1 00:00:06,083 --> 00:00:08,708 [♪♪] 2 00:01:12,042 --> 00:01:15,208 [GEORGE] SOME PEOPLE YOU JUST NEVER FORGET. 3 00:01:15,209 --> 00:01:17,708 IT'S LIKE THEY GET BURNED INTO YOUR BRAIN. 4 00:01:20,250 --> 00:01:23,249 OTHER PEOPLE MAKE NO IMPRESSION AT ALL. 5 00:01:23,250 --> 00:01:25,457 IT'S LIKE THEY'RE THERE... 6 00:01:25,458 --> 00:01:27,083 AND THEN THEY'RE NOT. 7 00:01:29,792 --> 00:01:30,916 CALL IT. 8 00:01:30,917 --> 00:01:32,209 THAT ONE, SLEEPING. 9 00:01:33,333 --> 00:01:35,040 THAT'S NOT A PERSON UNDER THERE. 10 00:01:35,041 --> 00:01:36,749 IS TOO, CURLED UP. 11 00:01:36,750 --> 00:01:38,166 WHERE ARE THE LEGS? 12 00:01:38,167 --> 00:01:39,416 MAYBE HE DOESN'T HAVE ANY. 13 00:01:39,417 --> 00:01:41,416 ROXY. WHAT? 14 00:01:41,417 --> 00:01:44,208 NOT EVERYBODY MAKES IT THROUGH LIFE INTACT. 15 00:01:44,209 --> 00:01:46,499 WE ALL DIDN'T GET A COZY, COMFORTABLE LIFE 16 00:01:46,500 --> 00:01:48,000 IN THE SUBURBS, LITTLE GIRL. 17 00:01:48,542 --> 00:01:49,958 COZY, MAYBE. 18 00:01:49,959 --> 00:01:51,833 COMFORTABLE, NEVER. 19 00:01:51,834 --> 00:01:53,208 CLOCK IS TICKING. 20 00:01:53,209 --> 00:01:54,291 MAKE YOUR PICK. 21 00:01:59,084 --> 00:02:00,290 HE LOOKS LIKE A SIMMS. 22 00:02:00,291 --> 00:02:01,874 GO ASK HIM... MAYBE HE'LL GIVE YOU 23 00:02:01,875 --> 00:02:03,208 A BITE OF HIS SQUIRREL KEBAB. 24 00:02:10,500 --> 00:02:13,624 UM... HI, EVERYONE. 25 00:02:13,625 --> 00:02:15,749 GOOD MORNING. [GEORGE CHUCKLES AWKWARDLY] 26 00:02:15,750 --> 00:02:20,041 I'M LOOKING FOR A MISTER OR MISS A. SIMMS. 27 00:02:22,000 --> 00:02:23,417 A. SIMMS? 28 00:02:24,041 --> 00:02:25,458 WHO IS A. SIMMS? 29 00:02:26,125 --> 00:02:27,666 BUELLER? ANYONE? 30 00:02:27,667 --> 00:02:28,791 LADIES AND GENTLEMEN, 31 00:02:28,792 --> 00:02:30,791 MAY I HAVE YOUR ATTENTION, PLEASE? 32 00:02:30,792 --> 00:02:32,582 WE DIDN'T DO ANYTHING. 33 00:02:32,583 --> 00:02:34,083 YOU CAN'T CITE US. 34 00:02:34,084 --> 00:02:36,000 RELAX. I'M ON A MISSION OF MERCY. 35 00:02:36,375 --> 00:02:37,916 A. SIMMS. 36 00:02:37,917 --> 00:02:41,624 WE HAVE A MISSING PERSONS REPORT THAT NEEDS TO BE CONFIRMED. 37 00:02:41,625 --> 00:02:45,249 YOUR HAVE RICH... AND LOVING RELATIVES 38 00:02:45,250 --> 00:02:46,834 THAT THINK YOU'RE DEAD. 39 00:02:48,041 --> 00:02:49,750 WHAT THE FUCK? 40 00:02:57,708 --> 00:02:58,792 SHIT. 41 00:03:00,333 --> 00:03:01,834 [OBJECT WHISTLING] 42 00:03:06,208 --> 00:03:07,250 [THUD] 43 00:03:08,959 --> 00:03:11,082 EW. 44 00:03:11,083 --> 00:03:14,084 I'VE ALWAYS SAID LITTERING SHOULD BE A CAPITAL OFFENSE. 45 00:03:14,917 --> 00:03:16,707 PEOPLE. PEOPLE, BACK UP. 46 00:03:16,708 --> 00:03:18,165 THIS IS A CRIME SCENE. 47 00:03:18,166 --> 00:03:19,250 MONTANA? 48 00:03:20,042 --> 00:03:21,124 IS IT MONTANA? 49 00:03:21,125 --> 00:03:22,458 WHO'S MONTANA? 50 00:03:23,167 --> 00:03:24,500 I'M MONTANA. 51 00:03:27,583 --> 00:03:30,207 SHIT! ROXY, WHAT JUST HAPPENED? 52 00:03:30,208 --> 00:03:31,792 I GOT THE WRONG GUY! 53 00:03:32,041 --> 00:03:33,041 NO I.D. 54 00:03:33,042 --> 00:03:36,207 WHERE THE HELL IS A. SIMMS? 55 00:03:36,208 --> 00:03:38,000 I WAS ARTHUR SIMMS. 56 00:03:39,625 --> 00:03:40,958 WHAT? 57 00:03:40,959 --> 00:03:43,332 BUT I HAVEN'T USED THAT NAME SINCE I WAS 19. 58 00:03:43,333 --> 00:03:45,082 WELL, HE'S JOHN DOE NOW. 59 00:03:45,083 --> 00:03:46,999 REALLY? YEAH. 60 00:03:47,000 --> 00:03:48,290 WE GET THESE GUYS EVERY DAY. 61 00:03:48,291 --> 00:03:50,333 NO I.D., NOBODY TO CLAIM THEIR BODIES. 62 00:03:51,125 --> 00:03:52,874 WHAT HAPPENS TO THEM? 63 00:03:52,875 --> 00:03:55,167 UNMARKED GRAVES, COURTESY OF THE COUNTY. 64 00:03:56,000 --> 00:03:57,290 HARSH. 65 00:03:57,291 --> 00:04:00,041 GEORGE, EVERYBODY CAN'T GET A MONUMENT, 66 00:04:00,042 --> 00:04:02,582 OR ELSE THE WORLD'D BE ONE BIG-ASS GRAVEYARD. 67 00:04:02,583 --> 00:04:03,707 YOU HUNGRY? 68 00:04:03,708 --> 00:04:05,084 GIVE ME YOUR PEN. 69 00:04:11,291 --> 00:04:12,625 GEORGE... 70 00:04:16,166 --> 00:04:18,291 GEORGE. THIS IS NOT YOUR PROBLEM. 71 00:04:19,209 --> 00:04:20,667 NOT ANYMORE. 72 00:04:21,959 --> 00:04:24,040 JOHN DOE, MY ASS. 73 00:04:24,041 --> 00:04:25,833 FEEL GOOD ABOUT YOURSELF NOW? 74 00:04:25,834 --> 00:04:27,084 I DO. 75 00:04:29,125 --> 00:04:30,541 HEY! 76 00:04:30,542 --> 00:04:32,209 HEY, PUT THAT BACK! 77 00:04:33,417 --> 00:04:36,124 HELLO! OFFICER? HE'S STEALING. 78 00:04:36,125 --> 00:04:37,165 TELL HIM TO PUT IT BACK. 79 00:04:37,166 --> 00:04:38,290 NO, DON'T. 80 00:04:38,291 --> 00:04:39,875 IT GETS COLD OUT HERE. 81 00:04:40,458 --> 00:04:41,791 HE NEEDS IT. 82 00:04:41,792 --> 00:04:43,874 HE NEEDS IT MORE THAN I DO. 83 00:04:43,875 --> 00:04:45,208 GOOD FOR YOU, ARTHUR SIMMS. 84 00:04:47,209 --> 00:04:48,667 CIRCLE OF LIFE, BABY. 85 00:04:54,875 --> 00:04:56,541 [TEACHER] BIG SMILES, EVERYONE. 86 00:04:56,542 --> 00:04:58,707 LET'S SEE THAT LINCOLN SPIRIT. 87 00:04:58,708 --> 00:05:01,457 MR. HAMMOND... ON MY SIGNAL. 88 00:05:01,458 --> 00:05:03,165 STEVEN PEALE, QUIT HORSING AROUND. 89 00:05:03,166 --> 00:05:05,040 FACE FORWARD, PLEASE. 90 00:05:05,041 --> 00:05:06,708 THANK YOU. 91 00:05:07,041 --> 00:05:08,707 REGGIE LASS, 92 00:05:08,708 --> 00:05:10,417 I KNOW YOU HAVE A SMILE IN THERE SOMEWHERE! 93 00:05:13,041 --> 00:05:14,791 WELL, CLASS, I GUESS 94 00:05:14,792 --> 00:05:16,874 WE'LL ALL JUST HAVE TO KEEP STANDING HERE 95 00:05:16,875 --> 00:05:19,999 UNTIL MISS LASS DECIDES TO GET WITH THE PROGRAM. 96 00:05:20,000 --> 00:05:23,000 LASS! TELL HER YOU DON'T NEGOTIATE WITH TERRORISTS. 97 00:05:24,125 --> 00:05:26,208 SANDY, I KNOW YOU'RE NEW HERE, 98 00:05:26,209 --> 00:05:27,849 SO I'M GOING TO CUT YOU SOME SLACK, BUT... 99 00:05:27,873 --> 00:05:29,707 "SANDY" IS MY WHITE SLAVE NAME. 100 00:05:29,708 --> 00:05:31,108 I HAVE A RIGHT TO BE CALLED "RAVEN." 101 00:05:31,417 --> 00:05:32,583 I'M RAVEN. 102 00:05:33,959 --> 00:05:34,999 OKAY, MR. HAMMOND... 103 00:05:35,000 --> 00:05:36,750 ON THREE. ONE... 104 00:05:37,583 --> 00:05:39,582 TWO... WHY SHOULD SHE SMILE? 105 00:05:39,583 --> 00:05:41,167 ISN'T HER SISTER DEAD? 106 00:05:50,834 --> 00:05:53,999 HOWARD HUGHES DIED A DERELICT, YOU KNOW. 107 00:05:54,000 --> 00:05:56,124 HE HADN'T CUT HIS FINGERNAILS OR TOENAILS 108 00:05:56,125 --> 00:05:57,290 FOR FIVE YEARS. 109 00:05:57,291 --> 00:05:59,166 RICH PEOPLE HAVE ALL THE FUN. 110 00:05:59,167 --> 00:06:01,374 I SAW A PICTURE. HE WAS NASTY. 111 00:06:01,375 --> 00:06:02,541 NO, NOT WHEN I KNEW HIM. 112 00:06:02,542 --> 00:06:03,999 HE WAS QUIRKY, BUT HANDSOME. 113 00:06:04,000 --> 00:06:05,291 WHEN HOWARD HUGHES DIED, 114 00:06:06,708 --> 00:06:09,249 400 PEOPLE CLAIMED TO BE HIS HEIRS. 115 00:06:09,250 --> 00:06:10,999 DID YOU GET MUCH, DAISY? 116 00:06:11,000 --> 00:06:12,290 [CHUCKLING] 117 00:06:12,291 --> 00:06:14,958 22 LIARS SPLIT $2 BILLION. 118 00:06:14,959 --> 00:06:16,833 $2 BILLION? BILLION? 119 00:06:16,834 --> 00:06:20,666 THAT'S... HANG ON. THAT'S $2 BILLION DIVIDED BY 22 PEOPLE, 120 00:06:20,667 --> 00:06:21,834 THAT EQUALS... 121 00:06:23,583 --> 00:06:25,249 THAT EQUALS A FUCKLOAD OF MONEY EACH. 122 00:06:25,250 --> 00:06:27,457 GEORGE, YOU SHOULD GO TO THE MORGUE 123 00:06:27,458 --> 00:06:28,791 AND GIVE JOHN DOE HIS NAME BACK. 124 00:06:28,792 --> 00:06:30,582 TRIED THAT ALREADY. IT DIDN'T WORK. 125 00:06:30,583 --> 00:06:32,416 WELL, WE COULD BE DISTANT RELATIONS. 126 00:06:32,417 --> 00:06:33,582 HE COULD BE LOADED. 127 00:06:33,583 --> 00:06:35,290 WE NEED TO GET DOWN THERE. I'LL GO WITH YOU. 128 00:06:35,291 --> 00:06:37,040 YOU HAVE NO BUSINESS DOWN AT THAT MORGUE. 129 00:06:37,041 --> 00:06:38,999 I HAVE NO BUSINESS DOWN AT THAT MORGUE? 130 00:06:39,000 --> 00:06:40,833 ALL OF OUR BUSINESS IS DOWN AT THAT MORGUE. 131 00:06:40,834 --> 00:06:44,124 GEORGE, PLEASE JUST DO YOUR JOB. 132 00:06:44,125 --> 00:06:46,083 THOSE ARE VERY STRONG WORDS 133 00:06:46,084 --> 00:06:47,791 FOR A BOSS WHO WENT A.W.O.L. 134 00:06:47,792 --> 00:06:50,192 WHEN ARE YOU GOING TO SHOW US THOSE SLIDES FROM YOUR VACATION? 135 00:06:51,084 --> 00:06:53,458 OR WAS IT A BUSINESS TRIP? 136 00:06:54,750 --> 00:06:56,150 I THINK WE'RE DONE TALKING ABOUT ME. 137 00:06:56,174 --> 00:06:57,707 WE NEVER STARTED TALKING ABOUT YOU. 138 00:06:57,708 --> 00:06:59,083 WELL, THEN YOU'LL HAVE TO BEGIN 139 00:06:59,084 --> 00:07:01,084 WITHOUT THE BENEFIT OF MY PARTICIPATION. 140 00:07:02,875 --> 00:07:04,583 I HAVE REAL BUSINESS TO ATTEND TO. 141 00:07:08,834 --> 00:07:10,374 YOU KNOW WHAT? WHAT? 142 00:07:10,375 --> 00:07:12,958 GO TO THE FUCKING MORGUE IF YOU WANT TO. 143 00:07:12,959 --> 00:07:15,041 SLIDE YOUR DEAD DRUNKEN ASS INTO A DRAWER 144 00:07:15,042 --> 00:07:16,958 WITH SOME OTHER DEAD DRUNK. 145 00:07:16,959 --> 00:07:18,166 TAKE A NAP IN A BODY BAG. 146 00:07:19,291 --> 00:07:20,625 I DON'T CARE. 147 00:07:22,166 --> 00:07:23,332 HE'S CHANGED, ISN'T HE? 148 00:07:23,333 --> 00:07:25,667 YEAH. WHERE DID HE GO ON THOSE DAYS OFF? 149 00:07:26,834 --> 00:07:28,125 ROXY? 150 00:07:28,792 --> 00:07:30,084 HE DIDN'T TELL ME SHIT. 151 00:07:30,542 --> 00:07:31,624 ANYWAY, HE'S GONE. 152 00:07:31,625 --> 00:07:34,040 GEORGE, YOU NEED TO LEARN A FEW THINGS 153 00:07:34,041 --> 00:07:35,441 ABOUT THE JOHN DOES OF THIS WORLD... 154 00:07:35,465 --> 00:07:36,624 FORGET IT. I WORK TODAY, 155 00:07:36,625 --> 00:07:38,416 AND MILLIE HAS USED UP ALL HER EXCUSES. 156 00:07:38,417 --> 00:07:40,499 SO TELL MILLIE TO GET DOWN TO THE MORGUE 157 00:07:40,500 --> 00:07:42,749 AT LUNCHTIME, LIKE NORMAL WORKING PEOPLE. 158 00:07:42,750 --> 00:07:44,875 I ACTUALLY HAVE TO WORK TODAY, MYSELF... 159 00:07:46,041 --> 00:07:47,457 DOING WHAT I WAS MEANT TO DO. 160 00:07:47,458 --> 00:07:48,874 HOOKER? [LAUGHING] 161 00:07:48,875 --> 00:07:51,958 I'M ACTING. ON A T.V. SHOW. 162 00:07:51,959 --> 00:07:54,041 ARE YOU SLEEPING WITH THE PRODUCER? 163 00:07:54,042 --> 00:07:55,166 THAT'S BETWEEN ME AND HIM. 164 00:07:55,167 --> 00:07:57,165 I HOPE SO. SO ARE YOU? 165 00:07:57,166 --> 00:07:58,999 ARE YOU SLEEPING WITH RAY? 166 00:07:59,000 --> 00:08:00,082 GEORGE... 167 00:08:00,083 --> 00:08:02,290 I'M NOT THE KIND OF GIRL THAT LIKES TO KISS AND TELL. 168 00:08:02,291 --> 00:08:03,374 SINCE WHEN? 169 00:08:03,375 --> 00:08:04,791 SINCE NOW. 170 00:08:04,792 --> 00:08:07,165 I'D LOVE TO SEE YOU ACT, DAISY. 171 00:08:07,166 --> 00:08:09,246 THEN YOU SHOULD COME DOWN. RAY WOULD LOVE TO SEE YOU. 172 00:08:09,270 --> 00:08:10,249 I WILL. 173 00:08:10,250 --> 00:08:11,624 AND YOU, TOO, GEORGE. 174 00:08:11,625 --> 00:08:13,666 I'M NOT INTERESTED. DIDN'T CARE FOR RAY MUCH. 175 00:08:13,667 --> 00:08:15,457 YEAH, RAY IS AN ASSHOLE, ISN'T HE? 176 00:08:15,458 --> 00:08:17,166 I HAVE TO GO TO WORK. 177 00:08:17,167 --> 00:08:18,624 GEORGIE... ME, YOU... 178 00:08:18,625 --> 00:08:21,040 DOWN AT THE MORGUE, MINING FOR GOLD. 179 00:08:21,041 --> 00:08:22,374 GO THERE YOURSELF. 180 00:08:22,375 --> 00:08:23,749 I DON'T KNOW WHAT HE LOOKS LIKE. 181 00:08:23,750 --> 00:08:26,124 ALWAYS LOOKING FOR A QUICK WAY TO MAKE A BUCK. 182 00:08:26,125 --> 00:08:27,167 OKAY. 183 00:08:28,042 --> 00:08:29,208 POOR MAN, THOUGH, EH? 184 00:08:30,167 --> 00:08:31,167 POOR JOHN DOE. 185 00:08:32,000 --> 00:08:33,084 ANONYMOUS... 186 00:08:33,500 --> 00:08:34,667 SAD. 187 00:08:36,084 --> 00:08:37,542 DUST TO DUST. 188 00:08:41,834 --> 00:08:44,249 WE JUST GOT A JOHN DOE IN HERE ABOUT 20 MINUTES AGO. 189 00:08:44,250 --> 00:08:45,874 SCORE. 190 00:08:45,875 --> 00:08:47,041 I JUST WANT TO WARN YOU, 191 00:08:47,042 --> 00:08:49,583 SEEING A LIFELESS BODY CAN BE VERY DIFFICULT. 192 00:08:50,333 --> 00:08:51,457 THANK YOU. 193 00:08:51,458 --> 00:08:53,958 THAT'S WHY WE'RE HERE TOGETHER, 194 00:08:53,959 --> 00:08:55,083 FOR EACH OTHER. 195 00:09:06,667 --> 00:09:08,208 [SCREAMING] 196 00:09:10,000 --> 00:09:11,875 [WAILING INCONSOLABLY] 197 00:09:13,917 --> 00:09:14,999 UH... MASON? 198 00:09:15,000 --> 00:09:16,500 [MASON WAILING] 199 00:09:17,834 --> 00:09:19,124 MASON! 200 00:09:19,125 --> 00:09:20,667 WAKE UP! 201 00:09:22,167 --> 00:09:24,959 MASON! WHAT? WHAT? 202 00:09:28,750 --> 00:09:30,190 [IN A BAD SOUTHERN DRAWL] MY MISTAKE. 203 00:09:32,542 --> 00:09:33,958 I'M SORRY. 204 00:09:33,959 --> 00:09:36,959 MY BROTHER HERE IS JUST IN A STATE OF SHOCK. 205 00:09:37,667 --> 00:09:40,082 [DRAWLING] WE WERE VERY CLOSE. 206 00:09:40,083 --> 00:09:42,042 HE WAS LIKE AN UNCLE TO ME. 207 00:09:43,875 --> 00:09:45,042 I THOUGHT HE WAS YOUR UNCLE. 208 00:09:46,125 --> 00:09:47,959 [SOBBING] BUT SO MUCH MORE. 209 00:10:00,375 --> 00:10:01,708 [GASPS] 210 00:10:04,042 --> 00:10:06,208 DON'T MAKE ME LOOK AT HIM. 211 00:10:06,209 --> 00:10:07,290 HOLD ME. 212 00:10:07,291 --> 00:10:08,582 HOLD ME. 213 00:10:08,583 --> 00:10:13,250 I CAN'T BEAR TO SEE UNCLE ARTHUR THIS WAY. 214 00:10:14,209 --> 00:10:15,290 [SOBBING] 215 00:10:15,291 --> 00:10:17,083 IT'S NOT HIM.. 216 00:10:21,834 --> 00:10:23,208 I KNEW THAT. 217 00:10:24,084 --> 00:10:25,166 HEH... 218 00:10:26,667 --> 00:10:28,457 [NORMAL VOICE] MATE? 219 00:10:28,458 --> 00:10:31,000 HOW MANY FUCKING JOHN DOES DO YOU GOT IN THIS FUCKING FREEZER? 220 00:10:32,042 --> 00:10:33,167 FIVE. 221 00:10:44,500 --> 00:10:46,040 WELL? 222 00:10:46,041 --> 00:10:47,250 DO WE HAVE A WINNER? 223 00:10:51,708 --> 00:10:54,042 I'M CRYING ON THE INSIDE. 224 00:10:55,708 --> 00:10:57,791 ANYWAY, DOES IT SAY THERE IF MY UNCLE 225 00:10:57,792 --> 00:11:01,040 LEFT ANY OF HIS PERSONAL EFFECTS AT THE SCENE? 226 00:11:01,041 --> 00:11:04,249 WHAT? IN HIS SHOPPING CART OR HIS SLEEPING BAG? 227 00:11:04,250 --> 00:11:06,250 NOTHING OF VALUE, IF THAT'S WHAT YOU'RE SHOOTING AT. 228 00:11:06,274 --> 00:11:08,149 SHUT UP. YOU'RE A FUCKING LIAR. 229 00:11:09,542 --> 00:11:11,125 NOTHING BUT THE CLOTHES ON HIS BACK. 230 00:11:11,667 --> 00:11:12,750 [SIGHING] 231 00:11:13,667 --> 00:11:15,166 ALL RIGHT THEN, THANK YOU. BYE. 232 00:11:15,167 --> 00:11:16,791 COMING, GEORGIE? 233 00:11:16,792 --> 00:11:18,125 I THOUGHT YOUR NAME WAS MILLIE. 234 00:11:19,041 --> 00:11:20,332 HAGEN. 235 00:11:20,333 --> 00:11:21,875 IT IS. IT IS? 236 00:11:25,084 --> 00:11:27,332 I THINK I'M GOING TO STAY A MOMENT. 237 00:11:27,333 --> 00:11:29,542 SAY A PROPER GOODBYE. 238 00:11:35,458 --> 00:11:39,083 IT'S NOT MY JOB TO SAY WHO LIVES AND DIES, 239 00:11:39,084 --> 00:11:40,958 AND IT SURE AS SHIT ISN'T MY JOB 240 00:11:40,959 --> 00:11:43,667 TO GIVE ANYBODY A LITTLE DIGNITY WHEN THEY DO. 241 00:11:44,375 --> 00:11:46,000 MY JOB SUCKS. 242 00:11:58,333 --> 00:11:59,457 [DOOR OPENS] 243 00:11:59,458 --> 00:12:00,500 MISS HAGEN? 244 00:12:01,458 --> 00:12:02,500 MISS HAGEN? 245 00:12:03,041 --> 00:12:04,124 FUCK, THAT'S ME. 246 00:12:04,125 --> 00:12:05,457 OH, YES? 247 00:12:05,458 --> 00:12:06,749 IS THIS THE CORRECT ADDRESS 248 00:12:06,750 --> 00:12:08,582 TO SEND THE BILL FOR THE BURIAL COSTS? 249 00:12:08,583 --> 00:12:09,959 WHAT BURIAL COSTS? 250 00:12:10,583 --> 00:12:11,833 $400. 251 00:12:11,834 --> 00:12:13,290 WHY AM I GETTING HIT WITH THIS? 252 00:12:13,291 --> 00:12:14,666 YOU'RE THE NEXT OF KIN. 253 00:12:14,667 --> 00:12:16,166 IF HE HAD BEEN A JOHN DOE, 254 00:12:16,167 --> 00:12:18,047 THE COUNTY WOULD ASSUME THE COSTS, BUT HE'S NOT. 255 00:12:18,792 --> 00:12:20,417 HE'S ARTHUR SIMMS. 256 00:12:21,500 --> 00:12:22,834 AND HE'S GOT FAMILY. 257 00:12:25,875 --> 00:12:28,208 NO... HE DOESN'T. 258 00:12:29,125 --> 00:12:31,499 HE DOESN'T HAVE ANYONE. 259 00:12:31,500 --> 00:12:33,124 OH, NOW I GET IT. 260 00:12:33,125 --> 00:12:35,959 GENEROSITY IS FOR PEOPLE WHO CAN AFFORD IT. 261 00:12:38,250 --> 00:12:40,416 I SHOULD HAVE SEEN THIS COMING. 262 00:12:40,417 --> 00:12:43,749 I WAS ALWAYS GOOD ON INITIAL IMPULSE. 263 00:12:43,750 --> 00:12:46,500 I NEVER EARNED ANY BADGES FOR FOLLOW-THROUGH. 264 00:12:52,667 --> 00:12:55,207 GEORGIA, YOU SAID YOU WANTED TO DO THIS. 265 00:12:55,208 --> 00:12:56,332 I DID. 266 00:12:56,333 --> 00:12:59,290 YOU SIGNED UP TO SELL A HUNDRED BOXES OF COOKIES. 267 00:12:59,291 --> 00:13:00,458 YOU DO IT. 268 00:13:01,542 --> 00:13:04,207 WE ARE GOING OUTSIDE TO SELL THESE COOKIES. 269 00:13:04,208 --> 00:13:05,500 IT'S TOO HOT. 270 00:13:06,667 --> 00:13:07,708 NOW. 271 00:13:08,917 --> 00:13:11,166 IT'S TOO STRESSFUL. 272 00:13:11,167 --> 00:13:12,624 WE NEED TO MOVE THESE. 273 00:13:12,625 --> 00:13:15,457 I JUST WANTED THE STUPID BADGE. 274 00:13:15,458 --> 00:13:16,874 YOU CAN'T GET THE BADGE 275 00:13:16,875 --> 00:13:18,500 UNTIL YOU SELL THE COOKIES. 276 00:13:19,583 --> 00:13:20,958 SCREW THE BADGE. 277 00:13:20,959 --> 00:13:22,083 GO TO YOUR ROOM. 278 00:13:24,125 --> 00:13:25,667 NO DINNER FOR YOU, YOUNG LADY. 279 00:13:30,000 --> 00:13:32,208 [DAISY] THIS DOESN'T REALLY FEEL LIKE PROFESSIONAL ACTING, RAY. 280 00:13:32,209 --> 00:13:34,083 I MEAN, WE'RE SETTING UP IN THE BACK OF A BAR. 281 00:13:34,084 --> 00:13:36,165 DAISY, THAT'S WHAT REALITY TELEVISION IS. 282 00:13:36,166 --> 00:13:37,332 WE AMBUSH. 283 00:13:37,333 --> 00:13:39,082 YEAH, I'M JUST SAYING 284 00:13:39,083 --> 00:13:40,624 IT'D BE NICE TO HAVE A SET. 285 00:13:40,625 --> 00:13:42,305 DAISY, WE HAVE SOMETHING BETTER THAN A SET. 286 00:13:42,306 --> 00:13:43,681 WE HAVE A BAR ROOM FULL OF PEOPLE 287 00:13:43,682 --> 00:13:45,290 WHO HAVE NO CLUE WE'RE FILMING THEM. 288 00:13:45,291 --> 00:13:48,165 ONE OF WHOM YOU'RE GOING TO GET TO PLAY AN ADULTERER. 289 00:13:48,166 --> 00:13:50,207 TRUST ME, IT'S GOING TO FEEL VERY MUCH LIKE ACTING. 290 00:13:50,208 --> 00:13:52,165 TIGHTEN UP CAMERA TWO FOR ME, PLEASE. 291 00:13:52,166 --> 00:13:53,791 I NEED A SCRIPT. 292 00:13:53,792 --> 00:13:55,165 WORDS TO COMMIT TO MEMORY. 293 00:13:55,166 --> 00:13:56,290 THAT, TO ME, IS ACTING. 294 00:13:56,291 --> 00:13:57,624 OKAY, HERE'S YOUR SCRIPT... 295 00:13:57,625 --> 00:13:59,374 PRETEND YOU LIKE THE GUY... 296 00:13:59,375 --> 00:14:00,958 AND GET HIM TO LIKE YOU. 297 00:14:00,959 --> 00:14:02,959 HOW'S THAT? SHAKESPEAREAN. 298 00:14:04,083 --> 00:14:06,749 JUST SO YOU KNOW, I'VE BEEN IN FILMS WITH MAJOR MOVIE STARS. 299 00:14:06,750 --> 00:14:08,874 OH, I'M SURE YOU HAVE. 300 00:14:08,875 --> 00:14:10,209 BUT, HEY, GUESS WHAT? 301 00:14:11,417 --> 00:14:12,417 TODAY YOU'RE THE STAR. 302 00:14:13,417 --> 00:14:15,916 HUH? LAST LOOKS, PLEASE. 303 00:14:15,917 --> 00:14:17,277 IS THIS A GOOD PLACE FOR ME TO SIT? 304 00:14:18,166 --> 00:14:19,291 IT'S PERFECT, SWEETHEART. 305 00:14:21,875 --> 00:14:23,166 COME ON, FOLKS. 306 00:14:23,167 --> 00:14:24,166 LET'S GET THIS SHOW ON THE ROAD. 307 00:14:24,167 --> 00:14:25,625 AND OUT OF THIS DUMP. 308 00:14:26,959 --> 00:14:28,279 DO YOU NOT WANT TO DO THIS, DAISY? 309 00:14:30,125 --> 00:14:31,725 'CAUSE IF YOU DON'T WANT TO DO IT, DON'T. 310 00:14:32,375 --> 00:14:34,124 WE'LL JUST STOP WHAT WE'RE DOING AND GO HOME. 311 00:14:34,125 --> 00:14:36,083 EVERYBODY? FOLKS. 312 00:14:38,667 --> 00:14:41,040 SAY THE WORD. WE'LL... WE'LL PACK IT IN. 313 00:14:41,041 --> 00:14:43,416 COME BACK ANOTHER DAY, WITH ANOTHER GIRL. 314 00:14:43,417 --> 00:14:46,042 REALLY, I CAN... I CAN ALWAYS GET ANOTHER GIRL. 315 00:14:49,458 --> 00:14:50,542 HOW'S MY LIPSTICK? 316 00:14:55,167 --> 00:14:56,417 YOU COULD USE A LITTLE TOUCH-UP. 317 00:14:58,166 --> 00:14:59,542 ALL RIGHT, FOLKS, SHOW TIME. 318 00:15:03,000 --> 00:15:05,084 [MAN] SECONDS AWAY, PEOPLE, SECONDS AWAY. 319 00:15:06,208 --> 00:15:08,916 HI, CRYSTAL. HI. 320 00:15:08,917 --> 00:15:11,582 ANYTHING GOOD IN YOUR CRYSTAL BALL? 321 00:15:11,583 --> 00:15:13,084 [CHUCKLING] 322 00:15:13,500 --> 00:15:16,083 "CRYSTAL BALL." 323 00:15:16,084 --> 00:15:18,204 THERE'S SOMEONE WAITING FOR YOU IN THE CONFERENCE ROOM. 324 00:15:19,000 --> 00:15:20,625 WHAT DO THEY WANT? 325 00:15:22,792 --> 00:15:24,500 IT DOESN'T SAY. 326 00:15:30,417 --> 00:15:31,582 HI. 327 00:15:31,583 --> 00:15:33,666 MS. HAY-GEN? DID I SAY THAT RIGHT? 328 00:15:33,667 --> 00:15:36,667 ACTUALLY, NO, IT'S "HAGEN." AS IN "-DAZS." 329 00:15:38,708 --> 00:15:39,916 I'M MICKEY. 330 00:15:39,917 --> 00:15:41,042 HI, MICKEY. 331 00:15:43,250 --> 00:15:44,457 WHO ARE YOU? 332 00:15:44,458 --> 00:15:47,166 I RUN THE METRO SOUTH HOMELESS SHELTER. 333 00:15:47,167 --> 00:15:49,749 OH. THAT'S NICE. 334 00:15:49,750 --> 00:15:53,707 OH, WELL, I CHECK ON THE GUYS DOWN AT THE FIFTH STREET ENCAMPMENT EVERY FEW DAYS. 335 00:15:53,708 --> 00:15:55,666 THEY TOLD ME ABOUT MONTANA... 336 00:15:55,667 --> 00:15:58,749 ABOUT ARTHUR SIMMS, HIS DEATH, 337 00:15:58,750 --> 00:16:00,750 AND THEN I CALLED THE CITY, AND THAT LED ME TO YOU. 338 00:16:01,000 --> 00:16:02,000 SHIT. 339 00:16:02,001 --> 00:16:04,084 UH, THESE... 340 00:16:06,125 --> 00:16:08,583 THESE ARE MONTANA'S BELONGINGS. 341 00:16:12,125 --> 00:16:13,166 WOW. 342 00:16:13,959 --> 00:16:15,041 I WAS... 343 00:16:15,042 --> 00:16:17,583 WONDERING WHERE HIS STUFF WENT. 344 00:16:18,667 --> 00:16:20,040 THANK YOU, MICKEY. 345 00:16:20,041 --> 00:16:21,124 YOU'RE WELCOME. 346 00:16:21,125 --> 00:16:25,750 SO YOU KNEW... UNCLE ARTHUR? 347 00:16:26,291 --> 00:16:27,499 YEAH, A LITTLE BIT. 348 00:16:27,500 --> 00:16:29,290 I CERTAINLY DIDN'T KNOW HE HAD ANY FAMILY. 349 00:16:29,291 --> 00:16:33,208 WELL, WE WEREN'T A CLOSE-KNIT CREW. 350 00:16:33,209 --> 00:16:36,625 YOU KNOW, I ALWAYS WONDERED WHY HE CALLED HIMSELF "MONTANA". 351 00:16:37,625 --> 00:16:40,834 I THINK MONTANA LOVED THE OUTDOORS. 352 00:16:42,125 --> 00:16:45,625 HE WAS A "BIG SKY" KIND OF GUY, YOU KNOW? 353 00:16:47,167 --> 00:16:48,708 I KNOW HE LOVED A GOOD BARBECUE. 354 00:16:49,959 --> 00:16:52,041 YOU DIDN'T KNOW HIM AT ALL, DID YOU? 355 00:16:52,042 --> 00:16:54,083 WE WERE PLANNING ON GETTING TOGETHER. WE HAD... 356 00:16:55,083 --> 00:16:57,833 SCHEDULING ISSUES. 357 00:16:57,834 --> 00:17:00,332 I ALWAYS WONDER HOW MY CLIENTS END UP WHERE THEY DO... 358 00:17:00,333 --> 00:17:02,124 ON THE FRINGES, YOU KNOW? 359 00:17:02,125 --> 00:17:04,082 AND THEN I RUN INTO SOME FAMILY MEMBER 360 00:17:04,083 --> 00:17:05,582 WHO DOESN'T GIVE TWO SHITS, 361 00:17:05,583 --> 00:17:07,792 AND THAT'S IT, THE MYSTERY'S SOLVED. 362 00:17:09,041 --> 00:17:10,208 I GIVE A SHIT. 363 00:17:11,041 --> 00:17:12,041 NOT TWO. 364 00:17:12,042 --> 00:17:13,882 OH, IS THAT WHY THE COUNTY'S TAKING CARE OF HIM? 365 00:17:13,906 --> 00:17:16,999 I JUST DON'T HAVE 400 BUCKS LYING AROUND. 366 00:17:17,000 --> 00:17:19,761 YEAH, AND SINCE YOU LEFT HIM TO CHARITY HIS WHOLE LIFE, WHY CHANGE NOW? 367 00:17:19,785 --> 00:17:21,499 I'M SO SICK OF YOU PEOPLE! 368 00:17:21,500 --> 00:17:23,125 SHAME ON YOU. 369 00:17:24,375 --> 00:17:26,958 A LITTLE HEADS-UP ON THE DEAD, MICKEY. 370 00:17:26,959 --> 00:17:28,290 PUT THEM IN A MARBLE TEMPLE, 371 00:17:28,291 --> 00:17:29,791 STICK THEM IN A COFFEE CAN, 372 00:17:29,792 --> 00:17:31,499 EITHER WAY, THEY DON'T CARE. 373 00:17:31,500 --> 00:17:32,917 THEY'RE DEAD. 374 00:17:35,291 --> 00:17:36,999 I'M GOING TO HELL. 375 00:17:37,000 --> 00:17:39,374 OR MAYBE I'M STAYING HERE FOREVER. 376 00:17:39,375 --> 00:17:41,375 MILLIE, WHAT WAS THAT? 377 00:17:42,458 --> 00:17:44,249 OH, IT'S NOTHING, DELORES. 378 00:17:44,250 --> 00:17:45,916 JUST A FAMILY THING. 379 00:17:45,917 --> 00:17:48,541 MILLIE, IS HE ASKING YOU FOR MONEY? 380 00:17:48,542 --> 00:17:51,124 BECAUSE MY COUSIN, LOUIS, TOOK ME FOR A TIDY SUM, 381 00:17:51,125 --> 00:17:52,290 NEVER PAID IT BACK, 382 00:17:52,291 --> 00:17:54,124 AND NOW HE LIVES IN ECUADOR 383 00:17:54,125 --> 00:17:55,958 WITH A MAN SERVANT AND EVERYTHING... 384 00:17:55,959 --> 00:17:57,624 NO, DELORES, SOMEONE DIED. 385 00:17:57,625 --> 00:17:58,791 SOMEONE CLOSE? 386 00:17:58,792 --> 00:18:00,707 NO, IT'S JUST THE MONEY'S FOR HIS BURIAL, 387 00:18:00,708 --> 00:18:02,208 AND I DON'T HAVE IT. 388 00:18:02,209 --> 00:18:04,166 HOW MUCH? $400. 389 00:18:04,167 --> 00:18:07,457 WELL, SILLY, ALL YOU HAVE TO DO IS ASK. 390 00:18:07,458 --> 00:18:08,541 FAMILY EMERGENCY. 391 00:18:08,542 --> 00:18:10,082 THAT'S WHAT ADVANCES ARE FOR, MILLIE. 392 00:18:10,083 --> 00:18:12,583 I'LL GET A CHECK CUT FOR YOU RIGHT AWAY. 393 00:18:14,834 --> 00:18:16,333 I DIDN'T KNOW YOU CARED SO MUCH. 394 00:18:17,500 --> 00:18:19,000 NEITHER DID I. 395 00:18:25,000 --> 00:18:27,999 HEY, J.D. LOOK WHO'S HERE. 396 00:18:28,000 --> 00:18:29,917 I DON'T DO PREPPY DOGS. 397 00:18:31,208 --> 00:18:32,624 WELL, HE'S NOT PREPPY. 398 00:18:32,625 --> 00:18:33,749 HE IS. 399 00:18:33,750 --> 00:18:35,041 GET HIM AWAY FROM ME. 400 00:18:36,625 --> 00:18:39,041 MOM! COME GET J.D. 401 00:18:39,042 --> 00:18:41,124 REGGIE, YOU DON'T NEED TO SHOUT. 402 00:18:41,125 --> 00:18:42,500 I'M RIGHT HERE. 403 00:18:44,583 --> 00:18:45,750 HELLO. 404 00:18:46,000 --> 00:18:47,624 HELLO. 405 00:18:47,625 --> 00:18:49,917 GUESS YOU DON'T REMEMBER ME, MRS. LASS? 406 00:18:51,000 --> 00:18:52,874 OH, MY GOD... 407 00:18:52,875 --> 00:18:56,000 SANDY SIMONS, IS THAT YOU UNDER ALL THAT EYELINER? 408 00:18:56,625 --> 00:18:57,874 IN THE FLESH. 409 00:18:57,875 --> 00:18:59,235 OH, I HEARD YOU MOVED BACK TO TOWN. 410 00:19:00,792 --> 00:19:02,749 HOW'S YOUR MOM? DIVORCED. 411 00:19:02,750 --> 00:19:03,916 I'M SORRY TO HEAR THAT. 412 00:19:03,917 --> 00:19:05,375 DON'T BE. MY DAD'S A FREAK. 413 00:19:06,125 --> 00:19:07,750 COME ON, REGGIE. LET'S GO ONLINE. 414 00:19:08,417 --> 00:19:09,999 SO, SANDY... 415 00:19:10,000 --> 00:19:12,124 WHERE DID YOU DISCOVER THIS... 416 00:19:12,125 --> 00:19:13,582 NEW LOOK? 417 00:19:13,583 --> 00:19:14,666 FLORIDA. 418 00:19:14,667 --> 00:19:16,167 MY NAME'S "RAVEN" NOW. 419 00:19:17,000 --> 00:19:18,000 NICE. 420 00:19:21,500 --> 00:19:23,833 MOM, CAN YOU TAKE J.D., PLEASE? 421 00:19:23,834 --> 00:19:25,999 WHY? DON'T YOU WANT HIM WITH YOU? 422 00:19:26,000 --> 00:19:27,625 NO. HE'S TOO PREPPY. 423 00:19:28,125 --> 00:19:29,417 PREPPY? 424 00:19:30,208 --> 00:19:31,625 FINE. 425 00:19:33,125 --> 00:19:35,207 DO YOU GIRLS WANT SOMETHING TO EAT? 426 00:19:35,208 --> 00:19:36,250 SOMETHING SWEET. 427 00:19:37,959 --> 00:19:39,958 UH, DO YOU HAVE ANY CHARCOAL? 428 00:19:39,959 --> 00:19:42,499 NO. NO, NO, GIRLS. I'M SORRY, NO MATCHES. 429 00:19:42,500 --> 00:19:44,082 CHARCOAL EYELINER. 430 00:19:44,083 --> 00:19:45,417 I'M GOING TO DO REGGIE'S MAKE-UP. 431 00:19:46,125 --> 00:19:47,541 OH! 432 00:19:47,542 --> 00:19:49,083 SURE. I'LL GET IT. 433 00:19:51,792 --> 00:19:53,749 [J.D. WHIMPERS] 434 00:19:53,750 --> 00:19:56,874 OH, DON'T YOU WORRY. 435 00:19:56,875 --> 00:19:59,167 SHE NEEDS A FRIEND WHO'S HUMAN. 436 00:20:00,167 --> 00:20:01,417 OR SOMETHING CLOSE. 437 00:20:18,166 --> 00:20:19,667 SAY IT AIN'T SO. 438 00:20:27,291 --> 00:20:28,875 OH, BROTHER. 439 00:20:30,583 --> 00:20:32,708 TRULY STUNNING WORK, YOUNG REMBRANDT. 440 00:20:34,042 --> 00:20:35,332 WHAT'D YOU CALL ME, ASSHOLE? 441 00:20:35,333 --> 00:20:36,333 CHRIST. 442 00:20:37,708 --> 00:20:39,428 I WAS HOPING TO PAY TRIBUTE TO YOUR ARTWORK. 443 00:20:40,125 --> 00:20:41,499 WELL, I THINK IT'S SHIT. 444 00:20:41,500 --> 00:20:42,624 ALWAYS STRIVING. 445 00:20:42,625 --> 00:20:44,707 ALWAYS PUSHING TO MAKE YOUR WORK A CUT ABOVE. 446 00:20:44,708 --> 00:20:46,999 I APPRECIATE THAT IN A YOUNG PERSON. 447 00:20:47,000 --> 00:20:48,440 IN FACT, I'D LOVE TO SHAKE YOUR HAND. 448 00:20:49,625 --> 00:20:51,042 START CLIMBING THEN, GRANDPA. 449 00:20:52,375 --> 00:20:54,208 HOW ABOUT YOU COME DOWN? 450 00:20:54,209 --> 00:20:55,609 THE CLIMB UP IS HALF THE EXPERIENCE. 451 00:20:56,250 --> 00:20:57,625 FALLING DOWN THE OTHER HALF? 452 00:20:58,375 --> 00:20:59,749 MAYBE FOR YOU. 453 00:20:59,750 --> 00:21:00,999 I NEVER FALL. 454 00:21:01,000 --> 00:21:02,250 EVER. 455 00:21:15,000 --> 00:21:16,959 I WANT TO PAY YOU FOR YOUR WORK. 456 00:21:17,959 --> 00:21:19,083 CALL IT ART APPRECIATION. 457 00:21:19,084 --> 00:21:22,375 HOW ABOUT, SAY... 30 BUCKS? 458 00:21:23,291 --> 00:21:24,499 CASH ON THE BARREL HEAD, 459 00:21:24,500 --> 00:21:26,666 IF YOU COME DOWN IN THE NEXT TWO MINUTES. 460 00:21:26,667 --> 00:21:28,500 YOU MEDICI MOTHERFUCKER. 461 00:21:29,458 --> 00:21:31,208 YOU CAN'T RUSH ART. 462 00:21:31,209 --> 00:21:33,959 I'LL MAKE IT 40. $40 FOR AN ORIGINAL WORK BY THE GREAT "B. BOYD." 463 00:21:35,209 --> 00:21:36,209 WHAT THE FUCK? 464 00:21:37,583 --> 00:21:38,875 I AIN'T THAT HACK, MAN. 465 00:21:39,959 --> 00:21:41,959 I'M UP HERE BLOTTING HIS SHIT OUT. 466 00:21:45,917 --> 00:21:47,707 WHAT THE FUCK, INDEED. 467 00:21:47,708 --> 00:21:50,707 GET THE FUCK OUT OF MY AIRSPACE, MOTHERFUCKER, 468 00:21:50,708 --> 00:21:53,249 BEFORE I SHOOT YOU DOWN! 469 00:21:53,250 --> 00:21:56,167 TERRIBLE, WHAT PEOPLE DO TO OTHER PEOPLE'S PROPERTY. 470 00:21:57,208 --> 00:21:58,542 SHIT! HEADS UP! 471 00:22:01,834 --> 00:22:04,124 TAG. YOU'RE IT. 472 00:22:04,125 --> 00:22:06,416 B-BOY! B-BOY, GET UP, MAN! 473 00:22:06,417 --> 00:22:07,458 GET UP! 474 00:22:10,500 --> 00:22:12,041 DAMN, LOOK AT THAT PATTERN. 475 00:22:14,792 --> 00:22:16,208 WATCH YOUR STEP NOW. 476 00:22:19,458 --> 00:22:20,582 I HAVE TO SAY 477 00:22:20,583 --> 00:22:21,874 I'M A LITTLE NERVOUS ABOUT THIS. 478 00:22:21,875 --> 00:22:23,457 THERE'S NOTHING TO BE NERVOUS ABOUT. 479 00:22:23,458 --> 00:22:25,958 I JUST FEEL LIKE IT'S UNDERHANDED, 480 00:22:25,959 --> 00:22:27,582 FILMING A GUY WHO'S CHEATING HIS WIFE. 481 00:22:27,583 --> 00:22:30,541 HEY, HEY, HEY... HIS WIFE'S THE ONE THAT CONTACTED US. 482 00:22:30,542 --> 00:22:32,502 SHE THINKS THIS IS WHERE HE COMES TO PICK UP WOMEN. 483 00:22:32,503 --> 00:22:33,903 DON'T MAKE ME OUT TO BE THE BAD GUY. 484 00:22:33,927 --> 00:22:35,166 I'M NOT. 485 00:22:35,167 --> 00:22:36,874 SO HOW DO I LOOK? 486 00:22:36,875 --> 00:22:38,290 GOOD ENOUGH TO END A MARRIAGE. 487 00:22:38,291 --> 00:22:39,959 WHERE ARE THE CAMERAS? 488 00:22:40,917 --> 00:22:42,332 THERE. THERE. 489 00:22:42,333 --> 00:22:44,332 THERE AND THERE. 490 00:22:44,333 --> 00:22:45,457 ANY MORE QUESTIONS? 491 00:22:45,458 --> 00:22:46,667 NO. YOU? 492 00:22:47,291 --> 00:22:49,165 YEAH. 493 00:22:49,166 --> 00:22:51,040 ARE YOU SURE YOU KNOW HOW TO SEDUCE A MAN? 494 00:22:51,041 --> 00:22:53,500 I DON'T KNOW. DO I? 495 00:22:57,208 --> 00:22:58,625 WE'LL SEE. 496 00:23:05,458 --> 00:23:07,083 EVERYTHING PINK GOES? 497 00:23:07,084 --> 00:23:08,125 BURN IT. 498 00:23:08,458 --> 00:23:09,750 IS THAT HER? 499 00:23:12,917 --> 00:23:15,166 YEAH. THAT'S MY SISTER. 500 00:23:15,167 --> 00:23:17,332 IT'S THE ONLY YEARBOOK PICTURE OF HER I EVER FOUND. 501 00:23:17,333 --> 00:23:20,166 SHE WAS TOO COOL FOR THAT BULLSHIT. 502 00:23:20,167 --> 00:23:22,624 SHE WAS NEVER IN ANY CLUBS OR ANYTHING. 503 00:23:22,625 --> 00:23:24,416 NOT BEING IN STUFF IS COOL. 504 00:23:24,417 --> 00:23:25,833 NOT LIKE MY SISTER, 505 00:23:25,834 --> 00:23:28,542 PRESIDENT OF THE "MY SHIT DOESN'T STINK SOCIETY." 506 00:23:30,250 --> 00:23:32,332 CAN I SEE HER ROOM? 507 00:23:32,333 --> 00:23:34,417 [DOOR OPENS] YOUR ORDER, LADIES. 508 00:23:36,041 --> 00:23:38,250 LOOKS GOOD, REGGIE. 509 00:23:40,708 --> 00:23:41,874 THANKS. 510 00:23:41,875 --> 00:23:43,250 HER NAME'S NOT "REGGIE" ANYMORE. 511 00:23:43,792 --> 00:23:45,124 DARE I ASK? 512 00:23:45,125 --> 00:23:46,000 IT'S "SPIDER". 513 00:23:46,001 --> 00:23:48,667 SPIDER, HUH? THAT'S PRETTY. 514 00:23:51,417 --> 00:23:53,874 UM, YOU KNOW, WE DON'T HAVE A LOT OF SWEETS IN THE HOUSE, 515 00:23:53,875 --> 00:23:56,374 BUT I DID FIND THESE. 516 00:23:56,375 --> 00:23:57,582 I THINK THOSE ARE REALLY STALE. 517 00:23:57,583 --> 00:23:59,082 THAT'S OKAY, I LIKE STALE. 518 00:23:59,083 --> 00:24:01,916 IT'S CLOSER TO DEATH. 519 00:24:01,917 --> 00:24:04,875 WELL, TRY NOT TO GET A LOT OF CRUMBS ON THE FLOOR. 520 00:24:09,250 --> 00:24:11,999 SO, UM, WELL, YOU GIRLS, HAVE FUN. 521 00:24:12,000 --> 00:24:16,708 UM, WOULD YOU LIKE TO ASK RAVEN OVER FOR DINNER... SPIDER? 522 00:24:18,542 --> 00:24:20,499 SURE. TERRIFIC. 523 00:24:20,500 --> 00:24:21,917 CAN WE INVITE A COUPLE OF FRIENDS? 524 00:24:23,250 --> 00:24:25,249 OF COURSE. YEAH. 525 00:24:25,250 --> 00:24:26,417 CAN WE HAVE PIZZA? 526 00:24:27,834 --> 00:24:29,000 PIZZA IT IS. 527 00:24:34,166 --> 00:24:35,208 YOUR MOM'S COOL. 528 00:24:36,208 --> 00:24:37,291 NOT REALLY. 529 00:24:40,167 --> 00:24:42,040 COME HERE MUCH? 530 00:24:42,041 --> 00:24:44,332 ISN'T THAT SUPPOSED TO BE A MAN'S LINE? 531 00:24:44,333 --> 00:24:46,332 I DIDN'T KNOW THERE WAS A SCRIPT. 532 00:24:46,333 --> 00:24:48,166 WANT TO HEAR MY GUESS ABOUT YOU, WALTER? 533 00:24:48,167 --> 00:24:50,125 UH-OH... NOW I'M GETTING NERVOUS. 534 00:24:52,041 --> 00:24:53,499 ANOTHER SHOT OF COURAGE, MY FRIEND? 535 00:24:53,500 --> 00:24:54,666 THANK YOU. 536 00:24:54,667 --> 00:24:56,624 HOW ABOUT YOU, MISS? NO, I'M GOOD. 537 00:24:56,625 --> 00:24:58,167 WELL, THAT'S GOOD TO KNOW. 538 00:25:00,041 --> 00:25:01,290 MY GUESS, WALTER, 539 00:25:01,291 --> 00:25:03,999 IS THAT YOU'RE SUPPOSED TO BE AT HOME RIGHT NOW, 540 00:25:04,000 --> 00:25:06,499 BUT YOU WORK A LONG DAY, AND THE WIFE ISN'T ALWAYS 541 00:25:06,500 --> 00:25:08,208 A WELCOME FACE AT THE END OF IT. 542 00:25:09,291 --> 00:25:10,583 I SHOULD GET GOING. 543 00:25:13,917 --> 00:25:15,333 YOU HAVE A NICE NECK. 544 00:25:16,291 --> 00:25:17,417 IT'S STRONG. 545 00:25:19,208 --> 00:25:21,166 DOES YOUR WIFE KISS YOUR NECK, WALTER? 546 00:25:21,875 --> 00:25:22,958 SHE SHOULD. 547 00:25:22,959 --> 00:25:24,666 JESUS. JESUS. 548 00:25:24,667 --> 00:25:26,083 I'M SORRY. 549 00:25:26,084 --> 00:25:28,207 I'M MAKING YOU UNCOMFORTABLE. 550 00:25:28,208 --> 00:25:31,499 YOU'RE THE KIND OF GUY THAT BELIEVES IN STAYING WITH SOMEBODY FOREVER. 551 00:25:31,500 --> 00:25:33,166 I GAVE UP ON FOREVER. 552 00:25:33,167 --> 00:25:34,167 IT DOESN'T LAST. 553 00:25:36,000 --> 00:25:38,708 I'M A BIG FAN OF JUST ONE REALLY GOOD NIGHT. 554 00:25:41,042 --> 00:25:42,417 ARE YOU A GOOD KISSER, WALTER? 555 00:25:43,291 --> 00:25:45,583 UM... I DON'T KNOW. 556 00:25:47,208 --> 00:25:48,708 I BET YOU WOULD BE. 557 00:25:50,708 --> 00:25:52,042 I'M SORRY. 558 00:25:53,209 --> 00:25:54,333 I'M NOT A CHEATER. 559 00:25:57,792 --> 00:25:58,959 YOU'RE NOT, ARE YOU? 560 00:26:01,084 --> 00:26:02,125 NO. 561 00:26:03,125 --> 00:26:04,125 TOP YOU UP THERE, PAL? 562 00:26:04,834 --> 00:26:05,875 I'M FINE. 563 00:26:06,750 --> 00:26:08,208 I'LL BE RIGHT BACK. 564 00:26:10,042 --> 00:26:11,042 WATCH MY BAG? 565 00:26:20,083 --> 00:26:21,499 WHAT ARE YOU DOING? 566 00:26:21,500 --> 00:26:23,166 HE DOESN'T WANT TO CHEAT. 567 00:26:23,167 --> 00:26:24,499 REALLY? HOW DO YOU KNOW THAT? 568 00:26:24,500 --> 00:26:25,582 BECAUSE HE SAID SO. 569 00:26:25,583 --> 00:26:27,103 MEN SAY A LOT OF FUCKING THINGS, DAISY, 570 00:26:27,127 --> 00:26:29,124 ALL DAY LONG, BUT MOSTLY AT NIGHT. 571 00:26:29,125 --> 00:26:30,290 OR MAYBE YOU DON'T KNOW MEN. 572 00:26:30,291 --> 00:26:31,333 I KNOW MEN FINE. 573 00:26:32,792 --> 00:26:34,791 THIS GUY IS CLUELESS. 574 00:26:34,792 --> 00:26:35,992 HE WANTS TO BE TOLD WHAT TO DO. 575 00:26:36,016 --> 00:26:37,791 HE WANTS TO BE TOLD WHAT HE WANTS. 576 00:26:37,792 --> 00:26:39,332 WHAT DOES HE WANT? 577 00:26:39,333 --> 00:26:41,124 HE WANTS WHAT WE ALL WANT. 578 00:26:41,125 --> 00:26:43,166 HE WANTS TO FEEL ALIVE. 579 00:26:44,166 --> 00:26:45,500 RIGHT, DAISY? 580 00:26:46,750 --> 00:26:47,874 I DON'T KNOW. 581 00:26:47,875 --> 00:26:50,791 HE'S NOT A CHEATER, I CAN SEE IT. 582 00:26:50,792 --> 00:26:53,125 SO WHAT ARE YOU, A FUCKING MARRIAGE COUNSELOR NOW? 583 00:26:53,917 --> 00:26:55,041 NO. NO. 584 00:26:56,250 --> 00:26:57,374 YOU'RE AN ACTRESS. 585 00:26:57,375 --> 00:26:59,792 ACT LIKE YOU WANT TO MAKE HIM HAPPY. 586 00:27:01,000 --> 00:27:03,042 ACT LIKE YOU WANT TO MAKE ME HAPPY. 587 00:27:04,125 --> 00:27:05,250 FINE. 588 00:27:06,083 --> 00:27:08,791 AM I BEING HARD ON YOU? YES. 589 00:27:08,792 --> 00:27:09,999 I'M AN AWFUL GUY. 590 00:27:10,000 --> 00:27:11,333 I'M MEAN. I'M TERRIBLE. 591 00:27:12,083 --> 00:27:13,207 YOU REALLY ARE. 592 00:27:13,208 --> 00:27:14,500 I REALLY AM. 593 00:27:21,708 --> 00:27:23,084 NOW GO OUT THERE... 594 00:27:24,084 --> 00:27:25,291 AND SHOW HIM NO MERCY. 595 00:27:27,875 --> 00:27:29,209 ALL RIGHT? MM. 596 00:27:30,291 --> 00:27:32,416 ALL RIGHT, MILLIE. 597 00:27:32,417 --> 00:27:35,250 HERE YOU GO. $400. 598 00:27:36,583 --> 00:27:37,958 THANK YOU, DELORES. 599 00:27:37,959 --> 00:27:39,208 FOR YOUR UNCLE'S BURIAL. 600 00:27:39,209 --> 00:27:41,166 UNCLE ARTHUR, WAS IT? RIGHT. 601 00:27:41,167 --> 00:27:43,165 THE GOOD NEWS WAS I HAD A CHECK 602 00:27:43,166 --> 00:27:45,041 FOR 400 BUCKS. 603 00:27:45,042 --> 00:27:46,707 THE BAD NEWS WAS... 604 00:27:46,708 --> 00:27:48,999 I WAS THINKING ABOUT KEEPING THE MONEY. 605 00:27:49,000 --> 00:27:51,374 THIS IS A SWEET THING YOU'RE DOING... 606 00:27:51,375 --> 00:27:53,958 WORKING OVERTIME TO PAY HIM TRIBUTE. 607 00:27:53,959 --> 00:27:56,916 THAT'S WHAT WE DO FOR FAMILY, I GUESS. 608 00:27:56,917 --> 00:27:58,249 I WAS WORKING FOR IT, 609 00:27:58,250 --> 00:28:00,290 SO WHY SHOULD I SPEND IT ON SOME GUY 610 00:28:00,291 --> 00:28:01,999 JUST BECAUSE HE'S DEAD? 611 00:28:02,000 --> 00:28:03,207 I'M DEAD, TOO. 612 00:28:03,208 --> 00:28:04,375 HONORING THE DEAD 613 00:28:05,250 --> 00:28:07,333 HELPS US GO ON LIVING. 614 00:28:07,834 --> 00:28:08,958 I KNOW. 615 00:28:08,959 --> 00:28:10,249 ONE HOT LEATHER JACKET, 616 00:28:10,250 --> 00:28:11,999 AND NO ONE WOULD BE THE WISER. 617 00:28:12,000 --> 00:28:14,749 THE THING THAT'S LOVELY ABOUT THIS GESTURE 618 00:28:14,750 --> 00:28:17,707 IS THAT YOU'RE NOT JUST LOOKING FOR A PAT ON THE BACK. 619 00:28:17,708 --> 00:28:19,999 ON MY HOT NEW LEATHER JACKET. 620 00:28:20,000 --> 00:28:21,416 RIGHT. 621 00:28:21,417 --> 00:28:23,250 THAT'S THE WAY I FEEL ABOUT MY KIDS. 622 00:28:25,291 --> 00:28:26,499 WHAT KIDS? 623 00:28:26,500 --> 00:28:28,125 THE LITTLE ONES I SPONSOR. 624 00:28:28,417 --> 00:28:29,667 OH! 625 00:28:31,125 --> 00:28:34,208 SAY HELLO TO... KASAWALA. 626 00:28:34,209 --> 00:28:35,500 AND ANJALI. 627 00:28:36,333 --> 00:28:38,791 AND... 628 00:28:38,792 --> 00:28:40,416 THIS IS CHING-ZI. 629 00:28:40,417 --> 00:28:42,541 I SAW HER PICTURE IN MY SUNDAY PARADE, 630 00:28:42,542 --> 00:28:45,041 AND I JUST COULDN'T RESIST ADDING ONE MORE. 631 00:28:45,042 --> 00:28:46,208 AND THIS... 632 00:28:47,375 --> 00:28:49,041 I'M NOT SUPPOSED TO PLAY FAVORITES. 633 00:28:50,208 --> 00:28:51,749 THIS IS FALLANDA. 634 00:28:51,750 --> 00:28:53,457 ISN'T SHE BEAUTIFUL? 635 00:28:53,458 --> 00:28:55,499 $15 A MONTH FROM YOURS TRULY 636 00:28:55,500 --> 00:28:58,916 GETS HER A MONTHLY SUPPLY OF HIGH-PROTEIN LUNCHES, 637 00:28:58,917 --> 00:29:00,458 AND HER VILLAGE GETS A WATER PUMP. 638 00:29:01,291 --> 00:29:03,165 THAT'S SO SWEET, DELORES. 639 00:29:03,166 --> 00:29:04,541 OH. 640 00:29:04,542 --> 00:29:07,499 I MEAN, SHE'LL NEVER THANK ME IN PERSON, 641 00:29:07,500 --> 00:29:10,084 BUT THAT'S NOT WHAT'S IMPORTANT, AS YOU KNOW. 642 00:29:12,125 --> 00:29:15,875 THANK YOU, DELORES HERBIG, AND YOUR BIG, BROWN EYES. 643 00:29:18,000 --> 00:29:19,374 RIGHT. 644 00:29:19,375 --> 00:29:23,749 THE IMPORTANT THING IS WHEN LIFE PRESENTS US WITH AN OPPORTUNITY 645 00:29:23,750 --> 00:29:25,541 TO HELP SOMEONE WHO CAN'T HELP THEMSELVES, 646 00:29:25,542 --> 00:29:27,874 WE HAVE TO STEP UP, 647 00:29:27,875 --> 00:29:29,749 AND THAT'S WHAT YOU'RE DOING RIGHT NOW. 648 00:29:29,750 --> 00:29:30,999 AND JUST LIKE THAT, 649 00:29:31,000 --> 00:29:33,958 I LOST MY HOT NEW LEATHER JACKET. 650 00:29:33,959 --> 00:29:37,667 THANK YOU FOR THE FINE EXAMPLE YOU SET. 651 00:29:39,250 --> 00:29:41,791 HEY... THIS IS NICE. 652 00:29:41,792 --> 00:29:44,042 I LOST MY OTHER JACKET WHEN I DIED. 653 00:29:44,708 --> 00:29:46,625 THANK YOU, GEORGIA LASS. 654 00:29:47,333 --> 00:29:48,333 YOU'RE WELCOME. 655 00:29:52,208 --> 00:29:53,625 PRETTY GIRL YOU WERE TALKING TO. 656 00:29:54,291 --> 00:29:55,791 SEEMS NICE. 657 00:29:55,792 --> 00:29:57,582 OH, I DON'T THINK SO. 658 00:29:57,583 --> 00:30:00,166 I DON'T THINK THAT ONE'S SO NICE. 659 00:30:00,167 --> 00:30:01,833 WELL, YOU NEVER KNOW. 660 00:30:01,834 --> 00:30:03,514 WOULDN'T YOU JUST KILL TO FIND OUT, THOUGH? 661 00:30:04,209 --> 00:30:05,625 GOD, I KNOW I WOULD. 662 00:30:07,875 --> 00:30:09,167 EXCUSE ME. 663 00:30:11,667 --> 00:30:13,749 GOOD EVENING, SIR. WHAT ARE YOU DOING HERE? 664 00:30:13,750 --> 00:30:15,710 I'VE COME TO SEE DAISY ACT. WHERE ARE THE CAMERAS? 665 00:30:15,734 --> 00:30:17,174 THEY'RE HIDDEN, AND SHUT THE FUCK UP. 666 00:30:18,167 --> 00:30:20,958 EXCUSE ME? SHUT THE FUCK UP. 667 00:30:20,959 --> 00:30:22,499 AND DON'T TALK TO HER. 668 00:30:22,500 --> 00:30:24,124 FINE. 669 00:30:24,125 --> 00:30:26,725 THE ONLY REASON YOU HAVE TO OPEN YOUR MOUTH IS TO POUR BOOZE IN IT. 670 00:30:28,083 --> 00:30:29,707 AND WHAT ARE WE DRINKING TO, RAY? 671 00:30:29,708 --> 00:30:30,834 THEY'RE BOTH FOR YOU. 672 00:30:33,458 --> 00:30:35,375 LOOKING GOOD, DAISY. NOT NOW, MASON. 673 00:30:37,250 --> 00:30:38,959 I'M NOT GOING TO FUCKING TELL YOU AGAIN. 674 00:30:41,875 --> 00:30:43,500 WELL, LOOK WHO'S STILL HERE. 675 00:30:45,084 --> 00:30:46,916 YOU ASKED ME TO WATCH YOUR BAG. 676 00:30:46,917 --> 00:30:48,083 OH. 677 00:30:48,084 --> 00:30:50,042 LUCKY ME. I FOUND A BOY SCOUT. 678 00:30:50,959 --> 00:30:52,541 OKAY, GO HOME, BOY SCOUT. 679 00:30:52,542 --> 00:30:54,209 YOU DID YOUR GOOD DEED. 680 00:30:57,458 --> 00:31:00,417 YOU KNOW WHAT EVERYBODY SAYS ON THEIR DEATHBED, WALTER? 681 00:31:01,667 --> 00:31:03,084 THEY WISH THEY'D HAD MORE FUN. 682 00:31:05,583 --> 00:31:07,625 AND MEN WISH THEY'D HAD MORE WOMEN. 683 00:31:10,959 --> 00:31:13,582 FIVE REASONS MEN COME TO A BAR, WALTER. 684 00:31:13,583 --> 00:31:16,874 ONE... THEY DON'T LOVE THEIR WIFE ANYMORE. 685 00:31:16,875 --> 00:31:18,959 TWO, THEIR WIFE DOESN'T LOVE THEM. 686 00:31:20,834 --> 00:31:22,594 THREE, THEY WANT TO SEE WHAT THEY'RE MISSING. 687 00:31:23,333 --> 00:31:24,874 AND FOUR, 688 00:31:24,875 --> 00:31:29,209 THEY WANT, IF JUST FOR A MOMENT, TO TASTE IT. 689 00:31:30,375 --> 00:31:31,625 FIVE... 690 00:31:42,583 --> 00:31:44,667 MAYBE THERE WERE JUST FOUR. 691 00:31:47,291 --> 00:31:49,084 YOU WANT TO GO SOMEWHERE WITH ME, WALTER? 692 00:31:52,917 --> 00:31:53,917 I DO. 693 00:31:55,167 --> 00:31:56,958 BLACKSTONE HOTEL. 694 00:31:56,959 --> 00:31:58,834 GET US A ROOM. I'LL FOLLOW. 695 00:31:59,708 --> 00:32:02,041 NOW? NOW. 696 00:32:02,042 --> 00:32:03,541 UM, I HAVE TO PAY MY BAR TAB. 697 00:32:03,542 --> 00:32:04,749 NO, I GOT IT. 698 00:32:04,750 --> 00:32:06,542 GO THE HOTEL, BOY SCOUT. 699 00:32:21,875 --> 00:32:23,332 HOW'S THAT FOR NO MERCY? 700 00:32:23,333 --> 00:32:25,707 JIMMY, BLACKSTONE HOTEL, NOW. 701 00:32:25,708 --> 00:32:26,874 I'M NOT GOING THERE. 702 00:32:26,875 --> 00:32:28,624 NO, YOU'RE NOT, 703 00:32:28,625 --> 00:32:30,374 THOUGH IT SURE SEEMED LIKE YOU WANTED TO. 704 00:32:30,375 --> 00:32:33,083 WHAT THE FUCK WAS THAT KISS? 705 00:32:33,084 --> 00:32:35,290 I WAS JUST PLAYING THE PART, RAY, GOING WITH IT. 706 00:32:35,291 --> 00:32:36,499 A LITTLE TOO WELL. 707 00:32:36,500 --> 00:32:37,958 YOU'RE HURTING ME. 708 00:32:37,959 --> 00:32:40,399 WELL, MAYBE I'M JUST PLAYING THE PART OF THE JEALOUS BOYFRIEND. 709 00:32:41,583 --> 00:32:43,124 [SIGHS] 710 00:32:43,125 --> 00:32:44,416 I'M SORRY. 711 00:32:44,417 --> 00:32:45,497 SEE? SEE WHAT YOU DO TO ME? 712 00:32:46,792 --> 00:32:48,458 YOU ARE A HELL OF AN ACTRESS. 713 00:32:49,417 --> 00:32:50,542 THANK YOU. 714 00:32:51,250 --> 00:32:52,417 COME HERE. 715 00:32:57,000 --> 00:32:58,375 I'LL SEE YOU LATER TONIGHT? OKAY. 716 00:33:03,250 --> 00:33:04,792 GOOD SEEING YOU, MASON. 717 00:33:11,750 --> 00:33:13,749 WHAT WAS THAT? I WAS ACTING. 718 00:33:13,750 --> 00:33:15,167 ACTING LIKE WHAT, 719 00:33:15,542 --> 00:33:16,999 A WHORE? 720 00:33:17,000 --> 00:33:19,624 BECAUSE IT WAS BLOODY BRILLIANT, DEFINITIVE. 721 00:33:19,625 --> 00:33:21,165 YOU'RE DRUNK, MASON, AND YOU SMELL. 722 00:33:21,166 --> 00:33:23,124 YOU SMELL. 723 00:33:23,125 --> 00:33:25,125 HE SMELLS. THIS WHOLE BLOODY THING SMELLS. 724 00:33:25,500 --> 00:33:26,625 GO HOME. 725 00:33:35,834 --> 00:33:39,083 I JUST WANTED TO SAY YOU WERE REALLY GREAT. 726 00:33:40,084 --> 00:33:42,290 THANK YOU. 727 00:33:42,291 --> 00:33:45,166 IT'S REALLY NICE OF YOU TO COME UP AND TELL ME THAT. 728 00:33:45,167 --> 00:33:47,207 I KNOW SOME PEOPLE ARE SHY ABOUT APPROACHING ACTORS, 729 00:33:47,231 --> 00:33:48,666 BUT IT REALLY MAKES MY DAY. 730 00:33:48,667 --> 00:33:49,667 WHAT'S YOUR NAME? 731 00:33:50,375 --> 00:33:52,291 MELISSA. I'M HIS WIFE. 732 00:33:53,667 --> 00:33:54,667 OH. "OH?" 733 00:33:55,166 --> 00:33:57,082 THAT'S IT? 734 00:33:57,083 --> 00:33:59,624 THAT'S ALL I GET? THAT'S ALL YOU HAVE LEFT? 735 00:33:59,625 --> 00:34:01,040 I DIDN'T KNOW YOU WOULD BE HERE. 736 00:34:01,041 --> 00:34:02,165 THEY DIDN'T TELL ME. 737 00:34:02,166 --> 00:34:04,375 OKAY. LET'S BLAME THEM. 738 00:34:17,041 --> 00:34:19,083 [GIRL] SO SHE'S DEAD? 739 00:34:19,084 --> 00:34:20,417 I'M DEAD. 740 00:34:21,250 --> 00:34:22,916 READY? 741 00:34:22,917 --> 00:34:24,916 SPEAK TO THE SPIRITS. 742 00:34:24,917 --> 00:34:27,666 "LIGHT AS A FEATHER, STIFF AS A BOARD." 743 00:34:27,667 --> 00:34:30,457 "LIGHT AS A FEATHER, STIFF AS A BOARD. 744 00:34:30,458 --> 00:34:32,999 LIGHT AS A FEATHER, STIFF AS A BOARD." 745 00:34:33,000 --> 00:34:34,082 SORRY TO INTERRUPT, GIRLS. 746 00:34:34,083 --> 00:34:35,667 JUST THOUGHT I'D BRING IN SOME SODAS. 747 00:34:36,250 --> 00:34:37,958 MOM. 748 00:34:37,959 --> 00:34:39,332 THAT'S COOL, MRS. LASS. 749 00:34:39,333 --> 00:34:40,542 THANKS. 750 00:34:41,750 --> 00:34:43,999 WOULD YOU LIKE TO PLAY A GAME? 751 00:34:44,000 --> 00:34:45,207 NO WAY. 752 00:34:45,208 --> 00:34:46,458 WHAT ARE YOU PLAYING? 753 00:34:47,458 --> 00:34:48,874 NOTHING. REGGIE... 754 00:34:48,875 --> 00:34:50,416 CHILL OUT. 755 00:34:50,417 --> 00:34:51,583 YOUR MOM IS COOL. 756 00:34:52,875 --> 00:34:55,792 UM, WHY DON'T YOU GIRLS LEVITATE WITHOUT ME? 757 00:34:59,167 --> 00:35:01,333 "LIGHT AS A FEATHER, STIFF AS A BOARD." 758 00:35:04,375 --> 00:35:06,125 WOW. AREN'T YOU... 759 00:35:07,208 --> 00:35:08,959 I MEAN... AREN'T I WHAT? 760 00:35:10,667 --> 00:35:12,125 YOU LOOK GOOD. 761 00:35:13,708 --> 00:35:15,124 THANK YOU. 762 00:35:15,125 --> 00:35:16,666 I'M GOING TO GO TAKE A PEEK. 763 00:35:16,667 --> 00:35:18,041 IF SHE SEES YOU, SHE'LL FREAK. 764 00:35:20,333 --> 00:35:21,458 THANKS FOR INVITING ME. 765 00:35:22,583 --> 00:35:24,291 IF YOU GET CAUGHT, I KNOW NOTHING. 766 00:35:25,917 --> 00:35:28,207 SO WHAT EXACTLY IS "GOTH"? 767 00:35:28,208 --> 00:35:30,582 DAD! YOU'RE NOT SUPPOSED TO BE HERE. 768 00:35:30,583 --> 00:35:31,667 NO BOYS ALLOWED. 769 00:35:33,000 --> 00:35:34,542 REGGIE? WHAT? 770 00:35:36,291 --> 00:35:37,541 WE'RE EATING IN THE LIVING ROOM. 771 00:35:37,542 --> 00:35:38,666 UH, REGGIE... 772 00:35:38,667 --> 00:35:40,667 I THINK THE GREASY FOOD SHOULD STAY IN THE KITCHEN. 773 00:35:40,691 --> 00:35:41,999 MOM, DON'T EMBARRASS ME. 774 00:35:42,000 --> 00:35:43,667 DAD, GET OUT! 775 00:35:48,208 --> 00:35:50,707 WHAT THE HELL, JOY? 776 00:35:50,708 --> 00:35:53,582 A FEW SIMPLE SACRIFICES TO THE DEVIL, 777 00:35:53,583 --> 00:35:54,999 FOLLOWED BY PIZZA. 778 00:35:55,000 --> 00:35:57,749 I'M NOT COMFORTABLE WITH THIS. 779 00:35:57,750 --> 00:36:00,124 IT'S HARMLESS, ALL RIGHT? A PHASE. 780 00:36:00,125 --> 00:36:01,458 HOW DO YOU KNOW THAT? 781 00:36:02,458 --> 00:36:04,833 I'M NOT IN LOVE WITH IT, 782 00:36:04,834 --> 00:36:06,667 BUT IT'S AN ACTUAL PARTY, CLANCY. 783 00:36:07,792 --> 00:36:09,042 WITH ACTUAL FRIENDS. 784 00:36:09,708 --> 00:36:10,708 REGGIE HAS FRIENDS? 785 00:36:11,875 --> 00:36:13,291 REGGIE HAS FRIENDS. 786 00:36:20,125 --> 00:36:22,457 WOW. LOOK WHO'S BACK. 787 00:36:22,458 --> 00:36:24,667 STILL PANNING FOR GOLD IN DRY GULCH? 788 00:36:25,250 --> 00:36:26,417 NO. 789 00:36:28,458 --> 00:36:30,457 SO WHAT'S THE SAD STORY THIS TIME? 790 00:36:30,458 --> 00:36:32,207 I THINK YOU'LL LIKE THIS ONE. 791 00:36:32,208 --> 00:36:33,625 ONCE UPON A TIME, 792 00:36:34,667 --> 00:36:37,249 THERE WERE THESE FOUR GUYS NAMED BENJAMIN, 793 00:36:37,250 --> 00:36:40,124 AND THEY COULD HAVE TURNED INTO A NICE LEATHER JACKET, 794 00:36:40,125 --> 00:36:45,125 BUT INSTEAD, THEY ENDED UP ON YOUR CRUMMY DESK. 795 00:36:46,041 --> 00:36:48,166 I THOUGHT ARTHUR SIMMS DIDN'T HAVE A FAMILY. 796 00:36:48,167 --> 00:36:49,167 HE DOES NOW. 797 00:36:49,834 --> 00:36:50,834 COMPLICATED GUY. 798 00:36:51,667 --> 00:36:53,750 CAN I JUST HAVE A RECEIPT, PLEASE? 799 00:36:54,667 --> 00:36:55,959 ONE SECOND. 800 00:36:59,750 --> 00:37:01,084 NICE FROG. 801 00:37:02,458 --> 00:37:03,750 THAT'S GENERAL TSAO. 802 00:37:05,000 --> 00:37:06,833 AND THIS... 803 00:37:06,834 --> 00:37:08,500 IS ARTHUR SIMMS. 804 00:37:10,041 --> 00:37:11,249 YOU'RE SHITTING ME? 805 00:37:11,250 --> 00:37:14,208 WHAT'D YOU THINK YOU WERE GETTING FOR $400? 806 00:37:14,209 --> 00:37:16,040 A GRAVE. A HEADSTONE. 807 00:37:16,041 --> 00:37:19,165 THE CITY HASN'T HAD FUNERALS FOR TRANSIENTS FOR YEARS. 808 00:37:19,166 --> 00:37:21,124 WE BURN THEM. 809 00:37:21,125 --> 00:37:22,725 THERE'S A LANDFILL OVER BY THE FREEWAY... 810 00:37:22,749 --> 00:37:24,125 YEAH, I GET IT. 811 00:37:24,917 --> 00:37:26,083 NO, NO, NO, NO. 812 00:37:28,125 --> 00:37:30,375 YOU PAID FOR THEM, THEY'RE YOURS. 813 00:37:33,208 --> 00:37:35,209 WHAT THE FUCK DO I WANT THEM FOR? 814 00:37:35,917 --> 00:37:37,290 ASHES HAVE MANY USES. 815 00:37:37,291 --> 00:37:40,041 ALL KINDS OF THINGS YOU CAN DO WITH PEOPLE. 816 00:37:40,042 --> 00:37:42,208 DON'T TRY TO PLAY CREEPY DEATH GUY WITH ME. 817 00:37:42,209 --> 00:37:44,041 I SEE DEATH ALL THE TIME. 818 00:37:44,042 --> 00:37:45,962 WELL, YOU MAY SEE DEATH ALL THE TIME, SWEETHEART, 819 00:37:45,986 --> 00:37:47,826 BUT YOU OBVIOUSLY DON'T KNOW WHAT TO DO WITH IT. 820 00:37:48,417 --> 00:37:49,792 AND THIS ONE'S YOURS. 821 00:37:52,209 --> 00:37:53,875 ALL RIGHT. FINE. 822 00:37:57,834 --> 00:38:00,249 NOT VERY HEAVY FOR A WHOLE DEAD GUY. 823 00:38:00,250 --> 00:38:01,999 ASHES TO ASHES. 824 00:38:02,000 --> 00:38:03,480 BUT YOU KNOW ALL ABOUT THAT, DON'T YOU? 825 00:38:05,083 --> 00:38:06,416 YOU HAVE NO IDEA. 826 00:38:06,417 --> 00:38:07,542 MM. 827 00:38:13,917 --> 00:38:16,374 OKAY, SO TELL ME THE RULES. 828 00:38:16,375 --> 00:38:17,833 YEAH, ME TOO. 829 00:38:17,834 --> 00:38:19,124 WE'LL JUST GO AROUND THE CIRCLE UNTIL YOU GET IT, 830 00:38:19,125 --> 00:38:20,207 THEN YOU CAN JOIN IN. 831 00:38:20,208 --> 00:38:21,250 DON'T EMBARRASS ME. 832 00:38:22,167 --> 00:38:23,417 TABITHA... GO. 833 00:38:25,000 --> 00:38:26,000 OVERDOSE. 834 00:38:26,001 --> 00:38:27,125 OF WHAT? 835 00:38:27,917 --> 00:38:29,542 ASPIRIN. BORING. 836 00:38:30,166 --> 00:38:31,583 OKAY, WAIT. 837 00:38:32,000 --> 00:38:33,582 BOILING OIL. 838 00:38:33,583 --> 00:38:35,042 BOILING ACID. 839 00:38:36,458 --> 00:38:37,958 ELECTROCUTION. 840 00:38:37,959 --> 00:38:39,041 DECAPITATION. 841 00:38:39,042 --> 00:38:40,209 FLAYING. 842 00:38:41,042 --> 00:38:42,291 BRAIN EMBOLISM. 843 00:38:43,167 --> 00:38:44,457 CARPAL TUNNEL. 844 00:38:44,458 --> 00:38:45,874 WHAT'S THAT? 845 00:38:45,875 --> 00:38:47,750 IT'S REALLY, REALLY BAD. 846 00:38:48,917 --> 00:38:50,667 OKAY. MRS. LASS? 847 00:38:52,750 --> 00:38:56,125 UM, WELL... 848 00:39:00,375 --> 00:39:03,209 IN MY SLEEP, AGE 98, 849 00:39:03,792 --> 00:39:06,125 SURROUNDED BY FLOWERS... 850 00:39:07,000 --> 00:39:08,125 AND GRANDCHILDREN... 851 00:39:09,209 --> 00:39:11,374 AND ALL THE PEOPLE I LOVE. 852 00:39:11,375 --> 00:39:13,332 JESUS, MOM, THAT'S NOT HOW YOU PLAY THE GAME. 853 00:39:13,333 --> 00:39:14,999 WELL, THAT'S MY ANSWER. 854 00:39:15,000 --> 00:39:16,000 THAT'S OKAY, REGGIE. 855 00:39:16,001 --> 00:39:17,166 YOU GO. 856 00:39:18,542 --> 00:39:19,667 OKAY... 857 00:39:20,417 --> 00:39:22,042 I'M KILLED... 858 00:39:22,792 --> 00:39:25,166 BY A TOILET SEAT 859 00:39:25,167 --> 00:39:27,874 THAT FALLS FROM A SPACE STATION, 860 00:39:27,875 --> 00:39:29,166 AND I'M BLOWN TO BITS. 861 00:39:31,000 --> 00:39:32,208 WOW. 862 00:39:33,542 --> 00:39:35,375 OKAY, PARTY'S OVER. TIME TO GO. 863 00:39:37,000 --> 00:39:38,791 BUT MY MOM CAN'T PICK ME UP UNTIL LATER. 864 00:39:38,792 --> 00:39:40,083 I SAID IT'S TIME TO GO. 865 00:39:40,084 --> 00:39:41,624 MOM. COME ON, GIRLS. NOW. 866 00:39:41,625 --> 00:39:42,999 CALL YOUR PARENTS. 867 00:39:43,000 --> 00:39:45,166 MRS. LASS, I TOTALLY THINK YOU'RE OVERREACTING. 868 00:39:45,167 --> 00:39:46,041 SANDY, 869 00:39:46,042 --> 00:39:47,374 I THINK YOU NEED TO GO UPSTAIRS 870 00:39:47,375 --> 00:39:48,999 AND GET YOUR THINGS AND GO HOME, 871 00:39:49,000 --> 00:39:50,440 AND PUT SOME COLD CREAM ON YOUR FACE, 872 00:39:50,464 --> 00:39:52,165 AND FOLLOW IT UP WITH SOME ASTRINGENT, HUH? 873 00:39:52,166 --> 00:39:54,707 'CAUSE THAT PANCAKE MAKEUP IS GOING TO DESTROY YOUR SKIN. 874 00:39:54,708 --> 00:39:56,000 YOU DON'T WANT TO GET ACNE SCARS. 875 00:39:56,667 --> 00:39:58,000 SO MEAN! 876 00:40:02,250 --> 00:40:03,374 THANKS A LOT. 877 00:40:03,375 --> 00:40:05,417 YOUR SISTER'S DEATH IS NOT A GAME. 878 00:40:06,542 --> 00:40:07,791 WHATEVER. 879 00:40:07,792 --> 00:40:10,583 I'M SORRY, REGGIE, BUT I'M NOT COMFORTABLE... 880 00:40:21,458 --> 00:40:22,582 WHO'S THAT? 881 00:40:22,583 --> 00:40:25,041 SAY HELLO TO ARTHUR SIMMS. 882 00:40:25,042 --> 00:40:26,124 HE'S HAD QUITE A DAY. 883 00:40:26,125 --> 00:40:27,125 YEAH. 884 00:40:27,750 --> 00:40:29,624 HEY, KIFF COFFEE? 885 00:40:29,625 --> 00:40:30,874 NO, I'M GOOD. 886 00:40:30,875 --> 00:40:32,208 IS THAT SOMEONE'S ASHES? 887 00:40:32,209 --> 00:40:34,125 NO. NO WAY. 888 00:40:35,125 --> 00:40:37,332 DON'T PUT SOMEONE'S ASHES ON MY TABLE. 889 00:40:37,333 --> 00:40:38,542 IT'S BAD LUCK. 890 00:40:41,583 --> 00:40:44,083 HE WOKE UP THIS MORNING LIFE-SIZE... 891 00:40:44,084 --> 00:40:45,416 NOW LOOK AT HIM. 892 00:40:45,417 --> 00:40:48,082 NO HEADSTONE. NO NOTHING. 893 00:40:48,083 --> 00:40:49,290 YOU DON'T NEED A HEADSTONE 894 00:40:49,291 --> 00:40:50,691 IF NOBODY'S GOING TO COME TO SEE IT. 895 00:40:54,208 --> 00:40:55,791 ARE THOSE ASHES? 896 00:40:55,792 --> 00:40:57,499 YES. 897 00:40:57,500 --> 00:40:58,749 I WAS CREMATED, YOU KNOW. 898 00:40:58,750 --> 00:41:00,124 YOU BURNED TO DEATH. 899 00:41:00,125 --> 00:41:01,332 THAT'S WHAT I JUST SAID. 900 00:41:01,333 --> 00:41:03,207 GONE WITH THE WIND... 901 00:41:03,208 --> 00:41:04,667 ON GONE WITH THE WIND. 902 00:41:07,042 --> 00:41:08,250 I DIDN'T FIND THAT FUNNY. 903 00:41:09,208 --> 00:41:10,457 I DID. 904 00:41:10,458 --> 00:41:11,458 HOW'D YOUR BIG DAY GO? 905 00:41:12,708 --> 00:41:14,249 PERFECT. 906 00:41:14,250 --> 00:41:16,624 I NAILED EVERY SCENE. 907 00:41:16,625 --> 00:41:19,374 REALLY? APPARENTLY, I'M A VERY GIFTED ACTRESS. 908 00:41:19,375 --> 00:41:21,082 REALLY? 909 00:41:21,083 --> 00:41:22,917 ASK MASON. HE WAS THERE. 910 00:41:23,792 --> 00:41:25,500 WHAT'S THAT? ARTHUR SIMMS. 911 00:41:26,834 --> 00:41:28,250 WHO'S THAT? UNCLE ARTHUR. 912 00:41:28,875 --> 00:41:30,124 UNCLE ARTHUR! 913 00:41:30,125 --> 00:41:33,416 YOU'VE LOST WEIGHT. CHEERS. CHEERS. 914 00:41:33,417 --> 00:41:35,083 CHEERS. 915 00:41:35,084 --> 00:41:38,333 SO, MASON, WAS DAISY A GOOD ACTRESS? 916 00:41:40,375 --> 00:41:42,249 YES, SHE IS. THANK YOU. 917 00:41:42,250 --> 00:41:43,791 ALWAYS HAS BEEN, IT TURNS OUT. 918 00:41:43,792 --> 00:41:46,041 MY EYES HAVE BEEN OPENED. 919 00:41:46,042 --> 00:41:49,083 MY EARS HAVE HEARD THAT WHICH THEY THOUGHT THEY NEVER WOULD. 920 00:41:49,750 --> 00:41:51,707 ALL RIGHT, MASON. 921 00:41:51,708 --> 00:41:53,249 WELL, LITTLE MISS MOVIE STAR, 922 00:41:53,250 --> 00:41:56,499 WE FINALLY GOT SOMEONE THAT'S SOMEBODY. 923 00:41:56,500 --> 00:41:58,290 MM. YES, I AM. 924 00:41:58,291 --> 00:42:01,084 AND THAT SOMEBODY SHOULD PICK UP THE CHECK. 925 00:42:02,750 --> 00:42:04,624 UH, ROXY? 926 00:42:04,625 --> 00:42:07,166 CAN YOU DO ME ONE MORE BIG FAVOR? 927 00:42:07,167 --> 00:42:09,208 I'M NOT GOING ANYWHERE WITH THAT DEAD MAN. 928 00:42:09,209 --> 00:42:10,333 IT'S A HEALTH CODE VIOLATION. 929 00:42:11,083 --> 00:42:13,499 CIRCLE OF LIFE, RIGHT? 930 00:42:13,500 --> 00:42:16,666 OKAY, BUT YOU HAVE TO GO ON MY SHIFT WITH ME. 931 00:42:16,667 --> 00:42:17,999 AND HE SITS IN THE BACK SEAT. 932 00:42:18,000 --> 00:42:19,417 THAT'S FINE. 933 00:42:21,208 --> 00:42:22,707 CONGRATULATIONS, DAISY. 934 00:42:22,708 --> 00:42:23,959 THANK YOU. 935 00:42:33,834 --> 00:42:35,041 YOU KEEP DOING THAT, YOU KNOW. 936 00:42:35,042 --> 00:42:37,083 WHAT? FIXING YOUR FACE. 937 00:42:37,084 --> 00:42:38,874 A GIRL'S GOT TO LOOK GOOD FOR HER MAN. 938 00:42:38,875 --> 00:42:43,333 THAT MAN GRABBED YOU BY THE ARM, DAISY. 939 00:42:45,708 --> 00:42:47,374 I DON'T THINK I CARE FOR HIM MUCH. 940 00:42:47,375 --> 00:42:50,125 WHAT YOU DON'T CARE FOR IS THAT HE'S DATING ME. 941 00:42:51,250 --> 00:42:52,916 I'D REALLY APPRECIATE IT 942 00:42:52,917 --> 00:42:55,708 IF YOU'D BE CIVILIZED WHEN HE SHOWS UP. 943 00:42:56,583 --> 00:42:58,708 HE'S COMING HERE? YEP. OF COURSE. 944 00:42:59,375 --> 00:43:00,958 RUBE WOULDN'T LIKE THAT. 945 00:43:00,959 --> 00:43:02,958 YOU'RE RIGHT. RUBE WOULDN'T LIKE THAT, 946 00:43:02,959 --> 00:43:04,959 BUT HE'S NOT HERE, AND YOU STILL ARE. 947 00:43:07,084 --> 00:43:08,208 YOU'RE SO BEAUTIFUL. 948 00:43:10,625 --> 00:43:11,834 AND I LOVE YOU. 949 00:43:14,792 --> 00:43:16,708 I JUST DON'T LIKE YOU ANYMORE. 950 00:43:29,209 --> 00:43:32,207 IN A LIFETIME, WE GET TO BE MANY THINGS. 951 00:43:32,208 --> 00:43:35,333 RICH MAN, POOR MAN, BEGGAR MAN, THIEF... 952 00:43:36,250 --> 00:43:40,083 DOCTOR, LAWYER, INDIAN CHIEF. 953 00:43:40,084 --> 00:43:43,792 DAUGHTER, SISTER, SCOUT, COLLEGE DROPOUT, 954 00:43:44,083 --> 00:43:45,375 FRIEND, 955 00:43:46,125 --> 00:43:47,250 DEAD GIRL... 956 00:43:50,167 --> 00:43:51,791 OR MAYBE WE JUST PLAY THE PARTS 957 00:43:51,792 --> 00:43:54,500 FOR A COUPLE OF HOURS UNTIL THE CURTAIN FALLS. 958 00:44:01,375 --> 00:44:03,374 FROM THE MOMENT I MET HIM, 959 00:44:03,375 --> 00:44:06,500 I KNEW SOMETHING ABOUT ARTHUR SIMMS WAS FAMILIAR. 960 00:44:07,542 --> 00:44:09,875 I UNDERSTOOD WANTING TO DISAPPEAR. 961 00:44:10,667 --> 00:44:12,583 I WANTED TO MY WHOLE LIFE. 962 00:44:13,500 --> 00:44:15,374 AND THEN I DID. 963 00:44:15,375 --> 00:44:18,166 OKAY, ARTHUR SIMMS, HERE YOU GO. 964 00:44:18,167 --> 00:44:21,040 YOU LIVED, AND THEN YOU DIED. 965 00:44:21,041 --> 00:44:23,208 YOU HAVE NOT BEEN FORGOTTEN. 966 00:44:23,209 --> 00:44:25,000 [♪♪] 967 00:44:37,625 --> 00:44:39,207 I COULD USE SOME BREAKFAST. 968 00:44:39,208 --> 00:44:40,833 YOU HUNGRY? 969 00:44:40,834 --> 00:44:42,125 I COULD EAT. 970 00:44:42,917 --> 00:44:44,500 FEELS LIKE AN OATMEAL MORNING. 971 00:44:45,041 --> 00:44:46,083 HMM. 972 00:44:48,000 --> 00:44:50,542 MAYBE I'LL TRY SOMETHING DIFFERENT TODAY. 973 00:44:51,542 --> 00:44:53,124 YOU SHOULD. 974 00:44:53,125 --> 00:44:54,458 IT'S A BIG MENU. 975 00:44:55,167 --> 00:44:56,167 YEAH...