1 00:00:05,750 --> 00:00:08,167 [ ♪♪] 2 00:01:10,667 --> 00:01:13,582 WHEN I WAS LITTLE, MY FATHER, WHO WAS AN ENGLISH TEACHER, 3 00:01:13,583 --> 00:01:16,083 USED TO TELL ME THAT I WOULD NEVER BE ALONE 4 00:01:16,084 --> 00:01:17,917 AS LONG AS I HAD A GOOD BOOK. 5 00:01:19,000 --> 00:01:20,374 GOOD THING. 6 00:01:20,375 --> 00:01:22,124 YOU READY TO GO TO SUSIE'S BIRTHDAY PARTY? 7 00:01:22,125 --> 00:01:23,458 NO. MY BOOK'S GETTING GOOD. 8 00:01:24,209 --> 00:01:26,916 GEORGE, WE RSVP'd. 9 00:01:26,917 --> 00:01:29,208 I DIDN'T RSVP ANYTHING. 10 00:01:30,375 --> 00:01:32,083 WE BOUGHT HER A PRESENT. 11 00:01:32,084 --> 00:01:33,416 WHAT DID YOU GET HER? 12 00:01:33,417 --> 00:01:35,999 WE GOT HER A FLANNEL NIGHTGOWN, 13 00:01:36,000 --> 00:01:37,916 WITH PRETTY LITTLE FLOWERS ON IT. 14 00:01:37,917 --> 00:01:40,082 MOM, YOU'RE GOING TO GET ME KILLED. 15 00:01:40,083 --> 00:01:42,208 GEORGIA, DON'T BE SILLY. WE'RE GOING. 16 00:01:42,209 --> 00:01:43,707 NOT. YOU ARE SO. 17 00:01:43,708 --> 00:01:46,208 SO NOT. WHY DO YOU HAVE TO BE SO OBSTINATE? 18 00:01:46,209 --> 00:01:47,749 "OBSTINATE." 19 00:01:47,750 --> 00:01:49,999 O-B-S-T... 20 00:01:50,000 --> 00:01:52,750 I-N-A-T-E. 21 00:01:53,250 --> 00:01:54,624 "STUBBORN." 22 00:01:54,625 --> 00:01:56,874 GEORGIA LASS, YOU CANNOT SPEND YOUR ENTIRE LIFE 23 00:01:56,875 --> 00:01:58,958 WITH YOUR NOSE STUCK IN A BOOK. 24 00:01:58,959 --> 00:02:00,207 TRY ME. 25 00:02:00,208 --> 00:02:03,374 READING DIDN'T MAKE ME POPULAR, 26 00:02:03,375 --> 00:02:06,040 AND READING DIDN'T NECESSARILY MAKE ME HAPPY. 27 00:02:06,041 --> 00:02:08,124 WHAT IT DID MAKE ME 28 00:02:08,125 --> 00:02:09,375 WAS A REALLY GOOD SPELLER. 29 00:02:10,166 --> 00:02:11,166 "SUCCEDANEUM." 30 00:02:11,167 --> 00:02:14,791 S-U-C-C-E-D-A-N-E-U-M. 31 00:02:14,792 --> 00:02:16,208 FUCK OFF. 32 00:02:16,209 --> 00:02:18,208 S... U... 33 00:02:18,875 --> 00:02:21,667 C-C-E-D... 34 00:02:22,041 --> 00:02:25,083 A-N-E-U-M. 35 00:02:26,166 --> 00:02:27,874 NICE ONE, GEORGIE. 36 00:02:27,875 --> 00:02:29,082 NICE ONE, GEORGIE. 37 00:02:29,083 --> 00:02:30,332 I WAS A READER. 38 00:02:30,333 --> 00:02:31,749 FOCUS, HARJEET. EYES ON THE PRIZE. 39 00:02:31,750 --> 00:02:34,082 YOUR TROPHY, AND 10,000 BIG ONES! 40 00:02:34,083 --> 00:02:36,000 MR. AKHTAR, NO TALKING TO THE FINALISTS. 41 00:02:37,959 --> 00:02:39,290 I'M GUNNING FOR THE NERD. 42 00:02:39,291 --> 00:02:41,000 AND THAT WOULD BE WHICH ONE? 43 00:02:42,208 --> 00:02:43,541 "THANATOS." 44 00:02:43,542 --> 00:02:44,999 [ WHISPERING ]: SHIT. 45 00:02:45,000 --> 00:02:46,541 COULD I HEAR THE DEFINITION, PLEASE? 46 00:02:46,542 --> 00:02:47,999 DESIRE FOR DEATH. 47 00:02:48,000 --> 00:02:49,500 "AN INSTINCTUAL DESIRE FOR DEATH." 48 00:02:50,041 --> 00:02:51,374 VERY NICE, MASON. 49 00:02:51,375 --> 00:02:53,999 IT IS KIND OF IN MY WHEELHOUSE, ISN'T IT? 50 00:02:54,000 --> 00:02:55,749 COME ON, FRANCIS. KICK HIS LITTLE ASS. 51 00:02:55,750 --> 00:02:57,666 GO ON, MY SON. GO ON. 52 00:02:57,667 --> 00:03:00,958 UH, SHOULDN'T YOU BE FOCUSING ON THAT? 53 00:03:00,959 --> 00:03:02,416 UH, SHOULDN'T YOU SHUT THE FUCK UP 54 00:03:02,417 --> 00:03:04,582 SO HE CAN SPELL THE FUCKING WORD, GEORGIE? 55 00:03:04,583 --> 00:03:06,040 "THANATOS." 56 00:03:06,041 --> 00:03:08,082 T-H... 57 00:03:08,083 --> 00:03:10,165 A-N... 58 00:03:10,166 --> 00:03:11,582 A... 59 00:03:11,583 --> 00:03:14,083 T-O-S. 60 00:03:14,084 --> 00:03:15,166 "THANATOS." 61 00:03:17,542 --> 00:03:19,833 EXCUSE ME. MR. McFADDEN. 62 00:03:19,834 --> 00:03:21,041 THAT WORD IS FAR TOO EASY. 63 00:03:21,042 --> 00:03:22,282 THAT'S YOUR GUY. IT'S AN INSULT. 64 00:03:22,306 --> 00:03:24,999 MY SON HAS HAD MUCH HARDER WORDS. MUCH HARDER. 65 00:03:25,000 --> 00:03:28,208 PLEASE REMAIN SILENT, OR YOU WILL BE ASKED TO LEAVE THE AUDITORIUM. 66 00:03:30,834 --> 00:03:32,000 THE NEXT WORD IS... 67 00:03:33,208 --> 00:03:34,750 "APOPLECTIC." 68 00:03:35,583 --> 00:03:37,083 MISS IT. MISS IT. 69 00:03:37,084 --> 00:03:38,125 MISS IT. 70 00:03:40,166 --> 00:03:41,667 GAME OVER ANYWAY. 71 00:03:43,000 --> 00:03:44,375 "APOPLECTIC." 72 00:03:45,625 --> 00:03:48,291 A-P... 73 00:03:50,166 --> 00:03:52,290 P-E-P... 74 00:03:52,291 --> 00:03:55,541 L-E-C-T-I-C. 75 00:03:55,542 --> 00:03:56,833 "APOPLECTIC." 76 00:03:56,834 --> 00:03:57,917 I'M SORRY. 77 00:03:58,708 --> 00:04:00,208 "APOPLECTIC" IS SPELLED 78 00:04:00,209 --> 00:04:01,249 A-P... 79 00:04:01,250 --> 00:04:02,375 NO! 80 00:04:08,959 --> 00:04:10,250 WHAT JUST HAPPENED? 81 00:04:12,084 --> 00:04:15,917 OH, I'M AFRAID YOU ARE D-E... 82 00:04:16,667 --> 00:04:19,457 D. THAT'S D-E-A-D. 83 00:04:19,458 --> 00:04:21,624 I WAS JOKING. 84 00:04:21,625 --> 00:04:23,082 COFFEE, PLEASE, KIFFANY. 85 00:04:23,083 --> 00:04:25,124 DOES ANYONE EVER ORDER THE ELVIS PRESLEY? 86 00:04:25,125 --> 00:04:26,749 SURE. WHAT'S IN IT? 87 00:04:26,750 --> 00:04:28,999 PEANUT BUTTER, BANANAS, BACON, AND COOL WHIP. 88 00:04:29,000 --> 00:04:30,249 WHAT DOES THAT TASTE LIKE? 89 00:04:30,250 --> 00:04:31,624 DEATH ON A PLATE. 90 00:04:31,625 --> 00:04:33,000 YEAH, I'LL JUST GET THE COFFEE. 91 00:04:34,209 --> 00:04:35,625 I HEAR YOU HAVE A BOYFRIEND. 92 00:04:37,417 --> 00:04:39,249 WHO'D YOU HEAR THAT FROM? 93 00:04:39,250 --> 00:04:41,208 DOESN'T MATTER WHO I HEARD IT FROM. IS IT TRUE? 94 00:04:41,209 --> 00:04:42,707 NO. 95 00:04:42,708 --> 00:04:44,208 SO YOU DON'T HAVE A BOYFRIEND 96 00:04:44,209 --> 00:04:45,833 WHO'S LIVING AND BREATHING 97 00:04:45,834 --> 00:04:47,916 AND HAS NO IDEA THAT YOU'RE A GRIM REAPER? 98 00:04:47,917 --> 00:04:49,499 DID ROXY TELL YOU THAT? 99 00:04:49,500 --> 00:04:50,582 TELL ME WHAT? 100 00:04:50,583 --> 00:04:52,082 THAT I HAVE A BOYFRIEND. 101 00:04:52,083 --> 00:04:54,624 THAT HANDSOME DEVIL I SAW YOU LEAVING WITH LAST NIGHT? 102 00:04:54,625 --> 00:04:56,209 IS THAT YOUR BOYFRIEND? NO. 103 00:04:56,500 --> 00:04:57,542 OKAY. 104 00:04:59,250 --> 00:05:01,042 HEY. HOW'D IT GO? 105 00:05:02,042 --> 00:05:04,249 G-R-E-A-T. 106 00:05:04,250 --> 00:05:05,916 IT WAS A SPELLING BEE. 107 00:05:05,917 --> 00:05:07,166 SERIOUSLY, HOW'D IT GO? 108 00:05:07,167 --> 00:05:09,124 F-A-N-T-A... 109 00:05:09,125 --> 00:05:11,124 S-T-I-C. 110 00:05:11,125 --> 00:05:12,582 HOW DO I GET IT TO STOP? 111 00:05:12,583 --> 00:05:14,207 WELL, GO ON, GEORGIE, TELL HIM. 112 00:05:14,208 --> 00:05:17,499 AS FAR AS SENSELESS, BRUTAL DEATHS GO, 113 00:05:17,500 --> 00:05:18,707 I'D SAY IT WENT BEAUTIFULLY. 114 00:05:18,708 --> 00:05:21,874 YEAH, SO MAYBE A SIMPLE THANK YOU IS IN ORDER, 115 00:05:21,875 --> 00:05:24,666 INSTEAD OF YOUR CONSTANT IRRITATION, RUBIE. 116 00:05:24,667 --> 00:05:28,083 MAYBE A LITTLE BIT OF G-R-A-T... 117 00:05:29,042 --> 00:05:30,208 UH... 118 00:05:31,542 --> 00:05:33,042 ITUDE. 119 00:05:36,208 --> 00:05:38,958 FOR YOU AND YOU. 120 00:05:38,959 --> 00:05:40,124 WHERE'S ROXY? 121 00:05:40,125 --> 00:05:42,416 SHE HAS GOT A PERSONAL DAY. 122 00:05:42,417 --> 00:05:44,374 WELL, WHY DON'T I HAVE A PERSONAL DAY? 123 00:05:44,375 --> 00:05:48,041 BECAUSE YOU'RE AN F-U-C-K-U-P. 124 00:05:48,875 --> 00:05:50,082 "FUCK UP" HAS TWO WORDS. 125 00:05:50,083 --> 00:05:52,250 ACTUALLY, "FUCK-UP" IS A HYPHENATE. 126 00:05:54,167 --> 00:05:55,416 WELL, IT IS. 127 00:05:55,417 --> 00:05:57,624 THIS IS IN A BAD PART OF TOWN. 128 00:05:57,625 --> 00:06:00,332 I KNOW THAT ADDRESS. THAT'S THE LINKLATER BOXING GYM. 129 00:06:00,333 --> 00:06:01,583 SOUNDS SWEATY AND VIOLENT. 130 00:06:02,250 --> 00:06:04,374 WHY DON'T YOU KEEP HER COMPANY? 131 00:06:04,375 --> 00:06:08,166 I THINK I'M PAST THE "I NEED PROTECTION" STAGE, DON'T YOU? 132 00:06:08,167 --> 00:06:11,207 I DON'T THINK I'D CONSIDER MASON'S COMPANY "PROTECTION." 133 00:06:11,208 --> 00:06:13,124 WELL, WHATEVER IT IS, NO THANKS. 134 00:06:13,125 --> 00:06:15,791 YOU ALREADY HAVE COMPANY TODAY, PRINCESS? 135 00:06:15,792 --> 00:06:18,541 YOUR BOYFRIEND RIDING SHOTGUN FOR YOUR REAP? 136 00:06:18,542 --> 00:06:20,457 I DON'T HAVE A BOYFRIEND, OKAY? 137 00:06:20,458 --> 00:06:21,874 I DON'T HAVE A BOYFRIEND. 138 00:06:21,875 --> 00:06:25,041 MASON, I WOULD LOVE IT IF YOU COULD COME WITH ME TO THE GYM. 139 00:06:25,042 --> 00:06:26,124 I'D FEEL SAFER. 140 00:06:26,125 --> 00:06:27,417 I WOULD BE SO HAPPY TO. 141 00:06:28,667 --> 00:06:30,083 B-Y-E. 142 00:06:33,208 --> 00:06:34,458 TELL ME ABOUT HER BOYFRIEND. 143 00:06:36,166 --> 00:06:37,582 UH, KIFFANY? 144 00:06:37,583 --> 00:06:39,084 I HAVEN'T MET HIM. 145 00:06:39,917 --> 00:06:41,417 BLUEBERRY PANCAKES. 146 00:06:43,792 --> 00:06:45,457 WHAT? 147 00:06:45,458 --> 00:06:46,708 WHAT DID YOU DO? 148 00:06:47,792 --> 00:06:49,124 I MADE BLUEBERRY PANCAKES. 149 00:06:49,125 --> 00:06:50,916 YOU MAKE THOSE WHEN YOU FEEL GUILTY. 150 00:06:50,917 --> 00:06:52,166 THAT'S NOT TRUE. 151 00:06:54,333 --> 00:06:56,999 WHY ARE YOU DRESSED LIKE A REALTOR? 152 00:06:57,000 --> 00:06:59,166 BECAUSE I'M GOING OUT JOB HUNTING. 153 00:06:59,500 --> 00:07:00,833 WHY? 154 00:07:00,834 --> 00:07:03,042 BECAUSE THEY GIVE YOU MONEY AT THE END OF THE DAY. 155 00:07:04,708 --> 00:07:07,374 I'M JUST LOOKING FOR SOMETHING TEMPORARY. 156 00:07:07,375 --> 00:07:09,040 YOU KNOW, OFFICE WORK. 157 00:07:09,041 --> 00:07:10,624 SOUNDS BORING. 158 00:07:10,625 --> 00:07:12,249 WELL, REGGIE, IT'S EITHER THAT 159 00:07:12,250 --> 00:07:15,457 OR WE SELL THE DOG TO A CHINESE RESTAURANT. 160 00:07:15,458 --> 00:07:18,124 THAT'S NOT FUNNY. 161 00:07:18,125 --> 00:07:20,499 ALL RIGHT, I GUESS THAT'S NOT A GOOD IDEA. 162 00:07:20,500 --> 00:07:22,833 GOLDEN RETRIEVERS JUST AREN'T GOOD EATIN'. 163 00:07:22,834 --> 00:07:25,332 SO WHEN YOU'RE AT WORK, WHO'S GOING TO WATCH ME? 164 00:07:25,333 --> 00:07:27,167 WHO DO YOU WANT TO WATCH YOU? 165 00:07:27,708 --> 00:07:28,917 NO ONE. 166 00:07:31,625 --> 00:07:36,958 DAISY HAS ALLEGED IN THE PAST THAT SHE HAS HAD DALLIANCES WITH MEN, 167 00:07:36,959 --> 00:07:40,792 SEXUAL ESCAPADES WITH PEOPLE WHO WERE ALIVE WHILE SHE WAS A REAPER. 168 00:07:42,209 --> 00:07:43,500 IF SO... 169 00:07:44,000 --> 00:07:46,208 IT'S A BLUNDER. 170 00:07:46,209 --> 00:07:49,457 CHARLIE CHAPLIN, TYRONE POWERS, BABE RUTH... 171 00:07:49,458 --> 00:07:50,707 I'VE HEARD THE STORIES. 172 00:07:50,708 --> 00:07:54,166 DOUGLAS FAIRBANKS, ERROL FLYNN, WILLIAM HOLDEN... 173 00:07:54,167 --> 00:07:55,999 I GET IT. 174 00:07:56,000 --> 00:07:58,332 WILLIAM HOLDEN? YEAH, I DON'T KNOW WHO THAT IS EITHER. 175 00:07:58,333 --> 00:07:59,999 SUNSET BOULEVARD? 176 00:08:00,000 --> 00:08:02,000 FACE DOWN IN THE SWIMMING POOL? 177 00:08:04,208 --> 00:08:05,500 JESUS. 178 00:08:07,042 --> 00:08:08,542 THE POINT, GEORGE, IS THAT, UH... 179 00:08:09,625 --> 00:08:12,333 THESE ALLEGED INDISCRETIONS... 180 00:08:14,792 --> 00:08:16,999 THEY WERE NOT ON MY WATCH. 181 00:08:17,000 --> 00:08:18,958 I AM NOT A SNITCH, RUBE. 182 00:08:18,959 --> 00:08:20,457 I'M NOT TELLING ON DAISY. 183 00:08:20,458 --> 00:08:22,707 GEORGIA, SNITCHING IS NOT THE POINT. 184 00:08:22,708 --> 00:08:25,167 THE POINT IS, SHE SHOULDN'T BE INVOLVED WITH SOMEONE LIVING. 185 00:08:25,542 --> 00:08:26,917 THE POINT IS, 186 00:08:27,750 --> 00:08:29,499 KEEP THE SYRUP AWAY FROM THE EGGS. 187 00:08:29,500 --> 00:08:31,124 I LIKE SYRUP ON MY EGGS. 188 00:08:31,125 --> 00:08:32,833 WHO'S THAT? WHO'S WHO? 189 00:08:32,834 --> 00:08:34,290 THIS. 190 00:08:34,291 --> 00:08:36,290 GEORGE, RIGHT? 191 00:08:36,291 --> 00:08:38,291 YEAH, DAISY TOLD ME THIS IS ONE OF HER HAUNTS. 192 00:08:39,333 --> 00:08:40,958 HEY. RAY SUMMERS. 193 00:08:40,959 --> 00:08:42,999 RUBE. 194 00:08:43,000 --> 00:08:45,084 QUITE A DEATH GRIP YOU GOT THERE, RUBE. 195 00:08:46,125 --> 00:08:47,666 YOU SEEN MY GIRL? 196 00:08:47,667 --> 00:08:49,125 OH, SHE JUST LEFT. 197 00:08:50,834 --> 00:08:52,166 SO MUCH FOR TIMING. 198 00:08:52,167 --> 00:08:54,082 WHAT'S YOUR STORY, RAY? 199 00:08:54,083 --> 00:08:57,125 MY STORY IS THAT I'M A TELEVISION PRODUCER. 200 00:08:58,184 --> 00:08:59,624 YOU MAY HAVE SEEN MY PROGRAM. IT'S... 201 00:08:59,625 --> 00:09:02,499 I DON'T WATCH THAT MUCH TELEVISION. 202 00:09:02,500 --> 00:09:05,040 LET ME GUESS. YOU'RE A READER. 203 00:09:05,041 --> 00:09:06,417 I'M A READER. 204 00:09:07,625 --> 00:09:09,166 HOW DO YOU KNOW DAISY, RAY? 205 00:09:09,167 --> 00:09:11,165 MET HER IN A BAR, BOUGHT HER A DRINK... 206 00:09:11,166 --> 00:09:12,958 OR THREE. 207 00:09:12,959 --> 00:09:15,666 WE MAY HAVE BEEN A LITTLE OVER-SERVED THAT NIGHT. 208 00:09:15,667 --> 00:09:16,916 SO YOU'RE JUST DRINKING BUDDIES? 209 00:09:16,917 --> 00:09:18,750 NO. NO, NO. 210 00:09:19,208 --> 00:09:20,458 DAISY'S MY, UH... 211 00:09:21,333 --> 00:09:22,625 MY GOOD LUCK CHARM. 212 00:09:23,959 --> 00:09:25,083 CHARM, PERHAPS. 213 00:09:26,083 --> 00:09:27,749 GOOD LUCK... 214 00:09:27,750 --> 00:09:29,208 NOT IN MY EXPERIENCE. 215 00:09:29,209 --> 00:09:31,417 WELL, MAYBE NOT IN YOUR EXPERIENCE, BUT... 216 00:09:33,125 --> 00:09:35,958 ACTUALLY, COME TO THINK OF IT, 217 00:09:35,959 --> 00:09:38,209 THE NIGHT I MET HER, SOME GUY DIED. 218 00:09:39,167 --> 00:09:41,042 YOU WERE THERE. NO, I WASN'T. 219 00:09:42,792 --> 00:09:44,125 I WASN'T. 220 00:09:46,959 --> 00:09:48,666 SO HOW DO YOU KNOW DAISY, RUBE? 221 00:09:48,667 --> 00:09:50,333 THAT'S NOT ANY OF YOUR BUSINESS. 222 00:09:51,458 --> 00:09:52,874 WOW. 223 00:09:52,875 --> 00:09:55,457 DON'T CANDY-COAT IT FOR ME, RUBE. IF I'M NOT WELCOME HERE... 224 00:09:55,458 --> 00:09:57,791 YOU ARE NOT WELCOME HERE. 225 00:09:57,792 --> 00:10:00,165 DID I SAY SOMETHING TO OFFEND YOU? 226 00:10:00,166 --> 00:10:02,457 NO. THEN WHAT'S YOUR PROBLEM? 227 00:10:02,458 --> 00:10:05,208 I JUST DON'T LIKE STRANGERS ALL THAT MUCH, 228 00:10:05,209 --> 00:10:08,958 AND I DID NOT INVITE YOU TO SIT DOWN AT THIS TABLE WITH PEOPLE YOU DO NOT KNOW. 229 00:10:08,959 --> 00:10:11,332 ACTUALLY, RUBE, I KNOW GEORGE HERE. 230 00:10:11,333 --> 00:10:12,500 YOU DON'T KNOW ME. 231 00:10:19,875 --> 00:10:21,000 OKAY. 232 00:10:21,875 --> 00:10:23,834 YOU FOLKS HAVE A NICE DAY. 233 00:10:27,417 --> 00:10:28,874 I DO NOT LIKE HIM. 234 00:10:28,875 --> 00:10:32,375 DON'T YOU WANT TO JUST SLAP THAT SMILE RIGHT OFF HIS FACE? 235 00:10:41,042 --> 00:10:42,802 YEAH, SO I REALLY DON'T THINK IT'S A GOOD IDEA 236 00:10:42,826 --> 00:10:44,207 FOR YOU TO INVITE RAY TO A REAP. 237 00:10:44,208 --> 00:10:46,374 OH, SUDDENLY YOU'RE THE RESPONSIBLE ONE. 238 00:10:46,375 --> 00:10:48,040 COME ON. IT'S RECKLESS. 239 00:10:48,041 --> 00:10:49,290 HE MIGHT SEE SOMETHING. 240 00:10:49,291 --> 00:10:50,499 PLEASE. 241 00:10:50,500 --> 00:10:53,000 HE DOESN'T NOTICE ANYTHING. HE'S BLINDED BY LOVE. 242 00:10:54,084 --> 00:10:55,125 HA! 243 00:10:57,333 --> 00:10:59,999 YOU ARE FLIRTING WITH DISASTER, DAISY ADAIR. 244 00:11:00,000 --> 00:11:02,082 YOU JUST DON'T LIKE IT THAT I'M FLIRTING AT ALL. 245 00:11:02,083 --> 00:11:04,249 COME ON. 246 00:11:04,250 --> 00:11:06,874 I'M NOT INTERESTED IN YOU IN THAT WAY ANYMORE... 247 00:11:06,875 --> 00:11:08,042 ACTUALLY. 248 00:11:08,500 --> 00:11:09,792 REALLY. 249 00:11:10,250 --> 00:11:11,457 ANYMORE. 250 00:11:11,458 --> 00:11:12,792 I BELIEVE YOU. GOOD. 251 00:11:15,500 --> 00:11:16,980 I JUST DON'T WANT TO SEE YOU GET HURT. 252 00:11:46,291 --> 00:11:47,625 HOW'S IT GOING? 253 00:11:53,333 --> 00:11:54,749 WHAT'S YOUR NAME? 254 00:11:54,750 --> 00:11:55,917 CRYSTAL. 255 00:11:58,542 --> 00:12:00,833 UM, WILL MISS HERBIG BE BACK SOON? 256 00:12:00,834 --> 00:12:01,917 MM-HMM. 257 00:12:16,959 --> 00:12:18,707 I DON'T LIKE HOSPITALS. 258 00:12:18,708 --> 00:12:20,041 WHY? 259 00:12:20,042 --> 00:12:21,708 WHO THE HELL LIKES HOSPITALS? 260 00:12:22,125 --> 00:12:25,000 WELL, LET'S SEE. 261 00:12:26,042 --> 00:12:29,458 DOCTORS, NURSES, ORDERLIES. 262 00:12:30,959 --> 00:12:32,639 PEOPLE WHO ARE SICK AND WANT TO GET BETTER. 263 00:12:32,663 --> 00:12:35,329 PEOPLE WHO KNOW PEOPLE WHO ARE SICK AND WANT THEM TO GET BETTER. 264 00:12:36,333 --> 00:12:38,124 I DON'T SEE ANYONE AROUND HERE 265 00:12:38,125 --> 00:12:40,333 WHO LOOKS LIKE THEY'RE GETTING ANY BETTER. 266 00:12:41,291 --> 00:12:43,208 WELL, IT'S THE LONG-TERM CARE WARD. 267 00:12:44,708 --> 00:12:46,834 THEY'RE PROBABLY NOT GOING OUT THE WAY THEY CAME IN. 268 00:12:53,792 --> 00:12:54,999 DO WE KNOW HER? 269 00:12:55,000 --> 00:12:56,291 WE DO. 270 00:12:57,250 --> 00:12:59,124 NATURAL CAUSES IS ONE OF THE... 271 00:12:59,125 --> 00:13:01,416 NICER ASSIGNMENTS FOR A REAPER, 272 00:13:01,417 --> 00:13:03,207 ESPECIALLY IN A HOSPITAL. 273 00:13:03,208 --> 00:13:04,582 NO CHASING ANYONE DOWN. 274 00:13:04,583 --> 00:13:06,290 EVERYONE'S GOT A NAME TAG. 275 00:13:06,291 --> 00:13:07,375 NICE GIG. 276 00:13:08,834 --> 00:13:11,249 EXCEPT EVERYONE'S REALLY OLD. 277 00:13:11,250 --> 00:13:13,124 YOU GOT SOMETHING AGAINST OLD PEOPLE? 278 00:13:13,125 --> 00:13:14,917 THEY JUST FREAK ME OUT A LITTLE, 279 00:13:15,834 --> 00:13:18,165 AND THE REALLY OLD ONES IRRITATE ME. 280 00:13:18,166 --> 00:13:20,499 THAT'S NICE. 281 00:13:20,500 --> 00:13:24,999 YOU KNOW WHEN THEY'RE CROSSING A STREET AT THE "WALK" SIGN, 282 00:13:25,000 --> 00:13:28,624 AND THE TIME IS TICKING BY, 283 00:13:28,625 --> 00:13:30,999 AND EVEN IF THEY START RIGHT AWAY, 284 00:13:31,000 --> 00:13:35,332 THEY STILL NEVER MAKE IT ACROSS 285 00:13:35,333 --> 00:13:37,000 ON TIME. 286 00:13:39,125 --> 00:13:40,834 THAT IRRITATES YOU? 287 00:13:42,458 --> 00:13:44,084 THEY'RE REALLY SLOW. 288 00:13:46,625 --> 00:13:47,791 GO FIND YOUR REAP. 289 00:13:47,792 --> 00:13:49,167 OKAY. 290 00:13:49,708 --> 00:13:51,208 HOW? 291 00:13:51,209 --> 00:13:55,624 HEY, BUD, DO YOU HAVE AN N. ROMMEY ON THIS FLOOR? 292 00:13:55,625 --> 00:13:57,124 IT'S N. ROMMEY, LIKE "MOMMY." 293 00:13:57,125 --> 00:13:58,959 NINA. ROOM 331. 294 00:13:59,750 --> 00:14:01,083 SEE? IT'S A NICE GIG. 295 00:14:03,083 --> 00:14:04,500 I'LL SEE YOU LATER. 296 00:14:08,625 --> 00:14:12,332 ♪ MY BONNY LIES OVER THE OCEAN ♪ 297 00:14:12,333 --> 00:14:16,499 ♪ MY BONNY LIES OVER THE SEA ♪ 298 00:14:16,500 --> 00:14:18,707 ♪ MY BONNY LIES OVER... ♪ 299 00:14:18,708 --> 00:14:20,457 ARE WE THERE YET? 300 00:14:20,458 --> 00:14:22,499 WHERE? ARE WE THERE YET? 301 00:14:22,500 --> 00:14:24,125 WELL, I DON'T BELIEVE WE ARE. 302 00:14:25,209 --> 00:14:26,749 ARE YOU N. ROMMEY? 303 00:14:26,750 --> 00:14:29,041 YES. NO. 304 00:14:29,042 --> 00:14:31,500 ♪ MY BONNY LIES OVER THE OCEAN ♪ 305 00:14:32,792 --> 00:14:36,208 ♪ MY BONNY LIES OVER THE SEA ♪ 306 00:14:36,209 --> 00:14:38,999 ♪ MY BONNY LIES OVER THE OCEAN ♪ 307 00:14:39,000 --> 00:14:41,124 SO BRING BACK MY BONNY TO ME. 308 00:14:41,125 --> 00:14:42,249 [ LAUGHS ] 309 00:14:42,250 --> 00:14:45,042 LIKE I SAID, THEY FREAK ME OUT A LITTLE. 310 00:14:49,875 --> 00:14:52,999 NOW, YOU KNOW IT'S BETTER WHEN YOU STAY IN YOUR ROOM. 311 00:14:53,000 --> 00:14:54,083 MY ROOM. 312 00:14:54,084 --> 00:14:55,166 UH, IS THIS... 313 00:14:55,667 --> 00:14:56,749 NINA? 314 00:14:56,750 --> 00:14:59,708 I AM MRS. NINA ROMMEY. HOW DO YOU DO? 315 00:15:03,792 --> 00:15:04,958 NINA, NO, NO. 316 00:15:04,959 --> 00:15:06,291 NO, NO, NO, NO, NO, NO, NO. 317 00:15:08,167 --> 00:15:10,082 WE'RE HEARING A STORY TODAY. 318 00:15:10,083 --> 00:15:11,667 IT'S A FAIRY TALE. 319 00:15:13,125 --> 00:15:16,166 WELL, ONCE UPON A TIME, YOU WERE ALIVE, THEN YOU DIED. 320 00:15:16,834 --> 00:15:18,041 THE END. 321 00:15:18,042 --> 00:15:20,624 OH, HEY, I KNOW YOU. 322 00:15:20,625 --> 00:15:22,874 YOU'RE THE ONE WHO WAS KILLED BY A TOILET SEAT. 323 00:15:22,875 --> 00:15:25,124 GOD, WILL ANYONE EVER LET THAT GO? 324 00:15:25,125 --> 00:15:27,124 BLAH, BLAH, BLAH, BLAH... 325 00:15:27,125 --> 00:15:28,916 BLAH, BLAH, BLAH. 326 00:15:28,917 --> 00:15:30,084 I'M PENNY. 327 00:15:30,417 --> 00:15:31,707 I'M GEORGE. 328 00:15:31,708 --> 00:15:33,707 NINA, THIS IS GEORGE. 329 00:15:33,708 --> 00:15:35,750 SHE'S COME TO TAKE CARE OF YOU. 330 00:15:37,125 --> 00:15:39,708 WE HAVE TO GO. WE REALLY DON'T WANT TO BE LATE. 331 00:15:41,834 --> 00:15:43,333 OH, WE WON'T BE. 332 00:15:44,708 --> 00:15:47,208 KATE HEPBURN BOXED. 333 00:15:47,209 --> 00:15:50,000 ALSO KITTY LOMBARD. IT'S A GREAT ACTING EXERCISE. 334 00:15:53,000 --> 00:15:55,374 I NEED TO FIND MY REAP BEFORE RAY GETS HERE. 335 00:15:55,375 --> 00:15:56,792 GOOD IDEA. 336 00:15:59,667 --> 00:16:02,208 HE'LL BE DEAD AND GONE BEFORE RAY EVEN SHOWS UP. 337 00:16:05,375 --> 00:16:07,166 BOXERS ARE REALLY BEAUTIFUL. 338 00:16:10,333 --> 00:16:12,791 BOXERS ARE REALLY BEAUTIFUL. 339 00:16:12,792 --> 00:16:14,958 RAY'S REALLY BEAUTIFUL. 340 00:16:14,959 --> 00:16:17,416 I'LL TELL YOU WHO'S BEAUTIFUL, DAISY. 341 00:16:17,417 --> 00:16:19,217 I'LL TELL YOU WHO'S BEAUTIFUL. IT'S FUCKING ME. 342 00:16:19,241 --> 00:16:21,083 I'M BEAUTIFUL. YEAH. 343 00:16:21,084 --> 00:16:23,124 YEAH, I'M HOT. 344 00:16:23,125 --> 00:16:24,833 I'M HOT. I CAN BOX. I CAN BOX. 345 00:16:24,834 --> 00:16:26,166 WHO IS IT, CROWD? WHO IS IT? 346 00:16:26,167 --> 00:16:27,707 IT'S KID MASON! 347 00:16:27,708 --> 00:16:29,041 YEAH! 348 00:16:29,042 --> 00:16:31,874 KID MASON. KID MASON. 349 00:16:31,875 --> 00:16:34,624 YEAH, THE MASONATOR. THE MASONATOR. 350 00:16:34,625 --> 00:16:37,499 SHAKE IT OUT, SHAKE IT OUT, SHAKE IT OUT. 351 00:16:37,500 --> 00:16:40,582 YEAH, YOU'RE NOT SO FUCKING BEAUTIFUL NOW, ARE YOU, RAY? 352 00:16:40,583 --> 00:16:42,000 WHOA! EASY, TIGER. 353 00:16:43,625 --> 00:16:45,249 OOH. SORRY, MATE. 354 00:16:45,250 --> 00:16:46,958 DAISY CALLED ME. GOOD FOR YOU. 355 00:16:46,959 --> 00:16:48,083 ASKED ME TO MEET HER HERE. 356 00:16:48,084 --> 00:16:49,166 AND? 357 00:16:49,167 --> 00:16:50,875 AND I'M HERE. ARE YOU HER LAP DOG, RAY? 358 00:16:57,708 --> 00:16:59,583 [ BARKS ] 359 00:17:02,875 --> 00:17:04,291 DID YOU JUST BARK AT ME? 360 00:17:06,084 --> 00:17:08,125 NO. NO. CAN YOU BOX, RAY? 361 00:17:09,084 --> 00:17:13,124 CAN YOU? BIT OF BOXING, HEY? CAN YOU? HUH? 362 00:17:13,125 --> 00:17:15,333 I'VE HAD MY SHARE OF FIGHTS, IF THAT'S YOUR QUESTION. 363 00:17:16,041 --> 00:17:17,624 REALLY? 364 00:17:17,625 --> 00:17:20,833 OH, I'M JUST ASKING, BECAUSE, UH, YOU KNOW... 365 00:17:20,834 --> 00:17:22,791 NOT EVERY MAN CAN BOX. 366 00:17:22,792 --> 00:17:24,041 YOU KNOW WHAT I MEAN? 367 00:17:24,042 --> 00:17:25,562 SOMETHING YOU WANT TO SAY TO ME, MASON? 368 00:17:26,875 --> 00:17:27,917 NO. 369 00:17:28,375 --> 00:17:29,959 WELL, THEN... 370 00:17:31,750 --> 00:17:34,000 DON'T STAND SO FUCKING CLOSE. 371 00:17:37,583 --> 00:17:39,000 SERIOUSLY. 372 00:17:39,583 --> 00:17:41,000 STEP BACK. 373 00:17:41,667 --> 00:17:43,041 YOU STEP BACK. 374 00:17:50,333 --> 00:17:51,458 OKAY. 375 00:17:52,375 --> 00:17:55,041 OKAY, MASON, YOU WIN. 376 00:17:55,042 --> 00:17:57,000 YOU GET TO TAKE HOME THE BIG PRIZE. 377 00:17:59,167 --> 00:18:00,500 OH, NO, WAIT. 378 00:18:03,291 --> 00:18:04,542 I DO. 379 00:18:06,583 --> 00:18:10,042 FUCK OFF, YOU RIGHTEOUS FUCKING COCKSUCKER. 380 00:18:14,750 --> 00:18:16,124 PARDON ME, I'M LOOKING FOR A... 381 00:18:16,125 --> 00:18:17,916 I THINK IT'S A MR. WASHINGTON. 382 00:18:17,917 --> 00:18:19,374 IT'S KID. 383 00:18:19,375 --> 00:18:20,791 KID WASHINGTON. 384 00:18:20,792 --> 00:18:23,917 YOU ARE JUST SO MUCH MORE HANDSOME UP CLOSE THAN IN THE RING. 385 00:18:25,959 --> 00:18:27,167 I'M NOT THE KID. 386 00:18:29,500 --> 00:18:30,750 OH. OH. 387 00:18:31,542 --> 00:18:33,083 WHAT CAN I DO FOR YOU, MISS? 388 00:18:33,084 --> 00:18:34,207 OH, I... 389 00:18:34,208 --> 00:18:35,624 I JUST WANTED TO MEET YOU. 390 00:18:35,625 --> 00:18:37,332 I'M KID WASHINGTON, AND YOU ARE... 391 00:18:37,333 --> 00:18:39,041 I'M DAISY. DAISY ADAIR. 392 00:18:39,042 --> 00:18:40,166 MM-HMM. 393 00:18:40,167 --> 00:18:42,041 MY FATHER USED TO TALK ABOUT YOU. 394 00:18:42,042 --> 00:18:43,124 OH, IS THAT SO? 395 00:18:43,125 --> 00:18:46,000 YEAH, HE SAID YOUR HARRISON FIGHT WAS... 396 00:18:46,792 --> 00:18:48,040 A CLASSIC. 397 00:18:48,041 --> 00:18:50,040 15 ROUNDS. 398 00:18:50,041 --> 00:18:51,667 YEAH, THAT WAS SOME FIGHT. 399 00:18:53,917 --> 00:18:55,357 WELL, IT'S AN HONOR TO MEET YOU, KID. 400 00:18:55,381 --> 00:18:58,299 WELL, NICE OF YOU TO STOP BY TODAY, MISS. 401 00:19:07,542 --> 00:19:09,999 ALL RIGHT, LOUIS. 402 00:19:10,000 --> 00:19:12,083 SHOWING OFF IS AN EASY WAY TO GET HURT. 403 00:19:17,209 --> 00:19:18,749 [ BUZZING ] 404 00:19:18,750 --> 00:19:20,499 CHRIS, CODE BLUE IN 301. 405 00:19:20,500 --> 00:19:21,959 GET ME DR. ROTHSCHILD. 406 00:19:24,333 --> 00:19:25,666 IS THAT THE SCHOOL BELL? 407 00:19:25,667 --> 00:19:27,624 SURE. WE'RE GOING TO BE LATE FOR CLASS. 408 00:19:27,625 --> 00:19:30,958 OH, NO, WE WON'T. WE'LL BE RIGHT ON TIME. 409 00:19:30,959 --> 00:19:32,375 OOH. THANK YOU. 410 00:19:37,333 --> 00:19:39,000 OH, I HAVE TO TAKE THESE. 411 00:19:42,959 --> 00:19:45,166 I'D SEEN A LOT OF PEOPLE DIE... 412 00:19:45,167 --> 00:19:48,916 HIT BY A BUS, MAULED BY A BEAR, TORN UP BY A LAWNMOWER... 413 00:19:48,917 --> 00:19:53,167 BUT THIS QUIET MISTAKE I COULDN'T MAKE SENSE OF. 414 00:19:56,417 --> 00:19:58,792 THEN AGAIN, NEITHER COULD NINA. 415 00:19:59,959 --> 00:20:01,916 I KNOW I WASN'T SUPPOSED TO INTERFERE, 416 00:20:01,917 --> 00:20:04,959 BUT I JUST WANTED TO STOP HER BEFORE IT WAS TOO LATE. 417 00:20:05,083 --> 00:20:06,250 NINA. 418 00:20:08,583 --> 00:20:10,250 LET'S GO BACK TO YOUR ROOM. 419 00:20:12,959 --> 00:20:15,040 YOUR HAIR IS SO PRETTY. 420 00:20:15,041 --> 00:20:16,458 THANK YOU. 421 00:20:23,250 --> 00:20:24,792 GET ME OUT OF THIS. 422 00:20:25,458 --> 00:20:27,083 ARE YOU KIDDING? 423 00:20:27,084 --> 00:20:29,791 TWO BOYS FIGHTING OVER ME? IT'S MY DREAM. 424 00:20:29,792 --> 00:20:32,290 LOVELY. I'M NOT FIGHTING OVER YOU, BUT THIS COULD HURT. 425 00:20:32,291 --> 00:20:33,291 YOU HEAL FAST. 426 00:20:36,750 --> 00:20:39,000 THAT DOESN'T TAKE AWAY FROM THE HURTY-PAINY BIT. 427 00:20:46,542 --> 00:20:47,958 YOU FORGOT TO KISS ME FOR GOOD LUCK. 428 00:20:47,959 --> 00:20:49,707 NOT IN FRONT OF MASON. HEY, GO EASY ON HIM. 429 00:20:49,708 --> 00:20:50,833 EASY ON HIM? 430 00:20:50,834 --> 00:20:52,354 I THINK THAT SHIP'S PRETTY MUCH SAILED. 431 00:20:52,355 --> 00:20:54,229 WHY DO YOU HAVE TO BE LIKE THAT? WHY DO YOU HAVE TO BE MEAN? 432 00:20:54,230 --> 00:20:56,582 HEY, I'M JUST FINISHING WHAT YOU STARTED, SWEETHEART. 433 00:20:56,583 --> 00:20:57,749 YOU'RE THE ONE WHO PUT THE GUY IN HARM'S WAY. 434 00:20:57,750 --> 00:20:58,874 NO, I DIDN'T. 435 00:20:58,875 --> 00:21:01,124 YOU'RE INVOLVED WITH TWO MEN, DAISY. 436 00:21:01,125 --> 00:21:02,749 THAT STORY NEVER ENDS WELL. 437 00:21:02,750 --> 00:21:04,041 NOW, SHUT UP AND KISS ME. 438 00:21:07,042 --> 00:21:08,458 [ BELL DINGS ] 439 00:21:11,417 --> 00:21:12,500 LET'S GO. 440 00:21:25,583 --> 00:21:27,250 WE ALL LIKE WORKING WITH RICKY. 441 00:21:28,333 --> 00:21:30,124 THAT'S NICE. 442 00:21:30,125 --> 00:21:33,457 RICKY WAS DOING VELUM BINDING ON, LIKE, HIS THIRD DAY HERE. 443 00:21:33,458 --> 00:21:35,938 DELORES DIDN'T EVEN TALK TO ME ABOUT THAT KIND OF RESPONSIBILITY 444 00:21:35,962 --> 00:21:37,791 UNTIL AT LEAST WEEK TWO. 445 00:21:37,792 --> 00:21:40,040 AND HE'S EXCELLENT ABOUT RECYCLING. 446 00:21:40,041 --> 00:21:42,417 I'M SORRY, I DON'T KNOW WHO YOU'RE TALKING ABOUT. 447 00:21:43,083 --> 00:21:44,542 AREN'T YOU RICKY'S MOM? 448 00:21:45,041 --> 00:21:46,249 NO. 449 00:21:46,250 --> 00:21:48,499 HE SAID HIS MOM WAS VISITING HIM TODAY AT LUNCH. 450 00:21:48,500 --> 00:21:50,207 YOU LOOK LIKE YOU COULD BE HIS MOM. 451 00:21:50,208 --> 00:21:52,042 WELL, I'M NOT HER. ARE YOU SURE? 452 00:21:53,375 --> 00:21:55,417 YEAH, I'M HERE TO BE PLACED... FOR A JOB. 453 00:21:57,041 --> 00:21:58,375 THAT'S... THAT'S REALLY BRAVE. 454 00:22:00,333 --> 00:22:01,625 "BRAVE?" 455 00:22:02,417 --> 00:22:04,209 YEAH, I MEAN, TO JUST... 456 00:22:07,291 --> 00:22:09,707 DO YOU WANT HALF A SANDWICH? IT'S TUNA. 457 00:22:09,708 --> 00:22:10,875 NO, THANKS. 458 00:22:18,208 --> 00:22:20,041 HI. I'M DELORES HERBIG. 459 00:22:20,042 --> 00:22:21,874 CRYSTAL TELLS ME YOU'RE... 460 00:22:21,875 --> 00:22:23,207 JOY. JOY LASS. 461 00:22:23,208 --> 00:22:25,041 WELL, WHY DON'T YOU FOLLOW ME TO MY CUBICLE, 462 00:22:25,042 --> 00:22:26,416 AND WE'LL HAVE A CHAT, MS. LASS... 463 00:22:26,417 --> 00:22:27,624 OR IS IT MRS.? 464 00:22:27,625 --> 00:22:29,125 MS. IS FINE. 465 00:22:45,208 --> 00:22:46,500 COMING? 466 00:22:47,542 --> 00:22:48,667 YES. 467 00:22:50,041 --> 00:22:52,040 I'M A LITTLE RUSTY, SO HELP ME OUT HERE. 468 00:22:52,041 --> 00:22:54,040 IS THAT THE TWO-STEP OR THE CHA-CHA? 469 00:22:54,041 --> 00:22:58,124 CHA, CHA-CHA-CHANCE TO BEAT YOUR WHITE, PASTY ASS, MOTHERFUCKER. 470 00:22:58,125 --> 00:22:59,333 I'M NOT FAMILIAR WITH THAT ONE. 471 00:23:03,167 --> 00:23:05,249 NEED A LITTLE HELP THERE, GINGER? 472 00:23:05,250 --> 00:23:07,250 SHOULD I JUST KILL HIM OR SEND HIM TO THE HOSPITAL? 473 00:23:07,274 --> 00:23:08,874 SERIOUSLY, DON'T HURT HIM. PLAY NICE. 474 00:23:08,875 --> 00:23:10,290 IT'S A FIGHT, DAISY. 475 00:23:10,291 --> 00:23:11,771 YOU'RE GOING TO HAVE TO PICK A CORNER. 476 00:23:11,795 --> 00:23:13,378 I DON'T WANT TO PICK A CORNER. 477 00:23:15,333 --> 00:23:16,999 HE LOOKS LIKE A BLEEDER. 478 00:23:17,000 --> 00:23:19,124 THE DRUNKS BLEED LIKE HELL. 479 00:23:19,125 --> 00:23:20,707 YEAH, I DON'T NEED TO SEE THIS. 480 00:23:20,708 --> 00:23:22,207 I DON'T NEED TO SEE ANY OF THIS. 481 00:23:22,208 --> 00:23:24,208 HEY. HEY! 482 00:23:24,209 --> 00:23:26,667 DON'T WALK AWAY FROM ME WHEN I'M TALKING TO YOU. 483 00:23:29,500 --> 00:23:32,000 COME ON, BITCH. COME ON, BITCH. 484 00:23:33,125 --> 00:23:34,625 NOW YOU'VE MADE ME MAD. 485 00:23:35,417 --> 00:23:36,707 I'M ACTUALLY REALLY SORRY, RAY, 486 00:23:36,708 --> 00:23:39,333 BECAUSE THIS IS A GENTLEMAN'S SPORT, ISN'T IT, SO... 487 00:23:40,125 --> 00:23:43,040 SO FUCK OFF, BITCHETY-BITCHY-BITCH! 488 00:23:43,041 --> 00:23:44,707 COME ON! 489 00:23:44,708 --> 00:23:47,749 YEAH, GO ON, DARLING. HIDE THAT PRETTY FACE OF YOURS, SWEETHEART, 490 00:23:47,750 --> 00:23:51,083 BECAUSE YOU ARE GOING TO LEAVE HERE HURTING. 491 00:23:51,084 --> 00:23:54,082 YOUR UNBORN CHILDREN AND GRANDCHILDREN 492 00:23:54,083 --> 00:23:56,624 AND STEP-HALF... 493 00:23:56,625 --> 00:24:00,124 BLOODY TWO-HEADED NEPHEWS ARE GOING TO BE FEELING THE FUCKING PAIN, 494 00:24:00,125 --> 00:24:01,624 BEEOTCH! COME ON! 495 00:24:01,625 --> 00:24:04,145 LIKE THE PAIN YOU FEEL EVERY TIME I TAKE YOUR PRECIOUS DAISY HOME 496 00:24:04,169 --> 00:24:05,336 AND FUCK HER? 497 00:24:09,625 --> 00:24:11,332 WHOA. KID. 498 00:24:11,333 --> 00:24:12,958 YOU ALL RIGHT? 499 00:24:12,959 --> 00:24:14,125 GET UP, KID. COME ON. 500 00:24:18,667 --> 00:24:20,166 AM I GETTING UP? 501 00:24:20,750 --> 00:24:22,166 NO. 502 00:24:22,167 --> 00:24:23,707 OH. YEAH. 503 00:24:23,708 --> 00:24:25,207 SORRY. 504 00:24:25,208 --> 00:24:26,750 YOU'RE DOWN FOR THE COUNT. 505 00:24:27,500 --> 00:24:30,542 NIGHT-NIGHT. I'M SLEEPY. 506 00:24:31,000 --> 00:24:32,000 I KNOW. 507 00:24:33,583 --> 00:24:36,082 WE SHOULDN'T CUT CLASS TODAY. 508 00:24:36,083 --> 00:24:38,125 COME ON, UNDER THE COVERS. 509 00:24:40,417 --> 00:24:42,917 BOOK REPORTS ARE DUE TODAY. DID YOU READ THE BOOK? 510 00:24:43,834 --> 00:24:45,041 I LOVED IT. 511 00:24:46,042 --> 00:24:47,375 YEAH, ME TOO. 512 00:24:56,084 --> 00:24:57,499 ARE WE THERE YET? 513 00:24:57,500 --> 00:24:58,959 I THINK SO. 514 00:25:00,125 --> 00:25:01,834 I LOVE THE EIGHTH GRADE. 515 00:25:02,750 --> 00:25:03,875 YEAH. 516 00:25:04,500 --> 00:25:06,167 EIGHTH GRADE WAS FUN. 517 00:25:11,209 --> 00:25:15,041 HISTORY MAJOR, WITH A BUSINESS MINOR IN COLLEGE, 518 00:25:15,042 --> 00:25:17,624 EXECUTIVE SECRETARY FOR TWO LAW FIRMS... 519 00:25:17,625 --> 00:25:20,165 AND I KNOW GREGG SHORTHAND AND MEDICAL SHORTHAND. 520 00:25:20,166 --> 00:25:24,207 OH, WONDERFUL. YOUR RESUME IS SO WELL-ORGANIZED. 521 00:25:24,208 --> 00:25:26,834 LET'S JUST INPUT YOU INTO THE DATABANK. 522 00:25:27,667 --> 00:25:30,249 I KNOW I'VE HEARD YOUR NAME BEFORE. 523 00:25:30,250 --> 00:25:32,958 YOU KNOW, YOUR NAME SOUNDS FAMILIAR TO ME AS WELL. 524 00:25:32,959 --> 00:25:34,208 REALLY? HUH. 525 00:25:37,209 --> 00:25:38,209 OH, MY GOODNESS. 526 00:25:39,959 --> 00:25:42,874 ARE YOU ANY RELATION TO THE YOUNG WOMAN WHO DIED? 527 00:25:42,875 --> 00:25:44,874 THAT WAS MY DAUGHTER. GEORGE. 528 00:25:44,875 --> 00:25:46,125 I HIRED HER. 529 00:25:47,000 --> 00:25:48,333 GEORGIA LASS. 530 00:25:49,417 --> 00:25:51,625 YOU'RE THE WOMAN WHO GAVE HER THE JOB. 531 00:25:54,667 --> 00:25:57,208 YOU CALLED THE HOUSE. YOU AND I SPOKE ON THE PHONE. 532 00:26:09,250 --> 00:26:10,917 I'M SORRY FOR YOUR LOSS. 533 00:26:11,792 --> 00:26:13,207 THANK YOU. 534 00:26:13,208 --> 00:26:17,457 I DIDN'T SPEND MUCH TIME WITH YOUR DAUGHTER. SHE SEEMED SWEET. 535 00:26:17,458 --> 00:26:18,750 DID SHE? NO. 536 00:26:20,083 --> 00:26:21,624 SHE SEEMED COMPLICATED. 537 00:26:21,625 --> 00:26:22,834 SMART. 538 00:26:24,125 --> 00:26:25,707 WHAT ELSE? 539 00:26:25,708 --> 00:26:26,874 DIFFICULT. 540 00:26:26,875 --> 00:26:28,208 A HANDFUL... 541 00:26:28,209 --> 00:26:29,541 BUT PROMISING, 542 00:26:29,542 --> 00:26:31,542 WHICH IS WHY I HIRED HER. 543 00:26:34,500 --> 00:26:36,999 WE DON'T HAVE TO DO THIS NOW, MS. LASS. 544 00:26:37,000 --> 00:26:39,833 WE CAN RESCHEDULE, OR NOT DO IT AT ALL... 545 00:26:39,834 --> 00:26:40,875 NO. 546 00:26:41,333 --> 00:26:42,791 I'M HERE. 547 00:26:42,792 --> 00:26:44,125 I'M FINE. 548 00:26:44,875 --> 00:26:46,291 I WANT TO WORK. 549 00:26:49,542 --> 00:26:50,916 IT'S "JOY." 550 00:26:50,917 --> 00:26:52,125 OKAY. 551 00:26:54,959 --> 00:26:56,332 WHAT DO YOU WANT TO DO, JOY? 552 00:26:56,333 --> 00:26:58,374 WHAT'S YOUR PASSION? WHAT DO YOU LIKE? 553 00:26:58,375 --> 00:27:01,124 OH, I DON'T KNOW. 554 00:27:01,125 --> 00:27:04,707 WELL, UH, WE HAVE A NUMBER OF, UM... 555 00:27:04,708 --> 00:27:06,750 I LIKE MAKING LISTS. 556 00:27:07,875 --> 00:27:10,625 I LIKE BOXES. 557 00:27:11,625 --> 00:27:13,499 FILES. 558 00:27:13,500 --> 00:27:16,166 SHELVES. SELF-STICKING LABELS. 559 00:27:16,167 --> 00:27:17,291 ME TOO. 560 00:27:23,208 --> 00:27:25,250 SO SHE WAS IN THIS OFFICE? 561 00:27:27,583 --> 00:27:28,667 YES. 562 00:27:33,375 --> 00:27:36,667 WHAT DID GEORGE DO THAT LAST DAY, FOR WORK? 563 00:27:37,959 --> 00:27:41,083 I REALLY, UH... DON'T REMEMBER. 564 00:27:44,917 --> 00:27:47,332 OKAY, EVERYONE, I KNOW THAT YOU ALL THINK 565 00:27:47,333 --> 00:27:49,499 THAT YOU COULDN'T LIVE WITHOUT THE INTERNET, 566 00:27:49,500 --> 00:27:52,666 BUT BEFORE ONLINE RESEARCH, THERE WERE CARD CATALOGUES 567 00:27:52,667 --> 00:27:54,707 AND PAPER CARDS IN LIBRARY BOOK POCKETS. 568 00:27:54,708 --> 00:27:56,541 OH, REGGIE, DON'T PLAY WITH THOSE BOOKS. 569 00:27:56,542 --> 00:27:58,040 THEY HAVEN'T BEEN BAR-CODED YET. 570 00:27:58,041 --> 00:28:01,166 THEY STILL HAVE THOSE ANTIQUATED CHECK-OUT CARDS IN THEM. 571 00:28:01,167 --> 00:28:04,083 SY BENJAMIN, IF THAT IS A SKIN MAGAZINE I SEE YOU HOLDING, 572 00:28:04,084 --> 00:28:05,084 SO HELP ME... 573 00:28:28,291 --> 00:28:30,125 DO YOU KNOW WHO THIS IS? 574 00:28:31,417 --> 00:28:33,208 I DON'T REMEMBER. 575 00:28:33,209 --> 00:28:34,999 THIS IS YOUR HUSBAND, WILLIAM. 576 00:28:35,000 --> 00:28:36,290 WHO? 577 00:28:36,291 --> 00:28:37,999 WILLIAM. 578 00:28:38,000 --> 00:28:39,707 THERE WILL BE A QUIZ ON THIS MATERIAL. 579 00:28:39,708 --> 00:28:41,124 YEAH, I KNOW, AND ACTUALLY, 580 00:28:41,125 --> 00:28:43,005 I THINK YOU'RE LATE FOR THAT QUIZ, SO THIS WAY... 581 00:28:43,029 --> 00:28:44,070 NO. 582 00:28:46,125 --> 00:28:47,167 OH! 583 00:28:49,542 --> 00:28:51,249 NINA, YOU REALLY NEED TO FOLLOW ME. 584 00:28:51,250 --> 00:28:52,416 DON'T TELL ME WHAT TO DO. 585 00:28:52,417 --> 00:28:53,749 YOU'RE DEAD, NINA. 586 00:28:53,750 --> 00:28:56,290 THIS IS THE LADY WHO BRUSHES MY HAIR. 587 00:28:56,291 --> 00:28:59,208 YES. THAT IS YOUR DAUGHTER, BETH... 588 00:28:59,209 --> 00:29:00,750 AND YOU ARE DEAD. 589 00:29:09,208 --> 00:29:11,125 SO WHO IS THIS, THIS ROSIE? 590 00:29:12,125 --> 00:29:13,457 NOBODY YOU KNOW. 591 00:29:13,458 --> 00:29:16,042 IS IT SOMEBODY YOU KNEW? IS SHE RELATED TO YOU? 592 00:29:17,959 --> 00:29:19,374 IS SHE RELATED TO YOU? 593 00:29:19,375 --> 00:29:20,458 YES. 594 00:29:24,583 --> 00:29:26,416 BEAU CHENE. 595 00:29:26,417 --> 00:29:28,817 THAT'S A DECENT HOSPITAL? THEY TAKE GOOD CARE OF PEOPLE THERE? 596 00:29:29,875 --> 00:29:32,499 NO, RUBE, THEY WATER THEM ONCE A WEEK. 597 00:29:32,500 --> 00:29:34,834 LOOK AT YOU, DRIVING ON THE WRONG SIDE OF THE ROAD. 598 00:29:35,708 --> 00:29:37,541 IT'S NOT GOOD. 599 00:29:37,542 --> 00:29:38,749 THANKS FOR THIS. 600 00:29:38,750 --> 00:29:40,374 HOW'S DER WAFFLE HAUS? GOOD. 601 00:29:40,375 --> 00:29:41,541 KIFFANY? FINE. 602 00:29:41,542 --> 00:29:43,582 YOUR MERRY BAND OF REAPERS? THEY'RE AWFUL. 603 00:29:43,583 --> 00:29:45,041 OKAY, YOU HAVE TO HELP ME. 604 00:29:45,042 --> 00:29:46,249 SHE'S ONE OF THE BETTER ONES. 605 00:29:46,250 --> 00:29:47,999 BETTER ONE WHAT? 606 00:29:48,000 --> 00:29:49,541 WHAT'S THE PROBLEM, GEORGE? 607 00:29:49,542 --> 00:29:52,208 I CAN'T GET HER TO GO. SHE WON'T FOLLOW ME. 608 00:29:52,209 --> 00:29:53,666 NINA FORGETS THINGS. 609 00:29:53,667 --> 00:29:55,208 YEAH, I PICKED UP ON THAT. 610 00:29:56,875 --> 00:30:00,082 WHAT PENNY'S SAYING IS SHE HAS NO IDEA SHE'S DEAD. 611 00:30:00,083 --> 00:30:03,249 I GET THAT. HOW DO I GET HER TO GO? 612 00:30:03,250 --> 00:30:07,124 I'M TELLING YOU, GEORGE, YOU HAVE TO GET NINA TO CONNECT TO HER OWN DEATH 613 00:30:07,125 --> 00:30:08,000 BEFORE SHE CAN MOVE ON. 614 00:30:08,001 --> 00:30:09,916 HOW THE FUCK AM I SUPPOSED TO DO THAT? 615 00:30:09,917 --> 00:30:11,077 OOH, SHE'S GOT A MOUTH ON HER. 616 00:30:11,078 --> 00:30:13,278 ALWAYS A PLEASURE, PENNY. I'LL SEE YOU AROUND THE CAMPUS. 617 00:30:13,302 --> 00:30:15,083 ARE YOU KIDDING ME? YOU'RE JUST BOLTING? 618 00:30:15,084 --> 00:30:17,000 I GOT FISH TO FRY, LITTLE GEORGIA. 619 00:30:23,708 --> 00:30:26,041 HEY, I'M ON MY LUNCH BREAK. 620 00:30:26,042 --> 00:30:27,624 OH, COME ON. PLEASE? 621 00:30:27,625 --> 00:30:29,707 SORRY, HONEY, CAN'T DO IT. 622 00:30:29,708 --> 00:30:31,000 COME ON. I DON'T... 623 00:30:32,208 --> 00:30:35,207 I DON'T REALLY LIKE OLD PEOPLE. 624 00:30:35,208 --> 00:30:37,083 THEN YOU'RE ONE LUCKY GIRL. 625 00:30:37,084 --> 00:30:39,083 HOW SO? BECAUSE YOU'LL NEVER BE ONE. 626 00:30:41,125 --> 00:30:45,667 LISTEN, I HAVE TO REPORT NINA'S TIME OF DEATH TO THE HOSPITAL, 627 00:30:46,750 --> 00:30:48,209 BUT I'LL DELAY AS LONG AS I CAN. 628 00:30:50,917 --> 00:30:52,000 SO... SO? 629 00:30:53,542 --> 00:30:54,959 BETTER GET A MOVE ON... 630 00:30:56,750 --> 00:30:58,000 PEANUT. 631 00:31:01,542 --> 00:31:03,374 I WOULD NEVER BECOME OLD. 632 00:31:03,375 --> 00:31:06,416 DEAD AND YOUNG HAS TO BE BETTER THAN ALIVE AND OLD. 633 00:31:06,417 --> 00:31:08,666 ISN'T IT? RIGHT? 634 00:31:08,667 --> 00:31:10,417 AT LEAST I REMEMBER THINGS. 635 00:31:15,750 --> 00:31:17,749 WHAT HAPPENED? 636 00:31:17,750 --> 00:31:19,041 WHAT DO YOU MEAN, WHAT HAPPENED? 637 00:31:19,042 --> 00:31:20,124 YOU'RE LABELING. 638 00:31:20,125 --> 00:31:21,165 I LIKE TO LABEL. 639 00:31:21,166 --> 00:31:22,916 WHEN SOMETHING BAD HAPPENS. 640 00:31:22,917 --> 00:31:25,040 I'M JUST REWORKING OUR SHELVING SYSTEM. 641 00:31:25,041 --> 00:31:28,250 ONCE I STARTED DOING THAT, I REALIZED IT WAS TIME TO REORGANIZE THE PANTRY. 642 00:31:30,042 --> 00:31:32,582 [ DOORBELL CHIMES ] OH, HONEY, COULD YOU GET THAT? 643 00:31:32,583 --> 00:31:34,290 YOU KNOW WHAT? I'M NOT GOING TO KEEP BUYING 644 00:31:34,291 --> 00:31:36,999 THESE CHEWY GRANOLA BAR THINGIES ANYMORE IF YOU DON'T EAT THEM. 645 00:31:37,000 --> 00:31:39,583 YOU KNOW, BECAUSE I'M NOT MADE OF MONEY HERE. 646 00:31:45,875 --> 00:31:47,041 HI, BOY. 647 00:31:48,834 --> 00:31:49,916 HI, CLAIRE. 648 00:31:49,917 --> 00:31:52,874 OH, I'M SORRY TO BOTHER YOU, BUT YOUR DOG... 649 00:31:52,875 --> 00:31:55,374 YOUR DOG DROPPED A ZOOMER INTO MY NASTURTIUMS. 650 00:31:55,375 --> 00:31:56,958 OH. 651 00:31:56,959 --> 00:31:59,124 WELL, CLAIRE, AREN'T ZOOMERS SUPPOSED TO BE GOOD 652 00:31:59,125 --> 00:32:00,833 FOR NASTURTIUMS? 653 00:32:00,834 --> 00:32:03,249 SMALL FLOWERS, BIG DOG. 654 00:32:03,250 --> 00:32:05,666 THESE FLOWERS WON A PRIZE AT THE PICKWICK CLUB LAST YEAR. 655 00:32:05,667 --> 00:32:07,040 YEAH, I REMEMBER. 656 00:32:07,041 --> 00:32:09,441 SO IF YOU COULD JUST BE A LITTLE MORE CAREFUL WITH YOUR DOG... 657 00:32:09,465 --> 00:32:12,332 UH, YEAH, WE WILL. WON'T WE? 658 00:32:12,333 --> 00:32:14,333 DON'T LOOK AT ME. I WASN'T HOME. 659 00:32:17,500 --> 00:32:20,041 QUITE A PROJECT YOU'VE GOT GOING ON HERE. 660 00:32:20,042 --> 00:32:21,332 OH, MY GOODNESS. 661 00:32:21,333 --> 00:32:22,874 ARE YOU MOVING? 662 00:32:22,875 --> 00:32:24,290 NO, NO, I'M JUST, UH... 663 00:32:24,291 --> 00:32:26,083 REORGANIZING MY KITCHEN. 664 00:32:26,084 --> 00:32:27,374 OH, IT'S BREATHTAKING. 665 00:32:27,375 --> 00:32:28,541 THANK YOU. 666 00:32:28,542 --> 00:32:30,222 YOU CAN SEE WHERE EVERYTHING IS RIGHT AWAY. 667 00:32:30,246 --> 00:32:33,416 WELL, A PLACE FOR EVERYTHING, AND EVERYTHING IN ITS PLACE. 668 00:32:33,417 --> 00:32:35,416 DID YOU DO ALL THIS YOURSELF? 669 00:32:35,417 --> 00:32:36,625 I DID. 670 00:32:38,167 --> 00:32:39,167 DO YOU THINK... 671 00:32:40,375 --> 00:32:43,042 WOULD YOU EVER COME OVER AND DO THIS TO MY KITCHEN? 672 00:32:44,125 --> 00:32:46,083 YEAH, I COULD DO THAT... 673 00:32:48,333 --> 00:32:50,042 FOR 75 AN HOUR. 674 00:32:56,000 --> 00:32:57,041 HOW ABOUT THURSDAY? 675 00:32:58,209 --> 00:32:59,708 THURSDAY'S GOOD. 676 00:33:08,375 --> 00:33:09,541 WHAT DID RUBE SAY? 677 00:33:09,542 --> 00:33:12,416 HE SAID I HAVE TO MAKE HER CONNECT TO HER OWN DEATH. 678 00:33:12,417 --> 00:33:14,624 THIS BLOODY JOB NEVER BLOODY ENDS, DOES IT? 679 00:33:14,625 --> 00:33:16,541 ♪ K-K-K-KATY ♪ 680 00:33:16,542 --> 00:33:18,541 ♪ BEAUTIFUL KATY ♪ 681 00:33:18,542 --> 00:33:20,541 ♪ YOU'RE THE ONLY G-G-GIRL ♪ 682 00:33:20,542 --> 00:33:22,249 ♪ THAT I ADORE ♪ 683 00:33:22,250 --> 00:33:23,749 WHAT'S WITH THE POST-ITS? 684 00:33:23,750 --> 00:33:26,999 SHE FORGETS THINGS. THEY REMIND HER OF THINGS... 685 00:33:27,000 --> 00:33:28,250 OR NOT. 686 00:33:29,542 --> 00:33:31,124 MASON, DON'T. IT'S NOT HELPING. 687 00:33:31,125 --> 00:33:32,916 YOU'RE GOING TO GET HER ALL RILED UP. 688 00:33:32,917 --> 00:33:34,958 YEAH, FIGHT'S OVER, MASON. WHAT FIGHT? 689 00:33:34,959 --> 00:33:36,874 RAY HIT HIM. I HIT HIM BACK, 690 00:33:36,875 --> 00:33:38,332 AND HE NEARLY BLOODY DIED. 691 00:33:38,333 --> 00:33:40,499 ♪ WHEN THE M-M-MOON SHINES OVER THE COWSHED ♪ 692 00:33:40,500 --> 00:33:41,999 YOU KNOW WHAT, DAISY? 693 00:33:42,000 --> 00:33:44,082 RAY'S AN ASSHOLE. RAY'S AN ASSHOLE. 694 00:33:44,083 --> 00:33:46,083 SEE? NINA CAN'T REMEMBER A THING, 695 00:33:46,084 --> 00:33:47,524 AND EVEN SHE CAN FIGURE THAT ONE OUT. 696 00:33:47,525 --> 00:33:49,483 YEAH, WELL, I'M NOT GOING TO SEE HIM ANYMORE. 697 00:33:49,484 --> 00:33:51,416 REALLY? I'M DONE. 698 00:33:51,417 --> 00:33:53,290 GOOD. EXCELLENT. MOVING ON... 699 00:33:53,291 --> 00:33:56,165 ♪ I'LL BE WAITING AT THE K-K-KITCHEN DOOR ♪ 700 00:33:56,166 --> 00:33:59,083 SO, THIS IS NINA? 701 00:33:59,084 --> 00:34:01,917 THIS IS NINA, WHETHER SHE KNOWS IT OR NOT. 702 00:34:05,000 --> 00:34:06,200 HELLO, NINA. HELLO, MY DARLING. 703 00:34:06,224 --> 00:34:07,290 HELLO. 704 00:34:07,291 --> 00:34:08,582 I HAVE TO TELL YOU SOMETHING. 705 00:34:08,583 --> 00:34:10,582 YOU HAVE TO LISTEN TO ME VERY CAREFULLY. 706 00:34:10,583 --> 00:34:12,916 IT MIGHT UPSET YOU, BUT LISTEN TO ME, OKAY? 707 00:34:12,917 --> 00:34:14,083 JAMES BOND. 708 00:34:15,458 --> 00:34:16,959 YOU'RE DEAD. YOU SNUFFED IT. 709 00:34:17,875 --> 00:34:19,707 SHAKEN BUT NOT STIRRED. 710 00:34:19,708 --> 00:34:21,916 OKAY, SHE'S BATTY. SHE'S GONE. SHE'S GONE. 711 00:34:21,917 --> 00:34:23,277 IS THERE ANYTHING VALUABLE IN HERE? 712 00:34:23,301 --> 00:34:24,541 NO. SHE CAN'T REMEMBER A THING. 713 00:34:24,542 --> 00:34:26,207 SHE DOESN'T EVEN KNOW WHO SHE IS. 714 00:34:26,208 --> 00:34:27,374 I HAVE A THOUGHT. 715 00:34:27,375 --> 00:34:28,541 YOU'RE VERY PRETTY. 716 00:34:28,542 --> 00:34:29,666 OH, THANK YOU. 717 00:34:29,667 --> 00:34:31,082 PERFECT. 718 00:34:31,083 --> 00:34:33,167 SHE SEEMS PRETTY LUCID TO ME. 719 00:34:36,750 --> 00:34:38,040 [ KNOCKS ] 720 00:34:38,041 --> 00:34:39,125 DAD? 721 00:34:39,917 --> 00:34:41,084 HELLO, BETH. 722 00:34:42,500 --> 00:34:44,333 YOUR HUSBAND, WILLIAM. 723 00:34:45,417 --> 00:34:47,125 YOUR DAUGHTER, BETH. 724 00:34:48,500 --> 00:34:50,749 DAD, I HAVE SOME HORRIBLE NEWS. 725 00:34:50,750 --> 00:34:52,083 WHAT IS IT? 726 00:34:52,084 --> 00:34:53,792 MOM IS DEAD. 727 00:34:55,792 --> 00:34:58,208 DEAD? YOUR MOTHER? 728 00:34:58,667 --> 00:35:00,499 DEAD? NINA? 729 00:35:00,500 --> 00:35:03,084 SITTING RIGHT THERE? DEAD? 730 00:35:04,500 --> 00:35:05,999 WOE IS US. 731 00:35:06,000 --> 00:35:07,374 WOE IS ME. 732 00:35:07,375 --> 00:35:08,834 JUST WOE. 733 00:35:09,000 --> 00:35:10,249 DEAD. 734 00:35:10,250 --> 00:35:12,500 REALLY FUCKING DEAD. 735 00:35:15,458 --> 00:35:17,618 WAS I ALL RIGHT? WAS THAT GOOD? YEAH, IT WAS INCREDIBLE. 736 00:35:17,642 --> 00:35:19,290 I HAD FUN. YEAH, BUT NOT THAT GREAT. 737 00:35:19,291 --> 00:35:22,666 HOW DO YOU EXPLAIN TO SOMEONE WHAT DEATH IS? WHAT DO I SAY? 738 00:35:22,667 --> 00:35:24,249 "DEATH IS LIKE..." 739 00:35:24,250 --> 00:35:25,250 WHAT? 740 00:35:26,250 --> 00:35:28,249 IT'S LIKE A PLAY, RIGHT? 741 00:35:28,250 --> 00:35:30,249 THE SWAN SONG, THE LAST ACT... 742 00:35:30,250 --> 00:35:31,541 [ COCKS GUN ] 743 00:35:31,542 --> 00:35:32,959 THE FAT LADY SINGING. 744 00:35:34,000 --> 00:35:35,666 THAT'S WHAT IT IS. 745 00:35:35,667 --> 00:35:37,291 THE FINAL CURTAIN. 746 00:35:47,625 --> 00:35:51,000 HOW DO I TELL SOMEONE WHO DOESN'T UNDERSTAND THAT THE SHOW'S OVER? 747 00:36:05,209 --> 00:36:08,290 HOW DO I TELL SOMEONE WHO DOESN'T QUITE UNDERSTAND THE WORDS 748 00:36:08,291 --> 00:36:10,084 THAT IT'S OKAY TO LEAVE? 749 00:36:25,084 --> 00:36:29,082 REGGIE, LOOK AT THAT FACE. LOOK AT THE MONKEY FACE. 750 00:36:29,083 --> 00:36:31,916 YES, YOU ARE. YOU ARE SO CUTE. 751 00:36:31,917 --> 00:36:33,757 DOES THE LITTLE MONKEY KNOW HOW PRECIOUS SHE IS? 752 00:36:33,781 --> 00:36:35,239 SHE IS SO PERFECT. 753 00:36:36,250 --> 00:36:37,500 JUST PERFECT. 754 00:36:39,167 --> 00:36:40,249 DADDY LOVES YOU. 755 00:36:40,250 --> 00:36:42,124 MOM? YEAH, GEORGE? 756 00:36:42,125 --> 00:36:43,750 I DON'T WANT REGGIE TO DIE. 757 00:36:45,084 --> 00:36:46,416 OKAY. 758 00:36:46,417 --> 00:36:48,082 THAT'S GOOD, SWEETIE. 759 00:36:48,083 --> 00:36:50,083 WELL, NO ONE HERE WANTS ANYONE TO DIE, GEORGE. 760 00:36:55,959 --> 00:36:57,124 WHAT DO WE DO? 761 00:36:57,125 --> 00:36:58,582 NOT A THING. 762 00:36:58,583 --> 00:37:01,624 IT'S SIBLING RIVALRY. SPOCK SAYS IT'S COMPLETELY NORMAL. 763 00:37:01,625 --> 00:37:04,791 "I DON'T WANT REGGIE TO DIE" IS NOT NORMAL. 764 00:37:04,792 --> 00:37:06,999 RELAX, JOY. IT'LL DISAPPEAR. 765 00:37:07,000 --> 00:37:08,917 SHE'LL FORGET SHE EVER SAID IT. 766 00:37:12,500 --> 00:37:14,000 HOW'S YOUR BOOK, SWEETIE? 767 00:37:14,625 --> 00:37:16,125 PRETTY GOOD. 768 00:37:18,000 --> 00:37:19,125 HOW'S YOUR THUMB? 769 00:37:21,041 --> 00:37:23,441 HEY, COULD I HAVE ONE? DID YOU SEE SHE MADE A RAISIN SANDWICH? 770 00:37:23,465 --> 00:37:25,124 PUT A RAISIN RIGHT IN THERE. 771 00:37:25,125 --> 00:37:27,417 LOOK WHAT SHE DID. LOOK WHAT SHE DID. SHE DID THAT HERSELF. 772 00:37:33,000 --> 00:37:34,040 LOOK, SHE MADE THAT. 773 00:37:34,041 --> 00:37:35,291 SHE DID THAT? 774 00:37:42,083 --> 00:37:45,165 NINA COULDN'T MOVE ON BECAUSE SHE COULDN'T REMEMBER, 775 00:37:45,166 --> 00:37:48,290 BUT MOST OF US ARE HAUNTED BY THE THINGS WE CAN'T FORGET. 776 00:37:48,291 --> 00:37:49,651 ARE WE THERE YET? ARE WE THERE YET? 777 00:37:49,675 --> 00:37:51,082 ARE WE THERE YET? ARE WE THERE YET? 778 00:37:51,083 --> 00:37:52,457 ARE WE THERE YET? ARE WE THERE YET? 779 00:37:52,458 --> 00:37:53,818 ARE WE THERE YET? ARE WE THERE YET? 780 00:37:53,842 --> 00:37:55,332 ARE WE THERE YET? STOP IT! 781 00:37:55,333 --> 00:37:56,999 GREAT, NOW SHE WON. 782 00:37:57,000 --> 00:37:59,207 WHAT AM I SUPPOSED TO DO? 783 00:37:59,208 --> 00:38:01,082 SHE'S FORGOTTEN EVERYTHING. 784 00:38:01,083 --> 00:38:02,916 I CAN'T TALK TO HER ABOUT HER MEMORIES 785 00:38:02,917 --> 00:38:04,165 BECAUSE I DON'T KNOW HER. 786 00:38:04,166 --> 00:38:07,624 IT'S LIKE SHE'S NOT EVEN HERE. IT'S A JOKE. 787 00:38:07,625 --> 00:38:10,667 IT'S LIKE THERE'S NO DIFFERENCE BETWEEN BEING DEAD AND ALIVE. 788 00:38:12,125 --> 00:38:13,125 I NEED A DRINK. 789 00:38:15,792 --> 00:38:17,750 YEAH, I CAN'T LET HIM DRINK ALONE. 790 00:38:22,166 --> 00:38:24,500 WELL, DON'T WORRY ABOUT ME. 791 00:38:27,625 --> 00:38:29,416 WHAT? 792 00:38:29,417 --> 00:38:31,209 WHAT DO YOU WANT? THE POST-IT? 793 00:38:34,583 --> 00:38:35,708 BETH. 794 00:38:36,208 --> 00:38:37,542 MY DAUGHTER, BETH. 795 00:38:47,000 --> 00:38:49,124 DO YOU WANT TO HEAR A STORY, NINA? 796 00:38:49,125 --> 00:38:50,792 OH, I LOVE STORIES. 797 00:38:52,417 --> 00:38:55,166 WELL, ONCE, THERE WAS A GIRL NAMED GEORGE. 798 00:38:56,250 --> 00:38:58,000 SHE WAS 18 YEARS OLD, 799 00:38:59,166 --> 00:39:01,833 AND SHE DIDN'T HAVE A HUSBAND WILLIAM, 800 00:39:01,834 --> 00:39:04,791 SHE DIDN'T HAVE A DAUGHTER NAMED BETH, 801 00:39:04,792 --> 00:39:08,249 BUT SHE HAD A MOM, A FATHER, AND A SISTER, 802 00:39:08,250 --> 00:39:10,124 AND ONE DAY, SHE WENT OUTSIDE. 803 00:39:10,125 --> 00:39:12,249 IT WAS A SUNNY DAY, FEW CLOUDS, 804 00:39:12,250 --> 00:39:14,209 BUT AN ORDINARY DAY. 805 00:39:15,583 --> 00:39:18,167 AND SHE WENT OUT TO GET SOME LUNCH, 806 00:39:19,083 --> 00:39:20,750 AND THIS MAN... 807 00:39:22,000 --> 00:39:23,125 HE STOPPED ME, 808 00:39:25,041 --> 00:39:26,625 AND HE TALKED TO ME, 809 00:39:27,500 --> 00:39:30,041 AND HE KNEW MY LAST NAME. 810 00:39:30,042 --> 00:39:32,083 I TOLD HIM TO LEAVE ME ALONE, 811 00:39:33,209 --> 00:39:35,041 BUT THEN SOMETHING FROM THE SKY FELL, 812 00:39:36,084 --> 00:39:37,625 AND I DIDN'T FEEL ANYTHING. 813 00:39:39,291 --> 00:39:41,209 I COULDN'T REMEMBER ANYTHING, 814 00:39:43,041 --> 00:39:44,375 AT FIRST, 815 00:39:45,291 --> 00:39:46,707 BUT THEN I DID. 816 00:39:46,708 --> 00:39:48,374 I REALIZED... 817 00:39:48,375 --> 00:39:49,625 I DIED. 818 00:39:58,625 --> 00:39:59,708 I... 819 00:40:01,042 --> 00:40:02,167 DIED. 820 00:40:05,917 --> 00:40:07,500 I'M DEAD. 821 00:40:33,291 --> 00:40:34,625 I'M DEAD. 822 00:40:35,875 --> 00:40:37,250 THAT'S RIGHT. 823 00:40:38,125 --> 00:40:39,542 YES. THAT'S RIGHT. 824 00:40:42,333 --> 00:40:43,667 THAT'S ALL RIGHT. 825 00:40:48,333 --> 00:40:49,750 THANK YOU. 826 00:40:50,917 --> 00:40:52,042 YOU'RE WELCOME, NINA. 827 00:40:54,041 --> 00:40:56,083 I DIDN'T KNOW NINA'S STORY. 828 00:40:56,084 --> 00:40:58,208 I COULD ONLY TELL HER MINE. 829 00:40:58,209 --> 00:41:00,249 IT WAS THE ONLY STORY I REALLY KNEW. 830 00:41:00,250 --> 00:41:02,000 [SOFT WHOOSHING] 831 00:41:07,291 --> 00:41:11,374 I GUESS DEATH MAKES EVERYTHING GROW COLD. 832 00:41:11,375 --> 00:41:14,666 I HADN'T BEEN THINKING ABOUT REGGIE AT ALL LATELY, 833 00:41:14,667 --> 00:41:17,290 OR MY MOM, OR MY DAD. 834 00:41:17,291 --> 00:41:20,124 I HADN'T BEEN THINKING ABOUT THEM AT ALL, 835 00:41:20,125 --> 00:41:22,500 AND I BET THEY WEREN'T THINKING ABOUT ME. 836 00:41:25,708 --> 00:41:28,750 EITHER WAY, MY AFTERLIFE WAS A SECRET. 837 00:41:30,375 --> 00:41:32,041 [ CROAKING ] 838 00:41:32,042 --> 00:41:35,041 ANYTHING ELSE WAS JUST TOO DANGEROUS. 839 00:41:35,042 --> 00:41:38,208 ♪ MY BONNY LIES OVER THE OCEAN ♪ 840 00:41:38,209 --> 00:41:41,124 ♪ MY BONNY LIES OVER THE SEA ♪ 841 00:41:41,125 --> 00:41:43,874 ♪ MY BONNY LIES OVER THE OCEAN... ♪ 842 00:41:43,875 --> 00:41:46,166 ♪ SO BRING BACK MY BONNY ♪ 843 00:41:46,167 --> 00:41:47,333 ♪ TO ME ♪ 844 00:41:50,708 --> 00:41:53,124 WE WERE JUST GETTING HOME FROM THE HOSPITAL. 845 00:41:53,125 --> 00:41:54,666 I DIDN'T ASK YOU WHERE YOU WERE. 846 00:41:54,667 --> 00:41:55,833 WHAT ARE YOU DOING HERE, RAY? 847 00:41:55,834 --> 00:41:57,124 WAITING FOR YOU. 848 00:41:57,125 --> 00:41:58,500 WELL, NOT YOU, 849 00:41:59,083 --> 00:42:01,999 NOT YOU, BUT YOU. 850 00:42:02,000 --> 00:42:04,166 YOU LEFT THE GYM WITHOUT SAYING GOODBYE. 851 00:42:04,167 --> 00:42:05,333 I'M SORRY. 852 00:42:06,125 --> 00:42:07,417 GOODBYE. 853 00:42:10,209 --> 00:42:11,416 I THINK YOU SHOULD PISS OFF. 854 00:42:11,417 --> 00:42:13,137 I THINK YOU SHOULD STAY OUT OF THIS, GINGER. 855 00:42:14,917 --> 00:42:16,999 SOMEBODY DIE AT THE HOSPITAL? 856 00:42:17,000 --> 00:42:19,125 NO. SOMEBODY DIED AT THE GYM TODAY, 857 00:42:20,125 --> 00:42:22,250 BUT THEN, YOU KNEW THAT, 858 00:42:23,125 --> 00:42:25,041 AND THE NIGHT WE MET, 859 00:42:25,042 --> 00:42:26,583 AND TWO DAYS AGO. 860 00:42:28,417 --> 00:42:31,166 I'M BEGINNING TO THINK THAT YOU'RE BAD LUCK. 861 00:42:31,917 --> 00:42:33,708 YEAH. I AM. 862 00:42:34,125 --> 00:42:35,874 YEAH. 863 00:42:35,875 --> 00:42:38,707 THAT'S WHAT YOUR FRIEND RUBE TOLD ME THIS MORNING. 864 00:42:38,708 --> 00:42:40,499 YOU MET RUBE? 865 00:42:40,500 --> 00:42:41,750 MM-HMM. 866 00:42:42,375 --> 00:42:43,500 HE WASN'T VERY NICE TO ME. 867 00:42:44,834 --> 00:42:46,624 THEN AGAIN, 868 00:42:46,625 --> 00:42:48,749 NONE OF YOU HAS BEEN VERY NICE TO ME. 869 00:42:48,750 --> 00:42:50,125 YOU REALLY SHOULD LEAVE NOW. 870 00:42:53,041 --> 00:42:54,166 OKAY. 871 00:42:55,583 --> 00:42:56,958 I'LL GO. 872 00:42:56,959 --> 00:42:58,667 AND DON'T COME BACK. I'M DONE WITH YOU. 873 00:42:59,583 --> 00:43:01,958 GOOD FOR YOU. 874 00:43:01,959 --> 00:43:03,667 I THINK YOU'RE RIGHT TO END IT. 875 00:43:10,875 --> 00:43:12,916 JUST ONE THING, SWEETIE. 876 00:43:12,917 --> 00:43:15,249 YOU DON'T END THINGS. I END THEM. 877 00:43:15,250 --> 00:43:18,582 YOU DON'T TELL ME YOU'RE DONE. I DO. 878 00:43:18,583 --> 00:43:20,041 YOU'RE WORSE THAN BAD LUCK. 879 00:43:20,042 --> 00:43:22,166 YOU'RE A BLACK FUCKING HOLE. 880 00:43:22,167 --> 00:43:24,083 FUCK YOU. 881 00:43:24,084 --> 00:43:26,874 YOU'RE NOT AS GENTEEL AS YOU LOOK, DAISY. 882 00:43:26,875 --> 00:43:28,124 IN FACT, AS PRETTY AS YOU ARE, 883 00:43:28,125 --> 00:43:29,958 I JUST CAN'T SHAKE THE FEELING 884 00:43:29,959 --> 00:43:33,041 THAT YOU'RE REALLY JUST A CHEAP HILLBILLY PIECE OF TAIL. 885 00:43:51,500 --> 00:43:52,707 HE'S DEAD. 886 00:43:52,708 --> 00:43:54,124 HE'S DEAD? 887 00:43:54,125 --> 00:43:55,625 I... I... 888 00:44:03,209 --> 00:44:04,625 I'M SORRY. I'M NOT. 889 00:44:08,834 --> 00:44:10,582 THERE'S... 890 00:44:10,583 --> 00:44:12,250 THERE'S NO POST-IT. 891 00:44:13,834 --> 00:44:15,208 AND THERE'S NO FUCKING SOUL. 892 00:44:16,333 --> 00:44:17,750 FUCKING... 893 00:44:19,083 --> 00:44:21,165 IS THERE A SHOVEL IN HERE? 894 00:44:21,166 --> 00:44:23,040 THERE'S GOT TO BE A SHOVEL, HASN'T THERE? 895 00:44:23,041 --> 00:44:24,791 IS THERE? 896 00:44:24,792 --> 00:44:26,125 [ WHOOSHING ] 897 00:44:48,375 --> 00:44:50,833 THIS IS ALL MY FAULT. THIS IS ALL MY FUCKING FAULT. 898 00:44:50,834 --> 00:44:51,954 IT'S MY FAULT. IT'S MY FAULT. 899 00:44:51,955 --> 00:44:53,595 IT'S NOT YOUR FAULT, AND YOU'RE IN IT NOW. 900 00:44:53,619 --> 00:44:55,999 YOU'RE IN IT NOW. YOU ARE IN IT NOW. STOP IT. 901 00:44:56,000 --> 00:44:57,125 IT'S NOBODY'S FAULT. 902 00:44:59,834 --> 00:45:01,083 UH, AND IT'S DONE. 903 00:45:02,042 --> 00:45:03,749 ALL RIGHT? YEAH. 904 00:45:03,750 --> 00:45:05,083 WE KEEP THIS TO OURSELVES, 905 00:45:06,209 --> 00:45:07,542 AND NO ONE NEEDS TO KNOW. 906 00:45:09,083 --> 00:45:11,124 WHAT THE FUCK WAS THAT? 907 00:45:11,125 --> 00:45:12,499 HOW THE FUCK DID YOU KNOW 908 00:45:12,500 --> 00:45:14,249 THAT WAS GOING TO HAPPEN, THAT GRAVELING? 909 00:45:14,250 --> 00:45:16,125 BECAUSE I'VE SEEN IT BEFORE, 910 00:45:17,000 --> 00:45:18,792 AND HE WAS RIGHT. I'M BAD LUCK. 911 00:45:22,250 --> 00:45:25,667 THERE ARE THINGS INSIDE YOU THAT NO ONE WANTS TO FACE, 912 00:45:27,209 --> 00:45:30,583 THINGS THAT YOU KEEP SECRET, EVEN FROM YOURSELF... 913 00:45:32,042 --> 00:45:33,999 BUT SECRETS ARE FUNNY. 914 00:45:34,000 --> 00:45:35,332 THE THINGS THAT YOU TRY TO HIDE 915 00:45:35,333 --> 00:45:38,333 ALWAYS TURN OUT TO BE THE THINGS YOU CAN'T FORGET.