1 00:00:06,083 --> 00:00:09,000 [♪♪] 2 00:01:07,500 --> 00:01:09,207 [BUZZING] 3 00:01:09,208 --> 00:01:11,332 [GEORGE] EVERY FAMILY HAS ITS MORNING RITUALS. 4 00:01:11,333 --> 00:01:12,707 I KNOW MINE DID. 5 00:01:12,708 --> 00:01:15,374 THE GUN WENT OFF AT 7:00, RISE AND SHINE. 6 00:01:15,375 --> 00:01:17,124 ACTUALLY, WE WERE NEVER THAT BIG 7 00:01:17,125 --> 00:01:18,874 ON THE SHINE, BUT... 8 00:01:18,875 --> 00:01:21,290 WHAT I REALLY REMEMBER ABOUT MORNING... 9 00:01:21,291 --> 00:01:23,040 WAS COFFEE... 10 00:01:23,041 --> 00:01:27,124 THE SMELL OF IT, THE SOUNDS OF IT... 11 00:01:27,125 --> 00:01:29,583 EVERYONE IN MY FAMILY LOVED COFFEE. 12 00:01:32,417 --> 00:01:34,457 THIS SOUNDS WEIRD, BUT SOMETIMES I THINK 13 00:01:34,458 --> 00:01:36,624 IT'S THE ONE THING WE ALL LOVED. 14 00:01:36,625 --> 00:01:37,625 CAN I SEE THE OBITS? 15 00:01:40,667 --> 00:01:41,958 MORE COFFEE? 16 00:01:41,959 --> 00:01:42,959 PLEASE. 17 00:01:43,959 --> 00:01:44,959 IT'S MY GUY. 18 00:01:45,959 --> 00:01:47,250 THAT'S THE GUY I KISSED. 19 00:01:49,041 --> 00:01:50,041 HE'S OLD. AND DEAD. 20 00:01:50,042 --> 00:01:51,666 THE GUY I KISSED ISN'T DEAD. 21 00:01:51,667 --> 00:01:54,041 THAT'S HIS DAD. I REAPED HIS DAD. 22 00:01:54,042 --> 00:01:56,791 AND HIS MEMORIAL SERVICE IS TODAY AT 3:00. 23 00:01:56,792 --> 00:01:58,499 WEAR SOMETHING BLACK AND SHORT. 24 00:01:58,500 --> 00:01:59,999 REALLY? YOU THINK I SHOULD GO? 25 00:02:00,000 --> 00:02:01,332 ABSOLUTELY. 26 00:02:01,333 --> 00:02:03,124 POINT GREY CLUB. MM. ELEGANT. 27 00:02:03,125 --> 00:02:05,666 MAYBE SOMETHING... BLACK AND LONG. 28 00:02:05,667 --> 00:02:08,208 WHAT'S THAT EXPRESSION? 29 00:02:08,209 --> 00:02:10,208 "DON'T SHIT WHERE YOU EAT. 30 00:02:10,209 --> 00:02:12,124 DON'T SHIT WHERE YOU REAP?" 31 00:02:12,125 --> 00:02:13,000 I'M DEFINITELY NOT GOING. 32 00:02:13,001 --> 00:02:14,601 I'M GOING TO HELP YOU PICK OUT AN OUTFIT. 33 00:02:14,625 --> 00:02:15,833 YEAH. PLEASE. 34 00:02:15,834 --> 00:02:17,042 BONJOUR. 35 00:02:17,625 --> 00:02:18,707 WHAT'S IN THE BAG? 36 00:02:18,708 --> 00:02:19,958 CINNAMON BUNS. 37 00:02:19,959 --> 00:02:21,084 MM! FEEL FREE. 38 00:02:23,042 --> 00:02:24,124 THEY'RE STILL WARM. MM! 39 00:02:24,125 --> 00:02:27,082 I DO LOVE ME A TASTY CINNAMON BUN. 40 00:02:27,083 --> 00:02:28,874 MM. I'M SO GLAD 41 00:02:28,875 --> 00:02:30,791 I'M DONE FOR TODAY, I SWEAR. 42 00:02:30,792 --> 00:02:31,912 YOU HAD TO REAP THIS MORNING? 43 00:02:31,936 --> 00:02:33,041 YEAH. 44 00:02:33,042 --> 00:02:34,000 THAT FROSTING APPLICATOR, 45 00:02:34,001 --> 00:02:35,457 A DANGEROUS BLOODY MACHINE, THAT IS. 46 00:02:35,458 --> 00:02:38,000 IT TOOK THE GUY'S HAND CLEAN OFF. 47 00:02:38,875 --> 00:02:40,917 WELL, THE HAND STRAIGHT OFF. 48 00:02:41,959 --> 00:02:44,167 HE DIED OF BLOOD LOSS. OR SHOCK. 49 00:02:45,041 --> 00:02:46,707 SOMETHING. CAN'T REMEMBER. 50 00:02:46,708 --> 00:02:49,374 ANYWAY, REALLY, REALLY, REALLY, REALLY, REALLY BLOODY DEATH. 51 00:02:49,375 --> 00:02:51,249 THAT'S DISGUSTING. 52 00:02:51,250 --> 00:02:52,999 WHAT? 53 00:02:53,000 --> 00:02:54,707 OH, DON'T BE SUCH SISSIES. 54 00:02:54,708 --> 00:02:55,999 THESE ONES ARE CLEAN. 55 00:02:56,000 --> 00:02:57,917 I WIPED THE BLOOD OFF OF THEM ONES. 56 00:02:58,500 --> 00:02:59,624 YOU'RE DISGUSTING. 57 00:02:59,625 --> 00:03:01,041 ANYTHING INTERESTING IN THE OBITS? 58 00:03:02,000 --> 00:03:03,249 NOPE, JUST THE USUAL CRAP... 59 00:03:03,250 --> 00:03:05,207 CHERISHED SCHOOLMASTER, BELOVED AUNT, 60 00:03:05,208 --> 00:03:06,750 DEAD CONSTRUCTION WORKER. 61 00:03:07,417 --> 00:03:08,834 FOR YOU, MY DEAR. 62 00:03:09,583 --> 00:03:11,042 AND YOU, MY FRIEND. 63 00:03:11,291 --> 00:03:12,417 4:00? 64 00:03:13,542 --> 00:03:16,166 THAT A PROBLEM? NO. IT'S JUST... 65 00:03:16,167 --> 00:03:18,125 IT'S JUST... A GIRL HAS A LIFE. 66 00:03:18,417 --> 00:03:19,542 FOR EXAMPLE? 67 00:03:20,083 --> 00:03:21,083 GIRL STUFF. 68 00:03:21,084 --> 00:03:22,165 WELL... 69 00:03:22,166 --> 00:03:23,374 SINCE THIS IS NOT A FACIAL, 70 00:03:23,375 --> 00:03:24,666 BUT THE END OF A PERSON'S LIFE, 71 00:03:24,667 --> 00:03:27,166 I DON'T THINK IT CAN BE RESCHEDULED. 72 00:03:27,167 --> 00:03:28,375 YOU'RE A SMART GIRL, GEORGE. 73 00:03:29,250 --> 00:03:30,958 JUGGLE THINGS. 74 00:03:30,959 --> 00:03:32,249 I CAN JUGGLE THINGS. 75 00:03:32,250 --> 00:03:33,250 I CAN JUGGLE THINGS. 76 00:03:34,041 --> 00:03:35,125 ONE... 77 00:03:35,834 --> 00:03:37,000 DEUX... 78 00:03:37,542 --> 00:03:39,082 UH, THREE. 79 00:03:39,083 --> 00:03:40,500 AHEM. READY? 80 00:03:43,125 --> 00:03:44,290 [MASON HUMMING] 81 00:03:44,291 --> 00:03:45,625 WHOO-OO-HOO. 82 00:03:49,041 --> 00:03:50,041 YOU'RE AN IDIOT. 83 00:03:50,042 --> 00:03:52,833 ACTUALLY, THESE CINNAMON BUNS 84 00:03:52,834 --> 00:03:55,666 STARTED OFF TO BE A VERY NICE GESTURE, RUBE, 85 00:03:55,667 --> 00:03:58,541 AND WHAT I WANTED TO DO IS GET PEOPLE BREAKFAST, 86 00:03:58,542 --> 00:04:01,124 AND THAT'S WHAT I GET. DAISY, BACK ME UP. 87 00:04:01,125 --> 00:04:02,541 YOUR HEART'S IN THE RIGHT PLACE. 88 00:04:02,542 --> 00:04:04,999 YOUR HEART'S NOT IN THE RIGHT PLACE. 89 00:04:05,000 --> 00:04:06,916 THE HEART IS NOT, 90 00:04:06,917 --> 00:04:09,208 AS IS SO OFTEN SEEN ON TELEVISION, 91 00:04:09,209 --> 00:04:10,958 IN THE CENTER OF THE BODY. 92 00:04:10,959 --> 00:04:12,000 BUT THANK YOU, AUDREY. 93 00:04:16,875 --> 00:04:18,792 OKAY, WHO WOULD LIKE TO GO NEXT? 94 00:04:20,667 --> 00:04:22,625 WHO WOULD LIKE TO SHOW THEIR MODEL OF THE HEART? 95 00:04:23,333 --> 00:04:25,207 FRANCIS? EXCELLENT. 96 00:04:25,208 --> 00:04:27,167 YOU'RE GOING TO LIKE THIS, REGGIE. 97 00:04:27,750 --> 00:04:28,875 OKAY. 98 00:04:34,291 --> 00:04:36,374 BEFORE I BEGIN, I WOULD JUST WANT TO SAY THANK YOU 99 00:04:36,375 --> 00:04:38,374 FOR THE TRIBUTE TO MY DEAD KOMODO DRAGON, 100 00:04:38,375 --> 00:04:41,166 WHO WAS TRAGICALLY KILLED LAST WEEK DURING SCHOOL. 101 00:04:41,167 --> 00:04:42,567 I'M SURE FRODO'S IN HEAVEN, FRANCIS. 102 00:04:42,591 --> 00:04:44,707 ALTHOUGH THERE'S NO SCIENTIFIC EVIDENCE 103 00:04:44,708 --> 00:04:46,290 TO SUPPORT THAT, MRS. RICKET, 104 00:04:46,291 --> 00:04:47,541 THANKS. 105 00:04:47,542 --> 00:04:48,874 YOU'RE WELCOME. 106 00:04:48,875 --> 00:04:50,075 WHENEVER YOU'RE READY, FRANCIS. 107 00:04:51,917 --> 00:04:54,833 "THE HUMAN HEART," BY FRANCIS BISCHETTI. 108 00:04:54,834 --> 00:04:56,354 MY FIRST ATTEMPT AT MODELLING THE HEART 109 00:04:56,378 --> 00:04:59,166 USING DRY MACARONI WAS A DISASTER. 110 00:04:59,167 --> 00:05:01,416 THE RIGHT VENTRICLE KEPT FALLING OFF. 111 00:05:01,417 --> 00:05:03,817 SO WHAT YOU ARE ABOUT TO SEE, I HAVE ENTITLED "THE HEART..." 112 00:05:04,417 --> 00:05:05,458 2.0" 113 00:05:06,041 --> 00:05:07,041 OH, COOL. 114 00:05:07,042 --> 00:05:09,958 UH, FRANCIS, WHERE... WHERE DID YOU GET THAT? 115 00:05:09,959 --> 00:05:11,083 THE INTERNET. 116 00:05:11,084 --> 00:05:12,166 IS IT FROM AN ANIMAL? 117 00:05:12,167 --> 00:05:13,958 IT JUST SAID "HEART" ON THE WEBSITE. 118 00:05:13,959 --> 00:05:16,791 IT WAS FROM AN INTERNATIONAL MAIL CODE. RWANDA, I BELIEVE. 119 00:05:16,792 --> 00:05:19,082 UH, FRANCIS, THE, UH, THE ASSIGNMENT WAS 120 00:05:19,083 --> 00:05:21,040 TO MAKE A MODEL OF THE HEART, 121 00:05:21,041 --> 00:05:22,667 NOT, UH, TO BUY ONE. 122 00:05:33,041 --> 00:05:35,209 UH, REGGIE? I BELIEVE YOU'RE NEXT. 123 00:05:35,959 --> 00:05:37,208 I DON'T HAVE IT. 124 00:05:38,625 --> 00:05:39,959 OKAY... 125 00:05:42,042 --> 00:05:44,457 AND, UH, WHY DON'T YOU HAVE IT? 126 00:05:44,458 --> 00:05:46,040 WELL... HER DOG ATE IT! 127 00:05:46,041 --> 00:05:47,874 YEAH, UM... YEAH. 128 00:05:47,875 --> 00:05:49,715 THAT'LL TEACH YOU TO MAKE A HEART OUT OF LIVER. 129 00:05:49,739 --> 00:05:51,406 EVERYBODY KNOWS DOGS LIKE LIVER. 130 00:05:52,291 --> 00:05:53,458 IS THAT WHAT HAPPENED, REGGIE? 131 00:05:57,084 --> 00:05:58,165 YEAH. MY DOG ATE IT. 132 00:05:58,166 --> 00:05:59,375 [SCHOOL BELL RINGING] 133 00:05:59,959 --> 00:06:01,457 OKAY. 134 00:06:01,458 --> 00:06:03,708 REGGIE, I'LL GIVE YOU UNTIL TOMORROW. 135 00:06:05,167 --> 00:06:06,667 COFFEE'S NICE THIS MORNING. 136 00:06:07,875 --> 00:06:09,332 TASTES THE SAME TO ME. 137 00:06:09,333 --> 00:06:11,041 DID YOU MAKE IT THIS MORNING, CRYSTAL? 138 00:06:11,042 --> 00:06:12,749 DO ANYTHING DIFFERENT? 139 00:06:12,750 --> 00:06:15,207 DIFFERENT BEANS? BOTTLED WATER? COLD DRIP? 140 00:06:15,208 --> 00:06:16,833 HMM. TASTES DIFFERENT. 141 00:06:16,834 --> 00:06:18,874 MAYBE YOU'RE THE ONE THAT'S DIFFERENT. 142 00:06:18,875 --> 00:06:21,275 YOU KNOW WHAT, MISTY? I THINK YOU'RE THE ONE THAT'S DIFFERENT. 143 00:06:23,042 --> 00:06:25,416 OH, DID I TELL YOU FRED ASKED ME OUT LAST WEEK FOR COFFEE. 144 00:06:25,417 --> 00:06:26,541 AND? 145 00:06:26,542 --> 00:06:28,142 WELL, I DON'T WANT TO HAVE SEX WITH FRED. 146 00:06:28,166 --> 00:06:29,624 IT'S JUST COFFEE. 147 00:06:29,625 --> 00:06:31,083 COFFEE'S CODE, MILLIE. 148 00:06:32,209 --> 00:06:33,624 FRED WANTS ME. 149 00:06:33,625 --> 00:06:36,042 HE WANTS A DOUBLE-SHOT OF MISTY... 150 00:06:37,041 --> 00:06:39,167 EXTRA FOAM. 151 00:06:40,959 --> 00:06:42,124 YOU KNOW... 152 00:06:42,125 --> 00:06:46,124 MISTY, SOMETIMES COFFEE IS JUST COFFEE. 153 00:06:46,125 --> 00:06:49,124 I WORK HERE 35 HOURS A WEEK, AND I SWEAR TO GOD, 154 00:06:49,125 --> 00:06:52,082 I SPEND 34 OF THEM THINKING ABOUT SEX. 155 00:06:52,083 --> 00:06:53,457 AND THE OTHER HOUR? 156 00:06:53,458 --> 00:06:55,874 OH, I'M HAVING SEX. 157 00:06:55,875 --> 00:06:57,417 YOU'RE SO FULL OF SHIT, MISTY. 158 00:06:58,333 --> 00:06:59,667 QUE PASA, JULIO? 159 00:07:04,041 --> 00:07:06,749 WHEN WAS THE LAST TIME YOU HAD SEX, MILLIE? 160 00:07:06,750 --> 00:07:07,958 NEVER? 161 00:07:07,959 --> 00:07:10,374 OH, IT'S BEEN A WHILE. 162 00:07:10,375 --> 00:07:13,166 WHAT ARE YOU LADIES TALKING ABOUT? 163 00:07:13,167 --> 00:07:14,374 COFFEE. 164 00:07:14,375 --> 00:07:15,999 I COULD USE A NICE CUP OF COFFEE MYSELF, 165 00:07:16,000 --> 00:07:17,166 RIGHT ABOUT NOW. 166 00:07:18,000 --> 00:07:19,040 [MAN GROANING] 167 00:07:19,041 --> 00:07:20,583 [GROANS] 168 00:07:22,167 --> 00:07:23,416 OH, I CAN'T FEEL MY ARM. 169 00:07:23,417 --> 00:07:24,582 STAN? 170 00:07:24,583 --> 00:07:26,457 STAN! SAY SOMETHING. 171 00:07:26,458 --> 00:07:28,125 OH, MY LORD. HE'S HAVING A CORONARY. 172 00:07:29,583 --> 00:07:30,791 IS HE GONNA DIE? 173 00:07:30,792 --> 00:07:32,582 MAMA, CAN YOU HEAR ME? 174 00:07:32,583 --> 00:07:34,999 DON'T LOOK AT ME. I DON'T HAVE HIS POST-IT. 175 00:07:35,000 --> 00:07:36,707 ALL RIGHT, HAPPY TIME, LIFE-SUPPORT PLAN. 176 00:07:36,708 --> 00:07:38,040 CODE BLUE. 177 00:07:38,041 --> 00:07:40,291 PEOPLE, MAN YOUR POSTS. ON THE DOUBLE! 178 00:07:44,750 --> 00:07:46,040 MILLIE! 179 00:07:46,041 --> 00:07:47,125 UH, I WASN'T HERE THAT DAY. 180 00:07:48,000 --> 00:07:50,332 COME ON, PEOPLE! 181 00:07:50,333 --> 00:07:52,458 WHERE'S MY DEFIBRILLATOR CREW? 182 00:08:02,250 --> 00:08:05,000 THERE'S CHEESE ON THESE! 183 00:08:06,167 --> 00:08:08,165 WHO HAS BEEN MAKING GRILLED-CHEESE SANDWICHES 184 00:08:08,166 --> 00:08:10,708 WITH THE DEFIBRILLATOR PADDLES? 185 00:08:15,125 --> 00:08:17,208 CONGRATULATIONS, HAPPY TIME. 186 00:08:17,209 --> 00:08:18,209 YOU JUST KILLED A MAN. 187 00:08:22,125 --> 00:08:23,291 THANK YOU, STAN. 188 00:08:29,834 --> 00:08:33,040 YOU KNOW, I'M REALLY DISAPPOINTED, PEOPLE. 189 00:08:33,041 --> 00:08:36,166 WE HAD C.P.R. TRAINING LAST MONTH, 190 00:08:36,167 --> 00:08:39,290 AND WE'RE DOING IT AGAIN TOMORROW MORNING, MANDATORY. 191 00:08:39,291 --> 00:08:42,874 IT'S A LITTLE UNSETTLING GETTING THAT CLOSE TO DEATH, ISN'T IT? 192 00:08:42,875 --> 00:08:44,291 MM. NOT SO MUCH. 193 00:08:47,000 --> 00:08:48,999 I THINK GEORGE IS IN LOVE. 194 00:08:49,000 --> 00:08:50,207 SHE TELL YOU THAT? 195 00:08:50,208 --> 00:08:52,666 NO. SHE DIDN'T HAVE TO. 196 00:08:52,667 --> 00:08:54,833 UNLIKE YOU, I CAN SENSE THESE THINGS. 197 00:08:54,834 --> 00:08:56,290 WHAT ARE YOU TRYING TO SAY? 198 00:08:56,291 --> 00:08:57,791 I HAVE KEEN INTUITION. 199 00:08:57,792 --> 00:08:59,707 OH, YOU WISH YOU HAD MY INTUITION. 200 00:08:59,708 --> 00:09:01,041 OH, ROXY, IT'S NOT A CONTEST. 201 00:09:02,333 --> 00:09:03,834 I GOT TO HOP, GOT A SOUL TO TAKE. 202 00:09:08,375 --> 00:09:09,917 I KNOW THIS ADDRESS. 203 00:09:10,458 --> 00:09:11,999 THAT'S THE MILLSTONE HOTEL. 204 00:09:12,000 --> 00:09:13,582 REALLY? 205 00:09:13,583 --> 00:09:16,249 WELL, HOW FUN. I LOVE HOTELS. 206 00:09:16,250 --> 00:09:18,165 MAYBE I'LL DRESS UP AS A HOUSEKEEPER. 207 00:09:18,166 --> 00:09:20,208 WHY AREN'T YOU WEARING YOUR CROSS ANYMORE? 208 00:09:20,209 --> 00:09:21,209 I LOST IT. 209 00:09:23,000 --> 00:09:24,791 YOUR FAITH OR THE CROSS? 210 00:09:24,792 --> 00:09:26,624 BOTH. 211 00:09:26,625 --> 00:09:30,083 I WAS JUST PLAYING THE PART OF THE NICE CATHOLIC GIRL. 212 00:09:30,084 --> 00:09:31,582 I'M NOT, I'M NOT THE REAL THING. 213 00:09:31,583 --> 00:09:32,708 NO? 214 00:09:34,209 --> 00:09:36,332 THE SPIRITUAL THING ISN'T ME. 215 00:09:36,333 --> 00:09:39,667 I'M AN ACTRESS. I'M JUST A REALLY GOOD ACTRESS. 216 00:09:40,291 --> 00:09:42,000 WHATEVER YOU SAY, DAISY. 217 00:09:43,125 --> 00:09:44,333 DAISY ADAIR. 218 00:09:46,208 --> 00:09:48,416 SO OUR LITTLE GEORGIE IS CRASHING A MEMORIAL SERVICE 219 00:09:48,417 --> 00:09:49,499 TO CHASE A BOY? 220 00:09:49,500 --> 00:09:50,620 YEAH. SHE WON'T ACTUALLY GO. 221 00:09:51,875 --> 00:09:53,332 NO? SHE'LL CHICKEN OUT. 222 00:09:53,333 --> 00:09:55,917 I HAVE THE MILLSTONE REAP, AND SHE'S TOO AFRAID TO GO ALONE. 223 00:09:57,167 --> 00:09:58,208 [MAN] THIS WAY, PLEASE. 224 00:10:00,458 --> 00:10:02,749 NO, REALLY NOT MY CROWD. 225 00:10:02,750 --> 00:10:05,040 YOU AND ME BOTH, PAL. 226 00:10:05,041 --> 00:10:07,541 YOU COULDN'T FALL FOR A NICE WORKING MAN, COULD YOU? 227 00:10:07,542 --> 00:10:09,916 YOU HAD TO FIND A BLOODY ARISTOCRAT. 228 00:10:09,917 --> 00:10:11,040 HE WORKS. 229 00:10:11,041 --> 00:10:13,166 HE'S A JOURNALIST. 230 00:10:13,167 --> 00:10:16,165 HAH, WORKS? FOR HIS RICH, DEAD FATHER'S NEWSPAPER... 231 00:10:16,166 --> 00:10:17,249 CHA-CHING! 232 00:10:17,250 --> 00:10:20,833 CAN YOU JUST TRY TO BEHAVE YOURSELF 233 00:10:20,834 --> 00:10:21,999 AND ACT LIKE A GENTLEMAN? 234 00:10:22,000 --> 00:10:23,124 FUCK OFF. 235 00:10:23,125 --> 00:10:24,666 OKAY, FINE. 236 00:10:24,667 --> 00:10:26,083 HOW DO I LOOK? 237 00:10:27,333 --> 00:10:29,624 ACTUALLY, YOU LOOK REALLY NICE. 238 00:10:29,625 --> 00:10:30,917 VERY "COME HITHER." 239 00:10:31,875 --> 00:10:33,125 OOH. GOOD. 240 00:10:35,208 --> 00:10:36,457 SO WHICH ONE IS HE? 241 00:10:36,458 --> 00:10:38,457 THE GOOD-LOOKING GUY IN BLACK. 242 00:10:38,458 --> 00:10:40,083 MM. YES. STILL NOT CLEAR. 243 00:10:41,375 --> 00:10:42,667 THAT ONE. 244 00:10:44,000 --> 00:10:46,166 I REALLY LIKE HIM, SO DON'T SCREW THIS UP. 245 00:10:46,167 --> 00:10:47,167 I WON'T. 246 00:10:48,834 --> 00:10:49,958 GEORGE, WHY AM I HERE? 247 00:10:49,959 --> 00:10:53,208 TO PAY YOUR RESPECTS TO HIS FATHER, THOMAS HESBURGH. 248 00:10:53,209 --> 00:10:54,209 OKAY, GOT IT. 249 00:10:55,166 --> 00:10:56,416 AND WHY ARE YOU HERE? 250 00:10:56,417 --> 00:10:58,666 TO PAY MY RESPECTS TO HIS FATHER. 251 00:10:58,667 --> 00:11:00,000 THOMAS HESBURGH. 252 00:11:01,917 --> 00:11:03,624 OH, MY GOD. YOU REAPED HIS FATHER. 253 00:11:03,625 --> 00:11:05,124 NOW YOU WANT TO SNOG HIS SON. 254 00:11:05,125 --> 00:11:06,166 HAH. 255 00:11:07,375 --> 00:11:09,958 I DON'T KNOW. I JUST... 256 00:11:09,959 --> 00:11:14,165 LOOK, I HAVE ONE HOUR BEFORE MY REAP, SO WHATEVER. 257 00:11:14,166 --> 00:11:16,166 OH, LET'S SYNCHRONIZE WATCHES. 258 00:11:16,167 --> 00:11:17,000 GOOD IDEA. 259 00:11:17,001 --> 00:11:18,583 I DON'T HAVE A WATCH. 260 00:11:19,959 --> 00:11:21,499 [JOY] IT'S ALMOST TIME TO GO. 261 00:11:21,500 --> 00:11:23,041 I DON'T WANT TO GO TO DAD'S TONIGHT. 262 00:11:24,000 --> 00:11:25,457 YOU HAVE TO. 263 00:11:25,458 --> 00:11:27,040 WHY? 264 00:11:27,041 --> 00:11:30,041 BECAUSE IT'S COURT-ORDERED. 265 00:11:30,042 --> 00:11:31,583 DO YOU HAVE ANY HOMEWORK FOR TONIGHT? 266 00:11:32,875 --> 00:11:35,874 I SORT OF DIDN'T FINISH THAT BIOLOGY PROJECT. 267 00:11:35,875 --> 00:11:37,209 THE HEART MODEL? 268 00:11:37,875 --> 00:11:39,208 I THOUGHT THAT WAS DUE TODAY. 269 00:11:39,750 --> 00:11:41,959 IT WAS, BUT... 270 00:11:42,458 --> 00:11:43,792 BUT WHAT? 271 00:11:45,875 --> 00:11:48,916 WHAT AM I SUPPOSED TO DO WITH ALL THE PAPIER-MACHE I BOUGHT, HMM? 272 00:11:48,917 --> 00:11:49,999 PUT IT IN THE BASEMENT? 273 00:11:50,000 --> 00:11:53,167 ALONG WITH YOUR DRUM SET AND YOUR RIDING CLOTHES? 274 00:11:54,167 --> 00:11:55,874 THE TEENAGE GRAVEYARD. 275 00:11:55,875 --> 00:11:57,707 IT'S NOT A GRAVEYARD. 276 00:11:57,708 --> 00:12:00,249 I KNOW. IT'S JUST AN EXPRESSION. 277 00:12:00,250 --> 00:12:02,375 MRS. RICKET SAID I COULD HAVE MORE TIME. 278 00:12:03,250 --> 00:12:04,416 HMM. 279 00:12:04,417 --> 00:12:06,917 THAT WAS VERY NICE OF MRS. RICKET. 280 00:12:08,542 --> 00:12:09,999 SHE HAD GEORGE IN HER CLASS. 281 00:12:10,000 --> 00:12:12,291 MRS. RICKET WAS VERY FOND OF GEORGE. 282 00:12:13,667 --> 00:12:15,874 A LOT OF GEORGE'S TEACHERS LIKED HER. 283 00:12:15,875 --> 00:12:17,708 SO WHY'D SHE DROP OUT OF COLLEGE? 284 00:12:18,375 --> 00:12:19,583 TO MAKE ME MAD. 285 00:12:20,834 --> 00:12:22,084 REALLY? 286 00:12:22,583 --> 00:12:23,792 NO. 287 00:12:25,083 --> 00:12:26,750 I DON'T KNOW WHAT HAPPENED. 288 00:12:28,166 --> 00:12:30,624 I THINK SHE WOULD HAVE GONE BACK... 289 00:12:30,625 --> 00:12:32,291 YOU KNOW, EVENTUALLY. 290 00:12:34,708 --> 00:12:36,958 I DON'T KNOW. 291 00:12:36,959 --> 00:12:39,207 YOU SHOULD BRING THAT BIOLOGY PROJECT TO YOUR DAD'S. 292 00:12:39,208 --> 00:12:40,833 ALL RIGHT? YOU CAN FINISH IT THERE. 293 00:12:40,834 --> 00:12:42,874 WHY CAN'T I DO IT HERE? REGGIE. 294 00:12:42,875 --> 00:12:44,124 HIS PLACE IS CHEESY. 295 00:12:44,125 --> 00:12:45,457 THERE'S CARPETS IN THE BATHROOM, 296 00:12:45,458 --> 00:12:48,041 AND YOU CAN HEAR PEOPLE MAKING SOUNDS THROUGH THE WALL. 297 00:12:48,042 --> 00:12:50,083 YOUR FATHER? NO, HIS FAT NEIGHBOR. 298 00:12:50,084 --> 00:12:51,208 WHAT KIND OF SOUNDS? 299 00:12:52,000 --> 00:12:53,040 BATHROOM SOUNDS. 300 00:12:53,041 --> 00:12:55,416 UGH. THAT'S BAD. 301 00:12:55,417 --> 00:12:57,749 AND I'LL NEVER GET IT FINISHED THERE, ANYWAY, 302 00:12:57,750 --> 00:12:59,667 AND YOU'RE THE ONE WHO'S GOOD AT BUILDING STUFF. 303 00:13:00,750 --> 00:13:03,165 HE WANTS TO SPEND TIME WITH YOU. 304 00:13:03,166 --> 00:13:05,083 HE EVEN ASKED IF HE COULD GET YOU EARLY. 305 00:13:06,583 --> 00:13:09,041 SO WHY DON'T YOU AND I JUST GET STARTED ON IT, 306 00:13:09,042 --> 00:13:10,749 AND IF WE DON'T GET IT FINISHED 307 00:13:10,750 --> 00:13:12,125 BY THE TIME DAD GETS HERE... 308 00:13:13,333 --> 00:13:14,916 YOU'LL FINISH IT. 309 00:13:14,917 --> 00:13:16,124 REGGIE, 310 00:13:16,125 --> 00:13:18,833 I CANNOT DO ALL YOUR HOMEWORK FOR YOU, OKAY? 311 00:13:18,834 --> 00:13:20,040 YOU'LL NEVER LEARN ANYTHING. 312 00:13:20,041 --> 00:13:22,000 YOU WANT ME TO GET INTO COLLEGE, DON'T YOU? 313 00:13:26,041 --> 00:13:27,917 JUST GO GET THE STUFF. 314 00:13:36,125 --> 00:13:37,708 HOUSEKEEPING. 315 00:13:39,250 --> 00:13:41,917 HEY, WHO STOLE MY FUCKING CART? 316 00:13:46,000 --> 00:13:48,041 ANYONE HERE? 317 00:13:48,042 --> 00:13:49,666 HOUSEKEEPING. 318 00:13:49,667 --> 00:13:53,833 OH, YES, COULD I GET SOME FRESH TOWELS IN THE BATH, PLEASE? 319 00:13:53,834 --> 00:13:55,958 I JUST NEED SOME FRESH TOWELS. 320 00:13:55,959 --> 00:13:57,332 FOR ONE OR TWO? 321 00:13:57,333 --> 00:13:59,124 UM, TWO, PLEASE. 322 00:13:59,125 --> 00:14:01,332 HE LOVES FRESH TOWELS, SO... 323 00:14:01,333 --> 00:14:03,166 THANK YOU, LATANYA. 324 00:14:03,167 --> 00:14:05,083 SURE. MY PLEASURE. 325 00:14:07,209 --> 00:14:08,666 OH, MY GOODNESS. 326 00:14:08,667 --> 00:14:10,999 WHAT EXQUISITE THINGS. 327 00:14:11,000 --> 00:14:12,249 YOU THINK SO? YEAH. 328 00:14:12,250 --> 00:14:14,875 I'D DO ANYTHING FOR LOVELY THINGS LIKE THIS. 329 00:14:16,000 --> 00:14:17,500 WELL, I ACTUALLY HAVE... 330 00:14:18,792 --> 00:14:20,232 WHICH ONE DO YOU THINK I SHOULD WEAR? 331 00:14:20,959 --> 00:14:23,208 IT'S NOT MY AREA OF EXPERTISE. 332 00:14:23,209 --> 00:14:25,624 BECAUSE I KNOW THAT HE LIKES RED. 333 00:14:25,625 --> 00:14:29,041 UM, I'VE SEEN HIS WIFE WEAR A LOT OF RED. 334 00:14:30,250 --> 00:14:32,332 THEN MAYBE SOMETHING NOT RED. 335 00:14:32,333 --> 00:14:35,208 RIGHT. ISN'T THAT THE POINT? 336 00:14:35,209 --> 00:14:38,207 DO SOMETHING DIFFERENT, SOMETHING THAT MAYBE HIS WIFE WOULDN'T DO? 337 00:14:38,208 --> 00:14:40,416 TOO TRUE. GO WITH THE PINK. 338 00:14:40,417 --> 00:14:42,917 MEN LOVE PINK. MAKES THEM FEEL LIKE THE STRONG ONE. 339 00:14:44,041 --> 00:14:45,582 THAT'S SO SMART. 340 00:14:45,583 --> 00:14:47,000 I'VE GOT A MILLION OF 'EM. 341 00:14:47,667 --> 00:14:49,207 NICE HARD BED. 342 00:14:49,208 --> 00:14:51,332 LOVE THAT. 343 00:14:51,333 --> 00:14:53,749 BUT, YOU KNOW, I WORRY ABOUT THE PINK, 344 00:14:53,750 --> 00:14:56,332 BECAUSE I THINK THAT WOULD LOOK A BIT TOO DESPERATE? 345 00:14:56,333 --> 00:14:58,249 NO, NO, NO, NOT DESPERATE. 346 00:14:58,250 --> 00:14:59,707 DELICATE. 347 00:14:59,708 --> 00:15:01,416 YEAH, I... I'M... 348 00:15:01,417 --> 00:15:04,124 I'M SORRY, I'M JUST NERVOUS. 349 00:15:04,125 --> 00:15:06,124 I, UM... 350 00:15:06,125 --> 00:15:08,083 TODAY'S THE DAY. I DECIDED I AM... 351 00:15:09,375 --> 00:15:15,749 I'M JUST TIRED OF BEING "TUESDAY AFTERNOON TESS." 352 00:15:15,750 --> 00:15:17,917 I'M TIRED OF BEING THE OTHER WOMAN. 353 00:15:18,959 --> 00:15:21,708 I WANT TO BE MRS. FRANK MANN. 354 00:15:32,333 --> 00:15:34,167 I SHOULD LET YOU GET READY. 355 00:15:36,375 --> 00:15:38,250 OH, YES. I'LL TAKE THOSE TOWELS. 356 00:15:40,000 --> 00:15:41,440 THE PINK ONE REALLY IS THE PRETTIEST. 357 00:15:45,417 --> 00:15:46,582 THANK YOU. 358 00:15:46,583 --> 00:15:48,042 YOU'RE WELCOME. 359 00:15:58,291 --> 00:16:00,208 [WATER RUNNING] 360 00:16:14,917 --> 00:16:16,124 [KNOCKING] 361 00:16:16,125 --> 00:16:17,332 [MAID] ROOM SERVICE. 362 00:16:17,333 --> 00:16:18,875 [WOMAN] I'LL BE OUT IN A MINUTE. 363 00:16:28,667 --> 00:16:30,375 [GROWLING] SHH. 364 00:16:33,291 --> 00:16:35,999 OOH... WHEN I CRASHED THIS FUNERAL A COUPLE WEEKS AGO, 365 00:16:36,000 --> 00:16:37,457 THEY HAD THESE SHRIMP PUFFY THINGS. 366 00:16:37,458 --> 00:16:39,209 DO YOU HAVE ANY PRAWNS WITH PUFFY PASTRY? 367 00:16:39,959 --> 00:16:41,374 NO. 368 00:16:41,375 --> 00:16:43,332 [MOCKING] "NO." GOD. 369 00:16:43,333 --> 00:16:45,124 CAN WE GET CHINESE FOOD AFTER THIS? 370 00:16:45,125 --> 00:16:47,666 WHAT DO YOU THINK, JACKET ON OR OFF? 371 00:16:47,667 --> 00:16:49,290 OFF. 372 00:16:49,291 --> 00:16:50,417 ACTUALLY, ON. 373 00:16:51,166 --> 00:16:53,166 I THINK OFF, ACTUALLY. 374 00:16:53,167 --> 00:16:54,624 ARE YOU FUCKING WITH ME, MASON? 375 00:16:54,625 --> 00:16:56,249 DON'T FUCK WITH ME TODAY, MASON. 376 00:16:56,250 --> 00:16:57,458 BLOODY HELL. 377 00:16:58,375 --> 00:16:59,667 UH... OH. 378 00:17:02,041 --> 00:17:03,166 HI. 379 00:17:04,458 --> 00:17:05,542 HI. 380 00:17:07,959 --> 00:17:09,125 I'M SORRY FOR YOUR LOSS. 381 00:17:10,125 --> 00:17:11,208 THANK YOU. 382 00:17:13,042 --> 00:17:14,708 HI, GEORGE. HI. 383 00:17:15,542 --> 00:17:17,791 UM, MASON, TRIP. 384 00:17:17,792 --> 00:17:19,208 TRIP, MASON. 385 00:17:20,042 --> 00:17:21,208 HI. 386 00:17:21,209 --> 00:17:22,291 HELLO. 387 00:17:28,375 --> 00:17:31,417 THE DEATH OF A LOVED ONE 388 00:17:32,625 --> 00:17:35,208 IS NOT A GLANCING BLOW, 389 00:17:35,209 --> 00:17:38,165 BUT A DEEP AND MEANINGFUL WOUND 390 00:17:38,166 --> 00:17:40,291 THAT WE REGRET MOST MISERABLY. 391 00:17:43,083 --> 00:17:44,083 THANK YOU. 392 00:17:44,084 --> 00:17:46,084 YOU ARE MOST HUMBLY WELCOME, TRIP. 393 00:17:46,792 --> 00:17:48,083 OOH! 394 00:17:48,084 --> 00:17:49,749 WHEN DEATH'S DARK SHADOW 395 00:17:49,750 --> 00:17:51,833 PASSES UPON US, 396 00:17:51,834 --> 00:17:54,290 WE CANNOT HELP BUT SEARCH FOR THAT LIGHTNESS, TRIP, 397 00:17:54,291 --> 00:17:55,691 BECAUSE IN THAT FUCKING LIGHTNESS... 398 00:17:55,715 --> 00:17:57,715 THERE'S AN OPEN BAR, IF YOU'D LIKE. 399 00:17:58,000 --> 00:17:59,750 THANKS, MAN. YEAH. 400 00:18:01,000 --> 00:18:02,291 I LIKE HIM. HE'S COOL. 401 00:18:12,167 --> 00:18:14,416 YOU KNOW, IF YOU KEEP CRASHING MY CLUB, 402 00:18:14,417 --> 00:18:16,000 PEOPLE WILL START TO TALK. 403 00:18:18,125 --> 00:18:19,375 WHAT WILL THEY SAY? 404 00:18:20,084 --> 00:18:21,208 THAT YOU LIKE ME. 405 00:18:22,125 --> 00:18:23,166 UH, TRIP? 406 00:18:27,084 --> 00:18:28,541 OH. 407 00:18:28,542 --> 00:18:30,750 LOOK, JUST GIVE ME ONE SECOND, WILL YOU? 408 00:18:31,750 --> 00:18:33,208 SO LET THEM TALK. 409 00:18:42,500 --> 00:18:43,834 [KNOCKING] 410 00:18:48,375 --> 00:18:50,167 COME IN. [DOOR OPENS] 411 00:18:51,750 --> 00:18:52,833 [DOOR CLOSES] 412 00:18:52,834 --> 00:18:53,917 YOU'RE LATE. 413 00:18:54,792 --> 00:18:56,166 I HAVE A JOB, TESS. 414 00:18:56,834 --> 00:18:58,499 I KNOW. 415 00:18:58,500 --> 00:19:00,040 I KNOW ALL ABOUT YOUR OBLIGATIONS. 416 00:19:00,041 --> 00:19:01,792 DON'T START. I'M NOT. 417 00:19:05,041 --> 00:19:07,250 AREN'T YOU GOING TO SAY SOMETHING ABOUT MY OUTFIT? 418 00:19:09,084 --> 00:19:11,958 [MAN] I TOLD YOU NOT TO CALL MY HOUSE. 419 00:19:11,959 --> 00:19:13,874 WELL, YOU WOULDN'T TAKE MY CALLS AT WORK. 420 00:19:13,875 --> 00:19:15,999 WHAT'S A GIRL TO THINK? 421 00:19:16,000 --> 00:19:18,332 YOU SHOULDN'T HAVE CALLED MY HOUSE, TESS. 422 00:19:18,333 --> 00:19:19,707 DON'T BE MAD, SWEETHEART. 423 00:19:19,708 --> 00:19:21,040 I AM NOT YOUR SWEETHEART. 424 00:19:21,041 --> 00:19:23,958 IT'S THE ONE THING I TOLD YOU NOT TO DO. THE ONE THING. 425 00:19:23,959 --> 00:19:25,290 YOU CAN'T MAKE ME WAIT FOREVER. 426 00:19:25,291 --> 00:19:27,417 I'M NOT JUST GOING TO DISAPPEAR, FRANK. 427 00:19:28,125 --> 00:19:29,999 YES, YOU ARE. 428 00:19:30,000 --> 00:19:32,125 [TESS SCREAMING] 429 00:19:35,959 --> 00:19:37,542 [TESS CHOKING] 430 00:19:42,083 --> 00:19:44,207 FUCK ME, YOU WERE UGLY. 431 00:19:44,208 --> 00:19:46,083 AND YOU LOOK LIKE YOU WERE REALLY MEAN. 432 00:19:49,042 --> 00:19:51,000 NO WONDER YOU PEOPLE DRINK SO MUCH. 433 00:19:58,417 --> 00:19:59,666 SORRY ABOUT THAT. 434 00:19:59,667 --> 00:20:01,542 OH, IT'S OKAY. 435 00:20:04,167 --> 00:20:05,499 DO YOU TALK TO DEAD PEOPLE? 436 00:20:05,500 --> 00:20:06,542 WHAT? 437 00:20:07,458 --> 00:20:08,874 YOUR FRIEND, 438 00:20:08,875 --> 00:20:11,416 HE WAS, UH, TALKING TO A DEAD WOMAN. 439 00:20:11,417 --> 00:20:14,167 WHO DO YOU THINK YOU'RE TALKING TO, BUSTER? 440 00:20:15,458 --> 00:20:19,125 SO, UH, MASON, WHY DID YOU BRING HIM? 441 00:20:19,708 --> 00:20:21,332 I GUESS I WASN'T SURE. 442 00:20:21,333 --> 00:20:23,165 ABOUT? YOU. 443 00:20:23,166 --> 00:20:25,750 HE'S KIND OF MY INSURANCE POLICY. 444 00:20:29,708 --> 00:20:31,208 WHAT IF I TOLD YOU 445 00:20:31,209 --> 00:20:33,333 THAT WHEN WE WERE BURYING MY FATHER, 446 00:20:34,208 --> 00:20:36,457 I FLASHED ON KISSING YOU? 447 00:20:36,458 --> 00:20:39,124 AND WHEN I WAS DELIVERING HIS EULOGY, 448 00:20:39,125 --> 00:20:40,500 I FLASHED ON KISSING YOU. 449 00:20:42,000 --> 00:20:43,874 I KNOW IT'S NOT NORMAL, BUT... 450 00:20:43,875 --> 00:20:45,416 I THINK... 451 00:20:45,417 --> 00:20:48,165 WHEN SOMEONE YOU REALLY LOVE DIES, 452 00:20:48,166 --> 00:20:51,084 YOU GET A PASS ON NORMAL. 453 00:20:52,042 --> 00:20:53,374 TRIP! 454 00:20:53,375 --> 00:20:55,042 COME SAY HELLO TO THE FERGUSONS. 455 00:20:56,583 --> 00:20:57,625 WHO IS THAT? 456 00:20:58,458 --> 00:21:00,500 THAT'S MY SISTER, ASHLEY. 457 00:21:02,125 --> 00:21:04,708 LOOK, I'LL BE BACK, ALL RIGHT? 458 00:21:09,500 --> 00:21:11,124 GEORGE, I THINK IT'S A REALLY GOOD TIME 459 00:21:11,125 --> 00:21:13,083 FOR US TO GET OUT OF HERE. 460 00:21:13,084 --> 00:21:14,204 BECAUSE I HAVE TO DO MY REAP? 461 00:21:14,228 --> 00:21:16,290 NO, BECAUSE I JUST STOLE A REALLY BIG DIAMOND 462 00:21:16,291 --> 00:21:18,041 OFF A REALLY LITTLE LAP DOG. 463 00:21:18,042 --> 00:21:19,582 ONE OF THOSE ANNOYING POODLES? 464 00:21:19,583 --> 00:21:20,750 NO, SHIH TZU, I THINK. 465 00:21:23,708 --> 00:21:26,541 IF I HAD COFFEE AFTER LUNCH, I'D BE UP ALL NIGHT. 466 00:21:26,542 --> 00:21:28,290 I'M UP ANYWAY. 467 00:21:28,291 --> 00:21:30,000 THANKS, KIFFANY. YOU'RE WELCOME. 468 00:21:30,542 --> 00:21:31,666 NEIGHBORS? 469 00:21:31,667 --> 00:21:32,874 NIGHTMARES. 470 00:21:32,875 --> 00:21:34,250 [POLICE RADIO CHATTER PLAYING] 471 00:21:35,875 --> 00:21:38,874 I CAN REMEMBER WHEN COFFEE WAS A NICKEL. 472 00:21:38,875 --> 00:21:41,792 TEN CENTS AND A CRYING BABY, KEEP YOU UP ALL NIGHT. 473 00:21:44,209 --> 00:21:46,290 I'M GOING AWAY FOR A COUPLE DAYS. 474 00:21:46,291 --> 00:21:47,541 I NEED YOU TO COVER FOR ME. 475 00:21:47,542 --> 00:21:48,749 WHERE ARE YOU GOING? 476 00:21:48,750 --> 00:21:49,833 AWAY. 477 00:21:49,834 --> 00:21:51,332 WHAT ARE YOU DOING? 478 00:21:51,333 --> 00:21:52,791 I'M DOING A LITTLE RESEARCH. 479 00:21:52,792 --> 00:21:54,040 ON WHAT? ROXY. 480 00:21:54,041 --> 00:21:55,541 YOU ASK ME FOR A FUCKING FAVOR 481 00:21:55,542 --> 00:21:56,833 AND THEN YOU ZIP UP? 482 00:21:56,834 --> 00:21:58,000 I DON'T THINK SO. 483 00:21:59,625 --> 00:22:01,541 I SENT SOMETHING TO SOMEONE A LONG TIME AGO 484 00:22:01,542 --> 00:22:02,862 AND IT DIDN'T GET TO THAT SOMEONE, 485 00:22:02,863 --> 00:22:04,528 AND I'M TRYING TO DO A LITTLE FOLLOW-UP. 486 00:22:04,529 --> 00:22:06,000 WERE YOU DEAD WHEN YOU SENT IT? 487 00:22:07,417 --> 00:22:09,500 ROXY. WERE YOU DEAD WHEN YOU SENT IT? 488 00:22:11,333 --> 00:22:12,458 YES. 489 00:22:13,125 --> 00:22:14,125 REALLY? 490 00:22:17,000 --> 00:22:19,042 IS THIS SOMEONE DEAD OR ALIVE TODAY? 491 00:22:20,333 --> 00:22:21,542 DEAD, ROXY. 492 00:22:22,792 --> 00:22:24,083 COFFEE WAS A NICKEL. 493 00:22:25,208 --> 00:22:26,707 NOW LEAVE ME ALONE 494 00:22:26,708 --> 00:22:28,707 AND JUST LET ME ENJOY MY PIE IN PEACE. 495 00:22:28,708 --> 00:22:30,999 FINE. FINE. 496 00:22:31,000 --> 00:22:34,499 DO THE POST-ITS FOR ME? I APPRECIATE IT. 497 00:22:34,500 --> 00:22:36,875 [RADIO] WE HAVE A 187 AT THE MILLSTONE HOTEL. 498 00:22:39,583 --> 00:22:41,083 I'LL COVER FOR YOU. 499 00:22:48,083 --> 00:22:50,041 WHAT DO YOU WANT TO DO? MOVIE? 500 00:22:50,042 --> 00:22:51,208 THERE'S NOTHING GOOD OUT. 501 00:22:52,834 --> 00:22:54,874 WANT TO GO TO THE DELANEY HOUSE FOR SOME FRIED CLAMS? 502 00:22:57,000 --> 00:22:59,083 I'D RATHER JUST WATCH T.V. 503 00:23:00,042 --> 00:23:01,125 OKAY. 504 00:23:02,167 --> 00:23:03,167 SO WE'RE EATING IN. 505 00:23:05,750 --> 00:23:06,875 WHAT DO YOU HAVE? 506 00:23:08,291 --> 00:23:10,208 WHATEVER THE DELIVERY GUY BRINGS TO MY DOOR. 507 00:23:13,625 --> 00:23:15,416 DAD... 508 00:23:15,417 --> 00:23:17,125 DID YOU AND CHARLOTTE BREAK UP? 509 00:23:18,167 --> 00:23:19,458 WELL, WHY WOULD YOU ASK THAT? 510 00:23:20,792 --> 00:23:22,167 SHE COOKED. 511 00:23:24,041 --> 00:23:25,791 WE DID. WE BROKE UP. 512 00:23:25,792 --> 00:23:28,124 DID SHE DUMP YOU? 513 00:23:28,125 --> 00:23:31,333 REGGIE, PEOPLE DON'T DUMP ONE ANOTHER IN A MATURE RELATIONSHIP. 514 00:23:32,583 --> 00:23:33,625 SO SHE DUMPED YOU? 515 00:23:34,166 --> 00:23:36,083 YES. 516 00:23:36,084 --> 00:23:37,457 CHARLOTTE REALLY LIKED YOU, THOUGH. 517 00:23:37,458 --> 00:23:39,249 SHE TOLD ME SHE WAS REALLY GOING TO MISS YOU. 518 00:23:39,250 --> 00:23:41,332 I WASN'T CRAZY ABOUT HER. 519 00:23:41,333 --> 00:23:43,093 SO YOU AND YOUR MOM HAVE SOMETHING IN COMMON. 520 00:23:46,042 --> 00:23:49,040 SO... NO HOMEWORK? 521 00:23:49,041 --> 00:23:50,541 MOM'S DOING IT. 522 00:23:50,542 --> 00:23:52,958 YOU KNOW, BECAUSE YOU CAN DO YOUR HOMEWORK OVER HERE, REG. 523 00:23:52,959 --> 00:23:54,958 I CAN HELP YOU. I AM A TEACHER. 524 00:23:54,959 --> 00:23:56,666 YOU COULDN'T HANDLE IT. IT'S SCIENCE. 525 00:23:56,667 --> 00:23:58,833 ENGLISH TEACHERS CAN DO SCIENCE. 526 00:23:58,834 --> 00:24:00,040 MOM'S DOING IT. 527 00:24:00,041 --> 00:24:03,165 REGGIE, I REALLY DON'T WANT YOUR MOM DOING YOUR HOMEWORK WITHOUT YOU. 528 00:24:03,166 --> 00:24:05,083 IT'S, WELL, IT'S CHEATING, 529 00:24:05,084 --> 00:24:07,124 AND YOU KNOW HOW I FEEL ABOUT THAT. 530 00:24:07,125 --> 00:24:08,207 OKAY. 531 00:24:08,208 --> 00:24:09,833 SO WHAT'S THE ASSIGNMENT? 532 00:24:09,834 --> 00:24:11,274 WE HAVE TO MAKE A MODEL OF THE HEART. 533 00:24:11,298 --> 00:24:13,089 OUT OF WHAT? ANYTHING. 534 00:24:14,125 --> 00:24:15,125 COOL. 535 00:24:18,834 --> 00:24:19,959 LOVELY. 536 00:24:20,667 --> 00:24:22,499 DO YOU THINK THEY TAKE REQUESTS? 537 00:24:22,500 --> 00:24:23,917 I'LL ASK THEM. 538 00:24:24,834 --> 00:24:26,124 "FREEBIRD!" 539 00:24:26,125 --> 00:24:28,333 "FREEBIRD..." YEAH, FREE, FREEBIRD! 540 00:24:31,625 --> 00:24:34,040 CAN I BUY YOU A DRINK? 541 00:24:34,041 --> 00:24:36,083 IT'S A PRIVATE CLUB. YOU DON'T BUY PEOPLE DRINKS. 542 00:24:37,166 --> 00:24:39,208 WHOO. 543 00:24:39,209 --> 00:24:40,666 BITCHY HEIRESS. 544 00:24:40,667 --> 00:24:41,875 YOU'RE JUST MY TYPE. I LOVE IT. 545 00:24:42,792 --> 00:24:45,166 WHAT'S YOUR NAME? MASON. WHAT'S YOUR NAME? 546 00:24:45,167 --> 00:24:46,167 DON'T TELL ME. 547 00:24:46,959 --> 00:24:48,375 OOH, I LOVE THIS GAME. 548 00:24:49,792 --> 00:24:51,167 WHITNEY? 549 00:24:52,500 --> 00:24:53,834 PARKER? 550 00:24:54,667 --> 00:24:56,207 WHITNEY? YOU ALREADY SAID THAT. 551 00:24:56,208 --> 00:24:57,624 PARKER? IT'S ASHLEY. 552 00:24:57,625 --> 00:24:59,624 FUCKING BOLLOCKS. BULLSHIT. BULLBAGS. I KNEW IT. 553 00:24:59,625 --> 00:25:02,042 WHY ARE YOU HERE? HESBURGH FUNERAL. 554 00:25:03,084 --> 00:25:04,625 I'M ASHLEY HESBURGH. 555 00:25:05,291 --> 00:25:06,917 AND I'M VERY SORRY. 556 00:25:07,792 --> 00:25:08,875 WHY ARE YOU HERE? 557 00:25:09,208 --> 00:25:10,458 I'M WITH HER. 558 00:25:11,667 --> 00:25:13,332 YEAH? 559 00:25:13,333 --> 00:25:15,249 WELL, I DON'T KNOW HER EITHER. WHO IS SHE? 560 00:25:15,250 --> 00:25:16,916 SHE'S TRIP'S GIRLFRIEND. 561 00:25:16,917 --> 00:25:18,124 REALLY? YES. 562 00:25:18,125 --> 00:25:19,833 AND YET I'VE NEVER SEEN HER BEFORE. 563 00:25:19,834 --> 00:25:22,500 BET THERE'S A LOT YOU HAVEN'T SEEN BEFORE, WHITNEY. 564 00:25:26,917 --> 00:25:28,000 SURE. 565 00:25:28,708 --> 00:25:29,958 BUY ME A DRINK. 566 00:25:29,959 --> 00:25:31,083 REALLY? MM. 567 00:25:31,667 --> 00:25:32,791 REALLY? 568 00:25:32,792 --> 00:25:34,083 MM. 569 00:25:34,084 --> 00:25:36,666 WHOO. ANOTHER DRINK FOR THIS YOUNG LADY, PLEASE, 570 00:25:36,667 --> 00:25:38,167 AND PUT IT ON MY TAB. 571 00:25:41,959 --> 00:25:43,375 FUCKING BOLLOCKS. 572 00:25:45,583 --> 00:25:47,582 [YAPS] WHY ARE WE HERE AGAIN? 573 00:25:47,583 --> 00:25:49,458 BECAUSE I DON'T WANT TO HAVE TO TALK TO ANYBODY. 574 00:25:50,209 --> 00:25:51,209 EXCEPT YOU. 575 00:25:52,417 --> 00:25:54,958 MY SISTER AND I STARTED DOING THIS WHEN WE WERE KIDS. 576 00:25:54,959 --> 00:25:56,458 YOU KNOW, ANYTHING TO GET AWAY. 577 00:25:58,208 --> 00:26:00,500 IT'S SWEET THAT YOU TALK TO YOUR SISTER. 578 00:26:01,959 --> 00:26:03,834 I TOTALLY IGNORED MINE. 579 00:26:05,041 --> 00:26:06,457 YOU DON'T TALK TO HER ANYMORE? 580 00:26:06,458 --> 00:26:08,290 WHY? 581 00:26:08,291 --> 00:26:10,333 WELL, YOU JUST... YOU USED THE PAST TENSE. 582 00:26:12,208 --> 00:26:15,333 WELL, HOW ABOUT WE NOT TALK ABOUT OUR FAMILIES? 583 00:26:16,500 --> 00:26:17,583 DEAL. 584 00:26:19,333 --> 00:26:21,209 WE DON'T HAVE TO TALK ABOUT ANYTHING. 585 00:26:24,625 --> 00:26:26,207 THIS IS SO NOT RIGHT. 586 00:26:26,208 --> 00:26:27,999 I HAVE A DEAD PERSON TO DEAL WITH, 587 00:26:28,000 --> 00:26:30,040 HE'S GOT A DEAD PERSON TO DEAL WITH, 588 00:26:30,041 --> 00:26:32,166 BUT FOR JUST A MOMENT, 589 00:26:32,167 --> 00:26:34,208 THIS WAS A NICE LITTLE HIDING PLACE. 590 00:26:35,500 --> 00:26:36,583 TRIP. 591 00:26:37,167 --> 00:26:38,499 BUSTED. 592 00:26:38,500 --> 00:26:40,500 I HAVEN'T BEEN INTRODUCED TO YOUR FRIEND. 593 00:26:43,125 --> 00:26:46,041 I'M SORRY. UM, GEORGE, 594 00:26:46,042 --> 00:26:47,999 THIS IS MY SISTER, ASHLEY. 595 00:26:48,000 --> 00:26:50,833 ASHLEY, THIS IS GEORGE. 596 00:26:50,834 --> 00:26:51,917 HI. 597 00:26:53,166 --> 00:26:56,083 I'M SO SORRY FOR YOUR LOSS. 598 00:26:57,000 --> 00:26:58,166 THANK YOU. 599 00:27:00,208 --> 00:27:01,582 MAYBE WE SHOULD... 600 00:27:01,583 --> 00:27:03,958 YEAH, YEAH, THAT WOULD BE... LADIES FIRST. 601 00:27:03,959 --> 00:27:05,541 THANK YOU. 602 00:27:05,542 --> 00:27:07,416 OH! FOUND MY CONTACT LENS. 603 00:27:07,417 --> 00:27:09,750 THANK GOD. CAN'T SEE A THING. 604 00:27:11,167 --> 00:27:14,708 SO HOW LONG HAVE YOU TWO LOVEBIRDS BEEN TOGETHER? 605 00:27:15,667 --> 00:27:16,999 WHAT'S UP, ASHLEY? 606 00:27:17,000 --> 00:27:18,360 WELL, I'M JUST TRYING TO FIGURE OUT 607 00:27:18,384 --> 00:27:20,082 WHY YOU'RE AT OUR FATHER'S MEMORIAL SERVICE 608 00:27:20,083 --> 00:27:22,749 DOING THE HIDEOUT ROUTINE WITH SOME GIRL I'VE NEVER SEEN BEFORE. 609 00:27:22,750 --> 00:27:23,999 ASHLEY, YOU'RE BEING IMPOLITE. 610 00:27:24,000 --> 00:27:26,541 ACTUALLY, TRIP, YOU'RE BEING IMPOLITE. 611 00:27:26,542 --> 00:27:29,416 YOU HAVE SPENT ALL OF THREE SECONDS TALKING TO DAD'S FRIENDS. 612 00:27:29,417 --> 00:27:30,874 I SHOULD PROBABLY JUST GO. 613 00:27:30,875 --> 00:27:32,041 DON'T BE SILLY. 614 00:27:32,042 --> 00:27:34,207 SO, HOW LONG HAVE YOU TWO BEEN AN ITEM? 615 00:27:34,208 --> 00:27:35,332 THAT'S ENOUGH, ALL RIGHT? 616 00:27:35,333 --> 00:27:37,541 SEE, BECAUSE, UH... OH! 617 00:27:37,542 --> 00:27:40,457 MASON HERE SAYS THAT GEORGE IS YOUR GIRLFRIEND. 618 00:27:40,458 --> 00:27:41,749 MASON. 619 00:27:41,750 --> 00:27:43,190 YEAH, YOU KNOW WHAT? ACTUALLY, SHE IS. 620 00:27:43,214 --> 00:27:44,124 I AM? 621 00:27:44,125 --> 00:27:45,999 WELL, THAT'S NICE. 622 00:27:46,000 --> 00:27:47,457 WELCOME TO THE FAMILY. 623 00:27:47,458 --> 00:27:49,082 GEORGE... 624 00:27:49,083 --> 00:27:51,249 I DIDN'T CATCH A LAST NAME. 625 00:27:51,250 --> 00:27:52,416 WHAT IS YOUR LAST NAME? 626 00:27:52,417 --> 00:27:54,166 NO. DON'T. 627 00:27:54,167 --> 00:27:55,457 LASS. 628 00:27:55,458 --> 00:27:57,124 OKAY, SO, SHE'S YOUR GIRLFRIEND, 629 00:27:57,125 --> 00:27:58,959 AND YOU DON'T EVEN KNOW HER LAST NAME? 630 00:28:00,000 --> 00:28:01,499 GEORGE, WE HAVE TO GO NOW. 631 00:28:01,500 --> 00:28:03,582 MAYBE I'M JUST A SPOILSPORT, 632 00:28:03,583 --> 00:28:06,207 BUT DAD IS DEAD, AND THIS ISN'T FUNNY ANYMORE, 633 00:28:06,208 --> 00:28:08,875 AND YOU, LITTLE BROTHER, NEED TO GROW THE FUCK UP. 634 00:28:14,209 --> 00:28:15,457 I'VE GOT TO GO. 635 00:28:15,458 --> 00:28:17,333 THAT'S COOL... UH, SO DO I. 636 00:28:18,875 --> 00:28:19,999 I'M SORRY. 637 00:28:20,000 --> 00:28:22,041 DON'T BE. JUST GO DO YOUR THING. 638 00:28:27,917 --> 00:28:29,757 YOU SHOULDN'T NOT HAVE TOLD HIM YOUR LAST NAME. 639 00:28:29,781 --> 00:28:31,240 GEORGE LASS IS DEAD. 640 00:28:32,834 --> 00:28:34,916 I GOT TO GO REAP SOMEBODY. 641 00:28:34,917 --> 00:28:36,916 I DON'T KNOW WHAT I WAS THINKING. 642 00:28:36,917 --> 00:28:39,000 WHO AM I KIDDING? THIS ISN'T ME. 643 00:28:41,209 --> 00:28:42,874 I HAD TO GET OUT OF THERE. 644 00:28:42,875 --> 00:28:44,416 THIS PLACE WAS MEMBERS ONLY, 645 00:28:44,417 --> 00:28:48,792 AND I WAS, AS MASON SAID, NOT REALLY ELIGIBLE. 646 00:28:54,708 --> 00:28:55,792 WHAT'S UP? 647 00:28:57,834 --> 00:28:59,541 THE OLDEST STORY IN THE WORLD. 648 00:28:59,542 --> 00:29:01,166 GUY'S TRYING TO UNLOAD HIS MISTRESS 649 00:29:01,167 --> 00:29:02,958 WHO GOT TO BE A PAIN IN THE ASS. 650 00:29:02,959 --> 00:29:04,666 DID HE LEAVE ANY PRINTS? 651 00:29:04,667 --> 00:29:06,124 DIDN'T HAVE TO. 652 00:29:06,125 --> 00:29:10,083 WE FOUND HIS NAME WRITTEN ON A HOTEL PAD BY THE PHONE. 653 00:29:10,084 --> 00:29:12,125 LIKE SHE WAS SPEAKING TO US FROM THE DEAD. 654 00:29:13,917 --> 00:29:15,624 PRETTY HANDWRITING. 655 00:29:15,625 --> 00:29:17,792 GUESS HE WON'T BE HURTING ANYBODY ANYMORE. 656 00:29:19,333 --> 00:29:20,833 I'LL SEE YOU LATER. 657 00:29:20,834 --> 00:29:23,042 WE'VE GOT THINGS PRETTY MUCH WRAPPED UP AROUND HERE. 658 00:29:29,083 --> 00:29:30,708 NOT QUITE EVERYTHING. 659 00:29:36,209 --> 00:29:37,834 I GOT YOU, SWEETHEART. 660 00:29:38,792 --> 00:29:39,875 YOU'RE OKAY. 661 00:29:41,333 --> 00:29:42,500 COME WITH ME. 662 00:30:05,500 --> 00:30:07,124 I HAD IT ALL WRONG. 663 00:30:07,125 --> 00:30:10,042 YOU DON'T GO TO A FUNERAL TO MEET A GUY. 664 00:30:10,875 --> 00:30:12,250 YOU GO TO A WEDDING... 665 00:30:15,458 --> 00:30:17,083 WHERE THERE'S LOTS OF GUYS. 666 00:30:18,834 --> 00:30:20,000 ALL GUYS. 667 00:30:20,917 --> 00:30:22,542 ALL THE TIME. 668 00:30:31,417 --> 00:30:33,958 SO, ARE YOU WITH THE GROOM OR THE GROOM? 669 00:30:33,959 --> 00:30:35,499 HUH? 670 00:30:35,500 --> 00:30:37,082 I'M JUST GLAD THAT KYLE AND JEFFREY 671 00:30:37,083 --> 00:30:38,707 ARE FINALLY MAKING THIS OFFICIAL. 672 00:30:38,708 --> 00:30:40,124 NO SURPRISES ON THAT WEDDING NIGHT, 673 00:30:40,125 --> 00:30:41,375 YOU KNOW WHAT I'M SAYING. 674 00:30:43,000 --> 00:30:45,084 I'M GORDON. GORDON MAYNARD. 675 00:30:48,542 --> 00:30:51,000 I KNOW. I'M NOT FUNNY, 676 00:30:52,708 --> 00:30:55,042 BUT I WAS JUST TRYING TO MEET SOMEONE, AND YOU SEEM NICE. 677 00:30:56,167 --> 00:30:58,166 I'M KIND OF HERE WITH SOMEBODY. 678 00:31:01,084 --> 00:31:02,667 OKAY. NICE TO MEET YOU. 679 00:31:07,000 --> 00:31:09,207 HE DIDN'T SEEM LIKE YOUR TYPE ANYWAY, AT ALL. 680 00:31:09,208 --> 00:31:10,874 OH, YEAH. I KNOW. 681 00:31:10,875 --> 00:31:12,041 GORGEOUS GUYS, 682 00:31:12,042 --> 00:31:13,750 THEY'RE JUST SO HIGH-MAINTENANCE. 683 00:31:15,375 --> 00:31:17,375 WELL... YOU'RE GORGEOUS. 684 00:31:22,750 --> 00:31:24,791 YOU'RE A GIRL. BUT THANK YOU. 685 00:31:24,792 --> 00:31:26,208 ALL RIGHT. I'LL THROW IT. 686 00:31:26,209 --> 00:31:27,166 WE'RE NOT THROWING IT. 687 00:31:27,167 --> 00:31:28,542 JUST THROW THE FUCKING THING. 688 00:31:29,209 --> 00:31:30,374 IT'S A PHOTO-OP. 689 00:31:30,375 --> 00:31:32,041 FINE. 690 00:31:32,042 --> 00:31:33,208 HERE WE GO! 691 00:31:33,209 --> 00:31:34,166 HONEY? 692 00:31:34,167 --> 00:31:35,583 OVER THE SHOULDER. 693 00:31:36,209 --> 00:31:37,209 RIGHT. 694 00:31:38,959 --> 00:31:41,124 I'VE GOT TO CATCH THE BOUQUET. 695 00:31:41,125 --> 00:31:43,332 WELL, GO, GIVE IT YOUR BEST SHOT. 696 00:31:43,333 --> 00:31:45,167 MM. WHAT ARE YOU DOING HERE? 697 00:31:46,125 --> 00:31:48,500 I, UH, MADE THE WEDDING CAKE. 698 00:31:57,000 --> 00:31:58,124 ONE... 699 00:31:58,125 --> 00:31:59,041 TWO... 700 00:31:59,042 --> 00:32:00,083 THREE! 701 00:32:18,458 --> 00:32:20,333 HI, GAIL. IT'S JOY. 702 00:32:21,333 --> 00:32:22,666 I'M REALLY SORRY, 703 00:32:22,667 --> 00:32:24,875 BUT I'M NOT GOING TO BE ABLE TO MAKE IT TONIGHT. 704 00:32:25,708 --> 00:32:27,083 YEAH, I KNOW. 705 00:32:27,084 --> 00:32:28,666 I REALLY WANT TO START JOINING YOU GUYS 706 00:32:28,667 --> 00:32:31,041 ON THESE GIRLS' NIGHTS OUT, I DO, 707 00:32:31,042 --> 00:32:32,542 BUT I'M JUST NOT FEELING WELL. 708 00:32:33,750 --> 00:32:35,082 YEAH. 709 00:32:35,083 --> 00:32:37,457 WELL, WE'LL DO IT ANOTHER TIME, RIGHT? 710 00:32:37,458 --> 00:32:39,040 I PROMISE. 711 00:32:39,041 --> 00:32:41,916 OKAY. YEAH, THANKS, GAIL. 712 00:32:41,917 --> 00:32:45,833 SOMETIMES, YOU JUST HAVE TO LOSE YOURSELF IN YOUR WORK. 713 00:32:45,834 --> 00:32:48,542 LOSING YOURSELF IN YOUR WORK COULD BE A GOOD THING. 714 00:32:50,000 --> 00:32:53,249 BUT JUST BEING A LOSER... NOT SUCH A GOOD THING. 715 00:32:53,250 --> 00:32:54,542 GORDON? 716 00:32:56,041 --> 00:32:57,375 ARE YOU OKAY? 717 00:32:58,083 --> 00:33:00,290 HE DOESN'T LOOK GOOD. 718 00:33:00,291 --> 00:33:01,916 HE NEVER LOOKED GOOD. 719 00:33:01,917 --> 00:33:03,791 HE'S NOT MOVING. CALL AN AMBULANCE. 720 00:33:03,792 --> 00:33:05,207 OKAY. 721 00:33:05,208 --> 00:33:07,417 WHAT HAPPENED? DID I EVEN GET IT? 722 00:33:09,083 --> 00:33:10,500 YOU GOT IT. 723 00:33:12,000 --> 00:33:13,332 GREAT. 724 00:33:13,333 --> 00:33:14,833 THEY'RE ALL HOOKING UP WITH EACH OTHER 725 00:33:14,834 --> 00:33:15,954 OVER MY DEATH, AND I'M ALONE. 726 00:33:16,333 --> 00:33:18,249 YOU'RE NOT ALONE. 727 00:33:18,250 --> 00:33:20,084 I DIED WITHOUT A BOYFRIEND. 728 00:33:21,042 --> 00:33:22,362 I DON'T SUPPOSE THERE'S ANY CHANCE 729 00:33:22,386 --> 00:33:24,332 OF GETTING ONE ON THE OTHER SIDE? 730 00:33:24,333 --> 00:33:26,249 THAT'S A GOOD QUESTION, GORDON. 731 00:33:26,250 --> 00:33:27,916 WHAT'S THE ANSWER? 732 00:33:27,917 --> 00:33:30,624 I'M STILL TRYING TO FIGURE IT OUT MYSELF. 733 00:33:30,625 --> 00:33:33,125 BUT FOR NOW, I'M HERE FOR YOU. 734 00:33:34,000 --> 00:33:36,999 I KNOW I'M NOT EXACTLY YOUR TYPE, 735 00:33:37,000 --> 00:33:38,207 BUT... 736 00:33:38,208 --> 00:33:39,541 I CAN BE BITCHY. 737 00:33:39,542 --> 00:33:41,040 BITCHY'S COOL. 738 00:33:41,041 --> 00:33:42,917 AND HEY, YOU SNAGGED THE BOUQUET. 739 00:33:43,375 --> 00:33:44,874 TRUE. 740 00:33:44,875 --> 00:33:47,125 GORDON, I THINK YOU'RE READY. 741 00:33:52,083 --> 00:33:54,542 NOBODY SHOULD HAVE TO FACE DEATH ALONE. 742 00:34:03,417 --> 00:34:05,333 [VIOLIN PLAYING] 743 00:34:06,792 --> 00:34:08,375 NOT IN THE MOOD. 744 00:34:12,834 --> 00:34:14,999 YOU ARE SOME KIND OF FUCK-UP. 745 00:34:15,000 --> 00:34:17,290 THIS IS SOME MASON SHIT. 746 00:34:17,291 --> 00:34:18,811 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 747 00:34:18,835 --> 00:34:21,165 YOU LEAVE THE SOUL, AND YOU FINGER THE MURDERER. 748 00:34:21,166 --> 00:34:22,374 I DID NOTHING OF THE KIND. 749 00:34:22,375 --> 00:34:23,834 YOU LEFT THE MAN'S NAME! 750 00:34:25,083 --> 00:34:26,332 NO, I DIDN'T. 751 00:34:26,333 --> 00:34:28,290 I KNOW YOUR HANDWRITING, DAISY. 752 00:34:28,291 --> 00:34:30,582 YOUR SILLY LITTLE CURLICUES. 753 00:34:30,583 --> 00:34:32,457 WHAT THE FUCK DO YOU THINK YOU'RE DOING? 754 00:34:32,458 --> 00:34:34,378 I JUST DIDN'T WANT HIM TO GET AWAY WITH IT, OKAY? 755 00:34:34,402 --> 00:34:35,582 THAT'S NOT YOUR JOB. 756 00:34:35,583 --> 00:34:38,124 YOUR JOB IS TO HANDLE THAT WOMAN'S SOUL. 757 00:34:38,125 --> 00:34:40,374 EVERYBODY HAS SOMETHING THEY DON'T DEAL WITH, ROXY. 758 00:34:40,375 --> 00:34:42,290 RUBE DOESN'T DO KIDS. I DON'T DO THOSE. 759 00:34:42,291 --> 00:34:45,374 THOSE WHAT? WOMEN WHO END UP THAT WAY. 760 00:34:45,375 --> 00:34:47,916 DEFENSELESS, WITH A MAN COMING AT THEM. I CAN'T WATCH IT. 761 00:34:47,917 --> 00:34:48,999 THAT NEVER HAPPENED TO YOU. 762 00:34:49,000 --> 00:34:50,666 I DIDN'T SAY IT HAPPENED TO ME. 763 00:34:50,667 --> 00:34:53,040 THEN WHAT ARE YOU FEELING SO GUILTY ABOUT? 764 00:34:53,041 --> 00:34:54,290 I JUST FEEL GUILTY. 765 00:34:54,291 --> 00:34:56,208 CAN'T A GIRL FEEL GUILTY? 766 00:34:56,209 --> 00:34:57,791 MAYBE YOU NEED TO GO BACK TO CHURCH. 767 00:34:57,792 --> 00:34:59,583 MAYBE WE'RE DONE TALKING ABOUT THIS. 768 00:35:07,333 --> 00:35:09,083 DOESN'T THAT FUCK WITH YOUR SLEEP? 769 00:35:09,084 --> 00:35:10,999 I'M UP ANYWAY. 770 00:35:11,000 --> 00:35:12,165 CAN I GET YOU ANYTHING? 771 00:35:12,166 --> 00:35:13,333 COFFEE. 772 00:35:15,291 --> 00:35:17,083 THE COOL THING ABOUT BEING A REAPER 773 00:35:17,084 --> 00:35:19,040 WAS YOU KIND OF HAD A SECOND CHANCE 774 00:35:19,041 --> 00:35:21,207 TO MAKE THINGS RIGHT. 775 00:35:21,208 --> 00:35:23,082 ANOTHER WHACK AT THE PINATA. 776 00:35:23,083 --> 00:35:25,291 SEE IF I COULD GET THE THING TO BREAK OPEN... 777 00:35:26,750 --> 00:35:27,833 I DON'T KNOW. 778 00:35:27,834 --> 00:35:29,875 MAYBE THE PARTY WAS ALREADY OVER. 779 00:35:35,083 --> 00:35:36,917 THIS IS GOING TO BE BEAUTIFUL, SWEETIE. 780 00:35:39,959 --> 00:35:43,000 MAYBE THE LIGHTS WENT OUT AND I JUST COULDN'T SEE IT. 781 00:35:58,042 --> 00:36:00,791 I DON'T KNOW. BEING DEAD, I COULD HANDLE. 782 00:36:00,792 --> 00:36:03,417 BEING TOTALLY ALONE WAS SOMETHING ELSE. 783 00:36:07,000 --> 00:36:08,667 BEING ALONE WAS TOO MUCH. 784 00:36:10,000 --> 00:36:12,167 OR IT WAS JUST TOO MUCH TODAY. 785 00:36:14,084 --> 00:36:15,374 OH, MY GOD! 786 00:36:15,375 --> 00:36:16,666 HI. 787 00:36:16,667 --> 00:36:18,999 WHO TOLD YOU WHERE... YOUR FRIEND, MASON. 788 00:36:19,000 --> 00:36:20,417 [SIGHS] 789 00:36:23,041 --> 00:36:25,417 MASON... MASON, MASON. 790 00:36:27,125 --> 00:36:28,749 LOOK, AT THE RISK 791 00:36:28,750 --> 00:36:31,291 OF SOUNDING COMPLETELY STALKERISH, 792 00:36:32,333 --> 00:36:33,707 I FOUND SOMETHING OF YOURS, 793 00:36:33,708 --> 00:36:36,166 AND I JUST THOUGHT I SHOULD GIVE IT BACK TO YOU. 794 00:36:38,291 --> 00:36:39,833 CHECK IT OUT... 795 00:36:39,834 --> 00:36:41,208 DEAD CINDERELLA. 796 00:36:43,125 --> 00:36:44,375 I SHOULDN'T HAVE COME TODAY. 797 00:36:45,125 --> 00:36:46,125 NO. NO, NO, NO. 798 00:36:46,126 --> 00:36:47,375 OF COURSE, YOU SHOULD HAVE. 799 00:36:48,083 --> 00:36:49,249 IT WAS JUST... 800 00:36:49,250 --> 00:36:50,416 IT WAS BAD TIMING. 801 00:36:50,417 --> 00:36:53,000 I'M SORRY. ABOUT YOUR DAD. 802 00:36:55,959 --> 00:36:59,124 YOU KNOW, THEY'RE ALL AT THE HOUSE RIGHT NOW. 803 00:36:59,125 --> 00:37:01,416 I JUST... I COULDN'T GET SLOBBERED ON BY ANOTHER OLD LADY 804 00:37:01,417 --> 00:37:03,333 TELLING ME WHAT A GREAT MAN MY DAD WAS. 805 00:37:05,959 --> 00:37:08,125 DOES THAT MAKE ME SHALLOW? I'M INTO SHALLOW. 806 00:37:09,084 --> 00:37:10,959 SHALLOW'S THE NEW DEEP, HAVEN'T YOU HEARD? 807 00:37:14,084 --> 00:37:16,524 I JUST COULDN'T LISTEN TO ONE MORE PERSON TELLING ME, YOU KNOW, 808 00:37:16,548 --> 00:37:18,507 "DO YOU KNOW HOW PROUD YOUR FATHER WAS?" 809 00:37:22,208 --> 00:37:24,040 DO YOU WANT TO KISS ME? 810 00:37:24,041 --> 00:37:25,417 PLEASE. 811 00:37:38,917 --> 00:37:40,958 I MEAN, I KNOW THAT HE WAS PROUD OF ME. 812 00:37:40,959 --> 00:37:42,207 HE TOLD ME HE WAS PROUD OF ME. 813 00:37:42,208 --> 00:37:44,768 I DON'T KNOW WHY I HAVE TO LISTEN TO IT FROM SO MANY OTHER PEOPLE. 814 00:37:44,792 --> 00:37:46,332 DO YOU WANT TO GO BACK THERE... 815 00:37:46,333 --> 00:37:47,750 OR DO YOU WANT TO BE HERE? 816 00:37:49,792 --> 00:37:51,125 I WANT TO BE HERE. 817 00:37:53,083 --> 00:37:56,541 I WASN'T READY FOR MY DEATH AND IT CAME ANYWAY. 818 00:37:56,542 --> 00:38:01,332 AND I WASN'T READY FOR THIS, BUT HERE IT CAME ANYWAY. 819 00:38:01,333 --> 00:38:05,125 LIKE SOMETHING, I DON'T KNOW, FALLING ON ME... 820 00:38:05,583 --> 00:38:07,499 OUT OF THE SKY. 821 00:38:07,500 --> 00:38:10,874 IT WAS PRETTY NICE TO HAVE SOMEONE TRACK ME DOWN FOR ONCE, 822 00:38:10,875 --> 00:38:13,708 TO THINK SOMEONE CARED THAT I WAS GONE. 823 00:38:17,792 --> 00:38:19,833 WHAT IS THIS VISION OF LOVELINESS 824 00:38:19,834 --> 00:38:22,542 I SEE BEFORE ME? NYMPH? ANGEL? 825 00:38:24,000 --> 00:38:25,166 NOT TONIGHT. 826 00:38:26,083 --> 00:38:28,083 YOU'RE WEARING GOLF SHOES. 827 00:38:28,084 --> 00:38:29,874 SHUT UP. NO WAY. 828 00:38:29,875 --> 00:38:31,999 IS THAT WHAT THEY ARE? BLOODY HELL. 829 00:38:32,000 --> 00:38:33,625 THEY'RE VERY SMART, AREN'T THEY? 830 00:38:34,041 --> 00:38:35,249 LOVELY. 831 00:38:35,250 --> 00:38:38,374 I HAVE HAD THE MOST INCREDIBLE DAY. 832 00:38:38,375 --> 00:38:40,124 IT'S BEEN BOOZE, IT'S BEEN FOOD, 833 00:38:40,125 --> 00:38:41,874 IT'S BEEN PETTY LARCENY. 834 00:38:41,875 --> 00:38:44,916 IT'S BEEN ABSOLUTELY FUCKING FANTASTIC. 835 00:38:44,917 --> 00:38:46,677 WISH YOU WOULD HAVE BEEN THERE. I MISSED YOU. 836 00:38:46,701 --> 00:38:48,249 THAT'S NICE. 837 00:38:48,250 --> 00:38:49,457 KIFFANY, CAN I INTEREST YOU 838 00:38:49,458 --> 00:38:52,209 IN A VERY, VERY GOOD DEAL ON A VERY NICE GOLD WATCH? 839 00:38:55,625 --> 00:38:58,291 HOW ABOUT A NICE, FASHIONABLE CLUTCH BAG? 840 00:38:59,417 --> 00:39:01,124 NO. 841 00:39:01,125 --> 00:39:02,457 YOU CAN'T WEAR GOLF SHOES IN HERE. 842 00:39:02,458 --> 00:39:04,083 WHY NOT? 843 00:39:04,084 --> 00:39:05,249 FUCKS UP THE FLOORS. 844 00:39:05,250 --> 00:39:07,124 OKAY. 845 00:39:07,125 --> 00:39:08,958 YOU WANT SOME MORE COFFEE, HON? 846 00:39:08,959 --> 00:39:10,333 I'M DONE. THANKS. 847 00:39:12,167 --> 00:39:13,541 SHE HATES ME. 848 00:39:13,542 --> 00:39:16,083 SHE'S HAD A LONG DAY, AND SO HAVE I. 849 00:39:17,042 --> 00:39:18,208 WHAT'S WRONG? 850 00:39:18,209 --> 00:39:19,125 NOTHING. 851 00:39:19,126 --> 00:39:20,958 REALLY? 852 00:39:20,959 --> 00:39:22,839 I'VE GOT SOMETHING FOR YOU AS WELL, DAISY ADAIR. 853 00:39:23,208 --> 00:39:24,625 TAH-DAH! 854 00:39:25,375 --> 00:39:27,958 WOW. A GIRL'S BEST FRIEND. 855 00:39:27,959 --> 00:39:29,249 STOLEN FROM MAN'S BEST FRIEND. 856 00:39:29,250 --> 00:39:31,416 A DOG? A REALLY WEALTHY DOG. 857 00:39:31,417 --> 00:39:32,999 I THOUGHT IT MIGHT BE TOO SMALL 858 00:39:33,000 --> 00:39:35,200 TO GO AROUND YOUR NECK, SO YOU CAN WEAR IT AS A BRACELET. 859 00:39:36,000 --> 00:39:37,457 HERE. LET ME HELP YOU. 860 00:39:37,458 --> 00:39:38,958 I LOVE IT. 861 00:39:38,959 --> 00:39:40,582 I LOVE YOU LOVING IT... 862 00:39:40,583 --> 00:39:42,041 LOVE. 863 00:39:42,042 --> 00:39:43,417 DID I EVER TELL YOU I HAD A SISTER? 864 00:39:45,834 --> 00:39:46,917 NO. 865 00:39:51,084 --> 00:39:53,207 WHY DON'T YOU TELL ME ALL ABOUT IT? 866 00:39:53,208 --> 00:39:56,000 KIFFANY, PLEASE COULD I HAVE A COFFEE? 867 00:39:56,250 --> 00:39:57,583 ONE COFFEE. 868 00:40:01,875 --> 00:40:03,541 SO, THANKS FOR SLEEPING OVER, REG. 869 00:40:03,542 --> 00:40:04,666 SURE. 870 00:40:04,667 --> 00:40:05,834 DID YOU HAVE FUN? 871 00:40:06,333 --> 00:40:07,333 SURE. 872 00:40:08,792 --> 00:40:10,291 I'M SORRY ABOUT CHARLOTTE. 873 00:40:11,667 --> 00:40:13,000 YOU'LL GET OVER GETTING DUMPED. 874 00:40:14,667 --> 00:40:15,792 MOM DID. 875 00:40:18,166 --> 00:40:20,124 SO I'LL SEE YOU ON FRIDAY. 876 00:40:20,125 --> 00:40:21,207 HEY, UH... 877 00:40:21,208 --> 00:40:22,667 COME ON OVER EARLY IF YOU LIKE. 878 00:40:23,166 --> 00:40:24,999 OKAY. 879 00:40:25,000 --> 00:40:26,749 THANKS FOR HELPING ME WITH MY PROJECT. 880 00:40:26,750 --> 00:40:29,084 ALL RIGHT. THANK YOU, SWEETIE. 881 00:40:41,291 --> 00:40:43,125 HI, HONEY. WHAT IS THAT? 882 00:40:44,917 --> 00:40:46,958 DAD HELPED ME WITH MY HEART ASSIGNMENT. 883 00:40:46,959 --> 00:40:48,250 [J.D. BARKING] 884 00:40:50,083 --> 00:40:52,749 HEY, J.D., BUDDY! COME HERE. 885 00:40:52,750 --> 00:40:54,041 COME ON! UP. YES! 886 00:40:54,042 --> 00:40:55,042 REGGIE! 887 00:40:56,333 --> 00:40:58,625 I WAS UP ALL NIGHT WORKING ON THAT. 888 00:41:00,125 --> 00:41:02,416 HE WANTED TO. [SIGHS] 889 00:41:02,417 --> 00:41:04,999 SO, YOUR FATHER WORKING ON A SCIENCE PROJECT... 890 00:41:05,000 --> 00:41:07,290 WELL, I'M SURE IT'S VERY ACCURATE. 891 00:41:07,291 --> 00:41:08,999 IT'S A POEM. 892 00:41:09,000 --> 00:41:10,499 HE SAID FOR YOU TO READ IT. 893 00:41:10,500 --> 00:41:13,041 HE SAID THE END'S THE BEST PART. 894 00:41:13,042 --> 00:41:16,707 "SINCE SWEETS AND BEAUTIES DO THEMSELVES FORSAKE 895 00:41:16,708 --> 00:41:18,166 "AND DIE AS FAST 896 00:41:18,167 --> 00:41:20,041 "AS THEY SEE OTHERS GROW 897 00:41:20,042 --> 00:41:22,999 "AND NOTHING 'GAINST TIME'S SCYTHE" 898 00:41:23,000 --> 00:41:24,417 "CAN MAKE DEFENSE" 899 00:41:25,667 --> 00:41:27,249 "SAVE BREED" 900 00:41:27,250 --> 00:41:29,750 "TO BRAVE HIM WHEN HE TAKES THEE HENCE." 901 00:41:30,458 --> 00:41:31,750 WHAT DOES THAT MEAN? 902 00:41:32,834 --> 00:41:34,374 SHAKESPEARE. 903 00:41:34,375 --> 00:41:36,165 IT MEANS THAT... 904 00:41:36,166 --> 00:41:37,875 IT MEANS YOU SHOULD HAVE KIDS, 905 00:41:38,750 --> 00:41:41,332 BECAUSE THEN YOU'RE NEVER ALONE. 906 00:41:41,333 --> 00:41:43,874 IS DAD TRYING TO GET BACK TOGETHER WITH YOU? 907 00:41:43,875 --> 00:41:46,666 NO, SWEETIE. NO. 908 00:41:46,667 --> 00:41:48,000 HE DID IT FOR YOU. 909 00:41:49,084 --> 00:41:50,250 IT'S ABOUT YOU. 910 00:41:51,917 --> 00:41:53,542 IS THAT WHAT YOU MADE? 911 00:41:55,125 --> 00:41:58,084 OH, MY GOD! WHAT HAPPENED? 912 00:42:04,000 --> 00:42:05,166 [SIGHS] 913 00:42:05,834 --> 00:42:07,666 J.D. ATE IT. 914 00:42:07,667 --> 00:42:10,208 REGGIE, YOU HAVE TO LEAVE FOR SCHOOL IN 10 MINUTES. 915 00:42:11,083 --> 00:42:13,417 I HAVEN'T EVEN HAD MY COFFEE YET. 916 00:42:18,500 --> 00:42:20,374 I LIKE IT. 917 00:42:20,375 --> 00:42:24,457 OKAY, I DIDN'T HATE IT, BUT IT WAS WEIRD. 918 00:42:24,458 --> 00:42:27,166 I HADN'T EXACTLY BEEN CLOSE TO ANYONE. IN A WHILE. 919 00:42:28,042 --> 00:42:29,624 OKAY, EVER... 920 00:42:29,625 --> 00:42:32,667 AND SUDDENLY, SOMEONE HAD GOTTEN VERY CLOSE. 921 00:42:34,125 --> 00:42:36,084 AND THEN THEY DISAPPEARED. 922 00:42:38,041 --> 00:42:40,125 OH, WHAT THE FUCK? 923 00:42:44,708 --> 00:42:46,084 HI. HI. 924 00:42:46,500 --> 00:42:47,582 COFFEE? 925 00:42:47,583 --> 00:42:48,708 OF COURSE. 926 00:42:50,041 --> 00:42:51,332 THOUGHT I'D LET YOU SLEEP. 927 00:42:51,333 --> 00:42:52,500 THANKS. 928 00:42:56,208 --> 00:42:57,250 SO... 929 00:42:59,125 --> 00:43:01,124 SO. 930 00:43:01,125 --> 00:43:03,874 I THINK I KNOW WHY PEOPLE USE THAT STUPID PHRASE 931 00:43:03,875 --> 00:43:05,082 "DOING IT." 932 00:43:05,083 --> 00:43:08,124 BECAUSE IT'S SO FUCKING HARD TO TALK ABOUT. 933 00:43:08,125 --> 00:43:11,042 I HOPE YOU KNOW THAT I WASN'T, YOU KNOW, PLANNING THAT. 934 00:43:11,542 --> 00:43:13,084 OH, NO. ME EITHER. 935 00:43:14,375 --> 00:43:15,541 I WAS HOPING FOR IT. 936 00:43:15,542 --> 00:43:16,792 YEAH, ME TOO. 937 00:43:17,542 --> 00:43:18,708 TOTALLY. 938 00:43:23,250 --> 00:43:24,499 THERE WE WERE, 939 00:43:24,500 --> 00:43:27,082 IN ONE OF THOSE BUBBLES YOU BLOW AS A KID... 940 00:43:27,083 --> 00:43:31,374 KIND OF ROUND AND PERFECT AND JUST A LITTLE STRANGE, 941 00:43:31,375 --> 00:43:33,000 FLOATING IN THE AIR... 942 00:43:35,125 --> 00:43:36,999 SO THIS WAS FUN. 943 00:43:37,000 --> 00:43:38,208 AND THERE IT GOES... 944 00:43:38,834 --> 00:43:39,958 POP. 945 00:43:39,959 --> 00:43:42,792 YEAH. IT WAS... FUN. 946 00:43:45,208 --> 00:43:46,542 SO I'LL... I'LL CALL YOU. 947 00:43:47,041 --> 00:43:49,125 IF YOU WANT. I JUST... 948 00:43:50,291 --> 00:43:52,374 I MEAN, I KNOW YOU HAVE A LOT OF THINGS TO DO, 949 00:43:52,375 --> 00:43:55,042 BUT IF YOU WANT, YOU CAN CALL. 950 00:43:56,083 --> 00:43:57,166 OKAY. 951 00:43:58,542 --> 00:43:59,666 SO YOU'RE COOL? 952 00:43:59,667 --> 00:44:01,333 OH, YEAH. TOTALLY COOL. 953 00:44:05,333 --> 00:44:07,083 OH, MY FUCKING GOD, THAT'S HOT. 954 00:44:12,250 --> 00:44:13,499 SO MAYBE I WAS A VIRGIN 955 00:44:13,500 --> 00:44:15,541 WHEN IT CAME TO THE SEX THING... 956 00:44:15,542 --> 00:44:16,999 SO I'LL SEE YOU. 957 00:44:17,000 --> 00:44:20,125 BUT HE WAS A VIRGIN, TOO... FIRST BIG DEATH. 958 00:44:22,125 --> 00:44:24,667 AND YOU NEVER REALLY KNOW WHAT DEATH WILL MAKE YOU DO... 959 00:44:27,500 --> 00:44:29,000 HOW YOU TRY TO DEFY IT... 960 00:44:30,583 --> 00:44:32,667 TO REACH PAST WHAT'S POSSIBLE. 961 00:44:36,000 --> 00:44:38,082 HOW YOU STRUGGLE TO FIT THE PIECES TOGETHER 962 00:44:38,083 --> 00:44:40,583 EVEN THOUGH THEY'RE WAY TOO BROKEN TO BOTHER. 963 00:44:41,750 --> 00:44:42,959 I DON'T KNOW. 964 00:44:44,208 --> 00:44:47,249 "SINCE SWEETS AND BEAUTIES DO THEMSELVES FORSAKE 965 00:44:47,250 --> 00:44:49,999 "AND DIE AS FAST AS THEY SEE OTHERS GROW 966 00:44:50,000 --> 00:44:51,874 "AND NOTHING 'GAINST TIME'S SCYTHE 967 00:44:51,875 --> 00:44:52,999 CAN MAKE DEFENCE..." 968 00:44:53,000 --> 00:44:55,999 I DO KNOW THAT, THAT MORNING, I FELT LIKE MY HEART, 969 00:44:56,000 --> 00:44:58,999 OR WHATEVER IT WAS THAT WAS IN MY CHEST, 970 00:44:59,000 --> 00:45:00,457 WAS STILL GOING. 971 00:45:00,458 --> 00:45:02,375 NICE JOB, MILLIE. 972 00:45:03,125 --> 00:45:04,750 YOU BROUGHT HER BACK TO LIFE. 973 00:45:05,458 --> 00:45:06,583 THANKS.