SHE VISITS US. 748 00:32:30,084 --> 00:32:31,250 AND YOU TALK TO HER? 749 00:32:32,041 --> 00:32:34,416 NOT LIKE FACE TO FACE. 750 00:32:34,417 --> 00:32:37,209 SO SHE CHECKS UP ON YOU, SEES IF YOU'RE OKAY? 751 00:32:38,834 --> 00:32:39,875 I GUESS. 752 00:32:44,834 --> 00:32:45,917 ARE YOU? 753 00:32:53,333 --> 00:32:54,917 I DON'T THINK YOU SHOULD MOVE HERE. 754 00:33:01,041 --> 00:33:03,250 WHERE WAS HER FAVORITE SPOT IN THE HOUSE? 755 00:33:05,375 --> 00:33:07,041 HER ROOM, I THINK. 756 00:33:08,083 --> 00:33:10,125 SHE DIDN'T REALLY TELL ME THINGS. 757 00:33:13,084 --> 00:33:14,999 I THINK WE SHOULD GO BACK TO THE WAFFLE HAUS. 758 00:33:15,000 --> 00:33:16,208 IF YOU MISS A REAP, 759 00:33:16,209 --> 00:33:18,083 A WRATH WILL BE VISITED UPON YOU 760 00:33:18,084 --> 00:33:19,332 AS SUCH WILL HAVE YOU WRITHING 761 00:33:19,333 --> 00:33:20,999 IN TESTICLE-SHRIVELING HORROR. 762 00:33:21,000 --> 00:33:22,082 THAT WAS RUBE. 763 00:33:22,083 --> 00:33:23,457 WHY DO YOU DRINK SO MUCH? 764 00:33:23,458 --> 00:33:24,958 YOU'RE SO LOVELY. I LOVE YOU. 765 00:33:24,959 --> 00:33:27,290 YOU'RE SO PERFECT, AND YOUR SKIN IS JUST SO BEAUTIFUL. 766 00:33:27,291 --> 00:33:29,166 TRUE, BUT NOT WHAT I ASKED. 767 00:33:31,208 --> 00:33:35,207 IT'S PEOPLE'S IMPERFECTIONS THAT MAKE THEM SO BEAUTIFUL. 768 00:33:35,208 --> 00:33:38,000 LIKE BLACK VELVET THAT SHOWS OFF A LITTLE DIAMOND. 769 00:33:38,959 --> 00:33:41,083 THOSE THREE FRECKLES 770 00:33:41,084 --> 00:33:43,208 THAT SHOW OFF YOUR ALABASTER SKIN. 771 00:33:43,209 --> 00:33:44,541 CUT THE BULLSHIT, MASON. 772 00:33:44,542 --> 00:33:47,374 WHAT, DAISY? 773 00:33:47,375 --> 00:33:50,416 REALLY, WHAT, IN THE WHOLE GODDAMN SCHEME OF THINGS, 774 00:33:50,417 --> 00:33:52,125 IS ONE MORE UNHAPPY SOUL? 775 00:33:54,167 --> 00:33:55,500 I JUST CANNOT CARE ANYMORE. 776 00:33:58,834 --> 00:34:00,583 I CANNOT CARE ANYMORE. 777 00:34:07,583 --> 00:34:09,666 YOU SAW THE POST-IT BEFORE YOU LOST IT. 778 00:34:09,667 --> 00:34:10,917 NO. 779 00:34:13,291 --> 00:34:14,874 YES, YOU DID. 780 00:34:14,875 --> 00:34:17,166 YOU ALWAYS LOOK AT IT WHEN YOU GET IT, 781 00:34:17,167 --> 00:34:18,249 EVEN FOR JUST A SECOND. 782 00:34:18,250 --> 00:34:19,958 NO, I DON'T. 783 00:34:19,959 --> 00:34:21,084 DO I? 784 00:34:21,458 --> 00:34:22,917 I WATCH YOU. 785 00:34:24,417 --> 00:34:27,083 YOU NEVER JUST PUT IT IN YOUR POCKET. 786 00:34:27,084 --> 00:34:28,457 DO YOU WATCH ME? 787 00:34:28,458 --> 00:34:30,999 YOU ALWAYS LOOK AT IT, BECAUSE YOU'RE CURIOUS. 788 00:34:31,000 --> 00:34:32,417 YOU WANT TO KNOW. 789 00:34:33,792 --> 00:34:35,041 WHAT DO I WANT TO KNOW? 790 00:34:36,083 --> 00:34:37,667 THEIR NAME. 791 00:34:39,458 --> 00:34:42,040 WHERE THEY'RE GOING TO DIE. YOU'RE CURIOUS. 792 00:34:42,041 --> 00:34:43,290 YOU ALWAYS LOOK AT IT. 793 00:34:43,291 --> 00:34:44,500 YEAH. 794 00:34:46,667 --> 00:34:48,083 SOMETIMES, I DO LOOK AT IT. 795 00:34:50,083 --> 00:34:52,125 AND YOU LOOKED AT THIS ONE, TOO. 796 00:34:53,333 --> 00:34:55,250 AND THIS PERSON WON'T DIE ALONE. 797 00:35:07,333 --> 00:35:09,624 [DOOR OPENS, CLOSES] 798 00:35:09,625 --> 00:35:11,167 THIS IS A GHOST STORY, 799 00:35:12,166 --> 00:35:14,375 AND IT'S A LOVE STORY. 800 00:35:15,834 --> 00:35:19,125 IT'S ABOUT A MAN WHO LOVED A WOMAN. 801 00:35:20,542 --> 00:35:23,791 A MAN WHO THOUGHT THE FLAME OF THEIR LOVE 802 00:35:23,792 --> 00:35:25,458 COULD NEVER DIMINISH. 803 00:35:29,875 --> 00:35:31,125 BUT IT DID. 804 00:35:32,167 --> 00:35:36,041 WHAT HAD ONCE BEEN A DANCE HAD BECOME... 805 00:35:37,375 --> 00:35:38,875 A BATTLE. 806 00:35:40,209 --> 00:35:41,625 THEY FOUGHT AND FOUGHT. 807 00:35:44,083 --> 00:35:45,792 IN THE DEAD OF NIGHT, 808 00:35:47,417 --> 00:35:52,167 AFTER ANGRY WORDS WERE SPOKEN... 809 00:35:54,208 --> 00:35:58,708 HE LEFT THEIR BED AND SADDLED HIS HORSE. 810 00:36:01,500 --> 00:36:03,958 AND SHE SAID TO HIM, 811 00:36:03,959 --> 00:36:06,375 "IF YOU DON'T COME BACK IN THREE DAYS," 812 00:36:07,375 --> 00:36:09,624 "THEN YOU CAN NEVER COME BACK." 813 00:36:09,625 --> 00:36:11,166 "MARK MY WORDS..." 814 00:36:13,583 --> 00:36:15,124 "I'LL BE GONE." 815 00:36:15,125 --> 00:36:16,958 WELL, WHERE WOULD SHE GO? 816 00:36:16,959 --> 00:36:19,374 TO LIVE WITH AN OLD BOYFRIEND FROM HIGH SCHOOL? 817 00:36:19,375 --> 00:36:21,458 I THINK YOU TWO ARE A LITTLE AHEAD OF THE STORY. 818 00:36:23,250 --> 00:36:24,610 AM I GOING TO BE INTERRUPTED AGAIN? 819 00:36:27,375 --> 00:36:30,208 ANY OTHER QUESTIONS, THOUGHTS? 820 00:36:31,084 --> 00:36:32,084 QUERIES? 821 00:36:33,250 --> 00:36:35,167 THEN I WILL CONTINUE. 822 00:36:37,083 --> 00:36:38,667 STILL ANGRY... 823 00:36:40,542 --> 00:36:42,250 STILL ANGRY, THE MAN RODE AWAY... 824 00:36:44,458 --> 00:36:46,916 AND HE ENJOYED THE SOLITUDE. 825 00:36:46,917 --> 00:36:48,666 THE NOISE OF THEIR ARGUMENT 826 00:36:48,667 --> 00:36:52,916 WAS REPLACED BY THE SOOTHING SOUNDS OF THE FOREST. 827 00:36:52,917 --> 00:36:54,209 [TWIGS SNAPPING] 828 00:37:04,209 --> 00:37:06,458 BUT AFTER JUST TWO DAYS IN THE FOREST, 829 00:37:07,125 --> 00:37:08,542 HE GREW LONELY. 830 00:37:10,166 --> 00:37:12,084 HE WAS FILLED WITH REGRET. 831 00:37:15,167 --> 00:37:18,290 HE WANTED TO RETURN TO THE WOMAN HE LOVED, 832 00:37:18,291 --> 00:37:21,000 AND HE WANTED TO RETURN TO THE LIFE THAT HE MISSED. 833 00:37:22,083 --> 00:37:24,249 HE FOUND A SHORTCUT THROUGH THE WOODS, 834 00:37:24,250 --> 00:37:26,083 AND HE TOOK IT. 835 00:37:26,084 --> 00:37:27,207 HE WAS DESPERATE, 836 00:37:27,208 --> 00:37:29,082 DESPERATE TO GET BACK TO THE WOMAN HE LOVED 837 00:37:29,083 --> 00:37:30,166 BEFORE IT WAS TOO LATE. 838 00:37:31,209 --> 00:37:33,165 HER THREATS RANG IN HIS HEAD. 839 00:37:33,166 --> 00:37:34,541 WOULD SHE WAIT FOR HIM? 840 00:37:34,542 --> 00:37:36,208 OR WOULD SHE BE TRUE TO HER WORDS? 841 00:37:36,209 --> 00:37:37,209 WOULD SHE BE GONE? 842 00:37:41,042 --> 00:37:43,083 HE COULD FEEL HIS HORSE LOSING SPEED, 843 00:37:45,375 --> 00:37:47,291 AS IF IT WOULDN'T MAKE IT THROUGH THE NIGHT. 844 00:38:08,792 --> 00:38:10,000 [DOG BARKING] 845 00:38:15,917 --> 00:38:17,166 [GUNSHOT] 846 00:38:17,167 --> 00:38:18,083 WHAT WAS THAT? 847 00:38:18,084 --> 00:38:20,249 DOUBLE-BARREL 12-GAUGE, FULL CHOKE. 848 00:38:20,250 --> 00:38:22,582 DO WE NEED TO GO AND HELP SOMEBODY? 849 00:38:22,583 --> 00:38:23,792 THAT WAS SWEET, FRANK. 850 00:38:28,250 --> 00:38:29,749 I'M JUST A STORYTELLER. 851 00:38:29,750 --> 00:38:31,499 GREGG HERE'S IN CHARGE. GREGG? 852 00:38:31,500 --> 00:38:33,624 OH, HO... NO. 853 00:38:33,625 --> 00:38:36,082 NO, I-I-I DON'T THINK SO. 854 00:38:36,083 --> 00:38:38,167 I'M A LITTLE AFRAID OF THE TREES AT NIGHT. 855 00:38:40,250 --> 00:38:43,124 WELL, WE CAN EITHER STOP NOW OR GO ON WITH THE STORY. 856 00:38:43,125 --> 00:38:44,041 IT'S UP TO YOU GUYS. 857 00:38:44,042 --> 00:38:45,792 NO MORE INTERRUPTIONS. HMM? 858 00:38:46,959 --> 00:38:48,166 OKAY? 859 00:38:48,167 --> 00:38:49,083 HOW YOU DOING, CRYSTAL? 860 00:38:49,084 --> 00:38:50,959 YOU'RE ABOUT TO LOSE YOUR MARSHMALLOW. 861 00:38:53,375 --> 00:38:56,333 THE MAN CAME TO THE EDGE OF A DARK AND UNKNOWN SWAMP. 862 00:38:58,375 --> 00:39:00,833 HE HAD TO MAKE A DECISION. 863 00:39:00,834 --> 00:39:02,457 SHOULD HE GO INTO THE SWAMP 864 00:39:02,458 --> 00:39:03,959 OR GO AROUND IT? 865 00:39:06,041 --> 00:39:09,374 DOES HE GO THROUGH THE SWAMP OR DOES HE GO AROUND IT? 866 00:39:09,375 --> 00:39:11,291 WE ALL ASK OURSELVES THAT QUESTION, DON'T WE? 867 00:39:14,291 --> 00:39:17,167 IT'S A VERY SCARY QUESTION TO ANSWER ALL ALONE. 868 00:39:21,792 --> 00:39:23,707 EXCUSE ME. EXCUSE ME. 869 00:39:23,708 --> 00:39:25,041 YOU'VE GOT SOMETHING I NEED. 870 00:39:25,042 --> 00:39:26,208 I'M SORRY? THE POST-IT. 871 00:39:26,209 --> 00:39:27,999 IT'S MINE. I NEED IT. 872 00:39:28,000 --> 00:39:29,249 THEN MAYBE YOU CAN TELL ME 873 00:39:29,250 --> 00:39:31,416 WHY IT HAS MY NAME ON IT. 874 00:39:31,417 --> 00:39:33,040 I CAN'T DO THAT. I'M SORRY. 875 00:39:33,041 --> 00:39:34,708 I'M SORRY. 876 00:39:38,125 --> 00:39:39,875 [RUBE]: AND NEXT TO THE SWAMP WAS A BOY. 877 00:39:42,959 --> 00:39:43,999 MY NAME IS... 878 00:39:44,000 --> 00:39:45,916 HEY! 879 00:39:45,917 --> 00:39:47,207 [RUBE]: THE MAN ASKS THE BOY, 880 00:39:47,208 --> 00:39:50,749 "TELL ME, DOES THE SWAMP HAVE A HARD BOTTOM?" 881 00:39:50,750 --> 00:39:51,834 [GUNSHOT] 882 00:39:52,959 --> 00:39:55,209 AND THE BOY TELLS THE MAN IT DOES. 883 00:39:56,500 --> 00:40:00,291 SO THE MAN GUIDES HIS HORSE INTO THE SWAMP. 884 00:40:03,041 --> 00:40:04,583 [DOG WHIMPERING] 885 00:40:11,167 --> 00:40:14,249 AND AS HE BEGINS TO SINK 886 00:40:14,250 --> 00:40:17,582 DEEPER AND DEEPER INTO THE SWAMP, 887 00:40:17,583 --> 00:40:19,707 HE SAYS TO THE BOY, 888 00:40:19,708 --> 00:40:21,917 "I THOUGHT YOU SAID IT HAD A HARD BOTTOM." 889 00:40:27,000 --> 00:40:30,125 AND THE BOY SAYS, "IT DOES." 890 00:40:32,084 --> 00:40:33,458 "YOU'RE JUST NOT THERE YET." 891 00:40:38,000 --> 00:40:40,209 SO THE MAN DOESN'T GET BACK TO HIS WIFE IN TIME? 892 00:40:40,667 --> 00:40:41,874 HE MIGHT. 893 00:40:41,875 --> 00:40:43,542 HE MIGHT GET OUT AND REACH HER, RIGHT? 894 00:40:44,750 --> 00:40:46,110 THAT'S THE END OF THE STORY, FOLKS. 895 00:40:47,667 --> 00:40:49,250 I MEAN, HE MIGHT GET BACK TO HER. 896 00:40:50,084 --> 00:40:51,375 GUYS... 897 00:40:53,583 --> 00:40:55,124 HI. WHAT DID I MISS? 898 00:40:55,125 --> 00:40:56,958 A WONDERFUL STORY. 899 00:40:56,959 --> 00:40:58,666 MILLIE, I'VE BEEN WORRIED ABOUT YOU. 900 00:40:58,667 --> 00:41:00,082 WE HEARD A GUNSHOT, AND... 901 00:41:00,083 --> 00:41:01,291 OH, I'M FINE. 902 00:41:01,917 --> 00:41:03,208 OKAY. 903 00:41:03,209 --> 00:41:05,209 JUST DON'T GO OFF ALONE LIKE THAT AGAIN. 904 00:41:05,708 --> 00:41:06,750 RUBE? 905 00:41:07,792 --> 00:41:09,375 THANK YOU. THANK YOU. 906 00:41:16,125 --> 00:41:20,083 SO, WAS THE STORY YOU TOLD SCARY? 907 00:41:20,084 --> 00:41:22,044 OH, I DON'T KNOW. I DIDN'T HEAR IT, I JUST TOLD IT. 908 00:41:23,250 --> 00:41:25,041 SMART MOUTH. 909 00:41:25,042 --> 00:41:26,458 I THINK IT WAS A LITTLE SCARY. 910 00:41:29,208 --> 00:41:32,208 YOU KNOW WHY PEOPLE LIKE TO GET TOGETHER 911 00:41:32,209 --> 00:41:34,125 TO HEAR THESE KINDS OF STORIES IN THE WOODS? 912 00:41:34,750 --> 00:41:36,084 WHY DON'T YOU TELL ME? 913 00:41:38,250 --> 00:41:39,959 THEY LIKE TO FACE THEIR FEARS... 914 00:41:41,084 --> 00:41:42,125 TOGETHER. 915 00:41:44,583 --> 00:41:46,708 IT'S SOMEHOW EASIER THAN FACING THEM ALONE. 916 00:41:51,959 --> 00:41:54,624 WOULD YOU LIKE A "SOME"? A WHAT? 917 00:41:54,625 --> 00:41:55,916 IT'S WHAT I'VE CHRISTENED 918 00:41:55,917 --> 00:41:57,757 THE COMBINATION OF GRAHAM CRACKER AND CHOCOLATE, 919 00:41:57,781 --> 00:41:59,406 LIGHTLY TOASTED OVER AN OPEN FLAME. 920 00:42:00,333 --> 00:42:01,583 WE'RE OUT OF MARSHMALLOWS. 921 00:42:02,084 --> 00:42:03,125 "SOME"? 922 00:42:04,333 --> 00:42:05,493 AH, IT'S BETTER THAN NOTHING. 923 00:42:07,625 --> 00:42:09,125 I'LL SEE YOU TOMORROW. 924 00:42:12,000 --> 00:42:13,000 YOU'RE NOT STAYING? 925 00:42:13,959 --> 00:42:16,874 OH, I'VE GOT AN EARLY BREAKFAST MEETING. 926 00:42:16,875 --> 00:42:18,195 YOU ENJOY THE REST OF THE RETREAT. 927 00:42:22,667 --> 00:42:25,165 [GEORGE]: MAYBE IT WAS JUST THE WARMTH OF THE FIRE, 928 00:42:25,166 --> 00:42:28,417 BUT FOR ONCE, I WAS HAPPY TO HAVE A SPOT IN THE CIRCLE. 929 00:42:37,625 --> 00:42:39,457 DELORES AND I DROVE BACK TOGETHER, 930 00:42:39,458 --> 00:42:41,874 AND SHE TOLD ME THAT SHE, TOO, WAS A CAT. 931 00:42:41,875 --> 00:42:44,041 THAT SHE WAS BORN IN THE YEAR OF THE CAT, 932 00:42:44,042 --> 00:42:46,707 THAT SHE HAD ALL THE QUALITIES OF A CAT. 933 00:42:46,708 --> 00:42:49,082 I SWEAR TO GOD, IF SHE TOLD ME SHE WENT IN A LITTER BOX, 934 00:42:49,083 --> 00:42:51,166 I WAS LEAVING HER BY THE SIDE OF THE ROAD. 935 00:42:52,166 --> 00:42:53,625 [DELORES]: ANYWAY... 936 00:43:01,041 --> 00:43:02,916 LOOKS GOOD. MORE BUYERS COMING? 937 00:43:02,917 --> 00:43:04,707 NO. THIS IS FOR US. 938 00:43:04,708 --> 00:43:07,124 I THOUGHT WE DESERVED A LITTLE SIT-DOWN BREAKFAST. 939 00:43:07,125 --> 00:43:08,291 [CAR HORN HONKING] 940 00:43:09,208 --> 00:43:10,208 SORRY. I'VE GOT TO GO. 941 00:43:10,209 --> 00:43:11,457 OH, UH, WAIT. 942 00:43:11,458 --> 00:43:12,917 UM, HERE. TAKE BACON. 943 00:43:16,042 --> 00:43:17,624 YOU KNOW, REGGIE, 944 00:43:17,625 --> 00:43:19,457 IF YOU EVER WANT TO TALK TO ME 945 00:43:19,458 --> 00:43:21,165 ABOUT ANYTHING, YOU KNOW... 946 00:43:21,166 --> 00:43:23,041 I MEAN, ANYTHING AT ALL, 947 00:43:23,042 --> 00:43:24,582 ABOUT GEORGE... 948 00:43:24,583 --> 00:43:26,084 [TELEPHONE RINGING] 949 00:43:31,209 --> 00:43:32,209 HELLO? 950 00:43:33,084 --> 00:43:34,084 HELLO? 951 00:43:35,375 --> 00:43:36,958 AW, COME ON. 952 00:43:36,959 --> 00:43:39,166 IF ANYONE IS THERE, WOULD YOU JUST SAY SOMETHING? 953 00:43:41,208 --> 00:43:42,500 FINE. 954 00:43:43,542 --> 00:43:44,862 YOU KNOW, IF THAT KEEPS HAPPENING, 955 00:43:44,886 --> 00:43:46,707 I'M GOING TO CHANGE OUR NUMBER. 956 00:43:46,708 --> 00:43:48,082 I DON'T THINK THAT'S A GOOD IDEA. 957 00:43:48,083 --> 00:43:49,500 I'VE GOT TO GO. 958 00:43:50,458 --> 00:43:54,750 [DOOR OPENS, CLOSES] 959 00:43:57,084 --> 00:43:58,375 [CAR ENGINE STARTING] 960 00:44:32,667 --> 00:44:36,541 [GEORGE]: ONCE UPON A TIME, THERE WAS A GIRL NAMED GEORGE, 961 00:44:36,542 --> 00:44:39,917 WHO COULDN'T QUITE FORGET THERE WAS ONCE UPON A TIME. 962 00:44:42,708 --> 00:44:44,333 [♪♪]