1 00:00:10,708 --> 00:00:12,083 [GRUNTING] 2 00:00:13,583 --> 00:00:14,833 HE'S DEAD. 3 00:00:14,834 --> 00:00:16,750 DARLING, THERE'S NO POST-IT. 4 00:00:23,041 --> 00:00:24,457 [SCREECHES] 5 00:00:24,458 --> 00:00:25,999 I'M HERE TO PICK UP A PACKAGE. 6 00:00:26,000 --> 00:00:28,999 THIS HAS BEEN IN THE DEAD LETTER OFFICE FOR A WHILE. 7 00:00:29,000 --> 00:00:31,124 WHY DIDN'T THIS GET TO WHERE IT WAS GOING? 8 00:00:31,125 --> 00:00:32,965 I DON'T KNOW WHAT HAPPENED, SIR. I WASN'T THERE. 9 00:00:32,989 --> 00:00:34,374 THIS IS ALMOST 80 YEARS OLD. 10 00:00:34,375 --> 00:00:36,208 [WOMAN]: SO WHO IS THIS ROSIE? 11 00:00:36,209 --> 00:00:37,416 OH, NOBODY YOU KNOW. 12 00:00:37,417 --> 00:00:39,083 IS SHE RELATED TO YOU? 13 00:00:39,084 --> 00:00:40,541 YES. 14 00:00:40,542 --> 00:00:42,499 I SENT SOMETHING TO SOMEONE A LONG TIME AGO, 15 00:00:42,500 --> 00:00:43,791 AND IT DIDN'T GET TO THAT SOMEONE, 16 00:00:43,792 --> 00:00:45,352 AND I'M TRYING TO DO A LITTLE FOLLOW-UP. 17 00:00:45,353 --> 00:00:46,873 [ROXY]: WERE YOU DEAD WHEN YOU SENT IT? 18 00:00:46,897 --> 00:00:47,897 YES. 19 00:00:48,458 --> 00:00:49,750 REALLY. 20 00:00:50,208 --> 00:00:52,708 J.D., WHERE ARE YOU? 21 00:00:54,458 --> 00:00:55,708 J.D.? 22 00:00:56,250 --> 00:00:57,874 I WANT MOM. 23 00:00:57,875 --> 00:00:59,542 [SNIFFLES] SHE'LL BE BACK SOON. 24 00:01:01,875 --> 00:01:03,083 SHE'S GOING TO KILL ME. 25 00:01:04,167 --> 00:01:05,207 [SCREECHES] 26 00:01:05,208 --> 00:01:07,124 WHAT IS THAT? GO AWAY! 27 00:01:07,125 --> 00:01:08,291 RAY, GO AWAY. 28 00:01:11,000 --> 00:01:13,000 [♪♪] 29 00:02:14,458 --> 00:02:17,082 [GEORGE]: ASK MOST KIDS WHAT THEIR FAVORITE GAME IS, 30 00:02:17,083 --> 00:02:19,834 THEY'LL PROBABLY SAY HIDE-AND-GO-SEEK. 31 00:02:20,750 --> 00:02:22,749 I KNOW I LOVED IT. 32 00:02:22,750 --> 00:02:24,416 ONE MISSISSIPPI. 33 00:02:24,417 --> 00:02:26,000 TWO MISSISSIPPI... 34 00:02:27,542 --> 00:02:30,375 FOR MOST KIDS, THE FUN OF THE GAME ISN'T IN THE HIDING. 35 00:02:31,792 --> 00:02:34,374 THE FUN IS IN BEING FOUND. 36 00:02:34,375 --> 00:02:37,209 FIVE MISSISSIPPI, SIX MISSISSIPPI. BUT NOT FOR ME. 37 00:02:38,000 --> 00:02:39,332 I DIDN'T WANT TO BE FOUND. 38 00:02:39,333 --> 00:02:40,541 HERE I COME! 39 00:02:40,542 --> 00:02:41,667 EVER. 40 00:02:45,708 --> 00:02:47,000 GOT YOU. [GIGGLING] 41 00:02:49,084 --> 00:02:51,084 THEY'LL NEVER FIND ME. 42 00:02:53,000 --> 00:02:54,667 AND THEY NEVER WOULD. 43 00:02:58,042 --> 00:02:59,958 ONE MISSISSIPPI. 44 00:02:59,959 --> 00:03:01,791 TWO MISSISSIPPI... 45 00:03:01,792 --> 00:03:04,166 THREE MISSISSIPPI, FOUR. 46 00:03:06,084 --> 00:03:08,082 DADDY'S FUNNY. 47 00:03:08,083 --> 00:03:10,249 IT'S ALMOST TIME FOR BED, ROSIE. 48 00:03:10,250 --> 00:03:12,375 BUT I'M HIDING, AND YOU CAN'T FIND ME. 49 00:03:14,166 --> 00:03:15,417 [GASPS] 50 00:03:16,792 --> 00:03:18,375 [GEORGE]: GOT YOU. 51 00:03:21,959 --> 00:03:24,166 MORNING, KIFFANY. MORNING. 52 00:03:24,167 --> 00:03:25,499 OATMEAL WITH RAISINS? 53 00:03:25,500 --> 00:03:27,124 I'M OVER THE OATMEAL. 54 00:03:27,125 --> 00:03:29,124 NO MORE OATMEAL. 55 00:03:29,125 --> 00:03:30,708 HAVING A LOOK AT THE MENU FOR ONCE. 56 00:03:31,208 --> 00:03:32,707 AM I THE FIRST ONE HERE? 57 00:03:32,708 --> 00:03:34,750 NO, ONE OF YOU NEVER LEFT. 58 00:03:36,792 --> 00:03:39,457 MAMA? STAY OUT OF THE KITCHEN. 59 00:03:39,458 --> 00:03:41,541 DON'T LET ME CATCH HIM SLEEPING BACK THERE AGAIN. 60 00:03:41,542 --> 00:03:43,041 IT'S UNSANITARY. 61 00:03:43,458 --> 00:03:44,791 WOW. 62 00:03:44,792 --> 00:03:47,208 I HAD THIS DREAM LAST NIGHT ABOUT WAFFLES, 63 00:03:48,000 --> 00:03:49,374 AND IT WAS REALLY HORRIBLE 64 00:03:49,375 --> 00:03:52,791 BECAUSE I WAS BEING CHASED BY A BIG BUTTER PAT, 65 00:03:52,792 --> 00:03:58,000 AND I COULDN'T GET ANYWHERE BECAUSE I WAS WAIST-HIGH IN MAPLE SYRUP. 66 00:03:58,875 --> 00:04:01,374 DID YOU REALLY SLEEP HERE LAST NIGHT? 67 00:04:01,375 --> 00:04:03,666 YEAH, IT'S QUITE COMFORTABLE, ACTUALLY. 68 00:04:03,667 --> 00:04:06,084 THE SUPPLE LINOLEUM IS QUITE NICE. 69 00:04:07,875 --> 00:04:08,999 CAN I HAVE SOME PANCAKES? 70 00:04:09,000 --> 00:04:10,209 IF I CAN SEE SOME MONEY. 71 00:04:11,500 --> 00:04:13,040 I'LL... COVER HIM. 72 00:04:13,041 --> 00:04:16,207 OOH, IN THAT CASE, I'LL HAVE SOME BACON AS WELL, NOT TOO CRISPY. 73 00:04:16,208 --> 00:04:17,582 NOT TOO CHEWY. 74 00:04:17,583 --> 00:04:18,750 JUST IN-BETWEEN. 75 00:04:21,625 --> 00:04:23,165 WHY ARE YOU SLEEPING HERE? 76 00:04:23,166 --> 00:04:25,040 I TOLD YOU YOU COULD STAY WITH US. 77 00:04:25,041 --> 00:04:27,000 SHE SAID I COULDN'T. 78 00:04:27,834 --> 00:04:28,999 OH, REALLY? 79 00:04:29,000 --> 00:04:30,880 SHE SAID THAT SHE DOESN'T WANT ME IN YOUR HOUSE, 80 00:04:30,904 --> 00:04:32,791 AND SHE WANTS NOTHING MORE TO DO WITH ME EVER. 81 00:04:32,792 --> 00:04:34,582 I NEVER SAID THAT. WHAT I SAID WAS 82 00:04:34,583 --> 00:04:37,374 I DON'T THINK IT'S WISE FOR YOU TO LIVE WITH US. 83 00:04:37,375 --> 00:04:39,416 SINCE WHEN HAVE I GIVEN A FUCK ABOUT WISE? 84 00:04:39,417 --> 00:04:41,999 LET ME MAKE THIS STUNNINGLY SIMPLE FOR YOU. 85 00:04:42,000 --> 00:04:43,958 YOU CAN'T LIVE WITH US. 86 00:04:43,959 --> 00:04:46,082 OKAY. I'LL LIVE HERE. 87 00:04:46,083 --> 00:04:48,541 I'M GOING TO PUT THE "HAUS" BACK IN DER WAFFLE HAUS, 88 00:04:48,542 --> 00:04:50,083 AND I'M GOING TO SLEEP RIGHT HERE, 89 00:04:50,084 --> 00:04:53,041 ON THIS LOVELY BIT OF NAUGAHYDE. 90 00:04:53,042 --> 00:04:54,162 [RUBE]: YOU CAN'T SLEEP HERE. 91 00:04:54,186 --> 00:04:55,541 WHY NOT? 92 00:04:55,542 --> 00:04:59,916 BECAUSE IT'S A PLACE OF BUSINESS, FOR THEM AND FOR US. 93 00:04:59,917 --> 00:05:01,437 YOU DON'T SLEEP IN YOUR OFFICE, DO YOU? 94 00:05:01,461 --> 00:05:03,374 I'VE SLEPT IN MY OFFICE. 95 00:05:03,375 --> 00:05:04,999 REALLY SOUND SLEEP TOO. 96 00:05:05,000 --> 00:05:07,124 DROOL ALL OVER MY KEYBOARD. 97 00:05:07,125 --> 00:05:10,084 WAKE UP, GOT NO FUCKING IDEA WHERE I AM. 98 00:05:10,792 --> 00:05:12,167 LOOK... 99 00:05:12,834 --> 00:05:14,833 I DON'T MEAN TO BE RUDE, 100 00:05:14,834 --> 00:05:16,290 BUT I'D LIKE TO BE LEFT ALONE. 101 00:05:16,291 --> 00:05:17,583 MEANING? 102 00:05:18,167 --> 00:05:19,666 PLEASE LEAVE. 103 00:05:19,667 --> 00:05:21,083 I'VE JUST ORDERED BREAKFAST. 104 00:05:21,084 --> 00:05:22,500 WELL, GET IT TO GO. PLEASE. 105 00:05:25,042 --> 00:05:27,249 I LIKE YOUR TOP. IT'S VERY STYLISH. 106 00:05:27,250 --> 00:05:30,250 MEN DON'T WEAR TOPS. THEY WEAR SHIRTS. 107 00:05:32,542 --> 00:05:34,707 [MASON]: "I LIKE YOUR TOP"? WHAT THE FUCK WAS THAT? 108 00:05:34,708 --> 00:05:37,166 [DAISY]: I WAS JUST TRYING TO BE NICE. 109 00:05:37,167 --> 00:05:40,124 IF YOU REALLY WANTED TO BE NICE, 110 00:05:40,125 --> 00:05:41,791 DAISY, YOU WOULD TAKE IN A BOARDER. 111 00:05:41,792 --> 00:05:43,207 YOU KNOW WHAT, MASON? 112 00:05:43,208 --> 00:05:44,999 I AM NICE TO YOU, 113 00:05:45,000 --> 00:05:47,040 AND I WANT TO CONTINUE TO BE NICE TO YOU, 114 00:05:47,041 --> 00:05:48,666 WHICH IS WHY YOU CANNOT LIVE WITH US, 115 00:05:48,667 --> 00:05:50,347 AND DON'T YOU MAKE PROMISES ABOUT OUR HOUSE 116 00:05:50,371 --> 00:05:52,041 WITHOUT CONSULTING WITH ME FIRST. FINE. 117 00:05:52,042 --> 00:05:57,332 OKAY, JUST SO WE'RE CLEAR, THAT WAS MY HOUSE BEFORE I GAVE IT TO YOU. 118 00:05:57,333 --> 00:05:58,582 [GEORGE]: JUST SO WE'RE CLEAR, 119 00:05:58,583 --> 00:06:01,916 THAT WAS SOME OLD DEAD WOMAN'S HOUSE BEFORE YOU STOLE IT. 120 00:06:01,917 --> 00:06:03,624 KEEP OUT OF IT, GEORGIE. 121 00:06:03,625 --> 00:06:04,707 FINE. 122 00:06:04,708 --> 00:06:06,250 THINGS HAVE CHANGED, MASON. 123 00:06:08,583 --> 00:06:11,207 GREAT, THAT'S PERFECT. SO I'M ON THE STREET. THAT'S IT, THEN. 124 00:06:11,208 --> 00:06:13,082 OH, I DON'T KNOW. THINGS CHANGE. 125 00:06:13,083 --> 00:06:15,332 MASON, MASON, MASON. 126 00:06:15,333 --> 00:06:17,374 PENNY, MY DARLING, HOW ARE YOU? 127 00:06:17,375 --> 00:06:19,332 SO GOOD TO SEE YOU. THIS IS GEO... HI, GEORGE. 128 00:06:19,333 --> 00:06:20,999 HOW DO YOU GUYS KNOW EACH OTHER? 129 00:06:21,000 --> 00:06:22,499 HOW DO YOU GUYS KNOW EACH OTHER? 130 00:06:22,500 --> 00:06:23,707 [KIFFANY]: HEY... 131 00:06:23,708 --> 00:06:25,833 LONG TIME NO SEE. WHAT BRINGS YOU HERE? 132 00:06:25,834 --> 00:06:27,166 I'M HERE TO SEE THE MAN. 133 00:06:27,167 --> 00:06:29,374 [GEORGE]: ALL ROADS LEAD TO RUBE. 134 00:06:29,375 --> 00:06:31,208 FLAPJACKS, $7.95. 135 00:06:31,209 --> 00:06:33,041 KEEP IT. OH, THANK YOU. 136 00:06:33,042 --> 00:06:34,457 NICE SEEING YOU, SWEETHEART. 137 00:06:34,458 --> 00:06:35,707 YOU TOO. 138 00:06:35,708 --> 00:06:38,290 SO YOU WERE PART OF RUBE'S LITTLE POST-IT SQUAD? 139 00:06:38,291 --> 00:06:41,165 I WAS, LONG BEFORE POST-ITS WERE IN VOGUE. 140 00:06:41,166 --> 00:06:43,124 SO I TAKE IT YOU'VE BEEN DEAD A WHILE. 141 00:06:43,125 --> 00:06:44,332 THAT DEPENDS. 142 00:06:44,333 --> 00:06:45,582 ON? 143 00:06:45,583 --> 00:06:47,124 WHAT YOU THINK A WHILE IS. 144 00:06:47,125 --> 00:06:49,666 PENNY'S BEEN DEAD FOREVER AND A DAY. 145 00:06:49,667 --> 00:06:51,124 HOW'D YOU DIE? 146 00:06:51,125 --> 00:06:52,207 BOATING ACCIDENT. 147 00:06:52,208 --> 00:06:54,875 SAILING? WATER-SKIING? FALL OUT OF A DINGHY? 148 00:06:55,542 --> 00:06:56,874 BIGGER. 149 00:06:56,875 --> 00:06:57,999 MASON... 150 00:06:58,000 --> 00:06:59,624 YOU OWE ME 200 BUCKS. 151 00:06:59,625 --> 00:07:01,416 DO... REALLY, DO I? 152 00:07:01,417 --> 00:07:02,582 YOU DO. 153 00:07:02,583 --> 00:07:03,916 A BET'S A BET. 154 00:07:03,917 --> 00:07:05,541 YEAH. HMM. 155 00:07:05,542 --> 00:07:07,125 NICE TO SEE YOU, GEORGE. 156 00:07:07,875 --> 00:07:09,040 WHAT WAS THE BET? 157 00:07:09,041 --> 00:07:10,290 THE BET WAS... 158 00:07:10,291 --> 00:07:12,166 WE HAD TO GUESS WHAT YEAR RUBE DIED. 159 00:07:12,167 --> 00:07:13,707 WHOEVER WON GOT THE TWO HUNDRED. 160 00:07:13,708 --> 00:07:14,958 WHAT WAS YOUR GUESS? 161 00:07:14,959 --> 00:07:16,833 I HAVE NO IDEA, AND IT WAS 30 YEARS AGO, 162 00:07:16,834 --> 00:07:18,041 SO I'M NOT PAYING. 163 00:07:18,042 --> 00:07:19,750 1927. 164 00:07:20,667 --> 00:07:22,125 NOW SOMEONE OWES ME 200 BUCKS. 165 00:07:34,333 --> 00:07:35,834 HEY, REG, HOW ARE YOU DOING? 166 00:07:36,375 --> 00:07:37,624 FINE. 167 00:07:37,625 --> 00:07:39,124 DO YOU WANT SOME OATMEAL WITH RAISINS? 168 00:07:39,125 --> 00:07:41,082 I'M SICK OF OATMEAL. NO MORE OATMEAL. 169 00:07:41,083 --> 00:07:42,707 THEN WHY DON'T YOU TAKE A BREAKFAST BAR. 170 00:07:42,708 --> 00:07:43,833 THERE'S MAPLE. 171 00:07:43,834 --> 00:07:45,166 THERE'S CRANBERRY. 172 00:07:45,167 --> 00:07:46,666 THERE'S MAPLE CRANBERRY. 173 00:07:46,667 --> 00:07:48,250 WHAT ARE YOU DOING? 174 00:07:50,417 --> 00:07:52,207 SWEETIE, I KNOW THIS IS HARD, 175 00:07:52,208 --> 00:07:56,167 BUT I HAVE TO PACK AWAY ALL OF J.D.'s THINGS. 176 00:07:56,750 --> 00:07:57,999 NO, YOU DON'T. 177 00:07:58,000 --> 00:08:00,500 YOU'RE RIGHT, I DON'T, BUT I WANT TO. 178 00:08:01,083 --> 00:08:02,499 I THINK IT'S BEST. 179 00:08:02,500 --> 00:08:03,707 I DON'T. 180 00:08:03,708 --> 00:08:06,166 WE ALL MISS J.D... VERY MUCH. 181 00:08:06,167 --> 00:08:09,040 THEN WHY ARE YOU THROWING AWAY HIS SHIT? 182 00:08:09,041 --> 00:08:11,541 YOU KNOW, REGGIE, ALL THE QUALITIES YOU COULD INHERIT FROM YOUR SISTER, 183 00:08:11,542 --> 00:08:13,182 DOES FOUL LANGUAGE NEED TO BE ONE OF THEM? 184 00:08:13,206 --> 00:08:14,290 WHY ARE YOU DOING THIS? 185 00:08:14,291 --> 00:08:16,833 I'M NOT THROWING AWAY ANYTHING. 186 00:08:16,834 --> 00:08:18,792 I'M LABELING AND STORING HIS THINGS 187 00:08:19,875 --> 00:08:22,166 SO THAT MAYBE, WHEN WE'RE READY, 188 00:08:23,208 --> 00:08:25,207 WE COULD GET ANOTHER DOG. 189 00:08:25,208 --> 00:08:26,583 WHAT IF J.D. COMES BACK? 190 00:08:28,209 --> 00:08:29,416 SWEETIE, HE'S NOT. 191 00:08:29,417 --> 00:08:31,332 MAYBE IT WASN'T HIM. 192 00:08:31,333 --> 00:08:34,166 I DIDN'T EVEN LOOK AT THAT DOG VERY LONG AFTER IT HAPPENED. 193 00:08:35,208 --> 00:08:37,000 HONEY. WHAT COLOR IS GEORGE? 194 00:08:38,042 --> 00:08:39,165 WHAT? 195 00:08:39,166 --> 00:08:41,375 WHAT COLOR DID YOU LABEL GEORGE'S STUFF? 196 00:08:42,000 --> 00:08:43,207 I DON'T REMEMBER. 197 00:08:43,208 --> 00:08:45,166 THE SHIT YOU DIDN'T SELL IN THE YARD SALE. 198 00:08:48,000 --> 00:08:50,375 WE NEED TO ACCEPT THAT J.D.'s GONE, SWEETIE. 199 00:08:52,417 --> 00:08:53,792 I'M GIVING J.F. A BATH. 200 00:08:54,166 --> 00:08:55,625 WHO'S J.F.? 201 00:08:58,083 --> 00:08:59,500 THE FROG GEORGE LEFT ME. 202 00:09:00,625 --> 00:09:02,332 REGGIE. 203 00:09:02,333 --> 00:09:04,792 WHY DO YOU BELIEVE THAT GEORGE LEFT YOU THAT FROG? 204 00:09:05,583 --> 00:09:07,499 BECAUSE SHE KNEW I NEEDED IT. 205 00:09:07,500 --> 00:09:09,250 NO, HONEY, WHAT I MEAN IS... 206 00:09:13,125 --> 00:09:14,332 OKAY, YOU KNOW WHAT? 207 00:09:14,333 --> 00:09:18,166 I THINK YOU NEED TO GO WITH YOUR FATHER AND I TO THE PET PARLOR. 208 00:09:19,583 --> 00:09:22,165 YEAH, YOU KNOW? YOU COULD GET OUT OF SCHOOL A LITTLE EARLY. 209 00:09:22,166 --> 00:09:23,750 WOULD YOU LIKE THAT? NO. 210 00:09:27,041 --> 00:09:28,667 KEEP THE FROG OUT OF THE BATHTUB. 211 00:09:39,834 --> 00:09:41,416 WHAT CAN I GET YOU? THE USUAL. 212 00:09:41,417 --> 00:09:43,207 ICED TEA WITHOUT THE ICE? 213 00:09:43,208 --> 00:09:45,958 THAT'S IT. TO GO, PLEASE. 214 00:09:45,959 --> 00:09:47,125 THANK YOU. 215 00:09:49,917 --> 00:09:51,437 YOU STILL DOING THAT "NO ICE" NONSENSE? 216 00:09:52,417 --> 00:09:54,124 HEY, YOU GO DOWN WITH THE TITANIC, 217 00:09:54,125 --> 00:09:55,542 SEE HOW YOU FEEL ABOUT ICE. 218 00:09:56,375 --> 00:09:57,875 FAIR ENOUGH. 219 00:09:58,792 --> 00:10:00,333 FOR THE RECORD... 220 00:10:01,125 --> 00:10:02,374 I'M NOT DOING THIS, 221 00:10:02,375 --> 00:10:05,417 BUT SEEING AS WE GO BACK A WAYS... 222 00:10:19,625 --> 00:10:21,208 IS THIS YOUR REAP? 223 00:10:24,291 --> 00:10:26,958 I DON'T KNOW IF I'M DOING YOU A FAVOR. 224 00:10:26,959 --> 00:10:28,042 I DON'T EITHER. 225 00:10:37,875 --> 00:10:39,207 THANKS, KIFFANY. 226 00:10:39,208 --> 00:10:40,457 DON'T BE A STRANGER. 227 00:10:40,458 --> 00:10:41,792 OKAY. 228 00:10:43,291 --> 00:10:44,624 WELL, LOOK WHO'S HERE. 229 00:10:44,625 --> 00:10:46,417 OH, MY GOD, ROXY. 230 00:10:47,209 --> 00:10:48,457 I HEARD YOU WERE A COP. 231 00:10:48,458 --> 00:10:50,874 FROM WHO? OH, YOU KNOW, THE OLD GRAPEVINE. 232 00:10:50,875 --> 00:10:53,290 YOU LOOK GREAT. YOU LOOK GREAT. 233 00:10:53,291 --> 00:10:54,667 I LOOK LIKE I ALWAYS LOOK. 234 00:10:57,375 --> 00:10:59,000 TO WHAT DO WE OWE THIS HONOR? 235 00:10:59,792 --> 00:11:01,166 HIS DAUGHTER'S GOING TO DIE TODAY. 236 00:11:04,208 --> 00:11:06,250 TAKE CARE OF THE OLD FOOL. 237 00:11:21,041 --> 00:11:23,374 I'M SORRY. I TRIED TO TALK DAISY INTO IT. 238 00:11:23,375 --> 00:11:24,749 GEORGIE, PLEASE. COME ON. 239 00:11:24,750 --> 00:11:27,166 I WOULD MAKE A REALLY BLOODY GREAT ROOMMATE, YOU KNOW? 240 00:11:27,167 --> 00:11:28,791 I MAKE THESE BOYSENBERRY COBBLERS 241 00:11:28,792 --> 00:11:30,192 THAT WOULD BRING TEARS TO YOUR EYES. 242 00:11:30,193 --> 00:11:32,193 ACTUALLY, YOUR BREATH IS BRINGING TEARS TO MY EYES. 243 00:11:32,217 --> 00:11:34,791 YOU KNOW WHAT? I COULD BE THE WATCHDOG, YOU KNOW, SECURITY. 244 00:11:34,792 --> 00:11:35,999 [BARKS] 245 00:11:36,000 --> 00:11:38,165 SERIOUSLY, MASON, YOU NEED TO GET CLOSE TO A TOOTHBRUSH. 246 00:11:38,166 --> 00:11:40,374 OH, GOD. I'LL LIVE OFF THE WILD, YOU KNOW? 247 00:11:40,375 --> 00:11:43,083 I'VE GOT CUNNING. I'VE GOT STREET SMARTS. 248 00:11:43,084 --> 00:11:45,666 WAIT, YOU LIVED TO WHAT, 27? 249 00:11:45,667 --> 00:11:48,999 I KNOW, BUT ALL I KNOW IS I'M BORN FOR JUNGLE LIFE. 250 00:11:49,000 --> 00:11:50,083 [SINGING] 251 00:11:54,291 --> 00:11:56,083 ♪ GIVE IT TO ME ♪ 252 00:11:57,583 --> 00:12:00,499 I COULD DO THIS. 253 00:12:00,500 --> 00:12:03,374 LAST TIME I CHECKED, YOU DIDN'T EXACTLY HAVE THE GREATEST SUCCESS 254 00:12:03,375 --> 00:12:04,749 IN STREET SALES. 255 00:12:04,750 --> 00:12:07,207 COME ON, LOOK. HE'S DOING REALLY WELL. I COULD DO THIS. 256 00:12:07,208 --> 00:12:10,040 THAT'S BECAUSE HE'S CUTE, AND HE CAN SING. 257 00:12:10,041 --> 00:12:11,332 I'M CUTE. 258 00:12:11,333 --> 00:12:12,458 [♪♪] 259 00:12:15,542 --> 00:12:16,875 GEORGE. 260 00:12:18,041 --> 00:12:21,084 THAT DOLLAR COULD BE PART OF THE "FREE MASON" FUND. 261 00:12:22,125 --> 00:12:24,040 "FREE MASON." 262 00:12:24,041 --> 00:12:26,084 GOOD ONE. I DON'T GET IT. 263 00:12:30,209 --> 00:12:31,707 YOU'RE REALLY GOOD. 264 00:12:31,708 --> 00:12:32,833 THANKS. 265 00:12:32,834 --> 00:12:34,125 YOU WORK AROUND HERE? 266 00:12:34,792 --> 00:12:35,999 SORT OF. 267 00:12:36,000 --> 00:12:38,124 I WORK DIFFERENT PLACES, 268 00:12:38,125 --> 00:12:40,499 EVERYWHERE, REALLY. UM... 269 00:12:40,500 --> 00:12:43,166 SO I GUESS YOU WORK HERE. 270 00:12:43,167 --> 00:12:44,374 JUST MOVED HERE FROM NEW YORK. 271 00:12:44,375 --> 00:12:46,207 I WAS PLAYING ALL OVER MANHATTAN. 272 00:12:46,208 --> 00:12:47,916 THAT'S IMPRESSIVE. 273 00:12:47,917 --> 00:12:49,666 NO, WELL, I WAS... 274 00:12:49,667 --> 00:12:51,125 PLAYING IN THE SUBWAY SYSTEM. 275 00:12:51,917 --> 00:12:53,374 IT FEELS GOOD TO BE OUTSIDE AGAIN. 276 00:12:53,375 --> 00:12:55,332 I WAS UNDERGROUND FOR A YEAR. 277 00:12:55,333 --> 00:12:57,207 I JUST FEEL SO ALIVE AGAIN. 278 00:12:57,208 --> 00:12:58,875 ENJOY THAT WHILE YOU CAN. 279 00:12:59,667 --> 00:13:00,792 OKAY. 280 00:13:01,917 --> 00:13:03,749 OKAY, REALLY NICE TO MEET YOU, 281 00:13:03,750 --> 00:13:05,124 MY ROCK BROTHER, YOU KNOW? 282 00:13:05,125 --> 00:13:07,707 KEEP ON KEEPING ON, AND LIVE FAST, DIE YOUNG. 283 00:13:07,708 --> 00:13:09,624 YOU KNOW, LEAVE A GOOD-LOOKING CORPSE, AND HERE'S A QUARTER. 284 00:13:09,625 --> 00:13:10,916 I LOVE YOUR VOICE. BYE. 285 00:13:10,917 --> 00:13:11,999 UH, BYE. 286 00:13:12,000 --> 00:13:15,290 MASON, I WAS GETTING SOME PIANO-MAN ATTENTION. 287 00:13:15,291 --> 00:13:17,083 OKAY, BUT DON'T KILL THAT MOMENT 288 00:13:17,084 --> 00:13:18,332 BY PROLONGING IT, BY GEORGE, 289 00:13:18,333 --> 00:13:19,750 AND I STOLE HIS MONEY. 290 00:13:22,084 --> 00:13:24,167 MASON, HE KNOWS YOU STOLE HIS MONEY. 291 00:13:28,166 --> 00:13:30,999 ONE MISSISSIPPI. TWO MISSISSIPPI. 292 00:13:31,000 --> 00:13:32,999 REAPERS ARE SUPPOSED TO HIDE. 293 00:13:33,000 --> 00:13:35,666 I MEAN, SURE, YOU MIGHT BUMP INTO US ON THE STREET, 294 00:13:35,667 --> 00:13:37,124 BUT THAT'S NOBODY. 295 00:13:37,125 --> 00:13:39,749 THREE MISSISSIPPI, FOUR... 296 00:13:39,750 --> 00:13:43,165 WE STAY IN THE SHADOWS WHERE NO ONE WILL EVER FIND US. 297 00:13:43,166 --> 00:13:44,875 GEORGIA LASS. 298 00:13:45,583 --> 00:13:46,916 WHAT? 299 00:13:46,917 --> 00:13:48,666 WHAT? I MEAN, WHO? 300 00:13:48,667 --> 00:13:50,124 GEORGIA LASS. 301 00:13:50,125 --> 00:13:52,249 I DON'T KNOW WHO THAT IS. 302 00:13:52,250 --> 00:13:54,165 YOU MUST HAVE HEARD ABOUT HER. POOR THING. 303 00:13:54,166 --> 00:13:55,833 A PIECE OF THE SOVIET SPACE STATION 304 00:13:55,834 --> 00:13:58,290 FELL RIGHT OUT OF THE SKY AND... PFFT. 305 00:13:58,291 --> 00:14:00,041 RIGHT. I DO REMEMBER. 306 00:14:00,750 --> 00:14:01,999 GEORGIA LASS. 307 00:14:02,000 --> 00:14:03,916 ALL RIGHT, I GOT IT. 308 00:14:03,917 --> 00:14:05,290 I HIRED HER LAST YEAR, 309 00:14:05,291 --> 00:14:07,833 AND LET ME TELL YOU SOMETHING. THIS GEORGIA LASS... 310 00:14:07,834 --> 00:14:10,208 WAS THE MOST FASCINATING WOMAN YOU'D EVER MET? 311 00:14:10,209 --> 00:14:11,624 SHE DISTURBED ME, 312 00:14:11,625 --> 00:14:13,917 AND I CAN'T QUITE SHAKE HER. 313 00:14:17,250 --> 00:14:19,999 THIS IS FOR THE PERSONNEL FILES. 314 00:14:20,000 --> 00:14:22,583 I WANT YOU TO BRING ME HER FILE, AND MILLIE... 315 00:14:24,834 --> 00:14:25,999 WHAT? 316 00:14:26,000 --> 00:14:28,249 THE PERSONNEL FILES ARE FOR EXECUTIVES ONLY. 317 00:14:28,250 --> 00:14:30,040 REMEMBER, GEORGIA... 318 00:14:30,041 --> 00:14:32,750 JESUS, I HEARD YOU THE FIRST THREE TIMES. 319 00:14:39,875 --> 00:14:41,291 HEY, REGGIE, HOW YOU DOING? 320 00:14:42,084 --> 00:14:43,749 FINE. 321 00:14:43,750 --> 00:14:44,958 CAN I GET YOU ANYTHING? 322 00:14:44,959 --> 00:14:46,000 NO. 323 00:14:47,084 --> 00:14:48,583 YOUR DAD'S HERE. 324 00:14:49,125 --> 00:14:50,166 GO AWAY. 325 00:14:58,125 --> 00:15:00,999 USUALLY, YOU CAN'T COMPETE WITH THE DEAD. 326 00:15:01,000 --> 00:15:04,082 NO ONE SPEAKS ILL OF THE DEAD. 327 00:15:04,083 --> 00:15:07,792 DEAD PEOPLE ARE ALWAYS NICER, PRETTIER, SMARTER... 328 00:15:10,333 --> 00:15:13,250 DEATH HAS A WAY OF CLEANING UP A GIRL'S REPUTATION. 329 00:15:14,708 --> 00:15:17,708 SO, WHAT THE FUCK DID GEORGIA LASS EVER DO TO DELORES? 330 00:15:23,750 --> 00:15:25,749 ACTUALLY, THE BETTER QUESTION WAS 331 00:15:25,750 --> 00:15:28,000 WHAT THE FUCK DID GEORGIA LASS EVER DO? 332 00:15:30,375 --> 00:15:31,792 IS SHE COMING DOWN? 333 00:15:32,625 --> 00:15:34,917 SHE'S STARING AT HER NEW FROG. 334 00:15:35,375 --> 00:15:36,749 OKAY. 335 00:15:36,750 --> 00:15:38,291 LISTEN, CLANCY... 336 00:15:39,959 --> 00:15:41,000 REGGIE... 337 00:15:43,250 --> 00:15:44,374 OH, NEVER MIND. 338 00:15:44,375 --> 00:15:46,040 NO, JOY. NO NEVER MIND. 339 00:15:46,041 --> 00:15:47,958 NO, IT'S REALLY NOTHING. 340 00:15:47,959 --> 00:15:50,999 JOY, HOW CAN I PARENT HER IF I DON'T KNOW WHAT THE HELL I'M DEALING WITH HERE? 341 00:15:51,023 --> 00:15:52,314 REGGIE THINKS J.D. ISN'T DEAD. 342 00:15:53,333 --> 00:15:55,207 THAT'S COMPLETELY NORMAL. 343 00:15:55,208 --> 00:15:57,041 SHE THINKS GEORGE LEFT HER THE FROG. 344 00:15:57,917 --> 00:15:59,165 THAT'S NOT. 345 00:15:59,166 --> 00:16:01,042 I THINK IT'S TIME SHE WENT BACK INTO COUNSELING. 346 00:16:01,917 --> 00:16:04,207 [KNOCKING] HI, JOY. GOT A MINUTE? 347 00:16:04,208 --> 00:16:06,207 OH, ACTUALLY, CLAIRE, YOU KNOW WHAT? 348 00:16:06,208 --> 00:16:07,499 I REALLY DON'T RIGHT NOW. 349 00:16:07,500 --> 00:16:09,165 OH, HI, CLANCY. 350 00:16:09,166 --> 00:16:10,582 CLAIRE. 351 00:16:10,583 --> 00:16:12,040 OKAY. I JUST WANTED TO TELL YOU 352 00:16:12,041 --> 00:16:13,624 THAT THREE OF MY BEST FRIENDS 353 00:16:13,625 --> 00:16:14,999 SAW HOW YOU ORGANIZED MY KITCHEN, 354 00:16:15,000 --> 00:16:17,374 AND EVERY SINGLE ONE OF THEM WANTS TO CALL YOU. 355 00:16:17,375 --> 00:16:20,124 OH, THAT'S... THAT'S GREAT... 356 00:16:20,125 --> 00:16:22,085 BUT MAYBE WE COULD TALK ABOUT THIS TOMORROW, OKAY, 357 00:16:22,109 --> 00:16:24,317 BECAUSE NOW IS JUST NOT SO GREAT A TIME. 358 00:16:26,375 --> 00:16:28,165 AND I ALSO WANTED TO ASK YOU 359 00:16:28,166 --> 00:16:30,916 IF YOU WOULD TAKE A LOOK AT MY PRESENT-WRAPPING STATION. 360 00:16:30,917 --> 00:16:33,357 I THINK I COULD SET IT UP A LITTLE BETTER IN THE FAMILY ROOM... 361 00:16:33,381 --> 00:16:35,798 WHAT ABOUT "NOW'S NOT A GOOD TIME" DON'T YOU UNDERSTAND? 362 00:16:36,375 --> 00:16:38,040 CLANCY. EXCUSE ME? 363 00:16:38,041 --> 00:16:40,166 YOU LEFT THE GATE TO OUR YARD OPEN? 364 00:16:40,167 --> 00:16:41,687 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 365 00:16:41,711 --> 00:16:42,999 THE HELL YOU DON'T. 366 00:16:43,000 --> 00:16:45,124 CLANCY. NO, JOY, LET'S SAY IT. 367 00:16:45,125 --> 00:16:46,457 THIS IS THE WOMAN 368 00:16:46,458 --> 00:16:49,416 WHO COMPLAINS ABOUT OUR DOG TAKING A CRAP INTO HER PRECIOUS FLOWERS 369 00:16:49,417 --> 00:16:53,332 AND THEN, SUDDENLY, THE DOG IS ACCIDENTALLY LET OUT 370 00:16:53,333 --> 00:16:54,875 AND THEN DIES. 371 00:16:56,542 --> 00:16:57,999 HE'S JUST UPSET. 372 00:16:58,000 --> 00:16:59,542 HE LOVED THE DOG. 373 00:17:00,291 --> 00:17:02,333 I'M SORRY FOR YOUR LOSS... 374 00:17:03,291 --> 00:17:04,500 AGAIN. 375 00:17:05,083 --> 00:17:06,207 I'M GOING TO GO NOW. 376 00:17:06,208 --> 00:17:07,666 YOU DO THAT. 377 00:17:07,667 --> 00:17:08,959 TRY NOT TO KILL ANY MORE DOGS. 378 00:17:13,708 --> 00:17:17,999 JESUS CHRIST, CLANCY, I STILL LIVE HERE. 379 00:17:18,000 --> 00:17:19,374 I HAVE TO SEE HER. 380 00:17:19,375 --> 00:17:20,875 THINGS HAVE TO BE SAID. 381 00:17:22,917 --> 00:17:25,749 SO. COUNSELING FOR REGGIE. 382 00:17:25,750 --> 00:17:27,625 OR WHOEVER'S INTERESTED AND AVAILABLE. 383 00:17:34,167 --> 00:17:35,708 I JUST FEEL SICK, 384 00:17:37,000 --> 00:17:38,542 SICK AND TIRED... 385 00:17:42,834 --> 00:17:44,875 AND I MISS THE STUPID DOG. 386 00:17:48,875 --> 00:17:50,083 I MISS YOU. 387 00:17:51,250 --> 00:17:53,209 I MISS MY DAUGHTERS. 388 00:17:57,208 --> 00:17:59,042 I MISS EVERYTHING. 389 00:18:01,375 --> 00:18:03,958 WHO THE FUCK YOU CALLING INSOLENT? 390 00:18:03,959 --> 00:18:06,165 WHEN INTERVIEWING, THEY TELL YOU TO RELAX, 391 00:18:06,166 --> 00:18:08,040 TO JUST BE YOURSELF. 392 00:18:08,041 --> 00:18:10,208 WELL, LOOK WHAT THAT GOT ME. 393 00:18:11,542 --> 00:18:13,457 I'M ALREADY DEAD. 394 00:18:13,458 --> 00:18:15,417 CURIOSITY CAN'T KILL ME. 395 00:18:17,125 --> 00:18:20,041 I BET THEY ALL LIED TO DELORES. 396 00:18:20,042 --> 00:18:21,457 WHAT ARE THEY ALL HIDING? 397 00:18:21,458 --> 00:18:23,375 WHAT'S THE REAL STORY? 398 00:18:30,375 --> 00:18:32,042 SO, MISTY? 399 00:18:33,041 --> 00:18:34,625 ANY CHILDREN? 400 00:18:35,000 --> 00:18:36,165 NO. 401 00:18:36,166 --> 00:18:37,332 ARE YOU SINGLE? 402 00:18:37,333 --> 00:18:38,791 YES. 403 00:18:38,792 --> 00:18:40,000 MISTY. 404 00:18:41,458 --> 00:18:45,125 I HAVE TWO CHILDREN, SASSOON AND JORDACHE, AND... 405 00:18:46,375 --> 00:18:48,999 I THINK I'M STILL MARRIED IN THE STATE OF LOUISIANA 406 00:18:49,000 --> 00:18:51,166 AND PROBABLY KANSAS. 407 00:18:52,250 --> 00:18:53,625 TOPEKA'S IN KANSAS, ISN'T IT? 408 00:19:13,500 --> 00:19:15,458 SPECIAL FORCES, CRYSTAL? 409 00:19:34,375 --> 00:19:38,541 GOD, I COULDN'T EVEN LAND THIS JOB WITHOUT A NOTE FROM MY MOM. 410 00:19:38,542 --> 00:19:41,333 I GUESS EVERYBODY OWES SOMEBODY ELSE SOMETHING, 411 00:19:42,917 --> 00:19:44,959 SOMETHING THEY HAVE TO DO. 412 00:19:46,458 --> 00:19:47,875 HI, ROSIE. 413 00:19:49,875 --> 00:19:51,332 WHAT ARE YOU DOING UP? 414 00:19:51,333 --> 00:19:52,750 YOU SHOULD BE ASLEEP, PEANUT. 415 00:19:55,500 --> 00:19:57,208 WHERE ARE YOU GOING? 416 00:20:00,834 --> 00:20:02,082 GO BACK TO SLEEP. 417 00:20:02,083 --> 00:20:05,000 BUT I'M UP NOW. WHERE ARE YOU GOING, PAPA? 418 00:20:07,667 --> 00:20:09,917 I'M GOING TO GET A FEW THINGS YOUR MOTHER NEEDS. 419 00:20:12,125 --> 00:20:14,125 WHEN ARE YOU COMING BACK? 420 00:20:15,625 --> 00:20:16,750 SOON. 421 00:20:17,417 --> 00:20:19,499 ♪ I'LL BE LOVING YOU ♪ 422 00:20:19,500 --> 00:20:21,125 SING IT, PAPA. 423 00:20:26,917 --> 00:20:32,084 ♪ I'LL BE LOVING YOU ALWAYS ♪ 424 00:20:33,209 --> 00:20:37,333 ♪ WITH A LOVE THAT'S TRUE ALWAYS ♪ 425 00:20:39,125 --> 00:20:43,625 ♪ WHEN THINGS YOU'VE PLANNED NEED A HELPING HAND ♪ 426 00:20:45,375 --> 00:20:49,125 ♪ I WILL UNDERSTAND ALWAYS ♪ 427 00:21:09,959 --> 00:21:11,707 HELL, NO, YOU CAN'T LIVE WITH ME. 428 00:21:11,708 --> 00:21:13,166 WHY NOT? 429 00:21:13,167 --> 00:21:14,249 BECAUSE YOU CAN'T. 430 00:21:14,250 --> 00:21:16,041 WHY? WHY, WHY, WHY, WHY, WHY, WHY, WHY? 431 00:21:16,042 --> 00:21:17,958 BECAUSE I LIVE THERE, 432 00:21:17,959 --> 00:21:20,416 AND YOU DRIVE ME FUCKING NUTS AS IT IS. 433 00:21:20,417 --> 00:21:23,791 OKAY. I'M HOMELESS AND PROUD OF IT. 434 00:21:23,792 --> 00:21:24,999 WELL, YOU SHOULD BE. 435 00:21:25,000 --> 00:21:27,999 ALL THESE FUCKING ASSUMPTIONS SOCIETY MAKES, MAN. 436 00:21:28,000 --> 00:21:33,624 IT'S, LIKE, YOU KNOW, GET A JOB, EAT FOOD, LIVE IN A HOUSE. 437 00:21:33,625 --> 00:21:34,999 IT'S FASCISM, THAT IS, 438 00:21:35,000 --> 00:21:37,332 ABSOLUTE FUCKING FASCISM. 439 00:21:37,333 --> 00:21:38,999 I WON'T TAKE IT. 440 00:21:39,000 --> 00:21:41,083 I'M GOING TO LIVE IN THE MOMENT. 441 00:21:41,084 --> 00:21:42,166 I'M LIVING OFF THE LAND. 442 00:21:42,959 --> 00:21:44,208 SOUNDS LIKE LOITERING. 443 00:21:44,209 --> 00:21:45,569 PLEASE, LET ME LIVE WITH YOU, ROXY. 444 00:21:45,593 --> 00:21:47,582 PLEASE, I'LL SLEEP IN THE BLOODY BATHTUB. 445 00:21:47,583 --> 00:21:49,000 THEN WHAT WILL I TELL MY BOYFRIEND? 446 00:21:53,208 --> 00:21:55,542 WHAT? SEE? YOU DON'T KNOW ME. 447 00:21:56,333 --> 00:21:57,458 OKAY. 448 00:21:59,750 --> 00:22:02,000 LIVE OFF THE LAND. FUCKING PIONEER. 449 00:22:05,542 --> 00:22:10,500 ALL RIGHT, I'M GOING TO STAKE MY OWN CLAIM AND CLAIM MY OWN STEAK. 450 00:22:12,000 --> 00:22:14,207 I MEAN, IT'S JUST LIKE PICKING BERRIES, REALLY, ISN'T IT? 451 00:22:14,208 --> 00:22:15,749 UGH. 452 00:22:15,750 --> 00:22:17,166 FORAGING IN NATURE. 453 00:22:18,333 --> 00:22:19,916 DID YOU TAKE THAT MAN'S STEAK? 454 00:22:19,917 --> 00:22:21,290 HE WAS FINISHED, 455 00:22:21,291 --> 00:22:23,572 AND WE WOULDN'T WANT TO WASTE FOOD, NOW, WOULD WE, KIFFANY, 456 00:22:23,596 --> 00:22:25,638 NOT WHEN THERE ARE CHILDREN STARVING IN BOSTON. 457 00:22:26,875 --> 00:22:28,707 HOW ABOUT MY PAYING CUSTOMER? 458 00:22:28,708 --> 00:22:30,583 I'LL HAVE A COBB SALAD, KIFFANY. 459 00:22:34,917 --> 00:22:37,249 YOU'RE MAKING ALL THE WRONG MOVES, MASON. 460 00:22:37,250 --> 00:22:38,458 RIGHT. 461 00:22:47,959 --> 00:22:49,457 COFFEE? 462 00:22:49,458 --> 00:22:50,833 NO, THANK YOU. 463 00:22:50,834 --> 00:22:53,374 I KNOW YOU DIDN'T JUST STEAL THAT MONEY FROM ME. 464 00:22:53,375 --> 00:22:54,916 I WAS KEEPING IT SAFE FOR YOU. 465 00:22:54,917 --> 00:22:57,208 I WANTED YOU TO GET-GET IT. 466 00:22:58,417 --> 00:22:59,875 YOU'RE OUT. 467 00:23:00,583 --> 00:23:01,999 OUT? THAT'S RIGHT. 468 00:23:02,000 --> 00:23:03,416 OUT OF MY HOUSE. 469 00:23:03,417 --> 00:23:04,791 THIS IS DER WAFFLE HAUS. 470 00:23:04,792 --> 00:23:07,208 AND YOU'RE DER-OUT-OF-HERE. 471 00:23:07,209 --> 00:23:09,666 KIFFANY, I'VE HAD A REALLY BAD... 472 00:23:09,667 --> 00:23:10,999 COUPLE OF DAYS. 473 00:23:11,000 --> 00:23:14,959 THAT'S ONE COBB SALAD, AND HE BETTER BE GONE BY THE TIME I GET BACK. 474 00:23:19,125 --> 00:23:20,791 YOU HEARD WHAT THE LADY SAID. 475 00:23:20,792 --> 00:23:22,290 YOU GOT TO GO. 476 00:23:22,291 --> 00:23:23,375 NO. 477 00:23:30,083 --> 00:23:31,666 HAVE YOU EVER HEARD OF POLICE BRUTALITY? 478 00:23:31,667 --> 00:23:33,624 BECAUSE THAT IS POLICE BRUTALITY. 479 00:23:33,625 --> 00:23:35,999 YOU REALLY DON'T GET IT, DO YOU, MASON? 480 00:23:36,000 --> 00:23:38,499 THIS IS OUR HOME, AND YOU JUST PISSED ALL OVER IT. 481 00:23:38,500 --> 00:23:40,124 I WAS LIVING OFF THE FAT OF THE LAND. 482 00:23:40,125 --> 00:23:41,290 NO, WHAT YOU WERE DOING 483 00:23:41,291 --> 00:23:44,124 WAS DISRESPECTING THE LAST PLACE YOU ACTUALLY BELONG 484 00:23:44,125 --> 00:23:46,124 AND THE ONLY LIVING PERSON YOU KNOW 485 00:23:46,125 --> 00:23:48,290 THAT PUTS UP WITH YOUR FREEZE-DRIED BULLSHIT. 486 00:23:48,291 --> 00:23:50,000 DO YOU CALL THAT PUTTING UP WITH ME? 487 00:23:51,417 --> 00:23:54,209 I'D CALL THAT BREAKING THE CAMEL'S BACK. 488 00:23:55,083 --> 00:23:58,084 ENJOY THE STREETS, MASON, THAT'S ALL YOU GOT. 489 00:24:15,375 --> 00:24:16,541 SORRY ABOUT THAT. 490 00:24:16,542 --> 00:24:18,125 YEAH. ME TOO. 491 00:24:27,625 --> 00:24:29,666 I FEEL LIKE I'VE BEEN HERE BEFORE. 492 00:24:29,667 --> 00:24:31,833 YOU'VE BURIED AN ANIMAL HERE BEFORE? 493 00:24:31,834 --> 00:24:34,041 NO, BUT... 494 00:24:34,042 --> 00:24:36,541 I'M HAVING THE MOST POWERFUL SENSE OF DEJA VU. 495 00:24:36,542 --> 00:24:38,042 IT'S WEIRD. 496 00:24:38,875 --> 00:24:40,207 GOOD AFTERNOON. 497 00:24:40,208 --> 00:24:41,499 I'M JED. 498 00:24:41,500 --> 00:24:44,332 CAN I OFFER YOU FOLKS A COLD BEVERAGE OR A SNACK? 499 00:24:44,333 --> 00:24:45,541 NO, THANK YOU. 500 00:24:45,542 --> 00:24:46,749 I'M GOOD. REG? 501 00:24:46,750 --> 00:24:48,332 NO, THANKS. 502 00:24:48,333 --> 00:24:52,124 YOU'VE LOOKED OVER THE OPTIONS FOR BURIAL AND CREMATION? ARE THERE ANY QUESTIONS? 503 00:24:52,125 --> 00:24:54,166 I FEEL LIKE I'VE BEEN HERE BEFORE. 504 00:24:54,167 --> 00:24:55,083 IS THAT CRAZY? 505 00:24:55,084 --> 00:24:58,124 YOU PROBABLY REMEMBER IT IN ITS PREVIOUS INCARNATION... 506 00:24:58,125 --> 00:25:00,208 AS A FOSTER'S FREEZE. 507 00:25:00,209 --> 00:25:02,792 I WAS ON THE GRILL, AND MY WIFE WAS ON THE TILL. 508 00:25:03,959 --> 00:25:05,374 IS SHE A REDHEAD? 509 00:25:05,375 --> 00:25:06,625 MORE AUBURN, REALLY. 510 00:25:07,792 --> 00:25:09,999 NO REAL FUTURE IN MILKSHAKES, I'M AFRAID. 511 00:25:10,000 --> 00:25:12,124 DEATH JUST MAKES MUCH BETTER BUSINESS SENSE. 512 00:25:12,125 --> 00:25:13,125 WELL... 513 00:25:13,834 --> 00:25:14,958 CONGRATULATIONS. 514 00:25:14,959 --> 00:25:16,666 THANK YOU. 515 00:25:16,667 --> 00:25:18,999 THAT'S FOR YOUR SMALLER DOG, 516 00:25:19,000 --> 00:25:21,916 YOUR YORKIE, YOUR LHASA APSO, YOUR SHIH TZU, 517 00:25:21,917 --> 00:25:23,958 YOUR CHIHUAHUA, AND YOUR WIENER DOG, 518 00:25:23,959 --> 00:25:25,040 ANYTHING IN YOUR TOY GROUP. 519 00:25:25,041 --> 00:25:26,625 J.D. WAS A BIG DOG. 520 00:25:27,625 --> 00:25:29,082 HE WAS A GOLDEN RETRIEVER. 521 00:25:29,083 --> 00:25:31,999 WELL, I'M SURE HE WAS A VERY BEAUTIFUL DOG. 522 00:25:32,000 --> 00:25:33,125 HE REALLY WAS. 523 00:25:37,458 --> 00:25:41,582 UH, I THINK WE MIGHT NEED SOME MORE TIME 524 00:25:41,583 --> 00:25:43,958 TO DISCUSS THIS AS A FAMILY. 525 00:25:43,959 --> 00:25:46,416 ABSOLUTELY. YOU AND YOUR HUSBAND AND YOUR DAUGHTER, 526 00:25:46,417 --> 00:25:48,082 YOU TAKE ALL THE TIME YOU WANT, OKAY? 527 00:25:48,083 --> 00:25:49,708 ACTUALLY, WE'RE... MM-HMM. 528 00:25:50,959 --> 00:25:52,082 YEAH. 529 00:25:52,083 --> 00:25:53,208 OKAY. 530 00:25:56,458 --> 00:25:58,707 YOU KNOW WHAT? WHY DON'T WE TAKE J.D. HOME 531 00:25:58,708 --> 00:26:00,042 AND DO THIS TOGETHER? 532 00:26:01,583 --> 00:26:02,958 WOULD THAT BE OKAY, REG? 533 00:26:02,959 --> 00:26:04,084 OKAY. 534 00:26:11,209 --> 00:26:13,625 [GEORGE]: THE THINGS WE DO FOR LOVE. 535 00:26:17,542 --> 00:26:18,833 RAY. 536 00:26:18,834 --> 00:26:20,166 [SNARLING] 537 00:26:20,583 --> 00:26:21,875 GO AWAY. 538 00:26:26,667 --> 00:26:28,541 DEAD GIRL, COMING THROUGH. 539 00:26:28,542 --> 00:26:30,124 OH, MILLIE, THAT'S TERRIBLE. 540 00:26:30,125 --> 00:26:31,791 JUST STATING THE FACTS. 541 00:26:31,792 --> 00:26:33,707 WELL, LET'S SEE WHAT WE HAVE HERE. 542 00:26:33,708 --> 00:26:35,499 NOT MUCH. 543 00:26:35,500 --> 00:26:37,833 I... NOT THAT I WAS LOOKING AT IT. 544 00:26:37,834 --> 00:26:41,040 IT'S JUST KIND OF, YOU KNOW... THIN. 545 00:26:41,041 --> 00:26:42,582 WELL, YOU'RE IN THE KNOW NOW. 546 00:26:42,583 --> 00:26:44,207 MIGHT AS WELL HEAR THIS WITH ME. 547 00:26:44,208 --> 00:26:46,874 "ATTITUDE... INSOLENT." 548 00:26:46,875 --> 00:26:49,165 DON'T YOU THINK THE BETTER WORD WOULD BE... 549 00:26:49,166 --> 00:26:50,791 SAUCY? 550 00:26:50,792 --> 00:26:52,124 AM I RIGHT OR AM I RIGHT? 551 00:26:52,125 --> 00:26:53,332 SHE WAS SAUCY. 552 00:26:53,333 --> 00:26:54,874 "WITHOUT MANNERS. 553 00:26:54,875 --> 00:26:56,416 NO RESPECT FOR AUTHORITY." 554 00:26:56,417 --> 00:26:59,082 [CLICKS TONGUE] KIDS TODAY, I TELL YOU. 555 00:26:59,083 --> 00:27:00,916 "AMBITION... NONE." 556 00:27:00,917 --> 00:27:03,332 MAYBE SHE JUST DIDN'T SHARE HER AMBITION WITH YOU. 557 00:27:03,333 --> 00:27:05,125 WELL, I CERTAINLY DIDN'T SEE ANY. 558 00:27:06,542 --> 00:27:10,207 "FUTURE FORECAST... WON'T LAST LONG." 559 00:27:10,208 --> 00:27:12,249 WELL, YOU NAILED THAT ONE. 560 00:27:12,250 --> 00:27:14,000 HER POOR MOTHER. 561 00:27:14,583 --> 00:27:16,040 YEAH. 562 00:27:16,041 --> 00:27:18,999 AT LEAST SHE WAS PRETTY. 563 00:27:19,000 --> 00:27:21,125 WHAT'S SHE GOING TO THINK WHEN SHE READS THIS? 564 00:27:22,209 --> 00:27:23,333 WHY WOULD SHE DO THAT? 565 00:27:24,333 --> 00:27:26,041 SHE CAME TO SEE ME. 566 00:27:26,042 --> 00:27:28,417 I TOLD HER I'D GIVE HER MY PAPERWORK ON HER DAUGHTER. 567 00:27:29,834 --> 00:27:31,791 I FELT IT WAS THE LEAST I COULD DO. 568 00:27:31,792 --> 00:27:32,999 SUCH A SHORT LIFE. 569 00:27:33,000 --> 00:27:35,082 ANYTHING SHE MIGHT HAVE TOUCHED, IT'S PRECIOUS. 570 00:27:35,083 --> 00:27:37,416 YOU CAN'T SHOW THAT TO HER MOTHER. 571 00:27:37,417 --> 00:27:41,041 MILLIE. I TRASH-TALKED A DEAD GIRL ON THIS PAGE, 572 00:27:41,042 --> 00:27:43,083 AND NOW I TO HAVE TO LIVE WITH THAT. 573 00:27:43,084 --> 00:27:44,666 WELL, IT'S NOT TOO LATE... 574 00:27:44,667 --> 00:27:46,166 OH, MILLIE, IT IS. 575 00:27:46,167 --> 00:27:47,500 NO, IT'S NOT! 576 00:27:49,084 --> 00:27:51,291 [WHISPERING]: A LITTLE WHITE-OUT AND NO ONE'S THE WISER. 577 00:27:53,542 --> 00:27:55,833 ARE YOU SUGGESTING WE TAMPER 578 00:27:55,834 --> 00:27:58,457 WITH OFFICIAL HAPPY TIME DOCUMENTS? 579 00:27:58,458 --> 00:28:00,000 I'M NOT SAYING... 580 00:28:01,875 --> 00:28:02,999 I'M JUST SAYING... 581 00:28:03,000 --> 00:28:05,000 THAT'S AGAINST EVERYTHING I STAND FOR. 582 00:28:06,125 --> 00:28:07,374 NOT EVERYTHING. 583 00:28:07,375 --> 00:28:09,042 NOT EVERYTHING YOU TAUGHT ME. 584 00:28:10,166 --> 00:28:11,666 IT'S JUST... 585 00:28:11,667 --> 00:28:13,542 IT'S THE RIGHT THING TO DO. 586 00:28:15,750 --> 00:28:17,417 DO YOU WANT TO TYPE OR SHOULD I? 587 00:28:41,375 --> 00:28:42,500 I KNOW WHAT TO DO. 588 00:28:44,708 --> 00:28:47,208 I STILL THINK WE SHOULD SAY 589 00:28:47,209 --> 00:28:51,041 SHE WAS A MISUNDERSTOOD GENIUS. 590 00:28:51,042 --> 00:28:54,208 I THINK SHE WAS COMPLICATED, MILLIE. SHE WASN'T A GENIUS. 591 00:28:55,167 --> 00:28:57,958 BUT SHE SEEMED SMART, RIGHT? 592 00:28:57,959 --> 00:29:00,374 VERY. AND FUNNY. 593 00:29:00,375 --> 00:29:02,624 AN ODD CHARM, A CERTAIN JE NE SAIS QUOI... 594 00:29:02,625 --> 00:29:04,165 I KNOW EXACTLY WHAT TO WRITE. 595 00:29:04,166 --> 00:29:05,958 I KNOW WHAT WILL MAKE HER MOTHER PROUD. 596 00:29:05,959 --> 00:29:07,166 WHAT? 597 00:29:07,167 --> 00:29:08,287 I'M GOING TO BASE HER ON YOU. 598 00:29:09,834 --> 00:29:12,959 I THOUGHT WE WANTED TO MAKE HER SEEM... 599 00:29:13,417 --> 00:29:14,542 IMPRESSIVE. 600 00:29:15,208 --> 00:29:17,166 YOU ARE IMPRESSIVE. 601 00:29:17,167 --> 00:29:19,166 I'VE WATCHED YOU. IN ONE YEAR, MILLIE, 602 00:29:19,167 --> 00:29:20,999 IN ONE SHORT YEAR, 603 00:29:21,000 --> 00:29:23,040 YOU'VE GROWN INTO A FINE YOUNG WOMAN. 604 00:29:23,041 --> 00:29:26,457 I'M SURE GEORGIA'S MOM WILL BE PLEASED. 605 00:29:26,458 --> 00:29:29,000 MAYBE THERE ARE NO SECOND CHANCES IN LIFE... 606 00:29:30,250 --> 00:29:31,582 DONE. 607 00:29:31,583 --> 00:29:33,375 BUT THEN AGAIN, WHAT DO I KNOW? 608 00:29:55,125 --> 00:29:57,125 [PLAYING SYNTHESIZER] 609 00:30:02,708 --> 00:30:04,916 IT'S A HARD WAY TO EARN A LIVING. 610 00:30:04,917 --> 00:30:07,166 ANY DAY ABOVE GROUND IS A GOOD ONE, RIGHT? 611 00:30:07,167 --> 00:30:09,875 YEAH, ENJOY THAT WHILE YOU CAN. 612 00:30:18,042 --> 00:30:19,125 RAY. 613 00:30:22,583 --> 00:30:24,583 YOU KNOW, I'M KIND OF A GYM RAT. YEAH. 614 00:30:25,959 --> 00:30:27,625 YEAH, SPIN CLASS, YOGA... 615 00:30:28,458 --> 00:30:30,833 A LITTLE TAE BO. 616 00:30:30,834 --> 00:30:34,583 LOOK, BABY, I DON'T WANT TO BRAG, BUT I'M HUNG LIKE A JURY. 617 00:30:37,542 --> 00:30:39,290 MY NAME'S PETE. 618 00:30:39,291 --> 00:30:40,833 DOLLAR FOR A TUNE? 619 00:30:40,834 --> 00:30:43,958 DOESN'T IT BOTHER YOU, HAVING TO DEPEND ON OTHER PEOPLE'S HANDOUTS? 620 00:30:43,959 --> 00:30:46,624 I'VE ALWAYS RELIED ON THE KINDNESS OF STRANGERS. 621 00:30:46,625 --> 00:30:49,541 WELL, I'VE PLAYED BLANCHE DUBOIS FOR A LIFETIME, SO... 622 00:30:49,542 --> 00:30:51,124 SO YOU MUST GET IT. 623 00:30:51,125 --> 00:30:52,125 I DO. 624 00:30:58,875 --> 00:30:59,999 WHAT WAS THAT? 625 00:31:00,000 --> 00:31:01,582 IT'S FOR LUCK. 626 00:31:01,583 --> 00:31:03,875 IF YOU'VE GOT A GOOD ONE, NOW WOULD BE THE TIME. 627 00:31:12,583 --> 00:31:13,917 NO, I CAN GO ALL NIGHT. 628 00:31:15,375 --> 00:31:18,083 I'M LIKE AN ANIMAL, BABY. 629 00:31:18,084 --> 00:31:19,499 YEAH, I'M DANGEROUS. 630 00:31:19,500 --> 00:31:22,667 I'M LIKE A BULL MOOSE IN HEAT. MM! 631 00:31:23,458 --> 00:31:24,624 CREDIT CARD? 632 00:31:24,625 --> 00:31:26,874 WHAT, YOU NEED MY CREDIT CARD ALREADY? 633 00:31:26,875 --> 00:31:28,624 I MEAN, WE HARDLY KNOW EACH OTHER. 634 00:31:28,625 --> 00:31:30,145 ALL WE'RE DOING IS TALKING HERE, RIGHT? 635 00:31:31,375 --> 00:31:33,542 I MEAN, FOR GOD'S SAKE, I'VE STILL GOT MY PANTS ON. 636 00:31:41,625 --> 00:31:43,084 HOLY SHIT. 637 00:31:44,875 --> 00:31:46,249 FUCK ME. 638 00:31:46,250 --> 00:31:48,124 NO, NO, NOT YOU, SWEETHEART. 639 00:31:48,125 --> 00:31:50,250 ♪ STARING AT A MAPLE LEAF ♪ 640 00:31:51,167 --> 00:31:52,874 ♪ LEANING ON THE MOTHER TREE ♪ 641 00:31:52,875 --> 00:31:54,750 ♪ I SAID TO MYSELF... ♪ 642 00:32:03,959 --> 00:32:05,834 [PEOPLE SHOUTING] 643 00:32:06,792 --> 00:32:09,000 [WOMAN]: CALL AN AMBULANCE! 644 00:32:09,875 --> 00:32:11,290 WHAT HAPPENED? 645 00:32:11,291 --> 00:32:13,165 DID YOU KILL ME? 646 00:32:13,166 --> 00:32:15,667 NO. I'M YOUR REAPER. 647 00:32:16,458 --> 00:32:18,125 YOU DIED AND... 648 00:32:19,500 --> 00:32:20,708 UH-OH. 649 00:32:40,542 --> 00:32:41,959 AM I DEAD? 650 00:32:49,500 --> 00:32:51,082 GO AWAY. 651 00:32:51,083 --> 00:32:52,500 [GROWLS] 652 00:33:08,917 --> 00:33:10,667 I HAVEN'T FIGURED OUT WHO SHE IS YET. 653 00:33:11,417 --> 00:33:13,000 I'LL LET YOU KNOW. 654 00:33:15,458 --> 00:33:16,542 SHE'S OVER THERE. 655 00:33:17,667 --> 00:33:19,000 THAT'S ROSIE. 656 00:33:27,166 --> 00:33:29,375 I DON'T THINK I CAN DO THIS. 657 00:33:32,041 --> 00:33:34,332 [GEORGE]: WE THINK WE CAN'T DO SOMETHING. 658 00:33:34,333 --> 00:33:37,375 WE THINK WE CAN'T, WE THINK WE CAN'T, WE THINK WE CAN'T... 659 00:33:38,959 --> 00:33:40,333 BUT WE CAN. 660 00:33:41,583 --> 00:33:42,917 [RIBBITS] 661 00:33:45,875 --> 00:33:47,165 [EXHALES] 662 00:33:47,166 --> 00:33:48,667 OKAY, BOY. 663 00:33:53,750 --> 00:33:56,125 SWEETIE, DO YOU WANT TO SAY SOMETHING? 664 00:33:58,417 --> 00:34:00,458 I'M SURE J.D. WOULD LIKE IT IF YOU DID. 665 00:34:05,959 --> 00:34:08,165 DEAR J.D... IT'S NOT A LETTER, SWEETHEART. 666 00:34:08,166 --> 00:34:09,708 CLANCY. SORRY. 667 00:34:11,167 --> 00:34:12,375 DEAR J.D... 668 00:34:14,333 --> 00:34:16,041 IF YOU SEE GEORGE, 669 00:34:17,209 --> 00:34:19,042 TELL HER I SAY, "HEY." 670 00:34:20,250 --> 00:34:22,792 TELL HER IT'S ALL RIGHT TO COME BACK... 671 00:34:25,000 --> 00:34:26,959 AND TELL HER THANKS FOR THE FROG. 672 00:34:30,042 --> 00:34:32,208 OKAY, WELL, THAT WAS LOVELY, SWEETHEART. 673 00:34:32,792 --> 00:34:34,125 I'M NOT DONE. 674 00:34:35,167 --> 00:34:36,167 GOOD. 675 00:34:39,166 --> 00:34:40,583 I'M SORRY. 676 00:34:41,583 --> 00:34:43,959 I'M SORRY I LEFT THE GATE OPEN. 677 00:34:46,042 --> 00:34:47,417 I'M SORRY I GOT YOU KILLED. 678 00:34:53,458 --> 00:34:57,083 LEAVING THE GATE OPEN DIDN'T KILL J.D., SWEETHEART. 679 00:34:57,084 --> 00:34:59,875 THERE'S LOTS OF DOGS WHO RUN ALL OVER THE PLACE, AND THEY'RE OKAY. 680 00:35:01,625 --> 00:35:03,125 J.D. DIED... 681 00:35:04,667 --> 00:35:06,625 BECAUSE IT WAS JUST TIME FOR THAT TO HAPPEN. 682 00:35:07,667 --> 00:35:09,707 IT'S NOT YOUR FAULT, SWEETHEART. 683 00:35:09,708 --> 00:35:11,083 NONE OF IT IS. 684 00:35:24,291 --> 00:35:25,708 [KNOCKING] 685 00:35:37,000 --> 00:35:38,250 I DIDN'T SAY YOU COULD SIT DOWN. 686 00:35:43,458 --> 00:35:44,708 THESE ARE FOR YOU. 687 00:35:45,291 --> 00:35:46,749 DID YOU STEAL THOSE? 688 00:35:46,750 --> 00:35:47,792 NO. 689 00:35:49,000 --> 00:35:50,416 I PICKED THEM. 690 00:35:50,417 --> 00:35:51,833 FROM WHERE? 691 00:35:51,834 --> 00:35:53,083 THE FOREST. 692 00:35:53,084 --> 00:35:54,374 POSIES DON'T GROW IN THE SHADE. 693 00:35:54,375 --> 00:35:56,582 OKAY, I PICKED THEM FROM SOMEBODY'S YARD, 694 00:35:56,583 --> 00:35:58,083 BUT THERE WERE LITERALLY THOUSANDS... 695 00:35:58,084 --> 00:35:59,457 ACTUALLY, MILLIONS OF THEM, 696 00:35:59,458 --> 00:36:00,999 SO I DON'T THINK THEY'LL BE MISSED, 697 00:36:01,000 --> 00:36:02,582 AND THE POINT IS, I PICKED THEM FOR YOU, 698 00:36:02,583 --> 00:36:04,542 SO THAT'S GOT TO SAY SOMETHING? 699 00:36:06,209 --> 00:36:08,042 IF YOU STOLE THEM, I DON'T WANT THEM. 700 00:36:10,125 --> 00:36:11,542 I'M SORRY. 701 00:36:12,542 --> 00:36:14,166 KIFFANY... 702 00:36:14,167 --> 00:36:17,457 THAT WAS TERRIBLE OF ME. I SHOULDN'T HAVE STOLEN YOUR TIP. 703 00:36:17,458 --> 00:36:19,999 IT WASN'T MY TABLE. IT WAS KIRSTIN'S. 704 00:36:20,000 --> 00:36:21,457 I DON'T UNDERSTAND IT. 705 00:36:21,458 --> 00:36:24,457 IF IT WASN'T YOUR TIP, WHY ARE YOU SO MAD AT ME? 706 00:36:24,458 --> 00:36:26,040 WE POOL OUR TIPS. 707 00:36:26,041 --> 00:36:27,791 IF SOMEONE HAS A GOOD MORNING, 708 00:36:27,792 --> 00:36:29,707 EVERYONE HAS A GOOD MORNING. 709 00:36:29,708 --> 00:36:31,374 IF SOMEONE GETS STIFFED, 710 00:36:31,375 --> 00:36:33,082 EVERYBODY GETS STIFFED. 711 00:36:33,083 --> 00:36:35,083 DO YOU UNDERSTAND WHAT THAT MEANS? 712 00:36:35,084 --> 00:36:37,004 I DON'T UNDERSTAND WHY YOU DON'T WANT YOUR POSIES. 713 00:36:37,028 --> 00:36:40,374 I DON'T THINK YOU UNDERSTAND THE MEANING OF THE WORD "HOUSE." 714 00:36:40,375 --> 00:36:42,207 IT'S A PLACE WHERE I CAN SLEEP. 715 00:36:42,208 --> 00:36:44,457 A PLACE WHERE YOU CAN FEEL SAFE. 716 00:36:44,458 --> 00:36:46,041 I DON'T FEEL SAFE ANYWHERE. 717 00:36:47,667 --> 00:36:50,625 I'VE BEEN HAVING A FUCK OF A TIME LATELY, KIFFANY... 718 00:36:52,583 --> 00:36:54,167 JUST A WORLD OF PAIN... 719 00:36:56,333 --> 00:36:58,208 SAME OLD, SAME OLD, EH? 720 00:37:01,583 --> 00:37:02,667 SIT. 721 00:37:06,209 --> 00:37:07,290 [SIGHS] 722 00:37:07,291 --> 00:37:08,499 I WORK HARD. 723 00:37:08,500 --> 00:37:09,791 I TAKE ORDERS. 724 00:37:09,792 --> 00:37:10,999 I BRING PEOPLE THEIR FOOD. 725 00:37:11,000 --> 00:37:12,542 IT'S VERY SIMPLE. NO MYSTERY. 726 00:37:13,708 --> 00:37:15,374 YOU KNOW WHY I STAY HERE? 727 00:37:15,375 --> 00:37:16,583 BECAUSE YOU LOVE WAFFLES? 728 00:37:18,875 --> 00:37:22,125 IT'S A CLEAN, WELL-LIGHTED PLACE... 729 00:37:23,708 --> 00:37:25,208 AND I FEEL SAFE. 730 00:37:31,125 --> 00:37:32,250 HERE. 731 00:37:37,291 --> 00:37:39,040 I DON'T KNOW WHAT TO SAY. 732 00:37:39,041 --> 00:37:40,582 SAY, "THANK YOU." 733 00:37:40,583 --> 00:37:42,124 THANK YOU. 734 00:37:42,125 --> 00:37:43,792 YOU'RE WELCOME. 735 00:37:45,291 --> 00:37:46,375 HEY. 736 00:37:56,500 --> 00:37:57,917 YOU CAN'T SLEEP HERE. 737 00:38:04,458 --> 00:38:06,499 SO... 738 00:38:06,500 --> 00:38:08,041 I GUESS I HAVE TO APOLOGIZE TO CLAIRE. 739 00:38:09,667 --> 00:38:10,958 THAT'D BE NICE. 740 00:38:10,959 --> 00:38:12,791 OR YOU COULD APOLOGIZE FOR ME. 741 00:38:12,792 --> 00:38:14,165 NO. 742 00:38:14,166 --> 00:38:16,084 WHAT A FUCKING DAY. 743 00:38:18,875 --> 00:38:20,333 YEAH. SO, WHAT'S FOR DINNER? 744 00:38:23,166 --> 00:38:27,499 I DON'T KNOW, BUT YOU SHOULD PROBABLY GO. 745 00:38:27,500 --> 00:38:29,582 I JUST THOUGHT... 746 00:38:29,583 --> 00:38:31,000 I MEAN, IF REGGIE NEEDS ANYTHING. 747 00:38:31,417 --> 00:38:33,084 YEAH, THANKS... 748 00:38:34,375 --> 00:38:36,000 BUT YOU SHOULD PROBABLY GO HOME. 749 00:38:43,250 --> 00:38:44,959 YOU WERE A GOOD FATHER TODAY. 750 00:38:45,792 --> 00:38:47,874 THANKS. 751 00:38:47,875 --> 00:38:49,375 DOESN'T MAKE YOU A GOOD HUSBAND. 752 00:38:51,291 --> 00:38:52,542 I KNOW. 753 00:39:03,333 --> 00:39:05,125 WOULD YOU LIKE TO GO FOR A WALK? 754 00:39:06,000 --> 00:39:07,167 NO. 755 00:39:09,084 --> 00:39:11,166 ARE YOU HUNGRY? I THINK THEY'RE SERVING DINNER. 756 00:39:12,084 --> 00:39:13,084 NO. 757 00:39:14,208 --> 00:39:15,667 I'M WAITING FOR SOMEONE. 758 00:39:24,333 --> 00:39:25,958 HI, ROSIE. 759 00:39:25,959 --> 00:39:27,041 HI, PAPA. 760 00:39:40,083 --> 00:39:41,542 I'M SORRY. 761 00:39:45,875 --> 00:39:47,583 WHERE ARE YOU GOING? 762 00:40:00,125 --> 00:40:01,209 SHH. 763 00:40:04,084 --> 00:40:05,500 IT'S ALL RIGHT. 764 00:40:07,083 --> 00:40:08,999 GO TO SLEEP. 765 00:40:09,000 --> 00:40:11,707 ♪ I'LL BE LOVING YOU ♪ 766 00:40:11,708 --> 00:40:13,083 SING IT, PAPA. 767 00:40:22,542 --> 00:40:27,917 ♪ I'LL BE LOVING YOU ALWAYS ♪ 768 00:40:29,333 --> 00:40:34,625 ♪ WITH A LOVE THAT'S TRUE ALWAYS ♪ 769 00:40:39,042 --> 00:40:41,833 ♪ AND THE THINGS YOU'VE PLANNED ♪ 770 00:40:41,834 --> 00:40:44,207 ♪ NEED A HELPING HAND ♪ 771 00:40:44,208 --> 00:40:50,166 ♪ I WILL UNDERSTAND ALWAYS, ALWAYS ♪ 772 00:40:52,000 --> 00:40:56,834 ♪ DAYS MAY NOT BE FAIR ALWAYS ♪ 773 00:40:58,291 --> 00:41:03,209 ♪ THAT'S WHEN I'LL BE THERE ALWAYS ♪ 774 00:41:05,084 --> 00:41:08,541 ♪ NOT FOR JUST AN HOUR ♪ 775 00:41:08,542 --> 00:41:11,625 ♪ NOT FOR JUST A DAY ♪ 776 00:41:12,500 --> 00:41:16,125 ♪ NOT FOR JUST A YEAR ♪ 777 00:41:17,417 --> 00:41:20,917 ♪ BUT ALWAYS ♪ 778 00:41:23,084 --> 00:41:25,000 ARE YOU LEAVING AGAIN, PAPA? 779 00:41:28,208 --> 00:41:29,625 NO, ROSIE. 780 00:41:32,375 --> 00:41:34,250 I'M NOT GOING ANYWHERE. 781 00:41:52,375 --> 00:41:53,958 HE'S NOT STAYING HERE. 782 00:41:53,959 --> 00:41:56,833 YOU'RE BEING TOTALLY SELFISH. 783 00:41:56,834 --> 00:41:59,084 THAT'S A FINE SENTIMENT COMING FROM YOU. 784 00:41:59,708 --> 00:42:01,541 EXCUSE ME? I AM THE MOST... 785 00:42:01,542 --> 00:42:03,062 SELF-INVOLVED IS WHAT YOU ARE, GEORGIA. 786 00:42:03,086 --> 00:42:04,499 YOU ARE ALWAYS IN YOUR OWN HEAD. 787 00:42:04,500 --> 00:42:05,999 IT'S LIKE YOU'RE TALKING TO YOURSELF. 788 00:42:06,000 --> 00:42:07,124 AM I? 789 00:42:07,125 --> 00:42:08,041 SHE HAS GOT A POINT, GEORGIE. 790 00:42:08,042 --> 00:42:09,332 [BOTH]: SHUT UP, MASON. 791 00:42:09,333 --> 00:42:10,834 FINE. JESUS. 792 00:42:13,458 --> 00:42:15,457 HE CAN HAVE DINNER WITH US. 793 00:42:15,458 --> 00:42:17,207 BUT THEN HE HAS TO GO. HE CAN'T STAY. 794 00:42:17,208 --> 00:42:18,749 SO, WHAT? IS HE A DOG NOW? 795 00:42:18,750 --> 00:42:21,874 SHOULD WE JUST PUT HIS FOOD IN A BOWL AND LEAVE IT OUT BACK? 796 00:42:21,875 --> 00:42:23,165 I ACTUALLY WOULDN'T MIND THAT. 797 00:42:23,166 --> 00:42:25,041 SHUT THE FUCK UP, MASON. 798 00:42:25,042 --> 00:42:27,166 I AM TRYING TO PROTECT HIM. 799 00:42:27,167 --> 00:42:31,041 HOW IS KICKING SOMEONE TO THE CURB GOING TO PROTECT THEM? 800 00:42:32,250 --> 00:42:34,792 YOU JUST THINK EVERYONE IS IN LOVE WITH YOU. 801 00:42:35,291 --> 00:42:37,207 WELL, MAYBE THEY AREN'T. 802 00:42:37,208 --> 00:42:40,500 MAYBE THEY JUST NEED A PLACE TO FEEL SAFE. 803 00:42:42,166 --> 00:42:44,208 THAT WAS VERY MEAN, GEORGIA. 804 00:42:44,209 --> 00:42:46,332 BUT NOT ENTIRELY INACCURATE. 805 00:42:46,333 --> 00:42:47,959 ENOUGH, MASON. 806 00:42:50,583 --> 00:42:52,457 [RAY HISSING] 807 00:42:52,458 --> 00:42:55,208 NO ONE IS SAFE HERE. THIS IS WHERE YOU KILLED HIM. 808 00:42:56,291 --> 00:42:58,124 HE'S NOT COMING BACK. 809 00:42:58,125 --> 00:42:59,499 HE DID. 810 00:42:59,500 --> 00:43:00,791 TODAY. 811 00:43:00,792 --> 00:43:03,624 THERE WAS SUPPOSED TO BE ONE DEATH, AND THERE WERE TWO, 812 00:43:03,625 --> 00:43:06,265 AND IF MASON STAYS HERE, HE'S JUST GOING TO GET ANGRIER AND ANGRIER. 813 00:43:06,289 --> 00:43:07,497 DON'T YOU GET IT? 814 00:43:08,792 --> 00:43:10,042 WELL... 815 00:43:14,750 --> 00:43:16,458 IT'S MY HOUSE TOO... 816 00:43:18,417 --> 00:43:20,125 AND I'M NOT SCARED OF ANYTHING. 817 00:43:22,333 --> 00:43:23,500 FINE. 818 00:43:27,000 --> 00:43:28,499 [WHISPERS]: THANKS, GEORGIE. 819 00:43:28,500 --> 00:43:29,959 [WHISPERS]: NO PROBLEM-O. 820 00:43:32,750 --> 00:43:34,207 STAY OUT OF MY BEDROOM... 821 00:43:34,208 --> 00:43:36,083 THAT'S NO FUN, MY DARLING. 822 00:43:36,084 --> 00:43:38,208 AND IF YOU'RE NOT SCARED, YOU'RE JUST A FOOL. 823 00:43:43,375 --> 00:43:46,209 [SIGHS] OH, GOODNESS, GRACIOUS ME. 824 00:43:47,583 --> 00:43:49,042 [GROANS] 825 00:43:51,458 --> 00:43:53,084 GHOST STORIES? 826 00:43:55,125 --> 00:43:57,165 PAINT EACH OTHER'S TOENAILS? 827 00:43:57,166 --> 00:44:00,124 JUST GO TO SLEEP, MASON. 828 00:44:00,125 --> 00:44:01,845 YOU'LL STAY HERE FOR A LITTLE BIT, WILL YOU? 829 00:44:02,083 --> 00:44:03,208 SURE. 830 00:44:04,166 --> 00:44:05,959 PULL THE COVERS OVER YOUR HEAD. 831 00:44:07,417 --> 00:44:11,792 NO WAY. IT ALWAYS MADE ME MORE SCARED, BEING IN THE DARK. 832 00:44:13,208 --> 00:44:15,165 WILL YOU LEAVE THE LIGHT ON? 833 00:44:15,166 --> 00:44:18,041 I'LL JUST STAY HERE UNTIL YOU FALL ASLEEP. 834 00:44:18,042 --> 00:44:20,208 I DON'T THINK I'LL EVER FALL ASLEEP AGAIN. 835 00:44:29,208 --> 00:44:30,499 [SNORING] 836 00:44:30,500 --> 00:44:33,332 [GEORGE]: ONE MISSISSIPPI. TWO MISSISSIPPI. 837 00:44:33,333 --> 00:44:34,542 MASON. 838 00:44:36,041 --> 00:44:39,042 I GUESS THERE'S ALWAYS SOMETHING OUT THERE TO HIDE FROM, 839 00:44:40,000 --> 00:44:43,040 SOMETHING OUT THERE YOU JUST CAN'T FACE. 840 00:44:43,041 --> 00:44:46,374 THREE MISSISSIPPI. FOUR MISSISSIPPI. 841 00:44:46,375 --> 00:44:48,750 SO YOU'LL HIDE FOR AS LONG AS YOU CAN... 842 00:44:50,084 --> 00:44:54,166 BUT THAT'S NOT EASY EITHER, ALL THAT HIDING... 843 00:44:54,917 --> 00:44:56,124 [RAY GROWLS] 844 00:44:56,125 --> 00:44:57,667 FIVE MISSISSIPPI. 845 00:45:00,083 --> 00:45:04,040 IN THE END, WHAT YOU WERE SO AFRAID OF 846 00:45:04,041 --> 00:45:06,458 TURNS OUT NOT TO BE SO SCARY AFTER ALL. 847 00:45:08,084 --> 00:45:10,624 SIX MISSISSIPPI, SEVEN. 848 00:45:10,625 --> 00:45:12,666 BECAUSE YOU HAVE TO KNOW THAT IF YOU'RE HIDING, 849 00:45:12,667 --> 00:45:14,332 MORE OFTEN THAN NOT, 850 00:45:14,333 --> 00:45:17,124 YOUR FEARS WILL COME LOOKING FOR YOU. 851 00:45:17,125 --> 00:45:19,625 COME OUT, COME OUT, WHEREVER YOU ARE. 852 00:45:22,875 --> 00:45:24,125 [SNARLS] 853 00:45:33,625 --> 00:45:35,500 I NEVER LIKED YOU, RAY. 854 00:45:47,042 --> 00:45:48,375 [SHRIEKING] 855 00:46:02,125 --> 00:46:03,875 OLLY, OLLY, OXEN FREE.