1 00:00:06,417 --> 00:00:08,417 [♪♪] 2 00:01:08,667 --> 00:01:11,500 [GEORGE] I KNOW THERE ARE BILLIONS OF STARS IN THE SKY, 3 00:01:12,834 --> 00:01:16,041 AND THEY'RE ALL TWINKLING. 4 00:01:16,042 --> 00:01:20,874 I WONDER WHAT MAKES ONE STAR MORE IMPORTANT THAN ANOTHER? 5 00:01:20,875 --> 00:01:24,874 I MEAN, WHY DOES ONE STAR BECOME PART OF THE BIG DIPPER, 6 00:01:24,875 --> 00:01:27,250 AND ANOTHER JUST FLAME OUT? 7 00:01:28,000 --> 00:01:29,000 WOW. 8 00:01:30,042 --> 00:01:31,959 SEE THAT SHOOTING STAR? 9 00:01:34,417 --> 00:01:36,666 MY NAME'S VANCE. 10 00:01:36,667 --> 00:01:39,040 YOU TOLD ME THAT ALREADY. 11 00:01:39,041 --> 00:01:40,499 RIGHT. 12 00:01:40,500 --> 00:01:43,208 I'M JUST A LITTLE NERVOUS TONIGHT. 13 00:01:43,209 --> 00:01:44,250 YOU SHOULD BE. 14 00:01:48,208 --> 00:01:49,750 IS THAT ME? 15 00:01:51,209 --> 00:01:52,250 SHIT! 16 00:01:53,250 --> 00:01:54,875 I ONLY TOOK ONE HIT. 17 00:01:56,250 --> 00:01:58,124 HOW STUPID IS THAT? 18 00:01:58,125 --> 00:02:00,417 WELL, THEY DON'T CALL IT DOPE FOR NOTHING. 19 00:02:01,542 --> 00:02:03,834 SO... WHAT HAPPENS NEXT? 20 00:02:04,708 --> 00:02:06,624 DO I GO UP THERE? 21 00:02:06,625 --> 00:02:09,749 YOU'RE ASKING THE WRONG GIRL. 22 00:02:09,750 --> 00:02:11,041 SOME PEOPLE BELIEVE 23 00:02:11,042 --> 00:02:12,792 THERE'S SOMETHING BIGGER OUT THERE... 24 00:02:14,250 --> 00:02:16,792 THAT THERE'S SOMETHING PROTECTING US, 25 00:02:17,417 --> 00:02:19,583 WATCHING OVER US AS WE CHANGE. 26 00:02:23,542 --> 00:02:24,958 [FOOTSTEPS] 27 00:02:24,959 --> 00:02:26,124 I GUESS IT'S COMFORTING 28 00:02:26,125 --> 00:02:28,874 TO THINK THAT SOMEONE IS LOOKING IN ON US. 29 00:02:28,875 --> 00:02:30,084 [THUMP] 30 00:02:32,792 --> 00:02:34,417 REGGIE. REGGIE, LET'S GO. 31 00:02:36,625 --> 00:02:38,083 COME ON, COME ON. 32 00:02:38,084 --> 00:02:39,084 HURRY UP. 33 00:02:44,375 --> 00:02:45,624 WHERE ARE WE GOING? 34 00:02:45,625 --> 00:02:47,124 JUST BE QUIET. JUST GET IN THE CAR. 35 00:02:47,125 --> 00:02:48,166 MORNING! 36 00:02:49,166 --> 00:02:50,458 SORRY. WE... WE WAKE YOU UP? 37 00:02:52,125 --> 00:02:53,958 WHAT ARE YOU DOING ON MY HOUSE? 38 00:02:53,959 --> 00:02:55,792 DON'T MIND HER, HANK. 39 00:02:56,500 --> 00:02:58,791 LAST TO RISE, FIRST TO WORRY. 40 00:02:58,792 --> 00:03:01,332 MOTHER! WHAT ARE YOU DOING? 41 00:03:01,333 --> 00:03:03,124 JOY, DEAR, DID YOU HONESTLY THINK 42 00:03:03,125 --> 00:03:06,374 THAT I WAS JUST GOING TO WRITE YOU A CHECK FOR FIXING THIS ROOF 43 00:03:06,375 --> 00:03:08,166 WITHOUT LOOKING AT IT MYSELF FIRST? 44 00:03:08,959 --> 00:03:10,207 I ALWAYS WARNED YOU 45 00:03:10,208 --> 00:03:11,999 THIS HOUSE IS IN LOUSY SHAPE. 46 00:03:12,000 --> 00:03:15,083 NO, YOU ACTUALLY USED TO SAY THAT ABOUT MY MARRIAGE. 47 00:03:15,084 --> 00:03:17,291 YOU SEE? RIGHT ON BOTH COUNTS. 48 00:03:18,125 --> 00:03:20,041 HI, REGGIE! 49 00:03:20,042 --> 00:03:21,541 HI, GRANDMA. 50 00:03:21,542 --> 00:03:23,165 COME ON... HANK, WOULD YOU MIND 51 00:03:23,166 --> 00:03:24,499 PUTTING THE BAGS OVER THERE? 52 00:03:24,500 --> 00:03:25,834 SURE. THANKS. 53 00:03:28,291 --> 00:03:29,749 WELL... 54 00:03:29,750 --> 00:03:33,542 THAT MAN HAS THE MOST AMAZING HINDQUARTERS. 55 00:03:35,167 --> 00:03:36,916 [GIGGLING] 56 00:03:36,917 --> 00:03:38,837 REGGIE, YOU NEED TO, UH, GO GET READY FOR SCHOOL. 57 00:03:38,861 --> 00:03:39,999 OH, RELAX, JOY. 58 00:03:40,000 --> 00:03:41,667 WE'RE ALL WOMEN HERE. 59 00:03:42,333 --> 00:03:43,667 I MEAN IT, REGGIE. 60 00:03:45,333 --> 00:03:48,082 CLANCY HAD SUCH A FLAT ASS. 61 00:03:48,083 --> 00:03:50,541 YOU REALLY CAN'T TRUST A MAN WITH A FLAT ASS. 62 00:03:50,542 --> 00:03:53,041 MOM. NOTHING TO HOLD ON TO. 63 00:03:53,042 --> 00:03:56,499 YOU KNOW WHO HAS THE BEST ASS? 64 00:03:56,500 --> 00:03:58,542 DEREK JETER. TCH-KA, TCH-KA, TCH-KA. 65 00:03:59,667 --> 00:04:03,082 YOU... YOU... THIS... YOU CAN'T BE HERE. 66 00:04:03,083 --> 00:04:05,083 THE THING IS, JOY, I AM HERE. 67 00:04:05,084 --> 00:04:06,457 I SHOULD'VE BEEN HERE BEFORE, 68 00:04:06,458 --> 00:04:07,999 BUT I WAS RESPECTING YOUR WISHES. 69 00:04:08,000 --> 00:04:11,207 SO, AT THE END OF THE DAY, WHAT HAS THAT ACCOMPLISHED? 70 00:04:11,208 --> 00:04:13,208 YOU NOT BEING HERE. 71 00:04:13,209 --> 00:04:15,708 [CHUCKLING] OH. OH... 72 00:04:17,792 --> 00:04:19,749 HERE'S THE ESTIMATE FOR THE ROOF. 73 00:04:19,750 --> 00:04:20,833 THANKS, HANK. 74 00:04:20,834 --> 00:04:22,500 DON'T MENTION IT, PHYLLIS. 75 00:04:26,291 --> 00:04:28,082 I HAVE AN ESTIMATE! 76 00:04:28,083 --> 00:04:30,249 AND I'M SURE IT'S TWICE AS MUCH 77 00:04:30,250 --> 00:04:32,374 AS WHAT HANK IS GOING TO CHARGE YOU. 78 00:04:32,375 --> 00:04:33,541 FACE IT, JOY. 79 00:04:33,542 --> 00:04:36,833 YOU NEVER LIKED TO GET YOUR HANDS DIRTY. 80 00:04:36,834 --> 00:04:39,499 WHEREAS THESE HANDS... 81 00:04:39,500 --> 00:04:42,167 THEY LOVE THE DIRT. 82 00:04:48,500 --> 00:04:51,209 SOME REPAIRS, YOU CAN GET AN ESTIMATE FOR... 83 00:04:54,583 --> 00:04:56,042 AND SOME REPAIRS, 84 00:04:57,167 --> 00:04:59,125 YOU CAN'T PUT A PRICE ON. 85 00:05:01,333 --> 00:05:04,000 PEOPLE ALWAYS SAY, "YOU CAN'T TAKE IT WITH YOU." 86 00:05:05,750 --> 00:05:07,916 BUT TRY DYING AND THEN COMING BACK, 87 00:05:07,917 --> 00:05:10,000 SEE IF YOU DON'T TRY TO HOLD ONTO SOMETHING... 88 00:05:13,042 --> 00:05:14,667 SOMETHING IMPORTANT. 89 00:05:17,125 --> 00:05:19,874 "WHERE I SIT, THOU HAST NO RIGHT TO STAND." 90 00:05:19,875 --> 00:05:21,332 THAT DOESN'T MAKE SENSE. 91 00:05:21,333 --> 00:05:23,416 WHY WOULD I WANT TO STAND WHERE YOU SIT? 92 00:05:23,417 --> 00:05:25,416 SO MOSES JUST TOLD DEATH TO GET LOST, 93 00:05:25,417 --> 00:05:26,958 AND DEATH JUST WENT? 94 00:05:26,959 --> 00:05:28,791 THAT'S SOME FREEZE-DRIED BULLSHIT, DAISY. 95 00:05:28,792 --> 00:05:31,833 YEAH, I CAN'T SEE DEATH GIVING UP THAT EASILY. 96 00:05:31,834 --> 00:05:33,124 I DON'T CARE IF IT'S GANDHI. 97 00:05:33,125 --> 00:05:34,541 IF I HAVE A POST-IT, 98 00:05:34,542 --> 00:05:36,666 I'M TAKING HIS BONY BROWN BUTT OUT. 99 00:05:36,667 --> 00:05:39,792 SEE, DEATH DIDN'T ACTUALLY TAKE MOSES. GOD KISSED HIM. 100 00:05:40,417 --> 00:05:41,874 GOD KISSED MOSES? 101 00:05:41,875 --> 00:05:44,416 MM-HMM, WHEN IT WAS HIS TIME, GOD KISSED HIM, 102 00:05:44,417 --> 00:05:46,541 AND THAT'S HOW HE WENT. IT'S BEAUTIFUL. 103 00:05:46,542 --> 00:05:49,083 DID YOU GET TO THE PART WHERE GOD HATES DEATH 104 00:05:49,084 --> 00:05:51,167 AND PROMISES HE'LL BANISH US FROM HEAVEN? 105 00:05:52,083 --> 00:05:53,083 MAY I? 106 00:06:01,500 --> 00:06:04,084 THERE'S NO PLACE FOR YOU IN HERE, SWEETNESS. 107 00:06:07,375 --> 00:06:08,541 I DON'T KNOW WHAT THIS IS. 108 00:06:08,542 --> 00:06:10,262 I DON'T UNDERSTAND WHY I DON'T GET THIS ONE. 109 00:06:10,263 --> 00:06:11,623 SAY WHAT YOU WANT ABOUT MY BELIEFS, 110 00:06:11,647 --> 00:06:12,707 BUT I'M PROFESSIONAL. 111 00:06:12,708 --> 00:06:14,124 I'M PUNCTUAL AND I GET THE JOB DONE. 112 00:06:14,125 --> 00:06:16,374 THAT'S IT, RUBE. THAT'S THE LAST GODDAMN STRAW. 113 00:06:16,375 --> 00:06:18,290 THIS IS FUCKING BULLSHIT, THAT'S WHAT IT IS. 114 00:06:18,291 --> 00:06:20,999 SHE'S JUST A KID, RUBE. SHE CAN'T HANDLE IT. 115 00:06:21,000 --> 00:06:23,499 FUCK THAT! I CAN HANDLE THIS. 116 00:06:23,500 --> 00:06:24,624 WHAT IS IT? 117 00:06:24,625 --> 00:06:26,083 NO OFFENSE, GEORGIE GIRL, 118 00:06:26,084 --> 00:06:27,804 BUT HOW LONG HAVE YOU BEEN IN THIS BUSINESS? 119 00:06:27,828 --> 00:06:28,958 A FUCKING YEAR AT THE MOST? 120 00:06:28,959 --> 00:06:31,124 I MEAN, I'VE WORKED MY FUCKING... WORKED... 121 00:06:31,125 --> 00:06:33,332 IT'S NOT A NEGOTIATION. 122 00:06:33,333 --> 00:06:35,541 GEORGE HAS GOT THE LETTER. ALL THESE FIREWORKS? 123 00:06:35,542 --> 00:06:37,142 LET'S JUST ASSUME THAT'S ALREADY HAPPENED 124 00:06:37,166 --> 00:06:39,374 AND HELP OUR YOUNG FRIEND WITH HER SITUATION. 125 00:06:39,375 --> 00:06:40,625 THANK YOU. 126 00:06:41,667 --> 00:06:43,083 WHAT'S MY SITUATION? 127 00:06:43,084 --> 00:06:44,208 V.I.P.R. 128 00:06:44,209 --> 00:06:46,166 "VERY IMPORTANT PERSON REAP." 129 00:06:46,167 --> 00:06:47,875 I.D.G.I. 130 00:06:49,542 --> 00:06:50,791 "I DON'T GET IT." 131 00:06:50,792 --> 00:06:52,042 OPEN IT ALREADY. 132 00:06:56,792 --> 00:06:58,082 DID I WIN A PRIZE? 133 00:06:58,083 --> 00:06:59,166 KEEP GOING. 134 00:07:01,583 --> 00:07:02,999 K. LOWERDECK? 135 00:07:03,000 --> 00:07:04,249 KYLE LOWERDECK, THE SINGER? 136 00:07:04,250 --> 00:07:06,165 COME ON! THIS HAS GOT TO BE 137 00:07:06,166 --> 00:07:08,041 SOME UNHOLY FUCKING MESS-UP, 138 00:07:08,042 --> 00:07:09,374 BECAUSE THIS IS MY REAP. 139 00:07:09,375 --> 00:07:11,041 I WAS BORN TO DO THIS REAP. 140 00:07:11,042 --> 00:07:13,499 I WAS PUT ON THIS EARTH, AND IN THIS PLACE, 141 00:07:13,500 --> 00:07:14,916 DER THE WAFFLE HAUS, 142 00:07:14,917 --> 00:07:16,624 TO FUCKING DO THIS REAP. 143 00:07:16,625 --> 00:07:18,209 [SINGING OFF-KEY] 144 00:07:19,625 --> 00:07:21,667 [SUSTAINS OFF-KEY NOTE] 145 00:07:23,375 --> 00:07:24,833 PLEASE DON'T. 146 00:07:24,834 --> 00:07:27,791 I WAS BORN TO BE A ROCK STAR. 147 00:07:27,792 --> 00:07:29,042 IF I COULD SING. 148 00:07:31,542 --> 00:07:33,124 HE'S CUTE. 149 00:07:33,125 --> 00:07:35,124 HE'S NOT AS CUTE AS MY FIRST V.I.P.R... 150 00:07:35,125 --> 00:07:36,374 JAMES DEAN. 151 00:07:36,375 --> 00:07:39,083 BEAUTIFUL PORSCHE. THESE REALLY DELICATE LIPS. 152 00:07:39,084 --> 00:07:40,374 BUT HE WAS SO CONFUSED. 153 00:07:40,375 --> 00:07:41,999 DID HE TRY TO NAIL YOU? 154 00:07:42,000 --> 00:07:43,416 NO. I DON'T WHY. 155 00:07:43,417 --> 00:07:44,417 I DO. 156 00:07:45,708 --> 00:07:46,708 YOU. 157 00:07:48,458 --> 00:07:49,542 AND YOU. 158 00:07:50,083 --> 00:07:51,332 FINE. 159 00:07:51,333 --> 00:07:54,208 OKAY... WHY DON'T YOU JUST GET A BIG LEAD POLE, 160 00:07:54,209 --> 00:07:55,958 AND STICK IT RIGHT UP MY ASS? 161 00:07:55,959 --> 00:07:58,166 SAME LOCATION, DIFFERENT REAP. 162 00:07:58,167 --> 00:07:59,999 YOU GOT SLOPPY SECONDS. 163 00:08:00,000 --> 00:08:01,124 I'M GOING TO BE CALM. 164 00:08:01,125 --> 00:08:04,416 WHY DOES SHE GET THE COOL REAP? 165 00:08:04,417 --> 00:08:05,875 PROBABLY BECAUSE YOU'RE A FUCK-UP. 166 00:08:07,583 --> 00:08:09,917 CONGRATULATIONS, GEORGIA. YOU'VE ARRIVED. 167 00:08:10,667 --> 00:08:12,084 EXCUSE ME. 168 00:08:14,333 --> 00:08:15,791 I COULD'VE BEEN JAMES DEAN, 169 00:08:15,792 --> 00:08:17,082 YOU KNOW, IF I COULD ACT... 170 00:08:17,083 --> 00:08:18,374 OR DRIVE. 171 00:08:18,375 --> 00:08:19,541 YOU UP FOR THIS? 172 00:08:19,542 --> 00:08:20,749 YEAH, SURE, WHY NOT? 173 00:08:20,750 --> 00:08:22,040 SHE'S GOING TO FUCK IT UP. 174 00:08:22,041 --> 00:08:25,250 HEY, SOMEONE THINKS I'M DOING A GOOD JOB. RIGHT? 175 00:08:26,333 --> 00:08:28,040 AM I RIGHT OR AM I RIGHT? 176 00:08:28,041 --> 00:08:30,125 OKAY, RICH GIRL, BREAKFAST IS ON YOU. 177 00:08:30,750 --> 00:08:31,874 ROXY! 178 00:08:31,875 --> 00:08:33,625 ROXY. OH... 179 00:08:34,166 --> 00:08:35,624 [PANTING] 180 00:08:35,625 --> 00:08:39,249 LISTEN, UH... GEORGE IS GOING TO NEED HELP. 181 00:08:39,250 --> 00:08:40,667 SHE'LL BE FINE. 182 00:08:43,000 --> 00:08:45,125 WELL, UH... AN EVENT LIKE THAT, 183 00:08:46,125 --> 00:08:47,999 PROBABLY GOING TO HAVE POLICE SECURITY, RIGHT? 184 00:08:48,000 --> 00:08:49,374 YOU CAN STOP RIGHT THERE. 185 00:08:49,375 --> 00:08:51,165 I'M NOT LOSING MY JOB OVER THIS. 186 00:08:51,166 --> 00:08:54,041 IN CASE YOU HAVEN'T NOTICED, I'M A POLICE OFFICER. 187 00:08:54,042 --> 00:08:55,000 I SWORE AN OATH. 188 00:08:55,001 --> 00:08:57,208 I DON'T CARE IF YOU DONATED A KIDNEY. 189 00:08:57,209 --> 00:08:58,166 WHAT YOU ARE IS A REAPER. 190 00:08:58,167 --> 00:08:59,727 THAT'S THE JOB YOU'RE NOT GOING TO LOSE, 191 00:08:59,751 --> 00:09:01,210 WHETHER YOU WANT TO OR NOT. 192 00:09:01,458 --> 00:09:02,582 WHAT IF I SAY NO? 193 00:09:02,583 --> 00:09:03,583 SAY NO. 194 00:09:04,834 --> 00:09:05,917 NO. 195 00:09:08,000 --> 00:09:11,082 ALL RIGHT, REGGIE GETS OUT OF SCHOOL AT 2:30, 196 00:09:11,083 --> 00:09:12,523 SO IF YOU'RE REALLY GOING TO DO THIS, 197 00:09:12,547 --> 00:09:13,797 I NEED TO HAVE... 198 00:09:15,000 --> 00:09:17,666 OH, GOD. 199 00:09:17,667 --> 00:09:19,624 YOU KNOW, MOM, YOU CAN'T TAKE CARE OF REGGIE 200 00:09:19,625 --> 00:09:22,500 AND CHANNEL HIAWATHA AT THE SAME TIME. 201 00:09:23,834 --> 00:09:25,124 REGGIE ISN'T READY 202 00:09:25,125 --> 00:09:28,374 FOR YOUR... VERSION OF THE HEALING PROCESS. 203 00:09:28,375 --> 00:09:31,208 REGGIE IS OLD ENOUGH TO MAKE HER OWN DECISIONS. 204 00:09:31,209 --> 00:09:33,041 NO, MOTHER, SHE'S NOT. 205 00:09:33,042 --> 00:09:35,040 ALL RIGHT? SHE'S 11. 206 00:09:35,041 --> 00:09:40,582 "THE PATH OF CARE IS THE ONE WE CARVE FOR OURSELVES." 207 00:09:40,583 --> 00:09:42,743 YOU'VE BEEN SAYING THAT FOR AS LONG AS I'VE WORN A BRA, 208 00:09:42,744 --> 00:09:44,264 AND I STILL HAVE NO CLUE WHAT IT MEANS. 209 00:09:44,288 --> 00:09:46,833 JUST, PLEASE, LEAVE REGGIE OUT OF... 210 00:09:46,834 --> 00:09:49,499 YOUR HOCUS POCUS. 211 00:09:49,500 --> 00:09:52,917 RULES ARE THE FIRST STEP TOWARD TYRANNY OF THE SOUL. 212 00:09:55,333 --> 00:09:56,457 YOU'RE RIGHT. 213 00:09:56,458 --> 00:09:59,582 THE RULES ARE JUST GETTING IN THE WAY. 214 00:09:59,583 --> 00:10:00,874 AH, THAT'S GOOD. 215 00:10:00,875 --> 00:10:04,124 REGGIE, YOU KNOW ALL THAT STUFF ABOUT GOING TO SCHOOL 216 00:10:04,125 --> 00:10:06,041 AND BRUSHING YOUR TEETH, NOT TALKING TO STRANGERS? 217 00:10:06,042 --> 00:10:07,332 JUST FORGET ABOUT ALL THAT, OKAY? 218 00:10:07,333 --> 00:10:08,653 YOU CAN JUST DO WHATEVER YOU WANT. 219 00:10:08,677 --> 00:10:10,666 DO YOU NEED SOME MONEY FOR DRUGS? 220 00:10:10,667 --> 00:10:11,917 WHY ARE YOU SUCH A FREAK? 221 00:10:12,458 --> 00:10:13,792 ASK YOUR GRANDMOTHER. 222 00:10:16,000 --> 00:10:17,208 WHERE'S SHE GOING? 223 00:10:17,209 --> 00:10:18,958 I DON'T KNOW. 224 00:10:18,959 --> 00:10:21,458 YOUR MOTHER WAS NEVER VERY GOOD ABOUT SHARING. 225 00:10:22,917 --> 00:10:24,207 YOU HAVE TO TAKE ME TO SCHOOL. 226 00:10:24,208 --> 00:10:26,875 OH, YOU'RE NOT GOING TO SCHOOL TODAY. 227 00:10:28,084 --> 00:10:29,541 WHAT AM I DOING? 228 00:10:29,542 --> 00:10:30,917 CAN YOU KEEP A SECRET? 229 00:10:31,417 --> 00:10:33,000 I HAD A SECRET... 230 00:10:34,959 --> 00:10:37,166 I HAD A DATE WITH A ROCK STAR... 231 00:10:39,209 --> 00:10:40,750 AND NOBODY KNEW. 232 00:10:41,917 --> 00:10:43,166 [LOWERDECK] ♪ WELL, WELL ♪ 233 00:10:43,167 --> 00:10:45,208 ♪ SO I CAN DIE EASY ♪ 234 00:10:45,209 --> 00:10:46,666 ♪ JESUS GONNA MAKE UP ♪ 235 00:10:46,667 --> 00:10:50,040 ♪ JESUS GONNA MAKE UP SWEET JESUS GONNA MAKE UP ♪ 236 00:10:50,041 --> 00:10:51,999 ♪ MY DYING BED ♪ 237 00:10:52,000 --> 00:10:54,457 HOLY SMOKE! WHAT THE FUCK? 238 00:10:54,458 --> 00:10:55,833 SORRY! 239 00:10:55,834 --> 00:10:58,249 ♪ LORD, IN MY TIME OF DYING ♪ 240 00:10:58,250 --> 00:11:01,084 ♪ DON'T WANT NOBODY TO CRY... ♪ 241 00:11:01,458 --> 00:11:02,541 WHAT ARE YOU DOING? 242 00:11:02,542 --> 00:11:04,749 IT'S LOWERDECK, FROM "LOWERDECK"... 243 00:11:04,750 --> 00:11:06,416 "IN ALL HIS GLORY." 244 00:11:06,417 --> 00:11:07,666 OH, YOU'RE A FAN? 245 00:11:07,667 --> 00:11:09,583 OH, I'M A FAN. I'M A BIG FAN. 246 00:11:11,917 --> 00:11:13,499 OH, MISTY, PLEASE DON'T. 247 00:11:13,500 --> 00:11:14,874 DO YOU HAVE ANY? 248 00:11:14,875 --> 00:11:16,916 I, UH... NO. 249 00:11:16,917 --> 00:11:19,792 MILLIE, UM, I WAS WONDERING IF YOU COULD... 250 00:11:22,291 --> 00:11:23,583 EXCUSE ME. 251 00:11:25,834 --> 00:11:27,082 ARE YOU WATCHING TONIGHT? 252 00:11:27,083 --> 00:11:28,499 IT'S GOING TO BE TOTALLY LIVE. 253 00:11:28,500 --> 00:11:29,707 I KNOW. 254 00:11:29,708 --> 00:11:31,124 I'M... GOING. 255 00:11:31,125 --> 00:11:32,000 IT'S IMPOSSIBLE. 256 00:11:32,001 --> 00:11:33,958 IT'S LIKE ONE OF THOSE UNPLUGGED SESSIONS. 257 00:11:33,959 --> 00:11:35,084 NO ONE GETS IN. 258 00:11:36,167 --> 00:11:37,916 WELL, I GUESS I'M LUCKY. 259 00:11:37,917 --> 00:11:39,208 YOU'RE GOING TO BE NEAR HIM, 260 00:11:39,209 --> 00:11:40,999 AND NOW I'M NEAR YOU. 261 00:11:41,000 --> 00:11:42,332 IT'S NO BIG DEAL, REALLY. I... 262 00:11:42,333 --> 00:11:43,416 OH! 263 00:11:43,417 --> 00:11:44,875 I, UH, UM... 264 00:11:48,667 --> 00:11:50,208 [TELEPHONE RINGING] 265 00:11:55,542 --> 00:11:57,165 I'M NOT A LESBIAN. 266 00:11:57,166 --> 00:11:58,374 MILLIE, 267 00:11:58,375 --> 00:12:00,208 WE'VE ALL EXPERIMENTED. 268 00:12:00,209 --> 00:12:02,499 YOU... I HAVEN'T. 269 00:12:02,500 --> 00:12:04,541 IT'S NOT AS IF I DIDN'T GO TO COLLEGE. 270 00:12:04,542 --> 00:12:07,165 WE'VE ALL PUT OUR BIG TOE IN THAT WATER. 271 00:12:07,166 --> 00:12:08,375 I REALLY HAVEN'T. 272 00:12:12,875 --> 00:12:14,125 DELORES? 273 00:12:15,084 --> 00:12:16,084 [HITS KEY] 274 00:12:18,959 --> 00:12:21,666 YOU KNOW, WHEN YOU'RE YOUNG LIKE YOU ARE, MILLIE, 275 00:12:21,667 --> 00:12:23,249 IT'S EASY. 276 00:12:23,250 --> 00:12:25,666 MAN, WOMAN, BOTTOM, TOP... 277 00:12:25,667 --> 00:12:27,457 SEX IS THIS BIG BUFFET, 278 00:12:27,458 --> 00:12:30,582 AND YOU'RE JUST A FAT MAN WITH A FORK, 279 00:12:30,583 --> 00:12:33,667 BUT AS YOU GET OLDER, IT'S HARDER TO GET A FORK. 280 00:12:36,917 --> 00:12:37,999 OKAY. THANKS. 281 00:12:38,000 --> 00:12:41,249 UM, I HAVE TO LEAVE EARLY TODAY. 282 00:12:41,250 --> 00:12:42,999 ANOTHER DOCTOR'S APPOINTMENT? NO. 283 00:12:43,000 --> 00:12:44,958 A.A. MEETING? NO. 284 00:12:44,959 --> 00:12:46,834 WHAT, THEN? A ROCK CONCERT. 285 00:12:50,209 --> 00:12:52,083 ENJOY THE BUFFET, MILLIE. 286 00:12:52,084 --> 00:12:54,125 YEAH. OKAY, THANKS. BYE. 287 00:12:55,583 --> 00:12:57,374 [SIGHS] 288 00:12:57,375 --> 00:13:01,791 I'D LIKE TO GET A TICKET FOR THE KYLE LOWERDECK CONCERT. 289 00:13:01,792 --> 00:13:03,291 [TICKET CLERK] SOLD OUT. 290 00:13:05,209 --> 00:13:06,499 I HAVE $500? 291 00:13:06,500 --> 00:13:08,166 OH, WELL, IN THAT CASE... 292 00:13:08,167 --> 00:13:09,208 SOLD OUT. 293 00:13:10,708 --> 00:13:13,124 ASSHOLE. 294 00:13:13,125 --> 00:13:15,124 AHEM. THAT SENSATION YOU'RE FEELING... 295 00:13:15,125 --> 00:13:17,374 WOULDN'T BE THE SENSATION OF UTTER FAILURE, WOULD IT? 296 00:13:17,375 --> 00:13:18,624 WHAT ARE YOU DOING HERE? 297 00:13:18,625 --> 00:13:19,833 I'VE COME TO SAVE YOUR ASS. 298 00:13:19,834 --> 00:13:21,082 LET'S GO TO THE CONCERT. 299 00:13:21,083 --> 00:13:22,374 YOU SCORED TICKETS? 300 00:13:22,375 --> 00:13:23,582 NO. 301 00:13:23,583 --> 00:13:24,874 THEN I'M SCREWED! 302 00:13:24,875 --> 00:13:27,041 SERIOUSLY, I'M ROYALLY FUCKED. 303 00:13:27,042 --> 00:13:29,125 ROXY'S DOWNSTAIRS. POLICE ESCORT. 304 00:13:29,583 --> 00:13:30,625 COOL. 305 00:13:46,417 --> 00:13:47,624 THOSE ARE MOM'S. 306 00:13:47,625 --> 00:13:49,082 I KNOW. 307 00:13:49,083 --> 00:13:51,250 DO YOU EVER LOOK AT THESE WHEN SHE'S NOT HOME? 308 00:13:53,333 --> 00:13:55,916 IT'S ALL RIGHT TO BE CURIOUS, REGGIE. 309 00:13:55,917 --> 00:13:57,916 DEATH IS THE BIGGEST MYSTERY IN LIFE. 310 00:13:57,917 --> 00:14:00,042 I'D BE WORRIED ABOUT YOU IF YOU WEREN'T CURIOUS. 311 00:14:05,291 --> 00:14:07,582 HAVE YOU EVER BEEN TO THAT PLACE, REGGIE? 312 00:14:07,583 --> 00:14:09,999 THAT PLACE WHERE GEORGE DIED? MM-MM. 313 00:14:10,000 --> 00:14:12,541 IT'S AN IMPORTANT PLACE IN HER LIFE. 314 00:14:12,542 --> 00:14:15,291 IT SHOULD BE AN IMPORTANT PLACE IN YOURS, TOO. 315 00:14:18,209 --> 00:14:19,791 I KNOW. 316 00:14:19,792 --> 00:14:22,583 WE HAVE TO FIND THE THINGS AND THE PLACES 317 00:14:23,417 --> 00:14:24,749 THAT KEEP GEORGE ALIVE. 318 00:14:24,750 --> 00:14:25,999 THEY'RE EVERYWHERE. 319 00:14:26,000 --> 00:14:28,041 HER... HER SPIRIT... 320 00:14:29,875 --> 00:14:31,542 IT'S ALL AROUND US. 321 00:14:36,167 --> 00:14:39,000 SOMETIMES... I HEAR THINGS. 322 00:14:41,166 --> 00:14:42,834 ME, TOO. 323 00:14:45,750 --> 00:14:47,542 ME, TOO. 324 00:14:50,500 --> 00:14:52,666 ARE THESE ALL OF YOUR COOL TOPS? 325 00:14:52,667 --> 00:14:54,916 SOME OF THEM ARE DIRTY. YOU WANT TO SEE THOSE? 326 00:14:54,917 --> 00:14:57,958 I LOVED RIDING IN THE FRONT SEAT OF THAT POLICE CRUISER. 327 00:14:57,959 --> 00:14:59,999 IT WAS MY FIRST TIME WITHOUT HANDCUFFS. 328 00:15:00,000 --> 00:15:02,083 IT'S A DAY OF FIRSTS. 329 00:15:02,084 --> 00:15:03,208 UGH! 330 00:15:04,708 --> 00:15:05,999 THIS IS CUTE. 331 00:15:06,000 --> 00:15:07,417 IS THIS BLOOD? 332 00:15:07,959 --> 00:15:09,165 NO. BRAIN. 333 00:15:09,166 --> 00:15:12,208 LAST TUESDAY, THAT GUY WHO TOOK THE SHOTGUN TO THE FACE. 334 00:15:12,209 --> 00:15:13,999 DAISY SWORE SHE COULD GET IT OUT. 335 00:15:14,000 --> 00:15:15,666 PROMISES, PROMISES. 336 00:15:15,667 --> 00:15:18,541 I ALSO LOVED THE FACT YOU WERE IN THE BACK SEAT, GEORGE. 337 00:15:18,542 --> 00:15:20,042 YOU LOOKED JUST LIKE A PERP. 338 00:15:20,750 --> 00:15:22,749 YOU ARE JUST SO PISSED OFF 339 00:15:22,750 --> 00:15:25,208 THAT I GOT A ROCK STAR AND YOU DIDN'T. 340 00:15:25,209 --> 00:15:26,916 YOU JUST WISH YOU WERE ME, DON'T YOU? 341 00:15:26,917 --> 00:15:28,397 SHE'S A COCKY LITTLE THING, ISN'T SHE? 342 00:15:28,421 --> 00:15:29,499 I'M NOT COCKY. 343 00:15:29,500 --> 00:15:31,040 I'M JUST COOLER THAN YOU ARE. 344 00:15:31,041 --> 00:15:32,999 [MIMICKING MASON] I GOT A ROCK'N'ROLL REAP. 345 00:15:33,000 --> 00:15:34,124 UP YOURS. 346 00:15:34,125 --> 00:15:35,541 THERE'S NOTHING TO WEAR TO IT. 347 00:15:35,542 --> 00:15:38,499 MY ONLY V.I.P. REAP WAS CHARLTON HESTON. 348 00:15:38,500 --> 00:15:39,666 HE ISN'T DEAD. 349 00:15:39,667 --> 00:15:40,999 YEAH, BUT ISN'T HE REALLY? 350 00:15:41,000 --> 00:15:42,916 DID RUBE GET A LOT OF BIG REAPS? 351 00:15:42,917 --> 00:15:44,041 I BET HE HAS. 352 00:15:44,042 --> 00:15:46,000 RUBE IS SO FUCKING OLD, HE REAPED JESUS. 353 00:15:46,458 --> 00:15:47,541 COME ON, GUYS, 354 00:15:47,542 --> 00:15:49,302 I DON'T SEE WHAT THESE CLOTHES HAVE GOT TO DO 355 00:15:49,326 --> 00:15:51,541 WITH GETTING TICKETS TO THE FUCKING ROCK CONCERT. 356 00:15:51,542 --> 00:15:52,666 GEORGE IS A GIRL. 357 00:15:52,667 --> 00:15:54,791 LOOKING GOOD IS HER TICKET. 358 00:15:54,792 --> 00:15:57,332 YOU HAVE A POLICE BADGE AND A BLOODY GUN! 359 00:15:57,333 --> 00:15:59,792 AND GEORGE IS YOUNG AND CUTE. 360 00:16:00,959 --> 00:16:02,290 ARE THESE ALL YOUR TOPS? 361 00:16:02,291 --> 00:16:04,499 HEY, A DEAD GIRL HAS GOT TO MAKE DO WITH VERY LITTLE. 362 00:16:04,500 --> 00:16:07,165 I NEED SOMETHING RACY AND CLINGY. 363 00:16:07,166 --> 00:16:08,791 YOU STILL GOT THAT $500? 364 00:16:08,792 --> 00:16:09,916 MOST OF IT. 365 00:16:09,917 --> 00:16:11,541 OOH, ARE WE GOING TO GO SCALPING? 366 00:16:11,542 --> 00:16:12,666 SHOPPING. 367 00:16:12,667 --> 00:16:14,332 AND YOU'RE ON YOUR OWN. WHAT? 368 00:16:14,333 --> 00:16:16,041 I DON'T LIKE YOUR FUCKING ATTITUDE. 369 00:16:16,042 --> 00:16:17,041 YOU'RE ON YOUR OWN. 370 00:16:17,042 --> 00:16:18,375 YOU'RE JOKING! WHAT? 371 00:16:19,166 --> 00:16:21,208 NO, BUT... WELL, I'M JUST... 372 00:16:21,209 --> 00:16:22,874 DO YOU TWO THINK I REALLY NEED YOU 373 00:16:22,875 --> 00:16:25,374 TO GET INTO A ROCK'N'ROLL ESTABLISHMENT? 374 00:16:25,375 --> 00:16:27,041 NO, I DON'T. 375 00:16:27,042 --> 00:16:29,291 I WAS BORN IN A ROCK'N'ROLL ESTABLISHMENT. 376 00:16:30,291 --> 00:16:31,749 I ACTUALLY WAS. 377 00:16:31,750 --> 00:16:33,124 BEHIND THE AMPS, BACKSTAGE. 378 00:16:33,125 --> 00:16:34,499 [CAR ENGINE STARTING] 379 00:16:34,500 --> 00:16:35,582 ROXY? 380 00:16:35,583 --> 00:16:36,959 [CAR DRIVES AWAY] 381 00:16:38,834 --> 00:16:40,750 I'M SO VICIOUSLY FUCKED. 382 00:16:43,250 --> 00:16:45,000 [RIBBIT] 383 00:16:52,875 --> 00:16:54,125 [KNOCKING] 384 00:16:55,417 --> 00:16:56,792 FATHER MATTHIAS? 385 00:16:57,500 --> 00:16:58,834 CONFESSION IS CLOSED. 386 00:16:59,291 --> 00:17:01,125 I KNOW, I JUST... 387 00:17:02,417 --> 00:17:04,207 WELL, IT'S OCCUPIED ANYWAY. 388 00:17:04,208 --> 00:17:06,083 A BOY AND A GIRL ARE ACTUALLY 389 00:17:06,084 --> 00:17:07,917 DESECRATING THE CONFESSIONAL. 390 00:17:10,125 --> 00:17:12,625 THEY ARE FRUITFUL AND MULTIPLYING... 391 00:17:15,708 --> 00:17:17,457 ARE YOU DRUNK, FATHER? 392 00:17:17,458 --> 00:17:20,040 I'M SORRY. I'M NOT BEING A VERY GOOD PRIEST. 393 00:17:20,041 --> 00:17:21,834 NO, YOU CERTAINLY AREN'T. 394 00:17:22,458 --> 00:17:23,999 I KNOW YOU. 395 00:17:24,000 --> 00:17:26,667 WERE YOU HERE FOR CONFESSION A COUPLE OF WEEKS AGO? 396 00:17:27,625 --> 00:17:28,874 I WAS. 397 00:17:28,875 --> 00:17:32,124 WERE YOU THE ONE WHO STOLE A CROSS FROM A DEAD WOMAN? 398 00:17:32,125 --> 00:17:34,250 WELL, IF YOU WANT TO PUT IT THAT WAY, FINE. 399 00:17:45,166 --> 00:17:46,541 IT'S VERY BEAUTIFUL. 400 00:17:46,542 --> 00:17:47,625 THANK YOU. 401 00:17:50,000 --> 00:17:51,000 SO ARE YOU. 402 00:17:51,917 --> 00:17:53,000 FATHER... 403 00:17:53,583 --> 00:17:55,124 TSK, TSK. 404 00:17:55,125 --> 00:17:56,999 WELL, I'VE DONE THE DRINKING. 405 00:17:57,000 --> 00:17:59,124 AND THE COVETING, THAT'S A GIVEN. 406 00:17:59,125 --> 00:18:00,625 BUT THAT'S WHERE I STOP. 407 00:18:03,792 --> 00:18:04,959 WHAT'S YOUR NAME? 408 00:18:05,917 --> 00:18:07,541 DAISY ADAIR. 409 00:18:07,542 --> 00:18:09,833 MY PARISH IS POOR. 410 00:18:09,834 --> 00:18:13,999 I'VE SPENT A LIFETIME TRYING TO BRING HOPE TO THE HOPELESS, 411 00:18:14,000 --> 00:18:16,834 CONVINCING THEM THAT THERE'S SOME GREAT REWARD AHEAD. 412 00:18:17,917 --> 00:18:20,625 I WORRY ABOUT THE HEARTS OF MEN, DAISY. 413 00:18:21,166 --> 00:18:22,625 SO DO I. 414 00:18:25,583 --> 00:18:27,332 WOULD YOU LIKE TO KNOW 415 00:18:27,333 --> 00:18:29,583 THE SECRETS OF THE UNIVERSE, DAISY? 416 00:18:38,209 --> 00:18:39,250 WE ARE BORN. 417 00:18:41,000 --> 00:18:42,167 WE DIE. 418 00:18:43,417 --> 00:18:44,791 WE ROT. 419 00:18:44,792 --> 00:18:47,000 [LAUGHING] 420 00:18:52,042 --> 00:18:54,167 IT'S ALL ONE BIG COSMIC JOKE! 421 00:18:55,667 --> 00:18:56,834 [THUD] 422 00:19:21,291 --> 00:19:22,583 OH, MY LORD... 423 00:19:35,000 --> 00:19:37,082 I'M WITH THE BAND, MATE. CHEERS. 424 00:19:37,083 --> 00:19:39,791 UH, EXCUSE ME, HELLO. I'M WITH THE BAND. 425 00:19:39,792 --> 00:19:41,166 WHY DON'T YOU UNDERSTAND ME? 426 00:19:41,167 --> 00:19:43,749 I'M... WITH... THE... BAND. 427 00:19:43,750 --> 00:19:45,190 WHAT DO YOU THINK KYLE'S GOING TO SAY 428 00:19:45,214 --> 00:19:47,124 WHEN HE SAYS, "WHERE'S MY BLOODY GUITAR?" 429 00:19:47,125 --> 00:19:49,749 AND I SAY, "THE FAT BLOODY SECURITY PERSON" 430 00:19:49,750 --> 00:19:51,791 HELD ME UP AT THE GATE"? 431 00:19:51,792 --> 00:19:54,208 ALL RIGHT. I'M FRIENDS WITH THE DRUMMER. 432 00:19:54,209 --> 00:19:55,749 WHAT'S THE DRUMMER'S NAME? 433 00:19:55,750 --> 00:19:57,958 I CALL HIM BY HIS NICKNAME, YOU KNOW, STICKS. 434 00:19:57,959 --> 00:19:59,083 HIT THE ROAD, JACK. 435 00:19:59,084 --> 00:20:00,541 ROXY, THANK GOD, MAN. 436 00:20:00,542 --> 00:20:02,040 FUCKING... YOU DON'T KNOW WHAT I'VE BEEN THROUGH HERE. 437 00:20:02,041 --> 00:20:04,401 I MEAN, IN THE GOOD OLD DAYS, YOU USED TO BE ABLE TO JUST... 438 00:20:04,425 --> 00:20:05,749 SIR, STEP ASIDE. 439 00:20:05,750 --> 00:20:06,874 WHAT? 440 00:20:06,875 --> 00:20:08,435 SIR, DON'T LET ME HAVE TO ASK YOU AGAIN. 441 00:20:08,459 --> 00:20:09,624 STEP ASIDE. 442 00:20:09,625 --> 00:20:11,124 DON'T PULL THIS ON ME, ROXY. 443 00:20:11,125 --> 00:20:12,791 DON'T... NO, DON'T GET YOUR LITTLE FRIEND 444 00:20:12,792 --> 00:20:14,332 TO COME OVER AND ARREST ME OR ANYTHING, 445 00:20:14,333 --> 00:20:15,749 BECAUSE YOU'RE NOT GOING TO... ROXY! 446 00:20:15,750 --> 00:20:17,150 YOU HAVE NOT HEARD THE LAST OF THIS! 447 00:20:17,174 --> 00:20:18,924 DON'T I KNOW IT. 448 00:20:23,083 --> 00:20:24,375 SHE'S WITH THE BAND. 449 00:20:26,209 --> 00:20:28,124 LOOK, SHE'S PRETENDING NOT TO KNOW ME! 450 00:20:28,125 --> 00:20:29,541 YOU'RE ON YOUR OWN, KID. 451 00:20:29,542 --> 00:20:31,040 DON'T FUCK THIS UP. 452 00:20:31,041 --> 00:20:33,749 ROXY, YOU'RE A BUGGER. 453 00:20:33,750 --> 00:20:36,166 YOU KNOW THAT DREAM WHERE YOU'RE SITTING IN CLASS, 454 00:20:36,167 --> 00:20:38,249 AND ALL OF A SUDDEN YOU REALIZE YOU'RE NAKED? 455 00:20:38,250 --> 00:20:39,667 WELL, I NEVER HAD THAT DREAM. 456 00:20:43,167 --> 00:20:44,290 [GROUPIES LAUGHING] 457 00:20:44,291 --> 00:20:45,708 UNTIL NOW. 458 00:20:48,209 --> 00:20:50,625 HEY, DON, GET SOMEONE TO CLEAR THE FUCKING STEP, HEY? 459 00:20:51,375 --> 00:20:52,874 ARE YOU ALL RIGHT? 460 00:20:52,875 --> 00:20:54,235 SOMEONE'S GOING TO DIE AROUND HERE. 461 00:20:55,042 --> 00:20:56,250 I THINK YOU'RE RIGHT. 462 00:20:57,000 --> 00:20:58,916 HEY, I'M JEANNIE, 463 00:20:58,917 --> 00:21:00,499 AND I'M GOING TO GET YOU A DRINK. 464 00:21:00,500 --> 00:21:02,082 I'M GEORGE, 465 00:21:02,083 --> 00:21:03,416 AND I'M NOT GOING TO ARGUE. 466 00:21:03,417 --> 00:21:05,416 [CHUCKLES] 467 00:21:05,417 --> 00:21:07,499 SO I HAVEN'T SEEN YOU AROUND HERE BEFORE. 468 00:21:07,500 --> 00:21:09,124 I'M WITH THE NETWORK. 469 00:21:09,125 --> 00:21:10,582 OH. COOL. 470 00:21:10,583 --> 00:21:11,874 WHAT DO YOU DO? 471 00:21:11,875 --> 00:21:13,958 OKAY, YOU'RE SUPPOSED TO BE HERE, 472 00:21:13,959 --> 00:21:15,999 BUT HAVE NO RESPONSIBILITIES. 473 00:21:16,000 --> 00:21:17,959 I'M AN... INTERN. 474 00:21:18,875 --> 00:21:20,000 NICE. 475 00:21:22,166 --> 00:21:23,625 SO HAVE YOU MET KYLE? 476 00:21:24,959 --> 00:21:26,166 NOT YET. 477 00:21:26,167 --> 00:21:27,332 WELL, TWO YEARS AGO, 478 00:21:27,333 --> 00:21:30,124 KYLE'S BIGGEST GIG WAS HIS STEP-DAD'S GARAGE. 479 00:21:30,125 --> 00:21:31,725 HE WAS WAITING TABLES AT THE DAILY GRILL, 480 00:21:31,749 --> 00:21:34,207 AND THIS FUCKING AGENT FINDS HIM. 481 00:21:34,208 --> 00:21:37,707 SHE'S A VAMPIRE. REALLY HAS FANGS. 482 00:21:37,708 --> 00:21:40,667 ANYWAY, JUST LIKE THAT, NO ONE CAN GET NEAR HIM. 483 00:21:42,542 --> 00:21:43,834 NO ONE CAN TOUCH HIM. 484 00:21:44,583 --> 00:21:46,749 I NEED TO TOUCH HIM. 485 00:21:46,750 --> 00:21:49,917 YEAH, WELL, HIS NEW GIRLFRIEND WILL KILL YOU FIRST. 486 00:21:51,750 --> 00:21:53,916 I'M GOING TO TOUCH HIM TONIGHT. 487 00:21:53,917 --> 00:21:57,165 YEAH, WELL, GEORGE, LIVE HARD, DIE YOUNG, 488 00:21:57,166 --> 00:21:58,833 LEAVE A FUCKING BEAUTIFUL CORPSE. 489 00:21:58,834 --> 00:22:00,041 AMEN TO THAT, SISTER. 490 00:22:00,792 --> 00:22:02,792 "AMEN TO THAT, SISTER?" 491 00:22:03,208 --> 00:22:04,374 ONE MORE. 492 00:22:04,375 --> 00:22:07,207 JUST LIKE THAT, I WAS A ROCKER CHICK. 493 00:22:07,208 --> 00:22:08,458 CHEERS. 494 00:22:12,750 --> 00:22:13,959 EXCUSE ME. 495 00:22:14,500 --> 00:22:16,125 YOO-HOO. 496 00:22:17,625 --> 00:22:19,999 THE THING IS, I'VE GOT THIS LITTLE PACKAGE FOR KYLE, 497 00:22:20,000 --> 00:22:21,541 YOU KNOW, IT'S A PERFORMANCE ENHANCER. 498 00:22:21,542 --> 00:22:23,422 IF YOU'RE LUCKY, YOU CAN GET A BIT ON THE SIDE... 499 00:22:23,917 --> 00:22:25,582 [GRUNTING] 500 00:22:25,583 --> 00:22:28,083 I'VE BEEN CLEAN 15 YEARS, LOWLIFE. 501 00:22:28,084 --> 00:22:29,083 FUCK YOU. 502 00:22:29,084 --> 00:22:31,004 YOU'RE GOING TO BE HEARING FROM MY BLOODY LAWYER. 503 00:22:31,028 --> 00:22:32,083 DO YOU KNOW WHAT I MEAN? 504 00:22:32,084 --> 00:22:33,499 I MEAN, THAT'S GOING TO COST YOU, BIG TIME. 505 00:22:33,500 --> 00:22:34,666 IF YOU GIVE ME 50 BUCKS NOW, 506 00:22:34,667 --> 00:22:36,027 WE'LL FORGET ABOUT THE WHOLE THING. 507 00:22:36,028 --> 00:22:37,308 HOW MUCH TO BREAK BOTH YOUR LEGS? 508 00:22:37,332 --> 00:22:38,346 [WHIMPERS] 509 00:22:49,042 --> 00:22:50,583 OH, COME ON! THIS ISN'T ROCK'N'ROLL. 510 00:22:58,458 --> 00:23:00,042 WHAT DO YOU SMELL LIKE? 511 00:23:00,917 --> 00:23:02,749 UH... [SNIFFS] 512 00:23:02,750 --> 00:23:04,208 OH, COME ON, SINCE WHEN DOES A MAN 513 00:23:04,209 --> 00:23:05,959 NEED TO SHOWER TO BE ROCK AND ROLL, EH? 514 00:23:07,125 --> 00:23:08,458 YOU SMELL LIKE DEATH. 515 00:23:09,166 --> 00:23:10,874 YOU ARE NOT EXACTLY A BOUQUET 516 00:23:10,875 --> 00:23:12,917 OF FUCKING ROSES EITHER, LOVE, ALL RIGHT? 517 00:23:16,000 --> 00:23:18,917 [FANS CHEERING] 518 00:23:26,125 --> 00:23:27,166 OH, FUCK OFF. 519 00:23:30,125 --> 00:23:31,499 HAVE A GOOD EVENING, SIR. 520 00:23:31,500 --> 00:23:32,583 HUH? 521 00:23:34,917 --> 00:23:36,000 SWEET! 522 00:23:46,083 --> 00:23:48,167 OH, MAMA, I'M HOME. 523 00:23:49,333 --> 00:23:50,833 COME ON. 524 00:23:50,834 --> 00:23:52,499 BANDAR WANTS TO MEET YOU. 525 00:23:52,500 --> 00:23:53,582 WHAT'S YOUR NAME? 526 00:23:53,583 --> 00:23:55,416 MASON. 527 00:23:55,417 --> 00:23:57,499 WHEN KYLE USED TO PLAY, 528 00:23:57,500 --> 00:24:00,165 IT WAS LIKE... A HAPPENING, YOU KNOW? 529 00:24:00,166 --> 00:24:03,165 NONE OF THIS MANUFACTURED CRAP. 530 00:24:03,166 --> 00:24:06,207 WHEREVER HE PLAYED, PEOPLE WOULD JUST HEAR ABOUT IT AND COME, 531 00:24:06,208 --> 00:24:07,666 YOU KNOW WHAT I'M SAYING? 532 00:24:07,667 --> 00:24:09,040 SURE. 533 00:24:09,041 --> 00:24:11,040 WELL, IT'S NOT LIKE THAT ANYMORE. 534 00:24:11,041 --> 00:24:12,791 IT USED TO BE ALL ABOUT ROCK. 535 00:24:12,792 --> 00:24:14,624 NOW IT'S ALL ABOUT THE ROCK STAR. 536 00:24:14,625 --> 00:24:17,541 YEAH, UM, CAN YOU INTRODUCE ME NOW? 537 00:24:17,542 --> 00:24:19,999 MM, I THINK THERE'RE A FEW OTHER PEOPLE 538 00:24:20,000 --> 00:24:21,834 WHO WANT TO MEET YOU FIRST. 539 00:24:23,417 --> 00:24:24,999 WHAT'S THEIR DEAL? 540 00:24:25,000 --> 00:24:27,792 I BELIEVE THE DEAL IS THAT YOU'RE HOT. 541 00:24:28,417 --> 00:24:29,958 I AM? 542 00:24:29,959 --> 00:24:31,083 YEAH. 543 00:24:31,084 --> 00:24:32,374 YOU'RE ACTUALLY KYLE'S TYPE. 544 00:24:32,375 --> 00:24:34,499 YOU KNOW, THAT EFFORTLESS COOL LOOK. 545 00:24:34,500 --> 00:24:37,542 ALTHOUGH, YOU COULD USE A LITTLE LIP GLOSS. 546 00:24:39,792 --> 00:24:41,209 DO ME. 547 00:24:46,458 --> 00:24:48,041 YEAH, YOU WISH, DUDE. 548 00:24:50,125 --> 00:24:51,375 WHAT THE HELL DO THEY THINK? 549 00:24:52,208 --> 00:24:53,624 LET'S GO CHECK OUT THE BUFFET. 550 00:24:53,625 --> 00:24:54,792 OKAY. 551 00:24:57,375 --> 00:25:00,791 I DIED IN 1938. 552 00:25:00,792 --> 00:25:03,541 WHICH INTERRUPTED A VERY PROMISING CAREER 553 00:25:03,542 --> 00:25:05,000 ON THE SILVER SCREEN. 554 00:25:06,542 --> 00:25:09,834 SO NOW I STAY HERE, AND I HELP OTHER PEOPLE GO. 555 00:25:10,917 --> 00:25:12,707 AND THEY DO GO SOMEWHERE, 556 00:25:12,708 --> 00:25:14,167 I KNOW THAT MUCH. 557 00:25:19,083 --> 00:25:21,625 I DON'T KNOW IF THERE'S A HEAVEN OR A HELL, 558 00:25:23,209 --> 00:25:26,041 BUT I BELIEVE THERE'S MORE. 559 00:25:28,583 --> 00:25:30,208 MY WHOLE LIFE... 560 00:25:30,209 --> 00:25:31,833 MY WHOLE DEATH, 561 00:25:31,834 --> 00:25:34,083 SHOWS ME THAT THERE'S MORE. 562 00:25:34,959 --> 00:25:36,542 I JUST DON'T KNOW WHAT IT IS. 563 00:25:38,125 --> 00:25:39,209 THANK YOU. 564 00:25:45,375 --> 00:25:46,917 YOU CAN'T TELL ANYONE. 565 00:25:47,375 --> 00:25:49,082 I... [SNIFFS] 566 00:25:49,083 --> 00:25:50,625 I HAVE TO, I HAVE TO TELL THEM. 567 00:25:52,000 --> 00:25:53,000 YEAH. 568 00:25:54,250 --> 00:25:55,792 I KNOW YOU DO. 569 00:26:06,083 --> 00:26:08,166 THANK YOU FOR GIVING ME BACK MY FAITH. 570 00:26:19,166 --> 00:26:20,375 SO... 571 00:26:21,041 --> 00:26:22,624 IS IT TRUE? 572 00:26:22,625 --> 00:26:24,865 I DON'T KNOW WHAT THE HELL SHE'S TALKING ABOUT, BAND-AID, 573 00:26:24,889 --> 00:26:27,165 BUT I DO WANT A BIT MORE TEQUILA. DO YOU KNOW WHAT I MEAN? 574 00:26:27,166 --> 00:26:29,166 IT'S BANDAR, MOTHERFUCKER. 575 00:26:29,167 --> 00:26:31,542 LOOK INTO HIS EYES. HE'S DEAD. 576 00:26:32,500 --> 00:26:34,083 YOU'RE DEAD, RIGHT? 577 00:26:34,084 --> 00:26:36,083 NO, MAN, I'M DEATHLY ATTRACTED TO YOU. 578 00:26:36,084 --> 00:26:37,582 I'M DEAD ON ARRIVAL AT YOUR DOORSTEP. 579 00:26:37,583 --> 00:26:39,042 I'M DEAD SERIOUS. 580 00:26:41,041 --> 00:26:42,041 DON'T YOU GET IT? 581 00:26:42,042 --> 00:26:43,290 YOU'RE WITH FRIENDS NOW. 582 00:26:43,291 --> 00:26:45,167 JUST ANSWER THE QUESTION. 583 00:26:46,750 --> 00:26:47,917 ARE YOU DEAD? 584 00:26:49,458 --> 00:26:50,458 I WAS DEAD. 585 00:26:52,208 --> 00:26:53,750 AND NOW I'M NOT. 586 00:26:55,000 --> 00:26:56,375 I'M A GRIM REAPER. 587 00:26:58,583 --> 00:27:00,708 I TAKE PEOPLE'S SOULS BEFORE THEY DIE. 588 00:27:02,166 --> 00:27:03,874 I KNEW IT. 589 00:27:03,875 --> 00:27:05,500 WHAT IS IT LIKE TO TAKE SOMEONE'S SOUL? 590 00:27:07,959 --> 00:27:09,083 ALL RIGHT, BANDAR, 591 00:27:09,084 --> 00:27:11,042 YOU KNOW WHEN YOU'RE PISS DRUNK, 592 00:27:11,792 --> 00:27:13,749 AND YOU COLLAPSE ON THE FLOOR, 593 00:27:13,750 --> 00:27:15,332 AND SOMEONE COMES TO WAKE YOU UP 594 00:27:15,333 --> 00:27:17,293 BECAUSE THE POLICE ARE JUST ABOUT TO ARRIVE, YEAH? 595 00:27:18,000 --> 00:27:19,166 WELL, I'M THAT SOMEONE. 596 00:27:20,417 --> 00:27:21,750 AND AT FIRST, 597 00:27:23,042 --> 00:27:24,457 THEY DON'T KNOW WHERE THEY ARE 598 00:27:24,458 --> 00:27:25,707 OR WHO THEY ARE, 599 00:27:25,708 --> 00:27:28,083 AND THEY'RE A LITTLE BIT CONFUSED. 600 00:27:28,084 --> 00:27:29,165 WELL, THAT'S WHY I'M THERE, 601 00:27:29,166 --> 00:27:30,583 'CAUSE I'M THERE TO... 602 00:27:31,500 --> 00:27:32,958 I'M THERE TO REASSURE THEM. 603 00:27:32,959 --> 00:27:35,374 I'M THERE TO MAKE THEM BELIEVE 604 00:27:35,375 --> 00:27:37,084 EVERYTHING'S ALL RIGHT. 605 00:27:39,208 --> 00:27:40,250 TO DEATH. 606 00:27:42,708 --> 00:27:44,082 AH... NICE. 607 00:27:44,083 --> 00:27:45,249 TO DEATH. 608 00:27:45,250 --> 00:27:47,042 TONIGHT. 609 00:27:53,250 --> 00:27:54,625 THANK YOU. 610 00:27:55,750 --> 00:27:57,207 THANK YOU! 611 00:27:57,208 --> 00:27:58,999 THANK YOU. THANK YOU. 612 00:27:59,000 --> 00:28:01,582 THANK YOU! THANK YOU! THANK YOU! 613 00:28:01,583 --> 00:28:03,500 [GIGGLING] 614 00:28:04,375 --> 00:28:05,375 WHO'S THERE? 615 00:28:06,000 --> 00:28:07,833 TOMMY RYAN, 616 00:28:07,834 --> 00:28:10,514 IF THAT'S YOU MAKING OUT WITH CINDY STEVENS AGAIN IN MY CONFESSIONAL, 617 00:28:10,538 --> 00:28:12,707 THERE'LL BE HELL TO PAY! 618 00:28:12,708 --> 00:28:15,875 [GIRL] CINDY STEVENS? YOU ASSHOLE! 619 00:28:19,750 --> 00:28:21,666 AFTERNOON. 620 00:28:21,667 --> 00:28:23,416 UH, WE WERE... WE WERE JUST... 621 00:28:23,417 --> 00:28:25,999 DON'T LIE, TOMMY. NOT ON THIS DAY. 622 00:28:26,000 --> 00:28:27,207 THIS IS A HOLY DAY, 623 00:28:27,208 --> 00:28:30,166 FOR I HAVE SEEN SOMETHING WONDERFUL. 624 00:28:30,167 --> 00:28:32,207 NOW, FALL TO YOUR KNEES AND ASK FOR HIS FORGIVENESS. 625 00:28:32,231 --> 00:28:33,374 JESUS, FATHER! 626 00:28:33,375 --> 00:28:35,791 DO NOT USE HIS NAME IN VAIN! 627 00:28:35,792 --> 00:28:37,457 FOR HE IS REAL! 628 00:28:37,458 --> 00:28:39,666 CHILL, FATHER. YOU'RE FREAKING ME OUT. 629 00:28:39,667 --> 00:28:40,959 WAIT! 630 00:28:41,417 --> 00:28:42,666 LISTEN TO ME, 631 00:28:42,667 --> 00:28:44,707 I HAVE SEEN SOMETHING WONDERFUL! 632 00:28:44,708 --> 00:28:46,165 TOMMY! NO, WAIT! 633 00:28:46,166 --> 00:28:48,083 WAIT! TOMMY! NO, WAIT! WAIT! 634 00:28:48,084 --> 00:28:49,084 WAIT, I... 635 00:28:55,583 --> 00:28:57,041 [GURGLING] 636 00:29:04,333 --> 00:29:06,124 SO... 637 00:29:06,125 --> 00:29:07,375 IS THAT ALL THERE IS? 638 00:29:08,125 --> 00:29:09,624 NO. 639 00:29:09,625 --> 00:29:11,041 THIS IS ONLY THE START. 640 00:29:12,917 --> 00:29:14,209 LOOK. 641 00:29:27,042 --> 00:29:29,000 FATHER? YES? 642 00:29:30,084 --> 00:29:31,375 IS IT ALL THEY SAY IT IS? 643 00:29:33,125 --> 00:29:35,209 I'M AS CURIOUS AS YOU ARE, DAISY. 644 00:29:45,834 --> 00:29:47,500 [ROCK MUSIC PLAYING] 645 00:29:50,291 --> 00:29:53,374 I KNOW THERE'S A MUCH BETTER PLACE OUT THERE. 646 00:29:53,375 --> 00:29:56,999 IF I COULD ONLY FIGURE OUT HOW TO ACCESS IT. 647 00:29:57,000 --> 00:29:58,917 THE BETTER PLACE OUT THERE, IN MY MIND? 648 00:30:00,125 --> 00:30:02,083 IT'S THE V.I.P. ROOM. 649 00:30:02,084 --> 00:30:03,958 AND TONIGHT... 650 00:30:03,959 --> 00:30:05,667 I'M FINALLY GETTING IN. 651 00:30:12,125 --> 00:30:13,582 READY TO MEET KYLE? 652 00:30:13,583 --> 00:30:15,999 READY FOR YOUR BRUSH WITH IMMORTALITY? 653 00:30:16,000 --> 00:30:18,040 YEAH, A BRUSH SOUNDS RIGHT ABOUT NOW. 654 00:30:18,041 --> 00:30:20,290 HEY, JEANNIE. HEY, KYLE. 655 00:30:20,291 --> 00:30:22,374 I SAW YOUR MOM. SHE SAYS HI. 656 00:30:22,375 --> 00:30:23,874 OH. THANKS. 657 00:30:23,875 --> 00:30:25,249 UM, THIS IS GEORGE. 658 00:30:25,250 --> 00:30:27,166 SHE'S WITH THE NETWORK. 659 00:30:27,167 --> 00:30:28,582 ACTUALLY, I'M AN INTERN. 660 00:30:28,583 --> 00:30:30,124 UH, JENNY... 661 00:30:30,125 --> 00:30:31,416 IT'S JEANNIE. 662 00:30:31,417 --> 00:30:32,541 YEAH. 663 00:30:32,542 --> 00:30:33,958 KYLE DOESN'T DO MEET-AND-GREETS 664 00:30:33,959 --> 00:30:35,374 THIS CLOSE TO PERFORMANCE. 665 00:30:35,375 --> 00:30:37,000 PLEASE TRY TO RESPECT THAT. 666 00:30:39,208 --> 00:30:41,041 OH... KAY. 667 00:30:41,042 --> 00:30:42,666 SHE JUST TOTALLY ROCK-BLOCKED US. 668 00:30:42,667 --> 00:30:44,208 THAT WASN'T COOL. 669 00:30:44,209 --> 00:30:45,666 WELL, LET'S BLOW. 670 00:30:45,667 --> 00:30:47,041 I'M GOING TO STICK AROUND AWHILE. 671 00:30:47,042 --> 00:30:48,874 HE'S NOT REALLY IMMORTAL, YOU KNOW. 672 00:30:48,875 --> 00:30:50,083 YOU CAN TOUCH HIM, 673 00:30:50,084 --> 00:30:52,166 BUT NOTHING'S GOING TO BRUSH OFF ON YOU. 674 00:30:53,667 --> 00:30:56,166 IT'S ONE THING TO SHOW UP, TAKE A SOUL, 675 00:30:56,167 --> 00:30:58,165 GET ON WITH YOUR AFTERLIFE. 676 00:30:58,166 --> 00:31:01,290 YOU CAN THINK OF YOURSELF LIKE SOME KIND OF... 677 00:31:01,291 --> 00:31:03,165 ACCIDENT. 678 00:31:03,166 --> 00:31:04,833 BUT WHEN YOU HAVE TO WORK AT IT, 679 00:31:04,834 --> 00:31:07,834 IT FEELS MORE LIKE... MURDER. 680 00:31:33,959 --> 00:31:35,166 OFFER YOU A LIFT HOME? 681 00:31:37,750 --> 00:31:39,374 WHY, RUBE, IS THERE A GENTLEMAN 682 00:31:39,375 --> 00:31:41,375 LURKING UNDERNEATH THAT COLD DEMEANOR? 683 00:31:47,834 --> 00:31:49,000 WHERE'S YOUR CROSS? 684 00:31:50,375 --> 00:31:52,000 HE'S A PRIEST, FOR GOD'S SAKE. 685 00:31:53,959 --> 00:31:57,457 I WANTED GOLDEN TRUMPETS AND ANGELS SINGING. 686 00:31:57,458 --> 00:32:00,167 I JUST EXPECTED IT TO BE FAR MORE GLAMOROUS. 687 00:32:02,208 --> 00:32:06,000 THERE'S A PLACE IN BOMBAY. 688 00:32:07,917 --> 00:32:09,834 IT'S CALLED THE TOWER OF SILENCE. 689 00:32:12,000 --> 00:32:13,667 WHEN SOMEBODY DIES, 690 00:32:14,583 --> 00:32:16,499 THEY HAVE NO MORE USE FOR THIS BODY, 691 00:32:16,500 --> 00:32:19,124 FOR THIS VESSEL, 692 00:32:19,125 --> 00:32:21,666 SO THEY PUT THE BODY AT THE TOP OF THE TOWER 693 00:32:21,667 --> 00:32:23,875 AND LET THE VULTURES HAVE AT IT. 694 00:32:27,458 --> 00:32:29,000 OUR ENDINGS, DAISY... 695 00:32:30,041 --> 00:32:31,542 THEY ARE WHAT THEY ARE. 696 00:32:32,208 --> 00:32:33,542 GREAT. 697 00:32:39,125 --> 00:32:40,209 SO? 698 00:32:43,167 --> 00:32:44,917 FIND WHAT YOU'RE LOOKING FOR? 699 00:33:07,041 --> 00:33:09,000 I KNEW WE'D FIND YOU HERE. 700 00:33:10,375 --> 00:33:14,457 WHAT... WHAT ARE YOU DOING? 701 00:33:14,458 --> 00:33:17,417 I'M BRINGING REGGIE TO VISIT HER SISTER. 702 00:33:19,084 --> 00:33:20,959 REGGIE, DID YOU EVEN GO TO SCHOOL TODAY? 703 00:33:21,333 --> 00:33:22,917 THE TRUTH, REGGIE. 704 00:33:27,625 --> 00:33:28,708 MOM. 705 00:33:29,125 --> 00:33:30,583 WE DID YOGA. 706 00:33:31,209 --> 00:33:34,166 OH. GOOD GOD. 707 00:33:34,167 --> 00:33:37,165 MOTHER, WHAT COLOR IS THE SKY ON YOUR PLANET? 708 00:33:37,166 --> 00:33:39,792 IT'S A VERY BRIGHT BLUE. 709 00:33:41,708 --> 00:33:44,792 OH, I CAN'T... I CAN'T DO THIS RIGHT NOW. 710 00:33:45,291 --> 00:33:46,375 REGGIE, LET'S GO. 711 00:33:47,375 --> 00:33:49,041 I'VE NEVER BEEN HERE BEFORE. 712 00:33:49,042 --> 00:33:50,000 I WANT TO STAY. 713 00:33:50,001 --> 00:33:51,541 REGGIE... 714 00:33:51,542 --> 00:33:54,417 SHE'S NEVER BEEN HERE BEFORE, JOY. 715 00:33:57,000 --> 00:33:58,000 ALL RIGHT, FINE. 716 00:33:58,291 --> 00:33:59,834 LET'S BE HERE. 717 00:34:17,542 --> 00:34:20,208 HOW DO I BECOME A REAPER? 718 00:34:21,209 --> 00:34:22,874 HOW DO YOU... 719 00:34:22,875 --> 00:34:26,416 BANDAR, FIRST OF ALL, YOU HAVE TO EXPERIENCE 720 00:34:26,417 --> 00:34:28,916 THE INCONVENIENCE OF DYING. 721 00:34:28,917 --> 00:34:30,209 [SNORTS] 722 00:34:31,000 --> 00:34:32,333 I CAN DO THAT. 723 00:34:36,000 --> 00:34:38,124 DON'T YOU THINK THIS IS A BIT BLOODY MORBID, THOUGH? 724 00:34:38,125 --> 00:34:40,290 IT'S LIKE, I CAN PROMISE YOU, 725 00:34:40,291 --> 00:34:42,541 DEATH WILL FIND YOU. 726 00:34:42,542 --> 00:34:44,791 YOU DON'T HAVE TO INVITE IT IN. 727 00:34:44,792 --> 00:34:48,167 YOU'RE NEVER MORE ALIVE UNTIL YOU'RE CLOSEST TO DEATH. 728 00:34:49,000 --> 00:34:51,625 VERY, VERY RIGHT. 729 00:34:52,208 --> 00:34:53,958 OH, MY GOODNESS. 730 00:34:53,959 --> 00:34:55,166 GET OFF. OH... 731 00:34:59,792 --> 00:35:01,499 [KYLE] ♪ WELL, MEET ME, JESUS ♪ 732 00:35:01,500 --> 00:35:03,541 ♪ MEET ME ♪ 733 00:35:03,542 --> 00:35:07,082 ♪ MEET ME IN THE MIDDLE OF THE AIR ♪ 734 00:35:07,083 --> 00:35:09,624 ♪ IF THESE WINGS SHOULD FAIL ME ♪ 735 00:35:09,625 --> 00:35:13,000 ♪ LORD, WON'T YOU MEET ME WITH ANOTHER PAIR? ♪ 736 00:35:15,708 --> 00:35:17,374 THAT'S ALL YOU GUYS GET RIGHT NOW. 737 00:35:17,375 --> 00:35:18,667 [APPLAUSE] 738 00:35:21,792 --> 00:35:23,374 WELL, LET'S HAVE A GREAT NIGHT, GUYS. 739 00:35:23,375 --> 00:35:24,791 MAYBE THIS IS OUR TIME. 740 00:35:24,792 --> 00:35:26,124 MAYBE THIS IS OUR MOMENT. 741 00:35:26,125 --> 00:35:27,457 LET'S ENJOY. CHEERS. 742 00:35:27,458 --> 00:35:28,958 ALL RIGHT! 743 00:35:28,959 --> 00:35:29,959 ALL RIGHT! 744 00:35:30,542 --> 00:35:32,166 IT'S ALWAYS THE SAME, 745 00:35:32,167 --> 00:35:33,541 WHETHER IT'S ASKING SOMEONE OUT, 746 00:35:33,542 --> 00:35:36,749 JUMPING IN THE WATER, OR LOSING YOUR VIRGINITY. 747 00:35:36,750 --> 00:35:38,582 THEY ALWAYS SAY THE SAME THING... 748 00:35:38,583 --> 00:35:40,416 JUST DO IT. 749 00:35:40,417 --> 00:35:43,083 MY VERY IMPORTANT PROBLEM WAS, 750 00:35:43,084 --> 00:35:45,917 I'D NEVER DONE ANY OF THOSE VERY IMPORTANT THINGS. 751 00:36:03,250 --> 00:36:04,750 HI. I'M GEORGE. 752 00:36:06,083 --> 00:36:08,499 HI. I'M KYLE. 753 00:36:08,500 --> 00:36:11,084 I WAS JUST, YOU KNOW, TAKING A MOMENT... 754 00:36:11,250 --> 00:36:12,458 MM. 755 00:36:13,250 --> 00:36:14,999 TAKE AS MANY AS YOU CAN. 756 00:36:15,000 --> 00:36:16,166 YOU EXCITED ABOUT TONIGHT? 757 00:36:18,167 --> 00:36:19,457 MOSTLY NERVOUS. 758 00:36:19,458 --> 00:36:20,582 ME TOO. 759 00:36:20,583 --> 00:36:22,166 I MEAN, I DON'T WANT TO DISAPPOINT THEM. 760 00:36:22,708 --> 00:36:24,125 UH... 761 00:36:25,209 --> 00:36:27,667 I'VE NEVER DONE A LIVE CONCERT ON T.V. BEFORE. 762 00:36:34,125 --> 00:36:36,165 THERE'S GOING TO BE A LOT OF PEOPLE WATCHING TONIGHT. 763 00:36:36,166 --> 00:36:38,083 I DON'T KNOW WHY, BUT FOR SOME REASON, 764 00:36:38,084 --> 00:36:39,374 I'VE BEEN PICKED TO DO THIS. 765 00:36:39,375 --> 00:36:40,499 IT'S CRAZY. 766 00:36:40,500 --> 00:36:42,749 IT'S WAY TOO MUCH RESPONSIBILITY, YOU KNOW? 767 00:36:42,750 --> 00:36:44,124 YOU'RE GOING TO BE GREAT. 768 00:36:44,125 --> 00:36:45,125 GIVE ME LUCK. 769 00:37:00,917 --> 00:37:02,749 YOU KNOW WHAT, GUYS, IT HAS BEEN SUCH A TREAT, 770 00:37:02,750 --> 00:37:04,541 BUT I'VE GOT THINGS TO DO. 771 00:37:04,542 --> 00:37:06,791 OKAY, I'LL SEE YOU AROUND, ALL RIGHT? 772 00:37:06,792 --> 00:37:08,082 WAIT. NO. WHAT IS THAT? 773 00:37:08,083 --> 00:37:09,803 YOU HAVE TO GIVE THAT BACK TO ME, ALL RIGHT? 774 00:37:12,000 --> 00:37:13,625 I'M GOING TO DIE TONIGHT. 775 00:37:15,583 --> 00:37:18,333 AND YOU ARE GOING TO TAKE MY SOUL. 776 00:37:26,500 --> 00:37:27,583 WHAT'S YOUR NAME? 777 00:37:28,041 --> 00:37:29,165 I AM BANDAR. 778 00:37:29,166 --> 00:37:31,208 YOUR REAL NAME, STUPID ASSHOLE. 779 00:37:32,542 --> 00:37:33,875 IT'S FRED. 780 00:37:35,041 --> 00:37:36,667 IT'S FRED SWIRSKY. 781 00:37:51,542 --> 00:37:53,416 I'M FUCKING WITH YOU GUYS, MAN. 782 00:37:53,417 --> 00:37:55,166 I'M NOT A FUCKING GRIM REAPER. 783 00:37:55,167 --> 00:37:57,582 JESUS CHRIST. I DON'T KNOW WHERE THIS DEATH WISH COMES IN, 784 00:37:57,583 --> 00:37:58,707 BUT IT'S STUPID. 785 00:37:58,708 --> 00:38:00,541 I DON'T THINK YOU KNOW HOW STUPID IT IS. 786 00:38:00,542 --> 00:38:02,457 YOU NEED TO GET A LIFE, FRED. 787 00:38:02,458 --> 00:38:04,124 YOU ALL NEED TO GET SOME COLOR. 788 00:38:04,125 --> 00:38:05,645 MAYBE A LITTLE ROUGE AROUND THE CHEEKS. 789 00:38:05,669 --> 00:38:07,124 SOME SUNSHINE, ALL RIGHT? 790 00:38:07,125 --> 00:38:09,208 YOU, STAY CHALKY. YOU'RE GORGEOUS. 791 00:38:13,000 --> 00:38:14,041 SEE YOU. 792 00:38:17,250 --> 00:38:19,124 THANK YOU VERY MUCH, YOU GUYS. 793 00:38:19,125 --> 00:38:20,834 THANKS FOR COMING OUT THIS EVENING. 794 00:38:29,125 --> 00:38:31,500 ♪ NOW, IN MY TIME OF DYING ♪ 795 00:38:32,625 --> 00:38:35,000 ♪ I DON'T WANT NOBODY TO MOURN ♪ 796 00:38:36,500 --> 00:38:39,958 ♪ ALL I WANT MY FRIENDS TO DO ♪ 797 00:38:39,959 --> 00:38:42,666 ♪ COMIN' FOR MY DYING ARMS ♪ 798 00:38:42,667 --> 00:38:44,207 ♪ WELL, WELL, WELL ♪ 799 00:38:44,208 --> 00:38:46,499 ♪ SO I CAN DIE EASY ♪ 800 00:38:46,500 --> 00:38:47,999 ♪ WELL, WELL, WELL ♪ 801 00:38:48,000 --> 00:38:50,165 ♪ SO I CAN DIE YOUNG ♪ 802 00:38:50,166 --> 00:38:51,582 ♪ WELL, WELL, WELL ♪ 803 00:38:51,583 --> 00:38:52,916 [GROWLING] 804 00:38:52,917 --> 00:38:54,208 ♪ SO I CAN DIE EASY ♪ 805 00:38:54,209 --> 00:38:57,666 ♪ JESUS GONNA MAKE UP JESUS GONNA MAKE UP ♪ 806 00:38:57,667 --> 00:39:01,125 ♪ JESUS GONNA MAKE UP MY DYING BED... ♪ 807 00:39:04,708 --> 00:39:06,041 [FANS SCREAMING] 808 00:39:13,291 --> 00:39:15,000 NO, DON'T. PLEASE. 809 00:39:21,583 --> 00:39:22,583 WOW. 810 00:39:27,125 --> 00:39:28,791 WHAT'S THIS GIRL'S NAME? WHAT IS HER NAME? 811 00:39:28,792 --> 00:39:29,875 UH, JEANNIE BEAD. 812 00:39:30,959 --> 00:39:32,083 FUCK! 813 00:39:48,625 --> 00:39:50,834 DON'T... DON'T TOUCH ME. 814 00:40:01,041 --> 00:40:02,792 [SIREN WAILS] 815 00:40:09,959 --> 00:40:11,209 WHAT'S THIS? 816 00:40:12,209 --> 00:40:13,291 IT'S FOR YOU. 817 00:40:14,917 --> 00:40:16,833 WOW. 818 00:40:16,834 --> 00:40:18,041 DOES EVERYONE GET THIS? 819 00:40:19,000 --> 00:40:20,124 NO. 820 00:40:20,125 --> 00:40:21,375 DID YOU GET THIS? 821 00:40:22,834 --> 00:40:24,500 NO, NO LIGHTS FOR ME. 822 00:40:25,250 --> 00:40:27,082 NOT YET. 823 00:40:27,083 --> 00:40:29,000 EVERY DAY, I WATCH PEOPLE DIE. 824 00:40:30,041 --> 00:40:32,666 WHY ONE DEATH MEANS MORE THAN ANOTHER, 825 00:40:32,667 --> 00:40:34,000 I HAVE NO IDEA. 826 00:40:49,625 --> 00:40:52,167 I THINK PEOPLE NEED SOMETHING FAMILIAR. 827 00:40:53,000 --> 00:40:54,083 REGGIE? 828 00:40:55,125 --> 00:40:56,666 MOM? 829 00:40:56,667 --> 00:40:58,750 SOMETHING THEY CAN REMEMBER. 830 00:41:01,041 --> 00:41:04,124 WHATCHA DOING THERE, REGGIE? 831 00:41:04,125 --> 00:41:06,457 GRANDMA'S HELPING GEORGE WITH HER BARDO. 832 00:41:06,458 --> 00:41:08,124 IS THAT RIGHT? 833 00:41:08,125 --> 00:41:10,999 THE BARDO IS THE WAY THE TIBETANS HELP THE DEAD 834 00:41:11,000 --> 00:41:13,083 SORT OUT REALITY. 835 00:41:13,084 --> 00:41:17,083 IT'S AN ANCIENT AND RESPECTED RITUAL, JOY. 836 00:41:17,084 --> 00:41:19,583 WELL, I BROUGHT ANOTHER ANCIENT AND RESPECTED RITUAL. 837 00:41:20,542 --> 00:41:21,583 CHUNKY MONKEY. 838 00:41:23,125 --> 00:41:24,125 REGGIE, WHY DON'T YOU GO 839 00:41:24,126 --> 00:41:26,125 SCOOP US UP A FEW BOWLS? 840 00:41:26,333 --> 00:41:27,500 [SINGING] 841 00:41:31,417 --> 00:41:32,667 [SIGHS] 842 00:41:35,125 --> 00:41:37,959 YOU KNOW, YOU'RE NOT THE ONLY ONE WHO'S LOST GEORGE. 843 00:41:39,041 --> 00:41:41,457 THE WHOLE WORLD HAS LOST A SOUL. 844 00:41:41,458 --> 00:41:43,166 SHE WAS MY DAUGHTER. 845 00:41:44,250 --> 00:41:45,708 MINE. 846 00:41:47,084 --> 00:41:48,458 SHE WAS ME, MOM. 847 00:41:50,209 --> 00:41:52,750 THE SAME WAY THAT YOU'RE ME. 848 00:41:54,959 --> 00:41:56,041 AND I MISS YOU. 849 00:41:57,208 --> 00:41:58,375 BOTH OF YOU. 850 00:42:09,458 --> 00:42:10,625 YOU SEE IT OUT THERE? 851 00:42:11,542 --> 00:42:13,042 GEORGE DID GOOD. 852 00:42:14,209 --> 00:42:15,209 MM-HMM. 853 00:42:15,834 --> 00:42:16,917 SHE DID FINE. 854 00:42:19,209 --> 00:42:20,209 WHAT'S GOING ON, ROX? 855 00:42:22,875 --> 00:42:24,333 I HAD TO SHOOT SOMEONE. 856 00:42:27,750 --> 00:42:28,959 SOMEONE DIED. 857 00:42:29,875 --> 00:42:30,999 DID YOUR JOB. 858 00:42:31,000 --> 00:42:32,374 MINE AND MASON'S. 859 00:42:32,375 --> 00:42:33,875 I MEANT YOUR OTHER JOB... 860 00:42:34,583 --> 00:42:35,583 OFFICER. 861 00:42:39,000 --> 00:42:40,333 I'M JUST STATING A FACT. 862 00:42:46,042 --> 00:42:47,166 DID SOMEBODY IMPORTANT DIE? 863 00:42:48,041 --> 00:42:49,749 TODAY, EVERY DAY. 864 00:42:49,750 --> 00:42:51,541 WHAT KIND OF PIE YOU GOT TONIGHT? 865 00:42:51,542 --> 00:42:53,041 IT'S PECAN. 866 00:42:53,042 --> 00:42:54,290 I SAVED YOU A PIECE, 867 00:42:54,291 --> 00:42:56,250 FOR MY VERY IMPORTANT CUSTOMER. 868 00:43:05,000 --> 00:43:06,374 GEORGE? 869 00:43:06,375 --> 00:43:08,041 YEAH, SHE DID REALLY WELL. 870 00:43:14,708 --> 00:43:16,084 I CAN'T GO IN THERE TONIGHT 871 00:43:16,750 --> 00:43:18,583 AND FACE THE BOSS MAN. 872 00:43:22,750 --> 00:43:24,166 DO ME A FAVOR AND... 873 00:43:25,625 --> 00:43:27,959 TELL HIM I'M PISS DRUNK SOMEWHERE IN THE GUTTER. 874 00:43:40,209 --> 00:43:42,042 DON'T MAKE MORE OF IT THAN IT IS. 875 00:43:42,750 --> 00:43:44,042 I WON'T. 876 00:43:45,542 --> 00:43:47,166 COME ON INSIDE. I'M BUYING. 877 00:43:52,708 --> 00:43:56,125 MAYBE IT'S EASIER TO MOURN SOMEONE YOU NEVER REALLY KNEW. 878 00:43:57,250 --> 00:44:00,333 I'M NOT SURE I GET IT, ALL THIS SHARED PAIN... 879 00:44:03,834 --> 00:44:06,125 I GUESS IT'S A PLACE TO LEAVE A SIGN, 880 00:44:08,208 --> 00:44:11,000 A WAY OF SAYING THAT YOU LOST SOMEONE, TOO. 881 00:44:12,250 --> 00:44:14,041 EVERYONE WAS CONNECTING. 882 00:44:15,375 --> 00:44:17,834 EVERYONE, OF COURSE, EXCEPT ME. 883 00:44:18,542 --> 00:44:19,999 OKAY, RUBE, I BLEW IT. 884 00:44:20,000 --> 00:44:21,290 I COMPLETELY BLEW IT, 885 00:44:21,291 --> 00:44:24,749 AND BELIEVE ME, I'M SO PAINFULLY, PAINFULLY AWARE 886 00:44:24,750 --> 00:44:27,083 OF MY FAILURES THIS EVENING, 887 00:44:27,084 --> 00:44:28,833 BUT, SAYING THAT, BRING ON MORE PAIN, 888 00:44:28,834 --> 00:44:30,314 BECAUSE, NO DOUBT, I DESERVE IT, OKAY? 889 00:44:34,125 --> 00:44:35,125 PECAN. 890 00:44:36,041 --> 00:44:37,291 NOT BAD, EITHER. 891 00:44:41,208 --> 00:44:44,041 THINK OF IT AS A GET-OUT-OF-JAIL-FREE CARD. 892 00:44:47,000 --> 00:44:48,000 NICE SHOT, ROXY. 893 00:44:48,001 --> 00:44:49,290 THANKS. 894 00:44:49,291 --> 00:44:50,333 HERE SHE IS. 895 00:44:51,625 --> 00:44:53,249 [RUBE] LOOK AT YOU! 896 00:44:53,250 --> 00:44:54,874 NICE GOING. 897 00:44:54,875 --> 00:44:56,041 OW. 898 00:44:56,042 --> 00:44:59,666 YEAH, IT WAS CRAZY IN THERE. 899 00:44:59,667 --> 00:45:01,499 I LIKE YOUR OUTFIT. 900 00:45:01,500 --> 00:45:04,083 THANK YOU, DAISY. ROXY PICKED IT OUT. 901 00:45:04,708 --> 00:45:06,290 HMM? 902 00:45:06,291 --> 00:45:08,165 AIN'T NOTHING BUT WOMAN UNDER THIS UNIFORM. 903 00:45:08,166 --> 00:45:09,999 [DAISY CHUCKLING] 904 00:45:10,000 --> 00:45:11,458 WHAT THE FUCK YOU LAUGHING AT? 905 00:45:14,875 --> 00:45:17,250 NOT EVERY DEATH GETS A CANDLELIGHT VIGIL. 906 00:45:23,000 --> 00:45:24,874 MOST DEATHS, 907 00:45:24,875 --> 00:45:27,332 THEY JUST GOT A SKY FULL OF STARS. 908 00:45:27,333 --> 00:45:29,209 THAT'S NOT BAD... 909 00:45:29,959 --> 00:45:31,542 FOR A NOBODY LIKE ME.