﻿1
00:01:08,125 --> 00:01:11,416
[GEORGE]: WHEN I WAS A KID,
LIFE WAS ALL ABOUT WHAT'S NEXT.

2
00:01:11,417 --> 00:01:13,582
I WAS, LIKE, "SEVENTH
GRADE SUCKS.

3
00:01:13,583 --> 00:01:15,041
WAIT TILL I'M IN EIGHTH GRADE,"

4
00:01:15,042 --> 00:01:16,582
AND THEN, "FUCK EIGHTH GRADE."

5
00:01:16,583 --> 00:01:18,082
HIGH SCHOOL IS GOING TO ROCK."

6
00:01:18,083 --> 00:01:21,082
LIFE WAS ONE BIG RACE TO
GET TO THE NEXT THING.

7
00:01:21,083 --> 00:01:23,083
[TIRES SQUEALING]

8
00:01:23,084 --> 00:01:26,708
SOMEONE FORGOT TO TELL ME
THAT THE FINISH LINE WAS 18.

9
00:01:31,625 --> 00:01:33,791
THERE ARE PEOPLE WHO
ARE ALWAYS ON TIME.

10
00:01:33,792 --> 00:01:35,290
GEORGE, YOU'RE GOING
TO MISS THE BUS.

11
00:01:35,291 --> 00:01:37,208
I HATE THOSE PEOPLE.

12
00:01:37,209 --> 00:01:38,332
I WAS NOT ON TIME...

13
00:01:38,333 --> 00:01:39,416
BOOKS.

14
00:01:39,417 --> 00:01:41,208
EVER, FOR ANYTHING.

15
00:01:42,125 --> 00:01:43,916
I DON'T KNOW WHAT MY DEAL WAS.

16
00:01:43,917 --> 00:01:45,249
I WAS LATE FROM THE START.

17
00:01:45,250 --> 00:01:46,624
[JOY]: WHERE THE HELL IS SHE?

18
00:01:46,625 --> 00:01:48,041
[GEORGE]: LATE BEFORE THE START.

19
00:01:48,042 --> 00:01:49,290
OH, IS THAT YOU, GEORGIA?

20
00:01:49,291 --> 00:01:50,457
[JOY]: GET...

21
00:01:50,458 --> 00:01:51,791
OUT...

22
00:01:51,792 --> 00:01:53,041
NOW!

23
00:01:57,084 --> 00:01:58,208
STOP! STOP!

24
00:01:58,209 --> 00:01:59,416
LATE WAS JUST WHO I WAS.

25
00:01:59,417 --> 00:02:02,416
STOP! ASSHOLE.

26
00:02:02,417 --> 00:02:06,333
THE THING ABOUT LATE IS
YOU ALWAYS FEEL, WELL...

27
00:02:07,042 --> 00:02:08,207
RUSHED.

28
00:02:08,208 --> 00:02:09,374
LATE SUCKS.

29
00:02:09,375 --> 00:02:10,895
YEAH, WELL, YOU
RESCHEDULE THAT, DIANE,

30
00:02:10,919 --> 00:02:12,835
BECAUSE I'M MAKING THIS
FLIGHT, ALL RIGHT?

31
00:02:13,708 --> 00:02:15,082
NO, I DON'T WANT TO GO TOMORROW.

32
00:02:15,083 --> 00:02:16,290
I WANT TO GO TODAY,

33
00:02:16,291 --> 00:02:18,451
AND WHEN I GET TO ARUBA, YOU
KNOW WHAT I'M GOING TO DO?

34
00:02:18,475 --> 00:02:20,208
ABSOLUTELY NOTHING.

35
00:02:20,209 --> 00:02:21,083
OKAY?

36
00:02:21,084 --> 00:02:22,834
BUT I WANT E-MAIL IN MY HUT...

37
00:02:23,041 --> 00:02:25,874
AND A FAX.

38
00:02:25,875 --> 00:02:26,999
NO. NO, NO, NO.

39
00:02:27,000 --> 00:02:29,541
YOU TELL THEM TO PUT
A FAX IN MY HUT.

40
00:02:29,542 --> 00:02:30,749
OKAY?

41
00:02:30,750 --> 00:02:32,333
CAN YOU MOVE? HUH?

42
00:02:38,166 --> 00:02:39,457
HAS ANYONE SEEN KIFFANY?

43
00:02:39,458 --> 00:02:40,749
WHO ARE ALL THESE PEOPLE?

44
00:02:40,750 --> 00:02:41,833
WHY ARE THEY HERE?

45
00:02:41,834 --> 00:02:43,124
AND WHEN WILL THEY GO AWAY?

46
00:02:43,125 --> 00:02:44,791
THIS IS BULLSHIT.

47
00:02:44,792 --> 00:02:46,232
I'M NOT GOING TO
WAIT AROUND ALL DAY.

48
00:02:47,125 --> 00:02:48,499
I COULD, BUT...

49
00:02:48,500 --> 00:02:49,542
I WON'T.

50
00:02:50,375 --> 00:02:51,708
WHERE ARE YOU OFF TO?

51
00:02:52,291 --> 00:02:53,625
POST OFFICE.

52
00:02:54,834 --> 00:02:55,958
READ 'EM...

53
00:02:55,959 --> 00:02:57,167
AND REAP.

54
00:02:59,750 --> 00:03:00,874
OH, MY GOD. I KNOW THIS GUY.

55
00:03:00,875 --> 00:03:02,000
I KNOW MY REAP.

56
00:03:02,458 --> 00:03:03,959
"H. SORIANO."

57
00:03:04,417 --> 00:03:06,125
YOUR DEAR PAL, "H."

58
00:03:06,750 --> 00:03:08,166
HARRY? HENRY?

59
00:03:08,167 --> 00:03:09,416
HANK? HOHO?

60
00:03:09,417 --> 00:03:10,417
HORATIO?

61
00:03:11,041 --> 00:03:12,124
THAT'S ALL I GOT.

62
00:03:12,125 --> 00:03:13,999
HERMAN. SHIT.

63
00:03:14,000 --> 00:03:16,041
HERM WORKS FOR
MERCURY MESSENGERS,

64
00:03:16,042 --> 00:03:17,457
AND HE USED TO, YOU
KNOW, DO A BIT

65
00:03:17,458 --> 00:03:19,290
OF EXTRA COURIER
JOBS ON THE SIDE,

66
00:03:19,291 --> 00:03:20,333
IF YOU KNOW WHAT I MEAN.

67
00:03:21,792 --> 00:03:23,082
YOU KNOW WHAT I MEAN.

68
00:03:23,083 --> 00:03:24,499
HE OWES ME 200 BUCKS.

69
00:03:24,500 --> 00:03:27,291
MERCURY MESSENGERS. THEY
HAVE THAT CUTE COMMERCIAL.

70
00:03:28,625 --> 00:03:31,082
♪ IF YOU GOT A PACKAGE
BUT YOU GOT NO TIME ♪

71
00:03:31,083 --> 00:03:32,666
♪ USE MERCURY ♪

72
00:03:32,667 --> 00:03:33,791
♪ AND YOU'LL BE ♪

73
00:03:33,792 --> 00:03:35,333
♪ JUST FINE ♪

74
00:03:36,000 --> 00:03:37,457
♪ MERCURY ♪

75
00:03:37,458 --> 00:03:38,834
[BOTH]: WHOOSH!

76
00:03:41,167 --> 00:03:43,124
A LITTLE EARLY FOR
THE ANDREWS SISTERS.

77
00:03:43,125 --> 00:03:45,082
HEY, I REAPED ONE OF THEM.

78
00:03:45,083 --> 00:03:46,457
I CAN'T REMEMBER WHICH ONE.

79
00:03:46,458 --> 00:03:48,818
THIS IS ALL THE WAY DOWNTOWN,
AND I WANT A BLUEBERRY MUFFIN.

80
00:03:48,819 --> 00:03:50,499
[RUBE]: I GOT TO TELL
YOU SOMETHING, MASON.

81
00:03:50,523 --> 00:03:53,166
I'M REAL TIRED OF YOU SHOWING
UP BY THE SKIN OF YOUR TEETH.

82
00:03:53,167 --> 00:03:54,083
I GET THERE, DON'T I?

83
00:03:54,084 --> 00:03:55,291
BARELY.

84
00:03:56,625 --> 00:03:59,874
WHEN I SEE YOU REAPING LIKE
A FUCKING PROFESSIONAL.

85
00:03:59,875 --> 00:04:01,125
WITH A SCYTHE.

86
00:04:02,542 --> 00:04:04,207
A WATCH WOULD BE A START.

87
00:04:04,208 --> 00:04:06,207
[MASON]: ALL RIGHT.
I'LL GET THERE EARLY.

88
00:04:06,208 --> 00:04:08,250
FUCK THE FUCKING
BLUEBERRY MUFFINS.

89
00:04:09,166 --> 00:04:11,290
I'VE BEEN REAPING
EARLIER THESE DAYS.

90
00:04:11,291 --> 00:04:13,416
IT'S A LOT LESS STRESSFUL.

91
00:04:13,417 --> 00:04:14,958
[DAISY]: I NEVER RUSH.

92
00:04:14,959 --> 00:04:16,041
IF I SEE SOMEONE RUNNING,

93
00:04:16,042 --> 00:04:17,416
I JUST ASSUME THEY'RE A LOSER.

94
00:04:17,417 --> 00:04:18,707
UNLESS THEY'RE A RUNNER.

95
00:04:18,708 --> 00:04:19,833
YEAH, EVEN THEN.

96
00:04:19,834 --> 00:04:20,834
ESPECIALLY THEN.

97
00:04:21,542 --> 00:04:22,742
I'M NOT SAYING GET THERE EARLY.

98
00:04:22,766 --> 00:04:24,182
I'M JUST SAYING DON'T BE LATE.

99
00:04:25,333 --> 00:04:26,833
BLOODY HELL.

100
00:04:26,834 --> 00:04:28,874
[MAN]: MISS! MISS! CAN WE
GET SOME SERVICE OVER HERE?

101
00:04:28,898 --> 00:04:30,856
I SEE YOU. I'LL BE THERE
IN JUST A MINUTE.

102
00:04:31,291 --> 00:04:32,457
WHAT CAN I GET FOR YOU?

103
00:04:32,458 --> 00:04:33,625
[ALL ORDERING SIMULTANEOUSLY]

104
00:04:34,667 --> 00:04:35,833
LET'S TRY AGAIN.

105
00:04:35,834 --> 00:04:37,209
[ALL ORDERING SIMULTANEOUSLY]

106
00:04:38,083 --> 00:04:39,083
I'LL COME BACK.

107
00:04:39,084 --> 00:04:42,084
NO! I NEED OATMEAL.

108
00:04:43,125 --> 00:04:45,958
AIRPORT REAP AT RUSH HOUR.

109
00:04:45,959 --> 00:04:46,999
I'M BONED.

110
00:04:47,000 --> 00:04:48,916
I KNOW WHERE HERM HANGS OUT.

111
00:04:48,917 --> 00:04:50,083
I'LL SHOW RUBE EARLY.

112
00:04:50,084 --> 00:04:51,324
I'LL GET THERE SO FUCKING EARLY,

113
00:04:51,348 --> 00:04:52,833
I'LL REAP HIM TWICE.

114
00:04:52,834 --> 00:04:54,234
[DAISY]: I CAN'T
HANG AROUND EITHER.

115
00:04:54,258 --> 00:04:55,457
ARE YOU COMING, GEORGIA?

116
00:04:55,458 --> 00:04:57,166
I'M ALREADY LATE FOR WORK.

117
00:04:57,167 --> 00:04:58,834
20 MINUTES ISN'T
GOING TO KILL ME.

118
00:05:00,125 --> 00:05:01,125
AGAIN.

119
00:05:02,125 --> 00:05:03,525
HOW ABOUT SOME OATMEAL
THIS MORNING?

120
00:05:04,583 --> 00:05:05,707
PLEASE.

121
00:05:05,708 --> 00:05:07,124
WITH RAISINS.

122
00:05:07,125 --> 00:05:08,541
ON THE HOUSE, SWEETIE.

123
00:05:08,542 --> 00:05:10,333
GOOD THINGS COME
TO THOSE WHO WAIT.

124
00:05:14,333 --> 00:05:16,749
WHERE ARE MY KEYS?

125
00:05:16,750 --> 00:05:19,166
REGGIE, HAVE YOU SEEN MY KEYS?

126
00:05:19,167 --> 00:05:20,874
NO.

127
00:05:20,875 --> 00:05:22,958
WHERE ARE MY F-ING KEYS?

128
00:05:22,959 --> 00:05:24,624
TRY YOUR F-ING PURSE.

129
00:05:24,625 --> 00:05:26,917
REGGIE, DON'T SAY "F-ING."

130
00:05:28,875 --> 00:05:30,332
WHY ARE YOU DRESSED LIKE THAT?

131
00:05:30,333 --> 00:05:31,416
I HAVE A MEETING.

132
00:05:31,417 --> 00:05:32,874
DID YOU EAT SOMETHING?

133
00:05:32,875 --> 00:05:34,084
WITH A...

134
00:05:34,625 --> 00:05:36,041
WITH A LAWYER.

135
00:05:36,042 --> 00:05:37,542
PLEASE EAT SOMETHING, HMM?

136
00:05:38,125 --> 00:05:39,749
OATMEAL?

137
00:05:39,750 --> 00:05:41,040
OH, CEREAL. FINE.

138
00:05:41,041 --> 00:05:42,416
WHO'S PICKING YOU
UP THIS MORNING?

139
00:05:42,417 --> 00:05:43,916
MRS. STUART.

140
00:05:43,917 --> 00:05:45,290
DID YOU DO SOMETHING WRONG?

141
00:05:45,291 --> 00:05:46,667
MY DIVORCE LAWYER.

142
00:05:49,708 --> 00:05:50,917
IS DAD GOING TO BE THERE?

143
00:05:51,083 --> 00:05:53,165
YES.

144
00:05:53,166 --> 00:05:55,206
I'M GOING TO TAKE YOU TO
BAND PRACTICE AFTER SCHOOL,

145
00:05:55,207 --> 00:05:56,447
SO DON'T DAWDLE ON THE WAY HOME.

146
00:05:56,471 --> 00:05:57,833
I DON'T WANT TO BE IN THE BAND.

147
00:05:57,834 --> 00:05:58,958
REGGIE, PLEASE.

148
00:05:58,959 --> 00:06:00,833
OUR AGREEMENT WAS ONE
SCHOOL ACTIVITY.

149
00:06:00,834 --> 00:06:02,208
THE BAND IS FOR LOSERS.

150
00:06:02,209 --> 00:06:03,083
REGGIE.

151
00:06:03,084 --> 00:06:05,165
MY DAUGHTER IS NOT A LOSER.

152
00:06:05,166 --> 00:06:06,999
I DIDN'T SAY I WAS.

153
00:06:07,000 --> 00:06:09,240
ALL RIGHT, LOOK, I CAN'T HAVE
THIS CONVERSATION RIGHT NOW.

154
00:06:09,264 --> 00:06:10,374
I'M LATE.

155
00:06:10,375 --> 00:06:11,624
SO GO.

156
00:06:11,625 --> 00:06:13,505
[JOY]: I PAID FOR DRUM
LESSONS AND A BAND UNIFORM

157
00:06:13,506 --> 00:06:15,339
AND YOU'RE JOINING THE BAND.
[DOOR CLOSING]

158
00:06:15,340 --> 00:06:16,875
I'M NOT JOINING THE F-ING BAND.

159
00:06:37,458 --> 00:06:39,375
[WHISTLING SOFTLY]

160
00:06:49,000 --> 00:06:50,000
NEXT.

161
00:07:00,166 --> 00:07:02,416
[GEORGE]: THE NICE THING
ABOUT WORKING AT HAPPY TIME

162
00:07:02,417 --> 00:07:04,499
WAS THAT MY DAY HAD
ITS OWN RHYTHM.

163
00:07:04,500 --> 00:07:07,207
SURE, THINGS GOT BUSY, BUT
THE MORNING WAS MINE.

164
00:07:07,208 --> 00:07:08,374
SHOW UP LATE.

165
00:07:08,375 --> 00:07:09,499
STARE AT SCREEN.

166
00:07:09,500 --> 00:07:10,624
SWIVEL CHAIR.

167
00:07:10,625 --> 00:07:11,833
SIP COFFEE.

168
00:07:11,834 --> 00:07:12,875
REPEAT.

169
00:07:13,417 --> 00:07:14,791
STARE AT SCREEN.

170
00:07:14,792 --> 00:07:16,042
SWIVEL...

171
00:07:19,792 --> 00:07:21,707
I NEED TO GIVE YOU A WARNING.

172
00:07:21,708 --> 00:07:23,290
WHAT? I WAS ON TIME.
I'M WORKING.

173
00:07:23,291 --> 00:07:24,416
YOU WERE NOT ON TIME.

174
00:07:24,417 --> 00:07:26,097
CHECK IT OUT, MILLIE.
PROBLEM AT 2 O'CLOCK.

175
00:07:28,792 --> 00:07:29,916
THAT'S 10 O'CLOCK.

176
00:07:29,917 --> 00:07:31,208
NO WONDER YOU'RE ALWAYS LATE.

177
00:07:32,417 --> 00:07:33,499
[GEORGE]: WHO IS IT?

178
00:07:33,500 --> 00:07:35,166
ED BARPHIN, MANAGEMENT
CONSULTANT.

179
00:07:35,167 --> 00:07:37,208
HE'S HERE TO MONITOR
HAPPY TIME'S EFFICIENCY.

180
00:07:38,167 --> 00:07:40,332
I DON'T LIKE ANYTHING ABOUT HIM.

181
00:07:40,333 --> 00:07:41,933
IOM GOING TO TELL YOU
SOMETHING PERSONAL,

182
00:07:41,957 --> 00:07:43,791
AND IN THE STRICTEST CONFIDENCE.

183
00:07:43,792 --> 00:07:45,792
[GEORGE]: PLEASE, NOT
ANYTHING ABOUT HYGIENE.

184
00:07:48,208 --> 00:07:49,499
I HAVE A MOLE.

185
00:07:49,500 --> 00:07:50,666
EW.

186
00:07:50,667 --> 00:07:52,082
IS IT CANCEROUS?

187
00:07:52,083 --> 00:07:54,499
NOT THAT KIND OF MOLE,
YOU SILLY GOOSE.

188
00:07:54,500 --> 00:07:56,100
I KNOW A MUCKETY-MUCK
IN THE HEAD OFFICE.

189
00:07:56,124 --> 00:07:57,833
HE TELLS ME THINGS.

190
00:07:57,834 --> 00:07:59,165
WHAT KIND OF THINGS?

191
00:07:59,166 --> 00:08:01,290
CORPORATE INTRIGUE, MILLIE.

192
00:08:01,291 --> 00:08:03,916
HE KNOWS WHAT THEIR
PLANS ARE FOR ME.

193
00:08:03,917 --> 00:08:05,000
HE DOES?

194
00:08:07,667 --> 00:08:09,207
SHOULD WE GIVE HIM A CODE NAME?

195
00:08:09,208 --> 00:08:11,208
WHO? MY BIG MOLE.

196
00:08:11,209 --> 00:08:12,874
EW!

197
00:08:12,875 --> 00:08:14,833
SURE. WHAT SHOULD WE CALL HIM?

198
00:08:14,834 --> 00:08:16,084
MOLEY MOLERSTEIN.

199
00:08:17,208 --> 00:08:18,291
MOLEY RINGWALD.

200
00:08:19,583 --> 00:08:20,833
FRED...

201
00:08:20,834 --> 00:08:22,083
TELLS ME I'M IN LINE

202
00:08:22,084 --> 00:08:23,000
FOR A SUBSTANTIAL RAISE

203
00:08:23,001 --> 00:08:25,374
IF THEY SEE I RUN
AN EFFICIENT SHIP.

204
00:08:25,375 --> 00:08:26,999
GREAT.

205
00:08:27,000 --> 00:08:28,166
WHAT DOES THAT MEAN TO ME?

206
00:08:28,167 --> 00:08:29,749
WORK FAST TODAY. CRACK THE WHIP.

207
00:08:29,750 --> 00:08:31,249
I CAN DO THAT.

208
00:08:31,250 --> 00:08:33,124
OH, LOOK AT THIS GUY.

209
00:08:33,125 --> 00:08:34,416
THESE MANAGEMENT CONSULTANTS,

210
00:08:34,417 --> 00:08:35,542
THEY'RE ALL REAPERS.

211
00:08:36,667 --> 00:08:37,958
WHAT?

212
00:08:37,959 --> 00:08:39,959
THEY HAND OUT PINK SLIPS
LIKE THEY'RE PARTY FAVORS.

213
00:08:39,983 --> 00:08:41,900
CAN I COUNT ON YOU
TODAY, MILLIE?

214
00:08:45,041 --> 00:08:46,165
YOU CAN.

215
00:08:46,166 --> 00:08:47,791
I WILL KICK SOME RIGHTEOUS ASS

216
00:08:47,792 --> 00:08:49,457
BEFORE THE END OF BUSINESS.

217
00:08:49,458 --> 00:08:51,167
PRAISE THE LORD.

218
00:08:54,959 --> 00:08:56,666
HOW'S EVERYTHING GOING, MS.
HERBIG?

219
00:08:56,667 --> 00:08:58,166
EVERYONE CALLS ME D.H.

220
00:08:58,167 --> 00:08:59,000
IT'S FASTER.

221
00:08:59,001 --> 00:09:00,791
GOING GREAT.

222
00:09:00,792 --> 00:09:01,916
RIGHT, MILLIE?

223
00:09:01,917 --> 00:09:03,041
RIGHT...

224
00:09:03,042 --> 00:09:04,208
D.H.

225
00:09:04,209 --> 00:09:05,209
[DELORES]: MM-HMM.

226
00:09:07,208 --> 00:09:09,375
[GEORGE]: MORE LIKE B.S.

227
00:09:17,208 --> 00:09:19,332
MORNING, JOY. SORRY
TO KEEP YOU WAITING.

228
00:09:19,333 --> 00:09:21,040
AS LONG AS THE METER
ISN'T RUNNING.

229
00:09:21,041 --> 00:09:22,707
NO, OF COURSE NOT.

230
00:09:22,708 --> 00:09:23,791
UH, CAN I GET YOU ANYTHING?

231
00:09:23,792 --> 00:09:25,040
COFFEE? TEA? WATER?

232
00:09:25,041 --> 00:09:26,583
DIVORCE, TO GO.

233
00:09:28,083 --> 00:09:29,333
I KNOW THIS IS HARD.

234
00:09:30,166 --> 00:09:32,457
EXPENSIVE. NOT THAT HARD.

235
00:09:32,458 --> 00:09:33,999
THEN TODAY SHOULD BE PAINLESS.

236
00:09:34,000 --> 00:09:36,624
ALL WE NEED TO DO IS GO OVER THE
FINAL REVISIONS WITH BOTH PARTIES,

237
00:09:36,625 --> 00:09:38,541
AND THEN YOU SIGN
ON THE DOTTED LINE

238
00:09:38,542 --> 00:09:39,916
AND YOU'RE DONE WITH HIM.

239
00:09:39,917 --> 00:09:41,042
GOOD. GOOD.

240
00:09:42,667 --> 00:09:44,267
HENS PROBABLY GOING
TO BE LATE, YOU KNOW.

241
00:09:44,291 --> 00:09:45,000
HMM.

242
00:09:45,001 --> 00:09:47,000
JUST BECAUSE HE KNOWS
IT DRIVES ME NUTS.

243
00:09:49,834 --> 00:09:51,114
MAY I ASK YOU
SOMETHING PERSONAL?

244
00:09:51,138 --> 00:09:52,124
OFF THE CLOCK.

245
00:09:52,125 --> 00:09:53,666
SURE, KAREN.

246
00:09:53,667 --> 00:09:55,067
WHY ARE YOU STILL
WEARING YOUR RING?

247
00:09:58,167 --> 00:09:59,417
BECAUSE I'M NOT DIVORCED.

248
00:10:01,130 --> 00:10:02,290
YOU PEOPLE HAVE YOUR RITUALS,

249
00:10:02,291 --> 00:10:04,209
AND I HAVE MINE.

250
00:10:05,125 --> 00:10:06,207
HMM.

251
00:10:06,208 --> 00:10:07,833
MIND IF I START THE CLOCK?

252
00:10:07,834 --> 00:10:08,834
START THE CLOCK.

253
00:10:11,458 --> 00:10:13,625
HERM... WHERE THE
FUCK ARE YOU, HERM?

254
00:10:24,208 --> 00:10:25,834
[SCATTERED CHEERS]

255
00:10:29,250 --> 00:10:30,291
'SUP?

256
00:10:30,959 --> 00:10:32,125
WHAT'S UP?

257
00:10:33,083 --> 00:10:34,458
WHAT'S HAPPENING?

258
00:10:36,458 --> 00:10:38,124
DO ANY OF YOU CHAPS KNOW AN H.
SORIANO?

259
00:10:38,125 --> 00:10:39,707
HE'S A SKINNY DUDE

260
00:10:39,708 --> 00:10:41,166
WITH A COUPLE OF TATTOOS?

261
00:10:41,167 --> 00:10:43,000
WE'RE ALL SKINNY DUDES
WITH A COUPLE OF TATS.

262
00:10:43,959 --> 00:10:44,959
YES, YOU ARE.

263
00:10:45,417 --> 00:10:46,666
YES.

264
00:10:46,667 --> 00:10:48,707
IS IT POSSIBLE THAT HERM
GOES BY ANOTHER HANDLE?

265
00:10:48,708 --> 00:10:51,332
HANDLE? WE'RE NOT TRUCKERS, MAN.

266
00:10:51,333 --> 00:10:53,166
LOOK, I NEED TO FIND HERM, NOW.

267
00:10:54,084 --> 00:10:55,542
I KNOW HE HANGS OUT HERE.

268
00:10:57,000 --> 00:10:58,083
I OWE HIM MONEY.

269
00:10:58,084 --> 00:10:59,244
I HAVE TO GIVE IT TO HIM NOW.

270
00:10:59,268 --> 00:11:00,166
CHILL, DUDE.

271
00:11:00,167 --> 00:11:01,333
HERM'S ON HIS WAY.

272
00:11:05,167 --> 00:11:06,249
HERM.

273
00:11:06,250 --> 00:11:07,583
HERM! H...

274
00:11:08,041 --> 00:11:09,333
OH, SWEET CHRIST.

275
00:11:19,708 --> 00:11:20,874
WHAT DO YOU KNOW?

276
00:11:20,875 --> 00:11:22,084
YOU DON'T EVER FORGET.

277
00:11:24,125 --> 00:11:25,374
[MOCKING LAUGHTER]

278
00:11:25,375 --> 00:11:26,541
[MASON]: I'M OKAY.

279
00:11:26,542 --> 00:11:27,625
[BUZZES]

280
00:11:34,042 --> 00:11:35,666
GOOD MORNING.

281
00:11:35,667 --> 00:11:37,042
HOW ARE YOU THIS MORNING?

282
00:11:38,041 --> 00:11:39,958
NO HABLA INGLES.

283
00:11:39,959 --> 00:11:41,375
HAVE YOU EVER BEEN TO HAWAII?

284
00:11:42,000 --> 00:11:43,000
AY, DIOS MIO.

285
00:11:43,001 --> 00:11:45,165
I JUST GOT BACK FROM A
VACATION IN HAWAII.

286
00:11:45,166 --> 00:11:47,249
I'M HERE TO PICK UP MY MAIL.

287
00:11:47,250 --> 00:11:49,166
YOU KNOW, I THOUGHT IT
WAS GOING TO BE SUNNY,

288
00:11:49,167 --> 00:11:50,457
BUT IT RAINED.

289
00:11:50,458 --> 00:11:52,166
MY SON TOOK ME ON A CRUISE.

290
00:11:52,167 --> 00:11:53,041
ALL THE SHRIMP YOU CAN EAT

291
00:11:53,042 --> 00:11:54,666
AT EVERY MEAL, EVEN BREAKFAST.

292
00:11:54,667 --> 00:11:55,834
ARE YOU MEXICAN?

293
00:11:56,792 --> 00:11:58,083
ACTUALLY, I'M FROM NEW YORK.

294
00:11:58,084 --> 00:11:59,332
I'VE NEVER BEEN TO NEW YORK.

295
00:11:59,333 --> 00:12:00,653
I DON'T THINK I'D
LIKE IT, THOUGH,

296
00:12:00,654 --> 00:12:01,736
ALL THOSE TALL BUILDINGS

297
00:12:01,737 --> 00:12:03,208
AND EVERYONE RUNNING AROUND.

298
00:12:03,209 --> 00:12:05,041
ALTHOUGH I WOULD LIKE
TO MEET MATT LAUER.

299
00:12:05,042 --> 00:12:07,166
YOU LOOK A LITTLE LIKE HIM,
ONLY OLDER AND ANGRIER.

300
00:12:14,041 --> 00:12:15,834
HAVE YOU EVER BEEN TO HAWAII?

301
00:12:18,458 --> 00:12:20,375
[LIGHT JAZZ PLAYING]

302
00:12:25,042 --> 00:12:27,165
SWEETHEART. GOD LOVE
YOU FOR COMING.

303
00:12:27,166 --> 00:12:29,416
YOU'RE GOING TO HAVE
A FABULOUS TIME.

304
00:12:29,417 --> 00:12:31,290
I'M SURE I WILL, SHERRI.

305
00:12:31,291 --> 00:12:33,833
LET'S GET YOU A NAME TAG.

306
00:12:33,834 --> 00:12:35,791
I FEEL LIKE A CHRISTIAN
IN THE COLISEUM.

307
00:12:35,792 --> 00:12:37,042
WHAT EXACTLY IS GOING ON HERE?

308
00:12:40,000 --> 00:12:41,082
PRETTY AND FUNNY.

309
00:12:41,083 --> 00:12:42,582
THE WHOLE PACKAGE.

310
00:12:42,583 --> 00:12:44,041
YOU'RE GOING TO KILL IN THERE.

311
00:12:44,042 --> 00:12:45,041
TELL ME YOUR NAME, DOLL.

312
00:12:45,042 --> 00:12:47,124
UM, DAISY. DAISY ADAIR.

313
00:12:47,125 --> 00:12:48,999
OH. FIRST NAMES ONLY.

314
00:12:49,000 --> 00:12:50,500
DISCOURAGES THE STALKER ELEMENT.

315
00:12:50,834 --> 00:12:52,458
DAISY.

316
00:12:53,667 --> 00:12:55,166
RIGHT. HERE WE GO.

317
00:12:56,583 --> 00:12:58,583
BREAK SOME HEARTS.

318
00:12:59,750 --> 00:13:02,165
I'M RETURNING LYDIA'S CALL.

319
00:13:02,166 --> 00:13:03,834
IT'S MILLIE FROM HAPPY TIME.

320
00:13:09,458 --> 00:13:10,999
HI, LYDIA.

321
00:13:11,000 --> 00:13:12,791
YOU'VE TEMPED FOR THEM BEFORE.

322
00:13:12,792 --> 00:13:14,374
THERE'S A DRESS CODE,

323
00:13:14,375 --> 00:13:18,834
AND YOUR SKIRT NEEDS TO
ACTUALLY COVER YOUR ASS.

324
00:13:20,209 --> 00:13:22,499
I DON'T CARE WHERE
YOUR TATTOO IS.

325
00:13:22,500 --> 00:13:24,834
YOU CANNOT SHOW CRACK
AT THE OFFICE.

326
00:13:29,875 --> 00:13:31,500
I HAVE TO CALL YOU BACK.

327
00:13:33,959 --> 00:13:36,624
MAY I HELP YOU WITH SOMETHING, MR.
BARPHIN?

328
00:13:36,625 --> 00:13:38,332
WAS THAT CALL OF A
BUSINESS NATURE?

329
00:13:38,333 --> 00:13:40,208
THE WAY D.H. RUNS
THINGS AROUND HERE,

330
00:13:40,209 --> 00:13:41,999
THERE ISN'T ANY ANOTHER KIND.

331
00:13:42,000 --> 00:13:43,000
MAY I ASK YOU A QUESTION?

332
00:13:43,001 --> 00:13:44,332
THAT IS A QUESTION.

333
00:13:44,333 --> 00:13:46,582
WOULD YOU LIKE TO
ASK ME ANOTHER ONE?

334
00:13:46,583 --> 00:13:48,541
DO YOU ROUTINELY USE
OFF-COLOR LANGUAGE

335
00:13:48,542 --> 00:13:50,374
AS PART OF YOUR
BUSINESS LEXICON?

336
00:13:50,375 --> 00:13:52,666
SOMETIMES OFF-COLOR LANGUAGE

337
00:13:52,667 --> 00:13:54,916
IS THE MOST EFFICIENT
WAY TO CONVEY AN IDEA.

338
00:13:54,917 --> 00:13:57,083
AS IN, "GET THE FUCK
AWAY FROM MY CUBICLE."

339
00:13:57,959 --> 00:13:59,082
I HAVE AN OBSERVATION.

340
00:13:59,083 --> 00:14:00,291
L.T.H.I.

341
00:14:01,667 --> 00:14:02,667
LOVE TO HEAR IT.

342
00:14:04,917 --> 00:14:06,124
WHEN YOU MAKE A CALL,

343
00:14:06,125 --> 00:14:08,208
YOU DO NOT NEED TO SAY,
"RETURNING SO-AND-SO'S CALL."

344
00:14:08,209 --> 00:14:10,124
YOU CAN JUST SAY,
"RETURNING." SAVES TIME.

345
00:14:10,125 --> 00:14:12,916
I WANTED TO ASK,
"SAVES TIME FOR WHAT?"

346
00:14:12,917 --> 00:14:14,041
BUT I JUST SAID...

347
00:14:14,042 --> 00:14:15,667
THANK YOU. WELCOME.

348
00:14:17,834 --> 00:14:20,625
SAVE YOUR FUCKING
BREATH, YOU WORM.

349
00:14:23,000 --> 00:14:25,207
WELCOME TO "MAKE YOUR MOVE."

350
00:14:25,208 --> 00:14:26,874
EACH DATE IS TWO MINUTES.

351
00:14:26,875 --> 00:14:30,166
NO TALK ABOUT WORK,
AND FIRST NAMES ONLY.

352
00:14:30,167 --> 00:14:33,624
[BELL RINGS] OKAY.
MAKE YOUR MOVE!

353
00:14:33,625 --> 00:14:35,125
YOW.

354
00:14:35,500 --> 00:14:36,582
DAISY.

355
00:14:36,583 --> 00:14:37,959
HELLO, DAISY.

356
00:14:39,041 --> 00:14:40,375
PRETTIEST FLOWER IN THE GARDEN.

357
00:14:42,125 --> 00:14:44,541
SO, DAISY, WE'VE ONLY
GOT TWO MINUTES.

358
00:14:44,542 --> 00:14:45,902
ANYTHING YOU WANT
TO ASK "THE KID?"

359
00:14:46,542 --> 00:14:47,750
[DAISY]: YES, UM...

360
00:14:48,542 --> 00:14:49,624
WHAT'S, UH...

361
00:14:49,625 --> 00:14:51,541
WHAT'S YOUR LAST NAME?

362
00:14:51,542 --> 00:14:55,332
BABE, LAST NAMES
SPELL COMMITMENT.

363
00:14:55,333 --> 00:14:56,833
I'M ALL ABOUT THE HERE,

364
00:14:56,834 --> 00:14:57,916
THE NOW,

365
00:14:57,917 --> 00:15:00,000
THE YOU AND ME ATTACKING
SOME BEDSPRINGS.

366
00:15:00,625 --> 00:15:03,124
[SQUEAKS]

367
00:15:03,125 --> 00:15:04,417
LAST NAME. [GRUNTS]

368
00:15:05,209 --> 00:15:06,209
MANDELL.

369
00:15:11,667 --> 00:15:13,042
THIS IS FUN.

370
00:15:14,333 --> 00:15:15,457
SWEETIE,

371
00:15:15,458 --> 00:15:16,999
NO PHYSICAL THREATS
TO THE GENTLEMEN.

372
00:15:17,000 --> 00:15:18,500
I NEED THE REPEAT CUSTOMERS.

373
00:15:19,000 --> 00:15:20,374
I'M NEW.

374
00:15:20,375 --> 00:15:21,583
OKAY.

375
00:15:25,875 --> 00:15:27,635
OKAY, OKAY. WALK ME THROUGH
MY SPA TREATMENTS.

376
00:15:27,659 --> 00:15:29,166
[REVS ENGINE]

377
00:15:29,167 --> 00:15:30,209
YEAH.

378
00:15:30,458 --> 00:15:32,416
UH-UH.

379
00:15:32,417 --> 00:15:34,290
NO, NOT THE MUD WRAP.

380
00:15:34,291 --> 00:15:36,083
I WANT THE HOT ROCKS.

381
00:15:36,084 --> 00:15:37,290
NO NEED TO TRAVEL 4,000 MILES

382
00:15:37,291 --> 00:15:38,999
TO HAVE SOMEBODY
SHOVE MUD UP MY ASS.

383
00:15:39,000 --> 00:15:40,165
COME ON!

384
00:15:40,166 --> 00:15:41,249
[HONKS]

385
00:15:41,250 --> 00:15:42,541
COME... MOVE IT!

386
00:15:42,542 --> 00:15:44,000
[BICYCLE BELL RINGS]

387
00:15:48,333 --> 00:15:49,875
[STRAINING]

388
00:15:53,125 --> 00:15:54,707
[WOMAN ON P.A.]:
PASSENGERS ARRIVING

389
00:15:54,708 --> 00:15:57,749
ON FLIGHT 127 FROM HONG KONG

390
00:15:57,750 --> 00:16:00,417
MAY PICK UP THEIR BAGGAGE
FROM CAROUSEL NUMBER ONE.

391
00:16:07,917 --> 00:16:10,082
MRS. WILLIAMS, YOUR
CHILDREN HAVE BEEN FOUND...

392
00:16:10,083 --> 00:16:13,874
EXCUSE ME. HELLO. CAN I GET
EVERYBODY'S ATTENTION?

393
00:16:13,875 --> 00:16:14,958
EXCUSE ME, MA'AM.

394
00:16:14,959 --> 00:16:16,199
CAN I GET EVERYBODY'S ATTENTION?

395
00:16:16,223 --> 00:16:18,166
MY NAME IS WILLIAM GARRATT,

396
00:16:18,167 --> 00:16:20,666
AND IT IS MY PLEASURE TO
ADDRESS THE BAGGAGE SITUATION

397
00:16:20,667 --> 00:16:23,083
ON FLIGHT 127 FROM HONG KONG.

398
00:16:23,084 --> 00:16:24,041
[FRENCH ACCENT] IF I
DO NOT GET MY TRUNK,

399
00:16:24,042 --> 00:16:25,332
I AM FUCKED.

400
00:16:25,333 --> 00:16:27,124
DO YOU UNDERSTAND? FUCKED.

401
00:16:27,125 --> 00:16:28,291
YES, MA'AM, I DO,

402
00:16:29,333 --> 00:16:30,416
BUT I ALSO UNDERSTAND

403
00:16:30,417 --> 00:16:32,083
THAT ANGER AND FOUL LANGUAGE

404
00:16:32,084 --> 00:16:34,917
IS NOT GOING TO MAKE THIS
PROCESS GO ANY FASTER,

405
00:16:35,834 --> 00:16:36,916
AND WHEN YOU GET YOUR TRUNK

406
00:16:36,917 --> 00:16:38,624
AND YOU'RE ON YOUR WAY
IN A FEW MINUTES,

407
00:16:38,625 --> 00:16:41,166
YOU MIGHT BE WONDERING WHY
YOU MADE SUCH A FUSS.

408
00:16:41,167 --> 00:16:42,916
I HAVE BEEN WAITING
HERE ONE HOUR!

409
00:16:42,917 --> 00:16:43,999
MA'AM,

410
00:16:44,000 --> 00:16:45,875
CAN YOU STEP BACK AND CALM DOWN?

411
00:16:47,166 --> 00:16:48,766
BECAUSE I'M GETTING
READY TO DO MY THING.

412
00:16:51,125 --> 00:16:52,332
ONE...

413
00:16:52,333 --> 00:16:53,582
TWO...

414
00:16:53,583 --> 00:16:54,707
THREE.

415
00:16:54,708 --> 00:16:55,917
[CAROUSEL BEEPS]

416
00:17:02,834 --> 00:17:06,124
EARPIECE TO THE BAGGAGE
HANDLERS ON THE TARMAC?

417
00:17:06,125 --> 00:17:08,624
SO YOU DIDN'T BUY MY
ZEN-LIKE CALM, HUH?

418
00:17:08,625 --> 00:17:11,041
I BOUGHT YOUR ZEN-LIKE CALM.

419
00:17:11,042 --> 00:17:12,417
I JUST DIDN'T BUY
THE MAGIC TRICK.

420
00:17:13,917 --> 00:17:15,582
LISTEN, I DON'T
MEAN TO ALARM YOU,

421
00:17:15,583 --> 00:17:18,166
BUT I NEED TO SEE YOUR
PASSENGER MANIFEST, PLEASE.

422
00:17:18,167 --> 00:17:19,207
SWEETHEART,

423
00:17:19,208 --> 00:17:21,707
ONLY A GUN TO MY
HEAD WOULD ALARM ME,

424
00:17:21,708 --> 00:17:22,875
AND NOT EVEN THEN.

425
00:17:29,375 --> 00:17:31,124
EXCUSE ME.

426
00:17:31,125 --> 00:17:32,541
I NEED THE FOLLOWING PASSENGERS

427
00:17:32,542 --> 00:17:34,417
TO IDENTIFY THEMSELVES, PLEASE.

428
00:17:35,083 --> 00:17:37,041
PASSENGER JONES.

429
00:17:37,042 --> 00:17:38,083
[JONES]: HERE

430
00:17:39,000 --> 00:17:40,917
PASSENGER THIBODEAUX.

431
00:17:45,458 --> 00:17:47,208
THANK YOU FOR YOUR COOPERATION,

432
00:17:47,209 --> 00:17:48,958
AND HAVE A NICE DAY,

433
00:17:48,959 --> 00:17:50,290
AND THANK YOU, SIR.

434
00:17:50,291 --> 00:17:51,416
THANK YOU.

435
00:17:51,417 --> 00:17:52,834
EXCUSE ME.

436
00:17:54,875 --> 00:17:57,207
MAY I SEE YOUR PASSPORT, PLEASE?

437
00:17:57,208 --> 00:17:59,249
IT'S JUST A ROUTINE CHECK.

438
00:17:59,250 --> 00:18:00,541
BECAUSE THIS IS WHAT I NEED.

439
00:18:00,542 --> 00:18:03,458
MORE STUPID AMERICANS TO KEEP
ME FROM WHERE I'M GOING.

440
00:18:04,333 --> 00:18:05,791
EVERYONE'S DOING WHAT THEY CAN

441
00:18:05,792 --> 00:18:08,040
TO GET YOU WHERE
YOU'RE GOING, MISS.

442
00:18:08,041 --> 00:18:09,458
YOU JUST NEED TO STAY CALM.

443
00:18:10,125 --> 00:18:12,124
CALM IS FOR LOSERS.

444
00:18:12,125 --> 00:18:13,916
I HAVE PLACES TO GO.

445
00:18:13,917 --> 00:18:15,290
THEN YOU GO, BABY.

446
00:18:15,291 --> 00:18:17,416
ALLEZ, ALLEZ.

447
00:18:17,417 --> 00:18:19,084
TU ES VRAIMENT UNE VACHE, HUH?

448
00:18:20,875 --> 00:18:22,167
[BELL RINGS]

449
00:18:26,417 --> 00:18:27,624
JEFF...

450
00:18:27,625 --> 00:18:28,667
ALLEN?

451
00:18:29,125 --> 00:18:30,290
NO.

452
00:18:30,291 --> 00:18:31,491
WE SHOULDN'T WASTE TIME, JEFF.

453
00:18:31,515 --> 00:18:32,515
YOU AND I? NO CONNECTION.

454
00:18:33,000 --> 00:18:34,124
WHAT?

455
00:18:34,125 --> 00:18:35,666
I DON'T LIKE MOUSTACHES.

456
00:18:35,667 --> 00:18:36,874
OH. NO.

457
00:18:36,875 --> 00:18:38,083
I DON'T EVEN REALLY LIKE IT.

458
00:18:38,084 --> 00:18:39,624
I WAS PLANNING ON SHAVING IT.

459
00:18:39,625 --> 00:18:41,791
SERIOUSLY. I ALMOST SHAVED
IT OFF RIGHT BEFORE I CAME.

460
00:18:41,792 --> 00:18:43,834
EVEN IF YOU SHAVED IT,
I'D ALWAYS SEE IT.

461
00:18:44,959 --> 00:18:46,207
REALLY? YEAH.

462
00:18:46,208 --> 00:18:48,332
DATING, IT'S ALL ABOUT
FIRST IMPRESSIONS,

463
00:18:48,333 --> 00:18:49,416
SNAP JUDGMENTS,

464
00:18:49,417 --> 00:18:51,332
AND THIS, JEFF, THIS
THING BETWEEN YOU AND I,

465
00:18:51,333 --> 00:18:52,874
IT'S NOT POWERFUL.

466
00:18:52,875 --> 00:18:54,042
THIS IS NOT MEANT TO BE.

467
00:18:57,333 --> 00:18:58,708
[BELL RINGS]

468
00:18:59,792 --> 00:19:01,708
NICE MEETING YOU.

469
00:19:05,250 --> 00:19:06,792
[DOOR OPENS]

470
00:19:11,542 --> 00:19:12,667
HI.

471
00:19:13,209 --> 00:19:15,209
UM, THIS IS IT.

472
00:19:18,750 --> 00:19:19,916
REGGIE'S BAND UNIFORM.

473
00:19:19,917 --> 00:19:21,249
YOU TOLD ME TO PICK IT UP.

474
00:19:21,250 --> 00:19:23,124
HOW DOES IT LOOK?

475
00:19:23,125 --> 00:19:24,041
IT'S PRETTY ADORABLE.

476
00:19:24,042 --> 00:19:25,202
DOES IT HAVE ONE OF THE HATS?

477
00:19:25,226 --> 00:19:26,874
OH. YEAH.

478
00:19:26,875 --> 00:19:28,374
CHIN STRAP AND EVERYTHING.

479
00:19:28,375 --> 00:19:30,125
OH, MY GOD.

480
00:19:32,083 --> 00:19:34,332
EPAULETS. EPAULETS.

481
00:19:34,333 --> 00:19:35,792
COULDN'T YOU JUST DIE?

482
00:19:39,125 --> 00:19:40,125
OKAY, WE'RE ALL HERE.

483
00:19:41,667 --> 00:19:42,708
LET'S GET GOING.

484
00:19:46,750 --> 00:19:48,500
I HAVE COPIES FOR EVERYONE.

485
00:19:49,417 --> 00:19:50,666
IF YOU'LL JUST TAKE A MINUTE,

486
00:19:50,667 --> 00:19:52,666
YOU'LL NOTICE THE
REVISIONS ARE IN BOLD,

487
00:19:52,667 --> 00:19:53,999
AND IF THERE ARE
ANY QUESTIONS...

488
00:19:54,000 --> 00:19:56,082
YOU'RE TAKING REGGIE
FOR CHRISTMAS?

489
00:19:56,083 --> 00:19:58,000
WELL, WE'RE GOING TO
MEXICO FOR THANKSGIVING.

490
00:19:58,959 --> 00:20:00,249
TERRIFIC.

491
00:20:00,250 --> 00:20:01,624
WHERE ARE YOU GOING?

492
00:20:01,625 --> 00:20:03,624
GOING TO CANCUN?

493
00:20:03,625 --> 00:20:05,105
DOES IT REALLY MATTER
WHERE I'M GOING?

494
00:20:05,129 --> 00:20:06,707
I'M GOING.

495
00:20:06,708 --> 00:20:09,749
SO I GET REGGIE FOR THANKSGIVING,
WHEN SHE HATES THE FOOD?

496
00:20:09,750 --> 00:20:11,207
THAT'S JUST THE WAY
IT WORKED OUT.

497
00:20:11,208 --> 00:20:12,833
SO YOU GET TO HAVE OUR DAUGHTER

498
00:20:12,834 --> 00:20:14,354
ON THE HOLIDAY WHEN
SHE OPENS PRESENTS,

499
00:20:14,378 --> 00:20:16,416
AND I GET HER FOR THE ONE
WHERE SHE THROWS UP?

500
00:20:16,417 --> 00:20:17,417
WHAT DO YOU WANT, JOY?

501
00:20:22,250 --> 00:20:24,332
CAN I BORROW YOUR PEN?

502
00:20:24,333 --> 00:20:25,973
THE FANCY ONE IN YOUR POCKET.
DO YOU MIND?

503
00:20:30,166 --> 00:20:31,250
BE MY GUEST.

504
00:20:34,542 --> 00:20:35,792
YOU CAN USE MINE IF YOU LIKE.

505
00:20:36,375 --> 00:20:37,500
THANK YOU.

506
00:20:42,583 --> 00:20:43,834
[BELL RINGS]

507
00:20:46,500 --> 00:20:49,041
HELLO THERE, JACK. RIGHT.

508
00:20:49,042 --> 00:20:51,083
SO, ARE YOU HAVING
SOME NICE DATES?

509
00:20:51,084 --> 00:20:53,040
ARE YOU TRYING TO
DUMP ME ALREADY?

510
00:20:53,041 --> 00:20:54,375
NO, JUST MAKING CHIT-CHAT.

511
00:20:55,625 --> 00:20:57,708
I BET YOU'RE DYING TO DATE
THAT HUMP OVER THERE.

512
00:20:59,291 --> 00:21:00,374
WELL, HE IS HANDSOME,

513
00:21:00,375 --> 00:21:02,135
BUT I LOOK FOR MANY OTHER
QUALITIES IN A MAN.

514
00:21:02,159 --> 00:21:03,374
IS YOUR LAST NAME ALLEN?

515
00:21:03,375 --> 00:21:06,042
I KNOW FOR A FACT THAT
THAT GUY HAS HERPES.

516
00:21:06,875 --> 00:21:09,082
FACT. EASY THERE, TIGER.

517
00:21:09,083 --> 00:21:10,499
YOU DESPISE MEN, DON'T YOU?

518
00:21:10,500 --> 00:21:11,624
WHAT?

519
00:21:11,625 --> 00:21:13,874
YOU COME HERE BECAUSE
YOU HATE MEN.

520
00:21:13,875 --> 00:21:16,707
YOU'RE A BEAUTIFUL
WOMAN WHO HATES MEN.

521
00:21:16,708 --> 00:21:18,624
GOD, I HOPE YOUR
LAST NAME'S ALLEN.

522
00:21:18,625 --> 00:21:19,917
IT'S NOT.

523
00:21:20,750 --> 00:21:22,582
ALL THE WOMEN I KNOW HATE MEN.

524
00:21:22,583 --> 00:21:24,083
NO, THEY JUST HATE YOU.

525
00:21:25,750 --> 00:21:26,874
[BELL RINGS]

526
00:21:26,875 --> 00:21:28,195
MARTY, CALL THE
MESSENGER SERVICE,

527
00:21:28,219 --> 00:21:29,499
FIND OUT WHAT'S KEEPING THEM.

528
00:21:29,500 --> 00:21:31,417
STEPHANIE, THE
COPIER NEEDS TONER,

529
00:21:32,084 --> 00:21:33,290
AND...

530
00:21:33,291 --> 00:21:34,333
YOU.

531
00:21:35,542 --> 00:21:36,874
I DON'T KNOW YOUR NAME.

532
00:21:36,875 --> 00:21:38,291
I'M THE SANDWICH BOY.

533
00:21:39,041 --> 00:21:41,166
WELL, SANDWICH BOY,

534
00:21:41,167 --> 00:21:42,582
WHERE ARE THE SANDWICHES?

535
00:21:42,583 --> 00:21:43,791
IN RECEPTION.

536
00:21:43,792 --> 00:21:45,499
ARE THERE HUNGRY
PEOPLE IN RECEPTION?

537
00:21:45,500 --> 00:21:47,083
NO, THEY'RE IN HERE, STARVING.

538
00:21:52,000 --> 00:21:54,624
THE TED HAS NOT
BEEN GIVEN AN TASK.

539
00:21:54,625 --> 00:21:56,082
THE TED IS TASKLESS.

540
00:21:56,083 --> 00:21:59,166
THE TED IS TO
REMAIN WITH MILLIE.

541
00:21:59,167 --> 00:22:01,207
THE TED MUST MAKE MILLIE LAUGH.

542
00:22:01,208 --> 00:22:02,916
KEEP YOUR STATION
TUNED TO CHANNEL TED.

543
00:22:02,917 --> 00:22:04,290
IT'S ALL TED, ALL THE TIME.

544
00:22:04,291 --> 00:22:06,165
T-N-T. TED 'N' TED...

545
00:22:06,166 --> 00:22:08,165
TED ON MUTE.

546
00:22:08,166 --> 00:22:11,040
I FELT A LITTLE LIKE RUBE
HANDING OUT POST-ITS.

547
00:22:11,041 --> 00:22:12,124
LIKE DEATH,

548
00:22:12,125 --> 00:22:13,999
WE WERE ON A PRETTY
TIGHT SCHEDULE.

549
00:22:14,000 --> 00:22:15,582
LET DON'T DILLY-DALLY.

550
00:22:15,583 --> 00:22:17,332
TIME IS MONEY, PEOPLE.

551
00:22:17,333 --> 00:22:19,500
I CAN'T BELIEVE I JUST
SAID, "DILLY-DALLY."

552
00:22:20,333 --> 00:22:21,917
I FEEL DIRTY.

553
00:22:25,458 --> 00:22:26,874
I DON'T LIKE THESE STAMPS.

554
00:22:26,875 --> 00:22:27,999
DO YOU HAVE SOMETHING ELSE?

555
00:22:28,000 --> 00:22:30,041
I REMEMBER SOMETHING
WITH AMELIA EARHART.

556
00:22:30,042 --> 00:22:31,165
I LOVED HER.

557
00:22:31,166 --> 00:22:32,667
I REAPED HER.

558
00:22:33,834 --> 00:22:35,208
[TRICKLING]

559
00:22:44,208 --> 00:22:45,417
[MOANS]

560
00:22:48,917 --> 00:22:50,124
WHILE EVERYONE MAY AGREE

561
00:22:50,125 --> 00:22:52,125
THAT TIME FLIES WHEN
YOU'RE HAVING FUN,

562
00:22:53,125 --> 00:22:54,541
IT IS A LITTLE-KNOWN FACT

563
00:22:54,542 --> 00:22:56,582
THAT EVEN WHEN YOU'RE
NOT HAVING FUN,

564
00:22:56,583 --> 00:22:58,458
TIME STILL CAN FLY...

565
00:23:03,125 --> 00:23:05,208
AND IT FLIES COACH.

566
00:23:09,375 --> 00:23:10,917
[TICKING]

567
00:23:40,208 --> 00:23:41,750
THIS IS A JOKE, RIGHT?

568
00:23:49,750 --> 00:23:51,000
SO, WHAT WAS MY TIME?

569
00:23:54,000 --> 00:23:55,125
NICE.

570
00:23:56,125 --> 00:23:58,499
AND EVEN THOUGH TIMES
KNOWS HOW TO FLY,

571
00:23:58,500 --> 00:24:01,667
IT REMEMBERS HOW TO CRAWL.

572
00:24:03,125 --> 00:24:05,707
HI. CAN I CUT IN?

573
00:24:05,708 --> 00:24:06,916
EXCUSE ME.

574
00:24:06,917 --> 00:24:08,749
YOU LOOK GREAT. THANK YOU.

575
00:24:08,750 --> 00:24:11,166
WHAT A DAY I'VE HAD.

576
00:24:11,167 --> 00:24:12,458
WOULD YOU HOLD MY SPOT, PLEASE?

577
00:24:13,000 --> 00:24:14,624
AFTERNOON, LADIES.

578
00:24:14,625 --> 00:24:16,249
ARE YOU TWO OLD FRIENDS?

579
00:24:16,250 --> 00:24:18,250
UH, HER DAUGHTER'S
IN MY SON'S CLASS.

580
00:24:19,708 --> 00:24:21,290
I HAVE A QUESTION FOR YOU.

581
00:24:21,291 --> 00:24:23,166
IS EVERYONE IN THIS
LINE AN ASSHOLE?

582
00:24:24,458 --> 00:24:25,874
EXCUSE ME?

583
00:24:25,875 --> 00:24:27,715
IS EVERYONE YOU JUST CUT
IN FRONT OF AN ASSHOLE?

584
00:24:28,583 --> 00:24:29,749
NO.

585
00:24:29,750 --> 00:24:31,249
SO IT'S JUST YOU, THEN?

586
00:24:31,250 --> 00:24:33,582
I HAVE CHILDREN IN THE CAR.

587
00:24:33,583 --> 00:24:35,624
I GOT A CAKE IN THE OVEN.

588
00:24:35,625 --> 00:24:37,225
HE'S GOT THREE MINUTES
LEFT ON THE METER.

589
00:24:37,249 --> 00:24:38,958
SHE'S GOT A LUNCH MEETING.

590
00:24:38,959 --> 00:24:41,583
WE ALL HAVE A FINITE
AMOUNT OF TIME.

591
00:24:44,375 --> 00:24:46,791
NOW, GET IN THE
BACK OF THE LINE,

592
00:24:46,792 --> 00:24:49,125
AND DON'T USE YOUR CHILDREN LIKE THAT.
IT'S SHAMEFUL.

593
00:24:57,083 --> 00:24:58,583
[BELL RINGS]

594
00:24:59,208 --> 00:25:00,290
[GEORGE]: IT'S BEEN SAID

595
00:25:00,291 --> 00:25:02,791
THAT TIME AND TIDE
WAIT FOR NO MAN.

596
00:25:02,792 --> 00:25:04,042
NEITHER DOES DAISY.

597
00:25:05,542 --> 00:25:06,999
A WORD ABOUT THE ASCOT.

598
00:25:07,000 --> 00:25:09,249
YOU NEED TO BE REALLY
STYLISH OR REALLY RICH

599
00:25:09,250 --> 00:25:10,250
TO PULL THAT OFF,

600
00:25:11,417 --> 00:25:12,458
OR ARE YOU GAY?

601
00:25:17,250 --> 00:25:18,917
[BELL RINGS]

602
00:25:20,250 --> 00:25:21,792
NO. [BELL RINGS]

603
00:25:23,792 --> 00:25:25,041
NO. [BELL RINGS]

604
00:25:26,125 --> 00:25:28,125
I SMELL AN OBSESSION WITH UFOs.

605
00:25:30,875 --> 00:25:32,250
I'M NOT OBSESSED WITH UFOs.

606
00:25:33,125 --> 00:25:34,499
OKAY.

607
00:25:34,500 --> 00:25:36,000
BUT I DID COME HERE IN ONE.

608
00:25:36,834 --> 00:25:37,917
BIG ONE.

609
00:25:38,208 --> 00:25:39,582
BIG ONE.

610
00:25:39,583 --> 00:25:40,792
WOW.

611
00:25:51,792 --> 00:25:52,958
YO, CUP O' NOODLES.

612
00:25:52,959 --> 00:25:54,040
LET'S MOVE IT ALONG HERE.

613
00:25:54,041 --> 00:25:55,458
THE TED HAS LOW BLOOD SUGAR.

614
00:25:56,041 --> 00:25:57,791
SHUT UP, TED.

615
00:25:57,792 --> 00:25:59,624
THE TED WILL IGNORE WHAT
HE WOULD NORMALLY TAKE

616
00:25:59,625 --> 00:26:01,165
TO BE FIGHTING WORDS.

617
00:26:01,166 --> 00:26:03,708
THE TED NEEDS TO CHILL.

618
00:26:22,250 --> 00:26:23,500
[MOANS]

619
00:26:24,583 --> 00:26:25,999
I'M OKAY.

620
00:26:26,000 --> 00:26:27,999
JE N'AI PAS ENCORE MA VALISE.

621
00:26:28,000 --> 00:26:30,207
OUI. CA FAIT UNE HEURE
QUE JE SUIS ICI.

622
00:26:30,208 --> 00:26:32,208
JUST HAND YOUR TICKET TO
THAT GENTLEMAN OVER THERE,

623
00:26:32,232 --> 00:26:33,690
AND YOU CAN BE ON YOUR WAY.

624
00:26:35,625 --> 00:26:37,250
MAN, YOU GOT THE
PATIENCE OF JOB.

625
00:26:39,708 --> 00:26:42,042
THE AIRPORT'S NOT A HAPPY
PLACE FOR A LOT OF PEOPLE,

626
00:26:42,417 --> 00:26:43,958
BUT I'M HAPPY.

627
00:26:43,959 --> 00:26:45,667
I BELIEVE THAT TENDS
TO RUB OFF ON PEOPLE.

628
00:26:46,959 --> 00:26:48,332
I WOULDN'T KNOW.

629
00:26:48,333 --> 00:26:50,041
I DON'T WORK THAT WAY.

630
00:26:50,042 --> 00:26:52,667
YOU ARE A SHOOT FIRST AND ASK
QUESTIONS LATER, AREN'T YOU?

631
00:26:53,208 --> 00:26:54,999
I REALLY AM.

632
00:26:55,000 --> 00:26:57,499
WELL, I BELIEVE THAT
IT'S HARDER TO BE HAPPY

633
00:26:57,500 --> 00:26:59,125
WHEN YOU HAVE A
GUN ON YOUR BELT.

634
00:27:00,209 --> 00:27:02,374
MAKES ANGER A MUCH
EASIER CHOICE.

635
00:27:02,375 --> 00:27:04,125
YOU USED TO BE ON THE JOB?

636
00:27:05,167 --> 00:27:06,791
NO. NOT YOUR JOB.

637
00:27:06,792 --> 00:27:08,374
NO.

638
00:27:08,375 --> 00:27:10,125
I WASN'T ALWAYS A...

639
00:27:10,875 --> 00:27:11,959
CALM MAN.

640
00:27:12,625 --> 00:27:14,041
PEOPLE SUFFERED.

641
00:27:14,917 --> 00:27:16,457
YOU KNOW WHAT I'M SAYING?

642
00:27:16,458 --> 00:27:17,708
I THINK I DO.

643
00:27:18,166 --> 00:27:19,500
[SNARLING]

644
00:27:24,083 --> 00:27:26,083
IT WAS REALLY GOOD
MEETING YOU, WILLIAM.

645
00:27:26,084 --> 00:27:28,125
NICE TO MEET YOU, OFFICER.

646
00:27:32,917 --> 00:27:34,166
NEXT.

647
00:27:34,167 --> 00:27:35,166
AFTERNOON.

648
00:27:35,167 --> 00:27:37,707
AFTERNOON. I'M HERE
TO PICK UP A PACKAGE.

649
00:27:37,708 --> 00:27:39,125
I'LL JUST TAKE A MINUTE.
TAKE TWO.

650
00:27:43,834 --> 00:27:47,208
WELL, THIS IS INTERESTING.

651
00:27:47,209 --> 00:27:48,416
WHAT'S THAT?

652
00:27:48,417 --> 00:27:50,417
THIS HAS BEEN IN THE DEAD
LETTER OFFICE FOR A WHILE.

653
00:27:56,041 --> 00:27:58,082
WHY DIDN'T THIS GET TO
WHERE IT WAS GOING?

654
00:27:58,083 --> 00:27:59,250
I WOULDN'T KNOW THAT, SIR.

655
00:28:01,166 --> 00:28:02,666
WELL, THIS WAS SENT
A LONG TIME AGO.

656
00:28:02,667 --> 00:28:04,124
PERHAPS THE PEOPLE MOVED.

657
00:28:04,125 --> 00:28:05,416
NO, THEY DIDN'T MOVE.

658
00:28:05,417 --> 00:28:07,257
I DON'T KNOW WHAT HAPPENED, SIR.
I WASN'T THERE.

659
00:28:07,281 --> 00:28:08,489
THIS IS ALMOST 80 YEARS...

660
00:28:09,125 --> 00:28:10,125
80 YEARS OLD.

661
00:28:11,750 --> 00:28:13,166
THIS IS UNACCEPTABLE.

662
00:28:13,167 --> 00:28:15,958
SIR, IT MIGHT BE UNACCEPTABLE,
BUT IT IS THE WAY IT IS.

663
00:28:15,959 --> 00:28:17,239
IT WAS IN THE DEAD
LETTER OFFICE.

664
00:28:17,263 --> 00:28:18,903
IT TOOK A LONG WHILE
TO MAKE ITS WAY BACK,

665
00:28:19,166 --> 00:28:20,332
BUT NOW YOU HAVE IT.

666
00:28:20,333 --> 00:28:21,375
WELL, THIS IS A MISTAKE.

667
00:28:22,042 --> 00:28:23,458
IT CAME BACK.

668
00:28:28,000 --> 00:28:29,917
THIS IS A TERRIBLE MISTAKE.

669
00:28:32,375 --> 00:28:34,332
ON BEHALF OF THE U.S.
POSTAL SYSTEM,

670
00:28:34,333 --> 00:28:35,999
I APOLOGIZE FOR
ANY INCONVENIENCE

671
00:28:36,000 --> 00:28:38,125
THIS MIGHT HAVE CAUSED
YOU OR YOUR FAMILY.

672
00:28:40,375 --> 00:28:42,041
YOU HAVE NO IDEA.

673
00:28:56,583 --> 00:28:57,707
HI, JAMES.

674
00:28:57,708 --> 00:28:58,833
HI, DAISY.

675
00:28:58,834 --> 00:29:00,333
WHAT'S YOUR LAST NAME, JAMES?

676
00:29:01,792 --> 00:29:03,333
BOND. JAMES BOND.

677
00:29:06,125 --> 00:29:07,325
I THOUGHT THAT MIGHT BE FUNNY.

678
00:29:07,349 --> 00:29:08,624
NO, IT'S FUNNY. IT'S FUNNY.

679
00:29:08,625 --> 00:29:10,582
I JUST, UM...

680
00:29:10,583 --> 00:29:11,750
I'VE BEEN HERE A WHILE.

681
00:29:12,125 --> 00:29:13,249
YEAH, ME TOO.

682
00:29:13,250 --> 00:29:14,541
17 TIMES, ACTUALLY.

683
00:29:14,542 --> 00:29:16,166
WOW.

684
00:29:16,167 --> 00:29:18,208
YOU MUST BE GETTING
VERY GOOD AT IT.

685
00:29:18,209 --> 00:29:19,041
I'M TERRIBLE.

686
00:29:19,042 --> 00:29:20,122
NO ONE EVER WRITES ME DOWN.

687
00:29:21,250 --> 00:29:23,166
WELL, MAYBE YOU JUST HAVEN'T
MET THE RIGHT GIRL.

688
00:29:24,875 --> 00:29:26,084
ARE YOU THE RIGHT GIRL, DAISY?

689
00:29:29,333 --> 00:29:30,917
I KNOW, TWO MINUTES IS TOUGH.

690
00:29:31,875 --> 00:29:34,707
EVERYONE LIKES TO TALK,
AND I LIKE TO LISTEN.

691
00:29:34,708 --> 00:29:37,792
I GUESS IT'S HARD TO REMEMBER
SOMEONE WHO JUST LISTENS.

692
00:29:39,000 --> 00:29:40,625
WELL, I'LL REMEMBER YOU.

693
00:29:43,084 --> 00:29:44,958
I HOPE SO, DAISY.

694
00:29:44,959 --> 00:29:46,679
I'VE REALLY ENJOYED SPENDING...
[BELL RINGS]

695
00:29:46,703 --> 00:29:49,203
[SHERRI]: MAKE YOUR MOVES, SPEED DATERS!
HURRY UP.

696
00:29:51,084 --> 00:29:52,666
SEE YOU, JAMES BOND.

697
00:29:52,667 --> 00:29:54,040
MY NAME'S NOT REALLY BOND.

698
00:29:54,041 --> 00:29:55,041
I KNOW.

699
00:29:55,625 --> 00:29:56,750
IT'S ALLEN.

700
00:29:59,042 --> 00:30:00,442
DAISY, YOU HAVE A
REALLY NICE SMILE.

701
00:30:01,375 --> 00:30:02,667
GOODBYE. BYE.

702
00:30:26,417 --> 00:30:28,792
[GEORGE]: EVERYONE
SAYS LIVE IN THE NOW,

703
00:30:30,542 --> 00:30:32,290
BUT THAT'S BULLSHIT.

704
00:30:32,291 --> 00:30:34,166
I MEAN, WHO LIVES IN THE MOMENT?

705
00:30:36,792 --> 00:30:39,333
WE'RE TOO BUSY THINKING
ABOUT WHAT HAPPENS NEXT...

706
00:30:42,417 --> 00:30:44,834
OR WHAT DIDN'T HAPPEN AT ALL.

707
00:30:50,125 --> 00:30:52,624
HAVE I EVER SAT IN AN
AISLE SEAT, DIANE? HUH?

708
00:30:52,625 --> 00:30:55,165
BUSINESS CLASS, RIGHT
SIDE WINDOW, BULKHEAD.

709
00:30:55,166 --> 00:30:56,332
WHAT ARE YOU, NEW? HUH?

710
00:30:56,333 --> 00:30:58,999
LET'S GO. LET'S MAKE
THINGS HAPPEN HERE, DIANE.

711
00:30:59,000 --> 00:31:00,166
COME ON.

712
00:31:02,167 --> 00:31:03,417
COME ON.

713
00:31:05,041 --> 00:31:06,791
I KNOW IT DOESN'T SEEM LIKE IT,

714
00:31:06,792 --> 00:31:10,500
BUT YOU ARE IN GOOD HANDS.

715
00:31:11,458 --> 00:31:13,583
[CAROUSEL BEEPING]

716
00:31:15,125 --> 00:31:16,417
[CAROUSEL CLANGS OFF]

717
00:31:40,375 --> 00:31:41,625
OH, COME ON, NOW, LADY.

718
00:31:44,083 --> 00:31:46,000
YOU CAN'T DO THAT, MA'AM.

719
00:31:55,084 --> 00:31:56,541
[LOUD THUMP]

720
00:31:56,542 --> 00:31:57,875
[ONLOOKERS GASP]

721
00:32:05,333 --> 00:32:06,749
ZUT ALORS.

722
00:32:06,750 --> 00:32:08,291
THIS IS VERY INCONVENIENT.

723
00:32:09,166 --> 00:32:10,791
LADY, YOU'RE DEAD.

724
00:32:10,792 --> 00:32:12,208
YES, AND I AM SURE

725
00:32:12,209 --> 00:32:13,809
THERE ARE MANY OTHER
DEAD PEOPLE UP THERE

726
00:32:13,833 --> 00:32:15,417
TRYING TO TAKE MY PLACE.

727
00:32:15,542 --> 00:32:17,290
LET'S GO.

728
00:32:17,291 --> 00:32:18,375
C'EST LA VIE.

729
00:32:22,084 --> 00:32:23,084
[CAROUSEL BEEPING]

730
00:32:25,083 --> 00:32:27,290
[GEORGE]: WATCHING A REALLY
EFFICIENT SYSTEM IN ACTION

731
00:32:27,291 --> 00:32:29,125
SOMETIMES JUST KNOCKS YOU OUT,

732
00:32:30,583 --> 00:32:33,209
AND SOMETIMES IT
JUST MAKES YOU SICK.

733
00:32:38,750 --> 00:32:39,999
THE TIME CARD.

734
00:32:40,000 --> 00:32:42,374
MAKES IT A SNAP TO MONITOR
EVERYONE'S COMINGS AND GOINGS.

735
00:32:42,375 --> 00:32:43,975
PEOPLE ARE WORKING,
AND WHEN THEY'RE NOT,

736
00:32:43,999 --> 00:32:45,124
YOU KNOW ABOUT IT.

737
00:32:45,125 --> 00:32:46,792
I LOVE IT.

738
00:32:47,375 --> 00:32:48,874
IT'S NOT VERY...

739
00:32:48,875 --> 00:32:50,041
PERSONAL.

740
00:32:50,042 --> 00:32:51,124
EXACTLY.

741
00:32:51,125 --> 00:32:52,000
IT REDUCES THE AMOUNT
OF TIME YOU NEED

742
00:32:52,001 --> 00:32:53,541
TO TALK TO YOUR EMPLOYEES.

743
00:32:53,542 --> 00:32:55,165
WELL, THAT'S JUST...

744
00:32:55,166 --> 00:32:56,208
FANTASTIC.

745
00:33:03,667 --> 00:33:05,082
[GEORGE]: ON THE CLOCK.

746
00:33:05,083 --> 00:33:07,166
ALWAYS ON THE CLOCK.

747
00:33:07,167 --> 00:33:10,083
NO MATTER HOW QUICKLY
EVERYONE DID THEIR JOB TODAY,

748
00:33:10,959 --> 00:33:12,374
SOMEONE SOMEWHERE

749
00:33:12,375 --> 00:33:14,542
WOULD BE PUNCHING
OUT BEFORE 5:00.

750
00:33:17,291 --> 00:33:18,541
COME ON, REGGIE.

751
00:33:18,542 --> 00:33:20,124
LET'S SEE.

752
00:33:20,125 --> 00:33:21,208
[REGGIE]: I'M NOT GOING.

753
00:33:22,333 --> 00:33:24,458
LET ME JUST SEE
WHAT IT LOOKS LIKE.

754
00:33:25,167 --> 00:33:26,874
I LOOK LIKE A GEEK.

755
00:33:26,875 --> 00:33:28,875
ALL RIGHT. I KNOW
THAT IS NOT TRUE.

756
00:33:30,333 --> 00:33:31,666
LOOK, I PAID GOOD
MONEY FOR THIS.

757
00:33:31,667 --> 00:33:33,333
YOU HAVE TO AT LEAST SHOW ME.

758
00:33:34,250 --> 00:33:35,625
NOW.

759
00:33:37,625 --> 00:33:38,792
PLEASE?

760
00:33:44,209 --> 00:33:45,625
OH.

761
00:33:48,167 --> 00:33:50,084
YOU ARE SO CUTE.

762
00:33:51,000 --> 00:33:52,125
BLAH.

763
00:33:52,959 --> 00:33:54,166
I'M TAKING A PICTURE.

764
00:33:54,167 --> 00:33:55,290
NO WAY. OH, YEAH.

765
00:33:55,291 --> 00:33:56,416
NO, TOO LATE.

766
00:33:56,417 --> 00:33:58,217
I HAVE TO GET A CAMERA.
JUST STAY RIGHT THERE.

767
00:33:58,241 --> 00:33:58,999
I HATE THIS.

768
00:33:59,000 --> 00:34:00,124
STAY RIGHT THERE

769
00:34:00,125 --> 00:34:01,765
BEFORE IT GETS ALL
CRUMPLED UP IN THE CAR.

770
00:34:10,625 --> 00:34:11,792
SHUT UP.

771
00:34:14,041 --> 00:34:17,167
ALL RIGHT. NOW, I WANT
ONE WITH THE HAT ON...

772
00:34:19,125 --> 00:34:20,667
REGGIE?

773
00:34:21,417 --> 00:34:22,917
AW...

774
00:34:26,125 --> 00:34:28,042
[PANTING AND MOANING]

775
00:34:35,291 --> 00:34:38,209
UH...

776
00:34:48,250 --> 00:34:49,916
WELL, SOMEONE'S POPULAR.

777
00:34:49,917 --> 00:34:52,041
YOU'RE GOING TO BE
A VERY BUSY GIRL.

778
00:34:52,042 --> 00:34:53,708
BUSY, BUSY, BUSY.

779
00:35:08,792 --> 00:35:10,290
JAMES.

780
00:35:10,291 --> 00:35:11,458
JAMES.

781
00:35:14,167 --> 00:35:15,708
NOBODY WROTE MY NAME DOWN.

782
00:35:16,625 --> 00:35:18,457
I DID.

783
00:35:18,458 --> 00:35:20,042
YOU WERE JUST TRYING TO BE NICE.

784
00:35:21,209 --> 00:35:23,165
NO, I REALLY LIKED YOU.

785
00:35:23,166 --> 00:35:25,332
I LIKED YOU TOO.

786
00:35:25,333 --> 00:35:27,000
YOU'D REALLY GO OUT WITH ME?

787
00:35:27,333 --> 00:35:28,457
SURE.

788
00:35:28,458 --> 00:35:29,583
IN A NEW YORK MINUTE.

789
00:35:33,041 --> 00:35:34,290
WHO EVER THOUGHT OF THE CONCEPT

790
00:35:34,291 --> 00:35:35,999
OF KNOWING SOMEONE
IN TWO MINUTES?

791
00:35:36,000 --> 00:35:37,416
YEAH.

792
00:35:37,417 --> 00:35:39,000
IT TAKES EVEN LESS
TIME THAN THAT.

793
00:35:41,125 --> 00:35:42,875
WHY DON'T YOU COME
WITH ME, JAMES?

794
00:35:54,417 --> 00:35:56,000
[PEOPLE SCREAMING]

795
00:35:59,000 --> 00:36:00,333
I DIDN'T JUMP.

796
00:36:02,042 --> 00:36:03,208
I SLIPPED.

797
00:36:05,458 --> 00:36:07,167
I'M WAITING FOR OUR DATE, SIR.

798
00:36:16,042 --> 00:36:17,750
YOU WERE THE MOST
BEAUTIFUL WOMAN THERE.

799
00:36:19,167 --> 00:36:20,250
I KNOW.

800
00:36:24,083 --> 00:36:25,249
SEE, WE'RE NOT TOO LATE.

801
00:36:25,250 --> 00:36:26,874
EVERYONE'S STILL GETTING THERE.

802
00:36:26,875 --> 00:36:28,625
I DON'T WANT TO DO IT.
I WANT TO GO HOME.

803
00:36:30,583 --> 00:36:32,208
YOU'RE GOING TO HAVE FUN.

804
00:36:34,042 --> 00:36:35,082
YOU DON'T KNOW THAT.

805
00:36:35,083 --> 00:36:37,667
SEE, IF YOU KEEP WAITING
ON THE SIDELINES...

806
00:36:38,583 --> 00:36:39,875
THIS IS A REALLY...

807
00:36:40,208 --> 00:36:42,374
PRECIOUS TIME.

808
00:36:42,375 --> 00:36:44,792
I DON'T... I DON'T WANT
YOU TO BE LEFT OUT.

809
00:36:45,708 --> 00:36:46,999
I WANT TO JUST...

810
00:36:47,000 --> 00:36:48,333
HELP YOU RUN IN THERE.

811
00:36:49,000 --> 00:36:50,541
YOU KNOW?

812
00:36:50,542 --> 00:36:52,792
GEORGE WOULDN'T HAVE PUT
THIS CRAPPY UNIFORM ON.

813
00:36:57,125 --> 00:36:58,834
I... I DON'T KNOW.

814
00:37:00,166 --> 00:37:02,165
I DON'T WANT TO WEAR
GLASSES ANYMORE.

815
00:37:02,166 --> 00:37:05,374
WHAT? EVERYONE CALLS
ME HARRIET POTTER.

816
00:37:05,375 --> 00:37:06,458
I DON'T LIKE IT.

817
00:37:08,167 --> 00:37:09,500
OKAY.

818
00:37:10,041 --> 00:37:11,041
IS THERE ANY...

819
00:37:11,042 --> 00:37:13,000
ANYTHING ELSE YOU WANT TO...

820
00:37:13,792 --> 00:37:15,167
YOU WANT TO TELL ME?

821
00:37:16,084 --> 00:37:17,084
ANYTHING?

822
00:37:18,209 --> 00:37:20,958
WE COULD JUST TAKE
LITTLE MINUTE.

823
00:37:20,959 --> 00:37:22,000
FORGET IT. I'M LATE.

824
00:37:23,166 --> 00:37:24,541
[CAR APPROACHING]

825
00:37:24,542 --> 00:37:26,875
REGGIE!

826
00:37:27,417 --> 00:37:28,707
WHAT?

827
00:37:28,708 --> 00:37:31,166
DON'T JUST RUN ACROSS THE
STREET WITHOUT LOOKING.

828
00:37:31,167 --> 00:37:32,000
JESUS FUCKING CHRIST!

829
00:37:32,001 --> 00:37:33,792
WHAT THE HELL WERE
YOU THINKING ABOUT?

830
00:37:38,667 --> 00:37:40,333
I'M SORRY. REGGIE, I'M SORRY.

831
00:37:42,125 --> 00:37:43,916
JUST... JUST...

832
00:37:43,917 --> 00:37:46,416
JUST PLEASE BE CAREFUL.

833
00:37:46,417 --> 00:37:47,792
OKAY. HEY.

834
00:37:50,375 --> 00:37:52,125
CAN I JUST TAKE ONE PICTURE?

835
00:37:53,458 --> 00:37:55,000
YOU LOOK SO BEAUTIFUL.

836
00:37:55,667 --> 00:37:57,041
I'M LATE.

837
00:38:08,041 --> 00:38:10,333
OH, MY GOD. WHAT HAVE I DONE?

838
00:38:22,208 --> 00:38:23,834
I'M A STUPID MAN.

839
00:38:30,166 --> 00:38:31,250
[MAN]: WHAT'S UP, DUDE?

840
00:38:32,417 --> 00:38:33,958
HERM.

841
00:38:33,959 --> 00:38:35,165
MASON, MASON.

842
00:38:35,166 --> 00:38:36,916
MASON, YOU DON'T
LOOK SO GOOD, MAN.

843
00:38:36,917 --> 00:38:38,208
I'M OKAY.

844
00:38:39,583 --> 00:38:41,332
I OWE YOU SOME MONEY, DON'T I?

845
00:38:41,333 --> 00:38:42,416
HERM, HERM, HERM, HERM.

846
00:38:42,417 --> 00:38:44,707
DON'T WORRY ABOUT IT.

847
00:38:44,708 --> 00:38:46,208
DON'T WORRY ABOUT IT?

848
00:38:46,209 --> 00:38:48,041
THAT DOESN'T SOUND
LIKE THE MASON I KNOW.

849
00:38:48,042 --> 00:38:49,242
YOU SURE YOU'RE ALL RIGHT, MAN?

850
00:38:49,266 --> 00:38:51,374
I'M ALL RIGHT. I'M JUST
TAKING A BREATHER.

851
00:38:51,375 --> 00:38:52,625
YEAH? A BREATHER FROM WHAT?

852
00:38:53,959 --> 00:38:55,124
FROM BEING ME.

853
00:38:55,125 --> 00:38:57,125
COME ON, MAN. GET UP
OUT OF THAT GUTTER.

854
00:39:00,917 --> 00:39:02,250
THANKS, MATE.

855
00:39:03,834 --> 00:39:05,290
YOU SURE YOU DON'T
WANT THIS MONEY?

856
00:39:05,291 --> 00:39:07,209
I'LL TELL YOU WHAT.
I GOT SOME SPEED.

857
00:39:08,458 --> 00:39:09,791
I'LL GIVE YOU THE MONEY.

858
00:39:09,792 --> 00:39:10,958
YOU BUY THE SPEED.

859
00:39:10,959 --> 00:39:12,124
I DON'T WANT IT.

860
00:39:12,125 --> 00:39:13,290
HONESTLY.

861
00:39:13,291 --> 00:39:14,999
ALL RIGHT.

862
00:39:15,000 --> 00:39:17,120
LOOK, I GOT TO GO, MAN. I GOT
TO GET TO THE NEXT DROP.

863
00:39:17,144 --> 00:39:18,833
DUDE FORGOT HIS STICKS, MAN.

864
00:39:18,834 --> 00:39:20,791
TAKE CARE. I WILL.

865
00:39:20,792 --> 00:39:22,958
HEY, MASON.

866
00:39:22,959 --> 00:39:25,199
WHAT DO YOU CALL A GUY WHO HANGS
OUT WITH THREE MUSICIANS?

867
00:39:25,875 --> 00:39:26,959
I GIVE UP.

868
00:39:27,542 --> 00:39:29,666
THE DRUMMER.

869
00:39:29,667 --> 00:39:31,042
LATER, MAN. I GOT TO SCRAMBLE.

870
00:39:40,000 --> 00:39:41,583
[GLASS SHATTERS]

871
00:39:51,875 --> 00:39:53,792
DUDE. DUDE.

872
00:39:55,583 --> 00:39:58,000
OH, MAN! HEY, THAT'S BRUTAL.

873
00:40:00,959 --> 00:40:02,042
PSST. PSST. HEY, HEY, HEY.

874
00:40:05,042 --> 00:40:07,000
I THINK IT'S GOING
REALLY WELL, DON'T YOU?

875
00:40:07,959 --> 00:40:09,290
I GUESS.

876
00:40:09,291 --> 00:40:10,666
UM, I HAVE A DOCTOR APPOINTMENT.

877
00:40:10,667 --> 00:40:13,582
OH, FINE. I CAN JUST
SMELL THAT RAISE.

878
00:40:13,583 --> 00:40:15,083
YOU'VE REALLY HUSTLED
TODAY, MILLIE,

879
00:40:15,084 --> 00:40:16,207
AND I APPRECIATE IT.

880
00:40:16,208 --> 00:40:19,416
DON'T YOU THINK THINGS WERE
A LITTLE STRANGE TODAY?

881
00:40:19,417 --> 00:40:20,497
I DON'T KNOW WHAT YOU MEAN.

882
00:40:21,000 --> 00:40:22,000
NEVER MIND.

883
00:40:22,001 --> 00:40:23,249
I MEAN, I KNOW WE'VE
PICKED UP THE PACE,

884
00:40:23,250 --> 00:40:24,582
BUT YOU KNOW WHAT THEY SAY.

885
00:40:24,583 --> 00:40:25,863
"IF YOU'RE SKATING
OVER THIN ICE,

886
00:40:25,887 --> 00:40:27,374
YOU'D BETTER GO FAST."

887
00:40:27,375 --> 00:40:29,333
WHAT IF WE JUST AVOIDED
THE ICE ALTOGETHER?

888
00:40:30,250 --> 00:40:32,040
YO, MILLIE. WHAT UP, DAWG?

889
00:40:32,041 --> 00:40:33,875
YO, TED.

890
00:40:35,041 --> 00:40:36,249
[TED]: SO, DELORES,

891
00:40:36,250 --> 00:40:37,624
WHEN DO I GET MY LAST CHECK?

892
00:40:37,625 --> 00:40:38,833
IN ABOUT A WEEK.

893
00:40:38,834 --> 00:40:39,916
WHAT?

894
00:40:39,917 --> 00:40:41,041
I FIRED TED.

895
00:40:42,042 --> 00:40:43,124
I'M TOAST.

896
00:40:43,125 --> 00:40:44,541
BURNT TOAST.

897
00:40:44,542 --> 00:40:46,749
HASTA LUEGO, TED.

898
00:40:46,750 --> 00:40:48,083
TEDMEISTER, OVER AND OUT.

899
00:40:48,084 --> 00:40:50,083
CHECK, PLEASE, FOR THE TEDSTER.

900
00:40:50,084 --> 00:40:51,416
WHY DID YOU FIRE TED?

901
00:40:51,417 --> 00:40:52,999
STAY OUT OF IT, MILLIE.

902
00:40:53,000 --> 00:40:54,999
FINE, HE'S A LITTLE DIFFERENT,

903
00:40:55,000 --> 00:40:57,834
BUT IS THAT ANY
REASON TO FIRE HIM?

904
00:40:58,333 --> 00:40:59,916
TED'S FUNNY.

905
00:40:59,917 --> 00:41:01,916
MAYBE HE DOESN'T GET AS
MUCH WORK DONE AROUND HERE

906
00:41:01,917 --> 00:41:02,999
AS EVERYONE ELSE,

907
00:41:03,000 --> 00:41:04,083
BUT AT LEAST HE MAKES LIFE

908
00:41:04,084 --> 00:41:05,000
A LITTLE MORE FUN AROUND HERE.

909
00:41:05,001 --> 00:41:06,499
THAT HAS TO STAND FOR SOMETHING.

910
00:41:06,500 --> 00:41:08,209
THE TED IS DEAD.

911
00:41:08,917 --> 00:41:10,167
OH...

912
00:41:11,042 --> 00:41:12,166
IS THE TED DRUNK?

913
00:41:12,167 --> 00:41:13,208
[VOMITING]

914
00:41:14,000 --> 00:41:15,457
TED...

915
00:41:15,458 --> 00:41:16,708
[BELCHES]

916
00:41:20,500 --> 00:41:22,041
GOODBYE, TED.

917
00:41:23,084 --> 00:41:24,333
MILLIE WILL MISS YOU.

918
00:41:26,458 --> 00:41:29,165
WHEN I WAS ALIVE, I
DIDN'T CARE ABOUT TIME.

919
00:41:29,166 --> 00:41:30,542
I DIDN'T THINK ABOUT IT,

920
00:41:31,959 --> 00:41:34,083
AND I GUESS THAT'S WHY
I WAS ALWAYS LATE...

921
00:41:36,208 --> 00:41:39,083
BUT SINCE I DIED, IT'S WEIRD.

922
00:41:39,084 --> 00:41:41,332
I GUESS I WANT TO BE MORE...

923
00:41:41,333 --> 00:41:42,959
ON TIME.

924
00:42:14,708 --> 00:42:16,124
WHOO.

925
00:42:16,125 --> 00:42:17,542
WHAT DID YOU DO?
KNOCK OVER A BANK?

926
00:42:18,834 --> 00:42:20,125
NO.

927
00:42:21,042 --> 00:42:23,083
IS THIS REAL MONEY?

928
00:42:23,084 --> 00:42:24,833
IT WAS,

929
00:42:24,834 --> 00:42:26,041
MANY YEARS AGO.

930
00:42:27,458 --> 00:42:29,167
ARE YOU OKAY?

931
00:42:31,083 --> 00:42:32,667
JUST A LONG DAY.

932
00:42:34,583 --> 00:42:36,750
HAVE YOU HANDLED
YOUR POST-IT YET?

933
00:42:37,500 --> 00:42:39,208
I'M ON MY WAY.

934
00:42:39,209 --> 00:42:40,333
DON'T BE LATE.

935
00:42:42,166 --> 00:42:43,917
I WON'T BE.

936
00:42:47,166 --> 00:42:48,542
DO YOU WANT A RIDE HOME?

937
00:42:49,625 --> 00:42:51,167
I'LL WALK.

938
00:42:52,750 --> 00:42:54,083
[GEORGE]: RUBE.

939
00:42:55,500 --> 00:42:56,959
THANKS.

940
00:43:05,125 --> 00:43:08,083
[GEORGE]: I HEARD IT A MILLION
TIMES WHEN I WAS GROWING UP.

941
00:43:08,084 --> 00:43:09,374
"HURRY UP, GEORGIA."

942
00:43:09,375 --> 00:43:11,209
"SEIZE THE DAY, GEORGIA."

943
00:43:13,000 --> 00:43:14,499
AND NO MATTER HOW FAST I WENT,

944
00:43:14,500 --> 00:43:16,791
I JUST KEPT FALLING BEHIND.

945
00:43:16,792 --> 00:43:19,250
I JUST KEPT GETTING
LATER AND LATER,

946
00:43:20,166 --> 00:43:21,290
AND THE WHOLE TIME,

947
00:43:21,291 --> 00:43:23,083
I WAS THINKING, "WHAT'S NEXT?"

948
00:43:25,084 --> 00:43:27,208
I COULDN'T WAIT FOR WHAT'S NEXT.

949
00:43:28,542 --> 00:43:31,791
MAYBE PEOPLE SHOULD JUST
FIND ONE PRETTY SPOT

950
00:43:31,792 --> 00:43:33,041
AND STAY THERE.

951
00:43:35,583 --> 00:43:37,749
THE FUNNY THING IS WHEN YOU DIE,

952
00:43:37,750 --> 00:43:39,792
EVERYONE REFERS
TO YOU AS "LATE,"

953
00:43:40,375 --> 00:43:41,958
BUT NOW I KNOW

954
00:43:41,959 --> 00:43:43,083
THAT'S THE ONE EVENT

955
00:43:43,084 --> 00:43:45,582
THAT ALWAYS HAPPENS
RIGHT ON TIME.

956
00:43:45,583 --> 00:43:47,583
[MERCEDES GUY]: WHAT THE FUCK?
ANOTHER RED LIGHT?

957
00:43:48,417 --> 00:43:49,749
DIANE. DIANE.

958
00:43:49,750 --> 00:43:51,166
OVERNIGHT THE BAG, ALL RIGHT?

959
00:43:51,167 --> 00:43:52,000
I DON'T GIVE A SHIT.

960
00:43:52,001 --> 00:43:54,332
LOOK, JUST SOLVE THE PROBLEM.

961
00:43:54,333 --> 00:43:56,041
I'M 10 FEET FROM THE AIRPORT.

962
00:43:57,042 --> 00:43:58,667
THIS IS FUCKING RIDICULOUS.

963
00:44:00,834 --> 00:44:02,207
HEY. HELLO.

964
00:44:02,208 --> 00:44:04,042
COULD YOU PUSH THE LITTLE
BUTTON RIGHT THERE?

965
00:44:04,500 --> 00:44:06,374
WHAT?

966
00:44:06,375 --> 00:44:07,999
PUSH THE BUTTON RIGHT...

967
00:44:08,000 --> 00:44:09,166
THE WALK...

968
00:44:09,167 --> 00:44:10,750
CALL ME BACK.

969
00:44:12,959 --> 00:44:14,209
FUCK.

970
00:44:22,708 --> 00:44:24,125
ONCE IS ENOUGH.

971
00:44:24,792 --> 00:44:25,916
YOU KNOW WHAT?

972
00:44:25,917 --> 00:44:27,597
I DON'T HAVE TIME FOR
THIS SHIT, ALL RIGHT?

973
00:44:28,792 --> 00:44:30,291
[TIRES SCREECHING]

974
00:44:32,417 --> 00:44:34,083
[PEOPLE SHOUTING]

975
00:44:38,792 --> 00:44:40,040
YOU CAN COME THIS WAY.

976
00:44:40,041 --> 00:44:41,875
I'LL SHOW YOU.

977
00:44:43,084 --> 00:44:44,959
I'M GOING TO NEED A MINUTE.

978
00:45:00,333 --> 00:45:02,541
[GEORGE]: LET ME KNOW
WHEN YOU'RE READY.

979
00:45:02,542 --> 00:45:04,667
[MERCEDES GUY]: I GUESS
THERE'S NO HURRY.

980
00:46:03,834 --> 00:46:04,958
[MEOWS] [MAN]: MURRAY.

981
00:46:04,959 --> 00:46:06,167
[PURR, MEOW]

