1 00:01:08,167 --> 00:01:10,874 [GEORGE] WHEN I WAS A KID, I TOOK BALLROOM DANCING. 2 00:01:10,875 --> 00:01:12,999 MY MOM SAID IT WOULD STAY WITH ME FOR LIFE, 3 00:01:13,000 --> 00:01:17,040 BUT ALL I REMEMBER IS, "ONE, TWO, THREE, ONE, TWO, THREE." 4 00:01:17,041 --> 00:01:18,749 WHAT DO YOU MEAN NO BLUEBERRY PANCAKES? 5 00:01:18,750 --> 00:01:19,999 THEY'RE SEASONAL. 6 00:01:20,000 --> 00:01:22,249 WELL, EXPLAIN SOMETHING TO ME. ARE THE BLUEBERRIES FRESH? 7 00:01:22,250 --> 00:01:23,624 THEY'RE DEHYDRATED? 8 00:01:23,625 --> 00:01:25,833 WELL, HOW CAN SOMETHING HARVESTED MONTHS AGO BE SEASONAL? 9 00:01:25,834 --> 00:01:28,791 I DON'T MAKE THE RULES, I JUST PLAY BY THEM. SOMETHING ELSE YOU WANT? 10 00:01:28,792 --> 00:01:30,392 I HAD MY HEART SET ON BLUEBERRY PANCAKES. 11 00:01:30,416 --> 00:01:32,624 ARE YOU PREGNANT? I CERTAINLY HOPE SO. 12 00:01:32,625 --> 00:01:35,374 WELL, I'LL HAVE THE JAYNE MANSFIELD AND A GRAPEFRUIT JUICE. 13 00:01:35,375 --> 00:01:37,290 JAYNE MANSFIELD? 14 00:01:37,291 --> 00:01:39,666 BLUEBERRY MUFFIN, BUT JUST THE TOP OF THE MUFFIN. 15 00:01:39,667 --> 00:01:41,874 SO, BLUEBERRY MUFFINS, YOU HAVE? 16 00:01:41,875 --> 00:01:44,874 RIGHT, RIGHT, RIGHT. YOU JUST PLAY BY THEM. 17 00:01:44,875 --> 00:01:46,207 I AM FUCKED. 18 00:01:46,208 --> 00:01:47,332 YOU'RE FUCKED? 19 00:01:47,333 --> 00:01:49,041 MY POST-IT'S AT AN ICE-SKATING RINK, 20 00:01:49,042 --> 00:01:51,124 AND ALL I GOT IS THIS JACKET. 21 00:01:51,125 --> 00:01:52,245 REAPING 101, LEARN TO LAYER. 22 00:01:52,269 --> 00:01:54,208 YOU NEVER KNOW WHAT THE DAY MIGHT BRING. 23 00:01:54,209 --> 00:01:57,416 MAYBE YOU COULD PRAY HER UP A PAIR OF MITTENS AND A CUTE SCARF. 24 00:01:57,417 --> 00:01:59,582 WELL, THAT'S NOT WHAT PRAYER IS FOR, ROXY. 25 00:01:59,583 --> 00:02:02,624 IT'S NOT FOR MAKING YOURSELF FEEL BETTER AFTER YOU FUCK UP. 26 00:02:02,625 --> 00:02:03,707 THAT'S WHAT I USE IT FOR. 27 00:02:03,708 --> 00:02:04,948 WHAT'S GOING ON BETWEEN YOU TWO? 28 00:02:04,949 --> 00:02:06,229 ASK THE NICE LITTLE CATHOLIC GIRL 29 00:02:06,253 --> 00:02:08,374 WHO LIKES TO STEAL JEWELRY FROM THE DEAD. 30 00:02:08,375 --> 00:02:10,457 HEY, I NEEDED THIS. BESIDES, SHE WAS MEAN. 31 00:02:10,458 --> 00:02:12,082 WELL, THE MEAN WOMAN'S FAMILY THINKS 32 00:02:12,083 --> 00:02:14,166 THE COPS STOLE IT OFF HER FAT, DEAD NECK 33 00:02:14,167 --> 00:02:16,166 AT THE CRIME SCENE AND THEY WANT IT BACK. 34 00:02:17,084 --> 00:02:19,082 MAKE HER GIVE IT BACK, RUBE. 35 00:02:19,083 --> 00:02:21,041 NO WAY. NO. YOU KNOW WHAT, LADIES? 36 00:02:21,042 --> 00:02:23,457 I'M HAVING ENOUGH TROUBLE WITH MY BREAKFAST THIS MORNING. 37 00:02:23,458 --> 00:02:27,916 GOOD LORD, I BESEECH THEE, TWO SCRAMBLED EGGS AND A SMALL OJ, AMEN. 38 00:02:27,917 --> 00:02:29,666 WHY DO YOU PERSECUTE ME? 39 00:02:29,667 --> 00:02:31,041 [KIFFANY] ONE JAYNE MANSFIELD. 40 00:02:34,333 --> 00:02:35,541 MADE YOUR DECISION? 41 00:02:35,542 --> 00:02:36,902 I NEVER THOUGHT THE DAY WOULD COME, 42 00:02:36,903 --> 00:02:38,383 BUT I HAVE NO IDEA WHAT I WANT TO EAT. 43 00:02:38,407 --> 00:02:40,958 GO WITH BACON. YOU NEVER REGRET BACON. 44 00:02:40,959 --> 00:02:42,499 OH, IT DOESN'T FEEL LIKE A BACON DAY. 45 00:02:42,500 --> 00:02:43,833 WHEN'D YOU RUN OUT OF BLUEBERRIES? 46 00:02:43,834 --> 00:02:45,514 TEN MINUTES AGO. DO YOU KNOW WHAT YOU WANT? 47 00:02:45,538 --> 00:02:46,538 BETTER TIMING. 48 00:02:47,333 --> 00:02:48,583 SALT. 49 00:02:50,750 --> 00:02:52,250 [HENSON] MOVE THAT PUCK! 50 00:02:55,125 --> 00:02:56,125 GO! 51 00:02:57,708 --> 00:02:58,874 NICE SHOT, ANDY. 52 00:02:58,875 --> 00:03:01,208 YOU SUCK! 53 00:03:01,209 --> 00:03:04,166 MY MOTHER HAS A BETTER SLAP SHOT AND SHE'S DEAD. 54 00:03:06,084 --> 00:03:08,374 YOU SEE THESE LITTLE GIRLS OVER HERE? 55 00:03:08,375 --> 00:03:11,083 I'D RATHER HAVE ONE OF THEM ON MY POWER PLAY TOMORROW NIGHT. 56 00:03:14,750 --> 00:03:16,040 [BRIAN] HEY, COACH HENSON! 57 00:03:16,041 --> 00:03:18,041 [ZAMBONI HORN HONKING] 58 00:03:18,042 --> 00:03:19,708 [GEORGE] MAMA, I'M COMING HOME. 59 00:03:22,209 --> 00:03:23,666 GIVE ME TWO MINUTES, BRIAN. 60 00:03:23,667 --> 00:03:25,332 CAN'T DO IT, COACH. TIME'S UP. 61 00:03:25,333 --> 00:03:27,165 [GEORGE] TIME'S UP. GOT TO GO. 62 00:03:27,166 --> 00:03:32,124 ALL RIGHT, GET OUT OF HERE. I DON'T WANT TO SEE ANY OF YOU EVER AGAIN. 63 00:03:32,125 --> 00:03:35,084 EXCEPT YOU, ANDY. GET OVER HERE. 64 00:03:39,337 --> 00:03:40,457 WHAT ARE YOU DOING OUT HERE? 65 00:03:40,458 --> 00:03:42,209 I'M PLAYING HOCKEY. 66 00:03:43,166 --> 00:03:44,708 HEY, HOW YOU DOING? 67 00:03:45,208 --> 00:03:46,874 FINE. 68 00:03:46,875 --> 00:03:49,195 YOU WANT TO PLAY HOCKEY OR YOU WANT TO TALK TO PRETTY GIRLS? 69 00:03:49,219 --> 00:03:50,124 BOTH. 70 00:03:50,125 --> 00:03:54,124 YOU'RE PISSING IT AWAY, ANDY. YOU GOT IT AND YOU'RE PISSING IT AWAY. 71 00:03:54,125 --> 00:03:57,000 SORRY, COACH. YOU CAN GO BACK TO YOUR RANT. 72 00:03:59,125 --> 00:04:00,707 ANY OF YOU GIRLS PLAY HOCKEY? 73 00:04:00,708 --> 00:04:02,000 [GIRLS] I DO! YOU. 74 00:04:05,333 --> 00:04:06,999 WHAT'S YOUR NAME? MELISSA. 75 00:04:07,000 --> 00:04:09,160 YOU THINK YOU CAN HANDLE A HOCKEY STICK BETTER THAN HIM? 76 00:04:09,184 --> 00:04:11,809 NO, BUT I BET I CAN PLAY BETTER THAN YOU. 77 00:04:12,041 --> 00:04:13,458 [GIRLS GIGGLING] 78 00:04:17,417 --> 00:04:19,583 PASS ME THE PUCK WHEN I TELL YOU TO. 79 00:04:22,125 --> 00:04:23,208 NOW. 80 00:04:30,708 --> 00:04:32,750 COACH, WATCH OUT! OH, MY GOD! 81 00:04:37,792 --> 00:04:39,208 [GEORGE] HE SHOOTS, 82 00:04:40,542 --> 00:04:43,000 HE DOES NOT SCORE. 83 00:04:48,000 --> 00:04:49,917 AM I DEAD? 84 00:04:50,625 --> 00:04:52,500 AS DEAD AS I'VE SEEN IN A WHILE. 85 00:04:54,834 --> 00:04:56,041 ARE YOU DEAD? 86 00:04:56,042 --> 00:04:59,833 I WAS KILLED ABOUT A YEAR AGO, SO I'M DEAD-ISH. 87 00:04:59,834 --> 00:05:01,290 WHY WAS I KILLED? 88 00:05:01,291 --> 00:05:02,749 [GEORGE] I DON'T KNOW. 89 00:05:02,750 --> 00:05:05,040 I DON'T MAKE THE RULES, I JUST PLAY BY THEM. 90 00:05:05,041 --> 00:05:09,124 CHALK IT UP TO BAD TIMING, COACH. COME ON. 91 00:05:09,125 --> 00:05:13,458 [GEORGE] LIFE AND DEATH WAS KIND OF A GAME, KIND OF LIKE DUCK DUCK GOOSE. 92 00:05:14,583 --> 00:05:17,332 DUCK, DUCK, DEAD. 93 00:05:17,333 --> 00:05:21,208 WE'RE ALL JUST A STEP AWAY FROM THAT DREADED TAP ON THE HEAD. 94 00:05:26,250 --> 00:05:29,208 WE'RE ALL JUST TRYING NOT TO GET CAUGHT. 95 00:05:31,458 --> 00:05:32,916 AM I INTERRUPTING SOMETHING? 96 00:05:32,917 --> 00:05:35,165 NO, I WAS JUST WORKING ON... 97 00:05:35,166 --> 00:05:37,124 FIVESIES? FOURSIES. 98 00:05:37,125 --> 00:05:38,833 MILLIE, MILLIE, MILLIE. 99 00:05:38,834 --> 00:05:40,666 HAVE YOU FINISHED ANYTHING THIS MORNING? 100 00:05:40,667 --> 00:05:43,042 ACTUALLY, I DID FINISH SOMETHING. 101 00:05:43,708 --> 00:05:45,042 [GEORGE] SOMEONE. 102 00:05:45,708 --> 00:05:47,249 BIG ASSIGNMENT, MILLIE. 103 00:05:47,250 --> 00:05:48,874 WE'VE GOT A NEW PHARMACEUTICALS ACCOUNT. 104 00:05:48,875 --> 00:05:50,675 THEY'RE ABOUT A WEEK FROM A MAJOR DRUG LAUNCH. 105 00:05:50,699 --> 00:05:53,666 THEY'RE TERRIBLY IN NEED OF A TOP-NOTCH STAFFER. GOT THAT? 106 00:05:53,667 --> 00:05:57,166 [GEORGE] BLAH-BLAH, TYPE MEMO, GO GET A MOCHA, SEND MEMO. 107 00:05:57,167 --> 00:05:58,457 GOT IT. 108 00:05:58,458 --> 00:06:02,457 THESE ARE THE THREE APPLICANTS YOU HAVE TO CHOOSE FROM. 109 00:06:02,458 --> 00:06:05,207 BACK UP. DID YOU JUST SAY CHOOSE? ME? 110 00:06:05,208 --> 00:06:08,249 NO, I SAID YOU CHOOSE. 111 00:06:08,250 --> 00:06:12,416 YOU'RE IN A NEW POSITION NOW. YOU'RE LIKE THE PRETTIEST GIRL AT THE PROM, 112 00:06:12,417 --> 00:06:14,791 OR THE SLUTTIEST GIRL IF YOU WENT TO CATHOLIC SCHOOL. 113 00:06:14,792 --> 00:06:16,041 YOU GET TO PICK. 114 00:06:16,042 --> 00:06:17,165 WHAT IF I'M NEITHER? 115 00:06:17,166 --> 00:06:19,750 DECISIONS MUST BE MADE. 116 00:06:20,291 --> 00:06:21,542 WINNERS 117 00:06:23,291 --> 00:06:25,208 MAKE DECISIONS, MILLIE. 118 00:06:28,167 --> 00:06:30,208 [GEORGE] WINNERS MAKE DECISIONS, 119 00:06:30,209 --> 00:06:33,917 BUT NOTHING BEFORE MY MOCHA, BREAKFAST OF CHAMPIONS. 120 00:06:36,083 --> 00:06:39,999 WE JUST SOLD YOUR HOUSE. CONGRATULATIONS, YOU TWO. 121 00:06:40,000 --> 00:06:41,916 WELL, WHAT DO YOU THINK, REGGIE? 122 00:06:41,917 --> 00:06:44,124 I THINK HIGH-FIVES ARE IN ORDER. 123 00:06:44,125 --> 00:06:45,833 I DON'T THINK SO. 124 00:06:45,834 --> 00:06:47,208 OKAY, THEN. 125 00:06:47,209 --> 00:06:48,875 SO HOW MUCH DID WE MAKE? 126 00:06:49,417 --> 00:06:50,791 A LOT. 127 00:06:50,792 --> 00:06:52,457 HOW MUCH DID SHE MAKE? 128 00:06:52,458 --> 00:06:55,625 SHE DID WELL. DO YOU WANT TO KNOW WHAT MY COMMISSION IS, REGGIE? 129 00:06:57,542 --> 00:06:59,166 GO AHEAD. 130 00:06:59,167 --> 00:07:01,208 I MAKE FIVE PERCENT OF THE SELLING PRICE. 131 00:07:01,209 --> 00:07:03,082 WHAT A SCAM. I WANT YOUR JOB WHEN I GROW UP. 132 00:07:03,083 --> 00:07:04,583 [JOY] NO, YOU DON'T. 133 00:07:06,917 --> 00:07:08,499 [REGGIE] SO ARE WE RICH? 134 00:07:08,500 --> 00:07:11,917 I USUALLY SUGGEST HOLDING OFF ON THE CELEBRATION UNTIL CLOSING ESCROW. 135 00:07:13,042 --> 00:07:14,624 WHAT'S ESCROW? 136 00:07:14,625 --> 00:07:16,958 WELL, IT'S A KIND OF IN-BETWEEN TIME. IT'S LIKE... 137 00:07:16,959 --> 00:07:18,834 PURGATORY? LIMBO? 138 00:07:19,708 --> 00:07:20,750 SHE'S A READER. 139 00:07:22,417 --> 00:07:24,666 IT'S LIKE BRINGING A SACK LUNCH TO SCHOOL. 140 00:07:24,667 --> 00:07:26,124 YOUR LUNCH IS IN THE BAG, 141 00:07:26,125 --> 00:07:29,374 BUT YOU HAVE TO WAIT UNTIL THE BELL RINGS TO EAT IT. 142 00:07:29,375 --> 00:07:32,457 YOU KNOW, IF YOU JUST GO AHEAD AND GIVE ME THAT PAPERWORK, JOY, 143 00:07:32,458 --> 00:07:33,582 I CAN SKEDADDLE. 144 00:07:33,583 --> 00:07:34,791 WHERE ARE WE GONNA LIVE? 145 00:07:34,792 --> 00:07:36,874 WELL, ESCROW LASTS FOR 45 DAYS, 146 00:07:36,875 --> 00:07:39,875 SO WE HAVE A MONTH AND A HALF TO FIND A PLACE. 147 00:07:44,750 --> 00:07:46,208 WAIT. WAIT. 148 00:07:46,209 --> 00:07:47,541 HEY, MAN, WHAT'S THE DEAL? 149 00:07:47,542 --> 00:07:49,782 WHAT THE FUCK, HAVE YOU GOT A POST-IT HERE, TOO, OR WHAT? 150 00:07:49,806 --> 00:07:51,165 POST-IT? WHAT... WHAT IS THIS? 151 00:07:51,166 --> 00:07:53,707 [MASON] "707 HANLEY BOULEVARD. 707 HANLEY..." 152 00:07:53,708 --> 00:07:55,124 "USED RECORDS CHEAP"? 153 00:07:55,125 --> 00:07:56,445 MAN, THAT SHIT AIN'T EVEN WORTH IT 154 00:07:56,469 --> 00:07:59,416 UNLESS YOU'RE INTO THAT VINTAGE '60S BRITISH THING. 155 00:07:59,417 --> 00:08:03,916 WAIT. I AM VINTAGE '60S BRITISH THING, SO FUCK OFF. GO ON. 156 00:08:03,917 --> 00:08:05,708 [ROCK MUSIC PLAYING ON STEREO] 157 00:08:07,917 --> 00:08:10,208 ANYONE HOME? 158 00:08:10,209 --> 00:08:12,582 SO, MICHAEL, I SEE FROM YOUR RESUME 159 00:08:12,583 --> 00:08:15,457 THAT YOU ARE A MAJOR IN CHEMISTRY. 160 00:08:15,458 --> 00:08:19,999 YES, SO IF THERE'S ANY TECHNICAL STUFF THAT COMES UP, I'M YOUR MAN. 161 00:08:20,000 --> 00:08:23,208 THIS IS A HIGHLY-PRESSURED SITUATION, MICHAEL. 162 00:08:23,209 --> 00:08:25,166 LUNATECA IS LOOKING FOR A SELF... 163 00:08:25,167 --> 00:08:26,708 [FARTING] 164 00:08:29,667 --> 00:08:32,124 STARTER WITH GREAT INTERPERSONAL SKILLS. 165 00:08:32,125 --> 00:08:33,725 DO YOU THINK YOU'RE THAT PERSON, MICHAEL? 166 00:08:33,749 --> 00:08:35,374 I KNOW I'M THAT PERSON, MILLIE. 167 00:08:35,375 --> 00:08:37,416 [FARTING] 168 00:08:37,417 --> 00:08:40,624 LUNATECA IS BRINGING A NEW PAINKILLER 169 00:08:40,625 --> 00:08:42,249 TO THE MARKET WITHIN THE NEXT FEW DAYS 170 00:08:42,250 --> 00:08:45,124 AND THEY'RE HOPING TO HIRE SOMEONE BEFORE THE DRUG IS... 171 00:08:45,125 --> 00:08:46,834 [FARTING] 172 00:08:48,083 --> 00:08:51,499 RELEASED. MICHAEL, YOU ARE FARTING. I'M AWARE OF THAT. 173 00:08:51,500 --> 00:08:54,874 YOU DO REALIZE THIS ISN'T A JOB AT A MORNING RADIO SHOW? 174 00:08:54,875 --> 00:08:56,250 [FARTING] 175 00:08:58,625 --> 00:08:59,958 I'LL TAKE THAT AS A NO. 176 00:08:59,959 --> 00:09:03,749 LISTEN, I HAVE IRRITABLE BOWEL SYNDROME, OKAY? 177 00:09:03,750 --> 00:09:05,207 IT'S NOT A JOKE. 178 00:09:05,208 --> 00:09:08,708 IN FACT, IT'S PROTECTED BY THE AMERICANS WITH DISABILITIES ACT 179 00:09:10,041 --> 00:09:14,750 SO DON'T EVEN THINK ABOUT TRYING TO GET RID OF ME FOR THIS. 180 00:09:16,083 --> 00:09:17,792 [FARTING] 181 00:09:22,000 --> 00:09:23,958 I APPRECIATE YOU COMING IN. 182 00:09:23,959 --> 00:09:25,333 LEAVE THE DOOR OPEN? PLEASE. 183 00:09:37,000 --> 00:09:40,249 YEAH, THEY'RE ALL FOR SALE. ANYTHING YOU SEE. 184 00:09:40,250 --> 00:09:42,207 [ROCK MUSIC PLAYING ON STEREO] 185 00:09:42,208 --> 00:09:44,541 YOU BREAK IT, YOU BUY IT. 186 00:09:44,542 --> 00:09:46,375 HOW MUCH FOR THAT ONE, MATE? NOT THAT ONE. 187 00:09:47,167 --> 00:09:48,250 ANYTHING ELSE. 188 00:09:50,625 --> 00:09:52,333 HOW ABOUT THIS ONE? YEAH, IT'S ALL RIGHT. 189 00:09:53,166 --> 00:09:54,624 ANYTHING BUT THAT ONE. 190 00:09:54,625 --> 00:09:56,208 ARE YOU SELLING YOUR RECORDS OR WHAT? 191 00:09:56,209 --> 00:09:58,417 WELL, I'M ALWAYS A BIT CLEARER AFTER LUNCH. 192 00:10:02,166 --> 00:10:04,999 "THE CHURCH YARD AT WEMBLEY, 1965." 193 00:10:05,000 --> 00:10:07,290 FUCKING HELL. 194 00:10:07,291 --> 00:10:10,040 HANG ON, THEY DID NOT DO LIVE RECORDINGS OF THIS SHOW, MATE. 195 00:10:10,041 --> 00:10:11,792 BAND MADE THEIR OWN. 196 00:10:12,250 --> 00:10:14,166 YEAH. 197 00:10:14,167 --> 00:10:16,458 YOU KNEW SOMEBODY IN THE CHURCH YARD? FUCK OFF. 198 00:10:23,000 --> 00:10:24,083 DID YOU? 199 00:10:24,875 --> 00:10:26,084 ALL MY LIFE. 200 00:10:28,959 --> 00:10:30,333 BLOODY HELL. 201 00:10:32,291 --> 00:10:35,707 BLOODY HELL, YOU'RE GIDEON JEFFRIES. 202 00:10:35,708 --> 00:10:38,028 DON'T TELL ME YOU'RE ANOTHER LONG-LOST CHILD OF SOME GROUPIE 203 00:10:38,052 --> 00:10:39,124 BECAUSE I'M TAPPED OUT. 204 00:10:39,125 --> 00:10:41,209 WHY DON'T YOU TRY JAGGER? HE'S STILL TOURING. 205 00:10:43,750 --> 00:10:45,124 SORRY. 206 00:10:45,125 --> 00:10:50,249 LOOK, I'M JUST SUCH A TREMENDOUS, BLOODY FAN OF YOURS, MAN. 207 00:10:50,250 --> 00:10:52,541 I MEAN, THIS WASN'T EVEN A CONCERT, WAS IT? 208 00:10:52,542 --> 00:10:56,166 DO YOU KNOW WHAT I MEAN? IT WAS A FUCKING MIRACLE. 209 00:10:56,167 --> 00:10:58,124 THAT CONCERT WAS 40 YEARS AGO. 210 00:10:58,125 --> 00:11:00,205 YOU'VE GOT TO BE THINKING ABOUT SOMETHING ELSE, MATE. 211 00:11:00,229 --> 00:11:02,958 YEAH, MY UNCLE USED TO REMINISCE ABOUT IT ALL THE TIME. 212 00:11:02,959 --> 00:11:05,124 DIDN'T SHUT UP ABOUT IT. YEAH. YOUR UNCLE? 213 00:11:05,125 --> 00:11:06,125 [KNOCKING ON DOOR] 214 00:11:06,126 --> 00:11:07,416 [MAN] CHINESE FOOD. BRILLIANT. 215 00:11:07,417 --> 00:11:10,874 LISTEN, DO YOU HAVE, LIKE, 20 BUCKS ON YOU? 216 00:11:10,875 --> 00:11:12,207 I'VE GOT 20 BUCKS ON ME. 217 00:11:12,208 --> 00:11:14,848 IT'S A BIT EARLY FOR CHINESE, BUT ANYTHING FOR YOU, GIDEON JEFFRIES. 218 00:11:14,872 --> 00:11:15,958 FUCK, GIDEON JEFFRIES. 219 00:11:15,959 --> 00:11:17,124 THAT'S A PARKING TICKET. 220 00:11:17,125 --> 00:11:18,125 THAT'S A PARKING TICKET, YEAH, 221 00:11:18,126 --> 00:11:19,499 AND YOU KNOW WHAT'S FUCKED UP ABOUT IT? 222 00:11:19,500 --> 00:11:20,740 I DON'T EVEN FUCKING HAVE A CAR. 223 00:11:20,741 --> 00:11:22,115 I DON'T KNOW WHY I'VE GOT A PARKING TICKET IN MY... 224 00:11:22,116 --> 00:11:23,207 DO YOU HAVE A 20 ON YOU? 225 00:11:23,208 --> 00:11:25,249 I'VE GOT A FUCKING... I'VE GOT A 20, MATE. 226 00:11:25,250 --> 00:11:27,916 I'VE GOT A... FUCK, WHAT THE FUCK? THERE IT IS. THERE'S A 20. 227 00:11:27,917 --> 00:11:30,499 ALL RIGHT, CHEERS. TAKE A RECORD, JUST NOT THAT ONE, OKAY? 228 00:11:30,500 --> 00:11:32,458 GIDEON JEFFRIES, FUCK. 229 00:11:34,083 --> 00:11:36,042 EGG ROLLS, FRIEND. 230 00:11:37,375 --> 00:11:38,624 HEY, YOU LIKE CHINESE? 231 00:11:38,625 --> 00:11:40,499 YOU LOOK LIKE YOU LIKE CHINESE. TAKE A CARD. 232 00:11:40,500 --> 00:11:42,000 IT'S OKAY. 233 00:11:46,708 --> 00:11:48,582 HERE YOU GO. THANKS. 234 00:11:48,583 --> 00:11:49,791 OFFER YOU A BITE? 235 00:11:49,792 --> 00:11:51,165 I'M TRYING TO CUT BACK, MATE. 236 00:11:51,166 --> 00:11:53,291 ALL THAT MSG. TOXIC. REALLY BAD FOR YOU. 237 00:11:56,291 --> 00:11:58,083 WHAT DID YOU SAY YOUR NAME WAS? 238 00:11:58,084 --> 00:11:59,541 MASON. 239 00:11:59,542 --> 00:12:01,500 I USED TO BE GIDEON JEFFRIES. 240 00:12:04,875 --> 00:12:06,042 I REMEMBER. 241 00:12:07,125 --> 00:12:09,124 I CAN'T BELIEVE YOU SOLD OUR LILY PAD. 242 00:12:09,125 --> 00:12:10,374 EXCUSE ME? 243 00:12:10,375 --> 00:12:13,499 MRS. RODRIGUEZ SAID THAT FROGS LIKE TO STAY ON ONE LILY PAD 244 00:12:13,500 --> 00:12:15,958 UNTIL ANOTHER LILY PAD DRIFTS BY. 245 00:12:15,959 --> 00:12:17,624 SHE SAID THEY DON'T REALLY LIKE TO SWIM. 246 00:12:17,625 --> 00:12:20,207 THAT'S WHERE THE DANGER IS, THE POND. 247 00:12:20,208 --> 00:12:22,124 BUT WHAT IS YOUR POINT? 248 00:12:22,125 --> 00:12:24,374 RIBBIT. WE'RE IN THE POND. 249 00:12:24,375 --> 00:12:26,834 WE ARE NOT IN THE POND. 250 00:12:29,084 --> 00:12:30,624 EXCUSE US. 251 00:12:30,625 --> 00:12:32,083 [DOOR BUZZING] 252 00:12:33,708 --> 00:12:35,582 WHAT IS THAT? 253 00:12:35,583 --> 00:12:38,541 SOME PEOPLE DOWNTOWN LIVE IN PLACES LIKE THAT. 254 00:12:38,542 --> 00:12:39,707 WHAT KIND OF PEOPLE? 255 00:12:39,708 --> 00:12:41,041 DOWNTOWN PEOPLE. 256 00:12:43,875 --> 00:12:48,667 YOU KNOW, HOW ABOUT JUST FOR FUN WE GO LOOK AT A LILY PAD? 257 00:12:50,875 --> 00:12:52,250 YOU GET ME JOB. 258 00:12:54,917 --> 00:12:57,165 USUALLY WE WARM UP WITH A LITTLE SMALL TALK 259 00:12:57,166 --> 00:13:00,208 BEFORE THE COMMANDS BEGIN. 260 00:13:00,209 --> 00:13:01,666 I'M SORRY. MY ENGLISH IS NOT PERFECT. 261 00:13:01,667 --> 00:13:03,749 PERHAPS OTHERS ARE MORE POLITE. 262 00:13:03,750 --> 00:13:05,250 YOU'D BE SURPRISED. 263 00:13:07,166 --> 00:13:08,833 I DIDN'T DO IT. IT WAS THE GUY BEFORE YOU. 264 00:13:08,834 --> 00:13:10,958 ANYWAY, YOU'RE RUSSIAN? 265 00:13:10,959 --> 00:13:12,624 CHECHNYA. BIG DIFFERENCE. 266 00:13:12,625 --> 00:13:14,040 YOU KNOW WHERE THIS IS, CHECHNYA? 267 00:13:14,041 --> 00:13:15,165 NOT REALLY. 268 00:13:15,166 --> 00:13:18,083 THIS JOB, ANTON, IS NOT ENTRY-LEVEL. 269 00:13:18,084 --> 00:13:22,249 IT'S GOING TO BE VERY STRESSFUL, A PRESSURE-FILLED SITUATION. 270 00:13:22,250 --> 00:13:23,666 I WAS DOCTOR IN CHECHNYA. 271 00:13:23,667 --> 00:13:26,875 THEN WAR CAME. MY HOSPITAL WAS BOMBED. I WAS TORTURED. 272 00:13:28,000 --> 00:13:30,375 ELECTRODES WERE ATTACHED TO MY TESTICLES. 273 00:13:31,417 --> 00:13:34,291 SO YOU'RE ALL SET ON THE PRESSURE THING. 274 00:13:35,959 --> 00:13:39,124 I DON'T GET JOB, LOSE WORK VISA, GO BACK. YOU GET ME JOB? 275 00:13:39,125 --> 00:13:40,291 MAYBE. 276 00:13:42,000 --> 00:13:43,000 WANT A DONUT? 277 00:13:43,001 --> 00:13:46,959 I NEED JOB, NOT DONUTS. I GET JOB, BUY DONUTS. 278 00:13:48,250 --> 00:13:49,625 KRISPY KREMES. 279 00:13:54,000 --> 00:13:56,416 THIS IS AWESOME. YOU CAN SKATEBOARD IN YOUR OWN LIVING ROOM. 280 00:13:56,417 --> 00:13:58,457 BUT YOU WOULDN'T. 281 00:13:58,458 --> 00:14:02,290 ANYWAY, PEOPLE THAT WORK DOWNTOWN LOVE LIVING HERE. 282 00:14:02,291 --> 00:14:04,371 YOU WORK DOWNTOWN? [REGGIE] SHE DOESN'T WORK ANYWHERE. 283 00:14:04,395 --> 00:14:06,063 SHE'S A MOM. 284 00:14:07,333 --> 00:14:08,667 I USED TO WORK. 285 00:14:09,208 --> 00:14:10,958 WHERE WOULD I SLEEP? 286 00:14:10,959 --> 00:14:12,583 OH, YOUR BEDROOM? THAT WAY. 287 00:14:17,209 --> 00:14:18,916 SO WHERE ARE YOU LIVING NOW? 288 00:14:18,917 --> 00:14:20,624 DO YOU KNOW BEATRICE LANE? 289 00:14:20,625 --> 00:14:22,291 NO, AND BEATRICE LANE DOES NOT KNOW ME. 290 00:14:23,041 --> 00:14:24,333 [CHUCKLES] 291 00:14:26,708 --> 00:14:28,541 SO IS IT... 292 00:14:28,542 --> 00:14:29,999 IS IT SAFE DOWN HERE? 293 00:14:30,000 --> 00:14:32,666 WELL, DURING THE DAY EVERYBODY RUSHES AROUND WITH THEIR WORK 294 00:14:32,667 --> 00:14:35,666 AND DURING THE NIGHT, EVERYBODY RUSHES AROUND WITH THEIR PLAY. 295 00:14:35,667 --> 00:14:38,458 SO YOU CAN BE BY YOURSELF, BUT YOU'RE NEVER ALONE. 296 00:14:40,166 --> 00:14:41,291 THAT SOUNDS NICE. 297 00:14:41,792 --> 00:14:43,084 YEAH. 298 00:14:45,000 --> 00:14:46,959 IS IT JUST THE TWO OF YOU? YEP. 299 00:14:47,542 --> 00:14:49,625 THAT'S WHAT IT IS. YEAH. 300 00:14:51,166 --> 00:14:52,500 MY ROOM'S HUGE. 301 00:14:53,333 --> 00:14:54,958 DO YOU ALLOW DOGS? 302 00:14:54,959 --> 00:14:56,599 YOU'RE NOT ALLOWED TO MOVE IN WITHOUT ONE. 303 00:14:57,291 --> 00:14:58,749 COOL. 304 00:14:58,750 --> 00:15:00,125 I GUESS SHE LIKES IT. 305 00:15:01,125 --> 00:15:03,124 SEEMS THAT WAY. 306 00:15:03,125 --> 00:15:05,083 AND SHE DOESN'T LIKE ANYTHING. 307 00:15:07,208 --> 00:15:09,707 SO DID YOU SELL YOUR PLACE ON BEATRICE LANE? 308 00:15:09,708 --> 00:15:11,042 I'M IN ESCROW. 309 00:15:13,667 --> 00:15:15,416 YOU KNOW WHAT YOU NEED TO DO? 310 00:15:15,417 --> 00:15:17,040 YOU NEED TO CRUISE BY, 311 00:15:17,041 --> 00:15:19,542 CHECK OUT THE NEIGHBORHOOD AT NIGHT, SEE IF YOU LIKE IT. 312 00:15:21,708 --> 00:15:23,959 YOUR ROOM HAS A FIREPLACE IN IT AND A VIEW OF THE SOUND. 313 00:15:25,375 --> 00:15:27,833 HEY, WHAT'S THE NAME OF YOUR DOG? J.D. 314 00:15:27,834 --> 00:15:29,582 J.D. WHAT'S J.D. STAND FOR? 315 00:15:29,583 --> 00:15:30,666 JUST DOG. 316 00:15:30,667 --> 00:15:32,750 JUST... OF COURSE. 317 00:15:33,625 --> 00:15:35,041 I LIKE GOLDEN RETRIEVERS. 318 00:15:40,208 --> 00:15:42,874 SO WHAT DID HER FAMILY SAY? 319 00:15:42,875 --> 00:15:45,707 YOU MEAN, THE GRIEVING, STOLEN-CROSS FAMILY? 320 00:15:45,708 --> 00:15:48,833 YEAH. THEY CAME TO THE PRECINCT AND COMPLAINED. 321 00:15:48,834 --> 00:15:52,624 THEY THINK THE COPS STOLE IT. IT'S AN HEIRLOOM OR SOME SHIT. 322 00:15:52,625 --> 00:15:54,541 THE FUCKING THING IS OLDER THAN YOU ARE. 323 00:15:54,542 --> 00:15:55,791 THERE'S NO NEED TO BE MEAN. 324 00:15:55,792 --> 00:15:58,082 JUST GIVE IT BACK. THERE'S NO LAW THAT SAYS I HAVE TO. 325 00:15:58,083 --> 00:16:00,332 ACTUALLY, THERE ARE SEVERAL LAWS, 326 00:16:00,333 --> 00:16:03,249 DAISY ADAIR, INCLUDING YOU-KNOW-WHO'S. 327 00:16:03,250 --> 00:16:06,582 NO NEED TO BRING HIM INTO IT. I'M KEEPING THE CROSS. 328 00:16:06,583 --> 00:16:10,541 I WILL SAY ONE THING. YOU GOT GOOD TASTE. 329 00:16:10,542 --> 00:16:12,791 IT'S A BEAUTIFUL CROSS. THANK YOU. 330 00:16:12,792 --> 00:16:14,312 THE THING IS GOING TO BURN A HOLE CLEAN 331 00:16:14,336 --> 00:16:17,003 THROUGH YOUR NECK TO THE BACK OF YOUR SPINE. 332 00:16:20,458 --> 00:16:22,916 SO HE WAS... 333 00:16:22,917 --> 00:16:25,165 BREAKING WIND THROUGH THE WHOLE INTERVIEW? 334 00:16:25,166 --> 00:16:28,207 JUST RIPPING ONE AFTER ANOTHER. 335 00:16:28,208 --> 00:16:30,166 THAT'S FUNNY, CRYSTAL? 336 00:16:30,167 --> 00:16:31,083 NO. 337 00:16:31,084 --> 00:16:32,416 IT IS A LITTLE FUNNY. 338 00:16:32,417 --> 00:16:35,083 MILLIE. I'M SORRY. 339 00:16:35,084 --> 00:16:38,624 IRRITABLE BOWEL SYNDROME IS A SERIOUS AFFLICTION. 340 00:16:38,625 --> 00:16:42,207 MOST PEOPLE DON'T KNOW THIS, BUT MARILYN MONROE HAD IBS. 341 00:16:42,208 --> 00:16:44,165 IS THAT WHAT BLEW HER SKIRT UP? 342 00:16:44,166 --> 00:16:46,165 THAT IS IN POOR TASTE, MILLIE. 343 00:16:46,166 --> 00:16:48,500 I'M SORRY AGAIN. 344 00:16:49,875 --> 00:16:52,707 KNOCK, KNOCK. I HAVE AN APPOINTMENT WITH MILLIE. 345 00:16:52,708 --> 00:16:54,290 MARGARET PADDINGTON? 346 00:16:54,291 --> 00:16:56,208 AS IN THE BEAR? 347 00:16:56,209 --> 00:16:57,791 AS IN THE BEAR. 348 00:16:57,792 --> 00:17:01,041 HI. I'M MILLIE. THANKS FOR COMING IN. 349 00:17:01,042 --> 00:17:03,999 I CAN'T TELL YOU HOW MUCH THIS INTERVIEW MEANS TO ME. 350 00:17:04,000 --> 00:17:07,041 AT MY AGE, I'M LUCKY TO EVEN GET A CALL RETURNED. 351 00:17:07,042 --> 00:17:09,749 OH, DON'T BE SILLY. WE'RE HAPPY TO HAVE YOU. 352 00:17:09,750 --> 00:17:11,040 I GUESS IT'S TRUE WHAT THEY SAY 353 00:17:11,041 --> 00:17:15,290 ABOUT THE MAGICAL SUPERPOWERS A WOMAN GETS WHEN SHE TURNS 50. 354 00:17:15,291 --> 00:17:16,375 WHAT'S THAT? 355 00:17:17,125 --> 00:17:19,333 SHE CAN DISAPPEAR. 356 00:17:21,417 --> 00:17:25,084 I TOOK 10 YEARS OFF 357 00:17:26,500 --> 00:17:29,707 TO CARE FOR MY AGING PARENTS WHO HAVE NOW PASSED. 358 00:17:29,708 --> 00:17:31,374 OH, I'M SORRY. 359 00:17:31,375 --> 00:17:33,135 WELL, I SHOULD NEVER HAVE LEFT THE WORKFORCE. 360 00:17:33,159 --> 00:17:34,666 IT'S SO HARD NOW TO GET BACK IN. 361 00:17:34,667 --> 00:17:36,916 I SHOULD NEVER HAVE JUMPED OFF THAT TRAIN 362 00:17:36,917 --> 00:17:39,332 AND NOW I'VE LIVED WITH DEATH FOR SO LONG 363 00:17:39,333 --> 00:17:43,000 THAT, WELL, I NEED TO FEEL ALIVE. 364 00:17:43,542 --> 00:17:44,750 [CLEARS THROAT] 365 00:17:46,167 --> 00:17:48,000 LET'S SEE WHAT WE CAN DO FOR YOU. 366 00:17:51,917 --> 00:17:53,582 [MASON] GIDEON. GIDEON JEFFRIES. 367 00:17:53,583 --> 00:17:55,423 I JUST WANT TO TELL YOU HOW GREAT YOU ARE, MAN. 368 00:17:55,447 --> 00:17:57,541 I MEAN, YOU INVENTED THE POWER STANCE. 369 00:17:57,542 --> 00:17:59,083 NOW, YOU... DO YOU MIND IF I JUST... 370 00:18:05,209 --> 00:18:06,291 [YELLING] 371 00:18:10,125 --> 00:18:13,041 THANK YOU, BATON ROUGE. 372 00:18:15,208 --> 00:18:16,874 DO YOU MIND IF YOU DO IT FOR ME? PLEASE. 373 00:18:16,875 --> 00:18:18,042 NO. 374 00:18:21,542 --> 00:18:23,166 POWER STANCE DAYS ARE BEHIND ME. 375 00:18:24,792 --> 00:18:28,249 RIGHT, YEAH, I'M SORRY. IT'S STUPID. I'M SORRY FOR ASKING, MAN. 376 00:18:28,250 --> 00:18:30,708 NO, NO, DON'T BE SORRY. IT'S NOT STUPID. 377 00:18:32,167 --> 00:18:34,833 SEE, THE WHO STARTED ALL THIS NONSENSE. 378 00:18:34,834 --> 00:18:38,124 TOWNSHEND. IT WAS JUST ANOTHER ROCK-STAR AFFECTATION, YOU KNOW. 379 00:18:38,125 --> 00:18:41,416 IT DIDN'T ACTUALLY PRODUCE MORE SOUND THAT WAY. 380 00:18:41,417 --> 00:18:43,083 BUT IT WAS SO FUCKING COOL, WASN'T IT? 381 00:18:43,084 --> 00:18:44,764 WELL, EVERYTHING LOOKS COOL WHEN YOU'RE 27. 382 00:18:44,765 --> 00:18:46,565 WHAT THE FUCK DO YOU KNOW? YOU'RE STILL A KID. 383 00:18:46,589 --> 00:18:48,541 DO YOU MIND IF I EAT MY CHINESE NOW? 384 00:18:48,542 --> 00:18:50,262 CAN I JUST ASK YOU ONE QUESTION BEFORE YOU... 385 00:18:53,000 --> 00:18:55,999 BEFORE WHAT? NOTHING. 386 00:18:56,000 --> 00:19:01,291 ANYWAY, MY UNCLE, I SWEAR TO GOD, HE WORSHIPPED YOU, MAN. 387 00:19:02,959 --> 00:19:06,166 YOU KNOW, AND HE ENDED UP 388 00:19:06,167 --> 00:19:08,125 CHASING THIS PERMANENT HIGH. 389 00:19:10,209 --> 00:19:12,165 ANYWAY, HE THOUGHT THAT IF HE'S GOING TO GO OUT, 390 00:19:12,166 --> 00:19:14,916 HE'S GOING TO GO OUT LIKE HIS HEROES. 391 00:19:14,917 --> 00:19:17,582 YOU KNOW, HE'S GOING TO GO OUT LIKE THOSE, 392 00:19:17,583 --> 00:19:19,624 LIKE THOSE BLOKES FROM THE CHURCH YARD. 393 00:19:19,625 --> 00:19:21,208 HOW DID IT TURN OUT FOR YOUR UNCLE? 394 00:19:21,209 --> 00:19:23,124 NOT TOO WELL. HE ENDED UP IN A CHURCHYARD. 395 00:19:23,125 --> 00:19:25,000 WELL, DOESN'T IT ALWAYS? 396 00:19:30,166 --> 00:19:32,208 WHAT? DID YOU EVER GET THERE? 397 00:19:33,875 --> 00:19:35,333 THE ULTIMATE HIGH? 398 00:19:39,959 --> 00:19:41,458 I'M STILL WAITING. 399 00:19:46,291 --> 00:19:48,082 GOOD LUCK. 400 00:19:48,083 --> 00:19:50,874 [GEORGE] "EENIE, MEENIE, MINIE, MOE, CATCH A TIGER BY ITS TOE, 401 00:19:50,875 --> 00:19:52,707 "IF HE HOLLERS, LET HIM GO." 402 00:19:52,708 --> 00:19:56,374 MY BOSS SAID TO PICK THE VERY BEST ONE, 403 00:19:56,375 --> 00:19:58,625 BUT WHO THE FUCK IS THAT? 404 00:20:09,000 --> 00:20:11,500 OKAY. WHAT THE HELL? 405 00:20:14,792 --> 00:20:16,583 FROM THE CHECHNYAN? 406 00:20:21,500 --> 00:20:23,958 SMELLS LIKE IT'S FROM THE OTHER GUY. 407 00:20:23,959 --> 00:20:26,042 GIFTS FROM AN APPLICANT? 408 00:20:27,500 --> 00:20:29,207 THE NO-NO OF NO-NOS. 409 00:20:29,208 --> 00:20:31,041 I KNOW. 410 00:20:31,042 --> 00:20:34,332 I'M COUNTING ON YOU, MILLIE. I HOPE YOU'RE AT LEAST NARROWING IT DOWN. 411 00:20:34,333 --> 00:20:36,167 ABSOLUTELY. 412 00:20:41,917 --> 00:20:44,290 [GEORGE] ROCK, PAPER, SCISSORS, MATCH. 413 00:20:44,291 --> 00:20:46,582 FUCK. 414 00:20:46,583 --> 00:20:50,041 OKAY, WHAT WAS THE BEST THING ABOUT BEING A ROCK STAR? 415 00:20:50,042 --> 00:20:53,124 THE SAME THING AS THE WORST, ALL THE GIRLS. 416 00:20:53,125 --> 00:20:56,040 SHUT THE FUCK UP. HOW WAS THAT POSSIBLY THE WORST? 417 00:20:56,041 --> 00:20:58,542 I HAD A FAMILY AND THEY LEFT ME. 418 00:21:00,834 --> 00:21:04,416 MY WIFE GOT SICK OF MY REPEATED INDISCRETIONS. 419 00:21:04,417 --> 00:21:08,541 I DON'T KNOW, MAN. I MEAN, SHE MARRIED A ROCK STAR. 420 00:21:08,542 --> 00:21:10,208 WHAT DID SHE EXPECT? 421 00:21:10,209 --> 00:21:11,291 I ALWAYS BLAMED THE DRUGS. 422 00:21:12,250 --> 00:21:13,333 THEY MADE ME FEEL 423 00:21:15,250 --> 00:21:16,458 DEFIANT, 424 00:21:18,583 --> 00:21:22,084 FEARLESS, IMMORTAL. 425 00:21:25,625 --> 00:21:29,500 YOU ARE IMMORTAL. YOU MADE MUSIC. YOU LIVE FOREVER. 426 00:21:33,083 --> 00:21:34,625 I BEG TO DIFFER. 427 00:21:36,500 --> 00:21:38,125 SO EMBARRASSING, 428 00:21:39,708 --> 00:21:41,667 BUT I WANTED TO BE YOU SO BADLY. 429 00:21:42,750 --> 00:21:44,083 I WAS... 430 00:21:46,042 --> 00:21:47,042 I WAS THERE. 431 00:21:48,000 --> 00:21:51,208 THE CHURCH YARD LIVE, 1965, AT WEMBLEY. 432 00:21:51,209 --> 00:21:52,499 HOW OLD ARE YOU? 433 00:21:52,500 --> 00:21:56,167 I'M THE SAME AGE AS I WAS THEN. 434 00:22:00,042 --> 00:22:01,625 I'M BEGINNING TO GET THIS. 435 00:22:02,834 --> 00:22:04,434 YOU'VE JUST BEEN HANGING AROUND FOR YEARS 436 00:22:05,291 --> 00:22:07,374 LURKING IN THE CORNER. 437 00:22:07,375 --> 00:22:10,000 YEAH. IMMORTAL. 438 00:22:11,500 --> 00:22:13,416 IT'S NOT ALL IT'S CRACKED UP TO BE. 439 00:22:13,417 --> 00:22:15,374 THAT'S GOOD TO KNOW. 440 00:22:15,375 --> 00:22:17,958 SO DO YOU MIND IF I KEEP THIS ONE? 441 00:22:17,959 --> 00:22:19,666 NO, I DON'T MIND. 442 00:22:19,667 --> 00:22:21,375 TAKE ANYTHING YOU LIKE. 443 00:22:22,542 --> 00:22:23,999 JUST DO ME ONE GOOD TURN. 444 00:22:24,000 --> 00:22:25,333 ANYTHING, MAN. 445 00:22:27,333 --> 00:22:30,500 TAKE THE NEEDLE OUT BEFORE THE POLICE ARRIVE. 446 00:22:32,542 --> 00:22:34,500 I DON'T WANT THEM TAKING PICTURES OF THAT. 447 00:22:35,917 --> 00:22:37,375 MY KIDS MIGHT SEE IT. 448 00:22:38,708 --> 00:22:40,833 I'M NOT MEANT TO FUCK AROUND WITH ANYTHING, 449 00:22:40,834 --> 00:22:43,500 BUT FOR THE MAN WHO INVENTED THE POWER STANCE, OF COURSE. 450 00:22:45,084 --> 00:22:46,500 YOU MEAN, LIKE THIS? 451 00:22:59,042 --> 00:23:00,916 [GUITAR CHORD PLAYING] 452 00:23:00,917 --> 00:23:02,124 [LAUGHS] 453 00:23:02,125 --> 00:23:03,375 NICE. 454 00:23:08,375 --> 00:23:10,582 FORGIVE ME, FATHER, FOR I HAVE SINNED. 455 00:23:10,583 --> 00:23:13,667 IT'S BEEN 75 YEARS SINCE MY LAST CONFESSION. 456 00:23:14,583 --> 00:23:16,833 HOW IS THAT POSSIBLE? 457 00:23:16,834 --> 00:23:19,084 IT FEELS LIKE 75 YEARS. 458 00:23:20,834 --> 00:23:22,999 WHAT WOULD YOU LIKE TO CONFESS, MY CHILD? 459 00:23:23,000 --> 00:23:27,041 PETTY LARCENY, AND FROM A VERY UNPLEASANT WOMAN. 460 00:23:29,125 --> 00:23:31,792 SO HOW MANY HAIL MARYS AND OUR FATHERS IS THAT? 461 00:23:33,250 --> 00:23:34,749 WHAT DID YOU TAKE? 462 00:23:34,750 --> 00:23:37,500 A NECKLACE WITH A CROSS ON IT. 463 00:23:39,291 --> 00:23:40,708 I NEEDED IT. 464 00:23:41,917 --> 00:23:44,750 AND THIS PERSON YOU TOOK THE CROSS FROM DID NOT? 465 00:23:45,708 --> 00:23:47,000 NO. 466 00:23:47,333 --> 00:23:49,083 WHY NOT? 467 00:23:49,084 --> 00:23:50,250 SHE WAS DEAD. 468 00:23:52,041 --> 00:23:53,625 THAT IS WHEN WE NEED IT THE MOST. 469 00:23:56,500 --> 00:24:00,916 HOW ABOUT WE SAY 10 HAIL MARYS AND FOUR OUR FATHERS, 470 00:24:00,917 --> 00:24:02,250 AND WE'LL CALL IT ABSOLVED? 471 00:24:04,042 --> 00:24:06,332 WOULDN'T YOU RATHER TALK ABOUT WHY YOU FELT THE NEED 472 00:24:06,333 --> 00:24:08,040 TO STEAL A CROSS FROM A DEAD WOMAN? 473 00:24:08,041 --> 00:24:11,000 NO, I THINK THE ACT SPEAKS FOR ITSELF. 474 00:24:13,000 --> 00:24:14,708 SO HOW ABOUT MY PENANCE? 475 00:24:16,875 --> 00:24:18,040 WHAT'S YOUR NAME? 476 00:24:18,041 --> 00:24:20,583 DAISY. DAISY ADAIR. 477 00:24:22,417 --> 00:24:24,417 NOW, HOW ABOUT THAT PENANCE? 478 00:24:25,166 --> 00:24:27,040 I CAN SAY THE WORDS, 479 00:24:27,041 --> 00:24:29,834 BUT IT MIGHT BE BETTER IF YOU TELL ME WHAT'S REALLY ON YOUR MIND. 480 00:24:34,917 --> 00:24:36,917 I'M WAITING FOR SOMETHING. 481 00:24:39,333 --> 00:24:42,290 I DON'T KNOW. THE CROSS MAKES ME FEEL CLOSER TO IT. 482 00:24:42,291 --> 00:24:45,582 WELL, WHETHER WE'RE WAITING FOR SOMEONE TO SAY THEY LOVE US, 483 00:24:45,583 --> 00:24:48,166 WAITING FOR A CHECK TO CLEAR, 484 00:24:48,167 --> 00:24:50,208 WAITING FOR A MAN OF THE CLOTH TO SAY WE'RE FORGIVEN, 485 00:24:51,250 --> 00:24:54,208 GRACE IS PASSING BY US EVERY DAY 486 00:24:54,209 --> 00:24:57,416 AND WE KNOW NOT WHEN THE END OF OUR DAYS MAY BE UPON US. 487 00:24:57,417 --> 00:24:59,834 I KNOW ALL ABOUT THAT, FATHER. 488 00:25:01,042 --> 00:25:03,666 I JUST WANT MY PENANCE, PLEASE. 489 00:25:03,667 --> 00:25:08,125 BLESS YOU, MY CHILD. TWO HAIL MARYS AND AN ACT OF CONTRITION. 490 00:25:13,084 --> 00:25:14,458 I HAVE TO GO. 491 00:25:17,750 --> 00:25:21,333 [GEORGE] I WAS FINDING THAT THE BEST WAY TO AVOID TAKING RESPONSIBILITY 492 00:25:27,792 --> 00:25:31,833 WAS TO AVOID THE PERSON WHO GAVE YOU THE RESPONSIBILITY. 493 00:25:31,834 --> 00:25:34,208 I'M SO FUCKING SMART, I SCARE MYSELF. 494 00:25:37,083 --> 00:25:39,041 [EXCLAIMS] 495 00:25:39,042 --> 00:25:41,166 HOW DID YOU DO THAT? 496 00:25:41,167 --> 00:25:44,458 DO YOU HAVE TIME TO HEAR A MESSAGE ON MY VOICE MAIL? 497 00:25:47,000 --> 00:25:48,124 [CAT MEOWING] 498 00:25:48,125 --> 00:25:50,999 OH, THAT'S JUST MURRAY. HE LEARNED SPEED DIAL. SUCH A GOOD BOY. 499 00:25:51,000 --> 00:25:52,332 HOW IS MURRAY? 500 00:25:52,333 --> 00:25:55,916 DON'T EVEN THINK ABOUT CHANGING THE SUBJECT. HE'S OKAY. 501 00:25:55,917 --> 00:25:57,374 [BEEPING] 502 00:25:57,375 --> 00:25:59,166 DELORES, THIS IS NED. 503 00:25:59,167 --> 00:26:00,916 WHERE'S MY FUCKING TEMP, DELORES? 504 00:26:00,917 --> 00:26:02,999 I'M SITTING ON A SHIT VOLCANO HERE! 505 00:26:03,000 --> 00:26:05,999 I'M ON TOP OF MOUNT SAINT SHIT, DELORES! 506 00:26:06,000 --> 00:26:07,167 HELP ME! 507 00:26:08,291 --> 00:26:10,165 THAT IS NED BENJAMIN FROM LUNATECA. 508 00:26:10,166 --> 00:26:13,083 HE'S YOUR CLIENT. YOUR CLIENT IS NOT HAPPY. 509 00:26:13,084 --> 00:26:14,999 I'M WORKING ON IT. I SWEAR. 510 00:26:15,000 --> 00:26:16,457 [PHONE RINGING] 511 00:26:16,458 --> 00:26:18,208 [DELORES] WHAT IS IT, CRYSTAL? 512 00:26:18,209 --> 00:26:19,999 PACKAGE FOR MILLIE. IT'S MOVING. 513 00:26:20,000 --> 00:26:21,165 WHY IS IT MOVING? 514 00:26:21,166 --> 00:26:22,750 IT'S ALIVE. 515 00:26:25,167 --> 00:26:26,167 OH. 516 00:26:34,375 --> 00:26:35,999 OH, GOD. 517 00:26:36,000 --> 00:26:38,040 YOU HAVE TO MAKE THE DECISION, MILLIE. 518 00:26:38,041 --> 00:26:40,125 DON'T LET THE DECISION MAKE YOU. 519 00:26:41,083 --> 00:26:43,124 I DON'T EVEN KNOW WHAT THAT MEANS. 520 00:26:43,125 --> 00:26:46,167 PICK SOMEONE. LOSE THE RABBIT. 521 00:26:47,417 --> 00:26:48,708 HI, MILLIE. 522 00:26:49,917 --> 00:26:51,207 HI, MICHAEL. 523 00:26:51,208 --> 00:26:53,416 HI. I WAS JUST HOPING WE COULD REVISIT 524 00:26:53,417 --> 00:26:55,208 FOR A MOMENT TODAY'S INTERVIEW. 525 00:26:55,209 --> 00:26:58,083 [GEORGE] OH, PLEASE, GOD, I CAN'T TAKE ANOTHER BLAST. 526 00:26:58,084 --> 00:27:01,040 YOU WERE GREAT, MICHAEL. YOU'RE DEFINITELY STILL IN THE MIX. 527 00:27:01,041 --> 00:27:03,457 COOL. I JUST WANTED TO LET YOU KNOW 528 00:27:03,458 --> 00:27:05,208 I'M NOT GOING TO SUE HAPPY TIME 529 00:27:05,209 --> 00:27:06,457 IF YOU DON'T CHOOSE ME. 530 00:27:06,458 --> 00:27:09,167 I'M DONE BLAMING OTHERS FOR MY PROBLEM. 531 00:27:10,125 --> 00:27:11,999 WELL, THAT'S VERY MATURE OF YOU TO SAY. 532 00:27:12,000 --> 00:27:13,457 SO ARE YOU GOING TO CHOOSE ME? 533 00:27:13,458 --> 00:27:14,666 I DON'T KNOW. MAYBE. 534 00:27:14,667 --> 00:27:17,040 WELL, IF IT HELPS, I THINK YOU SHOULD KNOW 535 00:27:17,041 --> 00:27:19,040 THAT I STARTED NEW MEDICATION TODAY 536 00:27:19,041 --> 00:27:21,499 AND IT'S BEEN INCREDIBLY EFFECTIVE. 537 00:27:21,500 --> 00:27:23,042 WELL, GOOD FOR YOU. 538 00:27:23,166 --> 00:27:24,583 [FARTS] 539 00:27:26,625 --> 00:27:27,959 WOW, DID YOU HEAR THE RABBIT FART? 540 00:27:30,291 --> 00:27:31,833 WHEN'S DINNER? 541 00:27:31,834 --> 00:27:34,667 WHENEVER YOU WANT. YOU'RE HAVING A BABYSITTER TONIGHT, OKAY? 542 00:27:37,291 --> 00:27:38,707 TILL HOW LATE? 543 00:27:38,708 --> 00:27:41,041 WELL, NOT LATE ENOUGH FOR YOU TO WATCH LETTERMAN, 544 00:27:41,042 --> 00:27:42,541 IF THAT'S WHAT YOU'RE GETTING AT. 545 00:27:42,542 --> 00:27:44,290 I DON'T WANT TO WATCH LETTERMAN. 546 00:27:44,291 --> 00:27:46,165 YOU CAN ORDER PIZZA. 547 00:27:46,166 --> 00:27:47,749 DO YOU HAVE A DATE? 548 00:27:47,750 --> 00:27:49,541 NO, I HAVE AN APPOINTMENT. 549 00:27:49,542 --> 00:27:50,874 DO I LOOK LIKE I HAVE A DATE? 550 00:27:50,875 --> 00:27:52,166 NO. 551 00:27:52,167 --> 00:27:53,083 DO I LOOK BAD? 552 00:27:53,084 --> 00:27:55,042 NO. CAN I HAVE PEPPERONI? 553 00:27:55,208 --> 00:27:56,542 NO. 554 00:28:00,792 --> 00:28:02,290 I'M LEAVING, MILLIE. 555 00:28:02,291 --> 00:28:05,166 I'M LEAVING WITHOUT GIVING NED BENJAMIN YOUR DECISION. 556 00:28:05,167 --> 00:28:06,999 I JUST HAVE TO SLEEP ON IT. 557 00:28:07,000 --> 00:28:08,208 THEY NEEDED SOMEONE TODAY. 558 00:28:08,209 --> 00:28:09,999 IT WILL ALL BE CLEARER IN THE MORNING. 559 00:28:10,000 --> 00:28:16,207 OKAY, MILLIE, YOU'RE IN CHARGE. I'M LEAVING. I'VE GOT MY SHOWS TO WATCH. 560 00:28:16,208 --> 00:28:18,999 [GEORGE] I DIDN'T WANT TO BE IN CHARGE. 561 00:28:19,000 --> 00:28:22,582 I WANTED TO GO HOME AND STARE AT MY TV. 562 00:28:22,583 --> 00:28:25,500 BEING IN CHARGE WAS THE LONELIEST FEELING EVER. 563 00:28:28,417 --> 00:28:30,500 ALL RIGHT, THE SECOND LONELIEST. 564 00:28:35,834 --> 00:28:40,374 I'M NOT GOING HOME. I'D JUST CHANNEL-SURF ALL NIGHT ANYWAY. 565 00:28:40,375 --> 00:28:42,792 CAN'T MAKE A DECISION ABOUT ANYTHING. 566 00:28:46,917 --> 00:28:48,083 WE HAVE CABLE. 567 00:28:49,083 --> 00:28:50,959 EVERYBODY HAS CABLE. 568 00:28:53,125 --> 00:28:56,416 WE HAVE PAY STATIONS, YOU KNOW, WITH SWEARING. 569 00:28:56,417 --> 00:28:59,959 WOW, SWEARING. PRETTY TOUGH, HUH? 570 00:29:02,583 --> 00:29:04,083 MY SISTER DIED. 571 00:29:06,500 --> 00:29:08,042 HOW DID SHE DIE? 572 00:29:09,084 --> 00:29:11,041 SKYDIVING. 573 00:29:11,042 --> 00:29:12,917 MY MOM SAID WE COULD ORDER PIZZA. PEPPERONI. 574 00:29:14,083 --> 00:29:15,542 WHATEVER YOU WANT. 575 00:29:16,500 --> 00:29:17,666 [BANGING ON DOOR] 576 00:29:17,667 --> 00:29:19,542 [J.D. BARKING] 577 00:29:24,083 --> 00:29:25,250 SHIT. 578 00:29:29,208 --> 00:29:30,499 CAN YOU WAIT HERE FOR A SECOND? 579 00:29:30,500 --> 00:29:31,792 I LIVE HERE, SO YEAH. 580 00:29:35,625 --> 00:29:37,083 [JANELLE] WHAT THE FUCK, MICAH? 581 00:29:37,084 --> 00:29:39,499 [MICAH] TOMMY SAID NOW. THEY'RE DOING IT NOW. 582 00:29:39,500 --> 00:29:43,124 [JANELLE] I AM GOING TO BEAT HIS ASS, I SWEAR TO FUCKING GOD. 583 00:29:43,125 --> 00:29:45,207 [DOOR SLAMMING] 584 00:29:45,208 --> 00:29:48,084 HI. I'VE GOT TO GO FOR ABOUT AN HOUR. YOU'RE COOL, RIGHT? 585 00:29:49,667 --> 00:29:51,167 I'M COOL. 586 00:29:53,667 --> 00:29:55,500 DON'T TELL YOUR MOM. 587 00:30:00,125 --> 00:30:01,999 [DOOR CLOSES] 588 00:30:02,000 --> 00:30:03,499 [BRAZILIAN MUSIC PLAYING] 589 00:30:03,500 --> 00:30:05,499 THIS TIME OF YEAR, YOU COULD SEE 590 00:30:05,500 --> 00:30:07,749 SATURN'S RINGS WITH THE NAKED EYE 591 00:30:07,750 --> 00:30:09,666 IF YOU'VE HAD ENOUGH TO DRINK. 592 00:30:09,667 --> 00:30:11,083 [LAUGHS] 593 00:30:12,417 --> 00:30:15,457 WHERE'S THE MUSIC COMING FROM? 594 00:30:15,458 --> 00:30:18,041 NOW, THAT'S THE BRAZILIAN CLUB ON FOURTH, 595 00:30:18,042 --> 00:30:20,583 AND IN THE SUMMERTIME YOU CAN SEE CHAMBER MUSIC ON THAT ROOFTOP. 596 00:30:22,834 --> 00:30:24,791 YOU PLAY MUSIC? 597 00:30:24,792 --> 00:30:27,082 PIANO. WHEN I WAS A KID. 598 00:30:27,083 --> 00:30:29,792 YOU PAINT? I PAINT. 599 00:30:31,083 --> 00:30:32,750 ARE YOU A WRITER? 600 00:30:33,375 --> 00:30:34,916 NO. 601 00:30:34,917 --> 00:30:38,707 YOU SEEM LIKE YOU COULD. LIKE YOU HAVE STORIES TO TELL. 602 00:30:38,708 --> 00:30:39,959 MAYBE. 603 00:30:41,042 --> 00:30:42,625 YOU LIKE THE PLACE, THOUGH, RIGHT? 604 00:30:43,750 --> 00:30:48,666 I DO, BUT WE'RE... I'M IN ESCROW. 605 00:30:48,667 --> 00:30:51,708 SO, YOU KNOW, IT'S NOT A GOOD TIME TO WANT ANYTHING. 606 00:30:53,708 --> 00:30:55,792 WELL, DO YOU WANT A GLASS OF WINE? 607 00:31:01,458 --> 00:31:02,750 [THUDDING] 608 00:31:06,083 --> 00:31:07,500 HELLO? 609 00:31:09,000 --> 00:31:10,458 [RATTLING] 610 00:31:17,667 --> 00:31:21,209 GEORGE? IS THAT YOU? 611 00:31:28,500 --> 00:31:30,208 YOU HAVE VERY PRETTY FEATURES, 612 00:31:32,125 --> 00:31:33,667 VERY PRETTY AND VERY SAD. 613 00:31:35,583 --> 00:31:39,290 I NEED TO GET HOME TO MY DAUGHTER. 614 00:31:39,291 --> 00:31:43,041 SHE HAS A BABYSITTER. SHE'S SAFE. WHY YOU WORRY SO MUCH? 615 00:31:44,667 --> 00:31:47,834 YEAH, WHY WORRY, RIGHT? 616 00:31:50,583 --> 00:31:53,958 TWO GREAT GIRLS, 617 00:31:53,959 --> 00:31:57,040 HOUSE IN A NICE NEIGHBORHOOD, 618 00:31:57,041 --> 00:31:58,750 THE TEACHER, 619 00:32:00,125 --> 00:32:02,500 YOU MAKE ALL THE RIGHT CHOICES 620 00:32:05,291 --> 00:32:06,917 AND THINGS FALL APART. 621 00:32:11,000 --> 00:32:12,040 "I MADE ME GREAT WORKS," 622 00:32:12,041 --> 00:32:15,290 "I BUILDED ME HOUSES, I PLANTED ME VINEYARDS." 623 00:32:15,291 --> 00:32:18,167 "AND, BEHOLD, ALL WAS VANITY AND VEXATION OF SPIRIT." 624 00:32:18,959 --> 00:32:20,417 ECCLESIASTES. 625 00:32:21,125 --> 00:32:23,165 RIGHT. 626 00:32:23,166 --> 00:32:25,375 THAT'S THE ONE PART OF THE BIBLE I REMEMBER. 627 00:32:28,333 --> 00:32:30,083 IT WAS ALL ABOUT LISTS. 628 00:32:32,500 --> 00:32:35,000 I FIND LISTS VERY COMFORTING. 629 00:32:37,667 --> 00:32:41,708 A TIME TO LIVE, A TIME TO DIE. 630 00:32:43,000 --> 00:32:44,333 THERE IT IS. 631 00:32:45,667 --> 00:32:47,625 THERE'S THAT SADNESS. 632 00:32:51,625 --> 00:32:52,917 [SIGHING] 633 00:32:55,084 --> 00:32:56,792 I WANT THIS APARTMENT. 634 00:32:59,125 --> 00:33:00,500 I WANT THIS LIFE. 635 00:33:03,042 --> 00:33:04,792 LET ME DO ONE MORE. JUST ONE MORE. 636 00:33:07,000 --> 00:33:09,291 FINE, ONE MORE. 637 00:33:09,917 --> 00:33:11,208 DRAW ME HAPPY. 638 00:33:40,542 --> 00:33:41,667 GEORGE? 639 00:33:47,291 --> 00:33:49,125 [THUNDER CRASHING] 640 00:33:51,708 --> 00:33:56,374 I'M MAKING EVERYONE UNHAPPY. EVERYONE HATES ME, ALL OF THESE PEOPLE. 641 00:33:56,375 --> 00:33:59,041 PHARMACEUTICAL NED, YOU SHOULD'VE HEARD HIM ON THE PHONE TODAY. 642 00:33:59,042 --> 00:34:00,332 HE REALLY HATES ME. 643 00:34:00,333 --> 00:34:02,791 WHY ON EARTH IS THIS SO HARD FOR YOU? 644 00:34:02,792 --> 00:34:07,332 BECAUSE THEY ALL WANT IT AND THEY ALL CAN HANDLE IT, 645 00:34:07,333 --> 00:34:10,332 BUT WHO TO CHOOSE? HOW TO CHOOSE? 646 00:34:10,333 --> 00:34:11,749 YOU SOUND LIKE HAMLET. 647 00:34:11,750 --> 00:34:13,958 WHAT DO YOU MEAN, I SOUND LIKE HAMLET? 648 00:34:13,959 --> 00:34:15,250 ALL THAT INDECISION. 649 00:34:16,708 --> 00:34:19,916 I WAS OPHELIA IN PROVINCETOWN. 650 00:34:19,917 --> 00:34:23,457 SEEMS APPROPRIATE. OPHELIA WAS THE ONE WHO DROWNED, RIGHT? 651 00:34:23,458 --> 00:34:27,332 YEAH. SIX NIGHTS A WEEK AND TWICE ON SUNDAY. 652 00:34:27,333 --> 00:34:29,041 [KNOCKING ON DOOR] 653 00:34:29,042 --> 00:34:30,959 THAT'S MASON'S KNOCK. 654 00:34:38,083 --> 00:34:39,458 ALLOW ME. 655 00:34:43,041 --> 00:34:45,999 [MASON] HEY. RUBE CALLED. 656 00:34:46,000 --> 00:34:50,166 GROUP REAP TOMORROW. DRESS CODE IS BUSINESS CASUAL. 657 00:34:50,167 --> 00:34:51,749 [GEORGE] YOU COULDN'T HAVE CALLED? 658 00:34:51,750 --> 00:34:53,374 OH, I WANTED TO PLAY A RECORD. 659 00:34:53,375 --> 00:34:54,791 WHAT'S WRONG WITH YOUR STEREO? 660 00:34:54,792 --> 00:34:57,375 WELL, THE CRACKHEAD I SOLD IT TO HAS IT. 661 00:35:02,291 --> 00:35:04,083 [SCRATCHY ROCK MUSIC PLAYING] 662 00:35:07,708 --> 00:35:10,124 WHAT IS THAT DREADFUL NOISE? 663 00:35:10,125 --> 00:35:13,542 IT'S A MEMORY OF SOMETHING THAT DOESN'T QUITE MATCH A MEMORY. 664 00:35:15,042 --> 00:35:17,542 ARE YOU DRINKING TONIGHT? SOBER AS A PRIEST. 665 00:35:20,000 --> 00:35:22,667 YOU KNOW, GEORGIA, IF YOU CAN'T DECIDE, GIVE IT UP TO GOD. 666 00:35:24,208 --> 00:35:25,458 LET HIM DECIDE. 667 00:35:35,625 --> 00:35:37,375 I WOULDN'T LET GOD DECIDE, GEORGE. 668 00:35:38,125 --> 00:35:39,167 WHY? 669 00:35:39,917 --> 00:35:41,667 LOOK HOW HE FUCKED US. 670 00:35:45,959 --> 00:35:47,166 [JOY] OH, MY GOD. 671 00:36:00,250 --> 00:36:02,249 REGGIE! REGGIE! 672 00:36:02,250 --> 00:36:04,041 OH, GOD. 673 00:36:04,917 --> 00:36:07,916 WHAT IS IT? WHAT HAPPENED? 674 00:36:07,917 --> 00:36:10,290 REGGIE, ARE YOU OKAY? 675 00:36:10,291 --> 00:36:13,332 I HEARD VOICES UPSTAIRS, LIKE SOMEONE WAS IN THE HOUSE. 676 00:36:13,333 --> 00:36:15,332 SOMEONE WAS IN THE HOUSE? 677 00:36:15,333 --> 00:36:17,332 EVERYTHING'S FINE, MA'AM. NO ONE WAS IN THE HOUSE. 678 00:36:17,333 --> 00:36:19,333 I THINK THE LITTLE GIRL JUST GOT SCARED BEING ALONE. 679 00:36:21,250 --> 00:36:24,124 YOU TOLD ME, IN AN EMERGENCY, TO CALL 911. 680 00:36:24,125 --> 00:36:26,791 WELL, WHERE IS JANELLE? 681 00:36:26,792 --> 00:36:29,499 SHE TOOK OFF HOURS AGO. I THINK SHE'S A DEVIL WORSHIPER. 682 00:36:29,500 --> 00:36:32,124 SHE'S GOING TO STANFORD NEXT YEAR. 683 00:36:32,125 --> 00:36:33,708 SHE COULDN'T GET YOU ON THE CELL PHONE. 684 00:36:34,167 --> 00:36:35,167 WHAT? 685 00:36:36,417 --> 00:36:38,542 OH, IT'S TURNED OFF. 686 00:36:40,125 --> 00:36:42,290 I'M SO SORRY, SWEETIE. 687 00:36:42,291 --> 00:36:44,791 WE WILL NEED TO CONTACT CHILD PROTECTION SERVICES. 688 00:36:44,792 --> 00:36:47,916 I WILL HANDLE THE BABYSITTER MYSELF. 689 00:36:47,917 --> 00:36:50,083 ACTUALLY, THEY'LL BE INTERVIEWING YOU. 690 00:36:50,084 --> 00:36:51,844 EVERY INCIDENT INVOLVING A MINOR REQUIRES IT. 691 00:36:51,868 --> 00:36:53,874 OH, PLEASE, WHAT ARE YOU... LOOK AT ME. 692 00:36:53,875 --> 00:36:57,541 DO I LOOK LIKE SOMEBODY WHO WOULD ENDANGER A CHILD? 693 00:36:57,542 --> 00:36:59,749 HAVE YOU HAD ANYTHING TO DRINK THIS EVENING, MA'AM? 694 00:36:59,750 --> 00:37:02,167 NO, OF COURSE NOT. 695 00:37:03,708 --> 00:37:04,959 YEAH. 696 00:37:06,708 --> 00:37:09,374 WELL, OKAY, SO THANK YOU, OFFICERS, 697 00:37:09,375 --> 00:37:14,040 SO MUCH FOR RESPONDING. I REALLY APPRECIATE IT. GOOD NIGHT. 698 00:37:14,041 --> 00:37:16,000 YOU HAVE A GOOD NIGHT, TOO. 699 00:37:24,208 --> 00:37:25,791 WHERE WERE YOU? 700 00:37:25,792 --> 00:37:29,208 I WENT TO LOOK AT THAT APARTMENT. IT GOT LATE. 701 00:37:30,500 --> 00:37:31,750 I'M SORRY. 702 00:37:34,542 --> 00:37:36,791 LINDA WANTS YOU TO CALL HER IN THE MORNING. 703 00:37:36,792 --> 00:37:38,999 DID SHE SAY IF IT WAS ABOUT ESCROW? 704 00:37:39,000 --> 00:37:40,999 SHE JUST SAID TO CALL HER. 705 00:37:41,000 --> 00:37:46,166 ALL RIGHT. WELL, IT'S TIME FOR BED, SWEETIE. 706 00:37:46,167 --> 00:37:47,917 MOM, I'M NOT TIRED. 707 00:37:48,834 --> 00:37:50,666 YOU WANT TO SLEEP IN MY ROOM TONIGHT? 708 00:37:50,667 --> 00:37:51,750 MMM-HMM. 709 00:37:53,875 --> 00:37:55,750 WHERE WERE THE VOICES COMING FROM? 710 00:37:56,959 --> 00:37:59,332 THE ROOF. 711 00:37:59,333 --> 00:38:03,916 WELL, THE BIG TREE SOUNDS LIKE VOICES WHEN IT'S WINDY. 712 00:38:03,917 --> 00:38:06,667 [GEORGE] SOMETIMES, I CAN'T HEAR MY OWN VOICE. 713 00:38:07,333 --> 00:38:10,208 I WISH I COULD BE LIKE DEATH. 714 00:38:10,209 --> 00:38:12,874 DEATH CHOOSES WITHOUT BLINKING AN EYE. 715 00:38:12,875 --> 00:38:16,791 DEATH DOESN'T GATHER INFORMATION. DEATH DOESN'T ASK QUESTIONS. 716 00:38:16,792 --> 00:38:18,375 IT JUST CHOOSES. 717 00:38:27,000 --> 00:38:29,874 TO JUMP OR NOT TO JUMP? 718 00:38:29,875 --> 00:38:30,999 [RIBBITS] 719 00:38:31,000 --> 00:38:32,458 WE HAVE A WINNER. 720 00:38:37,000 --> 00:38:38,874 HELLO. 721 00:38:38,875 --> 00:38:40,555 [RUBE] YOU CALL THAT "BUSINESS CASUAL"? YEP. 722 00:38:40,579 --> 00:38:41,999 IF YOU'RE IN THE DRUG BUSINESS. 723 00:38:42,000 --> 00:38:43,249 I'M NOT IN THE DRUG BUSINESS. 724 00:38:43,250 --> 00:38:45,541 WHAT DO YOU THINK OF MY OUTFIT? 725 00:38:45,542 --> 00:38:48,457 IT'S VERY SMART. IT'S VERY ROSALIND RUSSELL. 726 00:38:48,458 --> 00:38:50,041 THAT'S A GOOD THING. 727 00:38:50,042 --> 00:38:54,083 CAN I GET A HALF-CAFF WITH FOAM, CREAM AND EXTRA SUGAR TO GO? 728 00:38:54,084 --> 00:38:55,833 LET'S GET REAPING. WHAT HAVE WE GOT, RUBE? 729 00:38:55,834 --> 00:38:57,499 WELL, PEOPLE, THIS IS A GROUP JOB. 730 00:38:57,500 --> 00:38:59,124 WE'VE GOT ONE ADDRESS, 13 SOULS. 731 00:38:59,125 --> 00:39:01,083 I'VE GOT THREE APIECE FOR THE LADIES, 732 00:39:01,084 --> 00:39:02,444 I'VE GOT TWO FOR MASON, TWO FOR ME. 733 00:39:02,468 --> 00:39:04,582 I'VE GOT A PAIR OF MEN'S SLACKS IN THE CAR FOR YOU. 734 00:39:04,583 --> 00:39:06,333 I DON'T WEAR SLACKS. YOU WILL THIS MORNING. 735 00:39:09,834 --> 00:39:12,000 YOU, YOU, YOU, YOU. 736 00:39:12,959 --> 00:39:14,124 I DO NOT SMOKE. 737 00:39:14,125 --> 00:39:15,707 YOU WILL THIS MORNING. IT'S OUR COVER. 738 00:39:15,708 --> 00:39:17,332 WE'RE JUST GOING TO STAND OUTSIDE THE BUILDING AND SMOKE. 739 00:39:17,333 --> 00:39:18,999 I WOULD LOVE TO SEE SOME INHALING, PEOPLE 740 00:39:19,000 --> 00:39:21,749 AND I WOULD LOVE IF YOU COULD TRY TO MAKE IT LOOK REAL. 741 00:39:21,750 --> 00:39:24,124 WELL, LET'S GET CRACKING. WHO WANTS A RIDE? 742 00:39:24,125 --> 00:39:26,040 I WANT A RIDE. SHOTGUN. 743 00:39:26,041 --> 00:39:28,833 RUBE, THESE SLACKS YOU'VE BROUGHT ME ARE HORRIBLE, AREN'T THEY? 744 00:39:28,834 --> 00:39:31,154 NO, NO, NO, THEY'RE NOT HORRIBLE. AND I ALWAYS RIDE SHOTGUN. 745 00:39:33,667 --> 00:39:35,250 HOW MUCH WILL THAT COST? 746 00:39:36,208 --> 00:39:38,083 OH. OKAY. 747 00:39:39,333 --> 00:39:42,750 WELL, WILL THEY REVISIT IT IF WE GET THE ROOF FIXED? 748 00:39:44,500 --> 00:39:46,750 OKAY. THANKS, LINDA. 749 00:39:50,041 --> 00:39:51,458 WHAT DID SHE SAY? 750 00:39:52,458 --> 00:39:53,750 IT'S DONE. 751 00:39:54,750 --> 00:39:56,417 WE SOLD THE HOUSE? WE HAVE TO LEAVE? 752 00:39:57,333 --> 00:39:58,708 WE HAVE TO STAY. 753 00:40:00,167 --> 00:40:01,707 THE DEAL FELL THROUGH. 754 00:40:01,708 --> 00:40:04,500 IT'S THE ROOF. THERE'S SOME KIND OF CRACK UP THERE. 755 00:40:06,708 --> 00:40:09,208 A VERY EXPENSIVE CRACK. 756 00:40:09,209 --> 00:40:11,209 I TOLD YOU I HEARD VOICES. 757 00:40:13,750 --> 00:40:16,791 WHO'S GONNA GIVE US THE MONEY TO FIX IT, REGGIE? 758 00:40:16,792 --> 00:40:17,834 DAD? 759 00:40:19,125 --> 00:40:21,083 HARDLY. 760 00:40:21,084 --> 00:40:22,167 GRANDMA PHYL COULD. 761 00:40:23,625 --> 00:40:25,458 I'M NOT GONNA ASK MY MOTHER. 762 00:40:31,041 --> 00:40:32,542 I MISS HER. 763 00:40:33,834 --> 00:40:35,542 YOU MISS YOUR GRANDMOTHER? 764 00:40:36,708 --> 00:40:38,625 I MISS HER. 765 00:40:44,166 --> 00:40:45,917 WE SHOULDN'T MOVE. 766 00:40:48,167 --> 00:40:50,207 WE'LL SEE. 767 00:40:50,208 --> 00:40:53,959 IF WE MOVED, SHE WOULDN'T KNOW WHERE TO FIND US. 768 00:40:57,000 --> 00:40:58,875 OH. 769 00:41:01,084 --> 00:41:04,250 SEPARATE GROUPS. LET'S NOT LOOK LIKE SOME KIND OF LINEUP. 770 00:41:05,834 --> 00:41:07,250 KEEP YOUR COVER. 771 00:41:13,667 --> 00:41:18,041 PARDON ME, HANDSOME. DO YOU HAVE A LIGHT? 772 00:41:18,042 --> 00:41:20,250 I'LL GET YOU ONE. THANKS. 773 00:41:26,291 --> 00:41:30,124 [GEORGE] TIMING, DAISY HAD IT IN SPADES. 774 00:41:30,125 --> 00:41:34,041 SHE DIDN'T STOP TO WONDER WHY ONE GUY GOT IT AND NOT ANOTHER. 775 00:41:34,042 --> 00:41:36,792 IT WAS HIS TIME. THAT'S ALL. 776 00:42:02,209 --> 00:42:05,166 IT IS ME, ANTON PLOTNICK. 777 00:42:05,167 --> 00:42:06,791 YOU'RE HERE TO GREET ME. I AM? 778 00:42:06,792 --> 00:42:10,666 [ANTON] IN MY CULTURE, A MAN DOES NOT EASILY EXPRESS HIS FEELINGS, 779 00:42:10,667 --> 00:42:13,875 BUT I AM GRATEFUL TO START NEW LIFE. THANK YOU. 780 00:42:21,542 --> 00:42:23,667 TIME FOR WORK. GOODBYE. 781 00:42:32,458 --> 00:42:34,041 ARE YOU OKAY, GEORGE? 782 00:42:36,792 --> 00:42:38,332 NO. 783 00:42:38,333 --> 00:42:41,166 [NED] SHIT VOLCANO. THAT'S ALL IT IS. I'M JUST ON TOP OF A SHIT... 784 00:42:41,167 --> 00:42:43,082 I THINK WE HAVE OUR SHOOTER. 785 00:42:43,083 --> 00:42:45,499 [NED] I'M JUST ON TOP OF A SHIT VOLCANO. 786 00:42:45,500 --> 00:42:47,124 NED BENJAMIN? 787 00:42:47,125 --> 00:42:48,959 WHAT'S IT TO YOU? NOTHING. 788 00:42:52,333 --> 00:42:53,875 [NED] DON'T TOUCH MY BAG! 789 00:43:02,041 --> 00:43:05,166 ROXY NAILED IT, RAMPAGE. 790 00:43:05,167 --> 00:43:08,417 WHAT CAN I SAY? WHAT'S WRONG, GEORGE? 791 00:43:09,125 --> 00:43:10,542 I'M GOOD. 792 00:43:13,000 --> 00:43:14,917 [GUN FIRING] 793 00:43:15,750 --> 00:43:17,125 THAT WAS HORRIBLE. 794 00:43:20,542 --> 00:43:23,208 [GUN FIRING] 795 00:43:24,458 --> 00:43:25,667 NOW? 796 00:43:26,625 --> 00:43:28,166 [GUN FIRES] 797 00:43:28,167 --> 00:43:29,708 THAT WAS NED BENJAMIN. 798 00:43:31,542 --> 00:43:34,374 [GEORGE] I ACTUALLY READ HAMLET IN HIGH SCHOOL. 799 00:43:34,375 --> 00:43:38,125 THE GUY CAN'T MAKE A DECISION, AND EVERYBODY DIES. 800 00:43:41,959 --> 00:43:45,040 I AM HAMLET, AND EVERYBODY DIES. 801 00:43:45,041 --> 00:43:48,083 MILLIE, I WANT TO SHOW YOU SOMETHING. 802 00:43:48,084 --> 00:43:51,208 CAN I PUT MY BAG DOWN FIRST? I HAD A REALLY ROUGH MORNING. 803 00:43:51,209 --> 00:43:53,667 OH, I THINK YOU'LL AGREE THIS IS WORTH IT. 804 00:43:58,000 --> 00:43:59,249 WHAT IS IT? 805 00:43:59,250 --> 00:44:01,791 JOB PLACEMENTS, ALL OVER THE CITY. 806 00:44:01,792 --> 00:44:04,332 JUST LOOK AT ALL THOSE LOVELY LITTLE STICKPINS. 807 00:44:04,333 --> 00:44:05,999 SEE THE EFFECT WE HAVE? 808 00:44:06,000 --> 00:44:10,416 WE'RE LIKE JOHNNY APPLESEEDS, PLANTING, THRIVING... 809 00:44:10,417 --> 00:44:14,958 IT'S REALLY COOL, DELORES. THANK YOU. 810 00:44:14,959 --> 00:44:16,999 DO YOU KNOW, I HAVE BEEN CALLING OVER TO LUNATECA 811 00:44:17,000 --> 00:44:18,457 ALL MORNING AND THERE'S NO ANSWER? 812 00:44:18,458 --> 00:44:20,499 IT'S RUSH, RUSH, RUSH WHEN THEY NEED YOU, 813 00:44:20,500 --> 00:44:23,208 AND THEN IT'S, "HAPPY TIME WHO?" 814 00:44:23,209 --> 00:44:28,791 LISTEN, DELORES, AS MUCH AS I'M FLATTERED BY THE NEW RESPONSIBILITIES, 815 00:44:28,792 --> 00:44:33,499 I DON'T THINK I'M UP TO THE TASK OF PLACING PEOPLE. 816 00:44:33,500 --> 00:44:37,040 NONSENSE, YOU DID FINE. YOU JUST NEED TO JUMP IN. 817 00:44:37,041 --> 00:44:39,333 I DON'T FEEL QUALIFIED TO CHOOSE. 818 00:44:40,125 --> 00:44:41,625 [CELL PHONE RINGING] 819 00:44:43,834 --> 00:44:45,458 THIS IS DELORES. 820 00:44:52,084 --> 00:44:53,417 OH, MY LORD. 821 00:44:56,084 --> 00:44:58,791 [GEORGE] TO EVERYTHING THERE IS A SEASON, 822 00:44:58,792 --> 00:45:02,290 A TIME TO STAY AND A TIME TO GET THE HELL OUT. 823 00:45:02,291 --> 00:45:04,708 OH, THOSE POOR PEOPLE. 824 00:45:12,458 --> 00:45:15,833 [GEORGE] AND FOR NOW, IT'S STILL HOCKEY SEASON. 825 00:45:15,834 --> 00:45:17,916 SEEMS TO ME YOU CAN EITHER HAVE SOMEONE TELL YOU 826 00:45:17,917 --> 00:45:19,666 WHAT TO DO WITH YOUR LIFE, 827 00:45:19,667 --> 00:45:22,208 OR YOU CAN LOOK SOMEWHERE ELSE FOR ANSWERS. 828 00:45:27,834 --> 00:45:29,124 IT'S LIKE YOU HAVE TO FIGURE OUT 829 00:45:29,125 --> 00:45:31,208 WHERE YOUR GUT IS AND THEN GO WITH IT. 830 00:45:33,875 --> 00:45:36,834 SURE BEATS STANDING AROUND THE PUNCH BOWL WITH THE REST OF THE LOSERS. 831 00:45:41,042 --> 00:45:42,542 HE SHOOTS, HE SCORES. 832 00:45:45,500 --> 00:45:47,084 HEY. I'M GEORGE. 833 00:45:47,417 --> 00:45:48,582 I'M ANDY. 834 00:45:48,583 --> 00:45:50,541 [GEORGE] SEEMS TO ME, EITHER YOU SHOW UP 835 00:45:50,542 --> 00:45:53,916 AT THE DANCE OR YOU JUST STAY HOME. 836 00:45:53,917 --> 00:45:56,542 ONE, TWO, THREE, ONE, TWO, THREE.